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Athleisure Mag™ | Athleisure Culture

ATHLEISURE MAG™ | Athleisure Culture
  • FITNESS
  • Food
  • Beauty
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AWARDS SEASON | OSCARS WINNERS

March 10, 2024

Earlier today, The Academy Awards announced the nominees for the 96th Oscars which ends the road to Awards Season on Sunday, March 10th! WIth a number of our favorite movies getting recognition, we can’t wait to see what’s in store for us when it airs on ABC. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Picture

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Interest (James Wilson, Producer)

Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)

Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher’s Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

Read the latest issue of Athleisure Mag.

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags Oscars, The Academy Awards, Barbie, Oppenheimer, American Fiction, Films, Awards, Award, Film, The Holdovers, Actor, Actress, Writing, Script, Nominations
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AWARDS SEASON | OSCAR NOMINATIONS

January 23, 2024

Earlier today, The Academy Awards announced the nominees for the 96th Oscars which ends the road to Awards Season on Sunday, March 10th! WIth a number of our favorite movies getting recognition, we can’t wait to see what’s in store for us when it airs on ABC. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Picture

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Interest (James Wilson, Producer)

Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)

Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher’s Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

Read the latest issue of Athleisure Mag.

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Apr 8, 2024
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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags Oscars, The Academy Awards, Barbie, Oppenheimer, American Fiction, Films, Awards, Award, Film, The Holdovers, Actor, Actress, Writing, Script, Nominations
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AWARDS SEASON | OSCARS WINNERS

March 27, 2022

This morning, nominations for the Academy Awards, known as The Oscars were announced. It’s definitely going to be interesting to see who the winners will be. Ahead of the big night. we’re sharing who we predict will win in bold, winners that we predicted correctly will be in bold italic and those that won that we didn’t get correct will be in italics.

BEST PICTURE

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

BEST DIRECTOR

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)

Steven Spielberg (“West Side Story”)

BEST LEAD ACTOR

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”)

Denzel Washington (“The Tragedy of Macbeth”)

BEST LEAD ACTRESS

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

BEST SUPPORTING ACTOR

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog”)

BEST SUPPORTING ACTRESS

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)

Judi Dench (“Belfast”)

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

BEST ADAPTED SCREENPLAY

“CODA,” screenplay by Siân Heder

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

BEST ORIGINAL SCREENPLAY

“Belfast,” written by Kenneth Branagh

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

BEST CINEMATOGRAPHY

“Dune,” Greig Fraser

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

BEST ANIMATED FEATURE FILM

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

BEST ANIMATED SHORT FILM

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

BEST COSTUME DESIGN

“Cruella,” Jenny Beavan

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

BEST ORIGINAL SCORE

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

BEST SOUND

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

BEST ORIGINAL SONG

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast,” music and lyric by Van Morrison

“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

BEST DOCUMENTARY FEATURE

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

BEST DOCUMENTARY SHORT SUBJECT

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

BEST FILM EDITING

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

BEST INTERNATIONAL FEATURE FILM

“Drive My Car” (Japan)

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

Best Makeup and Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

BEST PRODUCTION DESIGN

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

BEST VISUAL EFFECTS

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

BEST LIVE ACTION SHORT FILM

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse

Read the latest issue of Athleisure Mag.

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AWARDS SEASON | OSCARS NOMINATIONS

February 8, 2022

This morning, nominations for the Academy Awards, known as The Oscars were announced. It’s definitely going to be interesting to see who the winners will be. Ahead of the big night. we’re sharing who we predict will win in bold, winners that we predicted correctly will be in bold italic and those that won that we didn’t get correct will be in italics.

BEST PICTURE

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

BEST DIRECTOR

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)

Steven Spielberg (“West Side Story”)

BEST LEAD ACTOR

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”)

Denzel Washington (“The Tragedy of Macbeth”)

BEST LEAD ACTRESS

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

BEST SUPPORTING ACTOR

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog”)

BEST SUPPORTING ACTRESS

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)

Judi Dench (“Belfast”)

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

BEST ADAPTED SCREENPLAY

“CODA,” screenplay by Siân Heder

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

BEST ORIGINAL SCREENPLAY

“Belfast,” written by Kenneth Branagh

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

BEST CINEMATOGRAPHY

“Dune,” Greig Fraser

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

BEST ANIMATED FEATURE FILM

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

BEST ANIMATED SHORT FILM

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

BEST COSTUME DESIGN

“Cruella,” Jenny Beavan

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

BEST ORIGINAL SCORE

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

BEST SOUND

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

BEST ORIGINAL SONG

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast,” music and lyric by Van Morrison

“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

BEST DOCUMENTARY FEATURE

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

BEST DOCUMENTARY SHORT SUBJECT

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

BEST FILM EDITING

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

BEST INTERNATIONAL FEATURE FILM

“Drive My Car” (Japan)

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

Best Makeup and Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

BEST PRODUCTION DESIGN

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

BEST VISUAL EFFECTS

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

BEST LIVE ACTION SHORT FILM

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse

Read the latest issue of Athleisure Mag.

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