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Athleisure Mag™ | Athleisure Culture

ATHLEISURE MAG™ | Athleisure Culture
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BOB MARLEY AND THE WAILERS

August 28, 2024

One of the best things in life is to re-discover, deep dive, and better connect with things long-admired, and cherished. Bob Marley’s music lies at the top of my must-haves – many tracks and live albums suiting best for joyous and sad moments, and all in between, as well as adventuring outdoors, smoking sessions, studying, romance and more.

Upon reading Bob Marley and The Wailers: The Ultimate Illustrated History by Richie Unterberger, it was quickly apparent that it was time to dust off those old soundboard recording treasures and look to the music, life and culture that has served as such stong guidance over the years.

We put together an expanded 9PLAYLIST STORI3S to explore and ponder more about the man, his music, and the times for then and now, along a series of our favorite song selections: Sun Is Shining, Positive Vibration, Roots Rock Reggae, Downpressor Man, One Love, Zimbabwe, And I Love Her, High Tide or Low Tide, and Redemption Song.

Ultimately, with questions or thoughts of art and nature; good and tough times; peace and strife; love, respect and kindness, we ask along this and our musical journey - What Would Marley Do (WWMD)?

And I Love Her (Alternate Take)

ATHLEISURE MAG: I stumbled upon this ballad mid-college and was floored. It felt immediately intimate and special, loved sharing it at parties as friends generally loved it.

RICHIE UNTERBERGER: Most of the attention on Marley's career goes to the last seven or so years of his life when he was becoming an International star, first with the original Wailers and then with other Wailers. But there was a lot of good music that he made, often with the original Wailers, in the first 10 years of his recording career, which isn't very well known because it was primarily heard in Jamaica and not elsewhere.

And the earliest years of those are like from 1962-63 to 1966. That's when he had his debut single with Studio One. And the records are a lot more ska influenced than what he did after 1966 - [ska as] the precursor to reggae music. It's a lot faster and it's sort of a combination of Jamaican folk music with early American soul music.

Like they did a Curtis Mayfield song and he was maybe their biggest early influence. That's not a surprise. But them doing a Beatles song is not something that you would necessarily expect. And the version that they do, it is more imaginative than you would think, even if you know a fair amount about reggae and the Wailers. I'm a big Beatles fan. I love the original version, but they give it more of a wilting, early reggae cast and they also add, 'and I love her, yes, indeed,' after like every chorus. So it sounds more like a soul, early reggae hybrid sort of yearning quality that's not in the Beatles original, which makes it an interesting variation. And that's how they kind of varied soul music in general, when they were doing their first records in the mid '60s.

AM: At this time, were they doing covers towards getting acceptance or was that honoring their influences, or both?

RU: It's kind of all the above, but I think even though the majority of the material from the get go was original, I think there were a lot of songs they just liked that they wanted to do. It's just it's like when the Beatles started, they were already great songwriters on their first album, but the first few albums all have a good number of cover versions, which they did really well. They didn't just imitate Chuck Berry or Little Richard. They put their own personality on it very strongly. But also, I think they, and a lot of early reggae acts or ska acts, were just putting out tons of records, even though Jamaica was a pretty small market. And to fill out all these singles coming out and the one album that they did in the mid 60s, they needed to have more songs probably than they had already written. So they opted for songs that they really liked and maybe songs that when they performed live would get a good reaction to sort of vary their repertoire if they were playing long concerts.

AM: Yeah. I always liked the Bob Dylan one, Like A Rolling Stone.

RU: And another example, they did a Temptations song, Don't Look Back, an earlier version than the one that Peter Tosh did where Mick Jagger duetted with him in the late 60s. But he was aware of that song by the Temptations, which isn't one of their big hits, even when he was pretty early in his recording career.

AM: You know, I love that part of your book when you showed the Rolling Stones imprints, didn't know much about that, and definitely that whole part about Mick Jagger and the Stones backing Peter Tosh and all that.. That was terrific!

RU: Thanks. Yeah. It's really interesting because I think when the Rolling Stones set up their own label, their ambition was to have it be a sort of Apple Records, the way that Beatles ran Apple Records for the first couple of years, where it would be their label, but they would sign a lot of other artists and not just sign them, but often produce them or help them hands on, like they did with Badfinger and Mary Hopkin. And for various reasons, that aren't clear to me, they signed very few people, like less than five. And the only significant one they signed to put out a reasonable number of records was Peter Tosh. And I think that although the Stones didn't do many reggae songs, whether it was covers or they wrote their reggae style songs, they really liked the music.

They did some recording in Jamaica, like Goats Head Soup, the 1973 album, and they saw the connection between reggae and the American rhythm and blues and soul music that they loved and wanted to promote it with one of the leading artists who was available because he had left the Wailers for various complicated reasons, right after the Wailers started to get a big International audience on Island Records. So I'm not saying they were the most altruistic group of people in the world, the Rolling Stones, but they really wanted to promote a form of Black music, not Black American as it happens, but still from near North America.

It didn't work out indefinitely because Peter Tosh had a fallout with Keith Richards. This is like a few albums into his career with Rolling Stones records. But it was an alliance that made a lot of sense. It's the only such alliance the Stones made for their own record label, but it was the one solid indication of what they could do to help another artist. Not that Tosh needed so much help for his art, but his promotion to an International audience, which also Mick Jagger, of course, helped by actually singing on Don't Look Back, and also appearing in the official promotional video that Peter Tosh did, and also they sang it together on Saturday Night Live.

Sun is Shining

AM: This song increasingly became one of my favorites throughout my life. It’s always something that gets to me right away and the right ways, just find it so magnificent – it's sexy and inspirational!

RU: A lot of the attention given to Marley as a songwriter or for his protest songs are the ones championing social justice. And that's very important, arguably the most important part of his songwriting. But it should never be overlooked, that like almost all great songwriters, he could write about social issues, but also just write songs that were feel good songs, like ‘Positive Vibration,’ it was a great example, I think.

Also really good love songs - and although a lot of his songs, like Get Up, Stand Up is a great example, are about self-empowerment, a lot are sort of anthems just to make people feel more positive about what they are experiencing, what they hope to experience. And Sun Is Shining is an early example of that.

And I think it's interesting that throughout his career, Marley and Tosh would sometimes remake songs from pretty early in their career, like One Love is another great example, when they realized we're getting a much bigger audience and a lot of those people around the world never heard these records, which were primarily or only distributed in Jamaica. It was time to make those songs, which still have a universal message, something that everybody can hear on records, not just in their concerts. So Sun Is Shining is an example of that, where it was revisited and remade as well.

AM: Near the end of the song, he's talking about how he's 'a rainbow, too.' And it made me really reflect, wondering if this was him rescuing us as the unifier, and if also he was encouraging us that we all could all be rainbows, too?

RU: I would say like not just a lot of songwriters, but a lot of artists, his messages can be validly interpreted in different ways. So you might say he's talking about himself or that he's talking about everybody, all of his listeners and himself, or he's talking about both himself and his listeners. One of his great strengths was that as a songwriter, he could deliver very clear, yet easily understood messages that were inspiring. When you hear his spoken interviews, he's often a little vague. And it's interesting that it's not like his songwriting, which is very clear and direct. Get Up, Stand Up - I mean, how can you misinterpret that? I Shot the Sheriff - but I swear it was self-defense..; it's very lucid.

And it's unknown how precise his lyrics were explicitly stating. Yeah, meaning that it's hard to say whether his lyrics were meant for this is how I'm feeling, or this is how humans as a whole feel, or it could be both. His clear, direct messages were that in the lyrics, whether it's interpreted, however it's interpreted to apply to, they are very easily understood and they hit very directly [and across the world]. And it's unlike his spoken interviews, the last quote before my epilogue, somebody who was talking to the New York Times right after he died, just a fan, not someone who knew him, she said, ‘as an orator, he wasn't much, but his music said it all.’ It's almost like his music was his great expression of communication.

He also traveled and did concerts in Japan and other countries where knowledge of English was appreciably lower then, like a couple generations ago. A lot of people probably, if they read the lyrics on the page, they might have had a hard time understanding them, but when they heard them, they were geared around choruses which were easy to remember and sort of sink in. I think a lot of those messages did get through, both in the words, but also the way that they were sung.

High Tide or Low Tide

AM: So let's talk about High Tide or Low Tide and the Catch a Fire sessions in general? This track is so delicate and haunting, really enjoy it chilling with my girlfriend for sure.

RU: Yeah, Catch a Fire [sessions] - made really good music. I think in Britain a few people had heard them because there was such a big Jamaican population there, Jamaica, and they, Marley and Tosh, liked to have an International audience. They had gone to London in part to not just get a bigger audience or whatever concerts they could do, but try to find a record label. I think the feeling was it's going to be easier in Britain than in the U.S. because of that Jamaican population, Jamaica being a former British population in Britain, there was a much wider knowledge of reggae, even among non-Jamaicans, and his record labels were distribution, business distribution, primarily to serve the British Jamaican audience.

To bring reggae music itself to a wider audience, the goal was to give them more of a luster of a rock group, not so much in changing their music, but in marketing the album design, how it's distributed, it's on Island records, which a lot of people associated with those big British rock groups, and only subtly adding some rock instrumentation to their sound without diluting it.

Their appeal then, it was slightly earlier, but still very good records, music was slowing down into reggae and the lyrics were becoming a lot more socially conscious. Even though Catch a Fire is a very well-known album now, when it first came out it, it was primarily an underground hit, but that was very important, because that's where Marley's huge following could grow. When people saw the Wailers when they made their first American tours, they really stood out, in part because most white rock listeners had not heard reggae before, but also because the stage presence and the concerts were so good, and they got a lot of FM radio. I've talked to the leading FM radio disc jockey in the city in which I grew up, Philadelphia, and he said, 'oh yeah, when that record came out we leapt on it, we played it a lot, both because we loved it, but also we knew that our listeners who were maybe more used to Pink Floyd or Sticky Fingers, or something like that would love it too!'

But it should not be lost sight of that the biggest reason was that the material was very strong. You can't sell a record with that sort of marketing if the songs aren't really strong. In retrospect I kind of wish that it could have been a double album, not just Marley but also Tosh and Two, a lesser but significant degree by Quayler. Part of the reason I think that they did not stay together long on Island Records, after being together for a long time, was that Marley was getting so much of the songwriting, and that's one of the reasons he got more attention than anywhere else, although I emphasize they were a group at that time, it wasn't as what it became. They were a group in the sense that all of them have the impact that the act has.

AM: I was honored to see the Wailers after Bob Marley had passed, they were terrific.

Positive Vibration and Roots Rock Reggae

AM: This pair were often musts for outdoor adventures.

RU: With Positive Vibrations, it's like some of Bob Marley's song titles, you get the idea very quickly before even hearing the song. That's a really good example of, yeah we're going to dig into the lyrics.

We're all going to have a much better life here if we can all learn to groove together, which to some degree his concerts enable many people to do that together. But also, even if you don't think about the lyrics, it captures in a way that few reggae songs have done and reggae's been around now for 60 years or so.

Downpressor Man

AM: I first encountered Downpressor Man at an outside cafe in Miami. I had heard the cover rendition of Sinner Man before and loved it, but this magical slowed down version just hit so hard. Of course, a big fan of and feel it gives justice to Nina Simone’s tough bar to meet.

RU: I think that Peter Tosh shared with Marley as a songwriter, where he's documenting the injustices done to the underprivileged - which in Jamaica, most of the people considered underprivileged would have been. And in this instance, he adopted almost like spiritual, but made it particular, or more particular to the circumstances, not just of the oppressed in Jamaica, but the oppressed anywhere. I think that's a big part of not just Marley and Tosh's appeal, but reggae's appeal, especially in Africa, places which don't enjoy, in some cases, not as many human rights. Him changing the focus of the song and championing the downtrodden was something that made people feel that he had a lot of empathy for his audience and was able to express that well.

One Love

AM: With One Love, it's definitely something that became a huge country anthem, it always gives me a smile, and like a hug and form of encouragement – it's inviting..

RU: When preaching unity, [it's] hard to do.. without sounding sappy or sounding, just to get together, to find some common ground. This song had those kinds of sentiments, but did it in a humbler way than a lot of such songs do, but also should not be overestimated. The Beatles had a lot of great lyrics, but maybe the biggest reason they became the biggest group ever was that the songs were so melodic. Marley and the Wailers had a lot of such songs, which were very catchy, easy to hum. One Love is maybe his greatest expression of his hopes for a universal common ground between people of all geography and make inroads toward making the world a more peaceful place. Like I said earlier, he'd done that song, it caught on a lot more when it was remade in his solo career in the 70s. It was more updated, it sounds very contemporary.

Zimbabwe

AM: With Survival, it was very interesting to read your commentary because there came across with fierce lyrics and anthems.

RU: It might seem more tilted toward that on his album, but it seems like he always had a wide range of songs that he emphasized the most, but on others, that was because he was one of the first reggae artists, maybe the first, to recognize that an album should have, even if it's not like a story album or not all the songs, a theme. So maybe with Survival, he focused more on a full statement than like a romantic album that he did, but it's something that will vary on what was put out there that'll keep people interested.

I'm kind of speculating because, in part, Marley's life was short.. he didn't go through all of the phases of his career and explain them in ways like John Lennon did in his numerous interviews before he died. So it's a little bit of projection on my part.

AM: With Zimbabwe, having such significance, and the way it was performed so beautifully at legendary concerts, but how was that received globally?

RU: I do think that it meant a lot that Marley was sort of voicing his support for people's independence and self-determination in a country. It's often asked, and it's a very logical question, what would Marley have done had he not died so young in his later years? He was only - I think, although it's not certain, he definitely would have performed a lot more in Africa. He'd only perform there a bit toward the end of his career, both because he got a really great reception there, but also he saw that, as universal as his music was, it had some particular parts of meaning for people in Africa, where a number of countries - maybe South Africa got more attention in more attention in the United States for that than anywhere else, but a number of countries there - I think he would have performed there as much as he could have, maybe written more songs that were directly applicable to Africa. And possibly, it would seem like a logical step to me, maybe incorporating some elements of African music as he became more exposed to them, whether through touring or just listening more, because in the early 80s, that was the point where artists like Fela were starting to get a much bigger audience in the United States, and I could see Marley being very interested in someone like Fela, not just musically, but also lyrically, and also as a cultural figure in Nigeria.

Redemption Song

AM: Redemption Song, a lot of people's top favorite, and it is very reflective and boldy highlights the past and gives deep lessons. I’ve always held it in a different way, like a supercharged guide to fall back to when happy and chill or lost and sad. It says so much about the past, present and future of humanity, extremely prophetic!

RU: It's interesting to me for a few reasons. One is that unlike maybe all of his other really well-known - it could in some ways be heard not even as a reggae song, more as like folk. And that, it actually relates to something I was riffing on a couple minutes ago, [the] direction that he might have changed his style to that style that he would have done. Maybe he would have been thinking, yeah, I'm a reggae artist, I'm never going to abandon reggae, but I want to explore different styles that might not be dominantly reggae. Other artists have done that. Joni Mitchell started as a folk singer, then she admitted some rock influences, then she went into jazz. Paul Simon started, but then he incorporated reggae and gospel. He eventually got to African music, of course. I think he knew this when he was writing it, that he could do several different styles of music well - and when I hear it, because he didn't die that much long afterward, it's like he also had some sort of awareness that his time is not going to be long, whether he dies or not. it's almost like a Martin Luther King song. It's almost like Martin Luther King's final speeches, where he feels like, I might not have much time, but his urgency to get a message across.

AM: A hypothetical, because I've enjoyed some bubblegum gelato vape during our interview, what did he say about technology? Would he e-vape today or be comfortable his audience did?

RU: About his drug use, which is mostly cannabis, in the book or elsewhere, because there is music, but specifically as far as people using that sort of stimulation for recreational purposes, I don't think he ever would have minded whether it was with a religious dimension, as it was with a lot of prostitutes, or you just wanted to use it, at least in your ability of function and people around you. [Be sure to] be kind to your neighbors, right?

Yeah, and musically, maybe what he would have done. It's hard to project, like, if he was still making music in 2020, what he would have done. What he would have done, at least if he had lived another 10 or 20 years, if he wasn't ill. Technology, I think that would have been one of the things that he would have been wary about in some of his songs. The adverse effects of technology, not just AI, but climate change, which, when he died, that was his concern.

PHOTOGRAPHY CREDITS | PG 27, 38 - 57 Quarto Publishing/Bob Marley and The Wailers: The Ultimate Illustrated History | PG 58 GM/Current Affairs/Alamy Stock Photo | PG 60 Deposit Photos |

Read the JUL ISSUE #103 of Athleisure Mag and see BOB MARLEY AND THE WAILERS in mag.

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In AM, Jul 2024, Celebrity, Music Tags Bob Marley, The Wailers, Bob Marley and The Wailers., Barack Obama, Jamming, Bob Marley Museum, Survival, What Would Marley Do, And I Love Her (Alternate Take), Wailers, Studio One, Curtis Mayfield, Beatles, Chuck Berry, Little Richard, Bob Dylan, Like a Rolling Stone, Temptations, Don't Look Back, Peter Tosh, Mick Jacker, Rolling Stones, Appel Records, Badfinger, Mary Hopkin, Goats Head Soup, Island Records, Saturday Night Live, Get Up Stand Up, Sun is Shining, I Shot the Sheriff, High Tide or Low Tide, Catch a Fire, Pink Floyd, Sticky Fingers, Positive Vibration, Roots Rock Reggae, Downpressor Man, Nina Simone, Zimbabwe, John Lennon, Redemption Song, Martin Luther King, Joni Mitchell, Paul Simon
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PHOTO COURTESY | Marco David

PHOTO COURTESY | Marco David

FROM LA WITH LOVE, GIA MANTEGNA

January 3, 2018

When you grow up in a creative family, you get to try your hand at a number of things to find out what works for you. Gia Mantegna grew up in the industry and has been acting since she was a kid, is a singer and in addition to her roles, can say that she has been able to spend quality time on set as a fellow actor with her dad, Joe Mantegna in the nail-biting series, Criminal Minds.

We sat down with Gia to talk about how she got into acting, what it's like to be on Criminal Minds, playing dramatic characters with a twist, her new show that is available now on CW Seed, what's going on with her music and some of her go to places in LA as well as when she's here in NYC.

ATHLEISURE MAG: When did the acting bug hit you?

GIA MANTEGNA: I started acting at a really young age in school. I think I was about 11 when I started theater and that’s kind of where I got the bug. I had obviously grown up in the business
because my dad is an actor.

AM: We’re huge fans of him!

GM: Yeah, yeah me too! Growing up around that environment and being in that industry it was just something that was second nature to me. And I was like, "when is it my turn?" Being the second born child and always wanting attention, I was known for having this personality and having a need to be heard. The only outlet for that was to sing and to perform - so that’s how it started. Then after doing theater, I started working in film and going to TV and auditioning. It hasn’t stopped yet – knock on wood.

AM: What are some of the roles that you have been in?

GM: My first big gig was a Christmas film called Unaccompanied Minors which was a film directed by Paul Feig. He did Bridesmaids, The Heat, Ghostbusters (Kristen Wiig and Melissa McCarthy) etc. That was my introduction into really working in Hollywood. It was such a great experience working with Paul and the cast. That was a fun role for me and I have done a lot of
spots on TV.

I’m really drawn to the darker roles naturally. I am a positive person, but I love those really weird roles. I did a role on Perception where I played this girl who swallowed knives and it was a strange one, but I loved it. Now comedy is where things are going for me which I also love because it’s harder and comedic timing is hard to do. The dramatic roles come easier to me but
comedy is where I am falling into and where the world is going, it’s nice to laugh a little bit.

AM: How much has your father been an influence on your roles and how has it been also appearing on Criminal Minds with him?

GM: YES oh my gosh. I can’t watch Criminal Minds – I live alone with a cat!

AM: When we travel, it’s always on as a marathon and we get sucked in, but we have to have a buddy and the lights on to watch it!

GM: Oddly enough, I never worked with him on the show. When I first auditioned for the show, I was 17 there was a different actor playing my father and I never had any scenes with him. Then one day, the writers came to me with an idea where my character came back with Aubrey Plaza’s character as they wanted two strong female characters to come back to shake up the
team. Aubrey and I came out to do it and I didn’t have any good dialogue with my dad, but there was this scene where he pointed a gun at me which was really exciting as that is always fun to work with a family member holding a gun in your face. I mean when is that going to happen? Hopefully not. But it was great because I have worked on a number of shows, but Criminal Minds – that cast is such a tight-knit group, they’re a family. They get along and it’s
been running for so long which is a testament to how great it is to be able to step into that show for a few weeks. It was the greatest gig in the world and to be able to hang out with my dad for a bit. The character was fun too as she was psychotic!

AM: Tell us about CW Seed and how we can watch it?

GM: A lot of networks have digital platforms as I think that they are trying to compete with Netflix and things like that. CW Seed (shows you can catch: Riverdale, Original Dynasty) is CW’s answer to that. It’s their digital platform where they create new media and they also run shows that have already been out on the website. You can watch on their website or their app.

Our show, Life After First Failure has myself and Breanne (who plays my best friend on the show), we received the script and we loved that there were two strong female characters
shaking things up – we fell in love with it. We did 3 episodes in Portland and CW Seed ended up breaking it up into 6 episodes - to make it more palatable for the audience.

The way it seems to be going is that it’s all about quick easy content for quick gratification. At first, I was a little disappointed, but it’s the way that things are going now. I like longer episodes, but the younger generation is easily bored and when they’re bored, you lose your audience. But the character was so much fun to play and it was different and new. Honestly, it was one of my favorite people to play.

AM: Is there a second season coming out?

GM: In a perfect world, yes – the hope was that the network would see that there was a strong response to it – but they’re kind of new. So a lot of it has been left to us and social media has really helped in terms of campaigning for the show. We definitely want to come back to do more episodes – right now we’re not sure so we want people to watch and tweet to request more episodes.

AM: We know that you are also a singer can you tell us about how you started that and what your plans are?

GM: I was always singing at a young age. My parents threw me into everything soccer, piano, saxophone etc. Singing stuck with me – my sister and I took lessons at a very young age. Both of my parents have a musical background and it was just one of those things that I always kept in my back pocket, but I was too scared to use and then it got to a point that I really wanted to do a show so I got a producer and a band and we put it together with a show at The Whiskey in LA. It was so great, but there aren’t really any plans as I was starting to work on an album and then acting picked up, but it's always something I go back to. Right now, I record things and sell them to shows and just kind of do it as a hobby.

PHOTO COURTESY | Scott Bonnie

PHOTO COURTESY | Scott Bonnie

AM: What is the genre?

GM: It ended up being a rock show when I was at The Whiskey. But the song I’m most proud of, ‘I Won’t Wait’ it’s alternative/electronic. It has a cool vibe to it as I’m inspired by Banks and Tove Lo - just I love that electronic ease and fun. But when I get back into singing, I want to do a lot of oldies covers as I listen to a lot of 70s music. I love Top 40, but I’m inspired by that era. I have been listening to a lot of THEM (Van Morrison’s old band) lately and I thought it would be really fun to do a lot of covers of music that my parents grew up with as that's what I listened to growing up.

AM: What is your personal style when you're going out for brunch versus when you're having a night out?

GM: It doesn’t change – it’s always the same – I’m all black everything – it makes doing laundry very easy. I always dress for winter or fall – I wear Doc Martins all the time, I live in them. I love skinny jeans and a baggy sweatshirt on top. I love jewelry which allows me to go a little crazy and I love makeup! My sister and I went to makeup school just for fun and my sister was really into it – she has autism and is really high functioning, but my parents didn’t want her to go alone so I went as her pal and I ended up loving it. I love playing with makeup looks and it taught me what I could do with makeup – so it’s all about the accessories.

AM: How do you take time for yourself in the midst of your busy schedule?

GM: It’s interesting as an actor, you’re your own boss and there is going to be downtime so you’re always trying to stay proactive. I do piano as much as I can to stay with my music.

I do meditate - big meditator. I tried running for 5 mins. - it was horrible, but I really love yoga. There is a huge yoga culture in LA - which I know is everywhere as well. But I have been doing
yoga for so long that I just do it on my own and I just do it in my trailer. Now that I have this amazing cat in my life, I love meditating and doing yoga at home. I don’t do any high impact – I
don’t. I can’t do it because I have this really weird jaw issue which is a severe form of TMJ where I have to get injections in my masseter muscles. So when I do anything high impact the stress goes to my neck and my face and then I have to go to the Chiropractor and it becomes this whole thing. Everything is low impact and easy – I walk a lot and although LA is not a walking town, I live in West Hollywood so I can do that.

AM: What charity/philanthropy do you do?

GM: Because my sister has autism, I have always been involved in that as it has been a big part of my life and to give back to the community. My family and I do not support Autism Speaks as they have paid celebrities to do endorsements which makes sense, but many don't know what they're talking about and funds have gone to the CEOs and very little of the money is going to autism research. More grassroots organizations is where we go and my dad does a lot of work with veterans so anything that involves them and the military, I am all about it. Autism is big for me and there isn’t one that I champion specifically.

PHOTO COURTESY | Marco David

PHOTO COURTESY | Marco David

AM: What's on your playlist?

GM: I’ve been listening to a lot of THEM, Van Morrison, Bob Dylan – I went to a concert of his last year and it was so great. I just really love him. Let me grab my phone out. I love Tove Lo and Banks of course. A lot of oldies - OH - Roy Orbison - he's the best for the holidays - I really love his stuff and I have been getting obsessed with Chris Isaak again. OH Tom Jones is my
go to when I'm getting ready, I go to Spotify, put in Tom Jones and listen to everything. It gets crazy and my dad makes fun of me and asks, “why do you listen to my music?” I love it and everything coming out lately now – it’s cool to vibe out to in the background, but I don’t connect with it and it’s not inspirational to me.

AM: When you're in LA, what's 1 place you work out, 1 place you eat at 1 place you shop? What version do you have for that here in NYC?

GM: The answer to most of those questions is home, home, home haha. In NY, I go to McSorley’s Old Ale House - I was just there last night with my mom and my sister. So only in NY
would this take place, we met these two guys where one had just broken up with his wife and one with his girlfriend and they wanted to recreate this picture that they had taken when they were with them at the same bar a few years prior! One ex was blonde and one was brunette and we re-created the picture.

In LA, people are very "don’t talk to me," but in NY it’s so different and they were from Orange County. It was hysterical and the picture was identical and I even arranged everything on the table the same way. McSorley's is my go to.

In LA, I go anywhere although there is this cool Australian bar called The Eveleigh. Serafina just opened in LA so I love that – they’re on Sunset. I work out at home in LA so I just go outside as there is so much hiking you can do and I want to try boxing. For shopping, I am all about ASOS – they have great stuff, affordable and they always have black options. In NY it’s anywhere.
I’m obsessed with shoes, so any shoe store. I love Opening Ceremony and I love Soho in general. Evolution is here and I love them, we have something similar in LA called Necromance, but I haven’t bought anything. Where am I going to put taxidermy squirrels?

My God mom has a store in Toluca Lake near my parents house called Pergolina and she has these beautiful taxidermy animals which she gets from Necromance. Her store is where I get my jewelry and I wear these bracelets all the time. But I’m not a big shopper – I’m an eater – I love to eat. My mom has a restaurant in Burbank called Taste Chicago.

AM: Wait we have heard of Taste Chicago!

GM: I know a lot of people think that it’s my dad’s, but it’s my moms!

AM: Which one is from Chicago?

GM: Both – my whole family is from Chicago and here. We’re here because one of my family members just bought a house in New Jersey. We’re the only ones in LA. We needed to bring Chicago to LA.

AM: So what are we ordering at Taste Chicago?

GM: Chicago dogs, Sicilian Pan Pizza, Deep Dish, Italian Beef, everything – it’s hard core. You don’t go there to get a salad, you go there to work! But I actually prefer NY style pizza haha but I go there for the Italian Beef.

PHOTO COURTESY | Marco David

PHOTO COURTESY | Marco David

Read more from the Dec Issue and see From LA with Love, Gia Mantegna in mag.

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In #TribeGoals, Celebrity, Dec 2017, Fashion, Fitness, Lifestyle, Magazine, Mindfulness, Pop Culture, Style, Wellness, Womens, Music, Food Tags LA, NYC, Gia Mantegna, actress, roles, singer, Joe Mantegna, Criminal Minds, CW Seed, acting, theater, Paul Feig, Unaccompanied Minors, Bridesmaids, The Heat, Ghostbusters, Kristen Wiig, Melissa McCarthy, Hollywood, Perception, travel, Aubrey Plaza, CW, Riverdale, Original Dynasty, Dynasty, digital platform, Life After First Failure, The Whiskey, soccer, piano, saxophone, Scott Bonnie, Banks, Tove Lo, THEM, Van Morrison, music, personal style, Doc Martins, jazz, TMJ, Autism Speaks, autism, Bob Dylan, Roy Orbison, Chris Isaak, Tom Jones, Spotify, McSorley's Old Ale House, The Everleigh, Serafina, ASOS, Opening Ceremony, Necromance, Evolution, taxidermy, Pergolina, Taste Chicago, Toluca Lake, New Jersey, Chicago, food, deep dish, Italian eef, Marco David
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