BEING SEEN | MISTY COPELAND

We're honored that we got a few moments with American Ballet Theatre's Misty Copeland who broke barriers in the industry as the first African American woman to be promoted to principal dancer in ABT's 75-year history! As the Co-Founder of Greatness Wins, she launched the brand's first women's collection. This brand includes founders, Chris Riccobono (founder of UNTUCKit), NY Yankees Baseball Hall of Famer Derek Jeter and Rangers Legend - The Great One, Wayne Gretzky. The brand creates pieces whose foundation is based in performance, style, and comfort. We wanted to know more about her passion for this style of dance, the importance of this achievement, her favorite ballet memories and how she is using her platform to create inclusivity in a field that she is so passionate about!

ATHLEISURE MAG: What was the moment when you fell in love with ballet?

MISTY COPELAND: The first time I stepped into a ballet studio. I saw myself in the mirror, I felt seen and safe.

AM: You started in the corps de ballet in 2001, became an ABT soloist in 2007, and in 2015, you became the first African American woman to be promoted to principal dancer in their 75 year history! What does achieving that mean to you?

MC: The achievement to me is a platform to recognize, acknowledge and celebrate the contributions and successes of Black dancers from the past present and future. I’m a link in the chain.

AM: What are 3 of your favorite performances or ballet memories?

MC: My first performance of Firebird at the Metropolitan Opera House, Romeo and Juliet with La Scala Ballet at Teatro alla Scala, and my first show with Prince at Madison Square Garden dancing to his song, The Beautiful Ones.

AM: In addition to being a ballet dancer, you have also been a public speaker, spokesperson, been involved in documentaries, was a featured dancer for Prince and more! What does it mean to you that you have brought your talent and athleticism across so many platforms?

MC: This is what art should be - accessible, available, equal in the level of importance and recognition amongst sports and Hollywood entertainment. It’s surreal that we have reached this point to be in these spaces, but it also means growth and progress for ballet.

AM: At this year's Tribeca Film Festival, you debuted Flower which you were in and also produced! Tell us about the film as well as what it means to you that you were involved in this?

MC: Flower is a short art activism film highlighting Oakland, California and the social issues they’re experiencing, specifically gentrification and homelessness. We created a scripted story told through movement where the only spoken words are from actual houseless community members. This film is a modern ballet. It’s taking what I do onstage, telling a story through movement with a relevant story and something so many communities can relate to. This is an extension of everything I’ve worked for in my career. Access, bringing people into the arts, and this form of storytelling in a way that makes them feel welcomed.

AM: What was it like to attend this year's Chanel's Through Her Lens Luncheon for women filmmakers at this year's festival?

MC: To be in a room full of creative women who want to support one another and do everything they can to move the needle in the entertainment industry was inspiring!

IG @mistyonpointe

PHOTOGRAPHY COURTESY | Misty Copeland/Greatness Wins

Read the OCT ISSUE #94 of Athleisure Mag and see BEING SEEN | Misty Copeland in mag.

ATHLEISURE MAG ISSUE #94 | LAIRD HAMILTON + GABBY REECE

In this month’s issue, our front and back cover story is with Pro Beach Volleyball Athlete, Gabby Reece and Ultimate Waterman, Co-Inventor of Tow-In Surfing, Laird Hamilton. Both have been models, TV personalities, producers, etc and are Co-Founders of Laird Superfood. We talked with them to find out more about Laird Superfood as well as XPT, products that they are focused on as we continue into fall and holiday, and how they balance their coupleship with the work that they do. We also interviewed the first African American principal at ABT, Misty Copeland. She talks about the sport, how she uses her platform to amplify ballet voices, and more.

This month, we have a number of culinary stories that we're so excited to share with you. We covered Food Network's New York City Wine and Food Festival presented by Capital One. We give you an inside look on the events we attended as well as including interviews we have with Chef Brooke Williamson (Chef/Owner - Playa Provisions), Chef Antonia Lofaso (Chef/Owner - DAMA Fashion District, Scopa Italian Roots), Chef Andrew Zimmern, Chef Robert Irvine, Chef Philippe Chow (Chef/Owner - Philippe by Philippe Chow), Chef Franklin Becker (Chef/Owner - The Press Club Grill), Chef Alain Allegretti (Partner Culinary Director - Fig & Olive), Chef Alez Guzman (Chef/Owner - Archer & Goat). We also cover the Concorde Hotel as they were a great partner in this story as we enjoyed a staycation there while covering this food festival.

Our food coverage continues with Hortus NYC in addition to this month's The Art of the Snack which brings the Hamptons to the city, Sagaponack. This month's Athleisure List comes from Paros Tribeca which makes you feel like you're enjoying a Grecian getaway, along with Seasoned Vegan which has opened recently in the East Village. We also caught up with Gaby Dalkin who is known for her take on food to tell us a bit how we can prepare for holiday entertaining as the season is around the corner as well as her latest cookbook. We also talked with Doreen Winkler, a noted sommelier who will bring orange wines to her 2nd Annual Orange Glou Fair. We talk about her boutique, her passion for orange wines, the event, and mroe.

This month’s 9PLAYLIST comes from EDM DJ/Producer, Miley Cyrus. Our 9LIST STORI3S comes from EDM DJ/Producer, Honeyluv and from DJ/Producer/Rapper/Singer/Songwriter, Jesse McFaddin. Our 63MIX ROUTIN3S comes from icons Laird Hamilton and Chuck Norris.

Read the OCT ISSUE #94 here.

ICONICALLY PIRELLI

Each year a photographic vision is released from Pirelli, known as THE CAL which has iconic photographers from Karl Lagerfeld, Annie Leibovitz and more that have created imagery all over the world with notable models and celebrities to transmit their vision. This year, German photographer, Albert Watson had the task to interpret his vision through the just released THE CAL for 2019. We took some time to find out about his approach to working on this project, being on set as well as how this integrates into his body of work!

ATHLEISURE MAG: How did you approach the Pirelli Calendar project?

ALBERT WATSON: The Pirelli Calendar is a unique project for any photographer. When I first took it on, I wanted to do it in a way that would be different from that of other photographers, and I wondered what the best way would be. In the end, I looked for pictures that were of beautiful quality, with depth to them, and that had some kind of narrative. I wanted to create something that was more than just a portrait of somebody – I wanted it to look just like a film still. I wanted people looking at the Calendar to see that my aim was photography in its purest form, exploring the women I was photographing and creating a situation that would convey a positive vision of women today.

AM: How did you formulate the project?

AW: I wanted to ensure there would be a strong narrative, so I thought: “Let’s try and make the shots look like film stills.” Quite a lot of it was shot in widescreen format. And that was quite challenging. Each of the four women has her own individuality, her own particular purpose in life, and her own way of doing things. And they are all focused on their future. So the underlying theme is that of “dreams”, but the basic idea behind the whole project is that of telling a story in four ‘little movies’.

AM: Could you tell us about the stories that bring your Calendar to life?

AW: Each character has a part to play in the 2019 Pirelli Calendar. In some cases, the role was close to what the actress does for a living, but here they were certainly all acting a part. Not themselves. And that’s what I wanted.

The woman played by Gigi Hadid has just split up with her companion. She has a confidant, not a boyfriend, played by the designer Alexander Wang. He is helping her get over this difficult time. I think there’s a degree of angst in these images. With Gigi Hadid’s character, I wanted to convey the sense of a woman thinking about her future, but also showing her in a situation of loneliness. We see her thinking about where she’s going to go in life, what she’ll be doing tomorrow. I wanted her to be much more minimalistic than the other women I photographed, and I wanted her to be reflected in the settings I portrayed her in. The settings of the other protagonists are pretty crowded, and there’s action in almost all of them.”

Julia Garner’s character is a botanical photographer who dreams of putting on successful exhibitions. Julia’s a very, very accomplished actress and she got straight into the character. We were in a beautiful tropical garden in Miami, which turned out to be the perfect place for us to work.

Misty Copeland and Calvin Royal III, on the other hand, play the part of two dancers who want to become famous and live in an Art Deco house. She’s dreaming of dancing in Paris. She is looking to the future and has ambitions. Trying to be successful is her driving force. Copeland’s character earns her living by dancing in a club, but at the same time she has also put up a little stage in her garden, where she practices dancing in order to become a star, sometimes with her boyfriend, played by Calvin Royal III.

The artist played by Laetitia Casta lives in a studio apartment, which she shares with her partner, played by Sergei Polunin. They are both dreaming of success: she as an artist, he as a dancer. We decided to shoot outside, to give the scenes some added natural brightness. The tropical atmosphere of Miami is a key component in this picture. What’s interesting is that Laetitia told me that, in her spare time, she really does do a lot of sculpting and creates artwork. This worked out very well and helped her get into character.

AM: What was the role played by light in this project?

AW: When I was young, the first famous person I photographed was Alfred Hitchcock. He said: “My dear boy, once you’ve finished the storyboard, the movie is finished – all I have to do is shoot it.” There’s a certain amount of his message that has stayed with me. The 2019 Calendar is like a cinematic storyboard. I was very lucky because I trained as a graphic designer for four years and then I went to The Royal College of Art Film School for three years and I came out as a director. I never trained as a photographer and, from that point on, I had to learn to be a photographer and know about lighting. As a photographer, the technical things for me were very difficult, it wasn’t natural. Intuitively, a cinematic aesthetic was quite natural for me to follow. A lot of my work is based on graphics and film or sometimes on a combination of the two. It was quite easy for me to drop into this for the Calendar and produce images like film stills. It was a matter of making all these different elements come together and make a strong narrative. The common denominator is that these people are all active: they’re thinking of their future and they’re dreaming of where they might be in five, ten, twenty years...

AM: Did you like working on the set?

AW: I know some people work well with a lot of tension on set, and part of their creativity comes from this, but I’m actually the opposite of that. If I’m having fun with people, if I’m enjoying being with them and playing around, I get a lot more out of them. I sometimes say to young photographers that it’s ‘location, location, location’. But in a case like this, it’s more ‘preparation, preparation, preparation’. The more you prep for the job, the more creative it will be. It’s thinking and planning, planning, planning. That’s what’s really important.

I had a tremendous amount of support when creating the vision for the Calendar. Steve Kimmel was the art director, along with Arnold Barros and Belinda Scott, and they did a brilliant job. Thanks to their dedication, it all went perfectly. James Kaliardos did our make-up. He did a fantastic job, beautiful, invisible, but yet there. The hair, by Kerry Warne, was always natural for each of the women. He’s had a lot of experience in film work, so he was perfect for this project.

Julia Von Boehm did the styling and fashion editing. On top of that, I had my own team of assistants and digital editors, Taro Hashimura and Emi Robinson, as well as Adrian Potter. All these people contributed in a great way, so this was definitely much more like a film project than a photography one.

AM: Have you fulfilled your dreams?

AW: To make a dream come true, you need to work hard. I’ve always taken it step by step, reaching one goal at a time, without wanting to get immediately to the top of the ladder. Even though I sometimes think this ladder could go on forever, with the top rung ever-further away, I think it's always worth giving yourself increasingly ambitious goals and dreams.

IG @Pirelli

PHOTOGRAPHY Albert Watson | ARTISTIC DIRECTION Baron & Baron | PRODUCTION DESIGNER Steve Kimmel |

| PG 26, 30 + 34 Gigi Hadid + Alexander Wang | PG 28 Latetitia Casta *+ Sergei Polunin | PG 32 Misty Copeland |

Read more from the Dec Issue of Athleisure Mag and see Iconically Pirelli in mag.