MGM+ GODFATHER OF HARLEM | RETURN TO HARLEM

Last month in our MAR ISSUE #111 of Athleisure Mag, we had the pleasure of chatting with the Creator, Executive Producer, and writer Chris Brancato (Narcos, Narcos: Mexico, Hotel Cocaine) and members of the cast of MGM+'s Godfather of Harlem. This month, we talked with Elvis Nolasco (American Crime, Claws, She's Gotta Have It) and Erik LaRay Harvey (Boardwalk Empire, Luke Cage, Chicago P.D.) who play Nat Pettigrew and Del Chance, respectively. We wanted to know about what drew them to the show and playing their characters.

ATHLEISURE MAG: We have enjoyed watching Godfather of Harlem and it’s great to connect with both of you as we love to see you in scenes together, as well as with Forest! What drew you to want to be part of this incredible show?

ELVIS NOLASCO: It was just knowing that this historical figure I would say, Ellsworth “Bumpy” Johnson, and knowing of him and being from Harlem and NYC and knowing what that name meant, in the community and knowing that this was created by Chris Brancato, and the late Paul Eckstein (First Wave, Hoodlum, Narcos) and knowing their trajectory, being part of Hoodlum, the film, and them being part of Narcos and having a certain level of respect and admiration for their work, it was something that I knew that I had to be part of this. Especially, if I have an opportunity to work with Forest Whitaker (Black Panther, Havoc, Andor).

ERIK LARAY HARVEY: Forest was it for me! I had seen him in The Last King of Scotland and really enjoyed that. I knew about that time period and I thought that he was brilliant in that role. I was like, “Forest – what? I’m on board!” What’s the story about, I don’t care! I'm on it, I'm going to be working with Forest. He exceeded my expectations of him as a person and he’s such a loving, fun, and quiet guy! He has so much passion for the business and the work. These 4 seasons have been such a joy. It has been absolutely incredible to work with that man.

AM: How do you approach playing your characters?

ELH: I walk the streets of NY. Some of these people piss me off you know! So it was really easy to bring that sort of energy into the set! You need me to what, kill somebody – do you know what that man did to me? Do you know what he called me today? Yeah, I’m ready to kill somebody! Haha no – I’m joking, but you know what I’m saying!

EN: Haha I feel the same way. You’re walking around and especially when you’re 135th street! I’m on my way to the Schomburg Library and this dude comes at me with, “Yo dude,” and I’m like “Dude what?”

ELH: You know how NY is!

EN: It’s crazy!

AM: Ha!

So, where did we leave your characters in S3 and where are we picking up from them again in S4?

ELH: Well we ended S3 with the death of Malcolm X. We began S4 with the remembrance of Malcolm X. Bumpy sees him in the club briefly. Malcolm X still has his presence with us. With his best friend gone so to speak, Malcolm X and Bumpy were best friends, and now that he has left us, we embark on a new journey that Malcolm X wanted us to do which is for Bumpy to go legit and to get out of harming the community so to speak. But then this jackass, Frank Lucas (Rome Flynn) comes in and he wants to harm the community. So that is where we begin S4, with a jackass coming in.

IG @elvisnasco

PHOTOGRAPHY CREDITS | MGM+/Godfather of Harlem

Read the APR ISSUE #113 of Athleisure Mag and see MGM+’S GODFATHER OF HARLEM | Return to Harlem in mag.

MGM+ GODFATHER OF HARLEM | RETURN TO HARLEM

We have been fans of Godfather of Harlem since the first episode premiered in 2019. This historical fiction brings an array of iconic figures in the 60s from Ellsworth "Bumpy" Jackson (Forest Whitaker), Malcolm X (Nigél Thatch/Jason Alan Carvell), Vincent "Chin" Gigante (Vincent D'Onofrio), Rev Adam Clayton Powell Jr (Giancarlo Esposito), Joeseph Colombo (Michael Raymond-James), and more. We get to see Harlem during a pivotal time in American history while also understanding how communities navigated various topics of the time.

We sat down with Creator, Executive Prodducer and writer Chris Brancato (Narcos, Narcos: Mexico, Hotel Cocaine) to talk about the show, its intracicies, and what to expect from S4 launching April 13th on MGM+.

ATHLEISURE MAG: Chris it is so good to see you again! I had the pleasure of interviewing you a few months back for Hotel Cocaine which I loved and I told you then that I love Godfather of Harlem as well. So it’s so great to connect with you again!

What drew you to create Godfather of Harlem. It’s incredible prestige TV, it’s always great to see the depth of characters, dynamics, and interactions!

CB: First of all, that’s entirely due to my friend Paul Eckstein (First Wave, Narcos, Law & Order: Criminal Intent) who passed last year. He was my best friend and Paul told me about Bumpy Johnson who put his grandmother through secretarial school. He told me that Bumpy was this gangster/philanthropist in Harlem and over the course of time, we developed several projects – the movie Hoodlum in the 90s with Laurence Fishburne (What's Love Got To Do With It, The Matrix franchise, John Wick franchise) playing Bumpy in the 1930s and then 20 years later, Markuann Smith (King of Paper Chasin', The Hit Boys Redemption, The Realtor) and Jim Acheson (Numb3rs, For the People, By Whatever Means Necessary: The Times of Godfather of Harlem) producers came to me and Paul and said are you interested in doing Bumpy in the 60's?

Ultimately we decided yes – let’s do it. They were bringing Forest Whitaker (The Last King of Scotland, Southpaw, Black Panther) to the table. So lo and behold, we develop the show Paul and I and there you have it! Godfather of Harlem which we wanted to make it different in the way that we sought to do that was that Bumpy and Malcolm X were friends. So the friendship and the ability to explore both gangsterism and also the Civil Rights Movement was something that we felt was going to give us a fresh angle.

AM: It’s amazing because as you’re watching it, it’s like you have 80 onions that are all unlayering. You have these iconic people from so many sociodemographic areas layered in – it’s truly amazing. The styling of the show, the setting – what do you love most about it?

CB: I think that I love most about it is the actors that we have brought to the table. In other words, when you have Forest Whitaker playing the lead role, that’s when you can get a Vincent D’Onofrio (Law & Order: Criminal Intent, Daredevil series, Daredevil: Born Again series), a Giancarlo Esposito (Breaking Bad, The Mandalorian, The Residence) etc. etc. Watching these people – obviously writing this show, is difficult to blend all of these historical characters into this story, but then watching the actors make it come to life is my greatest pleasure!

So I love editing the episodes because I’m looking at the footage of the actors and the work that they have done.

AM: What should we keep an eye out for in S4?

CB: S4 is explosive if I do say so myself! We’ve got Frank Lucas coming to town straight off the bus to basically challenge Bumpy Johnson before they end up becoming pals. Then, Bumpy’s daughter Elise (Antoinette Crow-Legacy) joins the Black Panther movement in the wake of Malcom’s death and Bumpy isn’t too cool with that! He supports what the Panthers are doing, but not so much his daughter doing it!

AM: Right!

CB: So that’s going to create some friction! So we feel like we have 2 driving story lines this year. The introduction of Frank Lucas and Bumpy’s continued fight against the Italians and then on the Civil Rights side, we have Elise joining the Panthers and participating in their actions!

AM: We truly appreciate you taking the time! It’s an incredible show and anytime your name is on a project, it’s going to be amazing!

CB: Thank you! I appreciate that!

IG @cbrancato86

@godfatherofharlem

@mgmplus

After chatting with Chris Brancato, we wanted to speak with the cast. We started by talking with Rome Flynn (How To Get Away with Murder, Grey's Anatomy, Chicago Fire) who is joining the cast as Frank Lucas. We wanted to know what he enjoys about this series, what it's like to play this notable figure, and what he hopes fans will walk away with after seeing this season.

ATHLEISURE MAG: We have been fans of yours since How To Get Away with Murder so it’s so nice to talk with you today!

ROME FLYNN: It’s nice to talk with you.

AM: What drew you to Godfather or Harlem?

RF: I mean, I couldn’t find a reason not to! It was a lot of positives you know - working with Forest Whitaker was at the top of the list and then working with Chris Brancato because I knew his work from Narcos and also just being a fan of the show in general. I was like, to be on a show like this would be a dream as an actor.

AM: You’re playing Frank Lucas which is amazing and exciting. How did you approach playing him?

RF: Yeah, it’s a different process to playing someone who lived and breathed on this Earth and left an impact whether it’s good or bad. There was a heavy sense of responsibility, care, and just an attention to detail on discovering who Frank was and trying not to necessarily imitate who he was but finding his essence and bringing that which was extremely important to me because I don’t think that we have seen a version of him like this.

I was afforded an amazing opportunity to play a character that people know, good or bad – we’ll see.

AM: What did you enjoy about playing him, bringing him to life, making him your own especially because regardless of what you know about him, if you think about American Gangster for example – there is that version of Frank Lucas. So it’s exciting to see it and what did you like about doing that?

RF: Yeah, I got to step into the shoes of a man who was equally charming, but also cutthroat and also unpredictable and dangerous. He was also troubled too. As an actor, you want to play a character who is fully dimensional and is carrying a lot of baggage, trauma, and who is still struggling with their purpose and why they are where they are in life. That’s just really fun and rich to play.

It wasn’t just about being a gangster or playing someone who is put in those situations. It was about playing a man who is navigating his life who is in these situations and trying to find the commonalities with a person like this.

AM: What do you want fans to walk away from after seeing S4 and getting to see Frank Lucas and his interactions and dynamics with everyone else this season?

RF: I just hope that the moment that the season is done that the people are clamoring for another one! That’s how I felt just being a fan of the show too! But yeah, I think that there is still so much story to be told. You guys when you love this show, you should talk about it and share it! There is no other show on TV like it that has this sort of historical precedence and is really honoring the details and honoring people during that time. We’ve got to keep this show going! We have to make sure that people see this show because it’s important.

IG @romeflynn

We were excited to sit down with Lucy Fry (Wolf Creek, Mr. Church, Bright) and Michael Raymond James (True Blood, Jack Reacher, See) who plays Stella Gigante and Joseph Colombo respectfully. Lucy has been in the world of Godfather of Harlem since the inaugural season and Michael came into this series during S3. As they have a number of scenes together, we wanted to know more about how they came to the show, what they love about it and more.

ATHLEISURE MAG: It’s so great to connect with you guys as I’m a fan of your work as well as the show!

What drew you guys to want to be part of Godfather of Harlem?

LF: When I first read the script, I guess I really wanted to get into the world of the 60s, gangsters in NY, I thought it was really cool. I'm a fan of Forest Whitaker, so I was really excited to be able to work with him. Yeah that was about 6 yars ago when I first joined. My reasons for loving it have continued to evolve over the seasons, but that was the initial impulse.

MRJ: Yeah, for me, when I got the offer, and when I heard that Forest had asked for me, you know when Forest Whitaker says that he wants to work with you, run you don’t walk. For me, it was kind of a no-brainer.

and when I heard that Forest had asked for me, you know when Forest Whitaker says that he wants to work with you, run you don’t walk. For me, it was kind of a no-brainer.

AM: Obviously you guys play Stella Gigante and Joseph Colombo. How do you approach playing these characters?

LF: I guess there is a mixture of reality and fiction for me anyway with both of us as the story is inspired by real events, but it’s fiction and Stella is a fictional character. So I approached it by looking at the context of the time and the world of NY in the 60s and the gangs and reading the Chin’s – one of his kids actual autobiographies. But then finding the things that are personal to me to fill the fictional world with.

MRJ: You know, Joe Colombo, was a real person and there is an element of – you want to be sort of respectful of that and stay honest to some of that. But, we are doing a show that is historical fiction as Lucy talked about and so it really is all about the material. As an actor, you get the material, you break down that material as opposed to me having to do an impersonation of Joe Colombo. We’re creating a whole new Joe Colombo and Stella Gigante based on the pages that we get.

AM: What have you loved about playing these characters and bringing them to life?

LF: I’ve really loved Stella’s journey over the 4 seasons. She’s really come into herself and grown into a woman that is hungry for power and manipulating the men around her and playing the game that she has learned from her father (Chin Gigante played by Vincent D’Onofrio). It’s been really fun to go from pushing her father away and having all of these romance things to someone who is taking power for herself.

I think that her relationship with Colombo is very informative in that development.

MRJ: Playing the game as Lucy said is really fun and there’s so much nuance and so much in between the lines where it’s not really just the words that you say. It’s the 4 moves ahead that you’re kind of playing. It’s like 3-Dimensional chess with every script. So that’s always fun to play things where there is a lot of nuance and subtext to kind of put your shoulder behind.

LF: I think that the gang world, it kind of gives you a lot more subtext than most genres.

AM: Right.

MRJ: Right.

LF: Because it’s like are they going to kill me? Aren’t they going to kill me? It’s kind of like a constant subtext ha!

MRJ: Ha – but also the people man! Lucy and I show up on set and it’s giggles immediately and sometimes it’s hard to break free from that, but what’s always fun is that the giggles are always just underneath.

LF: Right

MRJ: And you see it come out a little bit in the work. Just a little bit – like holding back laughs and it’s a very serious scene where we’re talking about murder.

LF: It’s quite fun and you can tell that our characters really enjoy the game!

IG @lstowell

@gabehonig

PHOTOGRAPHY CREDITS | MGM+/The Godfather of Harlem

Read the MAR ISSUE #111 of Athleisure Mag and see MGM+ GODFATHER OF HARLEM | Return to Harlem in mag.

IF THESE WALLS COULD TALK | HOTEL COCAINE

We've enjoyed watching the screeners for Hotel Cocaine which is currently streaming on MGM+! We are transported to the late 70s and early 80s when Miami is in the midst of a shift from vacation and retirement destination to the epicenter of sex, drugs, crime, and a battle between those who are on opposing sides of the law while embracing disco, wealth, and more! The events that unfold are based on accounts by those who lived it that took place at The Mutiny Hotel which still exists today, but without the activities that made it famous during that time.

We had the pleasure of connecting with Creator, Showrunner, Executive Producer, and writer Chris Brancato (Narcos, Narcos: Mexico, The Godfather of Harlem) and Director, Guillermo Navarro (The Twilight Saga: Breaking Dawn 1 and 2, Night at the Museum franchise, The Last Days of Ptolemy Grey) who know how to bring these stories to life so that we can see the complexities, conflict, and humanity of the characters in their stories. We talk about their love for storytelling, working together, and framing this show in all of its nuances.

ATHLEISURE MAG: We are so excited to be able to talk with you! Chris, I know you created Narcos as well as Godfather of Harlem which I have been a huge fan of and Guillermo as the Director of Godfather of Harlem – once again, it is a fantastic show and you also directed Narcos, so it’s nice to see you guys working together on this show!

What do you guys love about storytelling in general?

GUILLERMO NAVARRO: Well, it’s a tremendous opportunity to actually reflect on life and to put our own ideas into it and to tell those stories. There is nothing better than that!

CHRIS BRANCATO: I love the process and the friendships that you make from the writing room where we create the scripts to the production people who put everything together, and then editorial where we make a “finished product,” so to speak! The goal is always to entertain.

AM: You guys came together for Hotel Cocaine which I have watched all 7 of the screeners and can’t wait to find out what happens in E8! The story is amazing. Why did you want to tell it and specifically Guillermo, what attracted you to this series and why did you want to be part of it?

GN: Well I have been partnering with this one for awhile and finally we reached and found a Latin story and so I completely just went for it. It was an opportunity to talk about the relationships of the Latin world with America and it focused on the drama of 2 brothers and the delivery of this and the story about what had to be happening in Miami to receive all of that input and to become what it is!

AM: In terms of creating the show Chris, what was your thinking? I love the characters, the complexities and the depth of them, and they keep unveiling themselves in different ways and it is shot so beautifully. How did all that come together?

CB: Well, it’s interesting. Guillermo and I did Narcos together. We first met on the show Hannibal and I realized he was a directorial genius – [Guillermo motions teasingly that Chris is going on and on buttering him up until Chris notices]

AM: Wait, you are and I have enjoyed seeing your direction in a number of programs so these are facts!

CB: Right? So effectively when I did Narcos, one of the actors that was a friend of mine came up to me and said, “you know, my father was the General Manager ager of the Mutiny Hotel. He said it was the Studio 54 of its day in Miami and it was the home to DEA Agents, drug dealers, movie stars, rock stars, and so the subject matter fascinated me and I knew that to do it right and to give it the proper Latin perspective, I was going to need to find a partner. I searched far and wide in the Latin world and I couldn’t find anybody other than him [Chris teases Guillermo by shaking his arm] so that is how we got stuck together!

AM: I love that story! Obviously, this story takes place in Miami but you shot it in the DR?

CB: Yes, because the Domincan Republic, we scouted Puerto Rico, Colombia, and the DR, but ultimately, we decided that the Dominican Republic had the best look of a 70s Miami because Miami is so overbuilt now, we could never replicate Miami in the 70s!

AM: Well I love the DR and I always love whenever I spend time down there regardless of the city!

What do you want viewers to take away from this show. I can’t say enough about how much I love how it was put together, the characters, the way it was shot etc. I can’t wait to see the finale to see how S1 ends.

GN: Well, that the impact of the drug world on society is real and it’s very profound. And that, I come from Mexico and the social tissue is destroyed by the drug world. For me, it was very important thing to talk about that every time someone consumes it, people die. So it’s about accountability and responsibility of something that is consuming entire societies.

CB: We like to deliver themes like that in a very shiny wrapping.

AM: Right!

CB: So the sex, drugs, disco, Latin music pel collars, bell bottom pants, and the Mutiny girls. So again, the goal is to entertain and put the nutritional value in a hidden way so that the kids don’t notice the broccoli!

IG @cbrancato86

@hotelcocainemgm

Now that we have a framework for this series thanks to Chris and Guillermo we wanted to continue to frame this show as well as the lens that we should view as. We talked with Danny Pino (Scandal, Law & Order: SVU, Mayans MC) and Yul Vazquez (Magic City, The Outsider, The Godfather of Harlem) who play brothers Ramon Compte and Nestor Cabal in this era in Miami as they navigate the DEA, drugs, the Mutiny Hotel, past and present family dynamics and so much more!

AM: As a fan of both of your works in other shows as well as obviously in Hotel Cocaine, why were you attracted to this series and why did you want to be part of it?

DANNY PINO: Thank you for this question! Yul Vazquez! That is the short answer. I’m not saying that because he is here. But he is, he’s right here! The reality is that the first phone call that I got about Hotel Cocaine came from Yul. Yul and I, there are not a lot of Cuban Americans in Hollywood right? So whenever I would go to an event and I would meet other Cuban Americans, we would eventually land on, “have you met Yul Vazquez?” I’d say, “no I have not met him, I know of him and we have mutual friends. He’s a fantastic actor, but I have not yet met him.” Or I would go to a set and someone in the crew or in the cast would say, “well, you’re Cuban American, have you met Yul?” We’d have the same conversation! “I love his work and I haven’t met him.” Then, we happened to meet on Law & Order: SVU! And we became fast friends. It’s like when you meet somebody that you feel that you have known your entire life! I’m not talking about like your entire acting life, I’m talking about – were you at my 15s? Were you at my baptism? Because I feel like you must have been in the Catholic church with us!

The phone call where Yul calls me and says - look, I have been working on this show, The Godfather of Harlem with Forest Whitaker - the fantastic Forest Whitaker with Chris Brancato, the creator of Narcos and there is this show set in Miami, 1978, called Hotel Cocaine, based on The Mutiny and we’d be playing brothers. I said, I’m in! He was like, maybe you should read the script. And I was like, wait, maybe I should read the script! That’s the short answer to your question! Once Yul kind of set that up, I was already – the momentum and the inertia towards doing it was already in motion.

YUL VAZQUEZ: I mean, it was pretty much the same for me. Danny really was the only choice really for this. It was too perfect but you know sometimes when something is so perfect it doesn’t wind up happening?

AM: Right!

YV: This is a no brainer and then suddenly it doesn’t happen! But this was one of those times when the no brainer happened the way it was supposed to happen. I absolutely love working with Danny and he knows that that is the truth! I know that I can stand there with him and we can get through any scene no matter what the journey of the scene is and we can work around it and figure it out and we get to the end of the scene and I know that when he opens his mouth, I am going to believe everything that he says! That sounds like simple obvious things, but not always the case. Not always the case. I always knew with Danny, I am going to have a guy that was there today. Not a guy who decided that he was going to do this 3 weeks ago. You know, rehearsed it in the mirror because that is one thing that makes me insane. When I get somebody and I’m like no matter what you do, this person is going to do the same thing because they have locked themselves into this thing. We figured out this flow with this whole thing and we improvised a lot of things and we had the freedom from Chris Brancato, Michael Panes (Godfather of Harlem, Bull, Law & Order: Criminal Intent) and Guillermo Navarro which is a huge part of the design, the brains, and the engine of the show. He encouraged us by saying that we knew this world better than any of us are going to know. We know what it’s like to be a Cuban from Miami and so that’s what we did! It’s really what we did and I think that we brought a lot of ourselves into the thing more so then I think that I have ever done!

DP: You’re talking to a musician/artist. Yul would come at this scene with the same words, but in a totally different way! So to be present and to be able to play jazz with him all the time and you know, a lot of the script is written in English. We know as many Cuban Americans know, and many Latinos know, that we don’t speak in English all the time.

YV: Correct.

DP: Our probably chosen language or first language is Spenglish and so we would manipulate some of the script to have the same intention, the same wording, but to be able to go back and forward fluidly in Spanish to give the authenticity of what you would hear not only in that time period, but in modern day Miami!

PRESS POOL: As you reflect back to all the roles you have played throughout your career, what lessons have you taken from them that have helped you in your role in Hotel Cocaine today? How has it shaped you to be the actor that you are today in those roles?

YV: I think that every stitch is a stitch in the fabric of an actor’s career. You try to vary it as much as you can and then you try to decide the parts as much as who is involved and who’s hands it’s in. So I think that everything feeds everything. I also paint, I’m a photographer, and I am also a musician so everything feeds everything and I don’t think one thing takes away from another. I see everything as one orb. So, I think that everything in life feeds everything. Meet ing you and it’s the succession of events for me. That’s how I think that we arrive to where we are today.

DP: I mean, Yul is a renaissance man. He does everything incredibly well and for me, talking about different characters and how it now leads to Ramon Compte, the General Manager of the Mutiny Club and Hotel, I’ve played characters who were on the right side of the law – in fact they were the law. In 2 successive shows whether it’s Mayans MC or Hotel Cocaine, playing characters that you can potentially consider an outlaw – right? I think that what I find which goes to the heart of your question, the throughline for the characters is with great writing whether it’s Meredith Stiehm (Homeland, ER, NYPD Blue) on Cold Case; whether it’s Warren Leight (In Treatment, Law & Order: SVU, Law & Order: Criminal Intent) on Law & Order: SVU; whether it’s Elgin James (The Outlaws, Lowriders, Little Birds) on Mayans MC; or Chris Brancato for Hotel Cocaine, all of those showrunners are fantastic at developping a character who rides the line between on the right side of the law and a potential on criminality.

All of those characters, whether it was Scotty Valens on Cold Case where he had some anger issues and would go back and forth on being able to control that or Nick Amaro who was also going back and forth on being able to control his anger and his frustrations and what not with his job and within his family, you can say similar things about Miguel Galindo and now we have arrived at Ramon Compte who also has to ride that line. It’s just like what Yul said, there’s a building and a learning from each experience especially when the writing is so dialed in and so challenging for an actor which is the best thing that we can have to be able to have that range which we can sort of carve through a performance and to go back in forth between scenes where you say, “I really love this guy, I could absolutely see myself doing the same thing – exactly what he is doing,” and then the very next scene saying, “how could you choose to do that? I hate this person!”

DP: Right? So that’s the currency that actors love to deal in.

PP: When we see the scenes that you guys have together at The Mutiny Hotel and this is a testament to who you are as actors, but when you have the club scenes there is so much going on with the dancers, the lights, and all of these things are happening all around you – as actors, how do you not get distracted by all of the things that are taking place in the background? What is your secret?

YV: It’s hard! It really is hard and sometimes let’s say that your patience it tested – yeah it is! It’s a great question and it is very very hard, for me.

DP: I think it’s one of those things where – and it is a fantastic question because a lot of people don’t realize exactly what happens. They play the music and cue us into the song so that the background artist can get the rhythm of the song that is going to be played and then they kill the song. So the background artist can continue with the rhythm so that we can say our lines in silence so that we don’t have to record the line over and over again for clarity. And that gets a little strange because you can still hear the heels and the platforms stomping on the dancefloor so it is a little distracting in that way. What helps is to have an actor like Yul. When you have an actor like Yul and you have words by Chris Brancato and Michael Panes, where you are engaging in a scene that matters and has life and death circumstances and ramifications, that tends to crystalize everything and you start to get that much more focused.

YV: Yeah, so Danny’s right. All we really have is each other and that helps! Having him helps anchor things for me! He’s right, exactly what he said. It becomes a very interesting challenge you know because it is all of the things that the audience never sees. You know the old saying, “you don’t want to see how the sausage is made.” That’s really true!

PP: For people who live in Miami, The Mutiny is such a staple and an icon of an era that created the backbone of what Miami is as a city from the glitz and glamour, to the element of crime and other things. Danny you’re a Miamian and went to FIU and you grew up there and you know the city. What does it mean to you to portray this era that shaped what Miami is nowadays?

DP: That’s a fantastic question and as we’re both from Miami, we talk about it all the time! We talk about not only the impact of The Mutiny, but the impact of the 70s, it was such a transformative period of our city! It really changed Miami from being sort of a sleepy retirement/vacation spot to a cosmopolitan hot spot. Then it changed when The Mutiny upped the ante on that and it became a hedonistic pleasure palace! Right? People were flying in all over the world to have an adult experience at The Mutiny. I have actually stayed at The Mutiny, it’s not what it was before, it is now much more lowkey. It’s like a hotel residential sort of establishment now, but the structure is still the same, the pool is still the same, and you still feel that if the walls could talk, you’d be hearing some fantastic stories and I think that that’s what our show does. The walls talk in our story.

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PHOTOGRAPHY CREDITS | Hotel Cocaine

Read the JUN ISSUE #102 of Athleisure Mag and see IF THESE WALLS COULD TALK | Hotel Cocaine in mag.