MAKING HIS MARK | ADAM COPELAND

As we look to close 2023, we're excited to have actor and legendary wrestler Adam Copeland! Many know him as a WWE Hall of Famer who wrestled under the name Edge for a total of 31 championships there and he held the World Heavyweight Championship between 2002 and 2013 7 times as well as the WWE Championship 4 times and a number of accolades while there! This year, he transitioned from WWE to the AEW showing that he continues to be dedicated to his passion and crafstmanship of this sport and doing it in his own name.

His love for wrestling is also shared by acting which is another way to fuel his creativity and dedication. Fans of his have enjoyed him over a number of seasons/episodes of Syfy's Haven, History Channel's Vikings, and a number of movies! Now, you can see him in his latest series Percy Jackson and The Olympians where he portarys Ares, streaming now on Disney+. We wanted to know more about how he got into acting, some of his roles that he has been in, being in the Disney+ series, as well as his phenomenal wrestling career. We caught up with him at home to find out more and you can read his thoughts on 2023 and 2024 in our feature NEW YEAR, N3W YOU!

ATHLEISURE MAG: When did you realize that you enjoyed wrestling?

ADAM COPELAND: Honestly, it was the first time that I saw it. I distinctly remember that it was Roddy Piper and this was the old black and white TV where you had to turn it with pliers, 3 channels, and one of the channels was CKVR TV from Barrie, Ontario. I didn’t know it at the time, but it was Pacific Northwest Wrestling out of Portland, Oregon. It was Roddy Piper and I still remember the trunks that he was wearing were like a creamy yellow and green tartan design and he smashed a beer bottle over his head. I just remember – my brain couldn’t process what this thing was, like this guy is a maniac, but I can’t take my eyes off of him. It just kind of blew my mind, because I was young and very impressionable, it just struck some kind of strange chord with me. I think it was because it was just this big larger than life kind of thing. I loved comic books – I voraciously read comic books. I love KISS because they were super heroes but you could go see them in concert. They played characters and so wrestling was that! I could go down to Maple Leaf Gardens and I found out where they came into the building so that I could accost them back there and bug them. So it really was from the first time that I saw it.

Then it was diving into it deeper and discovering Hulk Hogan and going, “woah, what is this guy doing?” His eyes and his energy! And then from there, it was the deep dives and discovering why I gravitated towards certain people’s matches. Like why did I always enjoy wrestling? Watching Bret Hart wrestle and then I guess as I got smarter, more educated to what the industry is, that’s when it dawned on me. I was like, “oh, it’s because he’s really great!” Got it!

Savage I mean, you’re looking at the Macho Man – he’s awesome, Shawn Michaels, Ric Flair, Ted DiBiase, Bob Orton – man, the flood gates were open!

AM: I grew up in Indianapolis and went to school at Indiana University, and we’d have our friends in our dorm watching the matches before we went out or after studying and I remember when I first saw you in the ring and it was explosive!

AC: That was the guy liner phase!

AM: Obviously you’ve dominated in your career as wrestler without a doubt.

My mom was a huge Highlander fan and I am as well. Seeing you in Endgame was great to see. When did you realize that you wanted to pursue acting?

AC: It was never on my radar honestly. It really wasn’t. The Highlander thing was just that WWF at the time said, “hey, there’s a small role in the next Highlander movie. It films in Bucharest. Do you want to go?” I said, yeah sure. It sounded like fun, it seemed like an experience and I had never been to Bucharest. That’s really all that was, but my entire goal as early as I can remember wanting to have a career, I wanted my career to be wrestling.

The acting thing was always like if something popped up, sure cool. It wasn’t until I was forced to retire in 2011 and then it serendipitously landed in my lap again and it was the Executive Producers of a show called Haven saw my retirement speech and they said that they were in tears. So they said that they wanted a tie into wrestling and a tie in to SmackDown and they said, “can we get that guy, he just retired?” A week later, I was up in Halifax filming and 1 episode became 41.

And in that process I realized, ok this still taps into that creative vein. And that’s the way that I am wired. I like to create. I like to tell stories. So whether that's writing or whatever it is. So I really really enjoyed the process. I really started diving into that because wrestling was off the table. So it was like, if my first love is off the table, all of these things come off of the same tree. It’s just different branches on where you go to on this or over on this one. So once I understood that I enjoyed this process and wrapped my mind around the differences too. With wrestling, I equate it to maybe standup or a band with a setlist that they change all of the time. You play off of and read off of your audience. It’s a really, really amazing thing. What I had to get used to in terms of acting was thinking that a take I did which was really, really good – and then they may not use that one.

AM: That’s true.

AC: Then a year and a half later, you see what takes they use and you look at it and say it’s interesting. I had to wrap my mind around that.

AM: Especially since you can work with one director and they think that that was amazing, but the next director or producer wants and looks for something that’s completely different.

AC: Entirely different! I pretty quickly learned too that if a director has an idea, my job is to try and bring that vision. It’s not really my vision because I can have a certain way that I think that I am going to do things, but on the day, it can be entirely different from the set up, the angles, and all of those things. The director is going to get the shot that he or she wants so you mght as well try and dive in with them to get it!

AM: I really enjoyed Vikings! What drew you to that show?

AC: It was my favorite television show. I loved Vikings. I’d sit down, I’d watch Vikings. I was on Haven for gosh, the first 4 seasons and Vikings was in production then. So once I wrapped with Haven and the show ended, I said to my manager that we needed to keep an eye out for Vikings because if something came along there, I wanted to try to pounce on that. An audition came along for it and again, it was kind of like Haven where the character was only supposed to be in 4 episodes and then before I knew it, Michael Hirst (Elizabeth, The Tudors, Vikings: Valhalla) who is the creator and the writer who wrote all of the episodes, he said we need to write more for Kjetill and I said, I’m in.

AM: I love that show and my sister and I watched a number of episodes together.

AC: I loved it too! I can’t show the girls that one, but I really loved that show. I loved the challenge of a period piece, accents, drama, and those were all things that I hadn’t delved into before. So that was super exciting, the challenge aspect of it, because I love a challenge. I would get my scripts and phonetically write everything out. Ok, there’s a hard ‘s’ here, it’s not ‘is’ it’s ‘sss’ and then I would run my lines. So it became second nature and by the end, I didn’t even think about it and I would end up talking like that in between takes.

AM: Percy Jackson and The Olympians is streaming now on Disney+. What drew you to this 8 episode series? How did you get attached to the project?

AC: So, when the books first came out, I was on the grind. 220 shows a year which means you’re generally on the road 250 days a year. So from the years of 1999 – 2011, I didn’t catch a lot of what was happening in terms of social media and mass media. It all kind of flew by me. So I didn’t fully grasp how huge the books were and I’m kind of glad that I didn’t. Because the audition came through and I was like, “oh Percy Jackson – that could be interesting, ok.” I thought that they had made a couple of movies and that was the extent of my knowledge. So I read for the part and I sort of went, “oh, ok this guy, I think that I know this guy.” I found the comedic beats in it. So I wore one of my Edge/Adam Copeland vests and I wore my Andre the Giant T-Shirts cut off. I have never dressed up for an audition in my life, but I thought, what the heck? I shaved my own head, I had my own little mohawk and I read for it and had a lot of fun with it. It was really funny but Beth said, you had a lot of fun with that and I feel like you found that guy. I agreed, but then you have to throw it away because once an audition is done, you have to stop thinking about it. You can’t dwell. About a month and a half, maybe 2 months later, my manager said, the Executive Producers of Percy Jackson want to do a Zoom. I was like, ok and I was trying to remember when I had read for that. I forgot. Then, sure enough, they were like, “when you get out to Vancouver, -“ that’s when I realized that I had got the part! I told them that I was still wrestling for WWE and they said it didn’t matter and that they would figure it out.

AM: Wait, what?

AC: Yeah, that’s unheard of! I guess they had seen my audition and thought, "he's the Ares that I pictured when I wrote him.” That was a huge boost of confidence too.

I hadn’t read the books yet, but I had found the voice of this character in just reading the sides. That was super fun and then I read the books. I was like, “oh man, these are awesome!” Then learning that over 180 million copies worldwide were sold and it made me really glad that I didn’t fully dive into that knowledge before I read it. I mean I think it would have felt like a different kind of pressure I guess!

AM: Of course! It would be like stepping into Harry Potter without having the awareness of the weight of that franchise and then finding out after being in it.

AC: Oh yeah! Even when I got out to set and realized just the scope and the magnitude of this world, it was really really kind of jaw dropping. But it was such a blast and having seen – as I have only seen the first 2 episodes as well, but I watched them with my little girls who are 7 and 10, they have now watched it 3 times. They absolutely love it and watching it with them and seeing how they react and how much of a smile it has brought to their faces already, I am so proud to be a small cog in this giant machine to bring this thing to screen because seeing the kids reactions have been so massive and so much fun for me especially at this stage in my life, 50 years old, 2 kids and this is something that they can watch. I’m so proud to be part of it. The quality of it, it’s such a good show.

AM: How much can you say about the show as some people who are not reading this may not have seen this yet. What can you say in terms of the backstory? Also, we know who Ares is, but how are we seeing him as it is portrayed in this series?

AC: This adaptation of Percy is very true to the books. I think that that is something that movies weren’t. I don’t think that Ares was in the movie, but he is essentially the antagonist in the 1st season of this series. So there is a lot of big holes there with him being so heavily involved in this. I think that for the fanbase, they can take some comfort in the knowledge that Rick Riordan (author of the Percy Jackson series). So from a fanbase perspective, that’s huge!

If you’ve never read the books, you can watch it and get it. It explains itself really well, just like the books do. Within the first 3 or 4 pages, you get what’s going on here. It really brought the character traits together. Walker Scobell (The Adam Project, Secret Headquarters, Blood Knot) is so good as Percy. He has just the right amount of charm and sarcasm. The kid is on his way. He is just so good and at his age, he’s 14 now, but when we filmed this, he was still 12 – ridiculous for him to pull off what he was able to pull off. Just ridiculous to watch all 3 of them Leah Jeffries (Empire, Beast, Something From Tiffany’s) and Aryan Simhadri (The Main Event, Spin, Cheaper by the Dozen) and in between takes, they would go to school. Then they’d come back and they would do another take. Or they would do my coverage and then they would go do a lesson. How are they computing all of this? I don’t remember what I had for breakfast and they’re pulling all of this off. I really can’t say enough about all 3 of them and their work ethic and really just the entire crew! It was a really good place to work even in the time that I was there.

In terms of Ares, he’s – I love him, I really do! He’s just acerbic, a little caustic, he’s angry and a little over his head while being all powerful in a way too. It’s fun to play those beats. Because if he was just a god, this omnipotent thing, how much fun is that? Even when I was in Vikings, ok, this guy goes insane. But you can’t just go insane, there needs to be a reason for that. If I can bite into that, Adam Copeland can bite into that, then hopefully, I can pull out some truths for the character.

With Ares, it’s the classic, he’s the child that feels like he should have gotten more attention and now he’s acting out. He just happens to be in a 6’4” 240lb frame and he’s a god and he has a giant sword. It made for a lot of really fun scenes – and scenes that weren’t in the book and that added more depth into the character. My favorite scene that I was involved in takes place in a diner with Grover Underwood (Aryn) and it wasn’t in the books at all, but it was a really, really fun scene to play off of each other with.

AM: The cast as a whole has incredible actors that are in this alongside with you. What did you take away from this whole experience?

AC: I think that more than anything, it was just, I don’t know – to be 50 years old and go, “right, I’m still wrestling – I’m wrestling again and I’m also working for Disney.” What? When I first started this and started training for wrestling at 17 years old, if you had told me that at 50, A – I’d still be wrestling and B – I’d be working for Disney at the same time, I’d have asked you what are you smoking and can you give me some because that sounds amazing.

Sometimes I just sit back. We did the red carpet for the premier last week and I brought the girls and Beth up with me. Just to see the excitement that they had to be involved in this thing and I think that I actually became a cool dad for about a week!

AM: You know, just walking the red carpet with my dad!

AC: I’ll take it, I’ll take it!

AM: I mean I think back to a lot of the things that I did physically when I was younger and being 44 now, there’s no way that I could do the flips and turns that I could do before! The fact that you’re still doing that, I couldn’t imagine it for myself, so I tip my hat to you sir!

AC: Well, a lot less flips for me now ha!

AM: There’s that, but still! But you’re still out there doing it!

AC: I am!

AM: Are there any upcoming projects in terms of acting that we should keep our eye out for?

AC: With the strike, everything just got put on hold. Then, within that strike, I had transitioned from WWE already and went into AEW, so there has been a lot of change, but all for good! My creative spark has really – not that it wasn’t lit before, but now it’s like woah! I have a blank canvas that I can paint all kinds of different palettes and things that I can use now. There’s a whole roster that I never even touched or told stories with. So that’s very exciting for me.

With acting, I’ve pretty much said since day 1 to my managers and agents, I say no a lot! I don’t even read a lot of stuff. It really has to hit because why do it otherwise? If it’s something that’s meh ok, and maybe it isn’t right or the method that you should use, but a lot of time it’s about who is involved. I would love to work with Kelsey Grammer (Frasier, Boss, Dr. Death) – yes, my mom’s favorite actor. She passes away 6 months later I get offered to play in Money Plane with Kelsey Grammer. I didn’t even need to read the script, I was in. Really more than anything, it’s about what is going to be fun. At this stage, from the time I was 22 on, I don’t feel like I have worked. That’s a gift and I didn’t realize how rare that is, so I don’t ever look past it and that means that I also want to continue that streak. It needs to be fun, not need to feel like work, and it needs to be creative and I’m happy.

AM: We touched on this a bit earlier, but you now wrestle under AEW. What's it like wrestling under your own name?

AC: I think that more than anything, I said this for years and years that I wish that I could have just wrestled under the name Adam Copeland. I mean I don't know, what is Edge? I didn’t even know what Edge was, I just pulled it out of the air, said it, and everyone agreed and that was that! There wasn’t a whole lot of thought put into it. Even as stupid as it sounds, the cadence of chanting – Har-dy, Au-stin, Ro-cky, Ho-gan, E-d-g-e – I was just happy to be there.

So to get the opportunity, I have always used Adam Copeland throughout whether it’s the television that I have done, writing a book, whatever it is. I have always introduced myself as Adam Copeland, never introduced myself as Edge as that was a character that I played on TV. That would be like going up to someone and saying, “Hi, I’m Ares, nice to meet ya.” It doesn’t work that way right?

AM: But an easier chanting name though!

AC: Yes! It is but also Adam Copeland ha! Then also too, in terms of the acting. It’s going to be my name there as well and so if you’re looking at it from a branding perspective it makes a lot of sense in that regard.

AM: Well I think that when you recently did the match with Sting and Darby, those leather jackets! That leather work was stunning. When Beth told me that you are the fashion mastermind behind your looks, how much were you involved in creating that iconic look for the 3 of you?

AC: I came up with the whole thing! I have been drawing my wrestling outfits since I can remember – from 9 and 10 years old. A lot of them from that time saw the light of day. Even drawings from when I was 10, I’ve worn tights that I drew from when I was 10. So, when I knew that we would be teaming, I said, “how do we make this really, really special for this occasion?” Because to me, it is. You have 3 generations. You have Darby, you have me, and you have Sting. To me, you have the future, the present, and this iconic character. So I wanted to be able to have some fun with that. So I said, hey guys, I have an idea for coats are you in and they said, “yeah, sure.” So I got their measurements, I sent them off to Sylvia Jensen who is the mastermind behind Wornstar, she does all of trench coats, my demon wings that I wore at WrestleMania. She and I just sit down and think about the ideas, here’s the shirts – we need Sting’s lapels, we need Darby’s hood, and we need to add elements in. On my tights, I had a skull, but it had the Sting makeup. And then I had the other half of Darby’s skull face and Sting in the middle with his full paint which is a cool visual. So you have half, half, full in the middle.

Those were all the things that ran through my mind because as a fan, I would sit there and notice those things. That made me think, these guys care. They really put thought into what they were doing and what they were presenting. In my mind, my kid mind, it goes to, “oh, that’s an awesome action figure.”

“I think that more than anything, - to be 50 years old and go, “right, I’m still wrestling - I’m wrestling again and I’m also working for Disney.” What? When I first started this and started training for wrestling at 17 years old, if you had told me that at 50, A - I’d still be wrestling and B - I’d be working for Disney at the same time, I’d have asked you what are you smoking and can you give me some because that sounds amazing.”

— Adam Copeland

AM: So to see you guys in the look from Wornstar, the visual texture, the detailing, that futuristic element, I spent quite a bit looking at them from your IG.

AC: What I really wanted to try to convey is that we’re all tipping our hats to each other. We had my coat design, but it still had Stings flavor and Darby’s flavor, but then the face paint is the tip of the hat to Darby the Sting face paint on the tights is the tip of the hat to him and were all paying homage to each other and we all came out with the bats which is Sting and I was like, if we get a single spotlight and the bats come into frame and then it flows and off we go! That’s the stuff that I just love being part of and being really hands on to the point that it becomes fairly annoying to people or that they think, oh great, you took that off my plate – you’ve got it? Cool!

AM: Well I loved it, it was well thought out, and it had quite the production effect!

What are you looking forward to in this portion of your career as it pertains to AEW?

AC: Again, the blank canvas! The massive amount of talent that I have never ever had my hands on! I look at that company and I see Swerve Strickland, I see Darby now that I have gotten to team with as well as Sting! Getting to work with Christian Cage again which we both thought was off the table as he was retired for 7 years and I was retired for 9. Both of us thought that our careers were done and now we’re getting to do this and to tell the story at AEW. There’s Moxley, there’s Bryan Danielson, Claudio, Miro, Hobbs – I’ve never wrestled any of those people and have never performed with any of them. That’s super exciting and gives me a new lease on life. Right? I have 2 years here and there’s a bunch of stories that I’m trying to go down the checklist. In the meantime, I can pass along the vast amounts of knowledge in my 32 years that I have been doing it.

AM: I’m sure you can pass around a lot of knowledge!

AC: Well I figured that that’s part of the job! If I sign anywhere now, I bring all of those years from when I wrestled in Teneessee when 5 people were sitting on barrels of hay all the way to WrestleMania to battle The Undertaker and everywhere in between. With that, if you’re paying attending, you can learn a lot.

AM: With the span of your entire career, what do you want your legacy to be known as?

AC: I have always said that I don’t believe in legacies and I feel that legacies are solidified by the people that are putting together video packages and they’re usually more political than anything else. So I have always said that my legacy is my little girls. Am I raising good human beings – that’s the legacy. I truly feel that my girls are awesome and they are great little human beings. That to me is the legacy.

Did I always work hard? Yes!

IG @ratedrcope

PHOTO CREDITS | FRONT/BACK COVER, 19 - 29 + 34 - 39 Paul Farkas | PG 16 Disney/David Bukach | PG 30 - 33 AEW |

Read the DEC ISSUE #96 of Athleisure Mag and see MAKING HIS MARK | Adam Copeland in mag.

HUMANITY DEFINES HIS MUSIC | MIYAVI

This month's cover marks the 20th year of MIYAVI being a force in the music industry. Known as the Samurai Guitarist, he brings a message of passion and peace to those he plays for whether they're the fans that attend his shows or the refugees that he performs for as a Global Ambassador of the UNHCR where he gives his time to the camps when they are seeking relief from the crisis around him. He also talks about his 14th studio album, MIYAVIVERSE which covers anime songs. MIYAVI is also an actor who has done voiceover work in an Emmy-nominated anime show, Arcane: League of Legends as well as appearing in movies with Angelina Jolie in Maleficent 2 as well as Unbroken that she directed. We talk about his need to stay creative, collaborating with brands and continuing to challenge himself.

ATHLEISURE MAG: When did you realize that you wanted to be a musician?

MIYAVI: When I lost my dream to be a professional soccer player when I was 14 years old. I was on a youth team of a professional soccer team in Osaka on the west side of Japan. Every single day, I was going to the soccer field and I got injured and then I lost my dream. The thing is I really really wanted to be a professional player, but at the same time, the practicing was really competitive to be on the team. I actually got tired of it because it was tough for me being a 14 year old boy to keep going to the field which was pretty far from my hometown. It was like a 90 minute train ride and that was really tough for me every single day. I was the captain of the local team for a very long time, but when I started going to the professional team, I lost my friends as well because I was not in the group anymore. I was the only one going to the professional team as well.

To me, it was really stressful and then it was really shocking to me that tmoment that I stopped going to that professional team, I was really relieved! It was really weird because soccer was my motivation and my passion every day that I was playing. But the moment that that happened, I was relieved not to play soccer because it was so stressful for me. That was the moment that I quit soccer and again, when you lose your dream, you lose yourself as well and you lose that shine so I was hanging out with my friends and I was doing bad things and then I got the guitar and I thought, “oh this might be it!” It might take me someplace else and I wanted to get out of my hometown anyway. This thing might be the one that takes me out. Now, I’m traveling the world and talking to you!

AM: Exactly and that’s quite a story.

How do you define the MIYAVI sound?

M: People call me the Samurai Guitarist and I’m honored to be called a Samurai! Samurai is such an important word for Japanese people. It’s such a big determination and it’s a really really big deal. For me, instead of katana, the Japanese sword, I play the guitar and I make people dance. I feel good that I can spread that positive message. As an artist which I am always trying to pursue the edgy style, but at the same time, I’m also a Goodwill Ambassador for UNHCR which is The United Nations Refugee Agency. So it’s about positivity and the moment that you feel the future, it’s really really crucial!

So yeah, it’s kind of like a guitar rock, dance kind of music. At the same time, to me, it’s about the attitude and how you enjoy my show is really really important. After people get back home, I want them to feel energized and motivated. Of course, I want you to have fun, we’ll have fun always – but I want to create something that people can feel and that it’s the future and is productive. It’s not just about being entertaining.

AM: How do you get inspired in terms of approaching creating your music?

M: You know, I like to watch movies or sometimes be in a movie. When I play a role in a film, I learn from that character and I want to be able to absorb and take it into my body. That’s also an inspirational source, to me. Again, I can learn things from my kids as well. As a parent, it’s kind of a learning process as well. Again, at the refugee camps, to witness those cruel devastating situations and the paths that those people had to go through – this is also a huge inspiration. I can’t look away from that fact and our generation is facing this crisis. So that’s not quite an inspiration it’s –

AM: It’s more of a driving force.

M: Yes, it’s more of a driving force. It’s a reason why I keep moving forward. It’s really really responsible.

AM: You’re so talented and from the music standpoint as a songwriter, producer, you play instruments – what’s your favorite part of working on a song?

M: To be honest, the most important thing is to put the message or the lyrics as a core part. The most fun part is just playing the guitar without thinking about anything. You just go free, that’s the fun part. That’s what I can do on stage once I’m done. Giving birth is the most hardest part, the most painful experience as we all know – the ladies. They give birth and it’s painful, but it’s also worth it for the real happiness. So doing what I do, it doesn’t actually hurt like that, but at the same time, when you’re making a song, it’s a really really tough process. But then again, it’s worth it. But playing the guitar, that’s the fun part!

AM: When you’re collaborating with other artists, what are you looking for when you’re deciding that you want to partner with them?

M: Just chemistry always! I know my world and I know how to maintain and to remain in my sound. I know my style and I know that it works. When I work with somebody else, I want to see new dimensions and to also feel that chemistry and to have a new me. Something that I never experienced or that I never thought to even try. That’s kind of a benefit and that’s the same with life. You don’t know what’s going to happen tomorrow. Sometimes it doesn’t go as well as you expected, but that’s life. That kind of encountering a new part of myself in that way is nice.

AM: Earlier this year, you partnered with K-Pop superstar Kang Daniel with Hush Hush which also became a theme song for the Korean drama show Rookie Cops on Disney+ and you also collaborated with him again. What did you love about working on these projects with him?

M: Again, K-Pop is a global and phenomenal movement. I’m half Japanese and half Korean and I do respect the effort and the creative force that is there. Kang Daniel is a rising star and as an Asian, I do respect him. Again, it’s a totally different style and it does seem like he is building his own style right now. So it’s really really interesting to be part of the creation that we make together and then we see the shift as well. His style is really different from mine and it’s not like it’s a middle ground – it’s more like a 3rd or new destination! You can only find that with your collaborator. That’s why I said, a new me or a new world or a new dimension. I love his dedication for the creation and he’s so humble. It’s great to feel that different wave in the younger generation.

AM: You’ve been in the industry for over 20 years and you’re currently in a 19 city, 20 show tour here in North America. What does it mean to you to reach this achievement and to look back on all of the work that you have done?

M: I’m never satisfied and that’s the reason why I keep on doing this. I’ve done pretty much all of these different things not only in musi,c but acting, the fashion thing, humanitarian work, so it’s such a pleasure to be able to explore the many worlds and to encounter new people and I’m learning every single time. It might have been easier if I just focused on a music career or an acting career or a fashion career, but again there is also that chemistry when I take on a challenge of doing something different every time. I feel that chemistry and then I learn from it. Then I can be a new me and I can be stronger and I do just appreciate everyone that I have worked with and also the fans that are supporting me the whole time even if I changed my music style – not just costumes, but the music itself – the groove. Then doing acting and the fashion thing so I really really appreciate their support.

AM: So what can you tell me about your 14th studio album that is coming out?

M: That’s a cover album and I am covering anime songs. It’s a really really interesting path and also a process because those tracks are made by somebody else and they’re really popular ones like the song for Evangelion or song for City Hunter, the song for Naruto. At the same time as an artist, I’m really confident to make any song into MIYAVI’s world which is why we named this album, MIYAVIVERSE. That’s my world and that’s the sound that MIYAVI and the team creates. Every song has a great melody and there is a chemistry, there is a totally different sound in production and form. We’re kind of making a new style. It’s a really exciting project.

AM: In addition to your music career and you have also said this as we’ve been talking, you’re the face of a number of brands such as Gucci and you’ve been with Dell and McLaren. What does that mean to you to be able to crossover like that?

M: You know, it’s a new discovery of myself and then it’s such a pleasure to work with those top top brands that are trendsetting and leading their industries. It’s great to see what happens when I dive into those different worlds. I’m not a car geek or a car lover, but the attitude that McLaren and MIYAVI have really resonates. I’m not just making music for a business and they’re not just making a car for a business, we’re making history and we’re making a different thing. It might be easier to make some kind of a good pop stuff and there might be an easier path to become famous, but for it’s not. It’s about being more integrated. We would not be able to be satisfied with the answer. With Dell as well. The creativity that technology brings – they are expanding that as well. The honor to be part of it and to just explore together is great.

AM: In terms of your acting, you have a number of credits that you’re getting out there. You were cast in Angelina Jolie’s Unbroken and you worked with her again in Maleficent 2. What was it like to be in those projects?

M: It’s fun. Again, the music when it comes to the process, it’s all about me. I say it sounds like this, it should be like that, I am the producer. So I am doing the producing, the acting and the playing myself. But the movie, as an actor, there is a bigger part of it especially when the role is not that big. It’s a tiny part of it. But, it’s still you’re part of it. You’re performing and whatever you do in that work, it’s going to affect the entire creation – it’s teamwork a team achievement. To be able to work with those top top people from Disney or Pixar those people are the real deal! It’s really creative and more free. They are enjoying the flow and they are making something new in the flow. It‘s really fun!

AM: You’ve done voice overs for Arcane: League of Legends which won an Emmy recently for Outstanding Animated Series. Why did you want to be part of this show?

M: Why not?

AM: Love that!

M: Yeah! Why not? When I got the offer, I heard that Sting was on board, Imagine Dragons was on board. You know, those top artists were there and then the creation itself was really really great – a high level and a big passion. I was working with Christian Linke the Executive Producer. He’s like Steve Jobs like – he has the characters, the world, passion and even the music as well. It was simply a pleasure and honor to be part of it and then the music and also doing the voice acting for a little bit for a little role. That was such a surprise and that kind of flexibility and spontaneous kind of decision is the fun part of creation you know. You can change your creation drastically in the last minute. That’s all on you so it’s all about the passion and the clear vision. He had a clear vision and I was so happy to be part of it.

AM: Throughout this interview, you have been talking about your humanitarian work and working with the United Nations. Can you tell us more about what you are doing?

M: So my humanitarian work as an ambassador for UNHCR, is life work and it’s really volunteering. It’s not something that I get paid to do. Every single time I go to the refugee camps, I feel purified well as it is a special process to me. Anything that you can do for the future, global warming, animals, human rights – anything. But for me, I met Angelina Jolie – Angie, she’s the one that inspired me and opened the door and who met me. I was really surprised and amazed at how much she dedicates for this crisis and as an artist, I wanted to be able to do something if I could. I went to the refugee camp in Lebanon for the first time right after the Syria crisis exploded. It started around 2011ish but around 2014/2015, the refugees increased rapidly and I was really scared. I didn’t know what to do as an artist and still, I can’t play the guitar to people that just escaped from their countries because imagine the situation of it being do or die, you can’t enjoy the music at that moment. But still, after that first emergency phase, we call that Developmental or Sustainable Phase – people need to feel that dignity of a human being. We are not just living here a human being. We are not just living here, we are living here and standing on our own feet. That’s what everyone needs to feel and especially at the refugee camps, that set of circumstances is really hard to feel that way. Then art and culture like music and sports, can do many things to connect people and to make them feel alive. That’s my role as an ambassador. The thing about refugees is that you feel like a dark, serious burden – it's a serious issue. But at the same time, those people are like us! They used to be a professional musician, they used to be a writer, they used to be a politician. So my mission as an ambassador is to bring those kinds of bright sides of people and positivity. So we feel that we are the same and it could happen to us. When you think about a crisis that could happen like another war – I don’t even want to say, but you have that conflict that happens and it could happen to us if the place you are living in is so no longer safe. It’s really really important to me to keep doing this so that I can realize that I can redefine my mission of the reason why I keep moving forward. I keep creating and this is really really important now.

AM: Honestly, the way that you explained that this person who is a refugee had a life where they were a doctor or the fact that they had a life that they were part of. I think that that really puts a different type of life on it as opposed to saying this group of people had this devastating series of circumstances. It does give back the humanity and compassion to see it in that light.

M: Some of them used to be a doctor. Some of them used to be a professor.

AM: What do you want your legacy to be as an artist, as an actor, a humanitarian and as a father?

M: That’s a big question – the ultimate question. It’s interesting. It makes me rethink about the shift in me as an artist. I wanted to play the guitar when I was younger, but I'm not playing the guitar because I want to play the guitar now, I’m playing because I want to play music. That’s why I’m playing the guitar – I want to spread my message. It’s why I make music and then I play the guitar. I need to spread the message to help make this world better somehow. I want to dedicate myself somehow and that’s why I play music. That’s why I play the guitar. It used to be like – I want to be a legend playing the guitar. I do play it and it’s my thing and I will never quit playing the guitar. I’m not going to become obsessed by being a guitarist. It’s a tool to deliver my message to the audience. So, I don’t know about the answer to your question because for me, anything is fine. That’s why I am an actor and modeling as well because as long as you can just spread the message and the idea of peace, I think that that’s it!

IG @miyavi_ishihara

PHOTOGRAPHY CREDITS | PG 16 - 27 + 32 Courtesy MIYAVI | PG 28 Mairo Cinquetti/Pacific -Press/Alamy | PG 30 UPI/Alamy |

Read the OCT ISSUE #82 of Athleisure Mag and see HUMANITY DEFINES HIS MUSIC | MIYAVI in mag.