BMF | HEATHER ZUHLKE, KELLY HU, & MORGAN ALEXANDRIA

Season 3 of STARZ's BMF premiers on Mar 1st. There are light spoilers in this interview, so make sure that you catch up on what you've missed of this Detroit crime family show that is based on a true story of brothers Demetrius Edward "Big Meech" (Demetrius Flenory Jr) and Terry Lee "Southwest Tee" Flenory (Da'Vinchi).

We took some time to sit down with BMF's Showrunner, Executive Producer, and writer, Heather Zuhlke. We wanted to know more about her background, how she came to this show, and what she is looking forward to in terms of this season!

ATHLEISURE MAG: We have been such a fan of your work since Southland and of course on POWER so congratulations!

HEATHER ZUHLKE: Oh thank you!

AM: What kinds of stories are you drawn to in terms of writing and Executive Producing?

HZ: Oh yeah, always character driven. Things that touch us really on a soul level! I love – I mean, Southland was never about the case, it was about the people. This show is marketed as a crime and family drama, but the heart and soul of BMF is the family aspects – the blood family and the street family. I think that people really relate to those themes because family is so universal. It’s heightened in our story because your brother is a drug kingpin, your son is a kingpin, so everything is heightened!

AM: I live in NY now, but I grew up in Indianapolis, so I’m familiar with the BMF story as they were in Detroit.

What drew you to being involved as I knew you signed onto the second season and now you’re a Showrunner and helming everything for this season.

HZ: So my journey started – gosh, 9 years ago when I met Randy Huggins (The Unit, Criminal Minds, Star) on the original POWER along with 50, and Randy hit me up and said, “hey, will you be my number two Season 2?” Randy really empowered me on set to produce and to get to know everyone. Then he unfortunately had a health complication right after we wrapped Season 2 so 50 asked me to step in and so this has been so much more for me than a job, because we’re carrying on Randy’s legacy and honoring his vision! And again, this isn’t just a TV show, or a job, we’re really a family.

AM: Obviously, the first 2 seasons were amazing, and the 2nd had me at the edge of my seat with the finale. We had the pleasure of watching the first 3 episodes of the 3rd season and it’s beyond exciting to see what’s going to take place.

What are you excited about for us to see in this new season?

HZ: You know, I’m really excited about the collision of the streets, hip-hop, and pro sports! What you saw in episode 3, there are some big moments for the fans.

I’m also really excited about the finale and the way it pushes story forward and there is going to be another big moment. I’m really excited for the world to see Russell Hornsby (The Affair, Fences, Lincoln Rhyme: Hunt for the Bone Collector) who plays Charles Flenory and he has his directorial debut which will be for episode 7 and Randy Huggin’s daughter Ms Haven Huggins is making her acting debut in that episode too!

AM: We can’t wait to see how it all plays out! The season is off to a great start and being a fan of yours for such a long time, it’s awesome to see how you bring your worlds to life and your style. It’s great to see you in this show that touches all the points of prestige TV!

HZ: Thank you for being a fan as we do it for you guys!

IG @heather_zuhlke

@bmfstarz

In addition to chatting with Heather, we also wanted to talk with the cast for them to share their thoughts on being in this show and what we can expect from this season. We sat down with Kelly Hu (The Scorpion King, Dietland, Arrow) and Morgan Alexandria (How to Get Away with Murder, Twenties, This is Us).

ATHLEISURE MAG: It was so exciting to watch the first 3 episodes from the screeners and to get right into it after how Season 2 ended! It will be exciting to see how this season turned out!

Before we dig into that, why were you drawn to BMF?

MORGAN ALEXANDRIA: For me, I was really excited. Obviously, it’s a great story, it’s a true story, and I know of a lot of people who know a lot about the story as they grew up around it and that type of thing. So, it’s legendary in that sense. I’m not going to lie, I was so nervous to play a cop, because it’s one of my things that I’m like, “ah, I don’t know with all of the jargon and so forth!” My team pushed me, I pushed myself and then I was like, the writing is so good and then joining it was such a blessing! Being able to work with Kelly was such an honor, seriously! It was so much fun! She made it so fun!

KELLY HU: We had a lot of fun on set! It’s such a great show and it’s really well done and it’s well written. The actors are amazing and 2nd Season when I came on, I got to do almost all of my scenes with Steve Harris (The Practice, Law & Order: Organized Crime, Winning Time: The Rise of the Lakers Dynasty) who was so much fun! It was nuts! And this season, I get to do all of my scenes with Morgan and we had a blast, seriously! We got pretty close on this.

AM: You can definitely see the chemistry between you and how you’re connected. It made it fun to watch. After I finished the screeners, I wanted to know what happens in the remaining part of the season between your character’s dynamic, because it’s always fun to see the interaction between you on screen.

Kelly, for our readers who need a bit of a refresher. Where do we leave Detective Veronica Jin and what can we expect from her this season?

KH: Well in the 2nd season as I mentioned, she had partnered with Detective Von Bryant. They had their thing going, and that went beyond the police partnership and he got in trouble and she was trying to help him out and got sort of dragged down with him. This season, she’s really trying to save herself and him!

AM: Morgan, this is your first season and we’re just getting introduced to Detective Colbie Anderson! What can you tell us about her?

MA: She’s really an interesting character. For me, there is really a dichotomy going on between her and her internal feelings. She’s a wealthy girl, she comes from a really great background, but she’s still connected to the streets in a sense that she wants to save everyone and try to make a change within her own community. It’s not always welcomed, but we’ll see, you know?

AM: Seeing you guys as partners this season, it’s fun to see the dynamics and how both of you are unveiling certain things about your characters, what can we keep an eye out for that you’re able to share?

KH: I think that we start off the season where Morgan and I are very at odds with one another because of this background that she has as this rich girl. If people saw how I entered into Season 2, they’ll see sort of the same thing going on with me and Steve. You know, me being the new girl and now Morgan in this season, and how things have turned and I sort of get to switch and become Steve’s character where I am testing her all of the time, but then you can watch as we go through the season on how our partnership really blossoms.

MA: I would say that for my character, Anderson, it’s just a lot of proving herself. Not even necessarily of whether she can do the job, but just her background alone makes a lot of people standoffish.

AM: We can’t wait to see how it unfolds. We’ve been a fan of both of your careers in other projects and it’s really cool to see your dynamic together!

IG @kellyhu

@shesmorgann

PHOTOGRAPHY CREDIT | STARZ/BMF

Read the FEB ISSUE #99 of Athleisure Mag and see BMF | Heather Zuhlke, Kelly Hu, & Morgan Alexandria in mag.

LEAD WITH WONDER | ALYSIA REINER

This month, we're catching up with one of our faves Alysia Reiner (who graced our cover back in 2017 for our JUN ISSUE #18). She has been in a number of shows that we have enjoyed from Netflix's Orange is the New Black, HBO's The Deuce and ABC's How to Get Away with Murder. Her commitment to her roles and how she peels back the layers of her character like an onion is what makes us excited to see what she will do next. As a storyteller, Alysia is an actress and a producer who is compelled to find stories that explore themes that are at the forefront of what we're navigating as a society.

We caught up with Alysia in late May days before the launch of Disney+'s Ms. Marvel. We talked about how we navigated the pandemic, the power of storytelling, how she approaches her projects, her work in front of and behind the camera, what we can see her in next, the importance of representation and women's ownership of their bodies and how she advocates for these issues.

ALYSIA REINER: How are you, how was your pandemic? Congratulations for keeping the magazine afloat!

ATHLEISURE MAG: Wow obviously we went through it and we had to make a lot of decisions. The fact that we were able to keep it going was amazing!

I can only imagine as for you during the pandemic, you were working!

AR: It’s funny because when it all shut down, I started getting offers for work as early as that first summer. I turned down a lot of things because I just didn’t feel safe enough, just the way you were talking about. It was before vaccinations and it was just like, no this is not worth risking my life for and risking my family's lives for. In those early days, you just didn’t know!

Different people took it very differently and took it more seriously! I mean, we took it very very very seriously from the beginning and it wasn't until Ms. Marvel came that I felt that they had the money quite frankly to keep it really safe. They were testing every day! When the deal closed, within an hour, they had someone come to my house to test me – within an hour!

AM: Ok, they were like, “we’re going to start right!” That’s amazing! It’s so fun to be able to catch up with you as the last time we were with you it was for our cover for your June cover shoot 5 years ago - in person of course. At that time Orange is the New Black was about to release it’s 5th season, Better Things had it’s 1st season that was already out there and you were dropping your clothing line.

So being able to catch up as you have such a presence and I always love hearing from you – it’s good to see what you’ve been up to! I have always thought that you should be a super hero and/or in the Marvel universe so it was no surprise to me to hear that which is so exciting.

You’ve been in a number of shows that I have loved seeing you in How to Get Away with Murder, The Deuce – which I loved your character in that. I was like, “that girl can rock some sunglasses!”

AR: I mean on a fashion level, that was so freaking fun right? The 1970’s style, I can live in! It’s so fun!

AM: It’s fun to see you in STARZ's Shining Vale and you’re going to be in Ms. Marvel, what do you love about being a storyteller and a creator?

AR: I think my favorite part is telling stories that help evolve humanity you know? I have been really lucky to have been part of some seminal art in that way like Orange is the New Black which really changed the way people saw incarcerated people, particularly incarcerated women. The amount of women that have been incarcerated has increased by 731%. 731% in the past 30 years and it’s not because women are being more illegal. It’s about this system of slavery that we have embraced and if anyone has not seen Ava DuVernay’s 13th, it’s a really seminal piece about what I mean by that. But, how we see the incarcerated population, mass incarceration and the business of incarceration and additionally how we see the trans community.

There has been some incredible things that we have seen from trans humans and acceptance of that as well as push back from people that are deeply afraid. But, I always say that that’s how you know you’re succeeding is when people get afraid. I feel so grateful to be part of that kind of filming. With Better Things, we saw an authentic flawed mother in a way that we had never seen before. Now with Ms. Marvel, we’re getting our first ever Muslim superhero. It feels so outrageously wonderful and I feel so lucky to be part of that storytelling. That’s my favorite part. I was talking to someone last night, another producer friend. She was at a meeting for the Oscars for The Academy and someone said and I’m paraphrasing here – that really in America, the 2 ways people get their information is education and entertainment.

It’s so deeply important that our education system isn’t banning books and that people are able to learn everything from Critical Race Theory, the Holocaust where some people are trying to fight against that so it’s deeply important that we educate people on that. But the truth is entertainment has become a piece of our educational system and so for me, there’s a level of responsibility with that. I want to enlighten people and to entertain them obviously, but I want to connect with them and I don’t want people to feel so alone. I want them to feel part of, connected, loved and that they belong. I also want to be able to illuminate certain things that people don’t know because it’s only when we know about things, that we can change them.

AM: What do you look for when it comes to taking on projects whether it’s from the actors lens or a producing role?

AR: I think it’s exactly that. I look for if this is a story that needs to be told and I am the best person to tell this story. Is this a story we have seen a 100 times before? I will be honest. I was asked to look at a project a few days ago and I chose not to do it because first of all it was a story that had been told a lot of times and I felt it had some stereotypical tropes in it and some tropes that were very specifically about an image and the importance of one’s looks essentially. I was like, I don’t need to tell that story. I don’t need to be part of this essentially antiquated ugly duckling storyline. I feel like it’s one of the stories that we have told since the beginning of time. The ugly duckling that turned into the swan, but I don’t feel like we need to tell that story anymore. We can write a new story about how we perceive ourselves and how we love ourselves regardless of what we look like. I guess the question is, what is the new story there? I haven’t cracked that but I do know that I don’t think I need to keep telling that story.

AM: Do you have a process that you go through when you begin to prepare for your characters?

AR: I feel like every character tells me something else. I sort of have to ask the character what they need. Certain characters it’s about a pair of glasses or an accent or a psychological gesture. Some is about research. Is it a period of time that I wasn’t alive during. So each character, sometimes it’s internal and sometimes it’s external. So each character sort of talks to me and tells me what they need if that makes any sense.

AM: In looking at your other projects that you’ve done. You have Egg which you produced and acted in. How did this come about and how did you get attached to it?

AR: Oh, such a good question. Egg was based on a play that I did almost a decade before. I thought it was such a seminal piece about motherhood and the choice to be a mother. When I first did the play, I was not a mother yet and I hadn’t decided if I wanted to be yet. I loved the questions, conversations and thoughts that revolved around the issue. Around what it means to be a mother, what does it mean to be a father, what does it mean to be a parent, what does a family mean, what are those dynamics, what does it mean to be childless, what does it mean to be childless by choice and why does society have so much problems with that? I loved that piece and thought there was such insightful wisdom in it and it was hilarious. The writer did such an extraordinary job with balancing those two things.

Almost a decade later, I bumped into the writer on a ferry from Fire Island. She was coming from Kismet, Fire Island, so I like to say she was coming from Kismet. She said that she just wrote the screenplay for Egg and if I wanted to read it. I said, yes. A decade later, it was still all of these things that we don’t talk about. I remember before I became a mother, all of these people were asking me when I was going to be and it’s as if it was anybody’s business!

AM: I was going to say that! It’s like to ask that question, you don’t know if the person may not physically be able to or simply chooses not to because they like their lives as is.

AR: Exactly! It blows my mind how people think that it’s their business! Once I had my child, it became about when I would have a second child. I was disgusted and horrified at people’s responses. I would say, I don’t think that we’re having anymore and people would say, “oh, just the one?” They were like mourning for the second child that I wasn’t having. You just have no idea what’s going on in anyone else’s life and what’s best for them.

It’s the same conversation that we’re having now with abortions. I am so ok if you are deeply Christian, deeply Catholic and think it’s a sin and horrific to have an abortion. I am so down with that. I don't care who care who you are and you can believe whatever you want, just give me ownership of my own body. That is my only request. Every human deserves ownership over their own body. This whole thing is so deeply saddening to me. The idea of children being born and unwanted – can we just talk about that? People being forced to have children, so you’re bringing a child into the world that is unwanted and that is absolutely heartbreaking.

AM: We're days or weeks away from hearirng the decision on Roe v Wade which has been around for 50 years, if SCOTUS strikes it down, what other precedents that have been established like contraception, interracial marriage, gay marriage – how will these be handled?

AR: It’s in so much trouble.

AM: It’s mindboggling to me.

AR: I will advocate for and love on every human being to have access to their own body. That’s really important to me and that’s a big piece of what Egg Is about. It’s on iTunes and we sold it to Gravitas so you can now watch it online. I think it’s a really important time to watch it as it’s about this moment. There is a conversation in this movie that’s about abortion. So it’s really important that we have these conversations and that we don’t stop. That’s part of arts power is to help have those conversations.

AM: Circling back to what we were talking about before, how did you get attached to Ms. Marvel?

AR: I don’t know how everybody gets attached to a Marvel project. I would say that for me, it came up out of the blue. I never auditioned for anything, I didn’t know I was being considered and they are so secretive that essentially, all I knew was that I was being considered for a new show called Ms. Marvel and that I had to sign a NDA to even be considered for it. My lawyers had to do the contracts for it and they wouldn‘t even tell me my character's name until we signed. I couldn’t read anything, it was top, top, top secret. Even though it’s coming out in June, it’s been top secret to the very end. They won’t let me say anything except that I’m in it and I had a blast! I’m so excited to be part of the Marvel family, not only because of this particular story which has the first Muslim superhero, but that they keep on breaking boundaries in the world of cultural change. In the Eternals we saw a gay superhero and a blind superhero, a deaf superhero and they really use the art and the comics as a way of a Trojan Horse to talk about the things that we are sometimes afraid to talk about on this planet right know. I am so excited to be part of that family of storytellers that are down with talking about things that other people may be afraid to talk about.

And representation, authentic representation of all communities.

AM: Can you tell us about where this series sits within the MCU? We read somewhere that there is another movie coming out and will you possibly be in this movie as well.

AR: I am not, but there is some crossovers with some of the Marvels. There is definitely potential for my character to cross over additionally in the future.

AM: That’s very cool! What was it like being on that set?

AR: It was so much fun! It’s a great group of humans. Sana Amanat (Marvel Rising: Initiation, Marvel Rising: Secret Warriors, Marvel Rising: Chasing Ghosts) our showrunner, is so fantastic and what’s so exciting about her is that the character is loosely based on her and that’s so cool. To be with the person that it is based on is awesome. Another magical surprise was that Meera Menon (You, Outlander, Dirty John) who directed my first picture that I was a producer in for Equity was the director of a couple of the episodes. Marvel is so secretive that they didn't even tell her that they were casting me. I texted her and I was like, hey I’m coming to Atlanta for a project and I heard you were there and she said she was and she didn’t even know. I thought maybe she put in a good word for me she had no idea. It was so fun to be back on set with her and it was so exciting when Kevin came to visit. We became a really tight group of humans. We may have gotten a tattoo together. One of the actresses that I got really close to is named Yasmeen Fletcher (Andi Mack, Upside Down Magic, Let Us In) and she turned 18 right at the end of our shoot. She brought her uncle in and he's a tattoo artist for her birthday and we may have gotten matching tattoos.

AM: There is something about entertainment being a way to educate because you can hear something, but when you’re watching it you can think about it and you’re seeing things happen. Even if it’s not an experience that you’re aware of, it has to change you as a person one way or another or to at least get that element of being able to look out for it.

Going Places is another project that you’re involved in that’s coming out soon, what can you tell me about this movie and why did you want to be attached?

AR: It is so fun! So, the filmmaker is Max Chernov (Star Trek, Star Trek Into Darkness, Blood Brothers) and I read the script and I thought of my God it’s so fun this is such a ride that I want to be on. We had just wrapped Ms. Marvel, there were a lot of stunts involved in this project and I wasn’t afraid because I had just done Ms. Marvel. But I did know what questions to ask now that I would have never known because I did Ms. Marvel. When the offer came in I asked them would there be a stunt coordinator, would there be a stunt double? Because I did my own stunts on Ms. Marvel, but they did have all of those people just in case I couldn’t do my own stunts. It was so much fun. I did stunt training and stunt fighting. I loved it so much.

Similarly, it’s a high action adventure comedy that has some deep things to say. I love something that is deeply entertaining that also has some deep things to say. Ms. Marvel does it by talking about racism quite frankly. Going Places does it about our perception of success and what does it mean? Similar to Ms. Marvel, it’s about high school students and it looks at what success is and what does it mean. These high school students have just graduated and are on their way to college and the amount of pressure they put on themselves. In this moment, when I’m looking at every headline that you’re reading right now that talks about this generation. The teens of today are under such pressure and they’re really struggling with mental health. I love this script because it goes there about what the pressure we’re putting on young adults – teenagers. I now have a 13, and is technically a teenager. What does it mean to be successful. I like to call the COVID times the meditation retreat that none of us signed up for. I really see it that way. How can we use this experience to really grow ourselves, to learn and to really evolve? I don’t think that we can do that unless we are willing to really go deep and to look at what’s not working. We have so many kids that are not happy.

So something is not working friends. How do we change that? I feel so deeply that I only want my kid to be happy and I don’t care about her grades and whatever. I care that she does her best because I want her to feel the esteem about that. Really looking at what are the messages that we’re sending young people going into the world and why is not working really – let’s be honest. There is a disconnect there. So many young people are so deeply unhappy.

AM: This is true. Because you have played in so many roles. Are there roles or topics that are sitting on your vision board that you would like to do through this art?

AR: Ooo such a good question! I think I’m deeply curious in this moment it would be really fun to do a period piece. I’ve done it on stage and I did it for one movie, but I would like to do more in the past. Something that is deeply gripping and talks to the moment today which would be the Salem witch hunts. It would be interesting to do that as we’re pretty much primed for that right now. So that’s really interesting to me. If there were a way and I was just talking about this yesterday with some producers – I’m really curious how we tackle abortion and the war on women right now. What does that look like, how do we do it it in a way that it is the Trojan Horse where more people will watch and that it isn’t just a preaching to the choir situation. Doing it in a way that everyone is watching. I know that Handmaids Tale is that but to an extent is there a different version that really talks about it in a different way and maybe not in a dystopic way that Handmaids Tale so clearly is. Those are issues that I’m really curious about. I’m producing a movie right know called Flat or James Thomas Thinks The Earth is Flat which is an unlikely buddy comedy between an 8th grade Black science student and a very infamous NBA player who thinks the Earth is flat. The 8th grade student has to convince the NBA player that the Earth is in fact an oblong sphere in his science fair. It’s so fun and a real buddy comedy and a real movie for anyone from 9 to 99. We have Kelly Park (Call Me Kat, How I Met Your Father, The Game) who is the director who is a fantastic director. She has done a bunch of TV including The Upshaws, Grace and Frankie – she has incredible TV credits. I’m producing it with Diana DiMenna who produced What the Constitution Means to Me and Thoughts of a Colored Man and Spencer Paysinger, the TV show All American, is based on his life and he is the writer and producer. Another actor Brian Tyrell Clark – I’m super excited about that. That’s the kind of storytelling that I want to tell. We’ve never seen – at least I have never seen a movie about a brilliant 8th grade Black science student. And I will probably be one of the very few white people in the the movie. The movie is predominantly a black story and it’s about Black joy and obviously, it’s a Trojan Horse to how science and medicine has failed the Black community which it has in a 100 different ways and we will be going there. We also really want to celebrate a beautiful family. They are a beautiful intact family and we want to celebrate a Black scientist coming into the world and to celebrate his brilliance and intelligence. I’m on the board of the Geena Davis Institute and we talk about when you see it, you can be it. The importance of representation and how so many girls when they saw The Hunger Games, the amount of girls that took up archery or when Queen's Gambit came out, the amount of people that took up chess! That’s our dream for Flat that we get this huge ginormous blockbuster hit so that kids can be excited about science!

AM: That I so exciting and can’t wait until this comes out.

AR: I am so exited about that for multiple reasons but also being the environmentalist that I am, I believe that science is an innovation from youth and the ability to see things in a new way and to reimagine what can be possible. It can change everything.

AM: Like we’ve been talking about, if you’re not being represented, there isn’t an easy way to know this is something that you would want unless you have the path to place you there. I think this is awesome.

We were also talking about the madness of the pandemic and a lot of us had to adjust our lives and to figure things out. We also had random hobbies and interests that came out of this. But you became a firefighter or you trained for it at least!

AR: (Laughter) I am officially a Probational Firefighter. I passed all my tests!

AM: I mean! How did you decide that this was something that you wanted to do and what was it like training. We love watching 9-1-1 and 9-1-1: Lonestar and any type of show along those lines. I can imagine you doing anything, but I didn’t have that on the Bingo card – but I can see it happening.

AR: During the pandemic, we lived on Fire Island which is a small island off the coast of Long Island. It’s a series of villages where there are no guards. In our village, there is no police, no hospital, no doctors full-time. The only thing there is volunteer firefighters. I feel like that community created a safe haven for myself and my family. I like to say that when I was a little girl I would read Little House on the Prairie books – I loved them! I dreamed them! I dreamed that one day I would live that way but I knew that it wouldn’t be possible. Then the pandemic happened and I lived like Little House on the Prairie. I was alone on the island, there were very, very, very few people on the island. In our community, maybe there were 10 families and no one was going near each other. It was a really seminal moment in my life and I was so deeply grateful to that community as it felt that it saved my life by giving me health and safety and I wanted to give back to the community. Really all there is is volunteer fire. Similar to anything that I have ever done that is really really really hard, I had no idea how hard it was going to be going in. So, I said yes and I thought I want to do this and it’s going to be easy. I didn’t think it would be easy but I didn’t think it would be so hard. I started my training and some day I may actually write a book about it.

AM: You absolutely should!

AR: It challenged me on so many levels that I didn’t anticipate! The first level was my teachers were all older white men and a majority of them being Republican I believe. I had never spent so much time with so many older white men in my entire life. I was not educated that way – I grew up in NYC – it was a very different crowd. I didn’t feel that I was good at this. I’m still learning. I have a lot of acumen for a lot of things that I do in my life and I feel pretty good as an actor, I feel that I’m not a super strong producer but I have produced a couple of successful movies, I have movies that are in development and a number of TV shows that are in development – I know what producing is and I know how to do it successfully. I have been married for more than half of my life now and I feel pretty successful at that and I feel successful as a parent and my child is doing great. I do not feel successful as a firefighter. Every day I would come home from training and you can ask my husband, my chief, my best friend – hours of tears happened.

I felt like I could not do this. The physical work was really, really, really hard and I am incredibly strong, you know me, I work out everyday, but there is a level that I just couldn’t. The body weight it takes to hold a hose, you’re carrying 70lbs of weight on your body and you’re carrying tools and climbing up a ladder and a gas mask on with oxygen on your back and you’re blindfolded basically. It’s bonkers and then I was never good at standardized tests as a kid and every week, we would get these tests and then we had a 4 hour exam at the end. I have to tell you that the first few exams I did, I failed! I hadn’t felt like a failure in a really long time and I really, really, really felt like one – because I was failing. I’m not exaggerating and I had to become ok that I got a 70 and not a 100. I have an A type personality, I need a 100.

AM: Same!

AR: I wasn’t getting 100s and I would train at home physically every single day. I passed in the end. My training will never stop. I will continue to train because part of being a firefighter is always being ready for an emergency.

AM: That’s pretty amazing and I can definitely see how it would be a little humbling as well. But to also know that your commitment to your community and to give back in a way that was able to give back to you in terms of being a safe haven was so important that you were able to navigate that to get to where you ultimately wanted to be able to do which I think is cool.

AR: Aw well thank you!

AM: I can imagine that that was really tough. I thought, well dang, some people were just making sourdough bread during the pandemic!

AR: One of my best friends when I called her hysterically crying and snotty, she said you know what, do your best. If you fail, it will be the best parenting lesson that you could ever give your child. She said, show your child that you can do your best, still fail and still get back up! I have the chills even saying that again and I said ok, I’ll give it my all and if I fail, it will be the best parenting lesson of all. That got me through. I called her later and said, “I’m a horrible mother, I passed!”

AM: But she also got to see that sometimes you can give 100% of yourself and you may not get that back and that’s realistic too! Things happen.

AR: She saw me coming home hysterically crying, struggling with standardized tests which was really, really, really good for her.

AM: What do you want your legacy to be seen as for all the work you do in front of and behind the camera, the activism that you do and just the way you dig in as someone who is so present?

AR: Wow, the first thing that comes to mind is my dad was a management consultant and the motto for his company was, “make a difference and have fun.” I put that on his gravestone and it’s really my words to live by. The words that I think about for my life are love, service and wonder. Our production company is called 2 Wonder Full To Be Limited and my biggest goal particularly as I age is that the older people get, the more that feel to know things, that the uncertainty is untenable and I want to be more and more willing to not know and to be comfortable with the uncertainty and to be ok with that and to not need to know. I want to keep on wondering. I would say that wonder is my biggest legacy because it’s only when we wonder we can keep on growing and learning and that we can keep on loving other people as opposed to whether you know that someone is doing something that is wrong and you know and you’re mad – there isn’t a lot of space there. But if you wonder, you can think about why someone did something. I wonder – there’s a little breath there. I guess my hope really is that it’s my dad's thought to make a difference and to have fun. That fun is really key. As I learned in my course, joy is an act of resistance and now more than ever it’s so important that we value joy!

AM: I love the word wonder!

AR: Yeah, I love the word wonder.

AM: When you say it, it’s nice sometimes to think about that as opposed to the black/white or win/fail. But when you say wonder, it gives you that air to breathe and maybe to put yourself in a number of positions and maybe I should do that a lot more because sometimes I’m like no – it’s this.

AR: Well, it’s comforting to know. To love yourself through that. It’s comforting when you think you have the answer, but to wonder, that’s where the air is.

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PHOTOGRAPHY CREDITS | PG 43 - 51 + PG 169 - 171 9LIST STORI3S Laurie Bailey | PG 52 - 57 STARZ/Shining Vale |

Read the JUN ISSUE #78 of Athleisure Mag and see LEAD WITH WONDER | Alysia Reiner in mag.