For over a decade, we have enjoyed the BOSCH universe from the flagship series to its spin-off BOSCH: LEGACY. We've loved getting to know more about Harry Bosch; his focus on helping victims; and finding those that have hurt them to bring them to justice. The series finale will close this chapter of the BOSCH universe, but we are also looking forward to the spin-off of this series with Ballard which stars Maggie Q (Nikita, The Protégé, Designated Survivor)!
We had the pleasure of talking with Titus Welliver (The Town, Deadwood, Sons of Anarchy) who plays the title character ahead of the premiere of BOSCH: LEGACY, and it is only fitting that we chat with him again! We talked about how he became part of both series, what he has enjoyed about playing this character, as well as digging into Harry Bosch.
ATHLEISURE MAG: It’s so great to connect with you again. I had the pleasure of interviewing you ahead of the premier of BOSCH: LEGACY for the first season. In addition to loving this series, I’m a fan of the flagship series BOSCH. What initially drew you to the BOSCH universe?
TITUS WELLIVER: Well the script, I had read one of the BOSCH books many, many years before and it certainly did land on me. But it had been several years before the script for the pilot was put in front of me and I was immediately drawn to the character, I understood the character, I thought about how I would play that character, what was important and what wasn’t important etc., etc.
Through a series of mishaps in trying to get me in the room with Michael Connelly, the other producers, and the other creators of the show, the meetings kept not happening. Several months went by and I was shooting one of the Transformers films which took me all over the United States as well as to Hong Kong and I had a little window that was open and I was back in the States and my manager called me and said, you’re going to meet with Michael Connelly in 2 days or something like that.
I said, “what do you mean? I thought that that boat sailed a long time ago.” My initial reaction when I read it was that I loved this character, but I had been doing it long enough to know that you never know what is going to happen. I thought that of course, they would go out to every single star name and what actor wouldn’t want to play this character?
AM: Right!
TW: So I met with them and as fate had it, I was gifted the role of Harry Bosch which had the continuing gift of 10 years, almost 11 years, of playing this character and realizing him.
AM: I mean, I love this character and I love his complexities and that he loves jazz. My great-uncle was the late Joe Henderson –
TW: Stop it!
AM: Yeah!
TW: Wow! That’s very cool! Wow!
AM: Yeah, so every time he’s playing his music, I love that because I’m always listening to jazz to settle my mind and I love his interactions with the other characters in his world.
What is it that you love about bringing this character to life?
TW: Well, he is a quintessential anti-hero and I tend to gravitate towards anti-heroes because I think that there is a different level of reality and humanity to anti-heroes. Bosch is a character that is capable of incredible heroic deeds, he is a very very good cop, he’s relentless. If a person is a victim of a crime, you would want him working the case, but you know, he’s a strong flavor. He doesn’t suffer fools, he does not subscribe to the societal norms that we might. He does not enter a room and try to win people over.
AM: There’s no tucking in there!
TW: Right! He doesn’t navigate bureaucracy with standard operating procedures. He does a workaround. Bosch is – because of all of that, he is all elbows. He’s not the status quo cat. So command – he pisses people off. He irritates people. But people can’t really – people don’t want to really push him too much because he’s the guy that has got the highest closure rate in Hollywood Homicide. Hence that relationship which was forged between the late great Lance Riddick (The Wire, Fringe, John Wick franchise), my brother, who I miss every day. And when Irving’s son is killed, he enlists Bosch to help him. And that speaks volumes about it because he is such a stone in Irving’s shoe, but Irving knows the fabric of his character and that is one of the many beautiful things about Bosch.
Then you have his beautiful relationship with his daughter. I didn’t have to put my elbows out with the writers when I said, “look, let this be a relationship that gestates.” They don’t know each other and let’s allow this through a natural process and have them get to know each other. That relationship is the dynamic that allowed us to – without being contrived, peel away a little bit of the layers of Bosch that he could express vulnerability, which is not something that he is comfortable with in any shape or form in expressing vulnerability. He’s just not, but he does with his child because she is the most important person in his life.
But also within that, there are times when he conceals things that he doesn’t want her to know about.
AM: Yeah! Which is so interesting to see when you’re watching him with each character as it’s different elements of him that you can tell it’s the same man, but it’s really interesting. Via the screeners, we have gotten up to episode 8 at this point. I want to know what’s going to happen, but what I love about him is how he is measured and with all of these elements at play, this one man holds all of that in the balance which is interesting and obviously, you play him so well.
TW: Well thank you! He carries a tremendous amount of weight as a character. That is another reason why I love playing him. Look, all of that is demonstrated or exhibited in the process of reading all of Michael’s books. Because the narrative tells you what Bosch is thinking and what he is doing. Thankfully, I had a conversation with Eric Overmyer (Homicide: Life on the Street, Law & Order, The Wire) and Michael Connelly very early on and I said, “look, this stuff where we find Harry in the books alone, doing his work – he’s listening and has Coltrane going, he’s having a Fat Tire and he’s drinking a whisky and is going through a murder book, that is expressed in the narrative, but he is not saying anything.” That is an integral part of who this character is. Now any executive who looks at that and says, “wait a minute, you’re actually going to go and put this character sitting alone in his house with just music playing and him flipping through pages, and he’s not saying anything?” – what? Are you kidding, people will turn it off. Well, it in fact became a hallmark of the show where the audience and for me as an actor honestly, those are some of the most challenging scenes to play because there’s so much said, but unsaid.
You don’t have the luxury of dialog to express that which I think is more interesting.
AM: 100%.
TW: You give the audience the benefit of their intelligence. You don’t need to go, “this is what you should feel, this is what you need to think right now.” They extrapolate from what they are seeing that’s occurring in front of them and they form their own ideas of what that should be. But there is a consistency with that when people see that stuff, where they go, “Harry’s working right now.” Through the beauty and the eye of our incredibly gifted cinematographers and directors as well, the way that they would shoot those things kept a level of ambiguity, but also said – you know that he is working, but we’re not going to tell you specifically what it is which for me is fun to watch too afterwards!
AM: Oh yeah, it just draws you in and it has such a fun pacing to it and it’s nice to have things where you need to connect the dots and see how it all happens. You don’t always need to have words to push everything forward.
So what are your feelings with the finale coming up of the series. I’m so sad that it is not continuing on. What are your takeaways from this?
TT: Well I look at it really as – I mean I agree and I feel sad about it. One can’t help, but make a connection with a character and an emotional bond. I’m not an actor who takes their work home or the character, I don’t carry his weight. But the joy of playing that character and the gift for me – opening those scripts as they came was like Christmas. It was like an advent calendar. Where is Harry going here? What do I get to explore? That has been for a decade of my life and it has been dedicated to that and to the relationships that I have with Michael Connelly, Eric Overmyer as well as Thomas Bernardo (BOSCH, The Lincoln Lawyer, BOSCH: LEGACY), the crew and the other actors that’s the hardest part of it. Look, you don’t see – there’s no closure. As Harry Bosch would say, closure is a myth. You don’t see Harry riding off into the sunset. We don’t close on Harry sitting alone in his house looking out the window while we’ve got some grand music playing in the background. So it doesn’t have that, it doesn’t have a sense of finality and yet, there is for us, there is that sense of finality.
AM: Well I appreciate you taking the time, I love the series, and the whole universe of it, and I love seeing you in any role that you’re in because if your name is on it, I know it’s going to be a great show as you’re one of the coolest people.
TW: Well bless you! That is a very kind thing to say and it’s been a pleasure talking to you and I hope that you enjoy the finale!
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PHOTOS COURTESY | Prime Video/BOSCH: LEGACY
Read the APR ISSUE #113 of Athleisure Mag and see LEGACY AND BEYOND | Titus Welliver in mag.
