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Athleisure Mag™ | Athleisure Culture

ATHLEISURE MAG™ | Athleisure Culture
  • FITNESS
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  • Beauty
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MAKING HAIRSTORY | CHAZ DEAN

August 24, 2023

We always like sitting down with those that trailblaze their industries by working in their vertical and creating innovations that change the way that we go about doing what we do. We caught up with Chaz Dean, Founder of WEN and Celebrity Hair Stylist & Colorist, and have been fans of his since we first met him and followed his story on BRAVO's Flipping Out with Jeff Lewis, and when he went onto QVC to sell his line of haircare products. He creates products that you'll find using for your hair as well as other parts of your body! In addition, he is focused on clean ingredients that ensure our bodies stay hydrated and are not tested on animals.

We wanted to find out more about how he got into the industry, how being multi-talented in an array of areas allowed him to converge his skill sets even more to optimize his work, how he made his Chaz Dean Studio distinctive and his latest launch of WEN's Pina Colada line.

ATHLEISURE MAG: When did you realize that you wanted to be a hairstylist?

CHAZ DEAN: Probably when I was 18 because I took photography all through high school and I was a photographer all through that, loved it! We moved to Arizona the week after I graduated from high school. I was still 17 at that point and so I took a commercial course in photography and I thought, I was moving back to California, because Arizona was not for me! It was too hot – way too hot, which is what we’re getting now but anyway!

I knew I was moving back to California, but again, I was only an 18 year old kid. I felt like I was this little fish in this huge pond and I thought that I was going to be eaten alive out here. I wanted more experience under my belt and because I was a fashion/beauty photographer, I wanted to learn how to do the hair and the makeup to create the look that was in my head. I didn’t want to have to tell the MUA here’s what I see and the hair stylist, here's what I see - the vision that I saw, I wanted to be able to create that! That was really important to me so I went to school for hair and all through beauty school, everyone knew, this was the kid that was going to graduate and go back to California that’s his dream! I was going to work at Vidal Sassoon, that was my dream in school at least. I was going to go to Los Angeles to work at Vidal Sassoon. That was my dream in school. It was the full picture, not compartments.

AM: Exactly.

What led to you wanting to open your own salon and what were your goals in doing that?

CD: It’s funny, when we were in beauty school, one of our assignments was, if you had your own salon, what would it look like? We all had to draw it out like architects to show what it would look like and the layout. So, I remember that being our exercise, but I had no idea how I drew it out, now. It would be interesting to know how did I actually plan this as an 18 year old kid? How did I do it then versus how it really is now? I don’t remember, but it’s not like I sought out that I was going to own my own salon. Many people do and they can’t wait to open their own. Mine wasn’t that way. I worked for another company and I worked for them. I started creating products for them which is how it happened.

I was a 19 year old kid who asked them, “how come you have your own haircare line, but you don’t have your own deep conditioner?” They didn’t. They would buy those hypro pacs at the beauty supply. I didn’t think that it made sense to have your own product line, but not your own deep conditioner. So they said if I wanted, they would set me up with a laboratory to help them create one. I had never done it and again, I was only 19, but it opened a door for me. I like to cook, I’m creative, I love art and all of those things. So of course I wanted to do that. I did and we launched it and it was called Reconstructor and it was amazing and everyone loved it and it worked great. A few months later they came up to me and said, we’re thinking of doing more of a natural product line and they wanted to know if I would be interested. I said I was, but I wanted to know what I would get out of it. Their answer to me was, “prove to us that you can do it first and then we’ll talk about that.” A young intimidated kid from the owner’s salon thought, “well didn’t I already do that with the Reconstructor?”

But I wanted to do it and I probably was afraid that if I asked, that they might say ok forget it. So I wanted to do it and I’m glad that I did. We did it and we launched a Primrose Shampoo because they wanted more of a natural product line. At the time, the only one that was out was Aveda. I had to do my research to know what I would do and what I would want to do. So I did Primrose Shampoo, Sage Conditioner, and Rosemary Conditioner which were the first 3 products of the line. I’m someone that if my name is on it, it’s on it and you’re not going to run my name through the mud. So they were someone that wanted instant gratification and they kept saying let’s go, let’s go, let’s go. I would tell them that since my name was on it, if I was going to do it, I would do it right. It took longer than what they wanted it to be, but in hindsight, it was pretty quick. We finally did it and launched it and that was the line that it is and that’s the fashion formula line which is the Big Sexy Hair concept. So it’s that line. I developed those 3 items and it became huge! So after we launched it, I asked them, what am I going to get for this? So they told me to meet them in their office on Tues. So I went and their offices were in Westwood and they slid a piece of paper across the table to me and remember it probably took me 9 months to launch it so when I first did it, I was so excited and thought, oh my gosh, I’m going to create a product line for them and a young naïve 19 year old kid thinks that maybe I will get 15% out of it. You have no idea. As the months went on without having any dialogue with them and we do this as people, I went down to 12% and 10% in my own head just because I knew how they were. So in my own head, I talked my value down without any dialogue to them and I think I did it as well because I didn’t want to be let down with what it actually ended up being.

AM: Well, yeah.

CD: I’m not joking, I probably went down to 5-7% in my own head. So I went and met with them and remember I went from my own head thinking 15% down to 5%. So they slid the paper across the table to me, I turned it over and I kind of get a little emotional every time I say this. They offered me a penny per bottle for every bottle manufactured. I’m like woah! So I mean nothing – my worth is nothing!

AM: Oh my!

CD: In my head and I get goose bumps every time I say it because I don’t talk about it often, but in my head, I’m thinking I put in all that work and all that passion – yes I learned from it, but you’re a big Goliath here and that’s pretty messed up! In my head I’m thinking, that 100 bottles will equal $1! As a kid that has no money, how am I every going to get to $1,000? It was insane! I wasn’t happy about it and we had dialogue and they were like, that’s it – take it or leave it. Wow, it was a stab in the back and I had no choice and I signed it. But in all honesty, I never even saw that and I never even saw anything from that. I did get a discount from them when I purchased the salon from them which I am jumping ahead of them a little bit. Because you asked me about the salon and it’s really important.

Knowing I was screwed over when I first created a product for them, then I got screwed over a second time, also knowing that I worked for them as I was a manager and they didn’t pay their managers anything. I would ask them to just give me minimum wage to show that what I was doing for them carried merit, weight, value, respect, and what not. Because you had to have mandatory meetings and to cancel out your clients or book out your clients. I was like, I’m losing money as a manager and you’re not even covering me on anything here. I would ask for minimum wage and I’m sorry, back then it was $3.65 – so essentially, I’m asking for $120 a week to show me that I mean something to you. So no there was nothing. I did it as long as I could until I felt that my clientele was suffering because of my managerial and I was managing a salon of 25 stylists and so forth. So I said that I couldn’t do it anymore and that was after all the other things that I was screwed over on. I resigned from management and I left the salon that I was at which was in Century City and I went up to their Bel Air location. When I did, I realized that everyone that was working there were ex-managers. I was a 20 year old kid and I went to a salon that was all ex-managers. They all seemed to go there and it was in one of the richest neighborhoods in California. When I would go there, there would be no music there, no coffee made, there was no vibe, no energy and I couldn’t do it because I’m the full picture! So, I took on management again even though I didn’t get paid for it. I couldn’t be in that environment so I had to manage it. It’s funny because it bounced back between me and one of the other managers when I was like, I’m done with it, then she would do it. We both knew we weren’t getting paid for it, but we did it because we cared about the environment.

When it came up that we heard news that they might be selling the salon, we were like, “what are we going to do?” So I start looking around and you’re in Bel Air, it’s way up there around nothing. I looked and I couldn’t find a place as I knew I wouldn’t be able to control the environment. I would have to fit in to whatever it is and did I see myself in that type of an environment? At one point, they offered it to me on whether I would want to buy it, but my first knee jerk reacting in my head was, "how am I going to do this after you f-ed me over how many times?” Now you want me to do this so that you can do it again? But after thinking about it I realized that for years there was a reason why that salon wasn’t successful because every time one of the ex-managers would leave to go open their own salon, you’re losing that built in clientele they had. New stylists would come in, but you’re not getting new people walking into the door because you’re in Bel Air, a multi-million dollar neighborhood but it’s a chain salon Carlton above the door. These women have pride, they’re not going to a chain salon. I would tell them for years, change the name to anything but Carlton and you will have successful stylists. But they’re not walking in that door because of the name that’s over it. Even though it works for you everywhere else, it does not in this neighborhood. I said it for years and I have goosebumps as I tell you this and tell you my story as I don’t usually relive this. Their ego is in the way and they will not change the name. So I thought, I can make this work. So I did do it and that’s what turned everything around. I had never intended to own a salon, it was never in my cards, I was just a busy hard worker and I worked from 9 in the morning until 11/midnight because I was just passionate about hair. Marysol has been my housekeeper for 25 years and she jokes with me and says, “he used to work hard.” I’m like, what do you mean, I have no time to breathe! But it’s a different kind of work but I would be at the salon for 12 and 14 hour days so I “used to work hard.” It’s a different kind of work, now it’s a business kind of work. The irony is that I did it and I didn’t have any money. I had nothing. So I painted the walls and it was when shabby chic was in and I took my roses and hung them upside down and I made it quaint and cute and welcoming because I didn’t have any money to do anything else. I hated the floors and I couldn’t do anything about that. I did an opening party with friends and I had a friend that was a singer who had an incredible voice and she sang and I had people in the neighborhood and from the very beginning it was busy busy busy. They lived in the neighborhood and they would walk by and they were shocked. They would ask me how I did this and I told them that for years, all you had to do was change that name! I called it Chaz Dean. No one knew who Chaz Dean was back then, it was Chaz Dean Salon and they didn’t know who. I changed it to Chaz Dean Salon and now people know who the hell Chaz Dean is!

AM: Absolutely!

CD: I did call it my own name because I wanted to be able to incorporate my name because of my own photography. I wasn’t just building a salon, I was building photography and hair. I wanted them to be able to know who is Chaz Dean. Does that make sense?

AM: It does!

At what point did you feel like that you had been making these products for other people and now that you wanted to do it for yourself since you also had the salon?

CD: The day that I opened my salon!

AM: That’s what I thought!

CD: Because when I worked for them, you had to sell shampoo, you had to sell their products and it was all that you could do. That’s the ironic part. May 1st in 1993, the day I bought the salon and opened my salon, I gave up lather and said that I didn’t have to do that anymore to sell shampoo. I created it for them but I had already realized before that that I used to do shampoo and conditioner twice a day, 14 times a week. When I would shampoo my scalp, it would get tight and it felt horrible and it would be all stripped and I knew it. Then the conditioner would just comb through it and for 2 hours a day, it would look ok in the middle of the day, but then it would get oily and what not. It was a vicious cycle and I knew that there had to be a better way! I had a lightbulb moment that the only reason that anybody uses shampoo is to clean their hair. So if I can clean my hair and not strip it, so that my clients color won’t go down the drain, because I had been mixing vegetable color in with shampoos, that’s how I knew that the culprit was shampoo. So I’m emptying bottles of shampoo and mixing in vegetable color and putting them back in and I’m doing the same with conditioner – emptying them and putting back in vegetable color. But I know the culprit is shampoo, so get rid of the damn shampoo! That was before I bought the salon, but when I owned the salon, I no longer had to do this song and dance anymore. I can do my thing and that’s what it was.

The irony is, I never bought my shampoo from them. I bought the products that I created for them, but I never bought shampoo from them again. I would mix the sage and rosemary together – 2 parts sage, 1 part rosemary. Sage is more moisturizing and rosemary is more stringent so mixing 2/3 and 1/3, it worked. At the beginning, I told them about it because I was excited and they didn’t want to hear about it. About a year or so later, they realized that I never bought shampoo and I said, “why because I only do conditioner.” They thought that I was weird and crazy and then all of a sudden, they realized that I was on to something and then they came in asking about what I did and I knew! I knew that they were going to steal my idea because I was just this tiny little kid! My stylist next to me started telling me and I told her not to tell them. I knew what they were up to and they were going to rip me off.

AM: That’s awful!

CD: I did it and that was my moment when I started creating. It was still 2 years after that. So for 2 years, I mixed there’s and then in 1995, is when I started to work with the lab. When the lab came to me, I was concerned about them ripping me off so I didn’t even tell them what I was creating! With the lab, I would just pretend that I was creating a shampoo otherwise they were going to know what I was doing. So with the lab, they would send me the shampoo, various conditioners of different versions. I would keep making changes to the conditioners and they would note that I hadn’t with the shampoos and I would tell them that that one was good and I didn’t need any other changes. I didn’t tell them. It wasn’t until I launched it because my thinking was being someone much smaller than the larger companies around me, I had to protect it as long as I could and I kept the secret until it was launched. Even when I launched it, I still felt like I would have to keep it a secret. But by then I had to talk about it because it was out there and I had a patent pending. So I felt like it was guarded until I launched it.

AM: I love that story and it’s such a shame.There is such a backstory going on and you’re literally learning on a twisty curve and it’s awful when you’re the little guy!

CD: I probably wouldn’t have been around if it hadn’t happened that way. I didn’t do it out of spite or resentment. But I did it out of, if I did that for you, imagine what I could do for myself! That’s my thing. With the knowledge that I had back then versus what I had when I did it for myself, I knew I could do so much better than that.

AM: We had the pleasure of attending your virtual launch for the Pina Colada collection that took place last month. The system is great – what’s your process when you’re deciding about the scents that you’re bringing forward, what are the different kinds of products, and it’s great that there is that flexibility and such an intention behind what you do in these items that they can work for your skin as well as for your hair.

CD: I have very few products that only have 1 use. I’d have to think about which ones those would be. Most of them spill over for hair, skin, everything. As far as the fragrances, I have a Blessings Collection as well. Right now, we’re working on Prosperity. When we did the Pina Colada, we started out with wanting pineapple and coconut, but then as we went the process it became more than that! It literally became Pina Colada. Having pineapple and coconut made sense because of the benefits of the clarifying and the astringent properties, exfoliating properties, and hydrating properties. I knew where I wanted to go with it. This is one that I am so proud of! It’s been out since the beginning of June.

AM: When we got the WEN mailer, we were a little hesitant because some scents can be overwhelming and it’s just too much!

CD: Oh yeah, sometimes it’s like candy and too sweet!

AM: Yeah!

CD: Mine are not like that.

AM: When you’re using it feels like you’re at a spa and I really enjoy the balance of the scent.

CD: That is my element and as someone who suffers from migraines, the fragrances that I create are very clean. I avoid those nasty harsh synthetics and the musk because it drives my migraines and they know that about me too. So yeah, when you think of it and again, I smell other ones and I can’t because it goes right there! I keep it really clean and that’s what differentiates me so much because I have done over 50 fragrances and I will tell people not to wear fragrances because it drives my migraines, but the fact that I can create these and it doesn’t do that to me is so amazing. Again, I’m not making a claim, but anyone that does get migraines, or you have a fear of them, try it at least. I don’t remember anyone who has told me that it triggers their migraines.

AM: That’s good to know. What is the relationship when people are looking at having great hair – the balance between wellness and your haircare routine? Because it’s not just about what you put on your body, but also what you put in your body right?

CD: Oh yes! It’s really important. I try to get people to understand that everything that goes and I never use this analogy, but it’s the gas that you put in your car is going to determine that as well! Everything that you put into your body is going to come out as well. If you put in cheap gas you’re going to see that and it’s going to take its toll. But, the same thing with us. What goes in is going to have to come out somewhere. Your pores, your hair, your nails, your skin – somewhere. It has to come out, it doesn’t stay in there in a vault. So, yeah, when people realize that, you can change so much by your diet. What you do topically, you’ll notice it much quicker and immediately versus what you put in may take you a little longer to see what’s going on.

I definitely connect the two as I’m vegan and it’s been almost 4 years. I was pescatarian from Sept of 2014-2019 for 5 years and then I gave that up because I felt like I was probably eating more plastic than probably fish. Also, because they are living beings and there was all of that. I’ve been vegan now for almost 4 years. September will mark the 4th year. In terms of eating meat or any of that stuff, I haven’t in 9 years as of September. All of that is important to me. When I launched my product line, I did so with no animal testing. There are no animal biproducts, it’s cruelty-free, we are recognized by the leaping bunny and I did that again working on the line in 95, launching it in 2000 – so it’s not a bandwagon that I jumped onto. I have always been that way. Now, everyone is doing it being vegan and cruelty-free and I’m like, “where were you 20 years ago?” I launched that way. I don’t want to be swept away under the rug because everyone is now, I have been that way ever since I created my products. It’s important to me as well.

I think this is important, when I had my infomercial, I stipulated that I wouldn’t allow them to sell in China because they require animal testing. They knew that that was part of the contract and that I would not allow them to do that. They wanted to obviously, but it’s not ok.

AM: You’re schedule must be insane with your 2 salons in LA and here in NY, your QVC business with the brand as well as the brand on it’s own. What is an average week like for you? I love that you’re just smiling right now.

CD: No, it’s just that before you and I talked, I was talking with my business manager who was telling me that I had to do this, this, and this. I’ve been shooting for the past 2 days and almost everything was that. I know there are things that I need to do because they are important. It’s not a joke, my LA PR team, we were supposed to have a call a few days ago and then the shoot happened and she was like, we still need to talk and I was like, "I know, but when?” It just is and it’s not a complaint. It doesn’t stop.

We did a documentary. A guy reached out to me during COVID and he wanted to do it about our billboards. During COVID, I hadn’t done photoshoots for it. So a year and a half into it, I reached out and apologized that I hadn’t done anything for it. When we finally did it last July, it was a long time that he was waiting for us to do shoots. He came out and did the footage and what not, filmed it, asked me questions and did the interview and all of that. Just yesterday during our shoot, we happened to talk about it and our billboards for next year for Fall, Winter, Spring and Summer and what that will look like and what we want to do. We try to shoot the whole year. So we’re going to do our shoot and do a behind the scenes with our video guy where we’ll talk about what we’re doing, who we are, what it means, etc. The billboards have been out for at least 15 years and I need to figure out when the first ones went up because I really don’t remember honestly. Having said that, we talked about it and they said we haven’t heard from him and it’s been almost a year ago now. So we’re talking about what we’re going to do with behind the scenes and interactions with everyone involved with my team. I have the first sample of it today and in there it reminded me because he asked me this as well – and I said that there is something in me that’s afraid that if I took a vacation or time off, if I took a pause or a stop to it, I might not pick it back up again because I know what it entails. I always say that I feel like I am on this merry-go-round and if I get off, I don’t know if I am getting back on. So I’m afraid to put a pin or a pause in it. You’d think that that was what happened during COVID, but I got busier with Zooms and this. For people that got those breaks and what not, I didn’t!

AM: We had no break!

CD: I thought that I would and I’d have time to clean out my closet, my garage, etc. None of that happened! I didn’t get free time which is insane. Things got busier because people knew that Chaz was available. When I was behind the chair before, they would have to stand there and wait for me because they couldn’t get to me. As soon as COVID happened, everyone could get to me and it happened. Now I’m on these Zoom things in the salon here on Saturdays because the rest is taken up with all of this. In NY, I’m in the salon 5 days a week which is what I was used to during normalcy because I’m able to there as I’m out of this if that makes sense.

There’s no 2 days that are the same. I’m juggling. Today I’m trying to fit together meetings in – where are we going to fit it? Ask this one if they can stay 15 mins later, we’ll meet with this one after – it is what it is. Even during COVID, when I look at my life pre-COVID, even today, I don’t know how I did it. We were traveling every month to QVC sometimes twice a month. A team of 20+ going there. I look at it now and wonder how did we do that during 2019? I don’t know how and I know we did it for 16 years at that time. But I look at it and wonder how I lived that life before COVID and I don't know how and I don't even know how to get back to that! I don’t think that we ever will. So when you asked me that question, I lived it. How did we do all that we did? I don’t know.

Ever since COVID, the team that used to go doesn’t want to do that anymore. Everything changed.

AM: Everything changed! That’s very true!

What do you want your legacy to be in this industry?

CD: It’s so funny that you ask that. If you say Vidal Sassoon, Oribe, or what not – you know who or what they are. I want it to be that this guy changed the way that globally people thought about the way they cleanse their hair. I don’t feel like I have hit that yet and I don’t know why or what it will take to hit that. There was no such thing as cleansing conditioner when I did it. People thought that I was insane and crazy and said, “what do you mean that I’m not going to be able to use shampoo?” I’d tell them to trust me and that I promised that it would work. You do a week, 2 weeks, then 3 weeks. I’m on day 2, but still I’m 30 years that I haven’t had lather touch my hair, face, body, or skin. I would not have all this hair on my head if I continued to use shampoo. I’d probably have half this amount and I’m not joking because of the toll it takes on your scalp and your hair. So I’d really like to leave behind the recognition – I really would, that he really had a movement that changed things. It’s the same version of the person who created shampoo, I’m the guy who invented cleaning conditioner. I don’t think that it’s hit because everyone has copied it and it’s not the same. There are people who say they use cleansing conditioners and I ask them if it’s Wen and they say, “no, but it’s all the same.” And I say no – I had that message 30+ years ago and there are people on the bandwagon, but it was delivered to me. I didn’t understand what it was when I opened a salon, I didn’t plan on it. I stepped into that role of giving up lather, I didn’t know what it would mean, but I knew I was on a journey. So I would like it if I was known as that guy who gave up lather and created cleansing conditioner. It has been worldwide.

We did an event last night and sometimes people don’t realize it’s they me until we have the gift bags and they’ll say, oh my God, Wen – that’s you! So they connect it that way – you get what I mean! They’re like, your Flipping Out Guy or QVC guy. There are times that people don’t realize and they will tell me that they love Wen and that they love Chaz and then they’ll realize it’s me! It’s bizarre, it happens, and it’s crazy.

I know how hard I have worked for it and I would like it to be when it’s all said and done that there is a legacy behind it. I was passionate about it and I did it for her, him, the customer. Anyone that knows me, if I go anywhere, like last night, it was an event for pre Comic-Con and I was giving advice. There was a woman who was there who had all hair pieces and what not and her testimonial was amazing. She had been using it for 15 years or more and whatever industry her hair extensions come from, they all use it because it prolongs them. When you use shampoo on them, you’re buying another one, and another one, and another one – they’re getting trashed. So to hear her testimonial was amaz ing. How did I change her life, help her life, build her confidence? There are people who have been born and have never used lather in their lives since this has been out for 22 years. I have a goddaughter who is 23 and lather has never touched her hair – things like that, they have never had to experience shampoo because Wen was there. I’d like to have the weight of what it actually means and not just the story of the cleansing conditioner but how it touched people’s lives, built their confidence and all of those elements are why I do what I do. It’s a confidence booster!

IG @chazdean

PHOTOGRAPHY COURTESY | Chaz Dean

Read the JUL ISSUE #91 of Athleisure Mag and see MAKING HAIRSTORY | Chaz Dean in mag.

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THE BACHELORETTE S.20 E.9 | HOW DOES CHARITY'S JOURNEY END?

August 21, 2023

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

We are back to the cliffhanger of Aaron and Charity Lawson on tonight’s finale of ABC’s The Bachelorette! Last week we got to hear from the guys during the Men Tell All. This love show of course has Jesse Palmer taking charge of the 3 hour show tonight! In Fiji, Aaron lets Charity know that he is still here for her and wants her to know that he has not forgotten about her and he still feels the same. She tells him that he can stay so that they can hang out and get to know one another. We also know that she is in love with Joey and Dotun so this is definitely going to be a hectic time for her. She wants to take some time with her and acknowledges that she regretted sending him home. After a great date that didn’t involve a Fantasy Suites aspect, she gets ready to see them for the next rose ceremony.

The guys see Aaron arrive and are surprised but maintain their cool. Charity lets them know that Xavier was sent home and then Aaron arrived. Joey gets the first rose and before she announces the second, she asks Aaron to come with her and she thanks him for being there and although she had regrets letting him go previously, she’s glad he came back, but time was not on their side. She sends Aaron home. She comes back to the men, lets them know that Aaron was sent home and tells them that she will stay true to the process and who she is. She also gives a rose to Dotun as well. We’re down to our final 2.

Back in the studio we learn that Aaron will be on Bachelor in Paradise which we’re sure he’ll enjoy and of course, we’re trying to figure out why Peter’s mom, Barb is in the audience, who will be The Bachelor, and any news on The Golden Bachelor which premieres on Sept 29th!

Her family is in Fiji and her mom, dad, and sister will be able to meet both men. She lets them know that she is in love with both men - which her mom is not happy about as she feels that she needs to be decisive. Joey is up first and arrives ready to meet them.

Joey has a 1-on-1 conversation with his sister and Joey asks her how does the family feel about an interracial relationship. She lets him know that it’s about Charity being with the best person. Joey talks with her mom and has nothing but amazing things to say about her. The family enjoyed being around Joey, so we see them as a great fit for one another.

The family gets to meet Dotun and Charity’s sister lets her know that she can already see Joey as her brother-in-law. Although Dotun had great conversations with her family, Charity’s sister lets her know that Joey is the one that gives her the glow - which we agree with! It seems like her family likes Joey more than Dotun and Charity is frustrated to not get advice from them in the way that she wants it.

So she moves on to her dates with each men and she knows that she was unable to get the clarity that she was looking for. She’s not sure who she will pick at the moment. Her final date with Joey allows them to get to dig deeper and to find out what her family thought about him. Joey has a gift for her, his poem for her from their time in New Orleans when they were on their date.

We come back to the island with Charity for her final date with Dotun. We know that she’s torn as they both seem to be great men for her. They talk about how he felt about meeting her family. He lets her know that they wanted to give them a glimpse of who he is as a person. He was able to show the kind of love that he had for her with them. He creates a treasure hunt that is connected to moments and memories that they shared on their various dates. Even Dotun feels that elements of this date were heavy and that he is concerned. We also know that Charity has been conflicted.

It’s the big day and what the season has been leading up to! Who’s proposal will she accept and what happens after? Neil Lane who we always enjoy seeing, is there to help them men as they select the engagement ring that they will present to her. She makes her way to wear the proposals will take place and gets to connect with Jesse.

We see Joey approach and he begins to tell her how he feels about her. He begins to get down on one knee and she stops him before he gets into position. She tells him how much she feels how he feels about her and how she likes him and she lets him know that she found love deeper with someone else! She admits to being in love with him, while being in a deeper love with someone else. Their love story ends.

Joey lets the audience know that he hadn’t seen this exchange and he blacked out of most of it. Charity comes out on the stage as Joey is sitting with Jesse. They haven’t talked since the breakup. The love, respect, and appreciation that they have for one another is so evident. It’s nice to see that there isn’t any hostility.

We’re back with Charity in Fiji and she says that she is love with Dotun and that this is the love story that she knows will bring her the most happiness. He arrives and makes his way to her. Dotun shares how much he loves her and how she makes him feel. She also lets him know how much he has meant to her and how one conversation can change everything. She tells him that she can see him as a husband and to have her future with his. He asks her to marry him and she says yes! Of course, he receives the final rose!

Back in the studio, Charity and Dotun come out together as we transition into After the Final Rose. Both families are sitting together and we’re still wondering how much Charity’s mom has warmed up to him as she was clearly Team Joey. Now that they’re able to be in public together, they’re excited about being able to live their lives and to begin creating what they want for their futures. Jesse gives them a pre honeymoon trip to Greece. She’s also going to be on Dancing with the Stars and Dotun shares that news with her. Definitely a great night for them with surprises - but what else will we learn before the night is over?

Joey is the newest The Bachelor! We’ll be right there tweeting along during his season which will be amazing to see his journey. Throughout the night Jesse talked with women who could potentially be on The Bachelor and Leah from Hawaii will be one of the contestants on his season. Jesse gave her a card (not a date card), and she can’t open it right now and she has to wait until she steps into the mansion on night one.

Thanks for those that tweeted along or shared their The Bachelorette thoughts with us this season! Each night during this season, we tweeted about The Bachelorette and you chatted along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what took place!

Each week we let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!


THE BACHELORETTE CHOSE

DOTUN
DOTUN
JOEY
JOEY

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA
AARON B. 29 - San Diego, CA
AARON S. 33 - San Diego, CA
AARON S. 33 - San Diego, CA
ADRIAN 33 - North Hills, CA
ADRIAN 33 - North Hills, CA
BRAYDEN 24 - San Diego, CA
BRAYDEN 24 - San Diego, CA
CALEB A. 29 - Ann Arbor, MI
CALEB A. 29 - Ann Arbor, MI
CALEB B. 24 - Orlando, FL
CALEB B. 24 - Orlando, FL
CHRIS S. 27 - White Plains, NY
CHRIS S. 27 - White Plains, NY
DOTUN 30 - Brooklyn, NY
DOTUN 30 - Brooklyn, NY
JAMES 28 - Chicago, IL
JAMES 28 - Chicago, IL
JOE 30 - San Francisco, CA
JOE 30 - San Francisco, CA
JOEY 27 - Koloa, HI
JOEY 27 - Koloa, HI
JOHN B. 27 - NY, NY
JOHN B. 27 - NY, NY
JOHN HENRY S. 30 - Virginia Beach, VA
JOHN HENRY S. 30 - Virginia Beach, VA
JOSH 28 - Bethlehem, PA
JOSH 28 - Bethlehem, PA
KALEB K 26 - Norcross, GA
KALEB K 26 - Norcross, GA
KHALID 28 - Dearborn, MI
KHALID 28 - Dearborn, MI
MICHAEL 29 - South Holland, IL
MICHAEL 29 - South Holland, IL
NICK 31 - Bayonne, NJ
NICK 31 - Bayonne, NJ
PETER 33 - NY, NY
PETER 33 - NY, NY
SEAN 25 - Tampa, FL
SEAN 25 - Tampa, FL
SPENCER 32 - Moorpark, CA
SPENCER 32 - Moorpark, CA
TANNER 30 - Pittsburgh, PA
TANNER 30 - Pittsburgh, PA
TAYLOR 32 - Beaver Creek, OH
TAYLOR 32 - Beaver Creek, OH
WARWICK 27 - Nashville, TN
WARWICK 27 - Nashville, TN
XAVIER 27 - Carrboro, NC
XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

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THE BACHELORETTE S.20 E.8 | THE MEN TELL ALL

August 14, 2023

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we’re going into the Men Tell All and I know that there are a number of things that we’re going to get cleared up! we are in Fiji and there will be overnights with the remaining men! We also know that we have a bit of a cliffhanger from last week’s episode with Charity Lawson. Of course, Jesse Palmer will fill us in on anything that he thinks we may have missed. We take in a recap of the season and we’re reminded of some of the men that bothered us who are back on that stage.

Of course there is significant time that is spent on Brayden as the men push back on many of the antics that he did while he was on her season. They also talk about the drama that most of us wouldn’t know about with Peter who was sent home first. First up in the hot seat, Brayden of course! They dig into his experience and he will be on Bachelor in Paradise. He also gifted Jesse a pair of earrings for him to try out.

Next up in the hot seat is Xavier. The audience is not embracing him and even Jesse is a bit dry with him. Charity comes out and he comes back to the hot seat to talk about what took place in Fiji. Charity lets him know that what he said didn’t give her any indication that he would not cheat on her. She even explains that she didn’t like that he said he loved her when she walked him to the car after everything that he had told her. He gives her a knitted rose.

We lighten the moment with some bloopers which is always so much fun! Previous OG The Bachelorette’s pop onto the couch to give their support to her. Desiree, Trista, and DeAnna provide their insights. Trista is celebrating her 20th anniversary with Ryan who she is still with, DeAnna is single again and putting herself first, and Trista is a younger OG who is navigating her relationship as well.

We finally got to meet The Golden Bachelor, Gerry Turner. He shared his story, the death of his wife Toni that he loved, his daughters, and more! His sense of humor and how he seems so genuine in this process, we know that we’re going to enjoy seeing him finding his next love. It seems like we will see his journey next month AND we know that Jesse will be taking notes as well.

The Bachelorette Finale is next week! Even Jesse said that he couldn’t keep up with what was going on and he was there! We get a sneak peek on what we can expect as she decides between Aaron, Dotun, and Joey. Mama Lawson is there with her to assist, to a point. Thankfully, it’s a 3 hour finale that will be live.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!


WHO WE’LL SEE on THE BACHELORETTE FINALE

AARON (Copy)
AARON (Copy)
DOTUN  (Copy)
DOTUN (Copy)
JOEY  (Copy)
JOEY (Copy)

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA  (Copy)
AARON B. 29 - San Diego, CA (Copy)
AARON S. 33 - San Diego, CA  (Copy)
AARON S. 33 - San Diego, CA (Copy)
ADRIAN 33 - North Hills, CA   (Copy)
ADRIAN 33 - North Hills, CA (Copy)
BRAYDEN 24 - San Diego, CA (Copy)
BRAYDEN 24 - San Diego, CA (Copy)
CALEB A. 29 - Ann Arbor, MI    (Copy)
CALEB A. 29 - Ann Arbor, MI (Copy)
CALEB B. 24 - Orlando, FL  (Copy)
CALEB B. 24 - Orlando, FL (Copy)
CHRIS S. 27 - White Plains, NY  (Copy)
CHRIS S. 27 - White Plains, NY (Copy)
DOTUN 30 - Brooklyn, NY   (Copy)
DOTUN 30 - Brooklyn, NY (Copy)
JAMES 28 - Chicago, IL   (Copy)
JAMES 28 - Chicago, IL (Copy)
JOE 30 - San Francisco, CA   (Copy)
JOE 30 - San Francisco, CA (Copy)
JOEY 27 - Koloa, HI   (Copy)
JOEY 27 - Koloa, HI (Copy)
JOHN B. 27 - NY, NY (Copy)
JOHN B. 27 - NY, NY (Copy)
JOHN HENRY S. 30 - Virginia Beach, VA (Copy)
JOHN HENRY S. 30 - Virginia Beach, VA (Copy)
JOSH 28 - Bethlehem, PA  (Copy)
JOSH 28 - Bethlehem, PA (Copy)
KALEB K 26 - Norcross, GA (Copy)
KALEB K 26 - Norcross, GA (Copy)
KHALID 28 - Dearborn, MI   (Copy)
KHALID 28 - Dearborn, MI (Copy)
MICHAEL 29 - South Holland, IL  (Copy)
MICHAEL 29 - South Holland, IL (Copy)
NICK 31 - Bayonne, NJ  (Copy)
NICK 31 - Bayonne, NJ (Copy)
PETER 33 - NY, NY (Copy)
PETER 33 - NY, NY (Copy)
SEAN 25 - Tampa, FL   (Copy)
SEAN 25 - Tampa, FL (Copy)
SPENCER 32 - Moorpark, CA   (Copy)
SPENCER 32 - Moorpark, CA (Copy)
TANNER 30 - Pittsburgh, PA   (Copy)
TANNER 30 - Pittsburgh, PA (Copy)
TAYLOR 32 - Beaver Creek, OH   (Copy)
TAYLOR 32 - Beaver Creek, OH (Copy)
WARWICK 27 - Nashville, TN (Copy)
WARWICK 27 - Nashville, TN (Copy)
XAVIER 27 - Carrboro, NC (Copy)
XAVIER 27 - Carrboro, NC (Copy)

Read the latest issue of Athleisure Mag.

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9LIST STORI3S | JORDANA BREWSTER

August 14, 2023

Read the JUL ISSUE #91 of Athleisure Mag and see 9LIST STORI3S | Jordana Brewster in mag.

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9LIST STORI3S | JASON TARTICK

August 13, 2023

Read the JUL ISSUE #91 of Athleisure Mag and see 9LIST STORI3S | Jason Tartick in mag.

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THE BACHELORETTE S.20 E.7 | ONTO FIJI + THE OVERNIGHTS

August 7, 2023

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we are in Fiji and there will be overnights with the remaining men! Charity Lawson catches us up on what took place last week as well as what we can expect in tonight’s episode! She’s pleasead that Dotun, Joey and Xavier are here for her and have told her that they are falling in love with her as well.

We’re starting off with Dotun who we love his family and how generous they were with Charity. Joey acknowledges that his Hometowns with her didn’t end in the best way as she was crying when she left him. Xavier shares that his fear of committing to a person has been greatly reduced now that he has met her and he’s looking forward to continuing with her. Jesse Palmer sits down with Charity and lets her know that Fiji looks great on her and listens to her on how she has been feeling.

We also see that Aaron is on his way to go back to Fiji as he wants to be back with her and feels he needs to talk with her. We’re not surprised about this at all.

Xavier gets the first date and meets her on the beach. We learn that there are over 300 islands that comprise Fiji and their date will have them on an island on their own. They get to learn about the culture and ceremonial procedures of Fiji and they are both dressed in attire that is indicative of the people. They continue to talk after these activities since Charity is all about getting clarity from everyone tonight. They continue on with their date with dinner. Charity feels that she needs to truly understand Xavier’s views on having a life with her and how they will continue if engaged. After chatting, he lets her know that he was unfaithful in the past, but wanted to let her know. Whatever grace she was trying to give him, you can feel her retreat and she even gets up to think about it.

She reminds us that she dealt with this for 6 years with her ex and he explains that he did cheat multiple times with his ex 2 years into their relationship! Charity has such a level of grace that she continues to question to find out more. It’s a raw conversation and she continues to try to make paths that they can go forward - it’s painful to watch. She tells him that by having this card and to give it to him, she needs to know where he’s at. He says his heart is there, but his mind isn’t. She doesn’t give him the fantasy suite card and sends his home. It was a brutal watch, but Charity put herself first. We know that she’s shaken after this!

Joey’s date is next and he’s waiting for her in a lush landscape. She arrives with a dune buggy and they begin their date. Although the buggy ends up not working, they walk to the waterfall and she enjoys that they’re having a good time. Joey brings up that he knows his Hometown didn’t go as expected and she responds that although she had a great time as well as great conversations, it was talking with his uncle that gave her pause. Since he mentioned that Joey was not being his true self, she wanted to know what that meant. Joey explains that he was surprised that his uncle appeared at the tennis center and in an effort to make sure that she was comfortable and things went well, that got in the way of him being the way he would normally be. It seems that Charity accepts this answer and they continue to get closer.

Their date continues to dinner and they can continue to chat with one another so that they can know more about one another. He says he sometimes gets concerned that people fall in love with the idea of him where he has self-doubt and he’s not always confident and with great energy. He’s being very vulnerable with him about who he is and lets her know that he is falling in love with her. Charity loves hearing this from him and she says that she is in love with him. She presents him with the Fantasy Suites card and they take it. They have a great night and wake up together in the morning.

Dotun is getting ready to meet Charity. Their date is on the water as they make the most of a stunning day. Charity acknowledges that she doesn’t want to keep looking for what could be wrong with him - she’s just going to have a good time! They sit down and continue to chat and she compliments him on how she loved being with his family and how she loved praying with his mom. Dotun also shares that he didn’t really watch the show so he wasn’t aware what would happen at the end of it. But even when he found out, he was happy about it. While chatting with other viewers, they reminded us that he was nominated to be on the cast and signed on 2 weeks before the show started taping, so it’s totally possible that he didn’t know a lot about it. Just like we like the idea of her Joey, we have felt the same with Dotun.Their date continues to dinner and he says that he knows that their date is like a fairy tale. He lets her know that he is in love with her and she shares this with him as well! They continue onto their Fantasy Suites together. We see them waking up with one another and we know that they have a great connection.

Aaron arrives at the hotel asking for her at the front desk, but without a room number, they can’t disclose that information. He starts looking for her on the property and finds her by the pool. She is truly surprised that

Charity’s Gave Roses To | X

Charity sent home | Xavier,

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!


WHO CONTINUED AFTER OVERNIGHTS

AARON
AARON
DOTUN
DOTUN
JOEY
JOEY

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA
AARON B. 29 - San Diego, CA
AARON S. 33 - San Diego, CA
AARON S. 33 - San Diego, CA
ADRIAN 33 - North Hills, CA
ADRIAN 33 - North Hills, CA
BRAYDEN 24 - San Diego, CA
BRAYDEN 24 - San Diego, CA
CALEB A. 29 - Ann Arbor, MI
CALEB A. 29 - Ann Arbor, MI
CALEB B. 24 - Orlando, FL
CALEB B. 24 - Orlando, FL
CHRIS S. 27 - White Plains, NY
CHRIS S. 27 - White Plains, NY
DOTUN 30 - Brooklyn, NY
DOTUN 30 - Brooklyn, NY
JAMES 28 - Chicago, IL
JAMES 28 - Chicago, IL
JOE 30 - San Francisco, CA
JOE 30 - San Francisco, CA
JOEY 27 - Koloa, HI
JOEY 27 - Koloa, HI
JOHN B. 27 - NY, NY
JOHN B. 27 - NY, NY
JOHN HENRY S. 30 - Virginia Beach, VA
JOHN HENRY S. 30 - Virginia Beach, VA
JOSH 28 - Bethlehem, PA
JOSH 28 - Bethlehem, PA
KALEB K 26 - Norcross, GA
KALEB K 26 - Norcross, GA
KHALID 28 - Dearborn, MI
KHALID 28 - Dearborn, MI
MICHAEL 29 - South Holland, IL
MICHAEL 29 - South Holland, IL
NICK 31 - Bayonne, NJ
NICK 31 - Bayonne, NJ
PETER 33 - NY, NY
PETER 33 - NY, NY
SEAN 25 - Tampa, FL
SEAN 25 - Tampa, FL
SPENCER 32 - Moorpark, CA
SPENCER 32 - Moorpark, CA
TANNER 30 - Pittsburgh, PA
TANNER 30 - Pittsburgh, PA
TAYLOR 32 - Beaver Creek, OH
TAYLOR 32 - Beaver Creek, OH
WARWICK 27 - Nashville, TN
WARWICK 27 - Nashville, TN
XAVIER 27 - Carrboro, NC
XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

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THE BACHELORETTE S.20 E.6 | IT'S TIME FOR HOMETOWNS

July 31, 2023

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we are in Hometowns! It’s favorite part of the season and we can’t wait to see how the families react to Charity Lawson! She starts out with Aaron and his family in Houston. They all have a lovely meal with one another. Aaron’s mother enjoys talking with her and asks her, “would you marry him if he asks?” She says that she wouldn’t be able to say yes at this point. We know this as she has a strong connection, but over the past few weeks, it’s been a bit of a disconnect. He even tells her that although he hasn’t said love, he feels that they are on the path to continue to work on this.

They continue their date by heading out to the football field to have a few appetizers and drinks and they connect with one another. He lets her know that he is falling in love with her and gifts her a letterman’s jacket as well. She says that she feels like they are back on track.

Next, Joey and Charity are in Pennsylvania. They kick off their date by Joey teaching her how to play tennis. Uncle Joe swings by ready to play tennis and we learn that he is very close to his nephew. Apparently Uncle Joe was Joey’s coach in tennis and you can tell. Uncle Joe feels that something is off with Joey although he can’t put his finger on it.

She heads to his family and they give her a warm welcome. His sister pulls her aside to get to know more about her. She lets his sister know that she is falling in love with him. Uncle Joe lets her know that he thinks that she’s a nice girl, but he feels that Joey has a tendency to be what he feels others want him to be. She is confused as she feels he has always been authentic. Initially, she had planned on telling him that she was falling in love with him; however, she doesn’t. He feels something is off.

Xavier meets Charity in his hometown of Cleveland. She’s looking forward to seeing him, but she still feels that there are elements about him that remind her of her ex that didn’t make her a priority. He takes her to a yarn store to kick off his date and he introduces her to his knitting friends as they’re taking a class together. She feels more connected and they continue to talk over coffee. After their solo date, she meets his family. She has a great conversation with his sister and mother and it seems like she enjoys what she is hearing as she gets to see them through their eyes. When Xavier’s dad chats with him, we get to hear more about his process in terms of where he’s at with her.

For her final Hometown, she is in Fresno with Dotun and she looks forward to having time with him as well as meeting his family. His parents won’t be there as they got to Nigeria every year for 4-6 weeks. But even though the timing didn’t work out, she’ll still meet his brothers and sisters. She also meets his grandmother and just when they’re sitting down to eat, his parents arrive! She gets along with them and they end their date riding away in a classic car to a drive in movie theater to see elements of who they are prior to meeting.

All the Hometowns have finished and she catches up with Jesse Palmer. We always love how he’s like a big brother with the listening ear which really allows conversation to flow freely with him. She knows 2 people will be hurt tonight at the rose ceremony, she says that she will be 1 of the 2.

Jesse meets the men at a private air hanger and gets feedback from them to see how they feel about everything. Regardless, this has been a great group of guys (plus or minus others who have already been eliminated). She feels awful that the person who she sends home, won’t see it coming and she knows how that feels as it happened to her.

She gives a rose to Dotun and Xavier. Now it’s between Joey and Aaron! The final rose is given to Joey.

Charity’s Gave Roses To | Dotun, Joey, and Xavier.

Charity sent home | Aaron

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!


WHO CONTINUED AFTER HOMETOWNS

DOTUN
DOTUN
JOEY
JOEY
XAVIER
XAVIER

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA
AARON B. 29 - San Diego, CA
AARON S. 33 - San Diego, CA
AARON S. 33 - San Diego, CA
ADRIAN 33 - North Hills, CA
ADRIAN 33 - North Hills, CA
BRAYDEN 24 - San Diego, CA
BRAYDEN 24 - San Diego, CA
CALEB A. 29 - Ann Arbor, MI
CALEB A. 29 - Ann Arbor, MI
CALEB B. 24 - Orlando, FL
CALEB B. 24 - Orlando, FL
CHRIS S. 27 - White Plains, NY
CHRIS S. 27 - White Plains, NY
DOTUN 30 - Brooklyn, NY
DOTUN 30 - Brooklyn, NY
JAMES 28 - Chicago, IL
JAMES 28 - Chicago, IL
JOE 30 - San Francisco, CA
JOE 30 - San Francisco, CA
JOEY 27 - Koloa, HI
JOEY 27 - Koloa, HI
JOHN B. 27 - NY, NY
JOHN B. 27 - NY, NY
JOHN HENRY S. 30 - Virginia Beach, VA
JOHN HENRY S. 30 - Virginia Beach, VA
JOSH 28 - Bethlehem, PA
JOSH 28 - Bethlehem, PA
KALEB K 26 - Norcross, GA
KALEB K 26 - Norcross, GA
KHALID 28 - Dearborn, MI
KHALID 28 - Dearborn, MI
MICHAEL 29 - South Holland, IL
MICHAEL 29 - South Holland, IL
NICK 31 - Bayonne, NJ
NICK 31 - Bayonne, NJ
PETER 33 - NY, NY
PETER 33 - NY, NY
SEAN 25 - Tampa, FL
SEAN 25 - Tampa, FL
SPENCER 32 - Moorpark, CA
SPENCER 32 - Moorpark, CA
TANNER 30 - Pittsburgh, PA
TANNER 30 - Pittsburgh, PA
TAYLOR 32 - Beaver Creek, OH
TAYLOR 32 - Beaver Creek, OH
WARWICK 27 - Nashville, TN
WARWICK 27 - Nashville, TN
XAVIER 27 - Carrboro, NC
XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

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WHERE'S THE LINE | SEPIDEH MOAFI

July 31, 2023

This month we caught up with Sepideh Moafi who embodies her characters and really makes us see the world through her eyes and the storylines that they are involved in where it's thrillers such as USA's Falling Water, dramas that include HBO's The Deuce and Showtime's The L Word: Generation Q, and shows that look at our relationship with technology and who has the power to use them in our lives in her latest limited series, FX Class of '09!

You can currently binge the entire season of 8 episodes now on Hulu which looks at a group of FBI agents as we see them going through the academy in the past, in their present day in their career and in the future. We wanted to know more about how Sepideh came to being an actor, how she approaches her roles, and her thoughts on the paradigm between technology and humans intervention and those who decide how this is instituted.

ATHLEISURE MAG: When did you realize you wanted to be an actor?

SEPIDEH MOAFI: I think I was about 23. I graduated from San Francisco Conservatory of Music as a Vocal Performance major at 21 and had started my career as an opera singer. While opera was (and still is) my first passion and finding my voice as a singer completely changed my life, I was becoming more and more curious about theater and exploring the full potential of characters without having to worry about hitting that high C, for example. I enrolled in a straight acting class with Bobby Weinapple in San Francisco (he taught an acting for singers class that I had taken at the conservatory) and he said I had “it”, whatever “it” means. I decided to audition for some plays and started booking roles like Juliet in Romeo & Juliet and Luisa in The Fantasticks, so I decided to apply to grad school on a whim and ended up getting a full scholarship plus grants to UC Irvine’s MFA Acting program. So I went.

AM: I have been a fan of your work from Notorious, Falling Water, The Deuce, The L Word: Generation Q, and currently The Class of 09! You always play characters that are dynamic and continue to reveal themselves in various ways. What are you looking for when you decide that you want to play a character?

SM: Thank you for your kind words. I think the reasons for taking on a part have changed for me throughout the years. I was more character driven before, now I think I’m more story driven. At first I was just so eager to do anything I could get my hands on. I even loved getting to play characters who seemed pretty two dimensional on the page because that meant I got to find the things that many people may overlook or miss and bring all of the complexity and nuance and heart to these characters and make them feel like full, multi dimensional human beings. Taking on any character allows you to gain insight and empathy for a range of personality types — people that are similar to you, people who think completely different from you — you get to explore a variety of career paths and life choices that maybe you’ve never imagined before. Acting is a beautiful way to explore humanity and empathy, and I feel so lucky to be able to learn and grow so much from my work.

I fortunately haven’t had to deal with typecasting; most of the characters I’ve played both on stage and screen are completely different from one another and their racial backgrounds aren’t necessarily specified. I remember having a long conversation with Remi Aubuchon (24, Stargate Universe, Silo), the show runner for Falling Water after I got cast. He gave me the choice to change my character’s last name (Alex Simms) to an Iranian last name if I felt compelled. I thought about this deeply. Representation is so important, but I kept asking myself if it would be more impactful to change her name to say, Alex Mohammadi or keep it as Alex Simms. I spoke to friends who encouraged me to change the name to a Persian last name, but my mom's words echoed those in my gut. She said I should keep it as it because we need to be able to separate our judgements and assumptions about who a person is, their background and what they look like based on their name. So I kept her name Alex Simms.

Something that has changed is that the more political I’ve become and the more humanitarian work I’ve done throughout the last decade, the more important it has become for me to be part of projects that I feel align with my politics and core belief system. We need healthy, accurate stories and representation of women, the LGBTQIA+ community, people from the SWANA (Southwest Asian and North African) region, and all marginalized communities but not with a superficial, checkbox approach to diversity. My face on screen makes a statement whether I like it or not, so I’d rather take control of that to make statements I can get behind. It’s important that whatever project I decide to do doesn’t play into toxic narratives about marginalized people and doesn’t veer from the kinds of stories and representation I want to support and think we need more of.

AM: How do you approach getting into character to bring their authenticity forward?

SM: I think different characters require diff kinds of preparation. For example, for Lauren McCauley in Black Bird, I spent a good two months doing research by reading, listening to podcasts, watching documentaries, reviewing documents from the real life case, speaking to various FBI agents on a regular basis, and reading the script every day. I quickly discovered that there’s no way in hell I could be an FBI agent in real life (I find it too difficult to control my emotions!), so the extensive research helped me acquire the confidence I needed to step into her shoes. Dennis Lehane’s (The Wire, Boardwalk Empire, Bloodline) brilliant script gave me everything I needed to play her, the research just helped me gain the confidence I needed in order to embody her truthfully. For Gigi in The L Word: Generation Q, I did speak to a few of my real estate agent buddies to gain some insight into her day to day work life, but that was kind of the extent of the research. I think every character prep is different. I remember doing so much prep work for Niki in The Killing of Two Lovers but once I got to set with our director Robert Machoian (Mother Mother, Strong Enough, The Foundry) and opposite actors Clayne Crawford (CSI, 24, Graceland), Chris Coy (The Deuce, The Peripheral, Accused) and the kids, I felt like all that prep went out the window. One could argue the prep was there as my foundation but I honestly felt like I was in a trance for the entirety of that shoot. The energy on set was abundant and infectious; we were like animals in the jungle playing with abandon. No matter what, I always start with the words in the script and my gut response to them. From there, I identify the tone, the world in which the character lives (their socioeconomic status, their relationship to their ethnicity and background, their gender, etc.) and that usually informs what type of work and research is needed. My only goal is to give all of myself to every role. If by the end of a film or show or play there’s still something in the tank, I haven’t done my job.

AM: What drew you to want to be involved in Class of '09 and what do you think about the past, present and future format of the show?

SM: There are a number of reasons why I was drawn to this show. The character being able to explore the breadth of anyone’s life over the span of multiple decades is a fascinating, eye and heart opening endeavor. This character, Hour, specifically being from a family that had to flee Iran felt resonant to me and her constant grappling with the dilemma of identity and belonging. The themes of the show — exploring AI, technology, surveillance, the fragility of humanity, and this dance between security and liberty. And lastly the cast, I felt very lucky to be able to have this unique experience with some of my favorite actors and human beings. We formed life long bonds (we’re still constantly texting on our group text!)

AM: We've been watching this every week and really enjoy seeing how everyone is connected with one another and how they evolve over various periods of time. What are the takeaways that you want viewers to walk away with after watching this series?

SM: Class of ‘09 is a limited series so the story is contained within eight episodes. But I hope this encourages the audience to probe at these deeper questions around the nature of security, surveillance, and willingly or unwillingly living in a technocracy. Benjamin Franklin, one of the founding fathers, said “Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.” We are seeing increasing manifestations of major technological companies abusing their power with impunity and stealing our identities for profit. We’ve seen fuller expressions of this abuse in countries like China, Russia, Israel. We must always remember that our elected officials work for us and we cannot forget that it is our job to hold our elected officials and these major corporations accountable so that we don’t continue on this fast track towards a surveillance state.

AM: Are there upcoming projects that you're working on that you would like to share that we should keep an eye out for?

SM: Yes! There’s a film coming out called I’ll Be Right There with Edie Falco (The Sopranos, Impeachment: American Crime Story, Avatar: the Way of Water), Jeannie Berlin (The Night Of, Succession, The Fablemans), and Bradley Whitford (The West Wing, The Handmaids Tale, Get Out). I actually had the chance to work with Edie on one of my first jobs after getting my MFA. I booked a guest star role on Nurse Jackie a couple of months out of school and I flipped out because Edie was one of the reasons I decided to pursue acting. I remember telling myself to wait until the end of the episode with her to confess how big of a fan I was. I lasted about three hours before I exploded into tears and gushed about how much I loved and admired her. I felt like I totally humiliated myself but she was (and still is) one of the most gracious, humble, down to earth actors I’ve ever met. I’m part of an HBO Max animated series called Scavengers Reign coming out later this year too. I’ve wanted to be part of an animated project my entire life so this was one of those moments where the kid in me couldn’t believe it. Aside from that, there are a couple of other projects I’m developing, but I start work on a film called Wild Berries which will actually be my first Persian language speaking film, opposite award-winning Iranian actor Shahab Hosseini (The Salesman, Residents of Nowhere, Nargesi). It’s pretty much a two-hander so I’m very excited to dive into this world with Shahab and our director Soudabeh Moradian (Polaris, The Amber Thief, In Between).

IG @sepidehmoafi

PHOTOGRAPHY COURTESY | PG 98 + 101 9LIST STORI3S, PG 128 + PG 131 FX/Class of 09

Read the JUN ISSUE #90 of Athleisure Mag and see WHERE’S THE LINE | SEPIDEH MOAFI in mag.

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In AM, TV Show, Jun 2023, Celebrity Tags Class of '09, Sepideh Moafi, FX, The L Qord: Generation Q, HBO, Max, USA, Falling Water, Hulu, San Francisco Conservatory of Music
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HYDRATION IS KEY | SAMUEL ARNOLD

July 30, 2023

One of our favorite series that we can't wait to see come back later this year for it's latest season is Netflix's Emily in Paris! We love the idea of leaving the US to work and live in Paris, navigating a job that you're great at but doing it in a place whose culture and customs are different than what you've grown up with!

When Emily Cooper (Lily Collins), comes to Paris she learns how to think on her feet in her personal and professional life and along the way we see how her colleagues interact with her. One of her Parisian co-workers is Julien, played by Samuel Arnold. We know that he too is a rising star who wants to make a name for himself and we see how he grows to accept Lily. We caught up with Samuel to find out how he approaches acting projects, Emily in Paris, the importance of hydration and his ambassadorship with Jovē.

ATHLEISURE MAG: You have worked in television and in film, what are you looking for when you're deciding on attaching yourself to a project/role?

SAMUEL ARNOLD: When starting a project I hope to be surrounded by passionate people who are in love with storytelling. I hope to be challenged by having to play a complex tri-dimensional character and I hope to have enough space to create and say what I have to say through my acting.

AM: Emily in Paris is an amazing show from the storyline to the fashion, and of course Paris, it's a binge-able treat. What drew you to the series?

SA: When I was asked to audition, I knew it was going to be something big when I heard Darren Star (Younger, Sex and the City series and movies, And Just Like That) and Lily Colins (90210, The Blind Side, Curb Your Enthusiasm) were the names attached to it. They are both the best at what they do and I want to work with people like that. And of course, I discovered Julien and I was dying to play this character after I read the script.

AM: Julien is such an interesting character that has been great to watch as he navigates his career and relationships with others. How do you approach playing him as he is that friend that you definitely want in your group of friends who will always keep it real with you?

SA: I have a very physical approach when it comes to playing Julien. Obviously I am enormously influenced by the wardrobe. It gives so much to the character, but also I found that dancing was working for me. So I’ve been dancing the character to life for three seasons now.

AM: We can't wait for the next season which will drop this year. What are you excited about that you can share with us?

SA: I’m like everyone else when it comes to season 4. I have no idea what they have in store for us and I quite like that. I trust Darren and the writers to create something exciting and amazing like they’ve been doing so far. I can’t wait to see what’s next for Julien.

AM: The cast of this show is incredible! What are some of your biggest takeaways from being part of this show?

SA: Meeting all those beautiful and talented human beings was the best thing that happened to me on this show. We’re like family now. And we see each other as much as we can in between shoots.

AM: At Athleisure Mag, we believe in hydration as it's essential! You are the first brand ambassador of Jovē, which was announced at the Cannes Film Festival this year. Why is hydration important to you and what is the synergy between you and the alkaline brand?

SA: I used to be a professional dancer, and now I’m an actor. So my body has always been my main instrument. And to keep that instrument healthy and ready to go, proper hydration is one of the top things you can do. This partnership with Jovē comes at a moment in my life where I'm getting back to the gym and getting into a more healthy diet, so Jovē has been the perfect companion for the actor that I am.

AM: What does Deep Hydration mean to you?

SA: Deep Hydration is not only about quenching your thirst but it’s about hydrating every single cell in your body. Not only do you feel better on the inside and out, but Jovē is clinically shown to support skin and cellular health, supporting healthy hair, skin, nails and bones.

AM: Jovē has launched their Let Your Skin Do The Talking campaign, which focuses on skin health. Can you tell me about this and what will you do to amplify that message?

SA: Jovē’s Let Your Skin Do The Talking™ campaign amplifies the voice of what healthy skin would ask for — deep hydration at the skin and cellular level. My goal as a Jovē ambassador is to amplify this message and introduce Jovē all over the world as I travel because a high-quality product like Jovē deserves international success.

AM: How important is your personal well-being/self-care to you and what do you do to achieve that?

SA: As an actor, my main instrument is my body and it made so much sense for me to partner with Jovē, who hydrates and supports my instrument in a healthy way. It feels good to promote something that you love and believe in.

AM: You're an ambassador of Or Bleue which focuses on providing drinkable water to underserved communities. Why is being involved in this organization so important to you?

SA: Water is such a basic need, it blows my mind that some people don’t have access to it. I have it on tap and it’s easy to take it for granted. I want to make the world a better place and for me, it starts with drinkable water for everyone.

AM: Are there upcoming projects that you have that we should keep an eye out for?

SA: I shot a movie last winter in Canada where I played a character very different from Julien. I can’t say more about it but keep an eye out for it.

IG @superssama

PHOTOGRAPHY COURTESY | PG 102 + 103 9LIST STORI3S Netflix/Emily in Paris | PG 107 Jovē |

Read the JUN ISSUE #90 of Athleisure Mag and see HYDRATION IS KEY | SAMUEL ARNOLD in mag.

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ON THE LINKS | JASON TARTICK

July 28, 2023

The summer really allows us to enjoy a number of sports and for many, there's nothing like a round of golf with friends. But with all the time that you spend on the course, it would be nice to have a mobile office that allows you to enjoy the game while also checking in when you need to!

We caught up with Jason Tartick who was a contestant on Season 14 of The Bachelorette (Becca Kufrin's season) and although he was eliminated in week 9, he would go on to date and get engaged to Kaitlyn Bristowe who was The Bachelorette for season 11! We wanted to know about his partnership with Wyndham Rewards, their Cubicle Caddie, his love for golf, what his experience in Bachelor Nation has been, meeting Charity Lawson, the current The Bachelorette (season 20 premiered Jun 26th on ABC), and his upcoming projects!

ATHLEISURE MAG: You've partnered with Wyndham Rewards to share The Cubicle Caddie. Can you tell us more about it and why you enjoy having access to it?

JASON TARTICK: Well, I’ve been a Wyndham Rewards member for the past few years and love how generous the program is, so when we agreed on this partnership, I knew it was the perfect fit. I’m usually balancing work while I’m on the go – and as an avid golfer, I love the concept of the Cubicle Caddie – it’s the best of both worlds. It’s essentially a tricked-out golf cart that helps golfers work from the green and includes essentials like a green screen complete with convincing office backdrops and all the things to actually help me do the job (like Wi-Fi and noise-canceling headphones).

AM: What was the moment that you realized that you enjoyed golf?

JT: Golf has always been a big part of my upbringing. I played with my grandfather, who has unfortunately passed, but the memories will always live within me, and playing with my father with is such a treat - We compete like no other. From my grand father, my father, all my friends and even and even with Kaitlyn - we go golfing all the time. But let me tell you, that girl is one hell of a putter! The Cubicle Caddie is such a nice addition with Wyndham Rewards because it allows me to get out on the golf course more often, to be able to take a call or two, and utilize the high-speed Wi-Fi Internet (which honestly is better than my actual office Wi-Fi). I love the game – to able to play with family and friends, it’s such a treat.

AM: What is it about this sport that keeps you coming back to it?

JT: It’s the comradery, the exercise, the social aspect – To be out and about, to compete. It’s the triple threat. There’s no game like it.

AM: Does Kaitlyn go out on the course with you and what are you guys up to this summer?

JT: Kaitlyn and I live right by a golf course, actually almost on the golf course. Sometimes, we will do date nights where we grab some wine and we go up to the golf course and do a little putt-putt competition. We’ll put bets on the line, bets like who’s going to pick up the dog poop for a week, who is doing the dishes or buying the next round of coffees. It’s a fun game for us and we get out often which is great.

The big thing that we are planning this summer is that pre-Covid, we had gone to Kelowna and spent time a ton of time in August, so I think that’s what we are going to do this August. We are going to head up to Canada to spend time with her family, and we are so looking forward to it.

AM: We always enjoy when the next season of The Bachelor/Bachelorette is coming back and as we wait to watch Charity's season premiering on the 26th, what was being on The Bachelorette like for you and what was the biggest takeaway that you had?

JT: At the CMA’s, I just had a chance to meet Charity. She is so sweet and kind, and I think this season is going to be absolutely remarkable. For me, I really enjoyed The Bachelor. It was such an amazing roller coaster of an experience. I got to meet so many people throughout the process and it was a once in a lifetime experience. From being on the show, almost every area of my life has changed. I’m forever grateful for the franchise and for the show.

I think the biggest takeaway that I have is that you just have to submit to the process and let yourself go. I found that the more people tried to control it, the quicker they would break because of the pressure. I think it’s so important that you allow yourself to let go, control what you can and not to worry about what you can’t.

AM: Tell me about your podcast Trading Secrets!

JT: Trading Secrets is a great podcast where we have on all different celebrities from all different industries come on and talk about where they made money, how they got money, where they lost money, and when and how they got to where they are.

Unfortunately, in our system today, we aren’t taught the things that we need to know about career navigation and managing finances, and that is the purpose of this podcast. It has been a top business charting podcast with over 100 episodes and over 5 million downloads. It has been so much fun so far and we have some really great guests coming up this summer. Some guests like Wells Adams, Macklemore, the creator of Entourage, and many more. It’s going to be a very exciting summer for Trading Secrets.

AM: You have a lot going on including a book - what can you tell us about this?

JT: Book number two is well on its way! Manuscript is in and the title is going to be: Talk Money to Me; 8 Questions Where the Answers are Numbers Because Stories Shift, Context Changes, but Numbers Don’t Lie.

In each chapter, you will be asked a question, and that question will be a number. We will then teach you how to get that number, what that number means, how to improve it, what that number means to your finances, how to have the conversation with your partner and asking them what their number is for that specific Chapter. The second reason why people are becoming divorced is because of financial infidelity. That being said, we need to get ahead of it and start having those conversations.

IG @jason_tartick

PHOTOGRAPHY COURTESY | Wyndham Rewards

Read the JUN ISSUE #90 of Athleisure Mag and see ON THE LINKS | JASON TARTICK in meg.

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PHOTO CREDITS | Craig Sjodin/ABC

THE BACHELORETTE S.20 E.5 | TAKING IT TO THE NEXT LEVEL

July 24, 2023

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we are in New Orleans and the guys talk about how important it is this week since Hometowns are next week! The 6 guys chat with one another to talk about how they want more time with her and Aaron lets us know that he has lived in NOLA for the last 7 years. Charity Lawson swings by where they are having drinks and she chats with them and invites Joey on a 1-on-1 date. The guys feel the gravity of the week ahead and want to make sure that it’s nothing but good times ahead so that they can get to know more about her and to generate that spark!

Their date takes them through the city on a horse drawn carriage as well as the sites and the sounds of the city! It’s so easy between the two of them and Joey has always been our front-runner for who would go to Hometowns! As they settle down to dinner, both want to know more before she meets his parents. She lets him know that there are factors and things to navigate as an interracial couple. He explains that he is willing to experience it and won’t know until he goes through it, but he’s there. He also says how his parents would be crazy not to love her. We’re so cheering for these two! Of course, he gets the date night rose! He tells her that he is falling in love with her and is happy to continue down this road with her.

Back at the hotel, the remaining men are about to receive the group date card! Everyone would rather not be on the group card. Sean and Tanner are on a date card for a 2-on-1. They’re heading to the bayou where she can get clarity. We know that one of these guys will be going home. Sean is really upset and is definitely spiraling.

The 2-on-1 has to be the most uncomfortable date that you can be on! Between the two, we’re hoping for Tanner, but both guys seem to be great! She states the obvious that the 2-on-1 is not the most ideal and the bayou captain also says that this is a tough situation. It’s a crazy date experience but it’s nice that both men are being cool as there have been previous versions of this date have been downright hostile. They cruise the bayou and even have a crawfish lunch together. She lets them know that they all need to get ready for their dinner together and Sean makes sure that he lets her know that he is here for her with a few kisses. It’s definitely tough to have 2 different personality types on the same date. It’ll be interesting to see how Tanner will make himself known.

A table for 3 where Charity outlines the importance of clarity at this point. She toasts them and lets Tanner know that she wants to have time with Sean first. He lets her know about his family and how he is going through this journey even if he should get crushed - he’s willing to take risks. Tanner takes time to think about how he will talk with her and to bring himself forward so that he can be seen.

Tanner tells her that he is focused on protecting his peace as he has been hurt before. But he knows it’s important for him to bring those walls down so that he can connect with someone. Tanner is another person that we have liked from the beginning as well!

Back at the hotel, the date card arrives with Dotun getting a 1-on-1 for sunrise. Aaron is upset that he’s not getting a 1-on-1.

Back at the 2-on-1, Charity knows that she needs to make the right decision and she’s not sure which way she will go. She decides that she will not give out a rose. She wants to give more time, but we can see that Sean is upset that a decision wasn’t made.

The next day, Charity is at the Crescent City Classic where she will run with Dotun (and others) for this marathon. She brought outfits so that they could be dressed for the occasion. This is such a cute date as they have a whole race to walk and talk as they run through the city.

Both men from the 2-on-1 date debrief on how it was. The fact that there wasn’t a rose scares both of them. We can definitely understand the pressure of what this means around Hometowns. Sean says that he feels insecure about his place and the fact that there are a number of guys who have had 2 1-on-1 dates when he has never had that opportunity. After the race, they take time to continue to talk (throughout the date, it seems that they enjoyed cocktails and bites - that’s a race that we can get behind for sure). Dotun is another one that we could see being at Hometowns as well. He’s looking forward to having dinner with her so that he can share more about what he feels.

Dotun and Charity continue to the dinner portion of their date. They talk about their needs and he lets her know that he is falling in love with her. Of course, he gets a rose, she’s coming to his Hometown!

The next card arrives and Aaron, Xavier, Tanner and Sean are on the date card for a group date. Sean provides the stats and analyzes what this means. But he’s pretty upset and he didn’t know that Dotun had a rose, and of course he walks in with it on his chest. Clearly Sean is going to be really upset and even Xavier points it out.

Sean decides that he wants to talk with Charity. He lets her know how he felt about not getting a rose. He lets her know that he wants to bring her to his family and that he needs that validation. He lets her know that he is in the process of falling in love with her. She lets him know that he has always shown who he is, but she lets him know that in looking at it all - she has connections that are stronger. He tells her that if he has 1-on-1 time, they can get there. She says that with the time that is available, she doesn’t feel that they can get there and she knows it’s not what he wants to hear. With that, she sends Sean home. We can appreciate that he put it all on the line, but we never saw him going to Hometowns.

Now it’s time for the group date with the remaining men - Tanner, Xavier and Aaron. Two roses will be given on this date and by default, letting them know that they will be going to Hometowns. Everyone is looking at the 2 roses on the table, but she lets them know that she wants to make sure that the decisions are the ones that are best for her. She pulls Aaron aside so that they can chat with one another. She also takes time with Tanner as well as Xavier. Each man shares information that is personal to them as well as making a connection with her. In Xavier’s date, he wants to let her know who he is fully. He tells her that it scares him to think of channeling himself fully committed to one person. He lets her know that he has never done it before and he wants to do it once and to do it right. He wants to get engaged and married, but he’s trying to see if it’s with her and if he can fall in love with her. He thinks that he can get there if she is the one.

After speaking with the men on this group date, she gives one of the roses to Aaron and she walks him out as she makes her final decision between Tanner and Xavier. She chooses again to not give out the last rose and lets the men know that she will see them at the rose ceremony.

Charity swings by Tanner’s room to talk with him as he has been so open with her about what Hometowns will be like. She wants to let him know in person that she is not giving him the rose and she feels awful that they will not be able to continue to their journey. Tanner is a nice guy and it’s a shame that they will not be able to continue. He says that it is hard for him for this to happen to him and he feels that she deserves the world and that he is special.

Xavier arrives and he sees the rose sitting in front of him on the platter. She lets him know that it has been a tough week and that she has been on the fence about a lot of things and has had to trust her gut. She lets him know that she sent Tanner home and that even though there is one more rose, she doesn’t have to give it out. She wants to give it to him and she wants to learn more about him. He accepts the rose and he seems really happy. She wants to meet his family so that she can learn more and she feels that only time can tell. We’re looking forward to Hometowns next week!

Charity’s Hometown Roses | Aaron, Dotun, Joey, and Xavier.

Charity sent home | Sean and Tanner

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!


WHO WE WANT TO SEE GO TO HOMETOWNS

AARON
AARON
DOTUN
DOTUN
JOEY
JOEY
XAVIER
XAVIER

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA
AARON B. 29 - San Diego, CA
AARON S. 33 - San Diego, CA
AARON S. 33 - San Diego, CA
ADRIAN 33 - North Hills, CA
ADRIAN 33 - North Hills, CA
BRAYDEN 24 - San Diego, CA
BRAYDEN 24 - San Diego, CA
CALEB A. 29 - Ann Arbor, MI
CALEB A. 29 - Ann Arbor, MI
CALEB B. 24 - Orlando, FL
CALEB B. 24 - Orlando, FL
CHRIS S. 27 - White Plains, NY
CHRIS S. 27 - White Plains, NY
DOTUN 30 - Brooklyn, NY
DOTUN 30 - Brooklyn, NY
JAMES 28 - Chicago, IL
JAMES 28 - Chicago, IL
JOE 30 - San Francisco, CA
JOE 30 - San Francisco, CA
JOEY 27 - Koloa, HI
JOEY 27 - Koloa, HI
JOHN B. 27 - NY, NY
JOHN B. 27 - NY, NY
JOHN HENRY S. 30 - Virginia Beach, VA
JOHN HENRY S. 30 - Virginia Beach, VA
JOSH 28 - Bethlehem, PA
JOSH 28 - Bethlehem, PA
KALEB K 26 - Norcross, GA
KALEB K 26 - Norcross, GA
KHALID 28 - Dearborn, MI
KHALID 28 - Dearborn, MI
MICHAEL 29 - South Holland, IL
MICHAEL 29 - South Holland, IL
NICK 31 - Bayonne, NJ
NICK 31 - Bayonne, NJ
PETER 33 - NY, NY
PETER 33 - NY, NY
SEAN 25 - Tampa, FL
SEAN 25 - Tampa, FL
SPENCER 32 - Moorpark, CA
SPENCER 32 - Moorpark, CA
TANNER 30 - Pittsburgh, PA
TANNER 30 - Pittsburgh, PA
TAYLOR 32 - Beaver Creek, OH
TAYLOR 32 - Beaver Creek, OH
WARWICK 27 - Nashville, TN
WARWICK 27 - Nashville, TN
XAVIER 27 - Carrboro, NC
XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

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END OF AN ERA | SARAH BOLGER

July 23, 2023

One of our shows that we can't wait to watch is FX's Mayans MC which is a spin-off of Sons of Anarchy! This series focuses on the Mayans biker club, the Galindo Cartel, complicated relationships that are generated in a number of ways and fighting to stay together by any means necessary!

We sat down with Sarah Bolger to talk about being part of this cast, the series finale, her character Emily Galindo, what she learned about being part of this show, what we can expect for the final season, about relationships that were established between cast and crew, and upcoming projects!

If you have not watched the previous seasons or have missed some of the episodes of this season, spoiler alert, we will be talking about plot points that include the previous seasons as well as up to episode 3 of this season. Catch up on Hulu and watch each week on FX.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an actor?

SARAH BOLGER: Oh my God, so I started acting – well, to answer your question, I don’t remember! I started acting when I was 5!

AM: Oh my God!

SB: My first feature film was a little Irish/UK co-pro film called, A Love Divided. That’s when I was 6 years old. That’s when we filmed it! But I will say that around the age of 13/14/15, when high school becomes more important and when it becomes a thing where one says, that one must be in school – one must pay attention – one must not miss class – it became really apparent to me that I missed acting. Like, this is every child. No child wants to be in school I’m sure; however, for me, it literally was a thing where I’ve never felt more at home in a place, than on a film set. That still remains true to this day as sort of woo woo as that sounds! It’s so true and it’s just one of those things that I have always felt really comfortable with and that I have always felt really confidant in. I have always felt that something about it was just the right place for me. So yeah, it was early on as mad as that sounds!

AM: We love hearing that and we love that even in doing it such a younger age, you were able to reconnect with it again which is awesome!

SB: Yeah, thankfully, I have been able to do a bunch of little parts back in the early days and then I did a film when I was around 10 that ended up bringing me to LA because it got nominated for a couple of fun things and proudly, that project was something that was really beloved and it was so interesting. I can look back on that today and it’s one of the few things, it was called In America, it’s one of the few things that I can actually rewatch because I’m so young in it! I don’t remember it and it’s a different person than me!

AM: You have been in some of my favorite shows from The Tudors, Once Upon a Time, Agent Carter, Counterpart and obviously, Mayans MC, what do you look for when you’re deciding on whether you’re going to audition for a role?

SB: I know when Mayans came along, there was a history of a couple of roles where I was playing a princess if I am going to be honest. I remember loving how opposite Mayans was to any of the worlds that I had been able to portray or to live in before artistically and I thought, this fascinates me. Not only in that the predecessor show was so amazing, it was more of that, “ok, this is just a world of violence and gangs and California, and modern day and family and culture! It’s just so wonderful and exciting and important – with Mayans in particular, it just felt so different than any other show that I was able to do before. Specifically, I didn’t have to wear a corset which I thought was great!

AM: That was a relief!

SB: Yeah, my ribs took a break, you know?

AM: Exactly!

You said that what attracted you to playing Emily. How do you approach playing her?

SB: Well I think that what’s so beautiful about having 5 seasons of a show is that every season, I have to approach her a little differently, because she has grown like I have grown! We all change and I’m not saying that we change so drastically year to year, but in circumstances to which Emily has lived in, being part of the Cartel which is stressful, I can only imagine how it is so stressful! It’s stressful to act in – not only to be in real life! Things like that and her having a child. These things that I personally as Sarah have not been something that I have experienced – it was just a lot to her that I felt that I had to do my research on and really learn her and change her as her circumstances changed as the stakes got higher. As it got higher and the show progressed, it got really clear that Emily was a person that was very dependent on changing herself to fit into whatever circumstance that was. Whether it was her ex-love, using people as crutches, whether it was hiding behind organizations, or her husband – I think that what happened with Emily which was so cool to be able to do is to remove herself from that sturdy position that she had put herself in and it kind of made her very wobbly and made her make a lot of mistakes and made her very unsteady and very uncertain. That’s kind of very cool and very human – very very human.

AM: How do you feel that she’s kind of connected between two very different characters – between EZ (JD Pardo) and Miguel (Danny Pino). How do you feel that she perceives that balance that she is always having to walk between the two because she’s inextricably tied to them constantly?

SB: Totally and well said! I think that for Emily it is the balancing act of secrecy and lies. She has this person, EZ, who is her childhood crush, who is the love of her life potentially, who by the way she knows that she can never be with. He’s progressed in an avenue of his life where she can no longer catch him. She has progressed to an avenue in her life that he couldn’t fit into. So it’s not like there is this long lost yearning for what could be.

I think that when it comes to EZ, Emily reverts to childhood, reverts to help me, she reverts to “I need you,” save me – she reverts to these things that happens to younger loves.

With Miguel, if people were to ask me if I think that she loved him, I think that she beyond loved him. I think that without him, she wouldn’t have Cristόbal (Obadiah and Benjamin Abel), her child and as much as she fears him or hates him, there is a constant and truthful admiration maybe for him, for the love that they shared in that pocket of time that gave them their family. It gave her hope, it gave her security, and that gave her a future.

I think that between the two, it’s like fragmented love. Emily has almost no lover for herself because she keeps part of her love for EZ and she keeps part of this love for Miguel, but really, she is lost in and of herself. So I think that if you were asking me, she is in between these two people, but it’s tearing her apart!

AM: Right!

SB: It’s only ruining her, it doesn’t ruin the other two.

AM: It’s so interesting to watch and we see your face and we see all the emotions!

SB: She’s just so sad!

AM: Last week’s episode was just oh my gosh – this is awful!

SB: I know! Are you up to episode 3?

AM: Yes, yes!

SB: I had to check ha!

AM: I mean on one level, they’re on the swing set together and they’re saying so much, but neither can go back because too much has been done!

SB: No! There is no going back for either of them. I know that I’m definitely pulling from history here in terms of the Emily and EZ story. Even though their story is very different, they have kind of had a little bit of a mirror life. They both had this trajectory of escapism, escaping their history, escaping their family, being together, going to college, getting degrees, getting jobs, and they were both crumped by EZ’s prison sentence. In truth, it sentenced them both to a life that they didn’t intend to lead. That’s not necessarily talked about because Emily – that’s not something that she has on her shoulders all the time. But me as Sarah looking from a distance, I’m looking at the show thinking that their actual trajectories are very very similar. They both have had to dig down and they feel that they are almost left with no choices right? Whether it’s the cartel of the MC, it’s these things that they had no intention of ever being involved in, but now they are so deeply involved in that the only way out is down!

AM: Yeah, it’s just heartbreaking because the puzzle pieces can’t fit.

SB: Right and of course, who knows how they will end, but I just know that for me, the storyline for me has not been about her trying to get back to EZ, but actually just having Emily get back to herself.

AM: Absolutely.

We’ve watched Emily do this over the past 5 seasons. For those readers that may need a bit of a refresher and to catch up, where did we leave Emily in season 4 and where are we picking her back up again this season?

SB: At the end of season 4, Emily had removed herself from her husband, had gone on the run, had taken – sort of kidnapped Cristόbal, her son, as it was and with the aid of her sister, was able to escape and with the help of her knowledge of certain criminal behavior, she was able to get a passport with a different name. She was able to steal Miguel’s additional cash and sort of go on the run and hide from him and people were convinced that Miguel had died, but she was never convinced of that. She took a job working in a restaurant, just so she could send money back to her sister and her child just to feed them. I think that the point of season 4 for Emily was that any life was so much better, even if it was a dingy apartment with cockroaches, it was so much better than that castle which was just a prison. She had been on the run and the final episode of season 4 is Miguel finding Cristόbal – killing – well we don’t know who necessarily kills her sister in terms of which hand, but the organization kills her sister and Emily being asked maniacally by Miguel to return home and that all is forgiven, and that they need to be a family again. Emily is without choice, she’s without options, without funds and without her child – so there was no other choice for her, but to return back to really just be close to her kid again.

AM: In looking at the 3rd episode of this season, it was really interesting because it’s looking at the complicated nature or relationships. Not just between Emily and EZ, Emily and Miguel, but more importantly you have Filipe and Miguel – there’s this whole crazy thing going on!

SB: I know! He has this whole thing for brothers.

AM: It’s crazy because at the end of the day, you ask yourself where does Cristόbal hang in the balance on all of this? It’s such a big family network, but it’s not a known family network yet – so it’s a lot of plot twists. What can you tell us about what we can expect as we continue to watch this season as I know you can’t really give spoilers, but what should we be looking out for?

SB: I think that family has always been a really big theme of the show. It’s been an important theme whether it’s the blood you come from or the blood you create. It tears us, it humanizes us, and humbles us and I think that knowing how important family is, I feel that this will be an important story developing from that, but also I think that even for Emily, I wonder if Emily ever gets all of that information and what would that do to her and her family? I guess we will see.

AM: We will see!

SB: We will see!

AM: What have you enjoyed the most about playing the part and also being part of this cast? What’s the biggest takeaway that you’re going to have once this show completely wraps?

SB: That day, my last day on set – I know that the end of a job is emotional for everyone. You’ve literally spent 16 hours a day, 5 days a week and mostly at midnight with this community and with this crew, and with this cast! They know when you didn’t sleep, they know if you have a headache, they know that the rain is miserable and we’re all soaked together or the heat is crazy and we’re all overheated together. There’s so much that you share and there is so much by osmosis that they learn about you and that you learn about them. There is just this element of the familiar – every day you’re like, “don’t worry, I’ll see you next year.”

Episode 10 wrapped and you’re like, we’ll get another season. There wasn’t that this year. Not being able to say, “hopefully, I’ll see you in 4 months,” was really gut wrenching for me. For both, our cast and our crew. I mean this so sincerely, our cast is insanely talented, but we have the best crew in the world! From the camera department to the AD, to the transpo unit, to costume – they work so hard! Again, we spend so much time together! I won’t have that tomorrow, I won’t have that next year. It makes me so sad because they were a huge part of my life for the last 6 years! It’s 5 seasons but it’s 6 annual years.

AM: Yeah, that’s a long time! It’s a significant chunk.

SB: Oh my God, I feel like, you know – we find ourselves in our mid to late 20’s – that’s when I started the show! I grew up there! I have become a woman who’s paid attention to taxes through the show!

AM: Facts!

Do you have any upcoming projects that we should keep an eye out for?

SB: You know, there’s a show that I am attached to and it’s called Rematch that is all secret except that I know that that piece of information has been released. It’s about Garry Kasparov who is a famous chess player and that’s the blurb that has been released so that’s all that one can say and hopefully that will be released sometime very soon. But that’s very excited and I really enjoyed filming that in Budapest.

IG @sarahbolger

PHOTOGRAPHY CREDITS | PG 156, 158, 161 + PG 176/179 63MIX ROUTIN3S FX/Mayans MC

Read the JUN ISSUE #90 of Athleisure Mag and see END OF AN ERA | Sarah Bolger in mag.

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THE SAGA CONTINUES | JORDANA BREWSTER

July 18, 2023

The latest Fast and Furious movie is out now! Fast X along with its spin-offs have taken us around the world to see amazing cars, maneuvers, and interesting storylines! We have watched Jordana Brewster throughout these movies and had the chance to talk with her about becoming an actress, being part of this franchise that shows no signs of stopping, what we can look forward to in this movie, another movie that released this month and how as a mom she incorporates post-game routines with her children who are active in sports!

ATHLEISURE MAG: What was the moment when you realized that you wanted to be an actor?

JORDANA BREWSTER: I grew up in Brazil watching soap operas and so I realized that at the age of 9 years old, I really really wanted to be an actor as a career.

AM: We’ve enjoyed seeing you throughout the Fast & Furious franchise. What attracted you to this show?

JB: I loved the role of Mia, I felt that she was really strong and had a really specific point of view. I also loved the culture of street racing. I thought it was – we weren’t necessarily the good guys, we weren’t necessarily the bad guys either so I was intrigued with that culture and that sort of grey area that we were exploring.

AM: Did you think that you would still be part of this franchise after all of these years and why have continued to be involved?

JB: Never! I thought it was going to be a really fun summer job because I was in college when we started shooting Fast and it came out over the summer. So I thought that it would be a fun summer gig. Never did I think that it would go over 22 years and 10 movies!

AM: You play Mia Toretto, can you tell us about her and why you enjoy playing her?

JB: I love her strength. What attracted me was her strength and that is what I love exploring now. But now, I love the physicality of it. I love the fight scenes, I love training for the fight scenes, I love the stunts, it’s challenging because I want to be able to prove to everyone that I can do it.

AM: What can you tell us about Fast X for those that have yet to see this film?

JB: For those of you that haven’t seen it, I think that Jason Momoa (Game of Thrones, Aquaman franchise, Dune: Part One) is a fun and interesting villain that almost makes it so hard to hate him. He’s sociopathic and to see that in a Fast and Furious movie, was really fun.

AM: What do you want to see in future Fast and Furious films?

JB: I would love to see a female spin-off with Helen Mirren (Catherine the Great, 1923, The Good Liar), Nathalie Emmanuel (Game of Thrones, Die Hart, Maze Runner: The Death Cure), Charlize Theron (Mad Max: Fury Road, Atomic Blonde, Bombshell), Brie Larson (Captain Marvel, Avengers franchise, Lessons in Chemistry), and Michelle Rodriguez (Machete, Avatar, Dungeons & Dragons: Honor Among Thieves)! That would be so much fun and I think that there are so many strong female actresses in the franchise now that it would be awesome to have a female spin-off.

AM: You have another movie that’s out, Simulant, tell us about this movie and why you wanted to be part of it?

JB: I think that now with the headlines of AI and how far we have come now with Artificial Intelligence, Simulant will resonate with audiences because I play this widow, Faye who brings her husband back as a robot and has to grapple with what that means. I think that that possibility is not too far in our future. I think that audiences will love Simulant and I had a really fun time filming it! It’s also directed by a female director, April Mullen (Imposters, DC's Legends of Tomorrow, The 100) who’s super super talented.

AM: When you’re not on set, you’re on the field with your kids! What do they play and what is it like getting them prepped and your post-game routine for them?

JB: So my kids, they’re very very active. They love playing football, lacrosse, Jiu Jitsu, soccer – there’s not really a sport that they don’t like. So there are tons of uniforms and tons of sweat so they get really really stinky. What I have learned that has really helped me in their routine is Lysol Laundry Sanitizer and what I have also realized is that it is the bacteria that makes the clothes so so stinky. Luckily, Lysol kills 99.9% of that so I just add that to my routine and they come out smelling fresh and clean and ready to play again.

AM: Tell us about Lysol’s Labs Tour.

JB: I will be visiting NY in about a month and I will do the Lysol Labs Tour and we are going to teach people how to use the Lysol Sanitizer and how to add it to their step. I think that it’s going to really streamline a lot for moms and it’s really going to help them. I think that the kids are going to be grateful too because they are no longer going to be stinky.

IG @jordanabrewster

PHOTOGRAPHY COURTESY | PG 136 Peter Mountain/Universal Pictures | PG 138 Lysol |

Read the JUN ISSUE #90 of Athleisure Mag and see THE SAGA CONTINUES | Jordana Brewster in mag.

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PHOTO CREDITS | Craig Sjodin/ABC

THE BACHELORETTE S.20 E.4 | SEEKING CLARITY

July 17, 2023

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we head to Washington State to take some time to be one with nature as Charity Lawson continues her journey to finding love and getting to know more about the men that are competing for her attention.

Jesse Palmer meets the men at the lodge and lets them know more about the space that they’re at, that this area of the state has the most Sasquatch sightings and he leaves a date card. Dotun gets the 1-on-1 date card where they will leap into love. Charity arrives in a cool jeep to pick him up looking like a mountain bunny!

Brayden continues to love in his villain era as he’s annoyed about the other men saying that they have a strong connection with her when he feels that they haven’t spent the same amount of time with her. Thankfully, he kept it to himself. Dotun and Charity go bungee jumping - both seem to be really scared, why would Charity pick this if she felt that she wouldn’t do this - she actually has a number of tears just talking about it. But they not only do it, they do it twice!

Back at the lodge, Brayden and Aaron continue to get people involved in their drama. Hopefully, there will be a resolution this week. As night falls, the next date card arrives back at the lodge. Joey, Aaron, Michael, Caleb, Brayden, Sean, John, and Tanner have the group date. It seems like Xavier, our resident knitter, is going to have a 1-on-1 date.

Back on the 1-on-1 with Dotun, they’re enjoying smores! Dotun talks about how he got here and shares information on the immigration and visa process to get to the US. He talks about how that process shaped him as a person and how he cherishes the sacrifices that his parents did for him so that he could be here. She also talks about how growing up in her suburban area where people didn’t look like her, she created an achievement-oriented state of being. Their connection in being able to navigate the world in the midst of rising above their challenges is something that they both connect on. This connection is a reason why we can totally see him going to Hometowns! Of course, he gets the date rose! Their date ends in a hot tub - yet another element that tends to take place for these dates.

The group date takes place in the wilderness and Charity introduces the men to the Skamania Scouts who will put them through the ringer to get them to forage in the woods. It’s always interesting to see how they integrate kids into the challenges. The guys present the food that they brought, Tanner has mushrooms and pine nuts and the remainder of the men show what they found. In addition, the scouts have a Q+A round to get to know the guys more and the winner of this group date is Aaron.

The group date cocktail party shows Brayden yet again saying that he is using this time to see if he and Charity make sense for one another. Aaron lets him know that by saying that, he is wasting everyone’s time by staying there. The guys all question why he is there. Charity walks in hearing them argue and ask him what’s going on. The men let her know that Brayden doesn’t trust the process. She asks to see him and in their discussion, he tells her he is not happy there and she sends him home.

She lets the guys know that she sent Brayden home and she is not going to waste any more time. Aaron checks in with her to make sure she is ok. She knows that she needs to be there for the guys that are open to going through the process no matter how tough it is. The remainder of the guys put their best foot forward and she makes sure to be in the moment with each of them. The date night rose for the group date goes to Joey!

Xavier’s 1-on-1 date will take them to local favorites. She doesn’t question whether she is boyfriend material; however, she is looking to see whether he can be a potential husband! The ease between them as well as being attractive to one another is obvious! They try fruits, pepper jellies and more. We now understand why she has slight hesitancies as she sees some similarities between him and her ex! She realizes that as they sit down to dinner, she needs to ask these questions that she has been grappling with. She asks about whether he is loyal and she shares her personal story as well as with her ex, she dealt with infidelity one time too many! He lets her know that he is not hiding himself from her, he is there and he lets her know that his love was not reciprocated back to him in previous relationships. He lets her know that he will do anything for the people he is involved with. Of course, she offers the date rose for their 1-on-1.

The men get ready for the cocktail party ahead of the rose ceremony. Charity meets them and you can tell that everyone is feeling lighter about what is going on in general! They toast one another and he takes some time with Aaron as they reconnect. She takes the time with each of the men so that she can find out more and she feels less concerned about the distractions that have been taking place. The 9 men are eager to continue on and of course, Brayden arrives scarf and earrings and all to confront Charity.

Brayden came back and said that he came back because he was emotionally charged. Charity let him know that she can respect how he feels, but as a woman, she has given him the opportunities and he wasn’t taking them. The men on the couch are frustrated that again, their time has been taken away from them. As Brayden goes to the party bus to be taken off the property, the men let him know what they think of his ongoing antics. John wanted to finish his conversation as his date was interrupted, but Jesse let him know that the cocktail party was cut short!

The rose ceremony starts off and she lets them know that she sees quality men and respects them regardless of the outcome for the night. She gives roses to Aaron, Tanner, and Sean. It was quite a night and we’re so close to Hometowns!

Charity gave roses to | Aaron, Dotun, Joey, Sean, Tanner, and Xavier

Charity sent home | Brayden, Caleb, John, and Michael

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!


WHO WE WANT TO SEE GO TO HOMETOWNS

AARON
AARON
DOTUN
DOTUN
JOEY
JOEY
XAVIER
XAVIER

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA
AARON B. 29 - San Diego, CA
AARON S. 33 - San Diego, CA
AARON S. 33 - San Diego, CA
ADRIAN 33 - North Hills, CA
ADRIAN 33 - North Hills, CA
BRAYDEN 24 - San Diego, CA
BRAYDEN 24 - San Diego, CA
CALEB A. 29 - Ann Arbor, MI
CALEB A. 29 - Ann Arbor, MI
CALEB B. 24 - Orlando, FL
CALEB B. 24 - Orlando, FL
CHRIS S. 27 - White Plains, NY
CHRIS S. 27 - White Plains, NY
DOTUN 30 - Brooklyn, NY
DOTUN 30 - Brooklyn, NY
JAMES 28 - Chicago, IL
JAMES 28 - Chicago, IL
JOE 30 - San Francisco, CA
JOE 30 - San Francisco, CA
JOEY 27 - Koloa, HI
JOEY 27 - Koloa, HI
JOHN B. 27 - NY, NY
JOHN B. 27 - NY, NY
JOHN HENRY S. 30 - Virginia Beach, VA
JOHN HENRY S. 30 - Virginia Beach, VA
JOSH 28 - Bethlehem, PA
JOSH 28 - Bethlehem, PA
KALEB K 26 - Norcross, GA
KALEB K 26 - Norcross, GA
KHALID 28 - Dearborn, MI
KHALID 28 - Dearborn, MI
MICHAEL 29 - South Holland, IL
MICHAEL 29 - South Holland, IL
NICK 31 - Bayonne, NJ
NICK 31 - Bayonne, NJ
PETER 33 - NY, NY
PETER 33 - NY, NY
SEAN 25 - Tampa, FL
SEAN 25 - Tampa, FL
SPENCER 32 - Moorpark, CA
SPENCER 32 - Moorpark, CA
TANNER 30 - Pittsburgh, PA
TANNER 30 - Pittsburgh, PA
TAYLOR 32 - Beaver Creek, OH
TAYLOR 32 - Beaver Creek, OH
WARWICK 27 - Nashville, TN
WARWICK 27 - Nashville, TN
XAVIER 27 - Carrboro, NC
XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

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July 15, 2023

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July 14, 2023

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July 13, 2023

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AWARDS SEASON | EMMY AWARDS NOMINEES

July 12, 2023

Earlier today, the Emmy Awards announced their nominees of a number of our favorite shows! As always, we like to predict who we think the winners are and then to follow up with who won after the big night! This year’s 75th Primetime Emmy Awards is slated to take place on Jan 15th at 8:00pm ET and you can watch it on FOX. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Drama Series

Andor (Disney+)
Better Call Saul (AMC)
The Crown (Netflix)
House of the Dragon (HBO/Max)
The Last of Us (HBO/Max)
Succession (HBO/Max)
The White Lotus (HBO/Max)
Yellowjackets (Showtime)

Best Actor in a Drama Series

Jeff Bridges (The Old Man)
Brian Cox (Succession) 
Kieran Culkin (Succession)
Bob Odenkirk (Better Call Saul)
Pedro Pascal (The Last of Us)
Jeremy Strong (Succession)

Best Actress in a Drama Series

Sharon Horgan (Bad Sisters)
Melanie Lynskey (Yellowjackets)
Elisabeth Moss (The Handmaid’s Tale)
Bella Ramsey (The Last of Us)
Keri Russell (The Diplomat)
Sarah Snook (Succession)

Best Supporting Actor in a Drama Series

F. Murray Abraham (The White Lotus)
Nicholas Braun (Succession)
Michael Imperioli (The White Lotus)
Theo James (The White Lotus)
Matthew Macfadyen (Succession)
Alan Ruck (Succession)
Will Sharpe (The White Lotus)
Alexander Skarsgard (Succession)

Best Supporting Actress in a Drama Series

Jennifer Coolidge (The White Lotus)
Elizabeth Debicki (The Crown)
Meghann Fahy (The White Lotus)
Sabrina Impacciatore (The White Lotus)
Aubrey Plaza (The White Lotus)
Rhea Seehorn (Better Call Saul)
J. Smith-Cameron (Succession)
Simona Tabasco (The White Lotus)

Best Comedy Series

Abbott Elementary (ABC)
Barry (HBO/Max)
The Bear (FX)
Jury Duty (Amazon Freevee)
The Marvelous Mrs. Maisel (Prime Video)
Only Murders in the Building (Hulu)
Ted Lasso (Apple TV+)
Wednesday (Netflix)

Best Actress in a Comedy Series

Christina Applegate (Dead to Me)
Rachel Brosnahan (The Marvelous Mrs. Maisel)
Quinta Brunson (Abbott Elementary)
Natasha Lyonne (Poker Face)
Jenna Ortega (Wednesday)

Best Actor in a Comedy Series

Bill Hader (Barry)
Martin Short (Only Murders in the Building)
Jason Segel (Shrinking)
Jason Sudeikis (Ted Lasso)
Jeremy Allen White (The Bear)

Best Supporting Actor in a Comedy Series

Anthony Carrigan (Barry)
Phil Dunster (Ted Lasso)
Brett Goldstein (Ted Lasso)
James Marsden (Jury Duty)
Ebon Moss-Bachrach (The Bear)
Tyler James Williams (Abbott Elementary)
Henry Winkler (Barry)

Best Supporting Actress in a Comedy Series

Alex Borstein (The Marvelous Mrs. Maisel)
Ayo Edebiri (The Bear)
Janelle James (Abbott Elementary)
Sheryl Lee Ralph (Abbott Elementary)
Juno Temple (Ted Lasso)
Hannah Waddingham (Ted Lasso)
Jessica Williams (Shrinking)

Best Limited or Anthology Series

Beef (Netflix)
Dahmer — Monster: The Jeffrey Dahmer Story (Netflix)
Daisy Jones & the Six (Prime Video)
Fleishman Is in Trouble (FX)
Obi-Wan Kenobi (Disney+)

Best Actress in a Limited or Anthology Series or TV Movie

Lizzy Caplan (Fleishman Is in Trouble)
Jessica Chastain (George & Tammy)
Dominique Fishback (Swarm)
Kathryn Hahn (Tiny Beautiful Things)
Riley Keough (Daisy Jones & the Six)
Ali Wong (Beef)

Best Actor in a Limited or Anthology Series or TV Movie

Taron Egerton (Black Bird)
Kumail Nanjiani (Welcome to Chippendales)
Evan Peters (Dahmer — Monster: The Jeffrey Dahmer Story)
Daniel Radcliffe (Weird: The Al Yankovic Story)
Michael Shannon (George & Tammy)
Steven Yeun (Beef)

Best Supporting Actor in a Limited or Anthology Series or TV Movie

Murray Bartlett (Welcome to Chippendales)
Paul Walter Hauser (Black Bird)
Richard Jenkins (Dahmer – Monster: The Jeffrey Dahmer Story)
Joseph Lee (Beef)
Ray Liotta (Black Bird)
Young Mazino (Beef)
Jesse Plemons (Love & Death)

Best Supporting Actress in a Limited or Anthology Series or TV Movie

Annaleigh Ashford (Welcome to Chippendales)
Maria Bello (Beef)
Claire Danes (Fleishman Is In Trouble)
Juliette Lewis (Welcome to Chippendales)
Camila Morrone (Daisy Jones & the Six)
Niecy Nash-Betts (Dahmer — Monster: The Jeffrey Dahmer Story)
Merritt Wever (Tiny Beautiful Things)

Best Writing for a Comedy Series

Barry (HBO/Max)
Bill Hader, Written by

The Bear (FX)
Christopher Storer, Written by

Jury Duty (Amazon Freevee)
Mekki Leeper, Written by

Only Murders in the Building (Hulu)
John Hoffman, Written by
Matteo Borghese, Written by
Rob Turbovsky, Written by

The Other Two (HBO/Max)
Chris Kelly, Written by
Sarah Schneider, Written by

Ted Lasso (Apple TV+)
Brendan Hunt, Written by
Joe Kelly, Written by
Jason Sudeikis, Written by

Best Writing for a Drama Series

Andor (Disney+)
Beau Willimon, Written by

Bad Sisters (Apple TV+)
Sharon Horgan, Teleplay by
Dave Finkel, Teleplay by
Brett Baer, Teleplay by

Better Call Saul (AMC)
Gordon Smith, Written by

Better Call Saul (AMC)
Peter Gould, Written by

The Last of Us (HBO/Max)
Craig Mazin, Written for Television by

Succession (HBO/Max)
Jesse Armstrong, Written by

The White Lotus (HBO/Max)
Mike White, Written by

Best Writing for a Limited or Anthology Series or TV Movie

Beef (Netflix)
Lee Sung Jin, Written by

Fire Island (Hulu)
Joel Kim Booster, Written by

Fleishman Is In Trouble (FX)
Taffy Brodesser-Akner, Written for Television by

Prey (Hulu)
Patrick Aison, Written by & Story by
Dan Trachtenberg, Story by

Swarm (Prime Video)
Janine Nabers, Teleplay by & Story by
Donald Glover, Story by

Weird: The Al Yankovic Story (The Roku Channel)
Al Yankovic, Written by
Eric Appel, Written by

Best Directing for a Drama Series

Andor (Disney+)
Benjamin Caron, Directed by

Bad Sisters (Apple TV+)
Dearbhla Walsh, Directed by

The Last of Us (HBO/Max)
Peter Hoar, Directed by

Succession (HBO/Max)
Andrij Parekh, Directed by

Succession (HBO/Max)
Mark Mylod, Directed by

Succession (HBO/Max)
Lorene Scafaria, Directed by

The White Lotus (HBO/Max)
Mike White, Directed by

Best Directing for a Comedy Series

Barry (HBO/Max)
Bill Hader, Directed by

The Bear (FX)
Christopher Storer, Directed by

The Marvelous Mrs. Maisel (Prime Video)
Amy Sherman-Palladino, Directed by

The Ms. Pat Show (BET+)
Mary Lou Belli, Directed by

Ted Lasso (Apple TV+)
Declan Lowney, Directed by

Wednesday (Netflix)
Tim Burton, Directed by

Best Directing for a Limited or Anthology Series or TV Movie

Beef (Netflix)
Lee Sung Jin, Directed by

Beef (Netflix)
Jake Schreier, Directed by

Dahmer — Monster: The Jeffrey Dahmer Story (Netflix)
Carl Franklin, Directed by

Dahmer — Monster: The Jeffrey Dahmer Story (Netflix)
Paris Barclay, Directed by

Fleishman Is in Trouble (FX)
Valerie Faris, Directed by
Jonathan Dayton, Directed by

Prey (Hulu)
Dan Trachtenberg, Directed by

Best Talk Series

The Daily Show With Trevor Noah (Comedy Central)
Jimmy Kimmel Live! (ABC)
Late Night With Seth Meyers (NBC)
The Late Show With Stephen Colbert (CBS)
The Problem With Jon Stewart (Apple TV+)

Best Reality Competition

The Amazing Race (CBS)
RuPaul’s Drag Race (MTV)
Survivor (CBS)
Top Chef (Bravo)
The Voice (NBC)

Best Animated Program

Bob’s Burgers (Fox)
Entergalactic (Netflix)
Genndy Tartakovsky’s Primal (Adult Swim)
Rick and Morty (Adult Swim)
The Simpsons (Fox)

Best Structured Reality Program

Antiques Roadshow (PBS)
Diners, Drive-Ins and Dives (Food Network)
Love Is Blind (Netflix)
Queer Eye (Netflix)
Shark Tank (ABC)

Best Unstructured Reality Program

Indian Matchmaking (Netflix)
RuPaul’s Drag Race: Untucked (MTV)
Selling Sunset (Netflix)
Vanderpump Rules (Bravo)
Welcome to Wrexham (FX)

Best Television Movie

Dolly Parton’s Mountain Magic Christmas (NBC)
Fire Island (Hulu)
Hocus Pocus 2 (Disney+)
Prey (Hulu)
Weird: The Al Yankovic Story (The Roku Channel)

Best Game Show

Family Feud (ABC)
Jeopardy! (ABC)
The Price Is Right (CBS)
That’s My Jam (NBC)
Wheel of Fortune (ABC)

Best Scripted Variety Series

A Black Lady Sketch Show (HBO/Max)
Last Week Tonight With John Oliver (HBO/Max)
Saturday Night Live (NBC)

Best Variety Special (Live)

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna (Fox)
Chris Rock: Selective Outrage (Netflix)
Elton John Live: Farewell From Dodger Stadium (Disney+)
The Oscars (ABC)
75th annual Tony Awards (CBS)

Best Variety Special (Prerecorded)

Carol Burnett: 90 Years of Laughter + Love (NBC)
John Mulaney: Baby J (Netflix)
Lizzo: Live in Concert (HBO/Max)
Norman Lear: 100 Years of Music & Laughter (ABC)
Trevor Noah: I Wish You Would (Netflix)
Wanda Sykes: I’m an Entertainer (Netflix)

Best Host for a Reality or Competition Program

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski and Jonathan Van Ness (Queer Eye)
Nicole Byer (Nailed It!)
Padma Lakshmi (Top Chef)
Amy Poehler and Maya Rudolph (Baking It)
RuPaul (RuPaul’s Drag Race)

Best Host for a Game Show

Mayim Bialik (Jeopardy!)
Steve Harvey (Family Feud)
Ken Jennings (Jeopardy!)
Keke Palmer (Password)
Pat Sajak (Wheel of Fortune)

Best Guest Actor in a Comedy Series

Jon Bernthal (The Bear)
Luke Kirby (The Marvelous Mrs. Maisel)
Nathan Lane (Only Murders in the Building)
Pedro Pascal (Saturday Night Live)
Oliver Platt (The Bear)
Sam Richardson (Ted Lasso)

Best Guest Actor in a Drama Series

Murray Bartlett (The Last of Us)
James Cromwell (Succession)
Lamar Johnson (The Last of Us)
Arian Moayed (Succession)
Nick Offerman (The Last of Us)
Keivonn Montreal Woodard (The Last of Us)

Best Guest Actress in a Comedy Series

Becky Ann Baker (Ted Lasso)
Quinta Brunson (Saturday Night Live)
Taraji P. Henson (Abbott Elementary)
Judith Light (Poker Face)
Sarah Niles (Ted Lasso)
Harriet Walter (Ted Lasso)

Best Guest Actress in a Drama Series

Hiam Abbass (Succession)
Cherry Jones (Succession)
Melanie Lynskey (The Last of Us)
Storm Reid (The Last of Us)
Anna Torv (The Last of Us)
Harriet Walter (Succession)

Best Documentary or Nonfiction Special

Being Mary Tyler Moore (HBO/Max)
Judy Blume Forever (Prime Video)
My Transparent Life (Prime Video)
Pamela, A Love Story (Netflix)
Still: A Michael J. Fox Movie (Apple TV+)

Best Documentary or Nonfiction Series

Dear Mama (FX)
100 Foot Wave (HBO/Max)
Secrets of the Elephants (National Geographic)
The 1619 Project (Hulu)
The U.S. and the Holocaust (PBS)

Best Hosted Nonfiction Series or Special

The Light We Carry: Michelle Obama & Oprah Winfrey (Netflix)
My Next Guest Needs No Introduction With David Letterman (Netflix)
Stanley Tucci: Searching for Italy (CNN)
Taste the Nation With Padma Lakshmi (Hulu)
United Shades of America With W. Kamau Bell (CNN)

Exceptional Merit in Documentary Filmmaking

The Accused: Damned or Devoted? (PBS)
Aftershock (Hulu)
Last Flight Home (Paramount+)
The Territory (National Geographic)

Read the latest issue of Athleisure Mag.

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PHOTO COURTESY | Television Academy/Creative Arts Emmys

AWARDS SEASON | CREATIVE ARTS EMMYS NOMINATIONS

July 12, 2023

The 75th Creative Arts Emmy announced the nominees for this awards show that takes place over 2 days! Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

The Last Of Us • Infected • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog John Paino, Production Designer Don Macaulay, Art Director Paul Healy, Set Decorator

Poker Face • The Orpheus Syndrome • Peacock • T-Street, MRC Television, Animal Pictures
Judy Rhee, Production Designer Martha Sparrow, Art Director Cathy Marshall, Set Decorator

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Stephen H. Carter, Production Designer Molly Mikula, Art Director George Detitta Jr., Set Decorator

Ted Lasso • Sunflowers • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director Kate Goodman, Set Decorator

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Mark Scruton, Production Designer Adrian Curelea, Art Director Robert Hepburn, Set Decorator

The White Lotus • Ciao • HBO Max • HBO in association with Rip Cord and The District Cristina Onori, Production Designer Gianpaolo Rifino, Art Director Letizia Santucci, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Jessica Kender, Production Designer Brian Grego, Art Director Lisa Clark, Set Decorator Andi Brittan, Set Decorator

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Tamara Deverell, Production Designer Brandt Gordon, Art Director Shane Vieau, Set Decorator

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jim Clay, Production Designer Dominic Masters, Art Director Claire Nia Richards, Set Decorator

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Perry Mason • Chapter Eleven • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Keith P. Cunningham, Production Designer Ian Scroggins, Art Director Halina Siwolop, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROHRAM (HALF-HOUR)
The Bear • System • FX • FX Productions Sam Lisenco, Production Designer Eric Dean, Art Director Emily Carter, Set Decorator

How I Met Your Father • The Reset Button • Ride Or Die • Daddy • Hulu • 20th Television Glenda Rovello, Production Designer Conny Boettger-Marinos, Art Director Amy Beth Feldman, Set Decorator

Only Murders In The Building • Sparring Partners • I Know Who Did It • Hulu • 20th Television Patrick Howe, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! • Famous As Hell • Apple TV+ • Broadway Video / Universal Television in association with Apple Jamie Walker McCall, Production Designer Ryan Garton, Art Director Gregory Clarke, Art Director Carol Lavallee, Set Decorator

What We Do In The Shadows • The Night Market • FX • FX Productions Shayne Fox, Production Designer Aaron Noël, Art Director Kerri Wylie, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY OR REALITY SERIES
A Black Lady Sketch Show • Peek-A-Boob, Your Titty’s Out • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

Last Week Tonight With John Oliver • Museums • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television Eric Morrell, Production Designer Sabrina Lederer, Art Director

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Thomas Rouse, Production Designer Tyka Edwards, Art Director

RuPaul's Drag Race • Blame It On The Edit • MTV • World of Wonder Gianna Costa, Production Designer Brad Bailey, Art Director

Saturday Night Live • Host: Steve Martin & Martin Short • Host: Jenna Ortega • NBC • SNL Studios in association with Universal Television and Broadway Video Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer Andrea Purcigliotti, Production Designer Danielle Webb, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY SPECIAL

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Lindsey Breslauer, Art Director Maria Garcia, Art Director Lily Rodgers, Art Director

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Tamlyn Wright, Production Designer Travis Deck, Art Director

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Misty Buckley, Production Designer Joe Celli, Art Director Raquel Tarbet, Set Decorator

The 65th Annual Grammy Awards • CBS • Fulwell 73 Julio Himede, Production Designer Kristen Merlino, Art Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences Misty Buckley, Production Designer Alana Billingsley, Production Designer John Zuiker, Art Director

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Black Bird • Hand To Mouth • Apple TV+ • Apple Studios Natalie Kingston, Director of Photography

Boston Strangler • Hulu • 20th Century Studios Ben Kutchins, Director of Photography

Dead Ringers • One • Prime Video • AnnaPurna Pictures, Amazon Studios Jody Lee Lipes, ASC, Director of Photography

George & Tammy • Stand By Your Man • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Igor Martinovic, Director of Photography

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You
Anastas Michos, ASC, GSC, Director of Photography

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM
100 Foot Wave • Chapter VI - Force Majeure • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Antoine Chicoye, Cinematography by Mikey Corker, Cinematography by Vincent Kardasik, Cinematography by Alexandre Lesbats, Cinematography by Chris Smith, Cinematography by Laurent Pujol, Cinematography by João Vidinha, Cinematography by Michael Darrigade, Cinematography by

Secrets Of The Elephants • Desert • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic Toby Strong, Director of Photography James Boon, Director of Photography Bob Poole, Director of Photography

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Jerry Henry, Director of Photography

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Andrew Muggleton, Director of Photography

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio C. Kim Miles, CSC, ASC, MySC, Director of Photography Clair Popkin, Cinematography by Julia Liu, Cinematography by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava Alex Pritz, Cinematography by Tangãi Uru-eu-wau-wa, Cinematography by

OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Josh Bartel, Camera Kurt Carpenter, Camera David D'Angelo, Camera Matthew Di Girolamo, Camera Adam Haisinger, Camera Robert Howsam, Camera Kevin Johnson, Camera Jay Kaufman, Camera Ian Kerr, CSC, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Ryan Shaw, Camera
Alan Weeks, Camera

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel David Reichert, Director of Photography Charlie Beck, Director of Photography Bryan Miller, Director of Photography Todd Stanley, Director of Photography Shane Moore, Director of Photography Nathan Garofalos, Director of Photography David Arnold, Director of Photography

Life Below Zero • The Pursuit • National Geographic • BBC Studios Danny Day, Director of Photography Simeon Houtman, Director of Photography Jason Hubbell, Director of Photography Ben Mullin, Director of Photography Zach Vincent, Director of Photography

Survivor • Series Body Of Work • CBS • MGM Television Peter Wery, Director of Photography Scott Duncan, Director of Photography Russ Fill, Director of Photography George Andrews, Camera Tim Barker, Camera Marc Bennett, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Chris Ellison, Camera Nixon George, Camera Matthias Hoffmann, Cinema Toby Hogan, Camera Derek Holt, Camera Efrain "Mofi" Laguna, Camera Ian Miller, Camera Nico Nyoni, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Daniel Powell, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Paulo Velozo, Camera Cullum Andrews, Camera Christopher Barker, Director of Aerial Photography Granger Scholtz, Director of Aerial Photography Nic Van Der Westhuizen, Aerial Camera Operator Dwight Winston, Aerial Camera Operator

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Alastair McKevitt, Director of Photography Craig Hastings, Director of Photography Leighton Cox, Director of Photography Jason Bulley, Director of Photography


OUTSTANDING PERIOD COSTUMES FOR A SERIES
The Crown • Mou Mou • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Amy Roberts, Costume Designer Sidonie Roberts, Associate Costume Designer Christof Roche-Gordon, Costume Supervisor

The Great • Choose Your Weapon • Hulu • Civic Center Media, MRC Sharon Long, Costume Designer Claire Tremlett, Assistant Costume Designer Basia Kuznar, Assistant Costume Designer Anna Lau, Costume Supervisor

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor

Perry Mason • Chapter Ten • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Catherine Adair, Costume Designer David J. Matwijkow, Assistant Costume Designer Nanrose Buchman, Costume Supervisor

Queen Charlotte: A Bridgerton Story • Crown Jewels • Netflix • A Netflix Series in association with shondalandmedia Lyn Elizabeth Paolo, Costume Designer Laura Frecon, Co-Costume Designer Jovana Gospavic, Assistant Costume Designer Alex Locke, Costume Supervisor

OUTSTANDING PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Dahmer - Monster: The Jeffrey Dahmer Story • Please Don't Go • Netflix • Ryan Murphy Productions for Netflix Rudy Mance, Costume Designer Monica Chamberlain, Assistant Costume Designer Desmond Smith, Assistant Costume Designer Suzy Freeman, Costume Supervisor

Daisy Jones & The Six • Track 8: Looks Like We Made It • Prime Video • Hello Sunshine, Amazon Studios Denise Wingate, Costume Designer Derek Sullivan, Costume Supervisor

George & Tammy • We're Gonna Hold On • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Mitchell Travers, Costume Designer Mitchel Wolf, Assistant Costume Designer Laurel Rose, Assistant Costume Designer Aileen Abercrombie, Assistant Costume Designer Susan Russell, Costume Supervisor Charles Carter, Costume Supervisor

Guillermo Del Toro's Cabinet Of Curiosities • Dreams In The Witch House • Netflix • Netflix / Double Dare You Luis Sequeira, Costume Designer Ann Steel, Assistant Costume Designer Heather Crepp, Costume Supervisor

Welcome To Chippendales • Leeches • Hulu • 20th Television Peggy Schnitzer, Costume Designer
Derek Bulger, Assistant Costume Designer Julie Heath, Costume Supervisor

OUTSTANDING FANTASY/SCI-FI COSTUMES
Hocus Pocus 2 • Disney+ • Walt Disney Pictures Salvador Perez, Costume Designer Elizabeth Shelton, Assistant Costume Designer Gala Autumn, Costume Supervisor

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jany Temime, Costume Designer Katherine Burchill, Assistant Costume Designer Paul Yeowell, Assistant Costume Designer Rachel George, Assistant Costume Designer Joanna Lynch, Costume Supervisor

The Lord Of The Rings: The Rings Of Power • A Shadow Of The Past • Prime Video • Amazon Studios Kate Hawley, Costume Designer Libby Dempster, Assistant Costume Designer Lucy McLay, Assistant Costume Designer Jaindra Watson, Assistant Costume Designer Pip Lingard, Costume Supervisor Jenny Rushton, Costume Supervisor

The Mandalorian • Chapter 22: Guns For Hire • Disney+ • Lucasfilm Ltd. Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor

Obi-Wan Kenobi • Part I • Disney+ • Lucasfilm Ltd. Suttirat Anne Larlarb, Costume Designer Stacia Lang, Assistant Costume Designer Lynda Foote, Costume Supervisor

What We Do In The Shadows • The Wedding • FX • FX Productions Laura Montgomery, Costume Designer Barbara Cardoso, Assistant Costume Designer Judy Laukkanen, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES
Emily In Paris • What's It All About... • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Marylin Fitoussi, Costume Designer Herehau Ragonneau, Assistant Costume Designer Daniela Telle, Associate Costume Designer Marie Fremont, Costume Supervisor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Cynthia Ann Summers, Costume Designer Kelsey Chobotar, Assistant Costume Designer Rebecca Toon, Assistant Costume Designer Michelle Carr, Costume Supervisor

Only Murders In The Building • Framed • Hulu • 20th Television Dana Covarrubias, Costume Designer Abby Geoghegan, Assistant Costume Designer Kathleen Gerlach, Wardrobe Supervisor

Succession • Church And State • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Michelle Matland, Costume Designer Jonathan Schwartz, Assistant Costume Designer Mark Agnes, Wardrobe Supervisor

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Colleen Atwood, Costume Designer Mark Sutherland, Co-Costume Designer Robin Soutar, Assistant Costume Designer Claudia Littlefield, Costume Supervisor Adina Bucur, Costume Supervisor

The White Lotus • That's Amore • HBO Max • HBO in association with Rip Cord and The District
Alex Bovaird, Costume Designer Brian Sprouse, Assistant Costume Designer Margherita Zanobetti, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • The Birds Don't Sing, They Screech In Pain • Netflix • A Netflix Series / An A24 Production Helen Huang, Costume Designer Austin Wittick, Assistant Costume Designer YJ Hwang, Assistant Costume Designer Mark Anthony Summers, Costume Supervisor

Dolly Parton's Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions Provi Fulp, Costume Designer Jose Ramos, Costume Supervisor Steve Summers, Dolly's Wardrobe by

Fleishman Is In Trouble • Me-Time • FX • ABC Signature Leah Katznelson, Costume Designer Angel Peart, Assistant Costume Designer Katie Novello, Assistant Costume Designer Deidre Wegner, Assistant Costume Designer Anne Newton-Harding, Costume Supervisor

Swarm • Honey • Prime Video • Amazon Studios Dominique Dawson, Costume Designer Brittny Chapman, Assistant Costume Designer Mashal Khan, Costume Supervisor

The Watcher • Welcome, Friends • Netflix • A Netflix Series / Jam Tart Films / Prospect Films / Ryan Murphy Television Lou Eyrich, Costume Designer Rudy Mance, Costume Designer Catherine Crabtree, Assistant Costume Designer Zakiya Dennis, Costume Supervisor

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES
Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Skip Macdonald, ACE, Editor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Timothy A. Good, ACE, Editor Emily Mendez, Editor  

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Jane Rizzo, ACE, Editor

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Bill Henry, ACE, Editor

Succession • With Open Eyes • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Ken Eluto, ACE, Editor

The White Lotus • Abductions • HBO Max • HBO in association with Rip Cord and The District
Heather Persons, ACE, Editor

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
John M. Valerio, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES
Call Me Kat • Call Me Consciously Uncoupled • FOX • That's Wonderful Productions, Sad Clown Productions and BBC Studios in association with Warner Bros. Television and FOX Entertainment
Pamela Marshall, Editor

How I Met Your Father • Daddy • Hulu • 20th Television Russell Griffin, ACE, Editor

Night Court • Pilot • NBC • After January Productions in association with Warner Bros. Television and Universal Television Kirk Benson, Editor Chris Poulos, Editor

The Upshaws • Duct Up • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Russell Griffin, ACE, Editor Angel Gamboa Bryant, Editor

The Upshaws • Off Beat • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Angel Gamboa Bryant, Editor

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES
Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Franky Guttman, Editor Ali Greer, ACE, Editor

The Bear • System • FX • FX Productions Joanna Naugle, Editor

Only Murders In The Building • The Last Day Of Bunny Folger • Hulu • 20th Television Peggy Tachdjian, ACE, Editor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television A.J. Catoline, ACE, Editor Alex Szabo, Editor

Ted Lasso • So Long, Farewell • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Melissa McCoy, ACE, Editor Francesca Castro, Additional Editor

What We Do In The Shadows • Go Flip Yourself • FX • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, ACE, Editor
 

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • Figures Of Light • Netflix • A Netflix Series / An A24 Production Nat Fuller, Editor Laura Zempel, Editor

Dahmer - Monster: The Jeffrey Dahmer Story • The Good Boy Box • Netflix • Ryan Murphy Productions for Netflix Stephanie Filo, ACE, Editor

Ms. Marvel • Generation Why • Disney+ • Marvel Studios Nona Khodai, ACE, Editor Sabrina Plisco, ACE, Editor

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Kelley Dixon, ACE, Editor Josh Earl, ACE, Editor

Prey • Hulu • 20th Century Studios Angela M. Catanzaro, ACE, Editor Claudia Castello, Editor

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Jamie Kennedy, ACE, Editor

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

A Black Lady Sketch Show • My Love Language Is Words Of Defamation • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Stephanie Filo, ACE, Supervising Editor Malinda Zehner Guerra, Editor Taylor Joy Mason, Editor

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Mike Polito, Offline Editor Timothy Schultz, Offline Editor

The Daily Show With Trevor Noah • Jordan Klepper Shows Trump Supporters January 6th Hearing Clips • Comedy Central • Central Productions, LLC Storm Choi, Editor Eric Davies, Editor Tom Favilla, Editor Lauren Beckett Jackson, Editor Nikolai Johnson, Editor Ryan Middleton, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor

History Of The World, Part II • III • Hulu • 20th Television and Searchlight Television Angel Gamboa Bryant, Editor Stephanie Filo, ACE, Editor Daniel Flesher, Editor George Mandl, Editor

Saturday Night Live • HBO Mario Kart Trailer (Segment) • NBC • SNL Studios in association with Universal Television and Broadway Video Ryan Spears, Editor Christopher Salerno, Editor

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM
 
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Brett Morgen, Editor

100 Foot Wave • Chapter III - Jaws • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Alex Bayer, Editor Alex Keipper, Editor Quin O'Brien, Editor

Pretty Baby: Brooke Shields • Hulu • ABC News Studios, Bed By 8, Matador Content, Drifting Cloud Productions David Teague, Supervising Editor Sara Newens, Editor Anne Yao, Editor

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Ephraim Kirkwood, Editor
Jesse Allain-Marcus, Additional Editor Adriana Pacheco, Additional Editor

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Liz Roe, Editor

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Harte, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A STRUCTURED REALITY OR COMPETITION PROGRAM
The Amazing Race • Body Of Work • CBS • WorldRace Productions, Inc. Eric Beetner, Editor Kevin Blum, Editor Trevor Campbell, Editor Kellen Cruden, Editor Jay Gammill, Editor Katherine Griffin, Editor Jason Groothuis, Editor Darrick Lazo, Editor Ryan Leamy, Editor Josh Lowry, Editor Paul Nielsen, Editor Steve Mellon, Editor

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Toni Ann Carabello, Lead Editor Nova Taylor, Editor Jason Szabo, Editor Widgie Nikia Figaro, Editor Sean Gill, Editor Kimberly Pellnat, Editor

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Jamie Martin, Lead Editor Paul Cross, Editor Ryan Mallick, Editor Michael Roha, Editor

Survivor • Telenovela • CBS • MGM Television Bill Bowden, Supervising Editor Evan Mediuch, Supervising Editor Francisco Santa Maria, Editor Plowden Schumacher, Editor Andrew Bolhuis, Editor Jacob Teixeira, Editor James Ciccarello, Editor

Top Chef • Body Of Work • Bravo • Magical Elves Steve Lichtenstein, Lead Editor Ericka Concha, Editor Blanka Kovacs, Editor Eric Lambert, Editor Matt Reynolds, Editor Jay M. Rogers, Editor Brian Freundlich, Additional Editor Brian Giberson, Additional Editor Malia Jurick, Additional Editor Brian Kane, Additional Editor Daniel Ruiz, Additional Editor Anthony J. Rivard, Additional Editor Annie Tighe, Additional Editor Tony West, Additional Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM
Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Rob Butler, Supervising Editor Isaiah Camp, Supervising Editor Alexandra Moore, Editor Alexander Rubinow, Editor Ian Olsen, Editor Hugh Elliot, Editor Joe Mikan, Additional Editor

Life Below Zero • A Storm To Remember • National Geographic • BBC Studios Michael Swingler, Editor Tony Diaz, Additional Editor Matt Edwards, Additional Editor Jennifer Nelson, ACE, Additional Editor Tanner Roth, Additional Editor

RuPaul's Drag Race: Untucked • The Daytona Wind 2 • MTV • World of Wonder Matthew D. Miller, Lead Editor Kellen Cruden, Editor

Vanderpump Rules • Lady And The Glamp • Bravo • Evolution Media Jesse Friedman, Editor Tom McCudden, Editor Ramin Mortazavi, Editor Christian Le Guilloux, Editor Paul Peltekian, Editor Sax Eno, Editor Robert Garry, Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mohamed El Manasterly, Editor Curtis McConnell, Editor Michael Brown, Editor Charles Little, ACE, Editor Bryan Rowland, Additional Editor

OUTSTANDING EMERGING MEDIA PROGRAM
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google
Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O'Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky's The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine's Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES
America's Got Talent • Episode 1717 • NBC • Fremantle and Syco Entertainment Noah Mitz, Lighting Designer Will Gossett, Lighting Director Ryan Tanker, Lighting Director Patrick Brazil, Lighting Director Jay Koch, Lighting Director Matt Benson, Lighting Director Scott Chmielewski, Lighting Director Kevin Faust, Video Controller

American Idol • Top 20 • ABC • Fremantle and 19 Entertainment Tom Sutherland, Lighting Designer Bobby Grey, Lighting Director Nathan Files, Lighting Director James Coldicott, Lighting Director Hunter Selby, Lighting Director Scott Chmielewski, Lighting Director Luke Chantrell, Video Controller Ed Moore, Video Controller

Dancing With The Stars • Semi Finals • Disney+ • BBC Studios Los Angeles Productions Noah Mitz, Lighting Designer Michael Berger, Lighting Director Patrick Brazil, Lighting Director Andrew Law, Lighting Director Matt Benson, Lighting Director Matt McAdam, Lighting Director Luke Chantrell, Video Controller

So You Think You Can Dance • Starry Starry Night • FOX • The Intellectual Property Corporation (IPC) and Dick Clark Productions (DCP) Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director Jeff Behm, Lighting Director Christopher Gray, Video Controller

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer Ronald Wirsgalla, Lighting Director Erin Anderson, Lighting Director Andrew Munie, Lighting Director Jeff Shood, Lighting Director Daniel Boland, Lighting Director Terrance Ho, Video Controller

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL
Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Al Gurdon, Lighting Designer Harry Forster, Lighting Director Bobby Grey, Lighting Director Darien Koop, Lighting Director James Coldicott, Lighting Director Chris Hill, Video Controller Ed Moore, Video Controller

The 65th Annual Grammy Awards • CBS • Fulwell 73 Noah Mitz, Lighting Designer Andy O'Reilly, Lighting Director Patrick Boozer, Lighting Director Ryan Tanker, Lighting Director Madigan Stehly, Lighting Director Bryan Klunder, Lighting Director Erin Anderson, Lighting Director Will Gossett, Lighting Director Matthew Cotter, Lighting Director Terrance Ho, Video Controller Guy Jones, Video Controller

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production
Allen Branton, Lighting Designer Darren Langer, Lighting Director Felix Peralta, Lighting Director Kevin Lawson, Lighting Director Alex Flores, Lighting Director Bianca Moncada, Lighting Director Chuck Reilly, Video Controller Guy Jones, Video Controller
 
75th Annual Tony Awards • CBS • White Cherry Entertainment Robert Dickinson, Lighting Designer Noah Mitz, Lighting Director Harry Sangmeister, Lighting Director Tyler Ericson, Lighting Director Richard Beck, Lighting Director Jason Rudolph, Lighting Director JM Hurley, Video Controller Ka Lai Wong, Video Controller

The Weeknd Live At SoFi Stadium • HBO Max • HBO Jason Baeri, Lighting Designer Joe Bay, Lighting Director Kille Knoble, Lighting Director Mark Butts, Lighting Director Loren Barton, Lighting Director

OUTSTANDING MAIN TITLE DESIGN
Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Mike Schaeffer, Creative Director Chet Hirsch, Director David Rowley, Art Director Akshay Tiwari, Designer

Hello Tomorrow! • Apple TV+ • MRC in association with Apple Ronnie Koff, Creative Director Lexi Gunvaldson, Editor Christoph Gabathuler, 3D Artist Juan Monasterio, Animator Lindsey Mayer-Beug, Illustrator Fernando Lazzari, Animator

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Andy Hall, Creative Director Nadia Tzuo, Creative Director Gryun Kim, 3D Artist Min Shi, Designer Jun Kim, 3D Artist Xiaolin (Mike) Zeng, Designer

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Katrina Crawford, Director Mark Bashore, Director Anthony Vitagliano, Creative Director Fernando Domínguez Cózar, Animation Director

Wednesday • Netflix • A Netflix Series / An MGM Television Production Aaron Becker, Creative Director Joseph Ahn, Designer James Ramirez, Animator Lee Nelson, Animator Eric Keller, 3D Artist Hsien Lun Su, Animator

The White Lotus • HBO Max • HBO in association with Rip Cord and The District Katrina Crawford, Director/Creative Director/Photographer Mark Bashore, Director/Editor Lezio Lopes, Illustrator Cian McKenna, Animator

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor • The Eye • Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Margit Pfeiffer, Co-Supervising Sound Editor Richard Quinn, Dialogue Editor Jonathan Greber, ADR Editor J.R. Grubbs, Sound Effects Editor John Finklea, Music Editor Shaun Farley, Foley Editor Shelley Roden, Foley Artist John Roesch, Foley Artist

The Boys • The Instant White-Hot Wild • Prime Video • Sony Pictures Television, Amazon Studios
Wade Barnett, MPSE, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor Ryan Briley, Supervising ADR Editor Jeffrey A. Pitts, Sound Efffects Editor/Sound Designer Pete Nichols, Sound Effects Editor Christopher Brooks, Music Editor James Howe, Foley Editor

House Of The Dragon • The Black Queen • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Al Sirkett, Supervising Sound Editor Tim Hands, Dialogue Editor Adele Fletcher, Supervising ADR Editor Paula Fairfield, MPSE, Sound Designer David Klotz, Music Editor Timeri Duplat, Music Editor Mathias Schuster, Foley Editor Barnaby Smyth, Foley Artist Paula Boram, Foley Artist

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Michael J. Benavente, Supervising Sound Editor Joe Schiff, Dialogue Editor Christopher Battaglia, Sound Designer Chris Terhune, Sound Designer Mitchell Lestner, Sound Effects Editor Jacob Flack, Sound Effects Editor Matt Yocum, MPSE, Sound Effects Editor Maarten Hofmeijer, Music Editor Randy Wilson, Supervising Foley Editor Justin Hele, Foley Editor David Aquino, Foley Editor Stefan Fraticelli, Foley Artist Jason Charbonneau, Foley Artist William Kellerman, Foley Artist
 
The Lord Of The Rings: The Rings Of Power • Udûn • Prime Video • Amazon Studios Robert Stambler, MPSE, Co-Supervising Sound Editor Damian Del Borrello, Co-Supervising Sound Editor Ailene Roberts, Dialogue Editor Stefanie Ng, Dialogue/ADR Editor Paula Fairfield, Sound Designer Chris Terhune, Sound Editor James Miller, Sound Editor Michael Baber, Music Editor Jason Smith, Music Editor Amy Barber, Foley Editor Jonathan Bruce, Foley Artist

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jill Purdy, Dialogue Editor Lee Gilmore, Sound Effects Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor Ken McGill, MPSE, Sound Effects/ Foley Editor Steve Baine, Foley Artist

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Sean Heissinger, Co-Supervising Sound Editor Matthew E. Taylor, Co-Supervising Sound Editor John Creed, Dialogue Editor Rickley W. Dumm, MPSE, Sound Effects Editor Deron Street, Sound Editor Clay Weber, Sound Editor Michael Brake, MPSE, Music Editor Darrin Mann, Foley Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist

The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Supervising Sound Editor Evan Benjamin, Dialogue Editor Jonathan Fuhrer, Sound Effects Editor Annie Taylor, Foley Editor Chris White, Foley Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Brad Semenoff, Dialogue Editor David W. Collins, Sound Designer Luis Galdames, Sound Effects Editor Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Joel Raabe, Foley Editor Shelley Roden, Foley Artist  

Reservation Dogs • This Is Where The Plot Thickens • FX • FX Productions Patrick Hogan, Supervising Sound Editor David Beadle, Sound Editor Sonya Lindsay, Sound Editor Michael Sana, Sound Editor Daniel Salas, Sound Editor Amber Funk, Music Editor Lena Krigen, Foley Editor

What We Do In The Shadows • The Night Market • FX • FX Productions Steffan Falesitch, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor David Barbee, MPSE, Sound Effects Editor Steve Griffen, Music Editor John Guentner, Foley Editor Sam Lewis, Foley Editor Ellen Heuer, Foley Artist

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

Dahmer - Monster: The Jeffrey Dahmer Story • God Of Forgiveness, God Of Vengeance • Netflix • Ryan Murphy Productions for Netflix Gary Megregian, MPSE, Supervising Sound Editor Borja Sau, Dialogue Editor Bruce Tanis, MPSE, Sound Effects Editor David Klotz, Music Editor Sam Munoz, Foley Editor Noel Vought, Foley Artist

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You Nelson Ferreira, MPSE, Supervising Sound Editor Jill Purdy, Dialogue Editor Paul Davies, Sound Designer Bernard O’Reilly, Sound Effects Editor Paul Germann, Sound Effects Editor Tom Jenkins, Sound Editor Robert Hegedus, Music Editor Rose Gregoris, Foley Editor Goro Koyama, Foley Artist

Mrs. Davis • Mother Of Mercy: The Call Of The Horse • Peacock • Warner Bros. Television, Little Bug, White Rabbit Bryan Parker, Supervising Sound Editor Kristen Hirlinger, Dialogue Editor Nathan Efstation, Dialogue Editor Roland Thai, Sound Designer Matt Decker, Music Editor Sam Lewis, Supervising Foley Editor Sam Munoz, Foley Editor Ellen Heuer, Foley Artist Nancy Parker, Foley Artist

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Angela Ang, Dialogue/ADR Editor Ryan Cota, Dialogue/ADR Editor Jon Borland, Sound Designer/Sound Effects Editor Tim Farrell, Sound Effects Editor Michael Levine, Sound Effects Editor Ramiro Belgardt, Music Editor Nicholas Fitzgerald, Music Editor Thom Brennan, Foley Editor Ronni Brown, Foley Artist Sean England, Foley Artist

Prey • Hulu • 20th Century Studios Chris Terhune, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jessie Anne Spence, Dialogue/ADR Editor James Miller, Sound Designer Diego Perez, Sound Effects Editor Lee Gilmore, Sound Effects Editor Christopher Bonis, Sound Effects Editor Daniel DiPrima, Music Editor Stephen Perone, Music Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Love, Lizzo • HBO Max • Warner Music Entertainment and Live Nation Productions, Atlantic Film Productions in association with Boardwalk Pictures and Diamond Docs Vanessa Flores, Sound Editor Jessie Brewer, Sound Editor

Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films John Warhurst, Co-Supervising Sound Editor / Music Editor Nina Hartstone, Co-Supervising Sound Editor Jens Rosenlund Petersen, Dialogue Editor Samir Foco, Sound Effects Editor James Shirley, Sound Effects Editor Elliott Koretz, Sound Effects Editor Amy Felton, Sound Effects Editor Louise Burton, Foley Editor Brett Morgen, Music Editor

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Max Holland, Dialogue Editor / Sound Editor Eric Di Stefano, Sound Effects Editor / Sound Designer Kevin Senzaki, Sound Designer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Feuser, Dialogue Editor Rich Bologna, Sound Effects Editor Wyatt Sprague, Sound Effects Editor Heather Gross, Foley Editor Bill Bernstein, Music Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Will Harp, Dialogue Editor Jon Schell, Sound Effects Editor Shaun Cromwell, Sound Effects Editor

Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Phillip W. Palmer, CAS, Production Mixer

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Marc Fishman, CAS, Re-Recording Mixer Kevin Roache, CAS, Re-Recording Mixer Michael Playfair, CAS, Production Mixer

The Marvelous Mrs. Maisel • The Testi-Roastial • Prime Video • Amazon Studios Ron Bochar, Re-Recording Mixer Mathew Price, CAS, Production Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, CAS, Re-Recording Mixer William Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Andy Kris, Re-Recording Mixer Nicholas Renbeck, Re-Recording Mixer Ken Ishii, Production Mixer Tommy Vicari, Scoring Mixer

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
Christian Minkler, Re-Recording Mixer Ryan Collins, Re-Recording Mixer Vincenzo Urselli, Production Mixer

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • The Great Fabricator • Netflix • A Netflix Series / An A24 Production Penny Harold, Re-Recording Mixer Andrew Garrett Lange, Re-Recording Mixer Sean O'Malley, Production Mixer

Dahmer - Monster: The Jeffrey Dahmer Story • Lionel • Netflix • Ryan Murphy Productions for Netflix Laura Wiest, Re-Recording Mixer Jamie Hardt, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Amanda Beggs, Production Mixer

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Lindsay Alvarez, CAS, Re-Recording Mixer Mathew Waters, CAS, Re-Recording Mixer Chris Welcker, Production Mixer Mike Poole, Music Mixer

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Danielle Dupre, Re-Recording Mixer Scott Lewis, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Julian Howarth, CAS, Production Mixer

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Tony Solis, Re-Recording Mixer Richard Bulloock, Production Mixer Brian Magrum, ADR Mixer Phil McGowan, Score Mixer

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Elmo Ponsdomenech, CAS, Re-Recording Mixer Teddy Salas, Re-Recording Mixer Scott Harber, CAS, Production Mixer Aaron Hasson, ADR Mixer
 
The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Re-Recording Mixer Scott D. Smith, CAS, Production Mixer

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Chris Fogel, Scoring Mixer

Only Murders In The Building • The Tell • Hulu • 20th Television Penny Harold, Re-Recording Mixer Andrew Lange, Re-Recording Mixer Joseph White Jr., CAS, Production Mixer Alan DeMoss, Scoring Mixer

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
Bono & The Edge: A Sort Of Homecoming With Dave Letterman • Disney+ • Disney+ Presents an Imagine Documentaries, Tremolo Productions and Worldwide Pants Inc. Production Phil DeTolve, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Alastair McMillan, Music Mixer

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Michael Abbott, Broadcast Production Mixer Eric Schilling, Music Mixer Matt Herr, FOH Mixer Alan Richardson, Monitor Mixer

The 65th Annual Grammy Awards • CBS • Fulwell 73 Thomas Holmes, Production Mixer John Harris, Music Mixer Eric Schilling, Music Mixer Jeffery Peterson, FOH Production Mixer Ron Reaves, FOH Music Mixer Mike Parker, FOH Music Mixer Andres Arango, Monitor Mixer Eric Johnston, Supplemental Mixer Christian Schrader, Supplemental Mixer Kristian Pedregon, Re-Recording Mixer Juan Pablo Velasco, Playback Mixer Aaron Wall, Playback Mixer

Saturday Night Live • Co-Hosts: Steve Martin & Martin Short • NBC • SNL Studios in association with Universal Television and Broadway Video Robert Palladino, Production Mixer Ezra Matychak, Production Mixer Frank Duca Jr, FOH Production Mixer Caroline Sanchez, FOH Music Mixer Josiah Gluck, Broadcast Music Mixer Jay Vicari, Broadcast Music Mixer Tyler McDiarmid, Playback Mixer Christopher Costello, Monitor Mixer Teng Chen, Supplemental Mixer William Taylor, Supplemental Mixer Geoff Countryman, Supplemental Mixer Devin Emke, Post Audio Mixer

Taylor Hawkins Tribute Concert • Paramount+ • EP-PIC Films & Creative and MTV Entertainment Studios Bob Clearmountain, Music Mixer Ollie Nesham, Audio Engineer Darrell Thorp, Audio Engineer Chris Kalcov, Audio Engineer Steve Massey, Audio Engineer Eduardo Puhl, Audio Engineer Will Langdale, Audio Engineer Antony King, FOH Audio Mix Engineer Ian Beveridge, Monitors Audio Mix Engineer

OUTSTANDING SOUND MIXING FOR A NONFICTION PROGRAM (SINGLE OR MULTI-CAMERA)
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Paul Massey, Re-Recording Mixer David Giammarco, Re-Recording Mixer

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Keith Hodne, Re-Recording Mixer

The Sound Of 007 • Prime Video • MGM Richard Davey, Re-Recording Mixer Jonny Horne, Production Mixer Simon Norman, Production Mixer Francesco Corazzi, Production Mixer

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Matt Skilton, Re-Recording Mixer Christopher Syner, Production Mixer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Skip Lievsay, Re-Recording Mixer Benjamin Berger, Production Mixer Martin Kittappa, Production Mixer Lily van Leeuwen, Production Mixer

OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTI-CAMERA)
The Amazing Race • The Only Leg That Matters • CBS • WorldRace Productions, Inc. Jim Ursulak, Lead Production Mixer Troy Smith, Re-Recording Mixer The Production Mixing Team, Production Mixer

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Jared Robbins, Re-Recording Mixer

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Erik Valenzuela, Re-Recording Mixer Sal Ojeda, Re-Recording Mixer David Nolte, Production Mixer Gabe Lopez, Music Mixer

The Voice • Live Top 10 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Michael Abbott, Production Mixer Randy Faustino, Broadcast Music Mixer Tim Hatayama, Re-Recording Mixer

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mark Jensen, CAS, Re-Recording Mixer

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor • Disney+ • Lucasfilm Ltd. Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Richard Van Den Bergh, Special Effects Supervisor Neal Scanlan, Creature Effects & Droid Supervisor Liyana Mansor, Lead Visual Effects Editor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Jelmer Boskma, Scanline Visual Effects Supervisor Jean-Clément Soret, Colorist

House Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Angus Bickerton, Visual Effects Supervisor Nikeah Forde, VFX Producer
Thomas Horton, VFX Producer Sven Martin, VFX Supervisor Mark Spindler, VFX Co-Supervisor
Mark Dauth, Virtual Production Supervisor Sebastian Meszmann, VFX Producer Mike Bell, VFX Supervisor Tobias Graa Winblad, VFX Producer

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Alex Wang, Overall Visual Effects Supervisor Sean Nowlan, Overall Visual Effects Producer Joel Whist, Production SFX Supervisor Stephen James, Visual Effects Supervisor, DNEG Nick Marshall, Digital Effects Supervisor, DNEG Simon Jung, Visual Effects Supervisor, WETA FX Dennis Yoo, Animation Supervisor, WETA FX Espen Nordahl, Visual Effects Supervisor, Storm Studios Jonathan Mitchell, Visual Effects Supervisor, Distillery FX

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Ron Ames, VFX Producer Jason Smith, VFX Supervisor Nigel Sumner, VFX Supervisor, Industrial Light & Magic Ara Khanikian, VFX Supervisor, Rodeo FX Dean Clarke, SFX Supervisor Ken McGaugh, VFX Supervisor, Wētā FX Tom Proctor, VFX Supervisor, DNEG Greg Butler, VFX Supervisor, Method Studios Joe Henderson, Visualization Creative Supervisor, The Third Floor, Inc.

The Mandalorian • Disney+ • Lucasfilm Ltd. Grady Cofer, Visual Effects Supervisor, Production Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor, Production Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor, Production J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Important Looking Pirates Visual Effects Supervisor

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Five Days At Memorial • Day Two • Apple TV+ • ABC Signature in association with Apple Eric Durst, VFX Supervisor Matthew Whelan, VFX Supervisor Danny McNair, VFX Producer Goran Pavles, VFX Supervisor, Stormborn Studios Rafael Solórzano, VFX Supervisor, El Ranchito John MacGillivray, SFX Coordinator Viktor Muller, VFX Supervisor, UPP Manuel Tausch, VFX Supervisor, Stormborn Studios Gonzalo Escudero, VFX Producer, El Ranchito

The Nevers • It's A Good Day • Tubi • HBO, Mutant Enemy Productions Johnny Han, Visual Effects Supervisor Jack Geist, Visual Effects Producer Damon Fecht, Visual Effects Editor Alexandre Prod'homme, On-Set VFX Supervisor Emanuel Fuchs, Visual Effects Supervisor Gaia Bussolati, Visual Effects Supervisor Ed Bruce, Visual Effects Supervisor Brian Ali Harding, Visual Effects Artist Takashi Takeoka, Visual Effects Artist

Shadow And Bone • Rusalye • Netflix • 21 Laps Entertainment and Chronology for Netflix Ante Dekovic, VFX Supervisor Helen Jen, VFX Producer Richard Macks, VFX Production Manager Gergely Galisz, On-Set VFX Supervisor Juri Stanossek, VFX Supervisor Adam Balentine, VFX Supervisor Jane Byrne, VFX Supervisor Håvard Munkejord, VFX Supervisor Angel Rico, VFX Supervisor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television James MacLachlan, On-Set VFX Supervisor Bill Parker, Compositing Supervisor Lenny Wilson, CG Supervisor Gretchen Bangs, VFX Producer Brian Hobert, Compositing Lead Sherry Li, Compositing Lead Kenneth Armstrong, Compositing Lead Ying Lin, Compositor Neil Taylor, CG Modeler

The Umbrella Academy • Marigold • Netflix • UCP for Netflix Everett Burrell, Senior VFX Supervisor Phillip Hoffman, VFX Producer Dave Axford, On-Set VFX Supervisor Maria Satzetaki, VFX Coordinator Sophie Vertigan, Special Effects Coordinator Jeff Campbell, VFX Supervisor Laurent Spillemaecker, VFX Supervisor Chris White, VFX Supervisor Ryan Freer, VFX Supervisor

Wednesday • A Murder Of Woes • Netflix • A Netflix Series / An MGM Television Production Tom Turnbull, VFX Supervisor Kent Johnson, VFX Producer Jesse Kawzenuk, VFX On-Set Supervisor Oana Barden, VFX Coordinator Craig Calvert, VFX Supervisor Ed Englander, VFX Supervisor John Coldrick, VFX Supervisor Brodie McNeill, VFX Supervisor Jason Troughton, Special Effects Supervisor 

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SERIES
American Idol • Season Finale • ABC • Fremantle and 19 Entertainment Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Danny Bonilla, Camera Mike Carr, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Curtis Eastwood, Camera Jimmy Garcia, Camera Bruce Green, Camera Nathanial Havolm, Camera Ron Lehman, Camera Bettina Levesque, Camera Adam Margolis, Camera Rob Palmer, Camera Brian Reason, Camera Daryl Studebaker, Camera Damien Tuffereau, Camera Easter Xua, Camera

Dancing With The Stars • Finale • Disney+ • BBC Studios Los Angeles Productions Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Terry Clark, Camera
Karyn D'Alessandro, Camera James Garcia, Camera Nathanial Havholm, Camera Mark Koonce, Camera Tim Lee, Camera Ron Lehman, Camera Bettina Levesque, Camera Dave Levisohn, Camera Adam Margolis, Camera Derek Pratt, Camera Brian Reason, Camera Philo Solomon, Camera Daryl Studebaker, Camera Marc Stumpo, Camera Damien Tuffereau, Camera Cary Symmons, Camera

The Masked Singer • New York Night • FOX • FOX Alternative Entertainment Christine Salomon, Technical Director Cary Symmons, Camera Bert Atkinson, Camera Brett Crutcher, Camera Kary D'Allesandro, Camera Jimmy Garcia, Camera John Goforth, Camera Sean Flannery, Camera Bettina Levesque, Camera Adam Margolis, Camera Mark Koonce, Camera Daryl Studebaker, Camera James Sullivan, Camera Rob Palmer, Camera

The Problem With Jon Stewart • Trump Indicted • Apple TV+ • Busboy / EDEN in association with Apple Dave Saretsky, Technical Director Marc Bloomgarden, Camera Franco Coello, Camera Nick Fayo, Camera Kevin Murphy, Camera John Pry, Camera Tim Quigley, Camera Rich York, Camera

The Voice • Live Top 10 Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Allan Wells, Technical Director Danny Bonilla, Camera Mano Bonilla, Camera Martin J. Brown Jr., Camera Robert Burnette, Camera Suzanne Ebner, Camera Guido Frenzel, Camera Alex Hernandez, Camera Scott Hylton, Camera Kathrine Iacofano, Camera Scott Kaye, Camera Steve Martynuk, Camera Jofre Rosero, Camera Nick Tramontano, Camera Dann Webb, Camera

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SPECIAL
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Eric Becker, Technical Director David Alfano, Camera Rob Balton, Camera Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Sean Flannery, Camera Kevin French, Camera Shaun Harkins, Camera Helena Jackson, Camera Tayler Knight, Camera Toré Livia, Camera Allen Merriweather, Camera Eann Potter, Camera Jofre Rosero, Camera Keyan Safyari, Camera Casey Roche, Camera Christopher Rybitski, Camera Rod Wardell, Video Control

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Emmett Loughran, Technical Director Robert Del Russo, Camera Mark Britt, Camera David Driscoll, Camera Tim Farmer, Camera Pete Forest, Camera Andrew Georgopoulos, Camera Pat Gleason, Camera Bruce Green, Camera Shaun Harkins, Camera Jay Kulick, Camera Kevin Murphy, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Rob Palmer, Camera Jesse Placky, Camera David Plakos, Camera George Prince, Camera Mark Renaudin, Camera David Rudd, Camera Austin Rock, Camera Keyan Safyari, Camera Ed Staebler, Camera Rob Vuona, Camera Mark Whitman, Camera Rich York, Camera Jeff Lee, Camera Michael Taylor, Camera Brian Lataille, Camera Loic Maheas, Camera Chris Schuster, Camera

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Christine Salomon, Technical Director Shanele Alvarez, Camera Dominic Bendijo, Camera Bonnie Blake, Camera Danny Bonilla, Camera Kary D’Alessandro, Camera Sean Flannery, Camera Shaun Harkins, Camera Charlie Henry, Camera Cory Hunter, Camera George Reasner, Camera Jofre Rosero, Camera David Rudd, Camera Ryan Schultz, Camera Aymae Sulick, Camera

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production Toby Santos, Technical Director Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Dave Eastwood, Camera Guido Frenzel, Camera Andrew Georgopoulos, Camera Jeff Johnson, Camera Zac Jones, Camera Brian Lataille, Camera Dave Levisohn, Camera Sean Mark Mckelvey, Camera Steve Martyniuk, Camera Rob Palmer, Camera Dave Plakos, Camera Dave Rudd, Camera Dylan Sanford, Camera Matt Trujillo, Camera Roy Walker, Camera Andrew Waresewski, Camera Easter Xua, Camera

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In AM, TV Show, Awards Season 2023-2024, Awards Season Tags Emmys, Creative Arts Emmys, Awards Season, HBO, The Last Of Us, The White Lotus, The Bear, Ted Lasso, Poker Face, Succession
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PHOTO COURTESY | Chef Kardea Brown/Food Network’s Delicious Miss Brown

FOOD FOUND HER | CHEF KARDEA BROWN

July 11, 2023

Food storytelling has been something that we have talked about multiple times. In enjoying those bites, you’re able to get the intention that the chef has whether it’s their style of food, infusing a culture that they represent or are passionate about as well as how they want you to feel! Once you consume it, you have memories that are set that you will come back to again and again!

Chef Kardea Brown is the host of Delicious Miss Brown which gives us recipes and stories about Southern cuisine from the low country that highlight Gullah culture on Food Network! She is also a judge on the same network for Spring Baking Championship alongside Nancy Fuller and Duff Goldman! We wanted to know more about how she got into the culinary industry, her passion for food, having her show, her partnership at PEPCID, and upcoming projects that we should keep an eye out for! We talk about how food found her, coming to TV, being nominated for a Daytime Emmy Award and being a New York Times Bestselling Author.

We also delve into the issues surrounding food insecurity and her attendance on June 12th for Chef’s Tribute to Citymeals on Wheels fundraiser in New York, an annual tasting event, where PEPCID is the exclusive heartburn brand sponsor and 100% of public proceeds help Citymeals prepare and deliver nourishing meals to older New Yorkers in need. She teamed up with PEPCID, the #1 doctor recommended over the counter acid reducer brand, and is proud to support their efforts in the fight against food insecurity with Meals on Wheels America through their $50,000 sponsorship.

ATHLEISURE MAG: It’s such a pleasure to speak with you as we have been such fans of your show! Where does your love of food come from?

CHEF KARDEA BROWN: It would have to be not only the city that I come from, but my grandmother and my mother! They are some cooking women. They absolutely love cooking and I believe that it is one of our first loves. We have always found ways to spend time in the kitchen. I grew up around women that really loved being in the kitchen and I love food you know! Good food is always good for the heart and the soul!

AM: When did you realize that you wanted to be a chef?

CHEF KB:  You know, I believe that it chose me. My first initial thought was that I was going to become a social worker and that I was going to work in the not-for-profit sector, in my life. The universe would say that it was a bit of a course redirection like, “this is great, you’re doing great there, but I think that I have something bigger and better for you there that’s going to involve food.” That’s how it kinda chose me and I’ve always loved cooking, but I never thought that I was going to do it for a living! It was kind of like, this is your purpose and this is your mission. Here it is!  

AM: It’s so great to hear that! How did you get your own show, Delicious, Miss Brown which we love and we also love that you talk about your background coming from Gullah influences and things like that. How did that all come together?

CHEF KB: So, I was dating a guy at the time. We are no longer together, but we’re still great friends! I’m pretty sure that I owe my career to him! He signed me up to be on a show for the Cooking Channel and out of thousands of submissions, they chose me to do the show with Bobby Dean and it was all about taking that Southern food and making it light and fresh. He wanted to go to a house of someone who cooked heavy Southern meals and kind of flip that and make it into a lighter meal. So, I did that show and it didn’t get picked up by the network, but the network’s executives saw the show and said, “man, she’s really great! Has she thought about doing food television?” At the time, I was working at Big Brothers, Big Sisters and I wasn’t thinking about doing food or cooking on TV! Somehow, I ended up being on several shows after that and eventually, they pitched me to the network to have my own in the kitchen show and I would say about 5 years later, I got my opportunity to host my own show and now I’m in my 8th season!  

AM: That is incredible and congratulations on your recent nomination for your Daytime Emmy Award as a Culinary Host and in your category is Guy Fieri, Emeril Lagasse, Justin Sutherland, Andrew Zimmern, and Ina Garten! That is amazing!

CHEF KB: Blew my mind! To be mentioned in the same room and category with these greats, with these people that I grew up watching is insane and so it’s a great filling!

PHOTO COURTESY | Pepcid

AM: You’re going to be part of the 36th Annual Chef’s Tribute to Citymeals on Wheels, tell me about this and why you’re excited to be part of it?  

CHEF KB: Oh my gosh! I personally use PEPCID in my life! If you have ever seen any of my shows, I cook – you know I like to fry things, I like my spicy foods and all of the things that give you heartburn and so when the opportunity was presented, I thought it was a no-brainer.

The Chefs Tribute that is going on Jun 12th – I am really excited to be there! It’s for a great cause with Citymeals. They’re combatting food insecurity and that’s something that is very important to me because what I do for a living is to teach people how to cook. I can’t do that for people, especially when the demographic that watches Delicious Miss Brown, it’s usually between the ages of 25 – 56 and even older! So a lot of these people watch the show and I want them to be able to have the opportunity to be able to go to their local supermarket or have food delivered that makes my job easier! I want to be able to show you how to cook it and I need you to be able to have the food in order to be able to do that! So Citymeals is doing a really great job of that and combating food insecurity especially here in NY.

For this event taking place, PEPCID is the only heartburn brand that will be there and they have personally sponsored Meals on Wheels America with $50,000. So as soon as I heard of the initiative and PEPCID’s involvement, I said, sign me up!  

AM: That’s definitely exciting.

What is it that you enjoy about taking PEPCID? Do you take it before you eat something or is it after for those that have yet to use this?

CHEF KB: So, you don’t have to take it before. I usually take it after especially when I kind of feel the heartburn kind of starting. I know immediately that when I eat something, especially at night, I might eat something spicy or tomato-based which we do a lot in the Gullah culture. When I eat my red rice, I know that I will have to take some PEPCID immediately after to have a good night’s rest! Even when I film my show, I’m tasting, I’m eating constantly. I can’t do that if I’m suffering from heartburn. If you have ever suffered from heartburn, you know that it’s not pleasant. I take PEPCID immediately, it works just like that and it makes my job that much easier!  

AM: In addition to you hosting Delicious Miss Brown, you’re also judging Spring Baking Championship on the same network! We’re also huge fans of this show! What are you looking forward to with this show?

CHEF KB: Oh my gosh, Spring Baking Championship is one of those shows that I really stumbled in and it’s an amazing show! I have learned so much. It took me awhile to get into baking. I have always been a savory person, but now I do both! But now that I feel that being part of this show has taught me so much and being on the judging panel with Nancy Fuller everyone’s grandma and then Duff Goldman who is a pastry and cake genius! I’ve learned so much and I’m just really excited about what’s to come with the show and many more seasons! The show did really well last season so I’m really excited about more season with Spring Baking!

AM: It’s such a fun show and everyone is so creative! We couldn’t do any of those things, but we always love hearing Duff talk and how excited he is when he’s eating things!

CHEF KB: Yes! He really does get into it and he’s like the cake genius! He is the mechanics of the show and I feel like I bring in the heart where I’m like, “oh this is good, girl!” You know, that type of thing.

AM: You need both!

CHEF KB: Yes, you do! It’s a good balance!

AM: Last year, you dropped your cookbook, The Way Home: A Celebration of Sea Islands Food and Family with Over 100 Recipes, what was it like working on this project and you’re also a New York Times Best Selling Author!

CHEF KB: Yes, it was really fun! It was my first cookbook so I didn’t really know what I was getting myself into, but it was a learning lesson and it was an experience. I’m really happy about it because for so many years and actually decades, my family had these recipes within my family, but we never had a way to keep those recipes beyond word of mouth. So now, there’s a place where recipes can live and I really feel like I’m making my great-grandmother, grandmother, and mother proud by creating history within our families! Being that it is right out of the gate and it made it to the NYT Bestsellers was just mind-blowing to me. A little girl from Charleston, South Carolina had big dreams and I never dreamt that it would be this.

AM: Your journey has been amazing and we’d love to know more about your frozen food line! What’s it going to be and what can we expect from it?

CHEF KB: Oh my gosh! I can’t give all the details yet, but it’s going to be with a major distributor/retailer, and it’s going to be all the things that everyone loves about the South and the low country as many of the foods that you have probably seen on my show or people who have watched it who say, “man, I wish I could taste that!” You will be able to soon!

AM: We can’t wait to see it! Just looking at all of the things that you have done in your career, these are really big moment! Food is such a big vertical at Athleisure Mag, what do you want your legacy to be whether it’s on the culinary side or being an overall entrepreneur?

CHEF KB: You know, I want my legacy to be that I wasn’t afraid to take that leap of faith and that I somehow landed on my feet. If anyone ever has a dream, a hope, or something to aspire to – just do it! I literally did it and I had no clue what to do and somehow I ended up in a very great place! I want my legacy to be that I jumped, I landed, and it did well! If I can do it, anyone else can!

IG @kardeabrown

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