THE LONG AND THE SHORT OF IT | JULIAN WORKS

For the past 4 seasons, we have enjoyed 9-1-1: Lonestar which allows us to follow the work and lives of first responders that are in Austin Texas! With an engaging ensemble cast, we took some time to talk with Julian Works who plays Mateo Chavez. We've watched as he's grown with his fellow fireman, become involved in a relationship, and really coming into his own!

We wanted to know more about how he got into the industry, his passion for storytelling, being in 9-1-1, how one trains for this role, his movie The Long Game, and more!

ATHLEISURE MAG: What was the show or movie that made you fall in love with storytelling?

JULIAN WORKS: I’ve been a movie buff since I was really young and loved so many classic films like Rear Window, La Dolce Vita, Rebel Without A Cause, East of Eden, On The Waterfront, A Streetcar Named Desire, Rocky, Dog Day Afternoon, The Godfather, Taxi Driver, and Midnight Express. They definitely lit a spark in me, and after hosting a YouTube Sports channel called Mun2 with my uncle as a teenager, I decided to audition for a rendition of The Odd Couple at my high school. I ended up booking the lead role of ‘Oscar Madison’ and the rest is history!

AM: Prior to you coming to 9-1-1: Lone Star, I first remember seeing you on The Affair. What is your creative process in approaching the characters that you have played?

JW: I do extensive research for any role that I play. In the case of The Affair, I came into the recurring role of ‘Angel’ after the show had been airing for 3 seasons, so I took it upon myself to binge-watch as many episodes as possible before the audition so that I could grasp the tone and the rhythm of the show. In the case of 9-1-1: Lone Star, on the other hand, I had the privilege of developing the character from its inception and the writers have molded the character around what I’ve brought to the table over the past 4 seasons. For The Long Game, I first read the novel by the great Humberto G. Garcia, then researched what it may have been like to be a Mexican American in 1950’s Del Río, Texas and of course brushed up on everything golf-related (including playing the game quite a bit before we began filming). Doing a deep dive into script and role analysis is also a part of my process. It always helps when you have a great director like Julio Quintana (Blue Miracle, The Vessel, Disgraced) or television showrunners like Tim Minear (9-1-1, Ratched, American Horror Story) and Rashad Raisani (Burn Notice, 9-1-1, 9-1-1: Lone Star) at the helm who guide you and put all of the pieces of the story together.

AM: What drew you to 9-1-1 Lone Star?

JW: Producers Ryan Murphy (Glee, Pose, American Horror Story), Brad Falchuk (Nip/Tuck, Scream Queens, The Politician), and Tim Minear. As soon as we saw their names attached to the series, my team and I knew we had to do everything in our power for me to work with them. It has been one of the most rewarding work experiences of my life.

AM: What is the training like to be on this show in terms of wearing the gear and being able to be in the mindset of a firefighter?

JW: It definitely takes some getting used to and ample training time. The gear is super heavy, so you have to be physically fit to handle the long hours with bulky clothing and able to handle sizable equipment, sometimes in hot weather. We’ve gone through extensive training with real firefighters and incredible consultants with our production team to make sure we honor the real firefighting heroes who risk their lives every day for us.

AM: Tell me about how you came to the 9-1-1 Universe as you actually had a few episodes in the flagship and how did that then bring you to 9-1-1: Lonestar?

JW: I booked a memorable Guest Star role opposite the legendary Angela Bassett (Waiting to Exhale, American Horror Story, Black Panther universe) on the flagship show, 9-1-1. A year later, when 9-1-1: Lone Star was casting, I read for ‘Mateo Chavez’ late in their casting process, fresh off of filming a TV show in Canada. Luckily, much of the creative team and the producers were the same on both shows, and they thought I’d be a great addition to the cast. I thank my lucky stars for that, since playing ‘Mateo’ has been one of the greatest experiences of my life until now.

AM: You also get to play a twin every now and then - what do you love about Marvin?

JW: I only played ‘Marvin’ once on the original 9-1-1 show. I love that he’s a very genuine and charismatic person who just lacks direction in life. To his benefit, Angela Bassett’s character, ‘Athena,’ gives him the tough love that he needs. She is the reason he reflects on his life and looks to change for the better at the end of the episode.

AM: For those that need a refresher where do we end with Mateo from last season and what can you tell us about where we pick him up again for next season?

JW: Without giving away too much, let’s just say that he and Nancy (Brianna Baker) are a part of the fifth season’s storyline. Stay tuned for new and big climate events, explosions, amazing rescues, and the evolution of old and new relationships! Like all previous seasons, ‘Mateo’ will have a breakout episode where new and exciting things will be revealed!

AM: For fans of the show, what are the takeaways that you want viewers to feel about Mateo's arc or the show in general?

JW: I love ‘Mateo’s’ humor and optimism, even when faced with great adversity or personal challenges. He keeps getting back up and trying again, until he achieves his goal and I’d like viewers to really take that positive attitude and indefatigable outlook with them, into their own lives.

AM: You are in The Long Game which hit theaters last month and debuted at SXSW last year where the film earned the SXSW Narrative Spotlight Audience Award. What drew you to this movie?

JW: The incredible novel, Mustang Miracle, by Humberto G. Garcia, the script, and our indomitable director Julio Quintana. I almost worked with Julio before on another movie right as I was offered 9-1-1: Lone Star, and after watching that film, I knew I had to work with him. The stars aligned and I had an incredible experience working with him and the entire cast and production team that made the film possible.

AM: For those who have not seen this movie. Tell me about it and who do you play?

JW: I play ‘Joe Trevino,’ a young Mexican-American caddie who ends becoming the San Felipe High School’s most valuable golfer and a champion, along with his team, for the Texas State Championship in 1957. The film is based on a true story and tells the story of the racism and prejudice of our country’s past, but also the hope, evolution, and inspiration that everyday Americans have demonstrated to make America a better home for us all. Simply put, it’s a story about the triumph of the human spirit over adversity and illustrates the lesson for people of any background that you can do anything if you believe in yourself, work hard, and have a strong team around you to reach your goals.

AM: You have an incredible cast that's also in this film from Jay Hernandez (Suicide Squad, Magnum P.I., Last Resort), Dennis Quaid (Lawmen: Bass Reeves, Full Circle, The Day After Tomorrow), and Cheech Marin (Shotgun Wedding, Machete, Nash Bridges). Canelo Alvarez is an Executive Producer of the movie. What did you enjoy about being in this film?

JW: Besides having the privilege and the honor to embody the late ‘Joe Trevino’ and work with our talented director, cast, and production team, I loved the preparation, both physically and mentally. I also loved our filming locations, from Colombia to Texas, and learning from so many wonderfully talented people. Of course, having Canelo Alvarez executive produce our film was phenomenal, and meeting him at his most recent fight in Las Vegas was surreal.

AM: When you're not on set or when you're preparing for your next role, what are 3 workouts that you do to stay in shape?

JW: I love to box, train in mixed martial arts, and go on long-distance jogs and hikes.

AM: How do you take time for yourself?

JW: Music is an important outlet for me. Listening to it and creating. I love a variety of music, from Nipsey Hussle, Drake, and Dr. Dre, to Elvis, The Bee Gees, and Michael Jackson, and compose lyrics for future songs that I’m looking to record.

AM: Are there and upcoming projects that you can share?

JW: I am currently filming the 5th season of 9-1-1: Lone Star and the entire cast is very excited to be back on set! We look forward to sharing the continuation of our storylines and our characters’ journeys with fans this Fall. Stay tuned!

IG @julesworks

PHOTOGRAPHY CREDITS | Dylan

Read the JUN ISSUE #102 of Athleisure Mag and see THE LONG AND THE SHORT OF IT | Julian Works in mag.

CHARACTER MASTERY | REZA DIAKO

We love when we have the opportunity to sit down with actors that let us think about the characters and the situations that they present to us in the roles that they play! Reza Diako has been in a number of shows that we have enjoyed from Guy Ritchie's The Covenant to Apple TV+'s Tehran, and Netflix's The Diplomat! His approach to his characters; his belief in having to shake hands with the characters that he is portraying; and the need to dig into himself in order to present them to us on screen is amazing. We talked about his approach, how he got into the industry and his portrayal and approach to Apostle Philip in international phenomenon, The Chosen.

ATHLEISURE MAG: What is the first film or TV show that you fell in love with and at what point did you realize that you wanted to be an actor?

REZA DIAKO: Let’s see. One of my first favorite films was actually – it was quite – well let me say that there are a lot of films that I watched and as the story goes, my mother was a big film buff since she was young like 11 or 12. She would watch Ingmar Berman (The Seventh Seal, Wild Strawberries, Fanny and Alexander) films. So I think that that got passed down to me. You know, I have a psychology background so I was always interested in psychological films and so I think that at some point when I was quite young I was exposed to Persona by Ingmar Berman. I found it really profound, but it was a lot of serendipitous affects that got me into acting.

There was a time when I was studying psychology and then in medical school and I was struggling because I was getting ill. Weirdly, I was watching some videos by Johnny Depp (Pirates of the Caribbean franchise, City of Lies, Black Mass) and it was weird because I spent a couple of months looking into his interviews. I was taking a lot of acting classes since I was a teenager. Art ran in the family because my mom was a painter, I did a lot of music so forth and so forth and here I was studying medicine and watching Johnny Depp's interviews could there be a career here and is it too late? It was funny because I was taking classes more so for the psychological reasons of embodying humanity more at the individual level, rather than what I was studying which was categorical. What is really weird is that some months later serendipitously, I ran into Johnny Depp on my birthday, and we actually talked to each other and I told him about how much I cared for him.

AM: It all lends itself to how you navigated one part of your life and continued into this direction that also meant a lot to you.

RD: Right, it just shows the synchronicity of the situation because after that encounter, things just kind of flew. He actually signed a Happy Birthday message for me and after that we just kind of parted ways. About 6 months later, I’m at a place where I’m pausing medical school because I had a very difficult illness situation going on. Then my acting continues and that’s when I realized that my acting gave me a sense of meaning and purpose and an impetus and happiness. I decided to apply for drama school because I had a great acting coach in London for years and I got in. Then I trained at Mountain View in London and it was so serendipitous and that’s when things started unfolding as I was coming out of drama school. They were casting Tehran and looking for young Persian heritage actors and I never thought it would come by so quickly and it was so interesting. But yeah, I was always watching films with my mom and I would say that Ingmar Berman's Persona and a lot of interesting Iranian films as well people like Asghar Farhadi (The Salesman, About Elly, The Past) – A Separation which had a big impact on me, but it was the whole range. Then there was Johnny Depp and his performances in the Pirates of the Caribbean or I’m a big Heath Ledger (10 Things I Hate About You, A Knight’s Tale, Lords of Dogtown) fan so watching The Dark Knight that was a big moment as well into – I think that I was always working on how to make an impact on the world. Sometimes when I saw those things and realized that it was in my own internal world, but also in the collective and in the impact that it made, it was cool to see. It took me a while to realize how much art can make an impact and that’s when I knew. When I went to the Edinburgh Fringe Festival to do a play I knew that this was it.

AM: We enjoyed you in Tehran as well as in The Diplomat.

RD: Thank you.

AM: I thought that that was amazing. What do you enjoy about storytelling?

RD: Thank you first of all as that is kind of you. What I love about storytelling, and I guess in acting as well is coming at it from a psychological background. I always like to leave something behind that impacts the world and makes us think a little more. I think the world is a little bit scared of looking internally. We always point fingers outward and I think that there is something about art and play and creativity and story that I have even encountered through studying people like Carl Jung who gathered the collective stories and found there were common grounds. It’s fascinating because through the collective or through the story or the mythology, people find the individual and through the individual that seems very specific and particular about a particular cultural area, people can find something profound and collective. That is something that I deeply love and resonate with and that’s kind of the aim when I work. It’s the work I do on projects with directors that I love and on characters that portray the complex weird parts of humanity in a way that dares someone else to say, “hey, that could be me” and I can understand it and it makes them reflect I guess. It's kind of the point!

AM: What is your creative process in terms of how you look at getting into the characters that you play?

RD: Yeah, I mean, that’s a complicated one and it really depends on the people and the teams that you are working on and the director. I always believe in surrendering deeply as I think it’s the core of it. I learned that after medical school that life is not a formula and that art is not a formula. I think that the purpose of art is actually to let people know that the exhale is more important than the inhale sometimes. Because if you inhale so much -

AM: I have kind of been learning that and being more aware of that lately.

RD: I know right? That’s what happens! You inhale so much and somehow you have to let go! So I guess that the process is a cocreation. It’s something that in all of my training, it’s about being receptive to the other and also to everything around you and let everything impact you. That’s sort of part of it to the core and with that, without getting too technical because I don’t want to – there is something about coming from within and finding that throughline and kind of making a handshake with the character. I always try to and to find that which is hard. You have to dig deep again to the corners of yourself like the character in The Diplomat. Playing someone who is so different than who you are and you’re trying to find the common ground through both imagination and also your own experiences. I always like to go to the child because of my psychology background looking at the pains and the little buttons that get pushed and how the character tries to build a world and character and persona on top of it. You can kind of layer things up a little bit. The true self and the mask lets say.

AM: What kinds of characters and projects are you drawn to? What do you look for when you decide to attach yourself to a project?

RD: What do I look for? I love to work with certain directors because I love their work and that is always a big thing. When I say that I love their work, it’s not from a personal cool vibe thing. It’s more like going back to what I was saying before. I like directors and projects I suppose that are looking into exploring some complex, taboo, or unspeakable act of human nature at the core. Trying to aim for something specific, cultural, and potentially different cultures that is always something that excites me. Despite that, and despite the specificity, to have a collective relatability at the heart and when I say that, it’s something quite simple and essential about the common human heartbeat. So if you’re doing that, you’re doing quite well. Having said that, I’m really open to exploring all sorts. I’m a musician so I like projects with music, I like projects that demand physical change, I’m also a personal trainer and I’m kind of a freak about accents, dialects, picking up languages. So I always love to work in different areas like that, especially because of my weird and complex background. I have never really been able to be one thing.

AM: The Chosen has become such a phenomenon and I know the 4th season is currently streaming right now. You play Apostle Philip. What drew you to the series and why did you want to be involved in this?

RD: Yes, it is definitely turning into a phenomenon, and it is definitely fascinating to watch. I have been a fan for some time, and it has been really cool to see it grow. I can’t believe it started as a short film and it’s insane!

What’s it like to be part of it? They call it a Family, A Chosen Family and it was quite a big embrace. So when I came, I felt very grateful because like many of the fans, I was a big fan of Philip and the way that character was played. It was an interesting, slightly scary, and extremely honorable experience of joining. I think that what I tried to bring is a lot of love as a fan and a lot of that heartbeat. That was also so deeply reciprocated as I have never seen a set like that where there is so much love and respect and a sense of deeper meaning involved through and through from the kind people in catering that offer me free desserts, to my room for whatever reason – I have a gluten-free diet so that is really sweet, to Dallas Jenkins (What If, The Ride, The Shift) himself and even production.

AM: When you were approaching to play Philip, it’s very unique as Yoshi Barrigas (Six, Criminal Minds, Forty-Seven Days with Jesus) previously played him and now in S4, you are playing him. Did you feel the need to marry the two because you're playing a Biblical character that existed, but now you have the layer of playing someone that was played by someone else in the same production a season apart. How did you approach that as I think that that is a unique situation.

RD: It is, it was very fun. It was fun and challenging. Going back to kindness, I met Dallas on day 1 and he gave me a big embrace and he said do it your own way and you don’t have to replicate anything. Having said that, being a big Harry Potter fan, and seeing the Dumbledore (Editor’s Note: In the movie franchise Richard Harris (Patriot Games, Unforgiven, Gladiator) played the character in the adaptations of Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets. After his death, the character was played by Michael Gambon (Book of Eli, Kingsman: The Golden Circle, Judy) in the 6 remaining films of the adaptations) change and certain other characters that changed -

AM: Right!

RD: You feel like as a fandom, you want to see some type of continuity or else it feels jarred. It was kind of a fun challenge and I felt very safe to bring myself which was not so difficult. I really felt connected with Philip when I watched it because of the fact that I had been to 10 schools in 4 different countries and I’m kind of a nomad anyway. People notice that I can sleep anywhere on set and I’m known to do that especially since the last 2 years the work in Egypt, in Europe, and in America you’re always on the go! I understood that nomadic side and living in the wild and living in a simple way and also I think because of my personal journey in psychology and having that interest in Jungian therapy, I have done a lot of soul searching and facing the different difficult parts and my therapist as well as other people say that I am kind of an old soul. People have said I’m an old man in a young guy's body which is not necessarily the funnest thing to say or to receive sometimes! I’d rather be young! So that part wasn’t so hard for me to relate to the heartbeat. Someone who has lost as in S4, Phillip is losing his mentor, and I had a therapist that passed away after a long journey and there was a lot of common ground there and on the other hand, it was a very interesting process along the lines of what you learn in drama school in terms of the craft. Sort of the body work, the dialect work, I watched the previous actor’s work who portrayed Phillip, obsessively and I was inspired by people like De Niro (Taxi Driver, Cape Fear, Goodfellas) who took over Marlon Brando’s (Last Tango in Paris, On the Waterfront, Apocalypse Now) role in The Godfather and I felt that he did that so I felt that I should probably take a lead from his papers. So I obsessively followed that, and I tried to sustain some level of mannerisms and aspects of him the best way that I can to keep some continuity and more so because as a fan, I would have wanted to see that.

AM: S5 is currently in production correct?

RD: That’s right!

AM: More often than not, people are always talking about it and where they are in the season or bingeing the previous seasons to get current.

You also have additional projects coming out that I’m also excited for. Can you tell us a bit about The Astronaut which has Kate Mara (Transcendence, House of Cards, Class Of ‘09) which we love and Laurence Fishburne (Matrix franchise, Clipped, Megalopolis) which is amazing. What can you tell me about it and who do you play?

RD: Sure I can! It was a deep honor to work on that. It was a very lucky encounter that got me on that project, and I was so grateful to work on it. I was offered to work as the NASA Director, Ethan Marshall. Going back to the old soul thing, they said this guy needs to be 50 and I’m not. Even though I have a beard and I may not look young.

AM: You still look under 50 even with the beard.

RD: When I shave, I will show you and I will prove it!

So it was interesting and I had to think again, both from an age and experience wise in terms of how he would embody things around him. The fact that it was a NASA leader, I tend to try to be very obsessive and very inspired again by what I was talking before about shaking handshake with the character, you have to let the character direct you and if that’s not happening how can you reflect that back to someone. I let myself be so consumed with all the parts of the character that may be different to me. So I went to the library and got a bunch of different books and everything I could get, videos, footage, etc. about NASA projects and I basically had to do 2 Doctorate degrees in physics and engineering in a matter of weeks which was a challenge and it was doomed to fail. We gave it a shot and it gave me a lot of interesting knowledge into that whole world of NASA and it just was very interesting. I was particularly happy about it because I had been working very hard to convince the industry that I am not just the Middle Eastern and Iranian guy, so having that honorable position to work as an everyman kind of Ethan Marshall guy was a good step in the direction that I would love to go. So that was a big happy moment for me and the team was amazing as well! Kate is amazing and it was such an honor to work with her!

AM: You also have Reading Lolita in Tehran which will also be out this year and I know it’s based on the bestselling memoir of the same name. Can you tell me about the film/book and who are you playing in this?

RD: That was a different one. As much as The Astronaut happened very quickly, Reading Lolita has been almost a 2-year journey! We knew that the film was being made and Eran Riklis (Miral, A Borrowed Identity, Spider in the Web) had us read for a while and he is a genius and I adore him. The project took a long time and I think it’s because he wanted to have Golshifteh Farahani (Girls of the Sun, Pirates of the Caribbean: Dead Men Tell No Tales, Brother and Sister) on. There was a revolution in the 1980's in Iran and then what ensues is a cultural revolution that went on for a few years. It was interesting because it was a real-life historical event and it was also one that I know that my mother went through as well as other Iranians that I know. They have those memories, her university closed down, she had to pick up painting underground because she was studying fashion and they don’t do fashion anymore because that’s now against the religious political viewpoints of the time. So it was a very interesting period, both historically and personally and I think that it is one of those stories where you read about something in the corner of Iran about something that we may not know exactly about, but it can say a lot about, the level of chaos that follows after a revolution where people expect some kind of immediate euphoria. The euphoria comes, but then after it’s some kind of peace or Lion King kind of story – that "Pride Land" has some type of moments that potentially might not come. So, that’s the kind of fun thing that I love about Reading Lolita.

I love the character Bahri which means maritime or the sea in Arabic. I found that really cool. Something about this guy is so interested and in love with literature and art. He is an artist at heart. But at the same time, he is very deeply enamored by his teacher and lecturer Azar Nafisi played by Golshifteh Farahani - which for me was a dream lifetime goal to work with. He’s oscillating between the two places of that plus being part of the Islamic society out of need and out of his personal reasons, but it is interesting because again it’s one of those great complex characters where you would make a judgement and say he sucks because he’s part of this tyrannical group and how dare he, especially the way he is describing the book. His writings of Huckleberry Finn and what he thinks of that, but then also secretly watching Azar Nafisi, it’s one of those where you don’t know what to do with it. But you see the human spirit and the heart underneath it. It was a lovely thing. I saw him as a caged dove.

AM: Are there any other upcoming projects that you have coming up that we should keep an eye out for besides the 2 we just talked about?

RD: I can’t wait for S5 of The Chosen. The script is amazing and I can’t talk about it. The moments are great and I think it’s going to be kicking things up a notch! Other than that, there are some things in the pipeline that are coming up. I need to keep those a mystery for now.

AM: We were talking about your background obviously before you became an actor, your background in psychology, going to Medical School and all of those things that you did, why were you initially interested in those areas and why is mental health so important to you?

RD: Thanks for asking that! I think that when I was 15 or 16, I would always think that I wanted to do something that make a massive impact on the world and not from an ego standpoint, but in a way to make the world a better place. Over the next 3 or 4 years, slowly this idea emerged that I would love to set up a psychotherapy center particularly for children and adolescence. I think that my reason for that was in my travels and attending 10 different schools, I had friends from Korea, India, and Iran – I went to American schools and those in England etc. Everyone has some sort of trauma whether it was acute or chronic, something from their families or from school and they are carrying these things around. They would talk to me about it, but if someone could actually hold these people the level of impact that it would have on the next generation it would be massive. That was kind of the drive. I kind of went on this big self-discovery as I am a fan of The Dark Knight so I was on a sacrificial Batman journey saying that I am going to make my life about this. It led to a bit of challenges when it came to my illness in medical school, but it was interesting because this diagonal path that emerged with acting – the dream is still there. I feel it every time I get success it comes from God, The Universe, The Collective, or however you want to put it. I feel very humbled and blessed. It makes me want to save up the finances and all of the wonderful blessings that come with it as part of the plan to hopefully become an advocate and to create this center for the future and serendipitously, I ran into someone else that had the same dream so it’s nice when you surrender and the weird stuff that happens.

That was the main thing and I did a lot of personal therapy and I love Jung because he looked for the common as opposed to the difference and in all of my travels, that is something that speaks to me as well.

AM: When you’re not on set, how are you taking time for yourself as you’re busy and you’re focused on doing the impact for others – but you have to fuel and infuse yourself.

RD: I’m learning that myself and am learning to do that more! I am a bit of a workaholic and a bit of an obsessive. But not from an ego place, I am on a mission to make things happen that is good for me, but also for everyone else. That takes a lot of energy and I think you should give your 100% and then you surrender. It either works out or it will work better – there is no other way. Even if there is pain or suffering, it’s only for a while and it just means that something good is on the horizon.

What do I do? I have a very nice therapist who has taken over the job of the previous one who had died from COVID. Jokes aside, that is very helpful because when you’re trying to constantly be on set and you get exhausted, I’m a very big advocate for it.

On the other end, piano is a big part of my life. That’s where I find myself! Ludovico Einaudi, I’d like to learn his entire repertoire – a lot of classical. That’s how I started. Engaging in art – drawing, painting, playing piano since I was 7 or 8. I sometimes write – I would say that it is emotional vomit, but some would call it very bag poetry. But that’s really helpful just to get in touch and then other than that I try to just have a cross between work and not work. I love this art and I love this medium and currently I’m on a break from The Chosen so I am in NY immersing myself in theaters and going to Lincoln Center and watching my heroes like Philip Seymour Hoffman (Capote, The Talented Mr Ripley, The Hunger Games franchise) and John C Reilly (Gangs of New York, Moonbase 8, Winning Time: The Rise of the Lakers Dynasty) doing True West and then watching films from all over the world. I love to get inspired by the unknown as opposed to the known. I like to open myself to new places and then try to keep healthy the best that you can physically – exercise, sleep, read – the basics!

AM: Haha right? Taking a shower! Try to live like a normal person!

RD: Haha I just took one a couple of hours ago! So I’m doing well – coffee, black coffee.

IG @rezadiako93

PHOTOGRAPHY CREDITS | OC Ryan West

Read the JUN ISSUE #102 of Athleisure Mag and see CHARACTER MASTERY | Reza Diako in mag.

THE BACHELORETTE S21. E4. | ONWARD NEW ZEALAND

PHOTO CREDIT | ABC The Bachelorette

This week, The Bachelorette is now in Auckland, New Zealand so it will be interesting to see what the men are going to get into this week with Jenn Tran. The men take in the city and hang out a bit while they wait to see her and to continue their connections with her. Jesse Palmer also has some lunch with her to find out where she’s at at the moment. He also tells her that the reason that people don’t really eat on the dates because he scarfed food down during his season.

She leaves Jesse and she heads over to the men and goes on a date with Sam M. for a 1-on-1. The rest of the men settle into their suite and Devin gets in his head on why he didn’t get a 1-on-1.

On the 1-on-1 date, Jenn wonders if they can go deeper so that she can really get to know him. Their date takes place in a beautiful spot where they can see see 360 degree views. The waiter tells them that people are jumping off the side of the building. Sam M. answers for both of them that they should jump. She lets him know that she does not like that he spoke for both of them while not checking in. Although they didn’t jump, they are doing a Sky Walk where they are harnessed in. Of course they end up doing the jump it was just really awkward on how they ended up getting to that answer.

While we wait for the dinner portion of the back half of Sam’s date, the date card arrives. Spencer, Marcus, Grant, John M, Austin, Jonathan, Dylan, Thomas, Jeremy, and Sam N will all be on the group date. Devin will be on the 1-on-1 date. Sam is an interesting person to chat with as he has a number of tag lines and you don’t really hear him talk about himself or be vulnerable in any way. It’s not a surprise that he hasn’t really shared or given of himself in an authentic way. Although he shared hist story about being engaged, there never feels like any heart behind his words.

The group date takes them to the soccer field and they get to see a Haka and they have some professional rugby players teaching them about the sport and putting them through a few drills. Back at the suite, Devin and Sam M are sitting together and of course they continue to beef with one another.

Back on the field, the rugby match is getting serious between the blue team and the orange - blue wins. All the men on the group date arrive for their cocktail party after the group date. The guys feel that he is being too much as he is not the only one who won the match. In addition, Marcus tells him to check himself as he would let someone else sit on the couch with him. He brought in the trophy as well as the rugby shirt. This feels like it’s going to backfire on him. Apparently the shirt he brought says Sam’s Wife which matched what he wrote on his, Jenn’s Husband. He even took a moment with her by pulling her aside first and he believes he is getting the Group Date Rose. She plays a bit of lacrosse with Jonathan which she enjoyed as both of them played it in college.

The guys talk about how Sam N. is being disrespectful and that he’s not carrying himself like a man. He lets them know that he is here for Jenn and not for anyone else. They let him know that when they are in a group setting, he needs to check himself so that he fits in better. They all feel that he is childish and he doesn’t care about how they feel about what he did.

We’ve liked Marcus for awhile and seeing him chatting with Jenn and her letting him know that she can carry his burden was really sweet. Of course back with the rest of the guys, Thomas N. asks Sam N. to step out as if he didn’t learn from the last time that he was in that same situation with Devin. Thomas N. takes time to chat with Jenn and Sam N. comes in to interrupt them as he wants to get a kiss from her. He asks her for a kiss and says that he wants to take their relationship to the next level. She tells him that she recognizes his efforts and she knows he has never had a relationship and never been in love - she tells him that she doesn’t know if she can see them in the place that he wants to be in. She offers to walk him out.

She lets the men know that she sent him home. She gives the group date rose to Marcus. The guys are happy for him and are glad that Sam N. will no longer be part of the group.

Devin has his 1-on-1 date with Jenn and she’s excited to learn about the culture of this place as well as sharing about her culture and religion and to see how he will be receptive to that. They have a great time learning about the people and their customs. They also talk about the kinds of customs that come from their own lives that they want to bring forward for themselves as well as children. They learn that they both want children. At the dinner portion of their date, they talk about their family structure and they see a lot of similarities between how they grew up, what they don’t want to have in their lives, and how they continue to move forward to have what they want. Devin lets her know that he is falling for her and he wants to celebrate her every day for as long as he can.She loves this connection and want to continue and gives him a rose from their date night.

Before the cocktail party to find out who is moving on, Matthew, an old flame comes asking if he can join the process. They dated for a period of time; however, after 3 or 4 months, it didn’t work out although they reconnected as friends. The cliffhanger leaves us wondering if he will stay, how it will affect the men, and more.

JENN GAVE ROSES TO | Austin, Devin, Dylan, Grant, Jeremy, John M., Jonathan, Marcus, Sam M., Spencer, and Thomas N.

JENN DIDN’T GIVE ROSES TO | Sam N.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO WE PREDICT WILL GO TO HOMETOWNS

AUSTIN

DYLAN

MARCUS

SAM M.

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

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THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

IF THESE WALLS COULD TALK | HOTEL COCAINE

We've enjoyed watching the screeners for Hotel Cocaine which is currently streaming on MGM+! We are transported to the late 70s and early 80s when Miami is in the midst of a shift from vacation and retirement destination to the epicenter of sex, drugs, crime, and a battle between those who are on opposing sides of the law while embracing disco, wealth, and more! The events that unfold are based on accounts by those who lived it that took place at The Mutiny Hotel which still exists today, but without the activities that made it famous during that time.

We had the pleasure of connecting with Creator, Showrunner, Executive Producer, and writer Chris Brancato (Narcos, Narcos: Mexico, The Godfather of Harlem) and Director, Guillermo Navarro (The Twilight Saga: Breaking Dawn 1 and 2, Night at the Museum franchise, The Last Days of Ptolemy Grey) who know how to bring these stories to life so that we can see the complexities, conflict, and humanity of the characters in their stories. We talk about their love for storytelling, working together, and framing this show in all of its nuances.

ATHLEISURE MAG: We are so excited to be able to talk with you! Chris, I know you created Narcos as well as Godfather of Harlem which I have been a huge fan of and Guillermo as the Director of Godfather of Harlem – once again, it is a fantastic show and you also directed Narcos, so it’s nice to see you guys working together on this show!

What do you guys love about storytelling in general?

GUILLERMO NAVARRO: Well, it’s a tremendous opportunity to actually reflect on life and to put our own ideas into it and to tell those stories. There is nothing better than that!

CHRIS BRANCATO: I love the process and the friendships that you make from the writing room where we create the scripts to the production people who put everything together, and then editorial where we make a “finished product,” so to speak! The goal is always to entertain.

AM: You guys came together for Hotel Cocaine which I have watched all 7 of the screeners and can’t wait to find out what happens in E8! The story is amazing. Why did you want to tell it and specifically Guillermo, what attracted you to this series and why did you want to be part of it?

GN: Well I have been partnering with this one for awhile and finally we reached and found a Latin story and so I completely just went for it. It was an opportunity to talk about the relationships of the Latin world with America and it focused on the drama of 2 brothers and the delivery of this and the story about what had to be happening in Miami to receive all of that input and to become what it is!

AM: In terms of creating the show Chris, what was your thinking? I love the characters, the complexities and the depth of them, and they keep unveiling themselves in different ways and it is shot so beautifully. How did all that come together?

CB: Well, it’s interesting. Guillermo and I did Narcos together. We first met on the show Hannibal and I realized he was a directorial genius – [Guillermo motions teasingly that Chris is going on and on buttering him up until Chris notices]

AM: Wait, you are and I have enjoyed seeing your direction in a number of programs so these are facts!

CB: Right? So effectively when I did Narcos, one of the actors that was a friend of mine came up to me and said, “you know, my father was the General Manager ager of the Mutiny Hotel. He said it was the Studio 54 of its day in Miami and it was the home to DEA Agents, drug dealers, movie stars, rock stars, and so the subject matter fascinated me and I knew that to do it right and to give it the proper Latin perspective, I was going to need to find a partner. I searched far and wide in the Latin world and I couldn’t find anybody other than him [Chris teases Guillermo by shaking his arm] so that is how we got stuck together!

AM: I love that story! Obviously, this story takes place in Miami but you shot it in the DR?

CB: Yes, because the Domincan Republic, we scouted Puerto Rico, Colombia, and the DR, but ultimately, we decided that the Dominican Republic had the best look of a 70s Miami because Miami is so overbuilt now, we could never replicate Miami in the 70s!

AM: Well I love the DR and I always love whenever I spend time down there regardless of the city!

What do you want viewers to take away from this show. I can’t say enough about how much I love how it was put together, the characters, the way it was shot etc. I can’t wait to see the finale to see how S1 ends.

GN: Well, that the impact of the drug world on society is real and it’s very profound. And that, I come from Mexico and the social tissue is destroyed by the drug world. For me, it was very important thing to talk about that every time someone consumes it, people die. So it’s about accountability and responsibility of something that is consuming entire societies.

CB: We like to deliver themes like that in a very shiny wrapping.

AM: Right!

CB: So the sex, drugs, disco, Latin music pel collars, bell bottom pants, and the Mutiny girls. So again, the goal is to entertain and put the nutritional value in a hidden way so that the kids don’t notice the broccoli!

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@hotelcocainemgm

Now that we have a framework for this series thanks to Chris and Guillermo we wanted to continue to frame this show as well as the lens that we should view as. We talked with Danny Pino (Scandal, Law & Order: SVU, Mayans MC) and Yul Vazquez (Magic City, The Outsider, The Godfather of Harlem) who play brothers Ramon Compte and Nestor Cabal in this era in Miami as they navigate the DEA, drugs, the Mutiny Hotel, past and present family dynamics and so much more!

AM: As a fan of both of your works in other shows as well as obviously in Hotel Cocaine, why were you attracted to this series and why did you want to be part of it?

DANNY PINO: Thank you for this question! Yul Vazquez! That is the short answer. I’m not saying that because he is here. But he is, he’s right here! The reality is that the first phone call that I got about Hotel Cocaine came from Yul. Yul and I, there are not a lot of Cuban Americans in Hollywood right? So whenever I would go to an event and I would meet other Cuban Americans, we would eventually land on, “have you met Yul Vazquez?” I’d say, “no I have not met him, I know of him and we have mutual friends. He’s a fantastic actor, but I have not yet met him.” Or I would go to a set and someone in the crew or in the cast would say, “well, you’re Cuban American, have you met Yul?” We’d have the same conversation! “I love his work and I haven’t met him.” Then, we happened to meet on Law & Order: SVU! And we became fast friends. It’s like when you meet somebody that you feel that you have known your entire life! I’m not talking about like your entire acting life, I’m talking about – were you at my 15s? Were you at my baptism? Because I feel like you must have been in the Catholic church with us!

The phone call where Yul calls me and says - look, I have been working on this show, The Godfather of Harlem with Forest Whitaker - the fantastic Forest Whitaker with Chris Brancato, the creator of Narcos and there is this show set in Miami, 1978, called Hotel Cocaine, based on The Mutiny and we’d be playing brothers. I said, I’m in! He was like, maybe you should read the script. And I was like, wait, maybe I should read the script! That’s the short answer to your question! Once Yul kind of set that up, I was already – the momentum and the inertia towards doing it was already in motion.

YUL VAZQUEZ: I mean, it was pretty much the same for me. Danny really was the only choice really for this. It was too perfect but you know sometimes when something is so perfect it doesn’t wind up happening?

AM: Right!

YV: This is a no brainer and then suddenly it doesn’t happen! But this was one of those times when the no brainer happened the way it was supposed to happen. I absolutely love working with Danny and he knows that that is the truth! I know that I can stand there with him and we can get through any scene no matter what the journey of the scene is and we can work around it and figure it out and we get to the end of the scene and I know that when he opens his mouth, I am going to believe everything that he says! That sounds like simple obvious things, but not always the case. Not always the case. I always knew with Danny, I am going to have a guy that was there today. Not a guy who decided that he was going to do this 3 weeks ago. You know, rehearsed it in the mirror because that is one thing that makes me insane. When I get somebody and I’m like no matter what you do, this person is going to do the same thing because they have locked themselves into this thing. We figured out this flow with this whole thing and we improvised a lot of things and we had the freedom from Chris Brancato, Michael Panes (Godfather of Harlem, Bull, Law & Order: Criminal Intent) and Guillermo Navarro which is a huge part of the design, the brains, and the engine of the show. He encouraged us by saying that we knew this world better than any of us are going to know. We know what it’s like to be a Cuban from Miami and so that’s what we did! It’s really what we did and I think that we brought a lot of ourselves into the thing more so then I think that I have ever done!

DP: You’re talking to a musician/artist. Yul would come at this scene with the same words, but in a totally different way! So to be present and to be able to play jazz with him all the time and you know, a lot of the script is written in English. We know as many Cuban Americans know, and many Latinos know, that we don’t speak in English all the time.

YV: Correct.

DP: Our probably chosen language or first language is Spenglish and so we would manipulate some of the script to have the same intention, the same wording, but to be able to go back and forward fluidly in Spanish to give the authenticity of what you would hear not only in that time period, but in modern day Miami!

PRESS POOL: As you reflect back to all the roles you have played throughout your career, what lessons have you taken from them that have helped you in your role in Hotel Cocaine today? How has it shaped you to be the actor that you are today in those roles?

YV: I think that every stitch is a stitch in the fabric of an actor’s career. You try to vary it as much as you can and then you try to decide the parts as much as who is involved and who’s hands it’s in. So I think that everything feeds everything. I also paint, I’m a photographer, and I am also a musician so everything feeds everything and I don’t think one thing takes away from another. I see everything as one orb. So, I think that everything in life feeds everything. Meet ing you and it’s the succession of events for me. That’s how I think that we arrive to where we are today.

DP: I mean, Yul is a renaissance man. He does everything incredibly well and for me, talking about different characters and how it now leads to Ramon Compte, the General Manager of the Mutiny Club and Hotel, I’ve played characters who were on the right side of the law – in fact they were the law. In 2 successive shows whether it’s Mayans MC or Hotel Cocaine, playing characters that you can potentially consider an outlaw – right? I think that what I find which goes to the heart of your question, the throughline for the characters is with great writing whether it’s Meredith Stiehm (Homeland, ER, NYPD Blue) on Cold Case; whether it’s Warren Leight (In Treatment, Law & Order: SVU, Law & Order: Criminal Intent) on Law & Order: SVU; whether it’s Elgin James (The Outlaws, Lowriders, Little Birds) on Mayans MC; or Chris Brancato for Hotel Cocaine, all of those showrunners are fantastic at developping a character who rides the line between on the right side of the law and a potential on criminality.

All of those characters, whether it was Scotty Valens on Cold Case where he had some anger issues and would go back and forth on being able to control that or Nick Amaro who was also going back and forth on being able to control his anger and his frustrations and what not with his job and within his family, you can say similar things about Miguel Galindo and now we have arrived at Ramon Compte who also has to ride that line. It’s just like what Yul said, there’s a building and a learning from each experience especially when the writing is so dialed in and so challenging for an actor which is the best thing that we can have to be able to have that range which we can sort of carve through a performance and to go back in forth between scenes where you say, “I really love this guy, I could absolutely see myself doing the same thing – exactly what he is doing,” and then the very next scene saying, “how could you choose to do that? I hate this person!”

DP: Right? So that’s the currency that actors love to deal in.

PP: When we see the scenes that you guys have together at The Mutiny Hotel and this is a testament to who you are as actors, but when you have the club scenes there is so much going on with the dancers, the lights, and all of these things are happening all around you – as actors, how do you not get distracted by all of the things that are taking place in the background? What is your secret?

YV: It’s hard! It really is hard and sometimes let’s say that your patience it tested – yeah it is! It’s a great question and it is very very hard, for me.

DP: I think it’s one of those things where – and it is a fantastic question because a lot of people don’t realize exactly what happens. They play the music and cue us into the song so that the background artist can get the rhythm of the song that is going to be played and then they kill the song. So the background artist can continue with the rhythm so that we can say our lines in silence so that we don’t have to record the line over and over again for clarity. And that gets a little strange because you can still hear the heels and the platforms stomping on the dancefloor so it is a little distracting in that way. What helps is to have an actor like Yul. When you have an actor like Yul and you have words by Chris Brancato and Michael Panes, where you are engaging in a scene that matters and has life and death circumstances and ramifications, that tends to crystalize everything and you start to get that much more focused.

YV: Yeah, so Danny’s right. All we really have is each other and that helps! Having him helps anchor things for me! He’s right, exactly what he said. It becomes a very interesting challenge you know because it is all of the things that the audience never sees. You know the old saying, “you don’t want to see how the sausage is made.” That’s really true!

PP: For people who live in Miami, The Mutiny is such a staple and an icon of an era that created the backbone of what Miami is as a city from the glitz and glamour, to the element of crime and other things. Danny you’re a Miamian and went to FIU and you grew up there and you know the city. What does it mean to you to portray this era that shaped what Miami is nowadays?

DP: That’s a fantastic question and as we’re both from Miami, we talk about it all the time! We talk about not only the impact of The Mutiny, but the impact of the 70s, it was such a transformative period of our city! It really changed Miami from being sort of a sleepy retirement/vacation spot to a cosmopolitan hot spot. Then it changed when The Mutiny upped the ante on that and it became a hedonistic pleasure palace! Right? People were flying in all over the world to have an adult experience at The Mutiny. I have actually stayed at The Mutiny, it’s not what it was before, it is now much more lowkey. It’s like a hotel residential sort of establishment now, but the structure is still the same, the pool is still the same, and you still feel that if the walls could talk, you’d be hearing some fantastic stories and I think that that’s what our show does. The walls talk in our story.

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PHOTOGRAPHY CREDITS | Hotel Cocaine

Read the JUN ISSUE #102 of Athleisure Mag and see IF THESE WALLS COULD TALK | Hotel Cocaine in mag.

BACK TO CHICAGO | THE BEAR

On June 26th 9pm ET, S3 of FX's The Bear released all episodes from this season which is available exclusively on Hulu in the U.S. and on Disney+ in all other territories! We had the pleasure of hearing from portions of the cast about this show that has truly been a phenomenon for those in the culinary industry, enthusiasts and more as we head back to Chicago it deals with the highs and lows of running a restaurant, navigating the industry as well as the complexities that take place FOH, BOH as well as outside of the four walls that they operate in!

The press conference included Executive Producer and Restaurateur Chef Matty Matheson (Craig of the Creek, It's Suppertime!, Workin' Moms), who also plays Neil Fak, Jeremy Alllen White (Shameless, Homecoming, The Iron Claw) who plays Carmy, Ayo Edebiri (Black Mirror, Abbott Elementary, Bottoms) who plays Sydney as well as who directed Episode 6 "Napkins" of this season, Ebon Moss-Bachrach (Girls, The Dropout, Andor) who plays Richie, Abby Elliott (Saturday Night Life, Odd Mom Out, Cheaper By The Dozen) who plays Natalie, Liza Colón-Zayas (In Treatment, Law & Order, Titans) who plays Tina, Lionel Boyce (Loiter Squad, Curb Your Enthusiasm, The Jellies) who plays Marcus, and Ricky Staffieri (Chicago P.D., Better Call Saul, This is Us) who plays Ted Fak.

If you have watched or caught up on the previous seasons of The Bear, we suggest that you watch as there will be light spoilers. In terms of S3 the conversation focuses on the trailer and how it ties into the previous seasons.

PRESS POOL: Matty, in addition to your playing Neil, you are an executive producer and from a menu creation perspective, what are the decisions that are involved in creating those dishes?

CHEF MATTY MATHESON: Yeah, like, Courtney Storer is also a producer, and she handles a lot of the menu development. I work with her and her team and ideation stuff of what Carmy and Syd would be thinking about and how to execute those types of dishes; and create; those types of menus; and who they are and how they would present themselves through a culinary lens. But yeah, a lot of the dishes—you know, we had some really good chefs, and Courtney is amazing at executing and creating that food and bringing that to life. And there were some dishes that were more difficult than others. A lot of the desserts that Lionel and Marcus were creating and storytelling were difficult. Pastry is very - you know, it's a lot of science, a lot of stuff going into that. But overall, I think just trying to make beautiful food and thoughtful food and pushing the envelope.

PP: What was it like cowriting the first episode, what that experience was like, what you brought to the table and also, what it did for you.

CHEF MM: I think a lot of people that have had amazing careers, like Carmy had or chefs in general, have worked under a lot of chefs. And there's little pieces that you grab onto throughout your life, and that's how and what makes you who you are, the good and the bad. And in culinary school, I had this chef that told us this story about how 30 chefs made who he was and told me this story about working under all of these chefs all over Europe and working with chefs and cooks and just learning all of these different trades. And you know, it is a trade. And so, I think picking up these little skills along the way - and you never stop learning - is who you are made of, you know? The people around you. And we kind of wanted to tell a story of what and how Carmy was kind of built in that way.

PP: It seems like Neil's role is increasing with every season and we're seeing more of him. Was this planned from the beginning or did it grow organically out of the way the character interacted with the other characters?

CHEF MM: I’m not too sure. I think they saw that I could remember a couple more lines. And then, I think Chris Storer (Ramy, On The Count of Three, Dickinson) kind of chucked me a couple lines, and then I think we'll keep it moving. But yeah, I don't know. I really don't know. I think happy to be here and then, you know—

JEREMY ALLEN WHITE: I think, yeah, I mean, I think Chris was responding to Matty's work on the show. Matty had never acted before the show, and it turns out he can do it so beautifully and he can be so funny and lovable. And so, I think Chris wanted to work with him more and more. And it's also like I've never seen Chris be more joyful...

EBON MOSS-BACHRACH: Yeah.

AYO EDEBIRI: It's true.

EMB: Yeah.

JAW: ...than when he's directing a scene with Matty and like throwing lines at him. It really is the most excited that I see Chris is working with Matty.

CHEF MM: What Jeremy Allen White said.

ATHLEISURE MAG: Jeremy, we got a taste of Carmy's mentality following the finale and how the walk-in incident impacted him in the trailer. But going into Season 3, how will that experience impact him and his employees at The Bear?

JAW: Yeah, I mean, you know, what happens, I do get out of the walk-in refrigerator and that's good. And then yeah, you know, I think Carmy does what he does, which is he sort of buries himself back into his work and really tries to challenge himself and in doing so, really challenges everybody around him and I think becomes quite challenging to be around, as well. A lot of challenges.

PP: Things were not in a great place between Richie and Carmy when we last saw them. How will their relationship move forward as the season progresses and can they overcome the differences that they have?

EMB: They're great now. They're great. They...

(Laughter.)

AE: Play pickleball on Wednesdays.

EMB: They wake up every morning, go for a jog. You know, a little coffee klatch. No, I mean, you've got to watch, I think, right?

JAW: Yeah. Yeah, yeah, yeah. I mean, yes, Carmy is like continuing to do what he does best, I think, which is like be incredibly avoidant of all the issues that he has going on.

AE: No. What?

JAW: And that's what you'll see, yeah.

AM: Last season Richie got to work at another restaurant which really softened him and informed him a lot. How did that inform you moving forward with the character and into Season 3?

EMB: Season 3 picks up I think not long after Season 2 ends. And I don't know, I think Richie is in a place where he's sort of seen...he's been exposed to maybe a more evolved way of being, and I think he kind of sees a path to head towards. But it's one thing to see the path and it's another thing to walk it. So, I think, like any kind of personal growth, it's forward and back and there's not a kind of clear and one-direction path.

PP: In the Season 3 trailer, Carmy presents Sydney with a partnership agreement. What does this promotion mean for your character and how does Sydney and Carmy's relationship evolve in Season 3?

AE: Well, I think that that's one of the things in the season that we sort of deal with is what it means to Sydney and what that next step would mean for her relationship with Carmy, who's somebody that I think she really has looked up to but now is sort of in the thick of doing business with. And it's I think a lot more chaotic than she might have idealized before they really started working together. So yeah, I think that's sort of something that you'll see.

JAW: Yeah. Yeah, I think for Carmen, he's not the best communicator, but he will often kind of make a sort of grand gesture like that to try and communicate to Syd or the kitchen or whomever. And I think that's his way of kind of reaching out. But oftentimes, I feel like people aren't prepared to sort of receive like - I think he's got a lot going on in his mind all the time, and people aren't always aware of exactly what's going on. And so, yeah, I guess...again, yeah, you'll see obviously how that affects Carmen and Syd's relationship. But I think Carmen's trying to welcome her in a little bit was the point of the partnership agreement, yeah.

PP: What is going on with Tina this season. And then Ayo, would love to hear what it was like directing an episode.

LIZA COLÓN-ZAYAS: What's up with Tina is she is struggling to, you know, be her best and the challenges and wrestling with the demons of her past and you know, white-knuckling.

AE: Yeah, directing was a blast. I really loved it. It's like a dream to get to work with our crew as an actor. And so then, I guess by extension of directing that feeling was only amplified. I was just so impressed and so moved every day. And then, I got to direct some of my favorite actors in the world, and it just felt like a bit of a master class, but also a gift. Like, I was just in the best circumstances of truly just masters of their craft beside me, and I just felt so lucky. I was kind of like this is maybe the best job in the world? Or tied for first place, at least, with the one of acting. Yeah, so it was really wonderful.

AM: Did you choose the script that you were going to direct or is it just a decision you made with Chris Storer?

AE: I mean, a little bit of both, I guess? Like, he had one in mind. We're lucky enough to read all the episodes as actors beforehand, and we'd been talking about it for a while. And I know that he had one in mind, and I think he and the other producers, like Joanna Calo (The Baby-Sitters Club, Hack, Beef), had talked about it a bit, about how the episodes would be distributed. Because I wasn't the only guest director this season. Our AD, Duccio Fabbri (She Said, The Whale, Native Son), also directed an episode. And so, I think they had in their minds who would go where a little bit. But then we had a conversation, and he was like, "Which scripts are you responding to?" And I was like, "I would literally give you my firstborn child, who does not exist yet, if I could do the Liza episode, because I would love to work with Liza in that way." And then, he was like, "Well, we have nice little parallel thinking." So, yeah.

PP: Grief seems to be kind of a river that runs through the entire connective tissue of the show. And no one has seemed to really deal with their grief related to Mikey's (Jon Bernthal) passing and also, it seems like there might be some grief for Marcus, as well, coming up. Will there be any reckonings with unprocessed grief throughout this season, and what does that mean for the restaurant as a whole?

ABBY ELLIOT: Yeah, I think with Natalie, she's processing her grief and she's about to become a mother. She's pregnant and so, she's grappling with the fact that her brother had this horrible demise and her relationship with her mom and her brother is not in a good place. So, I feel like, yeah, she's dealing with the grief in that way.

AE: Yeah, I feel like a lot of different characters have grief that touched them in different ways in how they're dealing with it. I mean, I think you said it very aptly. That's one of the connecting threads of the show, so I think it's in the process of being dealt with by different characters in different ways in this season.

EMB: I would say that it's even one of the strengths of the show and I think one of the reasons that it's connected with so many people is I think grief is the river that runs through all of us. And it's the one sort of - maybe one of the only common things that we all share in the human experience. And so, yeah, that continues, and everyone deals with it in their own way. Or not, you know.

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PHOTOGRAPHY COURTESY | FX's The Bear

Read the JUN ISSUE #102 of Athleisure Mag and see BACK TO CHICAGO | The Bear in mag.

THE BACHELORETTE S21. E3. | THE JOURNEY CONTINUES

PHOTO CREDIT | ABC The Bachelorette

We kick off tonight’s episode of The Bachelorette with some of the men doing their workouts, a warning about gyrating men and libidos, and the men trying to set their differences aside so that they can be focused on Jenn Tran.

The date card arrives and Spencer gets the 1-on-1 date. That means there will be 2 group dates that we’ll see. They end up flying in a helicopter and they get to know one another.

Back at the house, the guys are still whispering about Devin and his antics.

Back on the date, the helicopter portion is done and now they are heading to dinner in a stunning space where they can really talk with one another. We know that he wants to share something that makes him very vulnerable. He lets her know that he has been engaged and has purchased a home with her and then he realized that she was cheating on him. Although he shared this experience, it’s a lot to take in and you can see Jenn seeing if he is able to navigate and be ready for love with someone else. She gives him the 1-on-1 Date Night Rose.

Dylan, Marcus, Thomas A., John M., Grant, Jonathan, Sam N., Thomas N., Sam M., and Devin will be on the group date together. It’s a lot of personalities so we know that this will definitely be a doozy. Their date is at The Forum Theatre but it’s clear that hey will do the Thunder From Down Under which has shows in Las Vegas, but they’re helping out Jenn today. The men look so uncomfortable and can’t believe that this is what they will be doing. They learn how to do a number of moves and then they hear that they will have a live audience watching as well! Jesse Palmer is emceeing the night. The guys are having fun with it and Jenn is joined by 2 sisters who were on The Bachelorette Australia. Jonathan wins the event - Mr. Firefighter. Sam N. decides to drop the L bomb which catches everyone off guard! It seems like there’s a new person in the group that will rub others the wrong way.

Post the group date, the men from the date are at the cocktail party - who will win the Group Date Rose? The men are still thinking about Sam N.’s bold move. Of course, Devin is still out there doing all of his antics and the guys still feel that he’s a bit much. Sam N. also talks about what he said and she let him know that his truth is one that he should share and she is glad that she let him know. Devin hears Sam M. and Thomas N. talk about how he doesn’t even know what it is to be in love so why would he say anything? Apparently, Devin feels big brother vibes over Sam N. so this is not going to go well. The trio have a chat that doesn’t really resolve anything. After meeting with a number of them for a bit, she is giving the group rose to Devin.

We see that Aaron is in the Air Force and is being called in for an opportunity to participate in a flight training group. He has a day to figure it out and he will be flying out the following week - he has to think about what he will do, but for right now, he’s all about his group date. The next group date has Hakeem, Jeremy, Austin, and Aaron on a race track which will allow them to do a race. Austin came in first and got to have a bit of 1-on-1 time with her. With only 4 people on the date, she is spending some time with each of them at the group date cocktail party. Aaron lets her know that he has his pilot’s license. He has to decide what he will do and he feels that he is closer to her. She has great moments with each of them and now it’s a matter of who will get this group date rose. She gives the rose to Jeremy. Aaron thinks about the fact that since he didn’t get one, he doesn’t have the validation that he is looking for since he has to think about the call that he received earlier that day.

All the men arrive for the cocktail portion of this week’s Rose Ceremony. She acknowledges the men upon her arrival and lets them know that they are amazing and that this process is working. She lets them know that she is having a good night. Aaron plans on letting her know that he will be taking another opportunity as he doesn’t want to to stop his life for something that he has worked so hard on. He lets her know that he has dreamed of being a fighter pilot and he wants to take the time to do that. He also leaves her with a few words - some people are not there to be genuine and yet, he didn’t want to say who. That shifts the vibe for everyone else that is there.

JENN GAVE ROSES TO | Austin, Devin, Dylan, Grant, Jeremy, John M., Jonathan, Marcus, Sam M., Sam N., Spencer, and Thomas N.

JENN DIDN’T GIVE ROSES TO | Aaron, Hakeem, Tomas A.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO WE PREDICT WILL GO TO HOMETOWNS

AUSTIN

DYLAN

MARCUS

SAM M.

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

---

THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

9PLAYLIST MULTI | REZA DIAKO

Read the JUN ISSUE #102 of Athleisure Mag and see 9PLAYLIST MULTI | Reza Diako in mag.

AWARDS SEASON | EMMYS NOMINATIONS

Today, the Television Academy announced the 76th Emmys for this year’s nominees. Sheryl Lee Ralph (The Mighty Quinn, Sister Act 2: Back in the Habit, Abbott Elementary) and Tony Hale (Arrested Development, Drunk History, Veep) announced the nominees from the El Capitan Theatre. Programs that were eligible to be nominated had to air between Jun 1, 2023, and May 31st, 2024. The award ceremony will take place on Sep 15th, 2024 at the Peacock Theater at L.A. Live and will be broadcast live on this date at 8pm ET on ABC and will be available on Hulu for live streaming and on-demand. Jessie Collins Entertainment which is comprised of the trio: Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay are set to executive produce the telecast for the second year in a row. The Creative Arts Emmys will be given out on Sept 7th and 8th.

As we do throughout Awards Season, we share our predictions in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics. On the night of the event, we will share who we predicted correctly as well as those we didn’t that won.

Best Drama Series

The Crown (Netflix)
Fallout (Prime Video)
The Gilded Age (HBO)
The Morning Show (Apple TV+)
Mr. and Mrs. Smith (Prime Video)
Shogun (FX)
Slow Horses (Apple TV+)
3 Body Problem (Netflix)

Best Actress in a Drama Series

Jennifer Aniston (The Morning Show, Apple)
Carrie Coon (The Gilded Age, HBO/Max)
Maya Erskine (Mr. and Mrs. Smith, Prime Video)
Anna Sawai (Shogun, FX) 
Imelda Staunton (The Crown, Netflix)
Reese Witherspoon (The Morning Show, Apple)

Best Actor in a Drama Series

Idris Elba (Hijack, Apple)
Donald Glover (Mr. and Mrs. Smith, Prime Video)
Walton Goggins (Fallout, Prime Video)
Gary Oldman (Slow Horses, Apple) 
Hiroyuki Sanada (Shogun, FX)
Dominic West (The Crown, Prime Video)

Best Supporting Actress in a Drama Series

Christine Baranski (The Gilded Age, HBO/Max)
Nicole Beharie (The Morning Show, Apple TV+)
Elizabeth Debicki (The Crown, Netflix)
Greta Lee (The Morning Show, Apple TV+)
Lesley Manville (The Crown, Netflix)
Karen Pittman (The Morning Show, Apple TV+)
Holland Taylor (The Morning Show, Apple TV+)

Best Supporting Actor in a Drama Series

Tadanobu Asano (Shogun, FX)
Billy Crudup (The Morning Show, Apple TV+)
Mark Duplass (The Morning Show, Apple TV+)
Jon Hamm (The Morning Show, Apple TV+)
Takehiro Hira (Shogun, FX)
Jack Lowden (Slow Horses, Apple TV+)
Jonathan Pryce (The Crown, Netflix)

Best Guest Actor in a Drama Series

Néstor Carbonell (Shogun, FX)
Paul Dano (Mr. & Mrs. Smith, Prime Video)
Tracy Letts (Winning Time: The Rise of the Lakers Dynasty, HBO/Max)
Jonathan Pryce (Slow Horses, Apple TV+)
John Turturro (Mr. & Mrs. Smith, Prime Video)

Best Guest Actress in a Drama Series

Michaela Coel (Mr. & Mrs. Smith, Prime Video)
Claire Foy (The Crown, Netflix)
Marcia Gay Harden (The Morning Show, Apple TV+)
Sarah Paulson (Mr. & Mrs. Smith, Prime Video)
Parker Posey (Mr. & Mrs. Smith, Prime Video)

Best Comedy Series

Abbott Elementary (ABC) 
The Bear (FX)
Curb Your Enthusiasm (HBO/Max)
Hacks (HBO/Max)
Only Murders in the Building (Hulu)
Palm Royale (Apple TV+)
Reservation Dogs (FX)
What We Do in the Shadows (FX)

Best Actor in a Comedy Series

Matt Berry (What We Do in the Shadows, FX)
Larry David (Curb Your Enthusiasm, HBO/Max)
Steve Martin (Only Murders in the Building, Hulu)
Martin Short (Only Murders in the Building, Hulu)
Jeremy Allen White (The Bear, FX)
D’Pharaoh Woon-A-Tai (Reservation Dogs, FX)

Best Actress in a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Ayo Edebiri (The Bear, FX)
Selena Gomez (Only Murders in the Building, Hulu) 
Maya Rudolph (Loot, Apple)
Jean Smart (Hacks, HBO/Max)
Kristen Wiig (Palm Royale, Apple TV+) 

Best Supporting Actor in a Comedy Series 

Lionel Boyce (The Bear, FX)
Paul W. Downs (Hacks, HBO/Max)
Ebon Moss-Bachrach (The Bear, FX)
Paul Rudd (Only Murders in the Building, Hulu)
Tyler James Williams (Abbott Elementary, ABC)
Bowen Yang (Saturday Night Live, NBC)

Best Supporting Actress in a Comedy Series 

Carol Burnett (Palm Royale, Apple TV+)
Liza Colón-Zayas (The Bear, FX)
Hannah Einbinder (Hacks, HBO/Max)
Janelle James (Abbott Elementary, ABC)
Sheryl Lee Ralph (Abbott Elementary, ABC)
Meryl Streep (Only Murders in the Building, Hulu)

Best Guest Actor in a Comedy Series

Jon Bernthal (The Bear, FX)
Matthew Broderick (Only Murders in the Building, Hulu)
Ryan Gosling (Saturday Night Live, NBC)
Christopher Lloyd (Hacks, HBO/Max)
Bob Odenkirk (The Bear, FX)

Will Poulter (The Bear, FX)

Best Guest Actress in a Comedy Series

Olivia Colman (The Bear, FX)
Jamie Lee Curtis (The Bear, FX)
Kaitlin Olson (Hacks, HBO/Max)
Da’Vine Joy Randolph (Only Murders in the Building, Hulu)
Maya Rudolph (Saturday Night Live, NBC)
Kristen Wiig (Saturday Night Live, NBC)

Best Limited or Anthology Series

Baby Reindeer (Netflix)
Fargo (FX)
Lessons in Chemistry (Apple TV+)
Ripley (Netflix)
True Detective: Night Country (HBO/Max)

Best Actor in a Limited or Anthology Series or Movie

Matt Bomer (Fellow Travelers, Showtime)
Richard Gadd (Baby Reindeer, Netflix)
Jon Hamm (Fargo, FX)
Tom Hollander (Feud: Capote vs. the Swans, FX)
Andrew Scott (Ripley, Netflix)

Best Actress in a Limited or Anthology Series or Movie

Jodie Foster (True Detective: Night Country, HBO/Max)
Brie Larson (Lessons in Chemistry, Apple) 
Juno Temple (Fargo, FX)
Sofía Vergara (Griselda, Netflix) 
Naomi Watts (Feud: Capote vs. The Swans, FX)

Best Supporting Actor in a Limited or Anthology Series or Movie

Jonathan Bailey (Fellow Travelers, Showtime)
Robert Downey Jr. (The Sympathizer, HBO/Max)
Tom Goodman-Hill (Baby Reindeer, Netflix)
John Hawkes (True Detective: Night Country, HBO/Max)
Lamorne Morris (Fargo, FX)
Lewis Pullman (Lessons in Chemistry, Apple TV+)
Treat Williams (Feud: Capote vs. The Swans, FX)

Best Supporting Actress in a Limited or Anthology Series or Movie

Dakota Fanning (Ripley, Netflix)
Lily Gladstone (Under the Bridge, Hulu)
Jessica Gunning (Baby Reindeer, Netflix)
Aja Naomi King (Lessons in Chemistry, Apple TV+)
Diane Lane (Feud: Capote vs. The Swans, FX)
Nava Mau (Baby Reindeer, Netflix)
Kali Reis (True Detective: Night Country, HBO/Max)

Best Directing for a Drama Series

Stephen Daldry (The Crown, Netflix)
Mimi Leder (The Morning Show, Apple TV+)
Hiro Murai (Mr. & Mrs. Smith, Prime Video)

Frederick E.O. Toye (Shogun, FX)
Saul Metzstein (Slow Horses, Apple TV+)
Salli Richardson-Whitfield (Winning Time: The Rise of the Lakers Dynasty, HBO/Max)

Best Directing for a Comedy Series

Randall Einhorn (Abbott Elementary, ABC)

Christopher Storer (The Bear, FX)
Ramy Youssef (The Bear, FX)

Guy Ritchie (The Gentlemen, Netflix)
Lucia Aniello (Hacks, HBO/Max)
Mary Lou Belli (The Ms. Pat Show, BET)

Best Writing for a Drama Series

Peter Morgan, Meriel Sheibani-Clare (The Crown, Netflix)

Geneva Robertson-Dworet, Graham Wagner (Fallout, Prime Video)
Francesca Sloane, Donald Glover (Mr. & Mrs. Smith, Prime Video)
Rachel Kondo, Justin Marks (Shogun, FX)

Rachel Kondo, Caillin Puente (Shogun, FX)
Will Smith (Slow Horses, Apple TV+)

Best Writing for a Limited or Anthology Series or Movie

Richard Gadd (Baby Reindeer, Netflix)
Charlie Brooker (Black Mirror, Netflix)
Noah Hawley (Fargo, FX)
Ron Nyswaner (Fellow Travelers, Showtime)
Steven Zaillian (Ripley, Netflix)
Issa López (True Detective: Night Country, HBO/Max)

Best Writing for a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Christopher Storer (The Bear, FX)
Meredith Scardino, Sam Means (Girls5eva, Netflix)
Lucia Aniello, Paul W. Downs, Jen Statsky (Hacks, HBO/Max)
Chris Kelly, Sarah Schneider (The Other Two, HBO/Max)
Jake Bender, Zach Dunn (What We Do in the Shadows, FX)

Best Talk Series

The Daily Show (Comedy Central)
Jimmy Kimmel Live! (ABC)
Late Night With Seth Meyers (NBC)
The Late Show With Stephen Colbert (CBS)

Best Reality Competition Series

The Amazing Race (CBS)
RuPaul’s Drag Race (MTV)
Top Chef (Bravo)
The Traitors (Peacock)
The Voice (NBC)

THE BACHELORETTE S21. E2. | WELCOME TO MELBOURNE

PHOTO CREDIT | ABC The Bachelorette

S21 of The Bachelorette kicks off in a new way with their travels starting on the 2nd episode in Melbourne Australia! The Bachelorette, Jenn Tran, is taking a group date of men to Victoria’s Market with Jeremy, Sam N., Marvin, Jonathan J, Devin, Grant, Brian, and Aaron. They try Vegamite and they also have some whiskey with a bit of kangaroo testicles! Wow! They’re trying out a number of Australian must-haves.

Devin snags Jenn and makes the group date a bit of a 1-on-1 and of course the guys notice and they’re on their way to find her. He takes her over to get some gelato and she appreciates that he is taking the initiative to make his own moment. When the giys arrive she is welcoming to them.

They make their way as a group to the Melbourne International Comedy Festival. Clearly, something is about to happen. They have to write some zingers and perform it in front of everyone there. Devin has rubbed everyone the wrong way and it seems the guys are going to roast him even more. Even Jenn notices and we can only wonder who will get the Group Date Rose from this one. The date moves onto the night portion at a stunning home and she tells them that she is excited to know more about them.

Back at the hotel. the guys see that there is another card. Marcus gets the 1-on-1 date card. Back on the group date, Aaron asks Devin how serious he is and if he thinks that he is a fit and ready to be with Jenn. Aaron calls him a boy so we know the battle lines are set between the two.

Aaron has his time with Jenn as he says he is not about being part of any drama. Devin feels that Aaron questioning him and calling him the wrong name Dylan - he wants Jenn to know he is there for the right reason. He comes in with an ice cream cart and says it’s only for 2. Devin and Aaron end up doing multiple interruptions with one another. They then debate on the interruptions and she comes in to give the rose to Grant!

Jenn is on her first 1-on-1 date in this journey and she is starting it off with Marcus. They are going skydiving and although he is excited, she is a bit nervous. Jumping 15,000 feet when you’re afraid of heights and you’re with someone who did this frequently as an Army Ranger - of course, he’s not afraid. She ended up liking that he showed up for her.

The evening portion of the date starts with an intimate dinner in the library. They talk to get to know more about one another. He wants to let her know that he wasn’t always strong and confident he had to do a lot of work to be who he is now. He tells her about his job as an Army Ranger for 8 years in Afghanistan. He told her how he got seriously injured during his last raid when a bomb went off and he talked about how his team made sure to come back to get him in order for him to make it home. He talked about his recovery, multiple surgeries, and relearning how to walk. Because of those experiences, he is aware of the fragility of life and he is grateful in walking away with that experience as someone who is worth saving. You can see Jenn absorbing this information and she didn’t know that he went through all that he did! He receives the date night rose.

The next day, Jenn is in the outback with a koala as their date will be a photoshoot. The remaining 9 men will be with Jenn which will include: Spencer, Sam M, Thomas N., Hakeem, Dylan, Austin, John M., Tomas A., and Jahaan. The men will have to have a shoot with a number of animals that are not the koala! All the men are watching this date and every now Whoever wins the date, 1 man will have an intimate dinner with her. Poor Hakeem had to battle his fear with spiders and when Jenn had to be with the snake solo, Dylan stepped up! He received personal time with her and she let the rest of the guys know that she would see them at the cocktail party.

The men from the group date come to the hotel and are bummed on what happened on the group date. They fill the other men on what’s going on. Thomas N. asks if the guys who already got time from the other group date can fall back so that they can have time since they didn’t have a rose ceremony post the group date. Devin says he won’t fall back, but he can see why they would want that. Back to Jenn and Dylan, he received the rose from the group date.

Back at the hotel, Aaron asks Devin to talk again and calls him the wrong name. Aaron gives him, Principles For Self-Growth, a book to make him a better person. Devin sees that Aaron is a petty guy. Passive aggresive Aaron continues to work the room.

The rose ceremony begins and of course, Devin snags her first. All the men crane their necks and realize that he didn’t honor Thomas’ request. The men debate whether it was respectful or not. Thomas N pulls Devin away from Jenn and tells him that he didn’t follow through on what he promised. When Devin comes downstairs, the guys chat with him and he lets them know that Thomas N made it an issue and left her there sitting alone. Jenn asks Thomas N what happened and then she lets him know that that wasn’t the way to go about it. He gets less time as Sam M pops up and takes his moment. The two connect and Jenn feels that he centers him.

Downstairs, Devin is trying to talk it out with the men who are cool with him. He then looks for Thomas N to try and talk it out, but they are still unresolved. Jesse Palmer lets them know that the cocktail party has come to an end and asks them to collect themselves before going into the ceremony.

JENN GAVE ROSES TO | Aaron, Austin, Devin, Dylan, Grant, Hakeem, Jeremy, John M., Johnathan, Marcus, Sam M., Sam N., Spencer, Tomas A., and Thomas N.

JENN DIDN’T GIVE ROSES TO | Brian, Jahaan, and Marvin

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO WE PREDICT WILL GO TO HOMETOWNS

AARON

DYLAN

SAM M.

THOMAS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

---

THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M

SAM N

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

THE BACHELORETTE S21. E1. | THE JOURNEY BEGINS

PHOTO CREDIT | ABC The Bachelorette

S21 of The Bachelorette is finally here! We can’t wait to finally meet the men and to get to know the latest The Bachelorette, Jenn Tran.

It’s always good to get a bit of the backstory as well as a reminder of her season on The Bachelor! We meet her in Boston as we see her friends and family.

It’s great that they’re getting to business pretty quickly by meeting the men. A number of the men have sweet presentations, some are giving total frat boy vibes, but Thomas with the puppies was definitely so cute.

It’s always great to get a check in with Jessie Palmer to see how everything is going on. You can always see how he shows up for each of the contestants looking for love.

All of the men have done their limo exits and now she’s taking time to talk with them in depth in the house. She avoids getting a kiss directly on the lips as she wants to save that moment. She also plays a game of Truth and Dare with the men and she gets to know more about them through their truth and dare.

The guys wonder if anyone has gotten the first kiss and many recognize that they have not gotten one. You can tell it’s the goal of the men to get that first kiss. We’re all wondering who will get the First Impression Rose as Jessie brought it out earlier in the night and it is still up for grabs! This rose ends up going to Sam M. He also gets the first kiss as well. Jessie lets the men know that the Rose Ceremony is about to begin as the rest of the men make their way to the room.

JENN GAVE ROSES TO | Aaron, Austin, Brian, Devin, Dylan, Grant, Hakeem, Jahaan, Jeremy, John M., Johnathan, Marcus, Marvin, Sam M., Sam N., Spencer, Tomas A., Thomas N.

JENN DIDN’T GIVE ROSES TO | Brendan, Brett, Dakota. Kevin, Matt, Moze, and Ricky.

After the ceremony, Jenn lets them know that they are leaving the house and going to Melbourne, Australia as this has never been done before on the show where they leave immediately from the house. She cheers them and they cheers her too.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO WE PREDICT WILL GO TO HOMETOWNS

AARON

DYLAN

SAM M.

THOMAS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

---

THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M

SAM N

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

DOWN IN THE VALLEY WITH NICCO ANNAN + SHOSHANA GUY

Readers of Athleisure Mag know that we enjoy watching STARZ’s P-Valley. In fact, we even interviewed members of the cast for our MAY ISSUE #77 for the last season of this series. This series focuses on Chucalisa and the chosen family of those that work at The Pynk. In this series, we get to know about this strip club, those who work there, and the events that take place in the community that affect those that work there. We love that we get to see a lot about these multi-dimensional characters in terms of their hopes, dreams, how they support one another and beyond!

Although we’re all waiting for the upcoming season of P-Valley, today we get to watch Down in the Valley that lets us know more about the cities that represent Chucalisa as well as the stories that come from there as well as how elements of those lives directly tie into the show. In this 6 series episodes hosted by and is Executive Produced by Nicco Annan (Shameless, Snowfall, Claws) who plays Uncle Clifford in the show and Executive Produced by Shoshana Guy (Rock Center with Brian Williams, High on the Hog: How African American Cuisine Transformed America, The 1619 Project,), we get to hear their stories and learn more about what we have all come to love about this series!

We had the chance to sit down with them to talk about the Mothership show, how this series came about, why it was created, and what we can expect from it!

ATHLEISURE MAG: Before we delve into Down in the Valley, what attracted you to P-Valley and why did you want to be in this incredible show which I have loved watching over the seasons?

NICCO ANNAN: Well thank you, what attracted me to this show, P-Valley, I am going to say is the fact that it was created by such an auteur as Katori Hall (The Mountaintop, Hurt Village, Tina - The Tina Turner Musical). She is really a person who I love her work in the theater and I was reading her work before I was actually even auditioning for anything like that. I also love that it was something that was a true reflection of where I came from and all different types of our culture. It wasn’t just limited to a narrow viewpoint of how I saw myself and my community.  

AM: In watching the show, I love the complexities, the characters, the topics that are talked about, and the city almost becomes a character in and of itself. Although I know that the city portrayed in the series is fictionalized, it seems more like a composite of a number of cities in the South. How did Down in the Valley come about as I feel that it allows the city as a character to step forward a little bit.

NA: Yes, part of Down in the Valley, we wanted to be able to go to different cities, You are absolutely right! Chucalisa, Mississippi is a fictitious city, but it is a real Native American burial ground. In the world of P-Valley, all of this is behind us and we are really an amalgamation of the South and it would be almost like if Jackson, Mississippi and Memphis had a baby! You know with a Mama in Tunica. Haha – that’s Chucalisa.

One of the things you know that Shoshana and I talked about in creating this show, Down in the Valley, we really wanted to go to different parts of the South that were in The Delta – that Bible Belt space to see what it was really like. It was about the real people and the real places!

AM: So how did both of you become attached the show. Shoshana, I have also been a fan of your work as a journalist and a producer. As a Telecom major in college, I have been enthralled by your work. How did both of you come to this project?

SHOSHANA GUY: I had worked sort of adjacent to Starz on the 1619 Project and so I had a relationship with them there and you know, I am always looking for new folks to collaborate with so it was really exciting the idea of – I mean, I love the Mothership Show as we call it. So it was a really exciting idea for me to be collaborating with Nicco and Katori and of course, a new production company Zero Point Zero (Nomad with Carlton McCoy, United Shades of America w Kamau Bell, Somebody Feed Phil) which it was produced out of. So once I sort of had that initial relationship, the idea of collaborating with a new group of people was very appealing to me so when I got the call, I said yes, that sounds interesting to me.

AM: And Nicco?

NA: What’s the question?

AM: Well we have loved you in the Flagship show but what drew you to come in as the host and the Executive Producer in this show? What were the stories that you wanted to tell as you mentioned earlier about focusing on the different cities and the people within it. I came across a quote that,  “even though The Valley is a concept, and a state of mind, it actually reflects various areas.” As someone who is from the Midwest originally and has lived in NY for over 2 decades, I love learning about other communities.

NA: You know, when I created this show, I had the idea for this show back during S1 of P-Valley! So it was something that was always in my mind and it was about the right time. The industry has been going through a lot of restructuring, the big strike, there was this thing called COVID that the entire world experienced. So it just felt like, now is the time that we can have some space to do it. I had a little time off from the Flagship show, so when I brought it to the network, my ideas and I got that all pitched out and partnered up here with Shoshana, we really went in and found a team of people, a team of diverse people, Black women, queer people, people that were connected and had passion for the South to be able to come together and to tell this story and always having Katori in the mix!

It's so funny because my brain really just went for half a second to the script and the world of Chucalisa and I had to say, wait!

SG: Haha you were going to recite some lines for us?

NA: Right! I was going to go into a whole other place!

SG: Yeah! He’s an amazing multi-tasker!

AM: Right haha!

NA: It was just a natural, I mean honestly, it was a natural process and it was a labor of intense love, it has been one of severe dedication, you know to make during this past year. And it’s something that we wanted to do where it wasn’t about a replacement of P-Valley, it is about an expansion and creating something more. I really felt like it was an opportunity because I meet fans and other members of the Pynk Posse and there is an intense love! We can be quite intense and so I wanted to make sure that I could do something that is reflective of who I am meeting and who I am encountering, and I think that sometimes in life, you can forget the beauty and the strength that we can come from. So, I wanted to make something that was full of love, full of intention, and low on trauma.

SG: Yeah, I have to add to that to say that one of the fun things about being in the field. Watching people’s reactions to Nicco was that they already felt so connected to him because of this character that he plays in the show. It was such an interesting and enjoyable piece of the operation to be moving around in space and to see how it all came together!

Remember when we went to the tailgating event?

NA: Yes!

SG: This older woman came up to me and asked me could he come over for just a second? So I looked over to where Nicco was and I said (waving her arms over), come on over here! She said to the group, “he’s coming home!”

NA: Yesss!

SG: I always remember that moment because it really felt symbolic of the way that people feel about the Mothership Show and also for us to be able to bring that feeling of home onto the screen.

AM: In preparation for this interview, I watched 3 episodes in their entirety and saw portions of the remaining 3 as I wanted to have a great backdrop for this series, but time got in the way! This weekend, I will watch the remaining ones as I love the stories that were shared.

I love that there are aspects of Anthony Bourdain: No Reservations. As you have this travel component in many respects and you also have this journalistic and getting into sociopolitical issues that are taking place and doing this without having the trauma aspect involved. That is such a complicated, nuanced, and beautiful mix to be able to put that together in a half hour show that is not coming off preachy, but is talking about issues that are also a crossover into what is being discussed and shown in the Mothership!

SG: Girl, who are you telling?

AM: I mean, in your mind it’s like “boop, boop, boop” triangulating all of this together!

NA: Hahaha!

AM: I mean, I’m impressed by it and even in what I have watched, seeing how it is laid out and the depths of its connective tissue – it’s amazing.

NA: Oh thank you!

SG: Yes, thank you so much! It’s wonderful that you see the notes of No Reservations in there because we obviously produced it out of that kind of legendary production company, so it’s always going to have that sort of feel and flavor of that underneath it. You know, I’m a trained journalist, I have a degree from Columbia University, I worked at NBC News for many many years. So everything that I approach, has that kind of journalist feel underneath it. I’m always interested in how stories and narratives collide with real issues that are going on. We know that as Black people, it’s always a lot of things that we are working on, building on, celebrating, but also processing as a people. So our goal was to make sure that that came through. A nice balance of the fun and also the real things that we go through.

NA: To also add in, all of the creativity with the dance, and the dance elements that are in the storytelling, it’s connected. Things are elevated and there are moments of hyperreality so to speak. Like you experience that in the Mothership Show, we experience it in real life. It was just a way to capture that on screen and really tell these complex stories of real people who have real lives that are intertwined and showing you that it is really laced into the stories of P-Valley in this fictional world and here is the real world that is showing you those real things. Elements like how Hoodoo is ensconced in the community and it’s not something that the character Diamond (Tyler Lepley) just came up with out of thin air, you know what I mean? Some things like the superstition that we all have of “don’t sweep my feet,” like my grandmother would say that. Or throwing salt over their shoulder you know what I mean? Little things like that that you don’t necessarily know the root of, but you’re able to go in here and see where it all derives from in a fun, sexy, and entertaining way.

AM: I appreciate you guys taking the time! I hope that there is another season or version of this that continues on as I find it intriguing and like many who will see this, I can’t wait for the next season of P-Valley! It’s been great chatting as I am a fan of your work separately and having both of you here together has been such a great chat!

You can watch Down in the Valley starting tonight on STARZ and/or stream it on the STARZ app.

PHOTO CREDIT | STARZ/Down in the Valley

Read the latest issue of Athleisure Mag.

LIFE'S PASSION | CURTISS COOK

When you're watching a film or a series, the goal is to be transported and to enjoy an immersive experience that either allows for escapism, conversations with others, or to be introspective. That process can come in many forms whether it's the script, the setting, subject, and in many cases the actor.

There are a number of actors that you know when they are attached to what you're about to watch, your expectations are high that they are going to drive the story. When you have an actor who has played a number of characters in shows and films that you admire, you're always excited to get the chance to know more about them, their process, and how they connect to their work. This month's cover of Athleisure Mag is Curtiss Cook (Mayans FC, Shutter Island, West Side Story) who has played Otis "Douda" Perry in The Chi which you can stream the current Season 6B on Paramount+ with Showtime and On Demand and you can also watch it on Showtime each Sunday.

We wanted to know more about the power of storytelling through the characters that he plays and how that is achieved; what he loves about storytelling, the committment he has to his craft; the success of his role in The Chi; the importance of mental health; and upcoming projects that we can continue to keep an eye out for. In addition, we took advantage of a summer day by heading to Selina Chelsea Hotel for our photoshoot that took place at Creatures at Selina Rooftop and Music For A While listening lounge!

ATHLEISURE MAG: The last time we talked, you were our cover for our DEC ISSUE #72 back in 2021.

CURTISS COOK: Oh wow, Dec ‘21!

AM: We were talking about Season 4 of The Chi, and you guys knew you were already renewed for Season 5, and we were talking about The Devil You Know although you couldn’t tell us about the title at that time or really what it was. But you shared that you were working with Charles Murray (Sons of Anarchy, The Devil You Know, Outer Range), which interestingly enough, he is in this month’s issue!

CC: Are you serious? Oh, I love him!

AM: Yes, we interviewed him for Outer Range.

CC: Outer Range?

AM: Yes it’s a neo-western with Josh Brolin (No Country for Old Men, Avengers franchise, Dune franchise) on Prime Video. Charles is the Executive Producer and Showrunner of the 2nd season as he took over from the creator for this series. Which is a great show by the way!

CC: Josh Brolin you said?

AM: Yes!

CC: Oh c’mon, you know that’s good!

AM: Oh it’s a great show!

So now, we can go back and talk about The Devil You Know, which we loved!

We thought it was awesome to see the dynamic and the storyline.

CC: It was good right?

AM: Oh, I mean the cast! What was it that you loved about being in that show?

CC: First of all, when I was offered it, the first thing that popped into my mind was that I was trying to remember a movie or television show that dealt with brothers, Black brothers and in a complicated way right? Not just as caricatures of the culture, you know what I mean? They had a mother and a father, so they grew up with both of their parents, you know what I mean? It wasn't a broken home. Now what happens in the movie – we have to sell a movie. But still, the love in which they still cared for each other was amazing, the writing for that script was so on point. But then like you said, when you get a group of cast members like that, it’s like, “wow, that could literally be a TV series!”

AM: That’s what I thought when I watched it.

CC: I mean, if the end didn’t happen and we didn’t prolong certain things, but those brothers being that way and being invited to that party. Because a lot of times, Curtiss doesn’t get invited to those parties. I don’t know why that is. He normally gets invited to the other party. Where he is the only one that is there. When I say that, I mean that he is the only Black face there. He is the only Black person that is there. Which it is what it is. I’m not complaining.

AM: I have been in those doors and know it well!

CC: Yeah, it’s like, why aren’t y’all coming?

AM: Hello again my friend, it’s just me!

CC: It’s just me.

AM: Carrying the torch for everybody and sometimes nobody.

CC: Everyone and sometimes no one. They’re just different right? Sitting with Scorsese (Taxi Driver, Goodfellas, Killers of the Flower Moon) is just different then sitting with Charles Murray. It’s not better or worse, it’s just different. So that was immediately what it was. It was about this brotherhood, this family unit and how close knit they were and than when Charles said that it was loosely based on his family, and his brothers and it was like, oh wow, this is an opportunity to represent and to get a peek into our culture in a different way.

I’m pausing because I’m trying to think of different films that dabbled in that area and -

AM: It’s hard to think of one.

CC: I can see friends that you think of them as brothers because they’re so close and they grew up together, but literally being brothers from the same mother and father.

AM: The 5 Heartbeats gave that vibe, but they were not brothers.

CC: Oh I love that movie!

AM: [Sings] Nights like this, I wish raindrops would fall -

CC: Oh man, I love it.

AM: Haha no you’re right. It did feel different and I hadn’t really seen that dynamic and certainly not with 4 brothers.

CC: So it was special and I appreciate being brought to the party. I wish that it did better at the box office, but I find people that stop me and say, “oh my God, I really loved that movie,” and it touches you because it could just as easily be overlooked and forgotten about. Same way about Roxanne Roxanne, people pop up and say, “ oh man, you get on my nerves – you took that woman!” It’s like ok!

AM: I have to say that I liked your character Marcus Edison in The Bold Type. I was a huge fan of that show.

CC: Ok!

AM: It was nice to see you in a different way in that series.

CC: Right, right, right!

AM: Mayans FC, we enjoyed you in that!

We were huge Sons of Anarchy fan so when the spinoff came out, we were ready for Mayans!

What do you love about storytelling?

CC: The exploration of self because a lot of times, I have gone through – well, I am the oldest of 5. My next sibling down from me is 3 years younger then me and it’s a girl. So although Renee and I are close, we weren’t hanging out you know what I mean, that’s my sister. So, a lot of times I found myself by myself so I read a lot. I had a really close friend that I had known since kindergarten, but I read a lot, I watched a lot of TV, and I was absorbing a lot of stories and I lived through things that I saw. I remember growing up saying, “I wonder what I would have done if that was me?” Like incidents that happened in the neighborhood and what not and then in television and movies too – it was always, I wonder what I would have done. So absorbing that, you go to school, and then college and all of that – you get fed more stuff. You get the opportunity to express all of the inner sides of yourself that just stay dormant because there is no way to express that. But then all of a sudden, you come across this character that seems so far from who you are where you say, “you know what? I remember when I was 17 and I was thinking about what if I was the FBI Chief or that I was in charge of the police and this is an opportunity to bring out that 17 year old idea along with all of the new information that I have and bring it together."

So I enjoy that part of exploration to bring along the storytelling and being able to purge certain aspects of myself and I also like the finding of stuff. Sometimes a play or a movie or a television show takes me to a part of the country or a part of the world that I have never been to before. And just by that, you’re exploring and seeing things that you never have before! The Interpreter, we shot in Mozambique and I had never been to the Mother Land and when I tell you Kimmie, that it was eye opening. It was eye opening and I will tell you a quick story about this, but it was a long time ago, but I will never forget this.

I don’t know if you remember The Interpreter, but there is a scene where these young boys come to basically, assassinate my character and another character by someone else. But these young men who did the scene were locals. They were for a lack of a better word, very impoverished – they were poor. So, the costumer, the cast, decided to give them a gift and got them these bikes. They were getting paid for the movie, but just to say thank you, they received these bikes. Dare I say, the next day on set, they came back walking in and everyone was like, why are they walking? We were told that their bikes were stolen, they were taken, they’re gone. We were shocked and then an older gentleman said, “we can’t give gifts like this because it’s taken immediately.” And not even from other children, it’s from grown people coming to take these things.

That was a shock to me and then although the people were poor, it’s not like they were like, “oh help me, help me” they were living and full of life! It was just like, we don’t have these material things, but we know where to eat, we know where to congregate, we know where to worship, and it was life! It was so life affirming to me because sometimes, we can get so caught up in to the stuff and that makes us feel like whatever and you forget that all we need is this, we’re just sitting here talking, having a good time, taking some pictures, and that is what life is about.

AM: I always say that home is where I have a seat at the table. So it doesn’t even have to be in my house. If I feel that we connect and there is a vibe, that is a home. Because everything else it can be up and down.

CC: I agree with that 100%. So that is also what storytelling gives me. It’s an opportunity to meet and see people and have myself to be reminded of certain things like that or to be told certain things like that. When you see something concretely like that in your face, you’re like, “ok I need to make a shift.” So those are some of the things about storytelling that I love, why I love it so much, and sometimes the factor of not knowing how to do it!

Right now, I’m about to fly out to LA for this piece. I haven’t sung in a long time. So honestly, I’m scared, I’m a little like, “boy, you ain’t sung and you’re going where with big people on the stage?” It’s going to be some people there! So it’s not like it’s just us right here where I could just sing for you and y’all are like, go head!” So I’m like, ok Curtiss, I’m thinking in the car driving here and I’m trying to sing a little bit and I’m like, “bro, I don’t know what you’re going to do.”

AM: You have to start stomping that foot -

CC: And get the crowd singing with you! But part of me is like, that’s why you do it, you know what I mean?

AM: Yeah!

CC: You thought that at one point, growing up, that I would be a singer. That’s all I did, that’s all I was being praised for – so it’s there, but let’s see how much of it has morphed into this 57 year old dude now who hasn’t done it in 3-5 years on the stage or whatever. So I enjoy that factor too because it keeps you alive.

AM: If you don’t have that fire, it’s not going to work. You almost have to have that, did I do too much Icarus – ooo not quite.

CC: Haha not quite!

AM: Haha I mean it was close, no one else caught it, but it was giving Icarus for a moment!

CC: I totally agree!

AM: One of the things that I like is that every time I see you in different roles, if your character is like this in The Bold Type, it’s like this when it’s Douda, it’s completely different. Even down to the mannerisms, cadences, they are very separate from each other. That’s more than just getting into a character and doing the words. How do you approach your characters to give them do you approach your characters to give them this seamless and different feel that only your outer skin is the unifying link between them. Because everything else even the walk where it’s like a Denzel Washington (Fallen, Training Day, American Gangster) effect where he can completely be something else.

CC: Wow Kimmie, thank you for saying that. I mean, it makes me feel really good that somebody is even saying that I do that!

AM: I’m very detailed when I’m watching things as there a lot of great actors that do things and it’s like, that’s Joe and he’s doing Joe with the pink hat versus Joe with the orange. But you’re shapeshifting and everything falls away. I’m sitting with you now and it’s one person and I know if I was on set with you and you were about to do a scene as Douda, everything about the vibe and what you’re doing is going to be so different and it’s not the same person. Of course if it’s The Bold Type and I was there, you know that character is not going to do anything to anybody.

CC: For a long time and still to this day, I have always considered myself a character actor. It wasn’t until ’96 or ’97 where a manager who turned into my agent, he told me, “you’re not a character actor, you’re a leading man.” I know he was saying that to say poo poo to character actors, we’re going to focus and go here. But at the time, I was still finding my way in the business right and I was trying to figure out how I was going to move forward and how the industry was going to accept me and how I would find that. So any type of guidance you get from people that is in the business and you feel like, oh, maybe this is what I should be doing right?

So, I tried to take on that moniker of a leading man whatever that was and I started to do that. But, I found myself that whenever a project would come, it wouldn’t be like you said, let me be just Curtiss and let’s bring this thing forward so that everybody can be like, he’s doing this thing now, I had to find out where this person is from, subsequently, a lot of parts bring me to new information. So it’s like, “oh, they’re from Colorado, I’ve never been to Colorado, what’s in Colorado?” So, now I’m reading about Colorado and then I’m finding some obscure history in Colorado where something happened to Black folks, “oh, you know what would really be cool? If this was part of his ancestors and this is what happened to them.” So now I’m going to videos and this was before where things weren’t so easy to just pick up your phone. You had to go to the library and type things in and wherever else to try to find old clips of whatever so you could find out how they sat, how they talked, and whether it was slow or whether it was longer and how much of that can I add without it being a thing and so, that becomes part of the joy. That becomes part of the, “I’ve done this before, I’ve done this already.” Not so much as I don’t want to be seen as the blah, blah, blah, or for me, how do I live in this piece and what makes me have to work?

It's just like the thing that I’m about to do, start listening to music again, start practicing again. All of these things are like if I’m not challenging myself to a place where the goal is something that I have achieved or almost achieved, like the analogy that you just used -

AM: Icarus!

CC: If I don’t have that feeling, quickly I get bored, quickly I’m not serving the project, quickly I’ll not assist my other cast members and creators, because my energy will I’ll just kind of be there and I’m not having fun. So as I’m finding these things about certain things and I’m trying to bring it from the feet all the way to the tippy top of the head, like you said, I’ll miss the mark, I’ll be general, and I know what I’m going for. But then there will be that one moment where it’s like, boom! I did it! Like you said, nobody else might have known that I you said, nobody else might have known that I did it, but Kimmie might!

AM: I’ll know!

CC: Everyone else will be like, “ok, let’s move on.” But I can sit there knowing that I did that, I couldn’t do that 3 mins ago or weeks ago, but now I can! They’re like, “ok Curtiss! Good now move onto the next thing.” The fact that you’re even acknowledging that and saying that, it means a lot. I think that a lot of that comes from stage right?

AM: Right!

CC: Because we’re given the opportunity to play things that are out of our vessels out of our capacity. Especially as you’re younger, you’re playing my age people. I remember thinking that once I got to the city that I am going to play everything! And it’s like, no not in television/film – at 23. There used to be a breakdown from 23-50 and really they wanted someone in their 40s and I was 27 years old and I thought that I could do this! It’s like, sit down and I was like, “no, no I know how to do this!” And you just don’t know right? You don’t know what you don’t know.

AM: Age is seasoning.

CC: Oh my God! Sometimes through osmosis and sometimes through the wacks of being knocked down and you realize, that that was a good lesson, I guess. It’s going to be useful for something.

AM: It’s something at some point.

CC: Something at some point.

AM: We’re in Season 6B right now of The Chi.

We just saw last week’s episode over the weekend. Do you watch episodes as they come out?

CC: So the 6th season was broken up into two sections. One of the blessings that I had and it was not on purpose, was the strike because the strike allowed me to see the first half before we started the filming the 2nd half. So it gave me a new perspective on this character, for the season and how it was being told. I watched all of those, but I have not watched any of the 6B yet. I know what happens, but I don’t know what they edited, how it is cut together, I did some ADR (Editor’s Note: Audio Dialogue Replacement is the process of recording dialogue in a studio after filming to replace the initially recorded lines on set) for a portion of the scenes so I know those scenes in mind. How it comes together, I do not know. Other stuff, I wait. I may not watch it immediately I wait. I have not seen any of the House of Cards!

AM: Oh I loved your character in that!

CC: Everyone says that it’s so good! My wife watches everything! My wife watched ev-er-y-thing! She’ll watch and say, “yeah, you may not want to watch this one.”

AM: Haha! I loved House of Cards.

CC: But to your question, I have not watched the episodes in 6B.

AM: Well, what’s interesting is, because you have not watched this episode, and we watched it with baited breath, obviously it is Douda’s season. Everything is coming to a head, everyone is figuring out and in this episode you can see all the lives that he has integrated with and how it’s not real ly working out for people and you’re not in this episode per se, but only for a small 5 second period of a throwback from 6A. Just your character’s presence of walking down the aisle at the funeral of Papa (Shamon Brown Jr), as a viewer, you’re like, there he is! Then if you’re watching on Showtime, they have The Chi Tea with actors from the episode, and right after they did a segment on The Villains with you about Douda. It was about 7 or 8 minutes.

CC: I’m talking too?

AM: Yup, you’re talking too! So we have you sitting in the chair talking about the character and then other members of the cast talking about the character, and it’s just this beautiful juxtaposition of you talking about your character while other people are talking about it. What does it mean to you to be on this show? When we talked last time we were in Season 4 and you were hoping your character would still be around. You’re still around, hunted and wanted!

CC: It means a lot of different things. The Chi owes me nothing. It owes Curtiss as the man nothing and it owes Curtiss as the actor nothing. The Chi gave me my first series regular role where it wasn’t like I just popped into the scene out of nowhere. I had been beating the ground for years, hoping and praying and getting close and having pilots picked up and then not go anywhere. Here comes this other show and I get this opportunity. Dare I say that the 6B season that I was in and able to do, I was given the opportunity to really ask, pseudo demand, an input in who and what this guy does and how he does it.

AM: Nice.

CC: Under the guise of here is the script, right? You know what I mean, I wasn’t changing things saying no – no – no.

AM: Haha he’s not doing this anymore, he’s Olympus now!

CC: Haha right! It wasn’t that, it was more like, ok I need help trying to understand this is what y’all are saying and if it is this, I need this infused in there to help. Please let me do this and it wasn’t like, “ok sure” because of the hierarchy of things, dare I say that on the day and again, I don’t know what has been aired, but on the day, my contribution was heard and allowed to be executed with the caveat of let’s also do this other thing.

AM: For pickups just in case.

CC: I respect that! They’re not in charge, there are other people that are involved as well. So your question was The Chi, I would be disingenuous to say that the show that I joined is not the show that I am leaving. But I also understand that there aren’t many shows that stay the same from when they first started either.

There’s this phrase in the business called “jumping the shark” and I think it came from Happy Days when The Fonz (Henry Winkler) has these skis and it jumped over the shark (Editor’s Note: The phrase was coined in 1985 by radio personality Jon Hein in response to a 1977 episode from the 5th season of Happy Days when Fonzie jumps over a live shark while on water-skis) and it was like, what the hell is this? I understand the nature of the beast and that certain things happen blah, blah, blah. The way that the story is going and leading, I am happy for how it develops. I’m very grateful and very happy on where it develops.

AM: What do you want viewers to know about Douda because it’s not that he’s a one sided character. We’ve seen him as a Mayoral candidate that won, we saw him as an owner of the pizzeria, and yes, he also does all of these other things as well. He tried to find love and we see he's very multidimensional that can’t be written off as just one thing. How do you want viewers to be able to look at him?

CC: I would love for him to be able to say, “you know what, I wouldn’t have done that, but I kind of understand why he went there, but maybe I wouldn’t have done it that way. But I get it.” I would hate for it to just be some stuff that just makes no sense. I always argue for – I don’t mind him being a villain. I don’t mind him being downright evil, disgusting, whatever, but with a cause!

AM: Right.

CC: A purpose. The thing that I love about him thus far is, that even when he asked Emmett (Jacob Latimore) to get in the business and he let him know that he wanted to get in business with him. Emmett maybe didn’t have a choice, but to say yes, but he did ask! He didn’t say, “I’m going to get into business with you, goodbye.” He did ask and Emmett decided to do it. But even in that time, he gave Emmett everything he said he was going to give Emmett. So when Emmett decides that he no longer wants to be with him anymore, it’s kind of like in Douda’s world, but why? It’s not like he gave all of this stuff and then he’s coming in there and he’s taking your wife too, and I’m going to come in here and sleep in your bed, and burn your house down and put you in a shackle and I’m going to give you $5 while I take it. It wasn’t that at all! He did the business.

AM: It’s a balance sheet.

CC: It’s a balance sheet and you’re getting paid on top of it too! You’re not being asked to go out there and shoot these kids? You’re not being asked to do nothing out of sort, it’s just do what you have been doing and you will be paid. Dare I say that anything he asks of anybody, be it Tracy (Tai Davis), be it Roselyn (Kandi Burruss), be it whoever, he’s like, my word is my bond. If he is going to do it, he is going to do it. That’s what I love about it. He’s not a villain for villain’s sake, it’s not messing up stuff and whatever.

AM: It’s measured.

CC: It’s measured.

AM: You knew already before you jumped in there.

CC: You knew who Jimmy was when you first met Jimmy!

So that’s what I like and I also like that from the actor’s point of view, we got to see him as the bad guy, a business man, to oh my God wait a minute, he’s a pizza guy, but he has a mob. Then oh my God, he’s running for office, oh my God he’s smart too he defunded the police which is what the community needs – he cares about the people, oh he started the center with Tracy and he’s in love with this woman too and now it’s like, oh my God, this brother needs to go! What the hell? As an actor, I got to do all of that with just one character in 1 hour over 5 seasons!

AM: That’s a lot!

CC: That’s why I say, The Chi owes me nothing! I’m so grateful for the opportunity to be able to show that and that’s what I hope people take away. Oh no no no, this guy came in here and he gave us a 3D, interesting, complicated, individual who at the end, he made us hate him! Because before we didn’t, we didn’t want to, it was growing and not because all of a sudden he was doing the crazy stuff, it was just the ongoing elements.

AM: The cast this season is, and it has always been, amazing. Just looking at this season, Lynn Whitfield (A Thin Line Between Love and Hate, Eve’s Bayou, Greenleaf), Leon Robinson (The Five Heartbeats, City on a Hill, Waiting to Exhale), Iman Shumpert (Them, Twenties, Under His Influence), so many different people. What have been some of your favorite moments of the season as you look back or even across the series?

CC: There have been a few of them. When you asked me, I know the first one that popped up in my mind, Carl Lumbly (The Falcon and the Winter Solider, The Fall of the House of Usher, Doctor Sleep), he played the old man and that was Douda’s mentor. He was in prison and he gave him his name. I have loved this guys work from years and years and years and to have the opportunity to sit across from him in a scene really touched my soul. That was a moment.

I mean Lynn Whitfield, you kind of look at her in the face and it’s like, “oh my God, you’re Lynn Whitfield!”

AM: Every time she’s on screen, it’s a moment. It’s like Diahann Carroll (The Colbys, Dynasty, White Collar) walking in.

CC: Right? She is – she’s the essence of! So that’s amazing. Steven Williams (X-Files, The Leftovers, Birds of Prey) who played Q. Even watching, listening, and talking to him, we would hang out afterwards and just hearing his stories and hearing him talk about Cooley High and 21 Jump Street and you just kind of look and of course, subsequently, I get to work with Glynn Turman (A Different World, Men of Honor, Percy Jackson and The Olympians) from The Devil You Know who played the father, because he was also Cooley High with Steven and putting that together because they’re friends, so those have been some memorable moments for me from the top of my head that I never thought that I would have the opportunity to, grace the screen, with and talk to and those are the first 3 that come to mind.

Then the other cast members that are there too are cool in different ways. The Jacob Latimore (Ride Along, Collateral Beauty, Like A Boss) of it all, the Yolanda Ross (Antwone Fisher, American Gigolo series, How to Get Away with Murder) of it all, Jason Mitchell (Straight Outta Compton, Keanu, Zola) that got into some trouble, and even little Alex R. Hibbert (Moonlight, Code Switch, Black Panther) who plays Kevin, Michael Epps (Chicago Fire, Chicago Med, Primary Position), and Shamon Brown Jr (Teenage Mutant Ninja Turtles: Mutant Mayhem, Tales of the Teenage Mutant Ninja Turtles, Chicago Fire) and so is Tai Davis (Save the Last Dance, Chicago Med, Empire) who plays Tracy. You know what I mean? It’s really kind of cool to mix and mingle and have real conversations. Kandi, I never thought (Real Housewives of Atlanta, SWV & XSCAPE!

AM: When I see her on screen, I don’t see her as a multi-platinum artist and phenomenal songwriter that has written for so many people across genres or even of being one of the Real Housewives of Atlanta. So when the two of you are on screen together it’s a believable dynamic where you can burn the houses down!

CC: Mmm hmm oh yeah.

AM: I was hooked on the show from the first episode. Part of it being I’m from the Midwest, I’m from Indianapolis so seeing something that is from Chicago that’s amazing. But how the show presents a cast of characters across a wide array of socioeconomics as opposed to all of these people live in a ghetto or all of the characters are on this tract. It’s the mix and the hybridity of it all. The topics that are covered and mental health from last season, and this season, and especially as it pertains and applies to the Black community as some of us do and some of us don’t. How important is it for viewers to understand that these are major takeaways that we can not only watch and enjoy, but to bring them back into our communities and enjoy, and into our communities for whatever our socioeconomic status is?

CC: It’s majorly important that we bring those things in and not be afraid to and to try to erase the stigma that is attached to going to therapy. I am an individual who, and I just started talking about it this season, and I found myself by accident talking about it if I’m totally honest. I battle inside myself because I’m saying, “just say it” and then I don’t want to just say it because I don’t want to put it out into the world. But then I think, “remember when you were just watching something and you found out that someone did something –“ you know what I mean?

AM: Yes.

CC: Ok, so it normalized it in such a way that I could see it. I don’t liken myself to someone else that’s whatever, but it could be a 7 year old, a 19 year old or whatever that can look at a man that’s on TV. So during the process, I used to have my ex-wife and I, we used to go to marriage counseling and that was my first introduction to a therapist. Being able to sit down and for the most part being there as a mediator so that we could hear each other. Subsequently, that marriage didn’t work out, but what did work out was that our communication was better and we found out that maybe this isn’t the union – she has a new husband, I have a new wife, we have 3 children.

So that was my first introduction to it. Over the course of acting, after the pandemic of course, that put a mirror onto a lot of different people and shined a light on a lot of things that made us wonder or let us know we weren’t as fluid as we thought we were, or as succinct in our daily living as we thought that we were because it was just stripped away so quickly right?

AM: Right.

CC: So what do we do now? So that was a factor and then at the same time, my 2 youngest children, the 20 year olds, they were leaving the house. So my wife and I became empty nesters for the first time and that was also like – what do we do?

AM: Yeah it a cadence shift.

CC: So am I supposed to – I mean we used to get them up at 7am to get them out of the house and now there is nobody to get out and -

AM: You’re just looking at each other ha!

CC: Ok!

AM: Haha you’re still here!

CC: Right like you too? So there was a moment where I’m trying to figure out the day-to-day and then I had the show to do and I have this character like we just talked about who likes to go to a deeper and deeper dark side, and that’s not who or what I really am. But I’m starting to find out that people are starting to associate Curtiss with this guy and sometimes I would meet people and they would be a little held back or hostile for whatever reason and that started to play a certain way in my mind. It pushed me to a certain place and I’m by myself and so I reintroduced myself to therapy. Dare I say that the show starts to do this as well? That’s really interesting to me. I honestly wish that there was a place in which – I mean, you know there was a time when Douda said to a news reporter and remember, he goes away in one season and just disappears and then he comes back and the woman says where were you and he literally says that he left and he got therapy.

AM: That was the 4th season because when we were talking and I said that I hoped that you would come back for Season 5 it was because of him leaving abruptly in the 4th.

CC: Yes and I wish that there was a point where we showed him trying to deal with some of his demons, why they happened, and whatever else, but that is a different show. But I’m glad that they did start this men’s circle and the only caveat that I would add to that is that I do feel that there needs to be a professional in those surroundings.

AM: Exactly.

CC: Because the purpose of it is to trust and totally trust that whatever you are speaking stays in that space and some skills to actually deal with what you are doing to try to break down the issue, the feelings, and all of the anxiety that you may be having too so there are some actual physical and mental activities that you can do to have that and to have somebody that is there that understands that to say that maybe this is something that you could try right? I think that that is also important. I think baby steps, you can’t do everything in one show and within that amount of time.

AM: Maybe for the show purpose if you think about it, the culture, as Black people, were not raised to bring in outside people in and to have these conversations so the very idea of doing what they’re doing is many steps beyond how we have been brought to think. If I told my mom I do breathwork or meditation, there would be a thought or a question in terms of why am I not praying or leaning on scripture when you can do all 3 as one doesn’t diminish another.

I agree with you as the first time I saw it, I thought that they should have a professional, but would those guys ask someone?

CC: I see that for the first time, but now some of the issues that they are dealing with, you can’t be in the group and say, “we need to kill Douda!”

AM: Oop that’s right you can’t do that!

CC: What is the group for now? Are y’all a gang, what are y’all about to do?

AM: It’s a tar and feather session right now haha! Yeah, you’re right I take it back!

CC: Yeah, that’s not what we’re talking about here, let’s keep all that out of this space, it’s a safe space. I think that if there was a professional there, they would say, “maybe that’s good, but maybe we should also think about how everyone is oppressed.” But once again, baby steps! Like what you said, the fact that we can see it and be like, “hey, maybe we can talk to my friend or my brother and just – we have to be careful with who we allow to see our inner most selves sometimes because even some loved ones have the best intentions but their actions may not show it in the ways that we need it at that time.

AM: What do you feel in terms of the mental health elements or components or things that you feel that you need in order to keep accountable? What do you do for yourself?

CC: There’s a lot. I have an emotional support animal named Bolo and that’s one thing. Because he keeps me accountable and whenever I get anxious or feel anxiety, he comes over and puts his big head on my leg and he makes me focus on him so that I can pet him and immediately, my blood pressure kind of goes down and my heart slows down and then I’m ok! I workout because I enjoy the endorphins that you get from that and the feeling of accomplishment. I live up in the mountains so I’m able to walk around and see nature a lot which is really good. I used to meditate a lot, I don’t do it anymore only because I don’t really have a real reason why I don’t. But I haven’t in a very long time, but I do find myself doing walks with him in the mountains and I make sure that I don’t bring my cellphone, I don’t bring my Apple Watch and I’m totally disconnected so I just say, “please Jesus don’t let anything happen to me because nobody is going to come for a couple of days and I have no communication!”

AM: Do you watch Hacks on Max?

CC: No, I do not.

AM: There was just an episode and it stars Jean Smart (Designing Women, Watchmen series, Mayor of Easttown) and she asks her writer to go on a walk although she suggested the King of Prussia because they were waiting to go back on QVC, they ended up out in the forest. They lose the writer’s phone in the river, Jean falls and hurts herself and she doesn’t have a phone because she wants to keep clean lines in her pockets so they wander in the wilderness until they find good Samaritans that take them back to their car! Jean reminds her that if they had walked in the mall, this wouldn’t have happened and it was a whole thing – but yeah!

CC: I love Jean Smart.

But yeah, that’s the active things that I do, but a lot of it is also that I haven’t started back up with my therapy and he just actually emailed me yesterday saying, “hey, are you good? Just checking in to make sure that you’re good.” I let him know that I was. I definitely will get back in touch with him and start talking with him because I think that because things are going to start shifting with me again I can feel myself sometimes getting to a place of spiraling down and I will just sit, my mother also suffered with depression and so I will literally put a cover over my head until I get to a point where I’m like, “you have to get up, you can’t stay here like this.” I will have to fight myself to just get up and just do something. But those are some of the things that I try to make sure that I focus on.

The thing that I do a lot is that I am a truth teller. What happens is, if you don’t know me or whatever, you don’t know that I’m telling you the truth. I’ll say it dead out – it may sound like a joke, or I’ll say it whatever. But now my wife, she’s able to pick up on it sometimes and she’s good at letting it pass for the day or two and then she’s like, “so, I’m going to find it,” you know what I mean? She’ll do something and then I’ll say, “yeah, maybe we do need to discuss what’s going on.”

AM: I get that! I’m an avoidant type. I don’t like to talk about myself and I’m more focused on being a fixer type. But when I get really quiet Paul will ask me if I’m good and I’ll say yes; however, he will keep asking because he knows something is off and that’s when the breakdown happens as I’m not someone who’s a crier or shows emotions per se, but you have to know me because if you don’t you will assume everything is ok. Part of that comes from the culture of how I was raised, having parents who were executives who gave me great tools to navigate and equip me for the world in terms of business, but those same tools applied in terms of how I internalize and utilize them personally are not great due to how I internalize things – so I need him to give me that nudge or alert that I have to examine what’s happening and not just say, “yeah this happened it’s fine or it’s ok” when in fact it is not.

CC: Wow, that’s beautiful that you have found this out, you know what I mean? The ability to acknowledge that and to access those feelings and for you to have the ability to feel comfortable and say, “we’re not going to be able to fix it, but we can just talk about it and you can feel better.”

AM: 100%.

Will we see you creating a foundation as mental health has been something that you have been talking about this season. Do you foresee yourself having a foundation, organization, or initiative for this?

CC: If you’re asking me this second, no I cannot. But you know, it’s one of those things that your calling is your calling and you can’t avoid it. I don’t right now. I have a lot more work to do with my acting career I think. There’s a place that I would like to be and I am not there yet, and I know that I am going to be there and I know that I have the wherewithal to do the work. It’s just the matter of time and the only way that I can access the time is to make sure that this is fine and this fine, so maybe those things will meet in the future and maybe this foundation or organization at some point will help me to get to the time.

AM: What are some upcoming projects that you have coming up! We know you have the show coming up and I hope that it’ll be streamed somewhere so that I can see it!

CC: Haha yeah! The next big thing is that I did this movie where the working title is Carry On and it stars myself, it stars Taron Egerton (Legend, Blackbird, Kingsman franchise), it stars Jason Bateman (Arrested Development, The Outsider, Ozark), it stars Danielle Deadwyler (P-Valley, Station Eleven, Till), and Jaume Collet-Serra (Non-Stop, Jungle Cruise, Retribution) directed it. A big project that he did was Black Adam, but this is produced by Steven Spielberg’s (Jaws, Jurassic Park franchise, Indiana Jones franchise) company, Amblin Entertainment and Netflix. So it’s called Carry On and we shot it awhile back in New Orleans and it’s a thriller and it’s about the TSA and what happens at airports and when some incidents happen. So that’s the next big thing that's kinda going on and of course, next week I will be in LA for awhile.

AM: What do you want your legacy to be whether it’s in the industry or as a man?

CC: I mean, that’s not really up to me right? I mean, -

AM: At some point, it kind of is. Because what you leave behind is what’s remembered.

CC: Yeah hopefully, you left it behind, but no one is remembering that! “Well you know that one time, he stepped on my foot –“

AM: And he owed me $5!

CC: And he owed me $5 and he stepped on my foot haha – is that what you want to say man?

As far as in the industry right? I know that this is going to happen right and I’m not trying to be arrogant about it, but I want to be known as one of those people who when you say, and I’m saying it right now to a reporter for the record, when you say great actors, “oh man, you have Sidney Poitier (To Sir With Love, In the Heat of the Night, Guess Who’s Coming to Dinner), Denzel Washington,” and I want you to say Curtiss Cook.

AM: You know what I was going to tell you earlier, that there are things you do that remind me of Sidney Portier with his career. There are nuances, but you are still your own person.

CC: Oh come on!

At the end, I wanted it to be because of the body of work, the type of the work, the commitment to the work, nothing against James Earl Jones (Coming to America franchise, The Lion King, Field of Dreams), nothing against Laurence Fishburne (Matrix franchise, Clipped, Megalopolis), nothing against Samuel Jackson (Pulp Fiction, Glass, Avengers franchise), nothing against Don Cheadle (House of Lies, Crash, Avengers franchise), we can go on and on about people that do amazing things – Forest Whitaker (Rogue One: A Star Wars Story, Black Panther, Godfather of Harlem) – you know what I mean?

AM: Yup!

CC: There are loads of folks where you’re like yeah!

AM: But then there’s a craft!

CC: Yes, a craft and a je ne sais quoi that not everybody possesses and it’s sometimes you work to get it, or you’re born with it and you know how to use it right? I’m still at the process of finding out who and what this vessel is because it’s going to sound as crazy as hell, but I don’t know, I’m feeling comfortable – I never thought that I was a handsome dude. I remember growing up, I never thought that I was ugly, I never thought that I was handsome like people saying, “oh yeah, he’s nice – never.” So, whatever got me into the spaces and rooms for girlfriends or whatever, it was always me being silly, or funny, or charming, or whatever. They’d say, “oh, he’s so funny, you know what? He’s kind of cute too come on over here Curtiss." And I was like yeah! But now, as I’m getting older or whatever, I’m hearing more and feeling more this attention of ooo wow! Honestly, 70% of myself is like, I don’t believe you, but I’m going to let you say it and I’m going to move on for whatever whatever. So that goes back to the, “oh, you said that you wanted this thing back in Jr High School and now it’s come into fruition.” Whatever is happening, and whatever they are seeing, maybe it’s an inner/outer thing, maybe it’s your nose grew into your forehead or something, or the proportions on me, maybe the teeth came in right, but I don’t know – today is good!” So I think that it’s part of it right for the 2 people that I named. You look at them and you go, ok. If you look at them too hard, you say, “I don’t know if they are the most handsomest people in the whole wide world, but when you put it all together, you’re like, there is a thing about them.”

AM: It’s a presence and I think that’s what got me for the end of the 5 seconds of last week’s The Chi episode because it was a bit of that Poitier moment where all the things come together. You didn’t say anything, it was a montage of other things, but it was the only camera time that you had in that episode and yet because everyone is talking about how are we going to get this man, there he is!

PAUL FARKAS: Honestly, it was almost like Jack Nicholson (One Flew Over the Cuckoo's Nest, A Few Good Men, The Departed) because of your eyes! It was very brief, only like 3 seconds.

AM: All episode it was like, we’ve been hearing his name, but we haven’t seen him and it was pretty impactful and then the Villains feature ran after that.

CC: Yeah, that’s part of it and hopefully that people will say, “when I met him, he was a cool person. He was a cool dude and he wasn’t trying to be nothing that he ain’t.” I’ve worked with Mark Ruffalo (I Know This Much is True, Avengers franchise, Poor Things).

AM: That’s another one whether he’s the Hulk or he’s the attorney in Dark Waters fighting environmental pollution, or his role in Poor Things you get immersed into who he’s playing.

CC: Mark is a beast! But what you leave with when you think of him is what people will say about him, that he’s just a cool dude. You know what I mean? You meet him and he’s not trying to be cool or doing whatever. I hope that that is what they also say. When you’re young, you burn bridges that you don’t necessarily need to, but you don’t understand it –

AM: You don’t think it matters.

CC: Right. I just make sure that I come in, I’m prepared, ready, honest, open, and nice! Literally nice. It’s ok to be nice, it’s ok to say good morning and hi, it’s ok!

AM: A lot of that also comes from being in the Midwest.

CC: Ok, but hopefully those are 2 things that I can think of in addition to being a good dad and all of that.

IG @curtisscook

Our shoot with Curtiss Cook took place in Chelsea at the Selina Chelsea Hotel at Creatures at Selina Rooftop as well as their listening lounge, Music For A While. The photoshoot showcases menswear looks that are perfect to wear as we navigate the summer! Following the credits, we talk with the team at these spots who can tell us more about the spaces and why it should be on your list for epic days and nights out.

LIFE'S PASSION COVER EDITORIAL | TEAM CREDITS

PHOTOGRAPHER Paul Farkas | STYLIST Kimmie Smith | GROOMER Felicia Graham |

IG @pvfarkas

@shes.kimmie

@feliciagrahambeauty_

LIFE'S PASSION COVER CREDITS

LOUNGE LOOK - PG 16 - 23 | ZEGNA Terry Shirt + Pants | OOFOHS OMG Sport LS Low Shoe |

OUT & ABOUT LOOK - BACK COVER, PG 24 - 29 + 9PLAYLIST MULTI PG 58 | SUIT SUPPLY Suit | ZEGNA Lightweight Hoodie | OOFOHS OMG Sport LS Low Shoe |

GOLDEN HOUR LOOK - FRONT COVER, PG 30 - 35 | Y.CHROMA The Sevilla Shirt + The Becker Pant |

PHOTOGRAPHY CREDITS

PAUL SHOT WITH | CANON MARK IV and Canon Lenses - 24-70, 70-200 + 50 1.2 | SIRUI Dragon Series Bendable RGB Panel Lights Set of 2 of B25R*2 + DJ 280 |

PHOTOS COURTESY | PG 36 - 56 Showtime/The Chi

ATHLEISURE MAG: Tell us about Life Hospitality, who are the founders/owners, and when this group launched.

FULL LIFE HOSPITALITY: Full Life Hospitality is behind some of the most sought-after venues in New York City, including Virgo, Make Believe, Music For A While, and Creatures at Selina Rooftop. With each venue, we're pushing the boundaries and evolving our concepts to provide truly incredible experiences every time guests walk into one of our venues. Each one of the founders—James O’Hanlon, Thatcher Schultz, Andy McDonald, and Duncan Abdelnour—brings a wealth of experience and passion for hospitality. Their collective vision has made Full Life Hospitality a leader in innovative and memorable nightlife and dining experiences.

AM: When did Creatures launch?

FLH: Creatures at Selina Rooftop opened in July of 2023. We've taken the time during the winter months to renovate the space extensively. We're thrilled to announce that the newly renovated pool will be opening at the end of June, offering guests an enhanced rooftop experience just in time for summer.

AM: Tell us about the vibe and ambiance of Creatures in terms of the design and what guests can expect when they enter.

FLH: Creatures offers a chic and relaxed atmosphere with a bohemian-inspired design. Guests can expect an inviting space adorned with lush greenery, comfortable seating, and vibrant décor. The rooftop setting provides stunning views of the Chelsea skyline, creating a perfect backdrop for socializing and enjoying crafted cocktails and delicious food.

AM: What are 3 appetizers that you suggest at Creatures that we should try?

FLH: Our House Hummus, topped with tomato seeds, schug, tahini, and served with pita bread, is a must-try. The Spicy Picanha Skewer with charred peas and mint puree offers a surprising and delightful bite. Lastly, the Branzino Crudo with blood orange, mint olive oil, and labneh cheese provides bright and bold flavors that are refreshingly perfect for a warm summer’s day.

AM: What are 3 mains that we should try with friends and family?

FLH: Choosing just three favorites is tough because Chef Neil Strauber's menu is thoughtfully crafted with inspiration from the Levant Region, infusing each dish with Mediterranean and Middle Eastern flavors. The Fish Schnitzel Tacos are a must-try, drizzled with spicy labneh and topped with Israeli salad in pita tacos. The Grilled Top Sirloin Cap, grilled to perfection in our open air kitchen, features Chef’s signature mint pistachio chimichurri and tomato seeds. Finally, the Wild-Caught Shrimp with harissa and tomato-sage butter is so flavorful that you'll fight for the last bite.

AM: What are 3 desserts we should try?

FLH: This dessert, crafted by Chef Neil Strauber, is an absolute must-try. The Cheesecake is incredibly light and airy, whipped to perfection and balanced with a delightful crumble for texture. The fresh strawberries add a burst of sweetness and color, making this dessert delicious and visually stunning. Pairing it with an Espresso Martini creates the ultimate end to a perfect meal, combining the richness of espresso with the creamy delight of the cheesecake.

AM: In terms of cocktails, what are 3 signature drinks that we should have in mind?

FLH: Our Lemon Drop Spritz is the epitome of summer in a glass, with zesty lemon notes and an effervescent spritz that cools you down on a hot NYC day. The Hibiskiss blends mezcal, lemon, house-made hibiscus and ginger syrups, mint, and ginger beer, offering a refreshing taste that whisks you away to a tropical oasis. Lastly, Daisy’s Painkiller combines dark rum, orange, pineapple, coconut, and nutmeg for a sweet retreat reminiscent of a Caribbean island, perfect for those scorching summer days. These cocktails are designed to transport you to a paradise, providing a refreshing escape from the city's heat.

AM: Now that we are in the summer months, do you have Summer Friday specials?

FLH: Absolutely! We're all about Summer Fridays. Join us for happy hour from 4-7 PM, where you can enjoy good vibes, refreshing cocktails, and delicious bites.

AM: Tell us about your Happy Hour.

FLH: We’ve just launched our happy hour menu, available weekdays from 4-7 PM. Enjoy $12 margaritas, mules, and classic cocktails, $10 wine, and $6 beer of the day. You can also try some of our new menu items like House Hummus, Kebab Empanadas, and Za’atar Fries.

AM: 4th of July is around the corner, what do you have in store that we should know about?

FLH: We’re so excited to celebrate the 4th of July with our friends. Follow us at @creaturesselinarooftop for announcements about our plans, which include drinks, bites, and a killer lineup to dance all day and night long.

AM: Will Creatures do anything for PRIDE?

FLH: Yes, we’re thrilled to host a party for PRIDE. It will begin at 2pm on Sunday, June 30th. We’ll also be launching our weekly party called Creatures @ Sunset this Sunday, June 2nd, at 2pm - Welcoming everyone in the LGBTQ+ community to dance with us into the night.

AM: Creatures is open Wed – Sunday, will additional days be added?

FLH: While we are currently open from Wednesday to Sunday, we are exploring the possibility of adding additional days during the summer months. We will be testing out Salsa on the roof next Tuesday! Stay tuned for more details!

Current Hours: Wednesday & Thursday - 4 PM-10 PM | Friday 4 PM-11 PM | Saturday 2 PM-11 PM | Sunday 2 PM-10 PM

AM: We also enjoyed having our shoot at MFAW and we included them in Athleisure List a few issues back. Now that it has been open for a while, are there new things that you would like to share about this venue?

FLH: MFAW continues to thrive with some great lineups and upcoming residencies featuring local vinyl DJs from New York City. Our Vinyl Happy Hour from 9 PM-11 PM is designed to attract new customers who might not have experienced a record bar before. And who can resist a $10 Dirty Martini to kick off the night?

AM: Can you talk about the design aesthetic of the space? What are upcoming events taking place here that we should know about whether for 4th of July or other days during the summer?

FLH: Upcoming events include a 4th of Julycelebration, weekend parties, summer brunches, Salsa Tuesdays, happy hour parties and dinner parties. Keep an eye on our social media channels and website for the latest updates on events.

IG @creaturesselinarooftop

@musicforawhile.nyc

Read the MAY ISSUE #201 of Athleisure Mag and see LIFE’S PASSION | Curtiss Cook in mag.

IT STARTS WITH THE CHARACTER | ALLYSON FANGER

When you're watching a series or a film, there are a number of elements that draw you in and provide additional context beyond the dialogue that is being spoken on the screen. Costume design is one that we're always watching as it adds that element of visual texture.

We sat down with Costume Designer Allyson Fanger who has brought her creative approach to a number of series and films including Wild Things, 10 Things I Hate About You, 80 For Brady, Grace & Frankie, Shrinking, Apples Never Fall, and Mack & Rita to name a few. We wanted to know more about how she chose this field, how she got into the industry, iconic looks that really delve into and drive the story forward, and how she approaches these projects.

ATHLEISURE MAG: I have been such a fan of your work and it’s such an honor to be able to talk with you!

ALLYSON FANGER: Oh, thank you so much!

AM: I have been a fan of your work since Wild Things and 10 Things That I Hate About You! I remember being in college and watching 10 Things That I Hate About You and just watching the images and how the characters were dressed and it really stuck with me! It was seared into my mind so personally, I have been a fan for awhile.

AF: I love it! It’s having a moment!

AM: Right?

AF: It’s so great!

AM: It’s really a testament to your approach to your work. As you’ve said, it’s still super relevant!

I’m a fellow Midwesterner myself and I live in NY now. I’m always intrigued by how those of us who come from that area of the country and then we end up leaving to go to the East or the West Coast. I find it interesting. How did you get your start in this industry?

AF: Well, I mean, that’s a big question. I got a degree in Anthropology actually and I started getting into photography and visual media towards the end of college. I have always been a very live in the moment type of person in general. In school, I didn’t know what I wanted to do and didn’t know that this was a career path that was possible to me. As you know, I lived and grew up in Minneapolis and went to college, then I came back after college, and I traveled a ton! I went to South East Asia, I went to India, Singapore, Nepal, Thailand, Malaysia – you know I, did that whole South East Asia thing. That really was very formative I think in my interest in culture and society and people! The difference in people in different areas and cultures, socioeconomically, geographically, how they grew up in a certain area and how things defined them from a costume perspective – from a look perspective, I was really attuned to the different colors, especially in India! Like the beautiful pigmented colors that have to do with not only skin tone of the people in the area, but also the light. The way the light hits and what looks well and the way that they use pigmented dyes and plants to make their colors.

All of those things were not lost on me and it was hugely formative to me on all of my work today. That is why I am able to find the various details and nuances in character and all of the elements that feed in to making a person, an individual full and defined and different and unique in their own way. Every single person is.

When I was doing Anthropology and Social Anthropology, the study of people – so that kind of tied into that and I came back to Minneapolis, and I wondered what I was going to do. I started hanging out with a lot of artists in Minneapolis just because those were my people. I had this very good friend at the time whose name was Gus. He was a big commercial photographer in Minneapolis. I was talking with him and I was starting to have a crisis on what I was going to do with my life. I went to live in London for a year and then I came back and I asked him what would I do with my life as I was 26 and he said, “honey, you should be a stylist.” He said it right away and I asked him what it was as I didn’t know anything about it. He told me to come work with him as he was a big commercial photographer and that I should work with his stylist Molly. I worked with her for 1 day and I got it. I knew that that was what I should be doing. So I started working on commercials in Minneapolis and I was making good money doing that, but then I got much more interested in doing character. I was like, commercials are fun, but at that time, especially with where commercials were – they wanted their people in Gap khakis and that was the mode of that very average look. It was like a great place to be in to learn the nuts and bolts, but I was really interested in character and at the time, I was very fortunate to also see that there were a lot of films that were coming to Minneapolis so I just hustled and got myself hired as a PA on a couple of features there and then I met Sharen Davis (Westworld, The Help, Fences) who is a Costume Designer and she is like my mentor. I don’t know if you know her.

AM: Oh yes!

AF: She did Dreamgirls and Watchman series, she is one of my dearest, dearest friends and I love her so much! She was like, “oh, you have to move to LA,” and she hired me on projects and she got me in the union and she kind of put me on my way and so here I am!

AM: That’s amazing!

AF: I mean, I did take 7 years off because I did have 3 children.

AM: Your body of work is amazing! Before we start delving into that. I want our readers to understand the difference between a Costume Designer and a Stylist?

AF: Oh that’s such an interesting question because there really is quite a difference! I mean, a Costume Designer and it’s funny because it comes up all the time, because my actors will always ask if I will style them for an event. I’m always like, “I definitely could,” but costume design is really about character development and informing character through look choices right and storytelling and that is what I love about it so much. It’s about intention, propelling the story forward, giving the viewers a kind of intimate relationship visually with characters and helping them to relate to the people that are on screen and that is what I love so much about what I do. It’s about finding pieces and I always try to have very personal pieces on people that hopefully get recognized by viewers. When I am doing a TV series especially, you watch these characters evolve and that’s part of it too. You put in elements of character evolution and how they journey through the story and as it changes. Sometimes, you don’t even know how it is changing. Then it’s changing and then we adjust and that’s how you make your choices in the morning. I like to say that people say to me, “I know who that character was before they even opened their mouth.” When they say that, I know that I am doing my job well. I think that that is true of all people. You get a lot of information just by what they are wearing and it’s one of those things that people don’t register consciously until it’s not there - you know what I mean? It’s interesting. You know when people have pictures coming up on their phones?

AM: Yes.

AF: One of our producers, he changed his picture and put up one where he was dressed up from an event for an Awards show. I was like, “oh Mike, I love that you changed your photo!” He was like, “yeah, you know what? Someone else had their photo and it presented so nice and I feel that I should have one too.” I said, “See how important it is in what you wear and you wear and how much the impact is when someone that you don’t even know?” It’s so huge! I mean, the people who even work in the business don’t recognize that that is happening.

Styling is about more of the look and stylists developing relationships with PR companies more and working with showrooms and there are loans. So that is why when I say to my actors that although it’s flattering and I would love to do everything, I say, "you know, working with someone where that is their world – it’s a different world.” And I do do it sometimes, but it’s it’s own niche world and it’s about look, fashion, impact, red carpet moment you know and it’s a whole other arena. Do you know what I mean?

AM: I am a stylist and I agree that Costume Design and Styling although there are similarities that do occupy very distinctive space. You could do both but they have very different elements to them. I may be thinking of a set that I am styling or a project and putting a story behind it but they are still very specific moments in time as opposed to having an arc that is not only spanning various episodes and seasons, but also integrating with a cast of characters that speaks back to one another.

When I watched Apples Never Fall, within the first few minutes of the show I knew that it was you who did the costume design. There are tones and elements of your work especially when I look at each character and how they are set against others in the cast that I can see it’s an Allyson Fanger fingerprint. Like you said, before the character opens their mouth, I have a great sense of who they are, who they’re aligned with, and in many cases how they are different from those that they are meant to be in the same group with.

AF: Thank you so much!

AM: All of those nuances that are taking place for a series or a movie Is not all the levers that I am navigating when I am doing a shoot of x amount of looks that may span 14 shots. There might be elements of it but not anywhere along the same scale and it’s still within the parameters of 1-3 people and just for that shoot.

AF: It’s different and it is its own art. Stylists who do it well, they blow me away. They know how to get those cameras snapping.

AM: Where do you start once you get attached to a project? For me, I’m looking at dealing directly with the brand, PR, showrooms, etc. I have a moodboard or project board where I’m thinking of the tone of the shoot how it ties into my celeb, the set, and vibe.

For you, what is your treasure trove of things that you are pulling from when you’re going on to a project.

AF: It always starts with the script and the words. It’s a well drawn character in the script. When I read a script in a project, I know that I get so excited when I know that the characters are so well developed and sometimes some of them are not and the writers know! I have put together boards for a meeting and I’ll let them know that I am not completely sure of this person and they’ll say, “yeah, I know. We didn’t give you any information.”

So the information is in if they have flushed out a character, if they know who that person is, then they are able to translate it into their words and into the story. That then gives me the information that I need. I look at geography which is huge to me. Where is this person from, where did they grow up vs where do they live now? What do they carry with them from that time from their formative years? We then know what their socioeconomic status is and I always work with the production set as I want to know what their house looks like, their car – all of those things are what I go off of. Then it’s what are they doing in the story and what’s their job or not? All of that goes in and then I have meetings and a lot of times as costume designers, they throw you a script and tell you that you’re going to have a meeting with boards which includes everyone – producers, directors and you sort of have to take your best shot at filling in the lines and see. But the thing is, as I have done at this point in my career, it’s either a match or it’s not. As you see it, and again, I am getting such good scripts now, that I feel like I am always able to sort of hone in on what it is an things that they haven’t thought about a lot of times too. They get excited and will say, “oh my God yes!”

Like in Apples Never Fall, one of the things that I did was – the relationship between Stan Delaney (Sam Neill) and Brooke Delaney (Essie Randles) was the strongest relationship in the script and she was the most of his ally. So, I helped to tell that story with help from clothing by her. Like his oxford shirt, she would wear the shirt sometimes over more tank top and athletic pant vibes. In my head, those were taken straight out of Stan’s closet. I love telling stories with families so much because I love family dynamics. I love finding the thread in the family, the thread was already there in Apples Never Fall and the thread was already tennis, but you know just relating the characters through and finding the differences and well defining them and then finding the sameness.

I love doing mother/daughter. In Grace & Frankie, I always imagined that Mallory (Brooklyn Decker) and Brianna (June Diane Raphael), although they were so different in how they presented, both could have pulled from Grace’s (Jane Fonda) closet for different things.

AM: My mind was blown the very first episode of Grace & Frankie. I mean it was a confluence of beauty from the writing, the cast, how the characters were dressed, the set, etc. What made you want to be part of this project? This series ran for 7 seasons unlike Apples Never Fall which was a limited series, so how do you create this world and balance between growth of the characters as well as continuity. It must be incredibly difficult.

AF: That was something that we talked about from the very beginning of Grace & Frankie – it was about their journey and how to make sure to tell that through costumes. One of the big ones for that was Grace, because Grace comes in at the beginning and she was so closed off emotionally, damaged, hurt, and protecting herself. Also, just her aesthetic in general was stoney and we used ceramic colors. So I said that we should have her colors be those of ceramics and pottery – grey, taupe, camel – it was about using those cold colors.

AM: There was a sterility about it although the pieces were beautiful. So you had these sterile moments with a bit of a prickly edge that would come out every now and then!

AF: Yes! The collars and she’s just very controlled as a person emotionally! Then you have Frankie (Lily Tomlin) which is such a fun person. What a blessing that show was for me. Frankie was this artist soul and I had her color as a Santa Fe sunset. She’s got her red, yellow, orange, green, color pattern, texture – all of her kooky moments. I didn’t want her to feel like – and we talked about this a lot – it wasn’t about having her as a caricature of a hippie lady or a Bohemian lady. She had to have a lot of depth and she’s an artist. So I really looked at the artists ladies in Norway and Sweden and it was about having the long layers, architectural and jewelry and I used crystals because obviously she was spiritual so I used those large crystals on her and if you noticed some of the necklaces were made out of rubber. So she wore a lot of those vibes also. She had a number of European brands that she wore so that is something that I did with her.

The things about their journey together is that we had Grace bring color into her life and that happened around the end of Season 1 and then we kind of kept it going and we never really changed her completely as a person, but we would bring more Frankie into her life as she embraced life more right? She experienced life more through Frankie. We had all of Grace’s shirts made. The first shirts, the color shirts - the first print that Grace had ever worn were these shirts that I got that were made from Carolina Herrera and we loved that shirt! It’s such a great shape and a classic look.

AM: Really loved that shirt!

AF: It was perfect for Grace and I was like, “they don’t really make print or color.” I reached out to them and I said, “do you have any print or color?” They said that they actually had some archival fabrics that they made the first 4 shirts for us for that show. Then that was it, there were 4. So I started sourcing fabric and making all of those shirts. So all of the shirts that Grace wore, they were custom and we made all of them as they kind of didn’t exist at the time! A lot of people are making them now though. So that’s the story of them!

AM: I love hearing about those shirts as I loved them! Is it different for you if you’re dong a series versus a film?

AF: Yeah, but well, not necessarily with character development, it depends on the arc, it depends on the story. Films are easier.

AM: Yeah it’s an endpoint!

AF: Yeah, you have 1 script! And you have it ahead of time. I’m an adrenaline girl and I love a challenge. I thrive well in chaos in this world. I don’t get rattled, I kind of get very last minute in TV because they are always writing those scripts! Right now I’m on Shrinking -

AM: Another great display of characters as I love the palettes.

AF: Thank you, we’re on Episode 10 and I don’t have the script for 11 and 12 yet and we start shooting that in probably about a week! So, it has it’s own challenges! Whereas a film has its own arc where it’s wild and busy and you have all of these things going on and then it’s done and it’s over. I do love doing film and I want to do more film going forward in my career and I am manifesting that for sure.

AM: What are 3 of your favorite looks that you have created whether it’s for a series or a film or 3 characters that you really loved working with?

AF: Ugh, I love them all! When I get this question, I mean they’re all my children so that is such a tough question for me. I really feel attached and love all of my characters so much! I mean, Frankie is probably the most near and dear to my heart. The character Frankie, I mean first, Lily Tomlin (9 to 5, The West Wing, 80 for Brady) one of the most amazing women and such an incredible person and so is Jane (Monster-in-Law, The Butler, The Newsroom)! I mean, the two of them probably – I have to say that it was the most seminal for me and really transformed me as an artist in this world and I got to spend 7 years with them and I got to really get to know them as members of my own family and they kind of were. I think that the thing with Grace & Frankie is that they resonated so strongly with people because they resonated with some part of everyone’s family or someone who they knew and loved! Everybody saw someone that they knew or loved within one of these women or both! I always say too that Grace & Frankie, they are characters, but we are all a little Grace and all a little Frankie. We have pieces of both of these women in us and our mothers and our sisters and our aunts right? So, I think that that’s why they were resonating so strongly with so many people.

AM: Even the other characters in the show, I have a friend group or family member that reminded me of them. Like many, I was sad when it was over. It got me a bit teary eyed. I know that things can’t go on for forever and sometimes when a show stays on too long, the thing that you loved about it stops taking place because maybe there isn’t enough story and then that isn’t great either. But it was such a comfort with the visuals, the cast, the writing, and it would be hard for even another show to replicate and achieve that tone and playful push pull hat took place throughout the series in the way that it did. It’s rare to have that type of an ensemble cast, with the breadth and depth of topics covered, and all the other elements.

AF: Well that’s Marta Kauffman (Dream On, Friends, Leave the World Behind) she’s amazing and I am very grateful!

AM: Do you have any upcoming projects that are coming up that you are able to share that we can keep an eye out for?

AF: Yeah! I’m doing Shrinking Season 2 right now. I’m thinking, did I do anything between Apples and Shrinking? No – we’ve had some strikes here in our industry.

AM: Of course.

AF: So there has been some stalls. I’m doing a pilot with Marta Kauffman of Grace & Frankie. We’re going to be starting that soon also. Right now, those are my babies and they’re keeping me quite busy!

IG @allysonfanger

We could have spoken with Allyson Fanger even more about how she delves into her character and like that her approach pulls in a number of factors so that the characters are easily positioned in our mind! For those who have yet to see Grace & Frankie, you can stream all episodes right now on Netflix.

Apples Never Fall can be streamed now in its entirety for this limited series on Peacock. As a bit of bonus information, Allyson sent us some notes on how she approached creating the costume direction for this show which focuses on a tennis family!

We enjoyed hearing how she looked at the relationship between Stan and Brooke to inform how would they look and to show their connection with one another. She sent us some other notes which focuses on the relationship between Stan and his son Troy (Jake Lacy), as his father always called him out for being flashy, but he wore a number of big brands too!

She shared that Troy is flashy, but in a way that reads more of a wealthy understated nature. This is more of an anti flashy aesthetic where the clothes are expensive, but there are no logos or there may be subtle ones. It's all about a IYKYK vibe. His clothes are meticulously fitted as well as being tailored.

In terms of his father Stan, he's not focused on whether a brand is expensive, but it's about brand names that are athletic. Tennis is not just what he excelled in or involves training others, it is who he is and is very much part of his identity. So it's natural that he is in an athletic aesthetic like tracksuits and branded pieces. Interestingly, in those moments that he is not dressing like this, he seems like he is out of place.

Interestingly enough, both of them have large personalities and egos and how they present and dress is important to them and as much as they butt heads throughout the series with one another, it's really because they are similar in their personalities.

When you're watching the series, brands such as Tory Burch, The Upside, Lucky in Love, Sporty & Rich, Ciao Lucia, Venroy, Ralph Lauren Polo, Alo, Lululemon, FILA, NIKE, Reebok, Helly Hansen, and Golden Age of Tennis were included.

While we watched this series, we were reminded of an array of tennis stars. Interestingly enough, we were not that far off as each character had an inspirational star!

Stan Delaney's costume direction was inspired by Jimmy Connors, Joy Delaney spired by Jimmy Connors, Joy Delaney (Annette Bening) was inspired by Martina Navratilova, Troy Delaney's costume direction came from Roger Federer, Amy Delaney's (Alison Brie) look was inspired by Maria Sharapova, Logan Delaney (Conor Merrigan Turner) is a mixture of Bjorn Borg/Andre Agassi, Brooke Delaney which we spoke on earlier in this article is inspired by Anna Kournikova, and Harry Haddad's (Giles Matthey) costume direction comes from Rafael Nadal.

PHOTOS COURTESY | Allyson Fanger

Read the MAY ISSUE #101 of Athleisure Mag and see IT STARTS WITH THE CHARACTER | Allyson Fanger in mag.

THE TOLL OF SECRETS | OUTER RANGE

The neo-Western series Outer Range debuted in 2022 on Prime Video starring Josh Brolin (No Country For Old Men, Avengers franchise, Dune franchise), Imogen Poots (Roadies, Jimi: All Is By My Side, I Know This Much is True), Tom Pelphrey (Ozark, Love & Death, A Man In Full), and Lili Taylor (Six Feet Under, Manhunt, Perry Mason). In the 1st season we're in the present day and we watch as the Abbott family navigates the changing times of a farm and life that is always within moments of being pulled away from the family. In addition to these concerns, we realize that Royal Abbott (Josh Brolin) has found a portal that takes you through time, and we know that he has first hand experience with it. Throughout the first season, we learn more about this portal, what it does to the town, and how it brings additional people together and apart.

In the 2nd Season, the portal and its powers are even more evident and we see others who have become exposed to it and what it does to their lives. We also see how the Abbott's as a family come to terms with it as well! The importance of time, secrets, life and death converge in this epic story.

We sat down with the Showrunner and Executive Producer of Outer Range, Charles Murray (Sons of Anarchy, Luke Cage, The Devil You Know) to talk about the kinds of stroytelling he enjoys; how he came into the Season 2 of this show; his thoughts on this season; and what he hopes viewers takeaway from it.

If you have yet to watch Season 1 you can stream it now as well as the current season.

ATHLEISURE MAG: We have been a fan of your work since Sons of Anarchy, Luke Cage, The Devil You Know! What draws you to storytelling as a writer, producer, and showrunner?

CHARLES MURRAY: You know, oh thank you – I love this question!

AM: We know!

CM: I like stories that live in the crevice of society. What I mean by that is – one of my favorite movies is 12 Angry Men!

AM: Yes!

CM: That’s written by Reginald Rose (Crime in the Streets, Man in the West, Somebody Killed Her Husband) and directed by Sidney Lumet (Serpico, Network, Murder on the Orient Express). It’s about 12 guys sitting in a room trying to decide through their prejudices and biases and disbelief if a Puerto Rican kid killed his father. While that’s going on, right now, there is some case being decided right when you and I are having this conversation. They’re talking about things that are going to be seen worldwide. There’s a little spot where things like the stories that I’m drawn to exist at the same time. It’s that kind of stuff that draws me to storytelling.

AM: What drew you to this neo-western series Outer Range? What are the challenges that you navigated as you became the Executive Producer and Showrunner in Season 2? Were there things that you were mindful of since Season 1 already took place and you were coming into this one?

CM: You know, you’re mindful of being respectful of the audience that got you into Season 2 and you’re mindful of the larger narrative of whether you should follow it, shake it off, or try to do a combo of the two. Thankfully, we didn’t have to shake off anything because Season 1 set such good groundwork, it was just my job and the writer’s job to expand on what was already there. Because the narrative was left so open at the end of Season 1, I feel like we had a great shot, at expanding the show and still staying true to the larger story point was which was – here’s a guy that knows about this hole, not only knows about it, but came through it and he’s kept it a secret, but he can’t keep it a secret any longer! That to me, is good conflict.

AM: It was amazing. When we saw the first season when it debuted, it was gripping and compelling. We enjoyed watching all of the screeners ahead of chatting with you and it certainly didn’t disappoint!

While watching it, there were so many themes that kept coming up about the concept of time, the extent of freewill, and the weight of responsibility of those who come before you and after. What do you want viewers to be able to walk away with once they have finished Season 2?

CM: You know, this is going to sound strange. I think that a lot of the show on a metaphysical plane is how people deal with their own timeline. How you can get trapped by your timeline, how it can propel you, and how other people can live in the same space that you’re living in and see things completely differently. I think that the bigger question kind of spins off of Season 1 which is, what happens when you can’t keep secrets anymore? Secrets get a lot of people in trouble.

AM: Oh yes they do!

CM: So then it’s, how do you deal with it when you have to expose those secrets! That’s what Season 2 is about! Season 2 is about telling the truth and then burying the weight of telling the truth. It’s looking at what that could mean and at times, should you? Right?

AM: 100%.

CM: On a metaphysical plane and again on a spiritual plane, we all have to deal with that. What do therapists say? There’s a hole in each of us. Some of us have to fill it up and some people have to examine it. So, if you bring all of this stuff to light and you’re watching this show, I would say that by the time that you get to the last episode, you should be rooting for the main people, but you should also be saying, well – should he have told the truth or not?

AM: It was amazing. When we saw the first season when it debuted, it was gripping and compelling. We enjoyed watching all of the screeners ahead of chatting with you and it certainly didn’t disappoint!

While watching it, there were so many themes that kept coming up about the concept of time, the extent of freewill, and the weight of responsibility of those who come before you and after. What do you want viewers to be able to walk away with once they have finished Season 2?

CM: You know, this is going to sound strange. I think that a lot of the show on a metaphysical plane is how people deal with their own timeline. How you can get trapped by your timeline, how it can propel you, and how other people can live in the same space that you’re living in and see things completely differently. I think that the bigger question kind of spins off of Season 1 which is, what happens when you can’t keep secrets anymore? Secrets get a lot of people in trouble.

AM: Oh yes they do!

CM: So then it’s, how do you deal with it when you have to expose those secrets! That’s what Season 2 is about! Season 2 is about telling the truth and then burying the weight of telling the truth. It’s looking at what that could mean and at times, should you? Right?

AM: 100%.

CM: On a metaphysical plane and again on a spiritual plane, we all have to deal with that. What do therapists say? There’s a hole in each of us. Some of us have to fill it up and some people have to examine it. So, if you bring all of this stuff to light and you’re watching this show, I would say that by the time that you get to the last episode, you should be rooting for the main people, but you should also be saying, well – should he have told the truth or not?

After talking with Charles, we wanted to talk with Tamara Podemski (Reservation Dogs, Murdoch Mysteries, Monster High) who has been in both seasons of Outer Range. We have watched her character navigate town politics, her ambitions, and her personal life. We wanted to know what drew her to playing Sheriff Joy Hawk, where we catch up with her this season, and more.

ATHLEISURE MAG: It’s such a pleasure to connect with you! What drew you to Outer Range?

TAMARA PODEMSKI: It’s a crazy world that was so far away from my own world and so far away from anything that I had ever done. I felt my character to be quite challenging! Every time that you’re given on paper, someone who doesn’t really exist in real life, when you take an Indigenous queer woman that is a sheriff and put them in a small white town that is in mountain country – it’s just that she doesn’t exist. I looked around and I did the research, there is no one like her! So that’s always a really fun challenge as an actor to figure out how someone like that, ends up there.

AM: I have to say that your character is one of our favorites from the series. Everything about her just really draws you in and watching how she’s exploring what’s going on. What did you draw from to approach playing her?

TP: Well I had 2 very important of a few people that I turned to that were deeply connected to the world of what I would say Indigenous/Political circuit who were running for a position in government as well as someone that was deeply embedded in American Indian Police Academy who has launched and had so many different recruits that have gone through the program. This allows them to find their place in a sheriff office or in a local police department.

So I needed to base it in truth, I needed to base it in real people that have chosen this journey which is a very difficult road. That’s how I kind of pieced her together.

AM: That’s really great to hear!

Where did we leave Sheriff Deputy Joy Hawk last season and where do we pick her back up again this season?

TP: We leave Joy – I love her so I don’t ever want to say mean things about her, but I think that she has made some poor decisions in Season 1 for the sake of running for sheriff as well as to solve a murder investigation. These things, it cost her! To see her in Season 2 and taken out of that world and to be put into a new environment and to be given an opportunity to reconcile her actions and to be given an opportunity to grow and to surpass the person she was, the person that she thought that she could be, I think of it as Joy’s coming of age story. She gets to be the hero that she was always meant to be.

AM: Last season was so good and we had the pleasure of watching all of the screeners in prep for this interview, what do you want viewers to take away after watching Season 2?

TP: I hope audiences still believe in complex storytelling. I think particularly in a time where we are consuming so much content and some of it is in all degrees of digestibility, I would really ask for our audiences to work and put in the effort to provide their undivided attention. I hope that our viewers are reminded of that longer arc of storytelling and investing their time! I promise that we will take them on a ride and I hope that they fall in love again with the landscape, the genre – I think that we deliver a lot of real rich vibrant genres whether it’s the supernatural, the metaphysical, the western, the drama – I think that we really deliver a lot there. I think that everyone should be very satiated!

IG @thetamarapodemski

After speaking with Tamara about her character and how she has evolved over Season 2, we wanted to know about another character who has also went through various changes.

Isabel Arraiza (Pearson, The Oath, The Little Things) plays Maria Olivares and we wanted to know how she came to the roll, her character's love story and what she wants viewers to take away with them at the completion of the Season 2.

ATHLEISURE MAG: We enjoyed watching how your character has evolved throughout both seasons of the show! What drew you to Outer Range?

ISABEL ARRAIZA: I went to school with Brian Watkins so I know the creator from back in acting school. I had always been a fan of his writing. He is an amazing playwright. So when I found out that he was involved in the creation of this show and the story, I was immediately drawn in. So I went in for this audition and I kept getting call backs and tested. The more that I read about it and just knowing who was involved in the project, I was like “oh My God, please God, just give me this opportunity!" I would say that that was what drew me in initially and of course, the story was so compelling that I just wanted to be able to keep doing it.

AM: Absolutely and what do you love about playing Maria Olivares and what was your approach to delving in to this character as it has been interesting to watch how she unfolds episode to episode?

IA: Initially what drew me was her simplicity of her storyline. But it doesn’t mean that it is less complicated. I mean, Lewis Pullman (Lessons in Chemistry, Top Gun: Maverick, The Caine Mutiny Court-Martial; who plays Rhett Abbott) and I are in charge of telling this romantic love story and sort of this love in its simplest and purest way. I just felt fortunate to have this character that felt so grounded and in a storyline that was so riveting and complicated at times. Such straight forward relationships was just so refreshing for me.

In terms of how I approached playing her, the story seemed so straight forward, but what I was trying to connect with her. It felt so removed, it’s a woman in the west and then I thought, she’s not. You remember what it was to be a young woman in a small town in Puerto Rico having bigger than life dreams! Then I realized that I understood this completely and then I was able to navigate the challenges that that brings when you really want something to work out. Especially when that involves a relationship or those things that I can personally relate to and I know a lot of other people can. So finding the similarities between me and her and being able to make that present was what got me there.

AM: Where did we leave Maria in Season 1 and where do we pick up with her again in Season 2. After seeing all of the screeners I know viewers will be excited to see this and may need a bit of a refresher.

IA: We pick up Season 2 where we left off with the last episode of Season 1. You know, they’re trying to escape town, they’re trampled by a herd of bison, and we begin the season in the same place! They can’t really leave right now so they decide to go back and we sort of see her becoming an anchor for Rhett. She’s also navigating her own decisions you know? Will love conquer all or is it not going to go Maria’s way? We start seeing that transition slowly, but subtly happening in her.

AM: What do you want the viewers takeaway to be as fans of the show coming back from Season 1 and once they complete Season 2 to be?

IA: I want them to leave satisfied and that some of the questions from Season 1 were answered and sort of solved, but then, I want them to get excited because there are some wrinkles that have now been thrown into Season 2 which I hope will make them leave wanting more! I think that that that’s what they would want to take away! Also, because it just clicked for me when I was talking with you – the theme of love and fear is present in this show, but at it’s heart, I think that this show is about love.

IG @isa.arraiza

PHOTOGRAPHY COURTESY | Prime Video/Outer Range

Read the MAY ISSUE #101 of Athleisure Mag and see THE TOLL OF SECRETS | Outer Range in mag.

9PLAYLIST MULTI | CURTISS COOK

Read the MAY ISSUE #101 of Athleisure Mag and see 9PLAYLIST MULTI | Curtiss Cook in mag.

63MIX ROUTIN3S | JOEY LAWRENCE

Read the MAY ISSUE #101 of Athleisure Mag and see 63MIX ROUTIN3S | Joey Lawrence in mag.

THE BACHELORETTE S21. E0. | MEET JENN TRAN'S MEN?

PHOTO CREDIT | ABC The Bachelorette/Gizelle Hernandez

As we wait for The Bachelorette Season 21, we just got introduced to the 25 men that will be on their journey with Jenn Tran which begins July 8th!

For now, we have the men that we will get to know throughout the summer.

Each night during this season, we will tweet about The Bachelor and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

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WHO WE PREDICT WILL GO TO HOMETOWNS

AARON

DAKOTA

MOZE

THOMAS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

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THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M

SAM N

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

PUSHING NEW LIMITS | JENNA WILLIS

Focusing on our health is multi-layered as it's about working out, nutrition, recovering our body, and wellness. By combining these elements together you're on the track to creating a 360 approach to doing what is best for your body.

We caught up with Jenna Willis who is know for her celebrity clientele that includes Liza Koshy (Boo! A Madea Halloween, Transformers: Rise of the Beast, Good Burger 2), Lala Kent (Vanderpump Rules, The Valley, MAY ISSUE #29 cover in 2018) and Camila Cabello. We've gotten to know her through seeing her on Vanderpump Rules as well as on her Instagram.

We wanted to find out how she became a celeb trainer, the impact of fitness on her life, her approach to working with clients, how we can approach our fitness goals, and her upcoming projects.

ATHLEISURE MAG: We’re so excited to talk with you as the first time we became aware of you was when we had Lala Kent as the cover and we shot with her. In her interview we were asking about her physique and how she got to looking so amazing and she was like, “oh my God, Jenna Willis!”

JENNA WILLIS: Oh that’s so nice - so thank you! Truly and it makes me so happy.

I was literally with Lala today training with her as we’re now in her 2nd pregnancy now and we’ve gotta keep her body on track to snap back the day after!

AM: She always looks great and you also have other clients that I’m a fan of like Liza Koshy and I know our readers will love learning more about you and your fitness approach!

When was the moment that you fell in love with fitness?

JW: Wow, you know it’s one of those things where you look back and it all makes sense. But when you’re in it, you don’t realize how impactful it is and how it has pretty much supported me my entire life! I started off doing Tiny Tots Gymnastics when I was 3 years old. So fitness – what’s interesting to me is that fitness is fun! A lot of people forget that. My true ah ha moment, I have actually had 2. I transferred colleges and I went to a school in NY called Wagner College where I was actually the tiniest Division I volleyball player in the nation so I was playing volleyball for this school. I always knew I wanted to move to LA to pursue acting because that was my dream. I was literally like going to my parents saying that I was up and moving and going to LA. They were like, “cool, good luck!” But they also added that I could do that or I could transfer and study whatever I wanted and graduate. So at the age of 19, I packed up a bag, moved across the country with 6 girls that I had never met before – this was back in the day! I was on a call with the girl in LA and she was like, “do you want to move into this house with us for the summer?” I was like sure. I show up and girl, we were sharing a bed for the summer and we had never met in my life – to this day, she is one of my best friends!

AM: Wow!

JW: The point of the story is that I moved to LA, I didn’t know what a sesh is like a Surf Sesh – all of these terms. All of these boys and all of this lifestyle stuff. I was like, I’m just going to live and enjoy extracurricular activities like Beer Pong right? About 5 months in to doing that, this was the first time in my life that I was not exercising. In the middle of a sorority meeting, I was laid out with a panic attack and it was the first time in my life that I had realized that fitness literally saves me. That was the first realization. I think that because it had always been part of my life because I always played sports, I played volleyball in college, and I never realized how impactful it truly was until that moment.

The second time, it was 2015 and I was actually on Vanderpump Rules at that time and I was also on a TV show called, The People v. O.J. Simpson: American Crime Story - which was one of the best years of my life and then quickly went to one of the hardest years of my life. I stepped away from Vanderpump Rules, I was engaged to someone for 8 years and then we broke up and that ended, and then my management at the time left the industry and I just felt that I was left with nothing! My fiancé and I had broken up, I was no longer on Vanderpump Rules, and my acting career had not gone the way that I thought it would after booking the OJ series and I went into a very bad situational depression and my anxiety was through the roof and I summoned up the energy to get to the gym one day. I told myself that enough was enough. I go to the gym and I quickly realized that one of the few times out of my day that I felt present, I felt alive and felt good – that was how I became a trainer.

AM: That’s what I was going to ask you, how did you know that this was going to be your career because working out for yourself and knowing what to do for your body is so different than having clients and doing this for them.

JW: Yeah, I mean, honestly you can’t make this shit up! I was going to the gym and I knew I was feeling better. I got a call one day and a friend of a friend from college said, “hey, we need a fitness model for this job.” I thought, I’m not a model, but sure!

AM: I’m not a model, but I am today haha!

JW: This fun day of shooting and doing fitness stuff made me think, “wow, this is really cool!” So I'm going to the gym, I’m starting to workout and I’m feeling better, I’m doing this fitness modeling thing. I’m at the gym one day and I’m working out. Mind you, I’ve been let go from Villa Blanca which is how I ended up on Vanderpump Rules. They were like, “Jenna, you haven’t made a shift in a month.” It was a dream for me to not ever have to go back to a restaurant again and I mean that in the most kindest way, but it was a goal that I had set for myself to try something new in life and to pursue my dream of acting.

I’m at the gym working out and a girl comes up to me and says, “oh my gosh, that move! Do you work here?” I told her no, but that this is how you do it. I kid you not, the next day I go to the gym, I’m on the cable machine, I’ll never forget it doing some chest on my massive non-existent boobs and another girl comes up and says, “woah, you’re really strong, do you work here?” I told her no, but this is what you do. Next day, at the gym, doing something for my butt of course, and a girl comes up and says, “I have really been trying to target the glutes” – she didn’t know what to call it, but I call it the Booty Dimples. Right like that little side part that we all want to focus on and I was hitting that real hard and she was like, “my gosh that move! Do you work here?” I’m not kidding, I looked at her and I said, “yes, I do!” I was like how can I help you? Then I helped her and I let her know that I didn’t really work there, but I went home and I was 30 at this point and I was like, if I have ever gotten a message in my life, this is it!

I went online and figured out the certification that I needed to get and which one I was going to do. I completed my certification in 2 months and it was a goal of mine to hit the ground running in 2017 and I got certified as a trainer and in CPR First Aid and I hit the ground running.

It changed my life! Yet again, fitness changed my life on a whole other level. I will tell you 1 thing. When I was 9 years old, I went to see a musical, The Newsies and I was sitting in the audience and I had this feeling of euphoria and that’s when I knew I wanted to be an actor because I wanted to give people the same thing I feel right now for the rest of my life. I get to do that now with training. I get to make people feel amazing. So you put the dots together and you get this path together! Now, there’s a lot of road there and there’s going to be a lot of bumps on that path.

AM: Oh yeah!

JW: It makes sense.

AM: It will be a mix in terms of result and what happens along the way. So it’s amazing that you found it and made it make sense.

JW: It’s been really cool and what I will say is when I made that decision from being on Vanderpump and being in that world some what – all of the girls got very excited. Lala was literally like, start training me.

AM: You were just on an episode the other week of the current season.

JW: Yeah! So that’s so cool, well it’s full circle as I get to go back and I can train them on the show. It’s so cool!

AM: It’s amazing, you have trained her, Camila Cabello, Liza – you have has so many amazing people. How important is that client to trainer relationship? What are you looking for when it comes to deciding to train someone as a client?

JW: You know what’s funny? It’s such an intimate relationship to train someone. What someone looks for in me is what I am also looking for in them. Which is a partnership and the ability to go through thick and thin together as well as the high and lows with one another – there will be both. I am definitely a supporter kind of trainer. We’re going to laugh in our sessions and you’re as sure as shit going to feel the burn and hate me a little bit. But the session will be over and you’ll be like, wow that went fast! I think that that’s what a client looks for. You’re hanging out in very strange circumstances and in those circumstances, you’re going to feel the burn, you’ll hate me a little, but then you will love me because you walk away feeling amazing.

AM: How would you describe your fitness method?

JW: My whole thing is that I have always been the weird kid and my thing is that we should embrace the awkward of fitness. I grew up an athlete, I have 3 older brothers, I had to be an athlete, I had to defend myself. My whole philosophy is to make fitness tangible and fun and something that can be done anywhere and anytime truly. People get so caught up in the major overhaul of life and what I like doing is to make it part of life.

AM: So for those just starting this journey, what would be the focus that they should be looking at or maybe beyond the goal of what it is that they want to do?

JW: Totally, there’s a few things that I recommend right off the bat. Start walking! It sounds so simple, but it makes such a difference. Once you create a routine of just getting up and walking outside, you’re creating that window to move - you release those endorphins and serotonin to move. You’re awake and your body doesn’t feel as tight. When you realize that your body is moving and that you’re getting that energy, you’re more motivated to want to take it to that next step. I always say the 5 mins rule. Sometimes, you just need to get to the gym. You show up, you get to that treadmill for 5 mins and you can leave. It’s all about creating a habit or a routine.

Another thing that I like to do for someone who is just getting started is a calendar program. Look at your calendar for the week and the meetings that you have to go to – those things that you cannot move and schedule 20 mins in between whether that’s in the morning, your lunchbreak, or right after work. Because when you build it into your schedule, it doesn’t feel overwhelming.

AM: Makes sense as you literally see it in your calendar and you feel horrible clicking it off of Google calendar.

JW: That’s exactly right – it’s accountability!

The other thing that I love is just to find something that you enjoy! You know, some people feel that fitness has to be in the gym and lifting weights, I do it and I live for it. But not every person wants to do that. Maybe it’s that weekly dance class – it’s that one commitment that doesn’t feel overwhelming and that it’s social.

AM: How do you approach those that do have a specific goal that they’re looking to achieve in their workouts? Maybe it’s a wedding, an anniversary, reunions, etc? They’re looking at a set time and a set place where that goal is able to actualized.

JW: So that’s when I get a little more intense. If someone has a very specific goal, we talk about what that is, we look at the timeframe, and we break it down to what will truly heed results in that length of time. I am talking about a meal plan and a workout plan. Everybody is different. It also depends on the timeframe that we have.

AM: How important is the nutrition and recovery plan. What are all the things that people should be thinking about when it comes to a workout session on a given day and over time?

JW: Wellness. Truly and when I say wellness, I mean mind, body, spirit, and soul – all of that. I think that the goal for me with any of my clients is to create a program that is sustainable and enjoyable because if it doesn’t have those aspects, it won’t continue. I never want to feel like I am having to overhaul someone’s life. That’s not fun. It’s picking small goals that heed big change. Little things like the way that you eat your meals makes such a difference. People don’t realize that you start with your veggies – it creates a block so that you don’t get that glucose spike and it prevents having those crashes in the afternoon. Then you move to your fats and your proteins and you finish with your complex cards. It’s little tips and tricks that make a huge difference. All of a sudden, you’re not eating as many of those snacks or craving those foods because you are satiating your body in other ways.

AM: How can we make sure that you’re establishing achievable goals as you’ve been talking about? Because I also have those friends who feel they have a goal and a plan, but in life, what they’re going for would not be able to happen whether the goal is off or the time allowed doesn’t make sense.

JW: Exactly, this is my philosophy. Anything that seems too good to be true, it probably is. And anything that comes so easy, goes easy. I truly believe that. A healthy amount is a pound a week and that’s an aggressive weight loss plan. If you are doing that, you are doing incredible. Anything over that, you’re kind of traumatizing the body to some degree and I hate to say that and to use those words.

AM: Well, it’s shocking the body.

JW: When people are leaning into taking things or doing things where this aggressive weight loss is happening, you can be losing muscle mass, you’re stressing your hunger, and how are you supplementing that to then create longevity?

I’m not just promoting myself so even if it’s not you working with me, maybe you are doing Pilates – you’re allowing your body to be supported and to create a strength for itself during that process. When you do go off of it, you’re still in a healthy mindset that will still support your mind and body.

AM: For those that may not be able to work with your 1:1. Tell us about Don’t Sweat It Alone! I love that everything in your world is so bright and approachable as there are a number of methods or trainers that sometimes have a very different look to their site and their approach and for some people that can be a bit too much for them.

JW: Yesss! Thank you for saying that and I really do appreciate that!

Just going back for a moment on what we were talking about before, if you’re just starting out – you may want to consider breaking up your workout. For some people that only have 20mins like a lot of my clients are working moms. That’s a busy job and 20mins is better than no minutes. If you’re waiting to have that block of an hour, you may tell yourself you don’t have it today, but you will do it tomorrow, and then it just keeps happening and ultimately, you never worked out. Give yourself some grace and set that timer for 20mins, that’s time you put in for yourself, you nourished your body and gave it what it needed.

AM: I agree even for myself, I prefer to workout at 8am and be done by 9am, but then I may have a day of meetings, editor appointments, interviews, creative, etc – I know I will catch up with it again later in the day, and won’t let the day go on without it. But it can be tough as sometimes things start moving.

JW: I love that! That’s how I operate it and not everyday will go the way you want it to. Sometimes schedules are crazy and that is ok!

AM: You do the best you can, my newest component has been meditation as I have found that just as necessary as working out my body. I am not someone who likes to sit for a second in silence, but when I am in the meditation groove that follows after my workout, I can do it.

JW: You’re inspiring me – like meditation and affirmations is part of every morning of mine, but I would say that meditation is the one that I struggle with the most. So you're inspiring me right now so we're always a work in progress.

AM: You have to find what works for you. I use Hyperice’s Core App and the fact that they break down the sessions to whether you’re feeling anxious, whether you want to be moved by music, or to have guided meditations, I have the group of instructors that I enjoy listening to and if I’m pushed for time I can find the one that is where I am at mentally within the time frame that I have to give.

JW: Do you ever do the nose breathing thing?

AM: Yes! I love Breathwrk App!

JW: Oh my gosh! It’s so good and if I’m having a crazy day, there are some days that you’re just not here! If I do that one technique, it’s like, “hey, I’m back!”

My Don’t Sweat It Alone, what’s really beautiful is that the only blessing in COVID that I experienced is that it gave me the ability to reach anyone all over the world. So what I do is that you don’t sweat it alone. I offer online programming, personalized month-to-month plans, and meal plans to anyone in the world. I’m also certified as a life coach as well through Jay Shetty, do you know him?

AM: Yeah!

JW: So, that’s a buddy of mine. I also do live check-ins as well. So you can be anywhere in the world and still have access to me. I call it the Power Hour and a member can sign on during that time and we set goals for the week, we talk about SHREDS – how’s your Sleep, how’s your Hunger, your Rest, your Energy, and your Digestion? We go over everything and go live every Monday and Friday with my HIIT workouts.

AM: I like that SHREDS thing and I’m all about gut health.

JW: It’s so important!

AM: During the pandemic, I also took time to really focus on my sleep and to change some things in that area as well. I feel it’s way more optimized then it was before. I still have moments that aren’t great, but it’s so much better than what it was before.

JW: I love that!

AM: Are there any retreats that you have coming up?

JW: Yes!!! Oh my gosh! Thank you for asking me! I’m a work horse.

AM: Same!

JW: Girl, of course you are! Look at what you’re doing. Teach me your ways!

I did my first retreat and because I’m a work horse, I had such a hard time stepping away truly. So I thought how could I step into my work while also exploring the world to do what I love? I got an opportunity last year to partner with a friend of mine and we did a wellness retreat in Bali. We called it Balanced to Bali and it was amazing! It was 6 nights/7 days, there were workouts every single day, yoga, meditation, it was so incredible and then I traveled before and after. It was such a hit, so euphoric, and so beautiful. I just announced Elevated in El Salvador 5 nights/6 days in El Salvador Dec 22nd – Dec 27th. It’s on the black sands of El Zonte. I am so excited. I have always wanted to explore Central America and to get down there that way. I can’t wait. I have been looking for a place and there is a beautiful and quaint resort right there on the ocean there will be yoga every single day and sound baths!

AM: The retreat seems amazing!

Obviously this can be different for everyone, but what are power and energy foods that when we’re running around and don’t want to snack idly and we want to put nutrients in our bodies intentionally – what are things that you suggest that we should have?

JW: Oh, I love this! Anything that supports the system more than process foods. I know that that is a very vague answer. But I can share some of my personal favorites – roasted chickpeas.

AM: We're such a fan of them!

JW: I love them – they’re just natural from the Earth, it’s a true whole food ingredient – it has the good fats, some carbs, great fiber – talk about what’s great for our digestive system! So, many great things, in one food! Another one that I enjoy and not everyone eats beef but grass fed beef sticks is absolutely amazing. Hard Boiled Eggs! It’s one of the best snacks that you can have! Protein bars are great and they are a great alternative to a protein bar, but I always say, look at the ingredients in those protein bars because a lot of time there is a lot of fillers and processors in those bars that we don’t even realize. Raw trail mix – I geek out. Some people geek out on wine tastings and don’t get me wrong, I love that! But I geek out on creating my own trail mix!

AM: Oh that’s so smart! Because then you know exactly what’s in it.

JW: Almonds are great or even pistachios.

AM: I’m ok with pistachios. I’ve also been someone who loves customizing and personalizing a number of things from clothes, office supplies etc, and a number of my foods – never thought to extend it to trail mix!

JW: Oh my gosh put a little goji berry in there and a little dark chocolate!

AM: Love both of those too!

JW: You have to live a little bit here right? We don’t want anyone miserable – it’s about healthy choices 80% of the time!

AM: You also have resistance bands! I love and I think it’s so great. I always have a set in my luggage so no matter which bag I take with me, I have them with me when I’m traveling. Do you foresee expanding your brand into a workout line or more devices and gear?

JW: Girl, that’s the dream and we’re living in it. Yes, 100%. I have had some merch in the past. I have had requests to bring it back and I was so excited to bring these pink bands out with my slogan, Get Sweaty. I just like it because to be honest, I’m so inappropriate and I’m ok with who I am. Get Sweaty just means so many things and that’s why I love it so much! The dream is to come out with more products and I definitely have aspirations when it comes to that. Nothing that is locked in that I can share.

AM: I can so see it and how the brand lends itself to being able to hammock so many things.

Are there any projects that you’re able to share that you would like for our readers to know?

JW: Anyone who is looking for any kind of fit tips or workouts, I share those. I have more videos launching with PopSugar which I am very excited about, Fabletics is a great partnership of mine.

IG @msjennawillis

PHOTOGRAPHY CREDITS | JENNA WILLIS

Read the APR ISSUE #100 of Athleisure Mag and see PUSHING NEW LIMITS | Jenna Willis in mag.

NEW AGE OF LOVE | ANNE HATHAWAY, CATHY SCHULMAN, MICHAEL SHOWALTER, JENELLE RILEY, NICHOLAS GALITZINE, REID SCOTT, ELLA RUBIN

On May 2nd, The Idea of You debuts on Prime Video. This movie was adapted from the book of the same name by Robinne Lee. With a stellar cast, we see how relationships can ignite in many ways even when you don't expect it! When a 40-year-old woman falls in love with a 24-year-old man who is in the hottest band, August Moon, we get to come along on a global journey with her as she explores this reality. It's the perfect escapism that you'll enjoy reading as well as seeing it on screen!

We had the opportunity to attend the Global Press Conference of this movie with Michael Showalter (Grace & Frankie, The Dropout, The Eyes of Tammy Faye) who was involved in the screenplay, producer, and he also directed the film. He was joined by fellow producer, Cathy Schulman (Crash, The First Lady, The Woman King). Anne Hathaway (The Devil Wears Prada, Bride Wars, Ocean Eight) who is also a producer and star of the film, was also joined by castmembers Nicholas Galitzine (Bottoms; Red, White, and Royal Blue; Mary & George), Ella Rubin (Billions, Gossip Girl, Masters of the Air), and Reid Scott (Veep, Venom franchise, Law & Order). Moderated by Jenelle Riley is the Deputy Awards and Features Editor at Variety. We found out more about the film, how it came together, and what it was like to film this production.

JENELLE RILEY: Hi everyone, thank you so much for joining us, my name is Jenelle Riley and I am so thrilled to be here for this press conference with the Idea of You! Please join me in welcoming star and Producer, Anne Hathaway and we have star Nicholas Galitzine, Ella Rubin, and Reid Scott, Director/Co-Writer Michael Showalter, and Producer Cathy Schulman!

Congratulations on a fantastic movie! I want to start with Michael because you’ve really become known as such an actor’s director particularly coming off of The Eyes of Tammy Faye, The Dropout, and this movie has an amazing cast! Can you talk about what not only excit ed you about this project, but working with this group of actors?

MICHAEL SHOWALTER: I mean, for me, that’s what it’s all about! It’s about working with actors, going off on the journey together into these stories and into these worlds and I couldn’t have asked for a better cast! It very much so set a bar for everybody in terms of the work that Anne was doing and Nicholas is incredible and from the very first minute that I met him I felt that we had found Hayes and Ella and Reid – for me as a somewhat failed actor, I think that you and I have talked about this Jenelle, I get to get my acting jones about by directing. So I get to play and I get to be in there with them. I have seen this movie about 1,000 times and we had just been impersonating all of these guys performances because I love their performances so much and impersonation is the highest form of flattery – it really is. I’ve loved working with all of them and seeing the work that they have done has been such a joy for me.

JR: Cathy, your company started developing this script I believe from the very start and I understand that you only had 1 actress in mind for the lead!

CATHY SCHULMAN: I did and I had Anne in mind from the very beginning of the development process and it’s this thing that I always teach my young executives not to do which is – don’t develop an entire project hoping that you’re going to be able to get 1 actress because it never works! Only in this particular case, she’s the only person that read it, she was our first choice, she said yes, and it was a dream come true that that actually happened and you know, we just felt that we wanted to take the character from the book and to continue to personalize her in a way that she felt that she could be any of us. And I believed that Annie would be able to bring that aspect to Solène’s character and she really did.

JR: And Anne, I have seen you do every genre and medium and this performance still feels so fresh and new. There have been a lot of questions from journalists and they keep using the word luminous for you in this movie. They just want to know, what brought you back to the Rom-Com genre because I’m sure that it had to be something special for you to want to be able to revisit that.

ANNE HATHAWAY: Well first of all, thanks that’s an awesome word! I really do want to tip it to Jim Frohna our cinematographer because he had a lot to do with it. I didn’t notice that it was happening, but I had received a lot of romantic scripts in my 20s and then in my 30s I was so focused on my family life, motherhood, and kind of trying to find whatever my path was gong to be in me being an actress while having this really really rich personal life, and so I didn’t notice that I hadn’t been sent a romantic script in a really long time!

So when this found its way to me, and I’m so honored to have been the first choice for this, it was such a beautiful character and such an amazing world – a part of me did ask the question, where have these stories gone and why do they stop? And then those questions, I saw all of the answers and the path to them in the script and in the story. And I just thought, woah, what an unbelievable sort of meta exploration that all of this can be. One of the first conversations that I had with Cathy was, you know, if we kind of hit our targets, we can start this when I am 39 and make this and I will turn 40 when we are filming. That’s actually what ended up happening. Without me or anyone else even designing it, it became so personal to me and then the way it came together!

I mean Michael Showalter, who is here, I never say his whole name in front of him, so it’s kind of weird. But anyway, it has to be said, Michael Showalter who does not like to admit the legend that he is, but he absolutely is and there is a reason why he keeps making brilliant film after brilliant film - some of my favorite movies because he’s just incredible! So when the cast came together, it was like game over. I could go on and on about it, but there are other people here!

JR: Nicholas, this is such a complicated role because you have to strike the right balance between maturity and worldliness and you also have to hold your own against Anne Hathaway. Oh and by the way, you’re going to sing and dance as well! Was it ever intimidating?

NICHOLAS GALITZINE: I mean, obviously, the dancing and the performing was tricky because it’s not something that I have ever done before and you know, you always want more hours in the day to be able to hone those skills, but when it came to sort of the human side of Hayes which I think is sort of the side that I was most interested in, you know, I just had such a wonderful partner and I felt the chemistry and the connection between us immediately and the sympatico. You know, that first day with Michael and Cathy as well, it was this 20 hour behemoth thing where we’re jumping in cold water and in France and in Italy –

AH: And in Savannah.

AH: Without ever leaving Savannah!

NG: Without ever leaving Savannah! It was just a feeling of excitement that I was filled with coming into work every single day and that’s not always the case!

JR: And this flawless ensemble is rounded out by Reid and Ella you really feel like a family for all of the good and the bad that it entails! I’m curious about how you went about building that chemistry and that history. Ella especially for you and Anne as you really feel this mother/daughter bond.

ELLA RUBIN: Well thanks, I feel that that is the best compliment you could get when you're playing family with someone. I have said this before, but it’s really true. When you meet Annie, she’s not such an interesting person – she is, but she is also interested – like the bond, at least for me felt really natural and really easy despite all of my nervousness. I think that she is such an inquisitive person in the most warm way possible and so just having the privilege of getting to know each other and just to talk and to kind of spend time together just by way of being able to be around her – a bond just naturally forms around someone that is just so willing to hear you and to try to see you. So, I just felt that for me at least, it was quite natural.

With Reid, it was very much so the same. It was him just making me feel really comfortable and welcome as well as willing to be ok with my mess up to nervousness!

JR: And Reid, bless you because you have a very difficult role here and you know there are a lot of people who are going to be angry at you. At the same time, how do you sort of approach the character and make him dimensional and complex when we’re sort of set up to want to boo your character!

REID SCOTT: I am embrace it! I think that part of the fun for me is the challenge of bringing more dimension to – I wouldn’t call Daniel the villain, but that kind of role can tend to lay a little flat. It’s necessary because there has to be this sort of obstacle to this love story. But just like in real life, everyone is more colorful than whatever you are getting out of a given moment. I love to give these characters as many colors as I can and I think that it is really important, especially for Daniel, that you have to like something about him because he is a bit of a reflection on Annie’s character. You would never believe that someone as warm and loving as Solène would ever fall for him if he was just purely an asshole. So you have to see that at some point, they must have connected and there must have been something that brought them together and also to produce this wonderful child!

JR: Exactly!

RS: Michael was really fantastic in being able to foster this environment of exploration and play that we could find this and Annie and I had these wonderful conversations late at night on the phone in between shooting and giving our characters some sort of backstory and just getting to know one another. It really helped and it lent to this wonderful, warm, and playful environment. That really allowed us all to thrive!

MS: I just want to say that I think that it’s a testament to Reid that people do want to boo him! I really mean that! I love Reid’s performance in this movie and it has really revealed itself to me. I know that this is sort of a weird backhanded compliment that I have given you before, but it’s unfurled more since we shot it. It’s sort of evolved in post and it has grown. I knew that he was great when we were shooting and everything but it’s really that he has created this really compelling villain – whatever you want to call it and I also think that at the end of the movie when Izzy wants to go to Daniel’s house and he’s waiting for her at the door, you see a very caring person there. You also see something between Daniel and Solène that I think is very complicated. The eye contact that they make with each other at the end is the eye contact that you see between 2 people that have a lot of history with each other and there is a lot of mileage between these adults and I just love what Reid has done and I really do mean it. It’s a huge testament to his performance that audiences are so riled up about him!

JR: Even the character that he is currently with in the film, she seems pretty cool to. There’s a reason why this guy attracts awesome women.

MS: He has a lot of positive qualities, but he needs to work on himself a little and if I had to imagine what the movie about Daniel would be, he’s going to spend a little bit of time working on himself.

JR: In therapy! I would watch that! I would watch a movie about Daniel in therapy.

For Anne and Nicholas, how did you work together to bring this romance to life in a way that feels authentic and to avoid feeding into stereotypes?

AH: It’s so funny, we have been asked this a number of times on what work did we do. The things that I think that we both like to approach things Is that we are very playful people. Once we got that down, we established a friendship really and so it kind of works in the way that a friendship would work. In that, it doesn’t feel like work at all and I’m really – I think that what is happening for Nick in his career is so exciting, but I’m really just so happy to have made friends with such a wonderful person and someone that is just so talented and who has so much ahead of him! I felt really really cared for and supported by him in this movie. I knew that whatever I was doing, he was just right there with me step for step. It was a really beautiful and very vulnerable experience, but we always kept it light with each other and we always kept it light with each other and we were allowed to make mistakes with each other. Nothing had to be perfect and it wasn’t tense in that way. Am I missing anything?

NG: No, I think that the communication was always really good!

AH: Yes!

NG: We always had open channels.

AH: We checked in with each other a lot.

NG: Yeah, exactly. It never – you know, it’s so funny, so much onus is put on the chemistry because it’s very palpable I think in the movie. It’s not so much something that I think you feel that you're consciously working or building to create. It’s just a human connectivity and it flows. It’s very water.

AH: Whenever we had that raw spark, it was shaped by Michael and by the entire production team. I think that sometimes actors get a lot of attention, but as everybody knows, this is a team medium. We have a lot of people that are experts at their field and they’re designing their whole talented selves towards making it believable so that the 2 of us have chemistry. So, we had good fighting odds and Jennifer Westfeldt (Younger, The First Lady, Will Trent) adapted a beautiful book. We just had so much working for us in our favor.

JR: Cathy, what were some of the biggest challenges in bringing this idea from the book to the screen and what is the main message that you hope to convey to the audience of this film?

CS: Well I think that you know, in starting the development process, the first thing that we saw was necessary was to age up the daughter from what she had been in the book. This is because, we wanted Solène’s character to have someone to speak to and to really be able to be open about the changes that were happening in her own life. And the reason that I bring that up is that the message in the end is that women shouldn’t be put in boxes. You can be more than a mother, you can be more than a grandmother, you can be between a mother and a grandmother – I don’t know what you are but you can be an other. You can work, you can do a lot of different things and it was really important that we could look at what it was like to go through one phase of mothering in a first marriage to possibilities of more happiness while also bringing a young person into her womanhood. I think that those are the messages that we hope that the movie will leave which is the possibility for happiness and the importance of keeping yourself vulnerable to allow happiness to come back in. I just think for women that you hit a certain point in age and it’s easy to say, hey I did it. I’ve been a mom, I’ve had a job, I’ve been a wife, and now I’m really happy to find and shut off a lot of other things to self-actualize in a yurt which is what Solène was about to do and that would have been fine. But in our movie, we wanted to say that it’s not done and there’s so much more and that was sort of the message. So the whole development process was in opening that story to get us there.

JR: I didn’t realize that you aged up the daughter. Ella that’s great news for you!

ER: I am 13, I just don’t look it ha! I’m very lucky that they aged it up. I remember I got a note or saw it on Instagram and it said, Anne Hathaway in this new movie or whatever. I read something about her having a daughter in it and I didn’t even know any information about it and I sent a screenshot to my agents and I said, “I have to audition for this,” and literally as I sent the text, I got an email in my inbox with the audition and then I realized that the daughter was 13 and they told me that they were aging her up and it was this serendipitous and very lucky thing!

JR: Had you been told over the years that you looked like Anne Hathaway?

ER: Yes and it’s the most flattering compliment that one can get!

AH: I’m so thrilled! I’m so thrilled that I look like you!

ER: I’m so thrilled that I look like you!

AH: I would just stare into screen and say, this is so awesome!

ER: Right back at you, my whole life I have been staring at you like that! It’s always been the most absolute greatest compliment and now I have some evidence to back it up!

AH: It was so fun when I saw Ella’s audition because I saw her audition tape before we met and I just remember turning to Michael and Cathy and I was like, “oh my God, that’s like aaa I didn’t know that I had a daughter!” But apparently – it was just so wild. Our timing was just so similar and Ella just has funny bones and just crazy crazy dramatic talent and I have mentioned it earlier here, but we just struck gold with this cast! It was insane to have someone like Reid come in to be able to build instant history with someone and it’s like chemistry, love, history, and all of these big things! Audiences are really smart. They know when there is air being let out. They know when something doesn’t hold water. So to have and to be part of this cast where everybody really meant it and to do just such incredible work, I’m really just so stunned.

IG @primevideo

@annehathaway

@nicholasgalitzine

PHOTOGRAPHY COURTESY | Prime Video/The Idea of You

Read the APR ISSUE #100 of Athleisure Mag and see NEW AGE OF LOVE | Anne Hathaway, Cathy Schulman, Michael Showalter, Jenelle Riley, Nicholas Galitzine, Reid Scott, Ella Rubin in mag.

LOVE IS THE GAME | MATT BARNES + ANANSA SIMS

Relationships and their dynamics can be difficult, but they are also fruitful as well! We sat down with veteran NBA Champion Matt Barnes (All The Smoke, (R)Evolution, JUN ISSUE #54 in 2020 cover) and his fiancé, top model Anansa Sims to talk about their Reality TV show that dropped this month on WE TV, The Barnes Bunch which focuses on their relationship, their busy lives, their family, and how they keep it all together!

We wanted to know more about why they wanted to do this series, how it came about, why they wanted to make sure that they were realistically sharing their lives, and what they have learned to do in the process. We talked about this and more as the keep it all together with their family and busy lives!

ATHLEISURE MAG: So, why did you guys want to share how you’re navigating a family, being a dynamic couple, and your busy schedules in this show?

ANANSA SIMS: For me, it was more so an opportunity that was given to us! I do a lot of sharing already on my Instagram. So, a good friend of mine Datari Turner (Day Shift, They Cloned Tyrone, The Burial) who is partners with Jamie Foxx (Ray, Miami Vice, The Amazing Spider-Man 2) who Matt is friends with said, “you know that your family is dope and this could be a show.” I’m like, really? I never thought about it because I just share to share because I love them so much. The more he started talking to me, I brought it to Matt and he was a little hesitant at first and over time you know, we built trust and decided that we had a good team around us, maybe we could make it into a positive thing and I think that it is more about trusting the people that you are working with. So we decided to go for it.

AM: That’s really interesting. We watched the first screener a bit ago. The vulnerability that is laid bare here and the amount of ground that you guys cover – couple’s therapy, talking about your journey together, your family, and your friends! What are some of the things that you are excited about that we get to see this season?

MATT BARNES: I think normalizing Black positivity in the reality space. Because you see that in the first episode, we are already arguing and we are in counseling and everything, but it’s real you know what I mean? I just think that there’s been such a negative portrayal of the Black community through Reality TV unfortunately. That was one thing that I know that we had both discussed and to just normalize that we are all not crazy and throwing drinks and fighting all the time! I mean, I might fight sometimes haha but not all the time.

AM: Right ha ha not all the time!

MB: But normalizing 1, positivity through the Black family and also normalizing blended Black families which in families in many ways is kind of the new norm. To be able to bring 3 kids from her previous marriage, 2 kids from my previous marriage, and creating a baby together – people out there are going through that. To be able to see us navigate that and for the world to see, not only again promotes positivity, but also realness and humanizes us and lets people know that you’re not alone out here on this journey. Whether you’re going to couples counseling, individual counseling, whether you’re trying to blend a family, trying to get pregnant, or you’re doing all of these things in your 40s like us – it's just about again promoting positivity and letting people know that they’re not out there on your own. Just hang in there!

AM: Anansa your mom, Beverly Johnson (Editors' Note: Beverly Johnson is a model, actress, singer, NY Times Best Selling Author, and entrepreneur who became the first Black model to appear on the cover of American Vogue in Aug 1974 after Donyale Luna was the first Black model to appear on British Vogue in 1966. In many ways her placement as the cover in this magazine created a change by 1975 where every major American fashion designer began using Black models.) is an icon and a trailblazer! Years ago I had the pleasure of accepting a fashion award in the same award ceremony where she was being honored for her legendary career!

AS: Oh, that is very nice!

AM: She is stunning, beautiful, and so poised! She also isn’t a stranger to Reality TV as I enjoyed Beverly’s Full House. So what were your thoughts when it came to you guys deciding to have her on the show and to be able to see her in an entirely different light which I love her! Then there’s also the fact that you have your children in this show as well! That’s a big decision to make!

AS: Well, my mom, you know we wanted the show to be real to our lives. My mom is a big fixture in our lives. She helps with the kids, she helps with Matt and I in our relationship as far as giving advice and just being around. She’s always just there and so for me, it’s a no-brainer to just have her to be part of it! I’m happy of course that she agreed to be on and she’s happy to support Matt and I in anything that we do – especially the kids! They top us now as they’re her favorites!

As far as the kids you know, Matt and the twins – Isaiah and Carter are already so visible on social media. The twins have their own podcast, The Barnes Boyz. Matt has been posting them since they were little kids so they are very visible. I also made my kids visible on my Instagram from when they were little so I think that having them on the show, we know what we instilled in them. So we weren’t as worried about it, we’re very hands on parents you know. We have a super open line of communication and we talk to the kids about everything so we check in with them to make sure that they are comfortable and good! None of our kids are shy! These are like 6 very outgoing children. So no one felt like, "oh my God, we don't want to do this.” No, it was the opposite! They wanted to know when we were filming, are they going to be on again, are they in the next scene, why did Matt and I have so much screen time haha! They’re telling the crew when we’re not around that they can do a cartwheel and that they can show them various things. So, they’re willing and ready and we’re super hands on so we don’t let anybody mess with our kids or our family! I feel like we know that we can hold it down and that they will be ok.

AM: What are the biggest takeaways that you guys learned in this experience? It’s a lot of weeks of filming and you talk about a lot of things in that time on and off camera!

MB: It’s a lot of weeks of filming, holy shit!

AS: I think that we filmed double than the normal shows because of our busy schedules! All 6 kids play 1 to 2 to 3 sports, Matt at times is traveling 3-4 days out of the week, and I’m running kids all around town. So, it was a lot and we filmed over a long period of time – we did, we really did!

Luckily, we had a really great crew that we were blessed to have people in our home so it wasn’t dreadful. But it was a long time.

MB: And I mean, you just learn again. We have both done this in the past! I was shoo 15 years ago and I don’t know how long ago that she did it –

AS: 13 years ago.

MB: It’s a lot of work! People think that shooting a show is easy and you’re just capturing what’s going on, but it’s a lot. It’s a lot and then when you’re bringing 6 kids into it – that’s just a lot of communication, a lot of bribing when it came to the kids, when they're not on camera, you're trying to keep them quiet when they are in other parts of the house. Again, I think that it was super important for Anansa and I to be on the same page which we were, but at the same time, you got to see a dynamic of a real couple. Shit isn’t always sweet! We argue like everyone else, we get along, we have bouts where we’re not talking, and then there are bouts where we’re all over each other. So us being on the same page to kind of set the tone for the crew, our kids, and the show in general.

AM: What are some upcoming projects that you guys are working on. Obviously All the Smoke always has something going on and it’s always exciting to the podcast and was just listening to the episode with Deion Sanders earlier today – so what are some things that you’re working on and then Anansa what can we keep an eye out for that you have going on?

MB: Well we’ve built a production company for All the Smoke so we now have All the Smoke Productions now so we have a list of people from Rachel Nichols (Headliners with Rachel Nichols, Hometown with Rachel Nichols, MAR ISSUE #51 in 2020 cover) from ESPN, Paul Pierce, Rajon Rondo, and DeMarcus Cousins, so we’re just kind of building a monster over here and through that, we’re not only in sports, but we’re crossing over to different genres and opportunities.

And also, with this show, one of the things that I really wanted to be able to do is to brand our kids. We love our kids and we think that they’re all unique in their own ways and they’re all funny and crazy in their own little ways. So to be able to kind of get them out there a little bit more and to see what opportunities can come from that.

AS: For me, my fulltime job right now is the kids and supporting Matt. You never know, tables can turn in a couple of years when they’re older and Matt will be supporting me in whatever I’m doing. Right now, that is a lot! David and Dean both play baseball, basketball, and football season is about to start. Ava plays basketball and she is running track, and Ashton plays basketball. Of course you know that the twins play basketball and they are in high school so they have AAU tournaments and Matt’s traveling all around the country with them for these tournaments so it’s a lot to navigate on top of them wanting to be A/B students. I spend most of my time yelling and checking homework, rushing to different practices and games from literally 8am to sometimes 7pm on a Saturday and of course, there’s another practice on a Sunday. Those are my projects right now, so making 6 amazing humans that are good people and that can be successful when they go out there in life and when they step outside of our doors, they know what they are doing and they have a good head on their shoulders. They can be successful in life in their own right.

IG @matt_barnes9

@anansasims

PHOTOGRAPHY CREDIT | PG 28 - 32 WE TV/The Barnes Bunch | PG 35 All the Smoke/Paramount Plus |

Read the APR ISSUE #100 of Athleisure Mag and see LOVE IS THE GAME | Matt Barnes + Anansa Sims in mag.