ATHLEISURE LIST | RESTAURANT YUU

Restaurant Yuu is located between Williamsburg and Greenpoint in Brooklyn with a classic dining style at a beautiful black stone chef's tasting counter.

Chef/Owner Yuu Shimano trained at Tsuji Culinary Institute in both Osaka, Japan and Lyon France. He graduated in 2002. His first 12 years of his career was in France where he began at two-Michelin-starred La Villa des Lys at the Hotel Majestic in Cannes before becoming the Chef de Partie of Meats and Sauces at three-Michelin-starred Restaurant Guy Savoy in Paris. In 2017 he was tapped by Tokyo Restaurant Factory to open MIFUNE New York where he served as Executive Chef for 5 years and garnered a Michelin plate.

Their Pastry Chef Masaki Takahashi previously worked at two-Michelin-starred Narisawa in Tokyo. Chef de Cuisine Shuji Furukawa previously worked as Executive Chef at The Gallery by Odo. Sommelier Akio Matsumoto worked at the three-Michelin-starred L'Effervescence in Tokyo.

Their French 18 Course Omakase Menu focuses on traditional and classical French cuisine that they modernized creating new flavor profiles to impress guests. The 18 courses are served through 22 different dishes, as some of them like Trout (a smoked trout tartlet with fennel cream, finished with smoked trout roe) and Octopus (a bite-sized octopus fritter made from simmered octopus and shrimp croute and served with red) is the first course.

Three dishes that are the chef/owner's favorite is his signature Duck and Foie Gras Pie, a house made pie filled with duck breast and duck thigh, spinach, and foie gras, served with a black pepper cognac and duck jus sauce; Ayu, a young Japanese ayu fish wrapped in a shiso leaf then fried, served with shutou sauce made of fermented bonito cooked in soy sauce, and egg yolk; as well as the main dessert Plum, a miniature soufflé served in plumb compote with almond ice cream.

Their tasting menu is seasonal and will change every 3 months with the next menu launching at the end of July. The Duck and Foie Gras Pie is their signature dish so it will remain on the menu.

Their digestif offerings after the meal is a coffee and tea service paired with four mignardise: Pistachio Macaron, Chocolate Grand Marnier Muscadine, Kiwi and Tarragon Pate de Fruite, and Lemon Cream Tart. Their sommelier Akio Matsumoto can recommend a bespoke digestif of sake or fortified wine based on their preference of a dry or sweet after dinner drink.

RESTAURANT YUU

55 Nassau Ave

Brooklyn, NY 11222

yuunewyork.com

IG @restaurant_yuunyc

PHOTOGRAPHY CREDIT | Dariia Neshama

Read the JUN ISSUE #90 of Athleisure Mag and see ATHLEISURE LIST | Restaurant Yuu in mag.

THE BACHELORETTE S.20 E.5 | TAKING IT TO THE NEXT LEVEL

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we are in New Orleans and the guys talk about how important it is this week since Hometowns are next week! The 6 guys chat with one another to talk about how they want more time with her and Aaron lets us know that he has lived in NOLA for the last 7 years. Charity Lawson swings by where they are having drinks and she chats with them and invites Joey on a 1-on-1 date. The guys feel the gravity of the week ahead and want to make sure that it’s nothing but good times ahead so that they can get to know more about her and to generate that spark!

Their date takes them through the city on a horse drawn carriage as well as the sites and the sounds of the city! It’s so easy between the two of them and Joey has always been our front-runner for who would go to Hometowns! As they settle down to dinner, both want to know more before she meets his parents. She lets him know that there are factors and things to navigate as an interracial couple. He explains that he is willing to experience it and won’t know until he goes through it, but he’s there. He also says how his parents would be crazy not to love her. We’re so cheering for these two! Of course, he gets the date night rose! He tells her that he is falling in love with her and is happy to continue down this road with her.

Back at the hotel, the remaining men are about to receive the group date card! Everyone would rather not be on the group card. Sean and Tanner are on a date card for a 2-on-1. They’re heading to the bayou where she can get clarity. We know that one of these guys will be going home. Sean is really upset and is definitely spiraling.

The 2-on-1 has to be the most uncomfortable date that you can be on! Between the two, we’re hoping for Tanner, but both guys seem to be great! She states the obvious that the 2-on-1 is not the most ideal and the bayou captain also says that this is a tough situation. It’s a crazy date experience but it’s nice that both men are being cool as there have been previous versions of this date have been downright hostile. They cruise the bayou and even have a crawfish lunch together. She lets them know that they all need to get ready for their dinner together and Sean makes sure that he lets her know that he is here for her with a few kisses. It’s definitely tough to have 2 different personality types on the same date. It’ll be interesting to see how Tanner will make himself known.

A table for 3 where Charity outlines the importance of clarity at this point. She toasts them and lets Tanner know that she wants to have time with Sean first. He lets her know about his family and how he is going through this journey even if he should get crushed - he’s willing to take risks. Tanner takes time to think about how he will talk with her and to bring himself forward so that he can be seen.

Tanner tells her that he is focused on protecting his peace as he has been hurt before. But he knows it’s important for him to bring those walls down so that he can connect with someone. Tanner is another person that we have liked from the beginning as well!

Back at the hotel, the date card arrives with Dotun getting a 1-on-1 for sunrise. Aaron is upset that he’s not getting a 1-on-1.

Back at the 2-on-1, Charity knows that she needs to make the right decision and she’s not sure which way she will go. She decides that she will not give out a rose. She wants to give more time, but we can see that Sean is upset that a decision wasn’t made.

The next day, Charity is at the Crescent City Classic where she will run with Dotun (and others) for this marathon. She brought outfits so that they could be dressed for the occasion. This is such a cute date as they have a whole race to walk and talk as they run through the city.

Both men from the 2-on-1 date debrief on how it was. The fact that there wasn’t a rose scares both of them. We can definitely understand the pressure of what this means around Hometowns. Sean says that he feels insecure about his place and the fact that there are a number of guys who have had 2 1-on-1 dates when he has never had that opportunity. After the race, they take time to continue to talk (throughout the date, it seems that they enjoyed cocktails and bites - that’s a race that we can get behind for sure). Dotun is another one that we could see being at Hometowns as well. He’s looking forward to having dinner with her so that he can share more about what he feels.

Dotun and Charity continue to the dinner portion of their date. They talk about their needs and he lets her know that he is falling in love with her. Of course, he gets a rose, she’s coming to his Hometown!

The next card arrives and Aaron, Xavier, Tanner and Sean are on the date card for a group date. Sean provides the stats and analyzes what this means. But he’s pretty upset and he didn’t know that Dotun had a rose, and of course he walks in with it on his chest. Clearly Sean is going to be really upset and even Xavier points it out.

Sean decides that he wants to talk with Charity. He lets her know how he felt about not getting a rose. He lets her know that he wants to bring her to his family and that he needs that validation. He lets her know that he is in the process of falling in love with her. She lets him know that he has always shown who he is, but she lets him know that in looking at it all - she has connections that are stronger. He tells her that if he has 1-on-1 time, they can get there. She says that with the time that is available, she doesn’t feel that they can get there and she knows it’s not what he wants to hear. With that, she sends Sean home. We can appreciate that he put it all on the line, but we never saw him going to Hometowns.

Now it’s time for the group date with the remaining men - Tanner, Xavier and Aaron. Two roses will be given on this date and by default, letting them know that they will be going to Hometowns. Everyone is looking at the 2 roses on the table, but she lets them know that she wants to make sure that the decisions are the ones that are best for her. She pulls Aaron aside so that they can chat with one another. She also takes time with Tanner as well as Xavier. Each man shares information that is personal to them as well as making a connection with her. In Xavier’s date, he wants to let her know who he is fully. He tells her that it scares him to think of channeling himself fully committed to one person. He lets her know that he has never done it before and he wants to do it once and to do it right. He wants to get engaged and married, but he’s trying to see if it’s with her and if he can fall in love with her. He thinks that he can get there if she is the one.

After speaking with the men on this group date, she gives one of the roses to Aaron and she walks him out as she makes her final decision between Tanner and Xavier. She chooses again to not give out the last rose and lets the men know that she will see them at the rose ceremony.

Charity swings by Tanner’s room to talk with him as he has been so open with her about what Hometowns will be like. She wants to let him know in person that she is not giving him the rose and she feels awful that they will not be able to continue to their journey. Tanner is a nice guy and it’s a shame that they will not be able to continue. He says that it is hard for him for this to happen to him and he feels that she deserves the world and that he is special.

Xavier arrives and he sees the rose sitting in front of him on the platter. She lets him know that it has been a tough week and that she has been on the fence about a lot of things and has had to trust her gut. She lets him know that she sent Tanner home and that even though there is one more rose, she doesn’t have to give it out. She wants to give it to him and she wants to learn more about him. He accepts the rose and he seems really happy. She wants to meet his family so that she can learn more and she feels that only time can tell. We’re looking forward to Hometowns next week!

Charity’s Hometown Roses | Aaron, Dotun, Joey, and Xavier.

Charity sent home | Sean and Tanner

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

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WHO WE WANT TO SEE GO TO HOMETOWNS

AARON

DOTUN

JOEY

XAVIER

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THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA

AARON S. 33 - San Diego, CA

ADRIAN 33 - North Hills, CA

BRAYDEN 24 - San Diego, CA

CALEB A. 29 - Ann Arbor, MI

CALEB B. 24 - Orlando, FL

CHRIS S. 27 - White Plains, NY

DOTUN 30 - Brooklyn, NY

JAMES 28 - Chicago, IL

JOE 30 - San Francisco, CA

JOEY 27 - Koloa, HI

JOHN B. 27 - NY, NY

JOHN HENRY S. 30 - Virginia Beach, VA

JOSH 28 - Bethlehem, PA

KALEB K 26 - Norcross, GA

KHALID 28 - Dearborn, MI

MICHAEL 29 - South Holland, IL

NICK 31 - Bayonne, NJ

PETER 33 - NY, NY

SEAN 25 - Tampa, FL

SPENCER 32 - Moorpark, CA

TANNER 30 - Pittsburgh, PA

TAYLOR 32 - Beaver Creek, OH

WARWICK 27 - Nashville, TN

XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

START WITH THE MELODY | OVY ON THE DRUMS

This month, our JUN ISSUE #90 cover comes from producer, composer, singer/songwriter, 2X Billboard Latin Music Awards nominee, 4X Latin Grammy Award nominee and Premios Juventud winner, Ovy on the Drums! If you have enjoyed a number of Karol G's music whether it's her solo or collaborations that she has done with Shakira, Becky G, Future, and more - you have enjoyed the disctinctive sound that merges EDM, pop, and Reggaeton to make a sound all of its own. In addition to his work with this artist, this much in demand artist from Medellin, Columbia has also worked with Nicki Minaj, Steve Aoki, Bad Bunny, and Maluma to name a few.

While we wait for his much anticipated album as a solo artist signed to Warner Music, we wanted to find out a bit about how he approaches creating his music, how he got his start, sharing his sound and how we can define it, as well as working with Karol G.

ATHLEISURE MAG: You’re a producer and singer/songwriter, when did you fall in love with music?

OVY ON THE DRUMS: How did I fall in love with music? Well, the truth is, I fell in love with music... I had never really thought about becoming a music producer or dedicating myself to music, but one day I discovered the program I currently work with and use for all my productions, which is FL Studio. I believe that from that moment on, I fell in love with this whole music thing, creating rhythms, and beats. Since the first day I discovered this program I've felt a passion and love for creating music.

AM: From your love of music, to creating your music. How did you initially break into the into the industry?

You have a creative partnership with Karol G as you produced all but one song on her debut album Unstoppable, Ocean, KG0516 and you were one of the producers on her 4th album, Mañana Será Bonito. How did this partnership come about and what do you enjoy about working with her?

OOTD: Once I started making beats and fell in love with music well, in terms of the industry itself, my first steps were thanks to the university where I studied a bit more about music.

I met some friends called "La Compañía" from San Andres, a beautiful island in Colombia. It was thanks to them that I had a strong approach to the music industry. They opened the doors of their studios to me, and it was through them that I also met Karol G. I am forever grateful to them because it was there that I had my entry into the music industry.

AM: What do you like about the sounds and beats associated with reggaeton, hip-hop, pop, and EDM?

OOTD: Well, what I like the most about the sounds themselves are the percussion and the changes, the cuts that each genre has. I really enjoy analyzing the slicers in each song and the different types and changes in percussion.

AM: You’re a producer and singer/songwriter, how do you define the Ovy sound?

OOTD: The sound of On the Drums today, in any of its three facets, is going to have a very distinctive sound that I have been evolving and refining for a long time. Right now, I consider my sound to be very minimalist, a very simple sound. Within the few elements I use in a production, I strive to make it sound grand.

It has been a bit challenging because, initially, my productions were very saturated, overloaded with sound. Over time, I have learned to select certain sounds to avoid saturating it too much in a production.

AM: When you begin working on a song, where do you start first?

“Well, what I like most about the sounds themselves are the percussion and the changes, the cuts that each genre has. I really enjoy analyzing the slicers in each song and the different types and changes in percussion.”

— Ovy on the Drums

OOTD: When I start working on a song, most of the time I like to begin with the melody. Before creating a song, the first thing I do is sit at the piano and let it convey or evoke whatever mood I'm feeling at that moment. It's what guides me. That's why I love starting from there.

AM: You have worked with several artists such as Karol G, Nicki Minaj, Becky G, Bad Bunny, Ed Sheeran, Steve Aoki, and Maluma to name a few. Where do you get inspiration when it comes to creating music for the artists that you have worked with?

OOTD: I believe that inspiration should always come from within the artist. It starts with creating a rhythm or sound that I personally enjoy and being able to convey that beautiful energy I'm creating musically. Transmitting it to the artists I've worked with is important to me. I want them to appreciate what I do, connect with what I'm creating, and work together as a team. That's how I flow, and I think it's the key to finding inspiration when creating music. It's about transmitting that energy, whether I'm with the artist or working alone, and sharing it with others

IG @ovyonthedrums

PHOTOGRAPHY CREDITS | Ovy On The Drums

Read the JUN ISSUE #90 of Athleisure Mag and see START WITH THE MELODY | Ovy on the Drums in mag.

END OF AN ERA | SARAH BOLGER

One of our shows that we can't wait to watch is FX's Mayans MC which is a spin-off of Sons of Anarchy! This series focuses on the Mayans biker club, the Galindo Cartel, complicated relationships that are generated in a number of ways and fighting to stay together by any means necessary!

We sat down with Sarah Bolger to talk about being part of this cast, the series finale, her character Emily Galindo, what she learned about being part of this show, what we can expect for the final season, about relationships that were established between cast and crew, and upcoming projects!

If you have not watched the previous seasons or have missed some of the episodes of this season, spoiler alert, we will be talking about plot points that include the previous seasons as well as up to episode 3 of this season. Catch up on Hulu and watch each week on FX.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an actor?

SARAH BOLGER: Oh my God, so I started acting – well, to answer your question, I don’t remember! I started acting when I was 5!

AM: Oh my God!

SB: My first feature film was a little Irish/UK co-pro film called, A Love Divided. That’s when I was 6 years old. That’s when we filmed it! But I will say that around the age of 13/14/15, when high school becomes more important and when it becomes a thing where one says, that one must be in school – one must pay attention – one must not miss class – it became really apparent to me that I missed acting. Like, this is every child. No child wants to be in school I’m sure; however, for me, it literally was a thing where I’ve never felt more at home in a place, than on a film set. That still remains true to this day as sort of woo woo as that sounds! It’s so true and it’s just one of those things that I have always felt really comfortable with and that I have always felt really confidant in. I have always felt that something about it was just the right place for me. So yeah, it was early on as mad as that sounds!

AM: We love hearing that and we love that even in doing it such a younger age, you were able to reconnect with it again which is awesome!

SB: Yeah, thankfully, I have been able to do a bunch of little parts back in the early days and then I did a film when I was around 10 that ended up bringing me to LA because it got nominated for a couple of fun things and proudly, that project was something that was really beloved and it was so interesting. I can look back on that today and it’s one of the few things, it was called In America, it’s one of the few things that I can actually rewatch because I’m so young in it! I don’t remember it and it’s a different person than me!

AM: You have been in some of my favorite shows from The Tudors, Once Upon a Time, Agent Carter, Counterpart and obviously, Mayans MC, what do you look for when you’re deciding on whether you’re going to audition for a role?

SB: I know when Mayans came along, there was a history of a couple of roles where I was playing a princess if I am going to be honest. I remember loving how opposite Mayans was to any of the worlds that I had been able to portray or to live in before artistically and I thought, this fascinates me. Not only in that the predecessor show was so amazing, it was more of that, “ok, this is just a world of violence and gangs and California, and modern day and family and culture! It’s just so wonderful and exciting and important – with Mayans in particular, it just felt so different than any other show that I was able to do before. Specifically, I didn’t have to wear a corset which I thought was great!

AM: That was a relief!

SB: Yeah, my ribs took a break, you know?

AM: Exactly!

You said that what attracted you to playing Emily. How do you approach playing her?

SB: Well I think that what’s so beautiful about having 5 seasons of a show is that every season, I have to approach her a little differently, because she has grown like I have grown! We all change and I’m not saying that we change so drastically year to year, but in circumstances to which Emily has lived in, being part of the Cartel which is stressful, I can only imagine how it is so stressful! It’s stressful to act in – not only to be in real life! Things like that and her having a child. These things that I personally as Sarah have not been something that I have experienced – it was just a lot to her that I felt that I had to do my research on and really learn her and change her as her circumstances changed as the stakes got higher. As it got higher and the show progressed, it got really clear that Emily was a person that was very dependent on changing herself to fit into whatever circumstance that was. Whether it was her ex-love, using people as crutches, whether it was hiding behind organizations, or her husband – I think that what happened with Emily which was so cool to be able to do is to remove herself from that sturdy position that she had put herself in and it kind of made her very wobbly and made her make a lot of mistakes and made her very unsteady and very uncertain. That’s kind of very cool and very human – very very human.

AM: How do you feel that she’s kind of connected between two very different characters – between EZ (JD Pardo) and Miguel (Danny Pino). How do you feel that she perceives that balance that she is always having to walk between the two because she’s inextricably tied to them constantly?

SB: Totally and well said! I think that for Emily it is the balancing act of secrecy and lies. She has this person, EZ, who is her childhood crush, who is the love of her life potentially, who by the way she knows that she can never be with. He’s progressed in an avenue of his life where she can no longer catch him. She has progressed to an avenue in her life that he couldn’t fit into. So it’s not like there is this long lost yearning for what could be.

I think that when it comes to EZ, Emily reverts to childhood, reverts to help me, she reverts to “I need you,” save me – she reverts to these things that happens to younger loves.

With Miguel, if people were to ask me if I think that she loved him, I think that she beyond loved him. I think that without him, she wouldn’t have Cristόbal (Obadiah and Benjamin Abel), her child and as much as she fears him or hates him, there is a constant and truthful admiration maybe for him, for the love that they shared in that pocket of time that gave them their family. It gave her hope, it gave her security, and that gave her a future.

I think that between the two, it’s like fragmented love. Emily has almost no lover for herself because she keeps part of her love for EZ and she keeps part of this love for Miguel, but really, she is lost in and of herself. So I think that if you were asking me, she is in between these two people, but it’s tearing her apart!

AM: Right!

SB: It’s only ruining her, it doesn’t ruin the other two.

AM: It’s so interesting to watch and we see your face and we see all the emotions!

SB: She’s just so sad!

AM: Last week’s episode was just oh my gosh – this is awful!

SB: I know! Are you up to episode 3?

AM: Yes, yes!

SB: I had to check ha!

AM: I mean on one level, they’re on the swing set together and they’re saying so much, but neither can go back because too much has been done!

SB: No! There is no going back for either of them. I know that I’m definitely pulling from history here in terms of the Emily and EZ story. Even though their story is very different, they have kind of had a little bit of a mirror life. They both had this trajectory of escapism, escaping their history, escaping their family, being together, going to college, getting degrees, getting jobs, and they were both crumped by EZ’s prison sentence. In truth, it sentenced them both to a life that they didn’t intend to lead. That’s not necessarily talked about because Emily – that’s not something that she has on her shoulders all the time. But me as Sarah looking from a distance, I’m looking at the show thinking that their actual trajectories are very very similar. They both have had to dig down and they feel that they are almost left with no choices right? Whether it’s the cartel of the MC, it’s these things that they had no intention of ever being involved in, but now they are so deeply involved in that the only way out is down!

AM: Yeah, it’s just heartbreaking because the puzzle pieces can’t fit.

SB: Right and of course, who knows how they will end, but I just know that for me, the storyline for me has not been about her trying to get back to EZ, but actually just having Emily get back to herself.

AM: Absolutely.

We’ve watched Emily do this over the past 5 seasons. For those readers that may need a bit of a refresher and to catch up, where did we leave Emily in season 4 and where are we picking her back up again this season?

SB: At the end of season 4, Emily had removed herself from her husband, had gone on the run, had taken – sort of kidnapped Cristόbal, her son, as it was and with the aid of her sister, was able to escape and with the help of her knowledge of certain criminal behavior, she was able to get a passport with a different name. She was able to steal Miguel’s additional cash and sort of go on the run and hide from him and people were convinced that Miguel had died, but she was never convinced of that. She took a job working in a restaurant, just so she could send money back to her sister and her child just to feed them. I think that the point of season 4 for Emily was that any life was so much better, even if it was a dingy apartment with cockroaches, it was so much better than that castle which was just a prison. She had been on the run and the final episode of season 4 is Miguel finding Cristόbal – killing – well we don’t know who necessarily kills her sister in terms of which hand, but the organization kills her sister and Emily being asked maniacally by Miguel to return home and that all is forgiven, and that they need to be a family again. Emily is without choice, she’s without options, without funds and without her child – so there was no other choice for her, but to return back to really just be close to her kid again.

AM: In looking at the 3rd episode of this season, it was really interesting because it’s looking at the complicated nature or relationships. Not just between Emily and EZ, Emily and Miguel, but more importantly you have Filipe and Miguel – there’s this whole crazy thing going on!

SB: I know! He has this whole thing for brothers.

AM: It’s crazy because at the end of the day, you ask yourself where does Cristόbal hang in the balance on all of this? It’s such a big family network, but it’s not a known family network yet – so it’s a lot of plot twists. What can you tell us about what we can expect as we continue to watch this season as I know you can’t really give spoilers, but what should we be looking out for?

SB: I think that family has always been a really big theme of the show. It’s been an important theme whether it’s the blood you come from or the blood you create. It tears us, it humanizes us, and humbles us and I think that knowing how important family is, I feel that this will be an important story developing from that, but also I think that even for Emily, I wonder if Emily ever gets all of that information and what would that do to her and her family? I guess we will see.

AM: We will see!

SB: We will see!

AM: What have you enjoyed the most about playing the part and also being part of this cast? What’s the biggest takeaway that you’re going to have once this show completely wraps?

SB: That day, my last day on set – I know that the end of a job is emotional for everyone. You’ve literally spent 16 hours a day, 5 days a week and mostly at midnight with this community and with this crew, and with this cast! They know when you didn’t sleep, they know if you have a headache, they know that the rain is miserable and we’re all soaked together or the heat is crazy and we’re all overheated together. There’s so much that you share and there is so much by osmosis that they learn about you and that you learn about them. There is just this element of the familiar – every day you’re like, “don’t worry, I’ll see you next year.”

Episode 10 wrapped and you’re like, we’ll get another season. There wasn’t that this year. Not being able to say, “hopefully, I’ll see you in 4 months,” was really gut wrenching for me. For both, our cast and our crew. I mean this so sincerely, our cast is insanely talented, but we have the best crew in the world! From the camera department to the AD, to the transpo unit, to costume – they work so hard! Again, we spend so much time together! I won’t have that tomorrow, I won’t have that next year. It makes me so sad because they were a huge part of my life for the last 6 years! It’s 5 seasons but it’s 6 annual years.

AM: Yeah, that’s a long time! It’s a significant chunk.

SB: Oh my God, I feel like, you know – we find ourselves in our mid to late 20’s – that’s when I started the show! I grew up there! I have become a woman who’s paid attention to taxes through the show!

AM: Facts!

Do you have any upcoming projects that we should keep an eye out for?

SB: You know, there’s a show that I am attached to and it’s called Rematch that is all secret except that I know that that piece of information has been released. It’s about Garry Kasparov who is a famous chess player and that’s the blurb that has been released so that’s all that one can say and hopefully that will be released sometime very soon. But that’s very excited and I really enjoyed filming that in Budapest.

IG @sarahbolger

PHOTOGRAPHY CREDITS | PG 156, 158, 161 + PG 176/179 63MIX ROUTIN3S FX/Mayans MC

Read the JUN ISSUE #90 of Athleisure Mag and see END OF AN ERA | Sarah Bolger in mag.

ATHLEISURE LIST | HAKKASAN LAS VEGAS

When we're out in Las Vegas, we know that when it comes to have an epic, over the top night out, you have to head over to the MGM Grand Hotel & Casino in Las Vegas and do it up at Tao Group Hospitality's Hakkasan Nightclub! This premier venue is a world-class destination for top DJs and artists for an experience that you won't want to miss!

When the Denver Nuggets won their hard fought NBA Championship, we found them here for their victory celebration! NBA Finals MVP Nikola Jokic, Jamal Murray, Michael Porter, Bruce Brown, Aaron Gordon, DeAndre Jordan, Kentavious Caldwell-Pope and the rest of the team started their night with dinner at Hakkasan enjoying signature dishes before they continued their night at the nightclub which was packed with a massive crowd who also joined in on the celebration!

The team kept the party going by sitting at their VIP tables that was on the stage. DJ Pauly D and Justin Credible were in the booth and their win was toasted with a 3-liter bottle of Perrier Jouet Brut Champagne.

Obviously, this was a great place to enjoy their massive win, but even when you're not rubbing elbows with your favorite athletes who are world champions, you can enjoy the nights that Hakkasan has to offer by organizing your night with dinner at their restaurant and then coming in to enjoy your favorite DJ who happens to be there for their set from a number of genres that you have on your playlist.

For those navigating how to get to the nightclub you walk from the front of the hotel through the casino and take a left toward Whiskey Down. Walk past it, The David Copperfield Theatre and TAP and Hakkasan will be on your left.

If you're on The Strip, Hakkasan is located near the entrance of the Las Vegas Strip. Once you walk into MGM Grand, take a right and you'll be at Hakkasan for an epic night ahead!

HAKKASAN LAS VEGAS

NIGHTCLUB

3799 S Las Vegas Blvd

Las Vegas, NV 89109

taogroup.com

IG @hakkasannightclub

PHOTO CREDITS | Sam Marshall for Tao Group Hospitality

Read the JUN ISSUE #90 of Athleisure Mag and see ATHLEISURE LIST | Hakkasan Las Vegas in mag.

JUST DANCE | INNA

We're always thinking about the song of the summer or a series of songs that we can identify with this time of year when we look back! There's nothing like a series of songs that you can dance too, have great energy and have a number of memories that you can attach to them whether you're solo or with friends and family!

We caught up with Romanian singer/songwriter INNA who is known for this kind of music as well as creating fun videos that are filled with dancing. We wanted to know more about how she came to the entertainment industry, how she goes about creating and collaborating with her music, her latest songs, Dance Queen House and the fact that last year, she croosed over to having over 10 billion views and streams! She tells us all this and more!

ATHLEISURE MAG: What was the first song that you remember that made you fall in love with music?

INNA: Hmm, most likely Romanian songs sung by my mother, grandma, grandpa. I was born and raised in a family where music was an important part of our lives. But some of the artists who had a big impact on me when I was a child were Mariah Carey and Whitney Houston.

AM: When did you realize that you wanted to be an entertainer?

I: From the very first years of my life. I was singing all the time: in the church choir, for my family and friends.

AM: How do you define your style of music?

I: Dance music, energetic, uptempo, about love, friendship, having fun, enjoying life.

AM: When you’re creating new music or a project, how do you get inspired?

I: I find that Inspiration comes from everything around me: my life, my friends lives, my memories, my experiences.

AM: How does your creative process change when you collaborate with other artists?

I: We establish sessions, we start talking about different stuff, we think of a concept, of an idea and we start developing on it.

AM: You have worked with a number of artists from Sofi Tukker, Daddy Yankee, J Balvin, Alok and more. What do you look for when it comes to those that you want to work with?

I: Sometimes a song brings artists together, sometimes the idea of “let’s collaborate, I love your music and I respect you as an artist.” It goes both ways.

AM: You’ve released a number of albums and have received a number of MTV Europe Music Awards, as well as others throughout your career. Last year, you crossed over to having over 10 billion views and streams! What did this mean to you to cross that benchmark?

I: It was and it still is surreal! It’s out of my imagination. I didn’t dare to dream it might happen to me. I am truly grateful to my fans, to people listening to my music and to my team, of course!

AM: You kicked off 2023 dropping Yummy, tell me about this song!

I: Yummy is a sexy song I teamed up with Stefflon Don and Dhurata Dora and it kind of sounded like a banger. It’s a nice collaboration, I enjoyed the female energy and the fans enjoyed it as well.

AM: Tell us about the Dance Queen House Album as this seems like an interesting concept in terms of how you go about creating albums that are released in this name.

I: Last year marked the third season of Dance Queen’s House, a session that lasted for 16 days while I was isolated in a house with producers and songwriters from Global Records, my record label. We work on new music, we have fun, we shoot the entire experience and at the end of these days, we release vlogs on my YouTube channel and of course, the album.

This is something I started doing in the pandemic, because I wanted to stay in touch with my fans and since I couldn’t tour, these vlogs and new music were the perfect way of staying close to them. After these three seasons, I managed to release 3 albums Heartbreaker from the first season, Champagne Problems in two parts and Just Dance in two parts as well.

AM: What’s it like to create your songs for albums that are part of Dance Queen House?

I: It’s very nice I get to share the entire process with my fans and also do a lot of activities.

AM: You also dropped your 9th studio album, Just Dance which was released in 2 parts, why did you release it this way and what songs are you excited about?

I: We worked on a lot of music in a very short time, just 16 days, songs that needed time to be produced to sound good. And also, there were lots of songs, so I felt we had to share them separately, so that my fans get to enjoy them.

AM: Tell me about your latest release with Gamuel Sori, Party Songs and how did this record come about?

I: My manager played me the song, I liked it and I jumped on it!

AM: Why is this song going to be on summer playlists this year?

I: Party Songs is the perfect party anthem, with summer flavour and amazing energy!

AM: Do you have any routines that you do before you hit the stage and do you have anything that you do after doing a show to relax or to come down from all the energy?

I: Before the show, I rest for a bit, because I’m usually travelling the same day. After that, I enjoy a coffee to get me energised, I start doing my make-up, my hair and I am getting ready for the show. After the show, I usually spend time with my team, we talk about the show and after that, I have to sleep a lot!

AM: Do you have any upcoming events or projects that we should keep an eye out for?

I: It will be a summer full of shows and festivals and I cannot wait! Stay tuned and check out my socials for updates!

AM: We like asking celebs about how they stay fit. As a singer and dancer, what are 3 workouts what do you do to stay in shape?

I: I’m walking 10 000 steps daily (or more when I have more free time).

I go out with my skateboard

I workout at home, with different routines, depending on the mood that day.

Or I go to the gym and I work out with my personal trainer.

AM: We’re always looking for new dishes that we can add for our meals and we hear that you cook for your friends and family and are vegan! What are 3 vegan dishes that you enjoy cooking for breakfast, lunch, and dinner?

I: Hummus, guacamole for breakfast (although, most of the times, I skip breakfast)

Melanzana (eggplant with tomatoes, basil, tofu and vegan parmigiana) for lunch

Pasta for dinner

AM: In addition to all of the amazing things that you have done musically, you are an advocate and support an array of causes from being a human rights activists, participating in campaigns against domestic violence, supporting children’s rights, supporting the LGBTQIA+ community and raising funds for Ukraine. Why is it important to you to use your platform to support these diverse causes and to make your following aware of this?

I: I believe it’s important to use my voice to do good and help people in need, support causes that need awareness. This is something I won’t stop doing for the rest of my life.

AM: What do you want your legacy to be known as?

I: An artist who brings joy in people’s lives through her music, an artist who loves people and who loves to spread good energy.

IG @inna

PHOTOGRAPHY COURTESY | PG 78 - 79 + PG 144 9PLAYLIST INNA

Read the JUN ISSUE #90 of Athleisure Mag and see JUST DANCE | INNA in mag.

GOVERNORS BALL 2023

As we mentioned last month, Governors Ball settled into it’s new home Jun 9th-11th at Flushing Meadows Corona Park in Queens. In our conversation with the founder of NYC’s music festival that kicks off the summer season. Last month Tom Russell shared with us how he created this 3-day festival and how this location is the best one that allows music enthusiasts to enjoy 3 stages of their favorite artists while being surrounded by a park environment! Over 100,00 people got to see the festival's new home completed with the iconic Unisphere. It’s exciting to see what upcoming years will look like as we continue to flock to this destination. This season there were so many options from enjoying the stages that showcased various genres of music, food and beverage that allowed for diverse appetites courtesy of food partners that includes Queen’s Night Market and of course, Instagramable moments that we’ll remember for many years to come.

As soon as we saw the lineup that included 60 artists, we started sketching out what we wanted to listen to as there was something for everyone whether you listen to hip-hop, EDM, and pop. We also knew that we wanted to see this immersive environment that really allowed you to feel that you transported to what we love most about attending music festivals! Here are some of the moments that we were excited about this took place over this weekend.

If you’ve caught Ice Spice perform, you know that she tends to have more of a relaxed presence when she’s on stage, but she definitely had a lot of energy when she hit the GoPuff stage on the 1st day of Governors Ball. As she rapped across the stage, she was in sync with her dancers and had a fluid show that was really a fun experience to watch.

Friday afternoon, we looked forward to hearing Eladio Carrion’s set. We enjoyed hearing his latest release Coco Chanel, as well as Mi Error and No Te Deseo el Mal.

When it comes to bringing drama to her performances with a side of education, Lizzo always makes it a point to take her time on the stage to share songs that we all enjoy while also providing a state of the union of sorts as she talked about anti-LGBT laws, the environment, and diversity.

We also enjoyed when Odesza hit the stage while the large crowd were entertained with this duo's set as well as digital and literal pyrotechnics. This larger than life performance was a perfect way for Saturday night's headliners to take their set to the next level!

Hands down, we were excited about seeing Kendrick Lamar as he closed out the 3rd night of the festival. He took his time on the stage to have a set that included songs that he has created across his career. His cousin, Baby Keem also came out to perform one of our favorites, Family Ties. Of course, at the conclusion of his set, fans were treated to fireworks and pyrotechnics to close out this successful festival.

In addition to these favorites, we're including some of our other favorite acts as well.

IG @govballnyc

PHOTOGRAPHY CREDITS | PG 112, 121 + 123 Roger Ho | PG 114 + 122 Deanie Chen | PG 116 Alive Coverage | PG 118 Charles Reagan | PG 120 Okay Nicolita | PG 124 Nick W NYC |

Read the JUN ISSUE #90 of Athleisure Mag and see GOVERNORS BALL 2023 in mag.

FOR THE LOVE OF THE GAME AND FAMILY | GLEYBER TORRES

There's nothing like a summer day whether you're at Yankee Stadium or you're watching it from home. Watching a baseball game, hearing the stories and of course eating all of our favorites is the best way to enjoy America's Pastime! We still have a lot of the season ahead of us and we were excited to sit down with New York Yankees shortstop and second baseman, 2X All-Star player, Gleyber Torres! His debut in the MLB and on this team began in 2018.

He talked with us about his journey from playing baseball in Venezuela, joining the team, what it means to be on this team with its known heritage, how he approaches his games, what he does prior to and after, his recent collaboration with Kings Bred, and navigating fatherhood.

ATHLEISURE MAG: When did you fall in love with baseball?

GLEYBER TORRES: I remember when I was 4 years old, my parents took me to the field, one day a weekend and after that, I played every day. I would go to school and I would practice in the afternoon and I would play on the weekends as well. I don’t really remember too much when I was really young but I know that when it was raining or when they would cancel the games, I would start crying. I just really wanted to play a lot and when I started growing up, I would watch it every day on the TV and would watch Omar Vizquel and I just knew that it was a sport that I really wanted to be able to play.

AM: When did you realize that it was something that you wanted to do as a profession?

GT: When I was 12 or 13 the academies started noticing me and they gave me the opportunity to practice with them. My dad and myself, we realized that maybe I wouldn’t just play this sport as a hobby or something I enjoyed doing, but that I could be a professional baseball player. It was a long conversation with my dad and my mom. From the beginning, my mom didn’t want me to do this as I would have to move from where I was from to another city so that I could practice every day. I really wanted to focus on this and my dad wanted to give me every opportunity that he could to see what I could do to play baseball. So, after a couple of hours, we decided that I would have to go there and to see what my future would be there and how it would all change.

AM: As I mentioned at the top, I have been a Yankees fan since I was 6 years old. You’re the first Venezuelan player to join the team. What does it mean to you to be on the Yankees?

GT: First of all, it’s an honor! I mean, the history of the Yankees, many championships, many good players, many really good numbers. Just playing here is amazing, the city, the fans, all the history is just really inspirational. It’s just something that’s really special and I feel like, as a player, everyone wants to play with the Yankees. I got that opportunity from the beginning and I’m just grateful to be with all of the boys on the team. Of course, I want to try and bring another championship to the Yankees!

AM: Absolutely and the season is well under way, what are you focused on and looking forward to this season?

GT: We don’t start like we did last year. We’re playing really good right now and everybody is healthy and we can play better. We’re going to try to win the most games possible. I think that we’re in the 3rd place right now, but we still have a lot of games right now and I think that everybody is on the same page and we’re staying focused on doing really good this year and if everyone stays healthy, we can do really good things.

AM: We always like knowing what our favorite athletes and celebrities do when they hit the gym. So, obviously, in addition to playing, what are 3 workouts that you do in the gym?

GT: I have a special thing that I like to do when I’m just working out. I like to do heavy weights, and I do a lot of stretching with yoga. I stretch my legs, my hammys, my quads because I don’t want to get injuries during the game and I also like to use the medicine ball as well. Then I just go to the cage and go through my routine. I go to the field as well to be out there. Then about 30 minutes before the game, I go back to stretching again, back to the cage – back to the routine. I’m that guy that believes that if I do my routine, I will play better.

AM: When you look at your workouts for in season versus off season, is it different or do you do the same things?

GT: Oh yeah, it’s different. During the off season, I get like heavy weights, I run a lot, I do a lot of bicycle, cardio, and those kinds of things. I’m just trying to get more muscular. When I start the season, I’m just trying to get healthy. So I’ll workout on legs and I’ll workout really well and I do the same routine, but not too much heavy weights because that would be bad for the shoulder and I don’t want to get tired from the workout.

AM: You know, you were talking a little bit specifically on Game Day, are there things that you do and they don’t necessarily have to be fitness or athletic oriented that you do to get your head ready to play? Are there things that you do once the game is over that you can come down from all of that energy?

GT: Sometimes after the game, I go to workout just to rest, we have a sauna and I just go in there for 10 or 20 minutes to try to relax myself. Of course, I also rest. So much during the game is stressful and there is so much anticipation so after the game, many times, I’m just so excited I try to have cold water or sometimes hot water in the sauna to relax myself so that I can come down from the game.

AM: How do you take time for yourself when you have a day off so that you can check in with yourself and be ready for when you do have to be back out there?

GT: Sometimes, I’ll just have a lunch or a dinner with my family. I’m the guy who’s a huge movie guy. I spend most of my time at the movies. I love doing that. I like to check who the guy is that I will be playing with the next day. I’m always ready to head back to the field so that when I get there, I know that I’m rested and I’m ready to play.

“First of all, it’s an honor! I mean, the history of the Yankees, many championships, many good players, many really good numbers. Just playing here is amazing, the city, the fans, all the history is just really inspirational. It’s just something that’s really special and I feel like, as a player, everyone wants to play with the Yankees. I got that opportunity from the beginning and I’m just grateful to be with all of the boys on the team. Of course, I want to try and bring another championship to the Yankees!”

— Gleyber Torres

AM: You have the collaboration with Kings Bred x Gleyber Torres collection which has 2 hats with your signature colorway of beige and brown as well as the iconic Yankees colors. How did this project come about and what was the creative process like for you?

GT: I used to wear the hats when I was 19. I really loved the hats and the style and also the inspiration from the guys that made the hats. After I was 19, I got in touch with the guys who make Kings Bred and we got a really good connection, we figured out a way to get a collab and it’s really amazing because we’re using this as a way to inspire the people from Venezuela and we know how hard it is for baseball players to come to the big city! The colors of the hats are amazing with the dark color and then of course the white and navy that matches with the Yankees. I think that this collab is really amazing for the people. We’re showing some love for the fans.

AM: The hats look amazing and I know that in launching this collab, you had a pop-up store event as well where fans of the brand, will be able to meet you and to see the collection. What are you looking forward to in this event?

GT: Basically, I want the fans that are coming to enjoy themselves and for me to be able to talk with them! I want to show them the hats for sure and to explain to them about the collab and for the people to buy the hats. For those that buy the hats, I want them to be able to go out in NY and share that inspiration and to be able to show everybody this!

AM: In addition, your bat sponsor, Marucci is also part of the collaboration, so you have Kings Bred x Gleyber Torres x Marucci – what was it like to work on this part of the project and to have this available as well?

GT: I mean, Marucci supported us on that part of the collab. I have really loved Marucci from the beginning, I have never used another bat – I have always used Marucci. So it’s huge for me and also for the company of the brand to get that opportunity for us and for sure it’s going to be awesome. I'll also get to wear the hat as well as the special edition of the bat.

AM: Are there any other projects that you have coming up that we should keep an eye out for? Obviously, in addition to watching you play for the rest of the season!

GT: Not yet! We’re in the midst of conversations and maybe later, we’ll bring another hat. We’re waiting to see how this will go and after that, we will figure it out!

AM: You’re also a dad and being an amazing athlete as well, what do you want your legacy to be seen as from an athlete standpoint or just as a dad with a family?

GT: That I tried to do the right thing. Now, everything is different. I have a child and I have a lot to learn about everything with that! I just want to try to be a good dad which is a new experience for me. I enjoy everything from that to playing with my son to my son being able to watch me play after the game. He’s always waiting for me and he gives me the motivation to be able to play better and better. I want to show my baby everything that is possible.

IG @gleyberdavid

PHOTOGRAPHY CREDIT | PG 25, 26 + PG 172 for 63MIX ROUTIN3S Kings Bred | PG 28 Justin Berl/Incon Sportswire | PG 31 Clif Welch/Icon Sportswire | PG 32 with Gleyber Torres and Aaron Judge Frank Jansky/Icon Sportswire |

Read the JUN ISSUE #90 of Athleisure Mag and see FOR THE LOVE OF THE GAME AND FAMILY | Gleyber Torres in mag.

THE SAGA CONTINUES | JORDANA BREWSTER

The latest Fast and Furious movie is out now! Fast X along with its spin-offs have taken us around the world to see amazing cars, maneuvers, and interesting storylines! We have watched Jordana Brewster throughout these movies and had the chance to talk with her about becoming an actress, being part of this franchise that shows no signs of stopping, what we can look forward to in this movie, another movie that released this month and how as a mom she incorporates post-game routines with her children who are active in sports!

ATHLEISURE MAG: What was the moment when you realized that you wanted to be an actor?

JORDANA BREWSTER: I grew up in Brazil watching soap operas and so I realized that at the age of 9 years old, I really really wanted to be an actor as a career.

AM: We’ve enjoyed seeing you throughout the Fast & Furious franchise. What attracted you to this show?

JB: I loved the role of Mia, I felt that she was really strong and had a really specific point of view. I also loved the culture of street racing. I thought it was – we weren’t necessarily the good guys, we weren’t necessarily the bad guys either so I was intrigued with that culture and that sort of grey area that we were exploring.

AM: Did you think that you would still be part of this franchise after all of these years and why have continued to be involved?

JB: Never! I thought it was going to be a really fun summer job because I was in college when we started shooting Fast and it came out over the summer. So I thought that it would be a fun summer gig. Never did I think that it would go over 22 years and 10 movies!

AM: You play Mia Toretto, can you tell us about her and why you enjoy playing her?

JB: I love her strength. What attracted me was her strength and that is what I love exploring now. But now, I love the physicality of it. I love the fight scenes, I love training for the fight scenes, I love the stunts, it’s challenging because I want to be able to prove to everyone that I can do it.

AM: What can you tell us about Fast X for those that have yet to see this film?

JB: For those of you that haven’t seen it, I think that Jason Momoa (Game of Thrones, Aquaman franchise, Dune: Part One) is a fun and interesting villain that almost makes it so hard to hate him. He’s sociopathic and to see that in a Fast and Furious movie, was really fun.

AM: What do you want to see in future Fast and Furious films?

JB: I would love to see a female spin-off with Helen Mirren (Catherine the Great, 1923, The Good Liar), Nathalie Emmanuel (Game of Thrones, Die Hart, Maze Runner: The Death Cure), Charlize Theron (Mad Max: Fury Road, Atomic Blonde, Bombshell), Brie Larson (Captain Marvel, Avengers franchise, Lessons in Chemistry), and Michelle Rodriguez (Machete, Avatar, Dungeons & Dragons: Honor Among Thieves)! That would be so much fun and I think that there are so many strong female actresses in the franchise now that it would be awesome to have a female spin-off.

AM: You have another movie that’s out, Simulant, tell us about this movie and why you wanted to be part of it?

JB: I think that now with the headlines of AI and how far we have come now with Artificial Intelligence, Simulant will resonate with audiences because I play this widow, Faye who brings her husband back as a robot and has to grapple with what that means. I think that that possibility is not too far in our future. I think that audiences will love Simulant and I had a really fun time filming it! It’s also directed by a female director, April Mullen (Imposters, DC's Legends of Tomorrow, The 100) who’s super super talented.

AM: When you’re not on set, you’re on the field with your kids! What do they play and what is it like getting them prepped and your post-game routine for them?

JB: So my kids, they’re very very active. They love playing football, lacrosse, Jiu Jitsu, soccer – there’s not really a sport that they don’t like. So there are tons of uniforms and tons of sweat so they get really really stinky. What I have learned that has really helped me in their routine is Lysol Laundry Sanitizer and what I have also realized is that it is the bacteria that makes the clothes so so stinky. Luckily, Lysol kills 99.9% of that so I just add that to my routine and they come out smelling fresh and clean and ready to play again.

AM: Tell us about Lysol’s Labs Tour.

JB: I will be visiting NY in about a month and I will do the Lysol Labs Tour and we are going to teach people how to use the Lysol Sanitizer and how to add it to their step. I think that it’s going to really streamline a lot for moms and it’s really going to help them. I think that the kids are going to be grateful too because they are no longer going to be stinky.

IG @jordanabrewster

PHOTOGRAPHY COURTESY | PG 136 Peter Mountain/Universal Pictures | PG 138 Lysol |

Read the JUN ISSUE #90 of Athleisure Mag and see THE SAGA CONTINUES | Jordana Brewster in mag.

THE BACHELORETTE S.20 E.4 | SEEKING CLARITY

PHOTO CREDITS | ABC The Bachelorette/Craig Sjodin

On tonight’s episode of ABC’s The Bachelorette, we head to Washington State to take some time to be one with nature as Charity Lawson continues her journey to finding love and getting to know more about the men that are competing for her attention.

Jesse Palmer meets the men at the lodge and lets them know more about the space that they’re at, that this area of the state has the most Sasquatch sightings and he leaves a date card. Dotun gets the 1-on-1 date card where they will leap into love. Charity arrives in a cool jeep to pick him up looking like a mountain bunny!

Brayden continues to love in his villain era as he’s annoyed about the other men saying that they have a strong connection with her when he feels that they haven’t spent the same amount of time with her. Thankfully, he kept it to himself. Dotun and Charity go bungee jumping - both seem to be really scared, why would Charity pick this if she felt that she wouldn’t do this - she actually has a number of tears just talking about it. But they not only do it, they do it twice!

Back at the lodge, Brayden and Aaron continue to get people involved in their drama. Hopefully, there will be a resolution this week. As night falls, the next date card arrives back at the lodge. Joey, Aaron, Michael, Caleb, Brayden, Sean, John, and Tanner have the group date. It seems like Xavier, our resident knitter, is going to have a 1-on-1 date.

Back on the 1-on-1 with Dotun, they’re enjoying smores! Dotun talks about how he got here and shares information on the immigration and visa process to get to the US. He talks about how that process shaped him as a person and how he cherishes the sacrifices that his parents did for him so that he could be here. She also talks about how growing up in her suburban area where people didn’t look like her, she created an achievement-oriented state of being. Their connection in being able to navigate the world in the midst of rising above their challenges is something that they both connect on. This connection is a reason why we can totally see him going to Hometowns! Of course, he gets the date rose! Their date ends in a hot tub - yet another element that tends to take place for these dates.

The group date takes place in the wilderness and Charity introduces the men to the Skamania Scouts who will put them through the ringer to get them to forage in the woods. It’s always interesting to see how they integrate kids into the challenges. The guys present the food that they brought, Tanner has mushrooms and pine nuts and the remainder of the men show what they found. In addition, the scouts have a Q+A round to get to know the guys more and the winner of this group date is Aaron.

The group date cocktail party shows Brayden yet again saying that he is using this time to see if he and Charity make sense for one another. Aaron lets him know that by saying that, he is wasting everyone’s time by staying there. The guys all question why he is there. Charity walks in hearing them argue and ask him what’s going on. The men let her know that Brayden doesn’t trust the process. She asks to see him and in their discussion, he tells her he is not happy there and she sends him home.

She lets the guys know that she sent Brayden home and she is not going to waste any more time. Aaron checks in with her to make sure she is ok. She knows that she needs to be there for the guys that are open to going through the process no matter how tough it is. The remainder of the guys put their best foot forward and she makes sure to be in the moment with each of them. The date night rose for the group date goes to Joey!

Xavier’s 1-on-1 date will take them to local favorites. She doesn’t question whether she is boyfriend material; however, she is looking to see whether he can be a potential husband! The ease between them as well as being attractive to one another is obvious! They try fruits, pepper jellies and more. We now understand why she has slight hesitancies as she sees some similarities between him and her ex! She realizes that as they sit down to dinner, she needs to ask these questions that she has been grappling with. She asks about whether he is loyal and she shares her personal story as well as with her ex, she dealt with infidelity one time too many! He lets her know that he is not hiding himself from her, he is there and he lets her know that his love was not reciprocated back to him in previous relationships. He lets her know that he will do anything for the people he is involved with. Of course, she offers the date rose for their 1-on-1.

The men get ready for the cocktail party ahead of the rose ceremony. Charity meets them and you can tell that everyone is feeling lighter about what is going on in general! They toast one another and he takes some time with Aaron as they reconnect. She takes the time with each of the men so that she can find out more and she feels less concerned about the distractions that have been taking place. The 9 men are eager to continue on and of course, Brayden arrives scarf and earrings and all to confront Charity.

Brayden came back and said that he came back because he was emotionally charged. Charity let him know that she can respect how he feels, but as a woman, she has given him the opportunities and he wasn’t taking them. The men on the couch are frustrated that again, their time has been taken away from them. As Brayden goes to the party bus to be taken off the property, the men let him know what they think of his ongoing antics. John wanted to finish his conversation as his date was interrupted, but Jesse let him know that the cocktail party was cut short!

The rose ceremony starts off and she lets them know that she sees quality men and respects them regardless of the outcome for the night. She gives roses to Aaron, Tanner, and Sean. It was quite a night and we’re so close to Hometowns!

Charity gave roses to | Aaron, Dotun, Joey, Sean, Tanner, and Xavier

Charity sent home | Brayden, Caleb, John, and Michael

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

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WHO WE WANT TO SEE GO TO HOMETOWNS

AARON

DOTUN

JOEY

XAVIER

---

THE BACHELOR CONTESTANTS

AARON B. 29 - San Diego, CA

AARON S. 33 - San Diego, CA

ADRIAN 33 - North Hills, CA

BRAYDEN 24 - San Diego, CA

CALEB A. 29 - Ann Arbor, MI

CALEB B. 24 - Orlando, FL

CHRIS S. 27 - White Plains, NY

DOTUN 30 - Brooklyn, NY

JAMES 28 - Chicago, IL

JOE 30 - San Francisco, CA

JOEY 27 - Koloa, HI

JOHN B. 27 - NY, NY

JOHN HENRY S. 30 - Virginia Beach, VA

JOSH 28 - Bethlehem, PA

KALEB K 26 - Norcross, GA

KHALID 28 - Dearborn, MI

MICHAEL 29 - South Holland, IL

NICK 31 - Bayonne, NJ

PETER 33 - NY, NY

SEAN 25 - Tampa, FL

SPENCER 32 - Moorpark, CA

TANNER 30 - Pittsburgh, PA

TAYLOR 32 - Beaver Creek, OH

WARWICK 27 - Nashville, TN

XAVIER 27 - Carrboro, NC

Read the latest issue of Athleisure Mag.

THE LUMBERJILL OF TIMBERSPORTS | ERIN LAVOIE

We love talking with athletes about their passion, what drives them to their designated sport and what we should keep an eye out for in terms of their next competition! Today, we caught up with Erin LaVoie who has been a master of her craft as a lumberjill! We wanted to know how this World Champion, Guinness World Record Holder, and CrossFit athlete got into the sport, how she approaches it and her upcoming competitions!

ATHLEISURE MAG: You have been an athlete for years, as you were a gymnast in high school and competed in CrossFit. What was it about those sports that you enjoyed competing in?

ERIN LAVOIE: I just like to be active and to see what I am capable of.  I am also very competitive by nature.  I’ve always wanted to learn new things and be the best I can be in it - then of course be better than everybody else as well.  

AM: Before we delve into your upcoming competition, what is a lumberjill and what does it involve in terms of what areas you compete in?

EL: I compete in lumberjack sports. Chopping / Sawing / Logrolling / etc. 

AM: How did you get interested in timbersports?

EL: I went to school for Forestry.  They had a team that competed down the hallway from my classes.  I saw the practices and just walked in one day.  After that, I was off to the races. 

AM: When is the timbersports season?

EL: It can be year-round if you travel the world.  The US season is generally from April into October.  

AM: What attracted you to this sport?

EL: It was a challenge, and it was new.  I also had a lot of success early on - which helped me love it and keep at it. 

AM: How do you train to optimize yourself in this sport?

EL: I do CrossFit to keep fit and healthy.  And I train the events as much as possible - both in the backyard and in competition. 

AM: You won the 2023 STIHL TIMBERSPORTS International Women Cup. How did you prepare and what does it mean to you that you achieved the fastest time in 2 of the 3 disciplines and a new world record in the Underhand Chop?

EL: I practiced and kept myself healthy leading up to it.  Lots of water, sleep, focus. And what it means to me - is that my work paid off and I did my job correctly.  

AM: When training, is there a specific wood or kind of axe that you like to use? How do you prepare to cut wood – do you have to get your own wood?

EL: I do have to get my own wood - and it’s tough.  The toughest part of this sport is all the preparations of getting wood and keeping your equipment ready. My axes come from Tuatahi. I will use Aspen and Cottonwood for training as they are the easiest to get.  Most competitions use White Pine. 

AM: You have a competition coming up this month, tell me more about this and what you are looking forward to?

EL: There are 2 Championships this month, with the U.S. Women’s Championship coming up on July 28.  I am looking forward to hanging onto my titles - and having more opportunities to beat the top times. 

AM: You're on Team USA as well as being a 3X "Iron Jill" World Champion. You have 2 medals at the ESPN Great Outdoor Games and a record in the Guinness Book of World Records for felling the most Christmas trees in 2 minutes! What does it mean to see your accomplishments in this sport?

EL: It means my sacrifices paid off and I did my job.

PHOTO CREDIT | STIHL TIMBERSPORTS

THE ART OF THE SNACK | GOA NEW YORK

This month's The Art of the Snack takes us to Goa New York, an Indian restauran that takes our taste buds to another level with their savory dishes! We had the chance to catch up with Chef/Owner and Restaurateur Hemant Bhagwani who has opened a number of restaurants in Canada! With Goa New York, he brings his vision of Indian food here in NY for us to enjoy. We wanted to find out more about his culinary background, how he got into the industry, opening Goa, and what we can expect when we come in with our friends and family for an amazing meal!

ATHLEISURE MAG: Can you tell us about your background and culinary journey?

CHEF HEMANT BHAGWANI: I was born in India and got my hotel and culinary management degree in Switzerland. I then put my learning to use in Sydney and Dubai, getting involved in every stage of a restaurant from start-up operations to turning around struggling ones to taking successful ones to new heights. I landed in Toronto in 2000 and launched my Canadian career. After adding a professional sommelier certification to my qualifications, I decided to set out on my own in an effort to get Indian cuisine the recognition and respect it rightfully deserves. Since 2002, I have opened 57 restaurants.

AM: You are a celebrated Indian chef/chef restaurateur in Toronto and have opened a number of restaurants in Canada. Why did you want to open your first U.S. project?

CHEF HB: I have long wanted to bring my style of Indian food to the U.S., and I am very excited to start with New York City. This is truly where it's at! Getting Indian food recognized for its range, flavors, variety, and array of ingredients is what I have always strived towards. The logical next step for me after Canada was the U.S.

ATHLEISURE MAG: You're known for channeling the vibe of Goa. Can you tell us about this and what that means?

CHEF HB: In 2017, feeling burned out from many years in the restaurant industry, I sold my company and took a six-month sabbatical. I spent those six months in Goa, where I fell in love with the place, the culture, and most importantly the cuisine. Goa is not just a place. It's a vibe. It's colorful, vibrant, and pulsating with energy. It's unlike anything and any place else! Goa is India's happy place or as I call it the 'Miami' of India.

AM: You launched Goa New York in Tribeca in Feb, from an ambiance standpoint, what can diners expect when they are coming for their next great meal?

CHEF HB: Goa New York is a luxurious space that draws its inspiration from nature as its palette. When you step through the doors, you are greeted by the sight of two peacocks that were custom designed for the space. Whimsically, we call them Melody and Mayura (peacock in Hindi). As you continue further inside, you will see our interpretation of the Tree of Life, inspired by the century-old banyan tree in Arambol, Goa. The wallpaper is also evocative of nature scenes with flora and fauna. We aim to combine the ambiance with exquisite food and drink offerings, and music, to bring a sublime experience every time.

AM: What ingredients and spices are associated with Indian cuisine?

CHEF HB: Indian cuisine is actually many, many different regional cuisines. But religion also plays a role in how the same dish might be prepared. Broadly speaking, and just to name a few spices, Indian cuisine uses turmeric (also recognized worldwide now for its health benefits), cumin, coriander, garam masala, fenugreek, asafetida, and Indian red chili powder (which is brighter and hotter than paprika), as well as ingredients such as cinnamon, bay leaf, mace, nutmeg, fennel seeds, carom, cloves, mustard seeds, curry leaves. What my restaurants specialize in is using locally available high-quality ingredients and giving them the traditional Indian treatment. The result is what you will experience when you visit Goa New York.

AM: Your menu reflects your culinary journey across the world. Why was it important to bring this modern, playful, and interactive take to the food that is offered here?

CHEF HB: One learns from one's travels! I have been traveling, learning, and evolving since I left India right after high school. Along the journey, my skills have been honed, my repertoire has expanded, and the learning continues, of course. This is the very reason I am here, to bring MY take. That includes the modern aspect, and the playful and interactive take. I believe that when you come to my restaurant, you are my guest as much as you would be at my home so you get to have the full benefit of my experiences around the world.

AM: What are 3 appetizers that you suggest that we should have when we come in?

CHEF HB: I recommend the Shrimp Balchao Toast Tiger Shrimp in a spicy tangy spicy sauce, red radish, prawn chili oil, on Japanese milk bread toast; Goan Style Slaw Goan Salad with 16 ingredients, green chili, salted star fruit, and plum dressing; and Hamachi Ceviche Coconut Broth, kokum dressing, crispy puffed rice, and chili salsa.

AM: What are 3 entrees that we should have with friends and family?

CHEF HB: Great for friends and family are the Goan Prawn Curry with okra, drumsticks, coconut, kokum, dried mango, Portuguese chili-garlic oil; Pork Tenderloin Sorpotal an essential pork curry from Goa, slow cooked, with caramelized onions, roasted kohlrabi curry; and Laal Maas 8-hour slow-cooked, bone-in goat leg in Rajasthani red chilies. I also recommend the Butter Chicken because I do think we make the best butter chicken in NYC - it's charcoal smoked.

AM: What are 3 sides that we must have?

CHEF HB: Some of our great sides include the House Baked Sourdough Poi Bread which we serve with a choice of chorizo butter or balchao butter; Shakuti Chicken Pao white chicken massaged with coconut and then cooked in a spicy tamarind curry, served with pao bread; and the Rawa Fish Fry with granulated wheat chili crisp, pickled red cabbage, green chili chutney. The chicken and fish are listed as appetizers, but I love to have them as sides! The portion size is perfect to add as a side to any dish.

AM: In terms of cocktails, what are 3 that we should have?

CHEF HB: The Goan Paradise a classic Goan-Portuguese cocktail from the 1920s with coconut feni (Goan spirit), fresh lime juice, spicy syrup smoked on the table; Kokum Margarita with Ginjo-shu tequila curry leaf, lime juice, kokum salt, agave nectar; and the Goan Shandy with ginger wine, ginger cordial, lemon juice, wheat beer, ginger matchsticks - are all great options!

AM: Dessert is a great way to end a meal, what are 3 that we should share with friends and family?

CHEF HB: I recommend the crispy Jalebi Rabdi, which we serve with Moscato; Bebinca Goan layered coconut cake paired with sherry; and the Cumin-chocolate Fondant with tawny port.

IG @goanewyork

PHOTOGRAPHY CREDITS | Michael Tulipan

Read the JUN ISSUE #90 of Athleisure Mag and see THE ART OF THE SNACK | Goa New York in mag.

9DRIP | FERRY CORSTEN

Read the JUN ISSUE #90 of Athleisure Mag and see 9DRIP | Ferry Corsten in mag.

9LIST STORI3S | SEPIDEH MOAFI

Read the JUN ISSUE #90 of Athleisure Mag and see 9LIST STORI3S | Sepideh Moafi in mag.

9LIST STORI3S | SAMUEL ARNOLD

Read the JUN ISSUE #90 of Athleisure Mag and see 9LIST STORI3S | Samuel Arnold in mag.

63MIX ROUTIN3S | SARAH BOLGER

Read the JUN ISSUE #90 of Athleisure Mag and see 63MIX ROUTIN3S | Sarah Bolger in mag.

WEEKEND VIBES ONLY EDITORIAL

This month, our editorial takes us to a hotel group that has been our favorites as we have stayed at their properties in Seattle, DC, and Philadelphia. In addition, we have gone to their hotels here to attend a number of functions there from launches, editor events, and more. Kimpton Hotels are always a great place to go to as the vibe always feels so comfortable and has a boutique essence to it. When you stay as a guest, you can enjoy their complimentary wine hours that take place in their lobby, they have yoga mats in their rooms, and they always have great restaurants on their properties as well.

Kimpton Hotel Eventi has always been a lot of fun whether we're attending a preview or meeting up with friends to grab a quick bite which turns into an epic night out! Because we've frequented it so much, for this month's editorial, we thought it would be perfect to take our readers inside one of their suites known as Veranda which has a large L shaped balcony, a living/sitting room, large bedroom, and 2 bathrooms. Whether you're having a weekend in with friends, enjoying it with your significant other, planning a wedding event, or anything of that nature - this is a great suite to make memories!

Our shoot looks at our models enjoying a weekend in by taking in the city and taking a moment for themselves. They're rocking a new line that we excited to share that is created by us known as ATHLEISUREVERSE! With pieces that are soft, various colors, and styles - there is something for everyone! In addition, this shoot includes a number of our favorite accessories that you should pair with your favorite looks as well as some treats that we've been fans of from our issues! Following the credits, you'll also find out more about Kimpton Hotel Eventi and why this should be a place that you stay at when you're visiting NY for vacation, business or as a staycation! Not only do they share more information about the property, but they also gave us insight on how you can get the most out of the neighborhood when you're staying here as well!

WEEKEND VIBES ONLY | CREDITS

LOOK I PG 38 | Emma Young - ATHLEISUREVERSE Zipped White Hoodie, Flowy Black Jersey Muscle T with Rolled Sleeve, White/Black Tipped Shorts | Tim Park - ATHLEISUREVERSE Classic Fleece Hooded Black Sweat Set Jogger | WHOOP 4.0 Health and Fitness Tracker | APPLE Watch |

LOOK II PG 40-49 (additional images in this photoset included here that are not in the JUN ISSUE #90) | Emma Young - ATHLEISUREVERSE Cropped Fleece Hoodie Off-White Sweat Set Short | BEIS The Sport Pack | CARRERA Superchampion | CARMEN SOL Red Aviator Sunglasses | Tim Park - ATHLEISUREVERSE Jersey White Muscle T, Fleece Off-White Jogger | CARRERA 302/S | APPLE Watch | DRINK SIMPLE Raspberry Lemon Sparkling Maple Water | JAMBAR Organic Energy Bars | SOUNDCORE Motion+ | BALA Bala Bangles |

LOOK III PG 53-57 (additional image in this photoset included here that are not in the JUN ISSUE #90) | Emma Young - ATHLEISUREVERSE Jersey Hooded Olive Track Short Set | CARRERA 3006/S | SPRAYGROUND Lasers Blazin' Backpack Sling | Tim Park - ATHLEISUREVERSE Olive Bomber, Fleece Cream Short | CARRERA Superchampion | WHOOP 4.0 Health and Fitness Tracker | APPLE Watch | NIKE Air Jordan 1 Retro |

LOOK IV PG 58-63 (additional images in this photoset included here that are not in the JUN ISSUE #90) | Emma Young - ATHLEISUREVERSE - Classic Fleece Hooded Hot Pink Sweat Set Jogger | CARMEN SOL Racquel Jelly Bucket Hat in Fuschia, Lisa Small Crossbody Bag in Fuschia + Tonino Wedge | CARRERA Flaglab 14 | Tim Park - ATHLEISUREVERSE Classic Fleece Hooded Neon Lime Sweat Set Jogger | CARMEN SOL Racquel Jelly Bucket Hat in White | CARRERA Flaglab 14 | NIKE Air Jordan 1 Retro |

LOOK V PG 64 | Emma Young - ATHLEISUREVERSE Cropped Fleece Hooded Peach Sweat Set Jogger | Tim Park - ATHLEISUREVERSE Classic Fleece Hooded Peach Sweat Set Jogger | DRINK SIMPLE Raspberry Lemon Sparkling Maple Water |

PHOTOGRAPHY | Paul Farkas

STYLIST | Kimmie Smith

MODELS | Tim Park/Prestigious Models + Emma Young

Now that you have seen a number of the features of Kimpton Hotel Eventi's Veranda Suite which is quite spacious! We wanted to know more about the property as well as the neighborhood so that you can plan accordingly for your next visit!

ATHLEISURE MAG: When did Kimpton Hotel Eventi open?

KIMPTON EVENTI HOTEL: Kimpton Hotel Eventi debuted in 2010.

AM: Before we talk about Eventi specifically, we have had the pleasure to stay at several Kimpton hotels as well as to attend events that are held there, including this property. For those that aren't familiar with Kimpton Hotels, can you tell us about what a guest can expect when they are staying at these properties in general?

KHE: The Kimpton brand is known for its unique, design-driven properties with warm, genuine service. Our hotels have exciting restaurants and aim to create moments of connection with guests.

AM: Tell us about the art at Eventi?

KHE: Kimpton Hotel Eventi features a variety of works sourced and installed under the creative direction of Reunion Goods & Services by Art Consultant Kyle DeWoody, Associate Art Consultant Laura DVorkin, and design team We Came in Peace. Extending from the hotel's original design rich in texture and depth with a variety of fine art pieces from renowned artist Barbara Nessim, the new collection introduces a mix of both established, younger artists and emerging artists with visibly promising talents.

Moving beyond the traditional decorative intention, this collection attempts far more conceptual approach by showcasing edgy and thought-provoking works including Kwangho Lee's hanging light installation made entirely out of electrical wire, and a Tony Matelli mirror - which is made to look dusty through a technique using layers of urethane. The dynamic collection also features stunning works by artists including Lorna Simpson, Alex Katz, and Ernesto Leal that flow throughout the lobby and fill spaces within The Vine and L'Amico.

AM: Our editorial shoot took place at the Eventi which is in Chelsea. What can you tell us about the property in general and how it connects to the neighborhood?

KHE: Kimpton Hotel Eventi’s location in the heart of Chelsea – on 6th Avenue between 29th St. and 30th St. – places guests conveniently in the midst from some of the city’s most prominent art galleries, boutiques, nightclubs and restaurants. Being located near Chelsea Market and the High Line allows easy access to popular attractions, and travelers are also within a few blocks of the nearby NoMad and Flatiron neighborhoods and landmarks including Times Square and the Empire State Building.

AM: Tell us about the 3 restaurants, L’Amico, The Vine, and Skirt Steak that are at Eventi which can be enjoyed by those on vacation, staycations or just hanging out in the neighborhood.

KHE: The three on-site restaurants, all helmed by Chef Laurent Tourondel, offer visitors a variety of dining experiences. L’Amico serves Italian-influenced American cuisine inspired by the simplicity of a countryside stroll and a wood-fired meal; The Vine’s welcoming environment complements locally sourced, vegetable-centric French dishes; and Skirt Steak harkens back to old-school steakhouses, serving only grilled skirt steak (or a cauliflower steak), salad and fries, followed by a rolling dessert cart.

AM: We like that regardless of the Kimpton properties that you’re staying at, hotel guests can enjoy complimentary morning coffee and tea to start your day as well as the hosted evening wine hour that’s in the Lobby Living Room. Can you tell us about this and why these have been an amenity for guests?

KHE: We aim to provide opportunities for connection, and this often happens over food and drinks. Beyond giving guests a morning or evening beverage, we’re creating space where visitors can relax, get to know one another and build a sense of community. Our wine hour, a core part of our programming, was started by Bill Kimpton and is practiced at every Kimpton property worldwide.

AM: We enjoyed having our shoot in one of your suites. For guests that are staying at the hotel, what guestrooms and suites are available?

KHE: Our guestrooms range from standard King and Queen/Queen rooms to our specialty suites featuring balconies, Jacuzzi tubs or pool tables. Each room in the hotel offers a spacious respite amid the city, floor-to-ceiling windows to take in the cityscapes, and design emphasizing brightness and clean lines.

AM: What amenities are offered in these rooms?

KHE: All guests receive complimentary morning coffee and tea and a hosted evening wine hour. In addition, there is a yoga mat in every room, mini-bar service, valet laundry service, and access to public bikes to explore the city.

AM: For those looking to maintain their fitness routines, how can they do so at Eventi?

KHE: In addition to our onsite 1,000 square foot 24-hour fitness center that includes Peloton bikes and other workout equipment, we also offer custom designed PUBLIC bikes and yoga mats in every room, free of charge.

AM: For those traveling with their four-legged friends, tell us how this hotel is pet-friendly as well as Wag! Premium.

KHE: Kimpton Hotel Eventi welcomes dogs and provides them with in-room water bowls, pet beds and courtesy bags for walks. We don’t charge a deposit or cleaning fee for bringing in dogs, and have no size or weight restrictions, nor a limit on the number of pets allowed. Our concierge keeps a list of pet-friendly restaurants, parks and groomers as well.

Guests receive complimentary access to Wag! Premium, meaning they receive 10% off of services, no booking fees, and round-the-clock access to licensed veterinary professionals. If a walk is arranged, travelers can leave a key at the front desk to be handed over to the dog walker upon their arrival.

AM: In addition to complimentary Wi-Fi, you keep guests connected with access to Press Reader (which Athleisure Mag is on this platform), are there other digital amenities that you offer?

KHE: Press Reader provides access to a vast library of local, regional and national newspapers and magazines, allowing guests to keep up with the news during their stay. Each guestroom also includes a Crave tablet that guests can use to set wake up calls, request housekeeping items, get information about local attractions, use as a TV control and channel guide and more. All TVs include Chromecast, allowing guests to stream from their personal devices.

AM: Tell us about the Kimpton Library.

KHE: The Kimpton Library allows guests to borrow from a curated collection of books on property, so they can pack light and still enjoy some of the most popular literary titles.

AM: For those that may be getting in a bit of work whether they’re there for business or simply need to do a few things, what is available at your business center?

KHE: We do not have a formal business center, but our team is happy to assist with small printing requests. Our concierge can also guide guests to nearby storefronts and libraries with extensive offerings.

AM: Tell us about the Public Bikes that are available.

KHE: Our PUBLIC bikes are custom-made. Guests are invited to take them on a spin at leisure and can use our Manhattan Waterfront Greenway map as a guide.

AM: NYC is always great to visit regardless of the time of year; however, the summer is always a lot of fun. What packages are you offering for those that are looking to book?

KHE: This month we are bringing the fictional world to life with a new Dream Blades offering. Taking inspiration from retro neon sportswear and summers in Malibu, we are launching a limited-time complimentary roller blade lending program for hotel guests looking for a fun outdoor activity. Hotel guests will be gifted neon retro skating accessories, including candy-colored sun visors, sweatbands and fanny packs, as well as the option to rent rollerblades.

We also have our Celebrate Summer offer, allowing travelers to make the most of their time to the city by enjoying a picnic in the park or taking surf lessons at one of the city’s beaches.

AM: For residents who are looking to enjoy a staycation, why should they book at Eventi?

KHE: So often, New Yorkers forget to be tourists in their own city. Kimpton Hotel Eventi is located in a central spot allowing guests to take in some of the city’s most popular attractions, whether they’re visiting for the first time or the twentieth. Our rooms also offer a peaceful escape above the hustle and bustle of Manhattan, making it a great spot to stay in the city while getting spot to stay in the city while getting out of a mundane routine.

AM: The hotel’s location is in the heart of several neighborhoods that are a must visit!

Although the hotel is great for those that may really want to stay in, there are a number of things to do outside of it!

For the solo traveler: where should they grab a bite for people watching, where should they shop, and what's an attraction/gallery/park they they should visit?

KHE: L’Amico on-property is the perfect place for a solo traveler to sit at the bar and people watch the world around them. We are centrally located, close to the shops in Chelsea, Flatiron District, and Herald Square areas. We are minutes away from Broadway and the theater district - perfect for a solo traveler to take in a show.

AM: Our shoot focuses on our models enjoying a getaway so for those booking their girl’s trips whether a staycation or traveling to the city: where should they go out for brunch, where should they go for a spa session, and where should they go for a bit of nightlife?

KHE: La Pecora Bianca and Oscar Wilde offer great brunches nearby. We are located near Juvenex Spa, a day spa on West 32nd known for their Korean-style Salt Glow Scrub. The Vine has a great wine and cocktail list for guests.

AM: For the business traveler who will be with a group of their colleagues: where should they go for a drink to decompress after a day of sessions, what’s a great spot for sightseeing and to take in the city, and what’s a great place for a group exercise?

KHE: The Vine’s cocktails are expertly curated and perfect to decompress after a long day. We’re in the heart of Manhattan, blocks from the Empire State Building, Chelsea Market, The High Line, Times Square and more. All are great for sightseers. We are located minutes away from a variety of boutique fitness studios from yoga to boxing, and more.

AM: For those that are booking Sales Meetings, conferences, editor events, etc. Why is Eventi a great place to host this?

KHE: Our meeting spaces are spacious and clean, and meeting attendees get all of the perks of our central location: great for those living in the city or anyone visiting for the day or overnight. These spaces are also filled with natural light, fitted with large screens, and our catering offerings are restaurant quality courtesy of Laurent Tourondel. Our caring staff, many of whom have been with the hotel for years, take wonderful care of our meetings guests.

AM: Are there events that Eventi participates in such as Pride, Summer Solstice, or NYC specific initiatives to support the community/neighborhood?

KHE: We just hosted a special Pride wine hour in collaboration with Absolut, benefiting the Trevor Project. The hotel often leans into major events to tie the guest experience into major happenings in the city.

IG @hoteleventi

KIMPTON EVENTI HOTEL VERANDA SUITE

Read the JUN ISSUE #90 of Athleisure Mag and see WEEKEND VIBES ONLY Editorial in mag.

AWARDS SEASON | EMMY AWARDS NOMINEES

Earlier today, the Emmy Awards announced their nominees of a number of our favorite shows! As always, we like to predict who we think the winners are and then to follow up with who won after the big night! This year’s 75th Primetime Emmy Awards is slated to take place on Jan 15th at 8:00pm ET and you can watch it on FOX. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Drama Series

Andor (Disney+)
Better Call Saul (AMC)
The Crown (Netflix)
House of the Dragon (HBO/Max)
The Last of Us (HBO/Max)
Succession (HBO/Max)
The White Lotus (HBO/Max)
Yellowjackets (Showtime)

Best Actor in a Drama Series

Jeff Bridges (The Old Man)
Brian Cox (Succession) 
Kieran Culkin (Succession)
Bob Odenkirk (Better Call Saul)
Pedro Pascal (The Last of Us)
Jeremy Strong (Succession)

Best Actress in a Drama Series

Sharon Horgan (Bad Sisters)
Melanie Lynskey (Yellowjackets)
Elisabeth Moss (The Handmaid’s Tale)
Bella Ramsey (The Last of Us)
Keri Russell (The Diplomat)
Sarah Snook (Succession)

Best Supporting Actor in a Drama Series

F. Murray Abraham (The White Lotus)
Nicholas Braun (Succession)
Michael Imperioli (The White Lotus)
Theo James (The White Lotus)
Matthew Macfadyen (Succession)
Alan Ruck (Succession)
Will Sharpe (The White Lotus)
Alexander Skarsgard (Succession)

Best Supporting Actress in a Drama Series

Jennifer Coolidge (The White Lotus)
Elizabeth Debicki (The Crown)
Meghann Fahy (The White Lotus)
Sabrina Impacciatore (The White Lotus)
Aubrey Plaza (The White Lotus)
Rhea Seehorn (Better Call Saul)
J. Smith-Cameron (Succession)
Simona Tabasco (The White Lotus)

Best Comedy Series

Abbott Elementary (ABC)
Barry (HBO/Max)
The Bear (FX)
Jury Duty (Amazon Freevee)
The Marvelous Mrs. Maisel (Prime Video)
Only Murders in the Building (Hulu)
Ted Lasso (Apple TV+)
Wednesday (Netflix)

Best Actress in a Comedy Series

Christina Applegate (Dead to Me)
Rachel Brosnahan (The Marvelous Mrs. Maisel)
Quinta Brunson (Abbott Elementary)
Natasha Lyonne (Poker Face)
Jenna Ortega (Wednesday)

Best Actor in a Comedy Series

Bill Hader (Barry)
Martin Short (Only Murders in the Building)
Jason Segel (Shrinking)
Jason Sudeikis (Ted Lasso)
Jeremy Allen White (The Bear)

Best Supporting Actor in a Comedy Series

Anthony Carrigan (Barry)
Phil Dunster (Ted Lasso)
Brett Goldstein (Ted Lasso)
James Marsden (Jury Duty)
Ebon Moss-Bachrach (The Bear)
Tyler James Williams (Abbott Elementary)
Henry Winkler (Barry)

Best Supporting Actress in a Comedy Series

Alex Borstein (The Marvelous Mrs. Maisel)
Ayo Edebiri (The Bear)
Janelle James (Abbott Elementary)
Sheryl Lee Ralph (Abbott Elementary)
Juno Temple (Ted Lasso)
Hannah Waddingham (Ted Lasso)
Jessica Williams (Shrinking)

Best Limited or Anthology Series

Beef (Netflix)
Dahmer — Monster: The Jeffrey Dahmer Story (Netflix)
Daisy Jones & the Six (Prime Video)
Fleishman Is in Trouble (FX)
Obi-Wan Kenobi (Disney+)

Best Actress in a Limited or Anthology Series or TV Movie

Lizzy Caplan (Fleishman Is in Trouble)
Jessica Chastain (George & Tammy)
Dominique Fishback (Swarm)
Kathryn Hahn (Tiny Beautiful Things)
Riley Keough (Daisy Jones & the Six)
Ali Wong (Beef)

Best Actor in a Limited or Anthology Series or TV Movie

Taron Egerton (Black Bird)
Kumail Nanjiani (Welcome to Chippendales)
Evan Peters (Dahmer — Monster: The Jeffrey Dahmer Story)
Daniel Radcliffe (Weird: The Al Yankovic Story)
Michael Shannon (George & Tammy)
Steven Yeun (Beef)

Best Supporting Actor in a Limited or Anthology Series or TV Movie

Murray Bartlett (Welcome to Chippendales)
Paul Walter Hauser (Black Bird)
Richard Jenkins (Dahmer – Monster: The Jeffrey Dahmer Story)
Joseph Lee (Beef)
Ray Liotta (Black Bird)
Young Mazino (Beef)
Jesse Plemons (Love & Death)

Best Supporting Actress in a Limited or Anthology Series or TV Movie

Annaleigh Ashford (Welcome to Chippendales)
Maria Bello (Beef)
Claire Danes (Fleishman Is In Trouble)
Juliette Lewis (Welcome to Chippendales)
Camila Morrone (Daisy Jones & the Six)
Niecy Nash-Betts (Dahmer — Monster: The Jeffrey Dahmer Story)
Merritt Wever (Tiny Beautiful Things)

Best Writing for a Comedy Series

Barry (HBO/Max)
Bill Hader, Written by

The Bear (FX)
Christopher Storer, Written by

Jury Duty (Amazon Freevee)
Mekki Leeper, Written by

Only Murders in the Building (Hulu)
John Hoffman, Written by
Matteo Borghese, Written by
Rob Turbovsky, Written by

The Other Two (HBO/Max)
Chris Kelly, Written by
Sarah Schneider, Written by

Ted Lasso (Apple TV+)
Brendan Hunt, Written by
Joe Kelly, Written by
Jason Sudeikis, Written by

Best Writing for a Drama Series

Andor (Disney+)
Beau Willimon, Written by

Bad Sisters (Apple TV+)
Sharon Horgan, Teleplay by
Dave Finkel, Teleplay by
Brett Baer, Teleplay by

Better Call Saul (AMC)
Gordon Smith, Written by

Better Call Saul (AMC)
Peter Gould, Written by

The Last of Us (HBO/Max)
Craig Mazin, Written for Television by

Succession (HBO/Max)
Jesse Armstrong, Written by

The White Lotus (HBO/Max)
Mike White, Written by

Best Writing for a Limited or Anthology Series or TV Movie

Beef (Netflix)
Lee Sung Jin, Written by

Fire Island (Hulu)
Joel Kim Booster, Written by

Fleishman Is In Trouble (FX)
Taffy Brodesser-Akner, Written for Television by

Prey (Hulu)
Patrick Aison, Written by & Story by
Dan Trachtenberg, Story by

Swarm (Prime Video)
Janine Nabers, Teleplay by & Story by
Donald Glover, Story by

Weird: The Al Yankovic Story (The Roku Channel)
Al Yankovic, Written by
Eric Appel, Written by

Best Directing for a Drama Series

Andor (Disney+)
Benjamin Caron, Directed by

Bad Sisters (Apple TV+)
Dearbhla Walsh, Directed by

The Last of Us (HBO/Max)
Peter Hoar, Directed by

Succession (HBO/Max)
Andrij Parekh, Directed by

Succession (HBO/Max)
Mark Mylod, Directed by

Succession (HBO/Max)
Lorene Scafaria, Directed by

The White Lotus (HBO/Max)
Mike White, Directed by

Best Directing for a Comedy Series

Barry (HBO/Max)
Bill Hader, Directed by

The Bear (FX)
Christopher Storer, Directed by

The Marvelous Mrs. Maisel (Prime Video)
Amy Sherman-Palladino, Directed by

The Ms. Pat Show (BET+)
Mary Lou Belli, Directed by

Ted Lasso (Apple TV+)
Declan Lowney, Directed by

Wednesday (Netflix)
Tim Burton, Directed by

Best Directing for a Limited or Anthology Series or TV Movie

Beef (Netflix)
Lee Sung Jin, Directed by

Beef (Netflix)
Jake Schreier, Directed by

Dahmer — Monster: The Jeffrey Dahmer Story (Netflix)
Carl Franklin, Directed by

Dahmer — Monster: The Jeffrey Dahmer Story (Netflix)
Paris Barclay, Directed by

Fleishman Is in Trouble (FX)
Valerie Faris, Directed by
Jonathan Dayton, Directed by

Prey (Hulu)
Dan Trachtenberg, Directed by

Best Talk Series

The Daily Show With Trevor Noah (Comedy Central)
Jimmy Kimmel Live! (ABC)
Late Night With Seth Meyers (NBC)
The Late Show With Stephen Colbert (CBS)
The Problem With Jon Stewart (Apple TV+)

Best Reality Competition

The Amazing Race (CBS)
RuPaul’s Drag Race (MTV)
Survivor (CBS)
Top Chef (Bravo)
The Voice (NBC)

Best Animated Program

Bob’s Burgers (Fox)
Entergalactic (Netflix)
Genndy Tartakovsky’s Primal (Adult Swim)
Rick and Morty (Adult Swim)
The Simpsons (Fox)

Best Structured Reality Program

Antiques Roadshow (PBS)
Diners, Drive-Ins and Dives (Food Network)
Love Is Blind (Netflix)
Queer Eye (Netflix)
Shark Tank (ABC)

Best Unstructured Reality Program

Indian Matchmaking (Netflix)
RuPaul’s Drag Race: Untucked (MTV)
Selling Sunset (Netflix)
Vanderpump Rules (Bravo)
Welcome to Wrexham (FX)

Best Television Movie

Dolly Parton’s Mountain Magic Christmas (NBC)
Fire Island (Hulu)
Hocus Pocus 2 (Disney+)
Prey (Hulu)
Weird: The Al Yankovic Story (The Roku Channel)

Best Game Show

Family Feud (ABC)
Jeopardy! (ABC)
The Price Is Right (CBS)
That’s My Jam (NBC)
Wheel of Fortune (ABC)

Best Scripted Variety Series

A Black Lady Sketch Show (HBO/Max)
Last Week Tonight With John Oliver (HBO/Max)
Saturday Night Live (NBC)

Best Variety Special (Live)

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna (Fox)
Chris Rock: Selective Outrage (Netflix)
Elton John Live: Farewell From Dodger Stadium (Disney+)
The Oscars (ABC)
75th annual Tony Awards (CBS)

Best Variety Special (Prerecorded)

Carol Burnett: 90 Years of Laughter + Love (NBC)
John Mulaney: Baby J (Netflix)
Lizzo: Live in Concert (HBO/Max)
Norman Lear: 100 Years of Music & Laughter (ABC)
Trevor Noah: I Wish You Would (Netflix)
Wanda Sykes: I’m an Entertainer (Netflix)

Best Host for a Reality or Competition Program

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski and Jonathan Van Ness (Queer Eye)
Nicole Byer (Nailed It!)
Padma Lakshmi (Top Chef)
Amy Poehler and Maya Rudolph (Baking It)
RuPaul (RuPaul’s Drag Race)

Best Host for a Game Show

Mayim Bialik (Jeopardy!)
Steve Harvey (Family Feud)
Ken Jennings (Jeopardy!)
Keke Palmer (Password)
Pat Sajak (Wheel of Fortune)

Best Guest Actor in a Comedy Series

Jon Bernthal (The Bear)
Luke Kirby (The Marvelous Mrs. Maisel)
Nathan Lane (Only Murders in the Building)
Pedro Pascal (Saturday Night Live)
Oliver Platt (The Bear)
Sam Richardson (Ted Lasso)

Best Guest Actor in a Drama Series

Murray Bartlett (The Last of Us)
James Cromwell (Succession)
Lamar Johnson (The Last of Us)
Arian Moayed (Succession)
Nick Offerman (The Last of Us)
Keivonn Montreal Woodard (The Last of Us)

Best Guest Actress in a Comedy Series

Becky Ann Baker (Ted Lasso)
Quinta Brunson (Saturday Night Live)
Taraji P. Henson (Abbott Elementary)
Judith Light (Poker Face)
Sarah Niles (Ted Lasso)
Harriet Walter (Ted Lasso)

Best Guest Actress in a Drama Series

Hiam Abbass (Succession)
Cherry Jones (Succession)
Melanie Lynskey (The Last of Us)
Storm Reid (The Last of Us)
Anna Torv (The Last of Us)
Harriet Walter (Succession)

Best Documentary or Nonfiction Special

Being Mary Tyler Moore (HBO/Max)
Judy Blume Forever (Prime Video)
My Transparent Life (Prime Video)
Pamela, A Love Story (Netflix)
Still: A Michael J. Fox Movie (Apple TV+)

Best Documentary or Nonfiction Series

Dear Mama (FX)
100 Foot Wave (HBO/Max)
Secrets of the Elephants (National Geographic)
The 1619 Project (Hulu)
The U.S. and the Holocaust (PBS)

Best Hosted Nonfiction Series or Special

The Light We Carry: Michelle Obama & Oprah Winfrey (Netflix)
My Next Guest Needs No Introduction With David Letterman (Netflix)
Stanley Tucci: Searching for Italy (CNN)
Taste the Nation With Padma Lakshmi (Hulu)
United Shades of America With W. Kamau Bell (CNN)

Exceptional Merit in Documentary Filmmaking

The Accused: Damned or Devoted? (PBS)
Aftershock (Hulu)
Last Flight Home (Paramount+)
The Territory (National Geographic)

Read the latest issue of Athleisure Mag.

AWARDS SEASON | CREATIVE ARTS EMMYS NOMINATIONS

The 75th Creative Arts Emmy announced the nominees for this awards show that takes place over 2 days! Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

The Last Of Us • Infected • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog John Paino, Production Designer Don Macaulay, Art Director Paul Healy, Set Decorator

Poker Face • The Orpheus Syndrome • Peacock • T-Street, MRC Television, Animal Pictures
Judy Rhee, Production Designer Martha Sparrow, Art Director Cathy Marshall, Set Decorator

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Stephen H. Carter, Production Designer Molly Mikula, Art Director George Detitta Jr., Set Decorator

Ted Lasso • Sunflowers • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director Kate Goodman, Set Decorator

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Mark Scruton, Production Designer Adrian Curelea, Art Director Robert Hepburn, Set Decorator

The White Lotus • Ciao • HBO Max • HBO in association with Rip Cord and The District Cristina Onori, Production Designer Gianpaolo Rifino, Art Director Letizia Santucci, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Jessica Kender, Production Designer Brian Grego, Art Director Lisa Clark, Set Decorator Andi Brittan, Set Decorator

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Tamara Deverell, Production Designer Brandt Gordon, Art Director Shane Vieau, Set Decorator

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jim Clay, Production Designer Dominic Masters, Art Director Claire Nia Richards, Set Decorator

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Perry Mason • Chapter Eleven • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Keith P. Cunningham, Production Designer Ian Scroggins, Art Director Halina Siwolop, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROHRAM (HALF-HOUR)
The Bear • System • FX • FX Productions Sam Lisenco, Production Designer Eric Dean, Art Director Emily Carter, Set Decorator

How I Met Your Father • The Reset Button • Ride Or Die • Daddy • Hulu • 20th Television Glenda Rovello, Production Designer Conny Boettger-Marinos, Art Director Amy Beth Feldman, Set Decorator

Only Murders In The Building • Sparring Partners • I Know Who Did It • Hulu • 20th Television Patrick Howe, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! • Famous As Hell • Apple TV+ • Broadway Video / Universal Television in association with Apple Jamie Walker McCall, Production Designer Ryan Garton, Art Director Gregory Clarke, Art Director Carol Lavallee, Set Decorator

What We Do In The Shadows • The Night Market • FX • FX Productions Shayne Fox, Production Designer Aaron Noël, Art Director Kerri Wylie, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY OR REALITY SERIES
A Black Lady Sketch Show • Peek-A-Boob, Your Titty’s Out • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

Last Week Tonight With John Oliver • Museums • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television Eric Morrell, Production Designer Sabrina Lederer, Art Director

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Thomas Rouse, Production Designer Tyka Edwards, Art Director

RuPaul's Drag Race • Blame It On The Edit • MTV • World of Wonder Gianna Costa, Production Designer Brad Bailey, Art Director

Saturday Night Live • Host: Steve Martin & Martin Short • Host: Jenna Ortega • NBC • SNL Studios in association with Universal Television and Broadway Video Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer Andrea Purcigliotti, Production Designer Danielle Webb, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY SPECIAL

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Lindsey Breslauer, Art Director Maria Garcia, Art Director Lily Rodgers, Art Director

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Tamlyn Wright, Production Designer Travis Deck, Art Director

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Misty Buckley, Production Designer Joe Celli, Art Director Raquel Tarbet, Set Decorator

The 65th Annual Grammy Awards • CBS • Fulwell 73 Julio Himede, Production Designer Kristen Merlino, Art Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences Misty Buckley, Production Designer Alana Billingsley, Production Designer John Zuiker, Art Director

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Black Bird • Hand To Mouth • Apple TV+ • Apple Studios Natalie Kingston, Director of Photography

Boston Strangler • Hulu • 20th Century Studios Ben Kutchins, Director of Photography

Dead Ringers • One • Prime Video • AnnaPurna Pictures, Amazon Studios Jody Lee Lipes, ASC, Director of Photography

George & Tammy • Stand By Your Man • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Igor Martinovic, Director of Photography

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You
Anastas Michos, ASC, GSC, Director of Photography

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM
100 Foot Wave • Chapter VI - Force Majeure • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Antoine Chicoye, Cinematography by Mikey Corker, Cinematography by Vincent Kardasik, Cinematography by Alexandre Lesbats, Cinematography by Chris Smith, Cinematography by Laurent Pujol, Cinematography by João Vidinha, Cinematography by Michael Darrigade, Cinematography by

Secrets Of The Elephants • Desert • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic Toby Strong, Director of Photography James Boon, Director of Photography Bob Poole, Director of Photography

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Jerry Henry, Director of Photography

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Andrew Muggleton, Director of Photography

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio C. Kim Miles, CSC, ASC, MySC, Director of Photography Clair Popkin, Cinematography by Julia Liu, Cinematography by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava Alex Pritz, Cinematography by Tangãi Uru-eu-wau-wa, Cinematography by

OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Josh Bartel, Camera Kurt Carpenter, Camera David D'Angelo, Camera Matthew Di Girolamo, Camera Adam Haisinger, Camera Robert Howsam, Camera Kevin Johnson, Camera Jay Kaufman, Camera Ian Kerr, CSC, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Ryan Shaw, Camera
Alan Weeks, Camera

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel David Reichert, Director of Photography Charlie Beck, Director of Photography Bryan Miller, Director of Photography Todd Stanley, Director of Photography Shane Moore, Director of Photography Nathan Garofalos, Director of Photography David Arnold, Director of Photography

Life Below Zero • The Pursuit • National Geographic • BBC Studios Danny Day, Director of Photography Simeon Houtman, Director of Photography Jason Hubbell, Director of Photography Ben Mullin, Director of Photography Zach Vincent, Director of Photography

Survivor • Series Body Of Work • CBS • MGM Television Peter Wery, Director of Photography Scott Duncan, Director of Photography Russ Fill, Director of Photography George Andrews, Camera Tim Barker, Camera Marc Bennett, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Chris Ellison, Camera Nixon George, Camera Matthias Hoffmann, Cinema Toby Hogan, Camera Derek Holt, Camera Efrain "Mofi" Laguna, Camera Ian Miller, Camera Nico Nyoni, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Daniel Powell, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Paulo Velozo, Camera Cullum Andrews, Camera Christopher Barker, Director of Aerial Photography Granger Scholtz, Director of Aerial Photography Nic Van Der Westhuizen, Aerial Camera Operator Dwight Winston, Aerial Camera Operator

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Alastair McKevitt, Director of Photography Craig Hastings, Director of Photography Leighton Cox, Director of Photography Jason Bulley, Director of Photography

OUTSTANDING PERIOD COSTUMES FOR A SERIES
The Crown • Mou Mou • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Amy Roberts, Costume Designer Sidonie Roberts, Associate Costume Designer Christof Roche-Gordon, Costume Supervisor

The Great • Choose Your Weapon • Hulu • Civic Center Media, MRC Sharon Long, Costume Designer Claire Tremlett, Assistant Costume Designer Basia Kuznar, Assistant Costume Designer Anna Lau, Costume Supervisor

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor

Perry Mason • Chapter Ten • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Catherine Adair, Costume Designer David J. Matwijkow, Assistant Costume Designer Nanrose Buchman, Costume Supervisor

Queen Charlotte: A Bridgerton Story • Crown Jewels • Netflix • A Netflix Series in association with shondalandmedia Lyn Elizabeth Paolo, Costume Designer Laura Frecon, Co-Costume Designer Jovana Gospavic, Assistant Costume Designer Alex Locke, Costume Supervisor

OUTSTANDING PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Dahmer - Monster: The Jeffrey Dahmer Story • Please Don't Go • Netflix • Ryan Murphy Productions for Netflix Rudy Mance, Costume Designer Monica Chamberlain, Assistant Costume Designer Desmond Smith, Assistant Costume Designer Suzy Freeman, Costume Supervisor

Daisy Jones & The Six • Track 8: Looks Like We Made It • Prime Video • Hello Sunshine, Amazon Studios Denise Wingate, Costume Designer Derek Sullivan, Costume Supervisor

George & Tammy • We're Gonna Hold On • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Mitchell Travers, Costume Designer Mitchel Wolf, Assistant Costume Designer Laurel Rose, Assistant Costume Designer Aileen Abercrombie, Assistant Costume Designer Susan Russell, Costume Supervisor Charles Carter, Costume Supervisor

Guillermo Del Toro's Cabinet Of Curiosities • Dreams In The Witch House • Netflix • Netflix / Double Dare You Luis Sequeira, Costume Designer Ann Steel, Assistant Costume Designer Heather Crepp, Costume Supervisor

Welcome To Chippendales • Leeches • Hulu • 20th Television Peggy Schnitzer, Costume Designer
Derek Bulger, Assistant Costume Designer Julie Heath, Costume Supervisor

OUTSTANDING FANTASY/SCI-FI COSTUMES
Hocus Pocus 2 • Disney+ • Walt Disney Pictures Salvador Perez, Costume Designer Elizabeth Shelton, Assistant Costume Designer Gala Autumn, Costume Supervisor

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jany Temime, Costume Designer Katherine Burchill, Assistant Costume Designer Paul Yeowell, Assistant Costume Designer Rachel George, Assistant Costume Designer Joanna Lynch, Costume Supervisor

The Lord Of The Rings: The Rings Of Power • A Shadow Of The Past • Prime Video • Amazon Studios Kate Hawley, Costume Designer Libby Dempster, Assistant Costume Designer Lucy McLay, Assistant Costume Designer Jaindra Watson, Assistant Costume Designer Pip Lingard, Costume Supervisor Jenny Rushton, Costume Supervisor

The Mandalorian • Chapter 22: Guns For Hire • Disney+ • Lucasfilm Ltd. Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor

Obi-Wan Kenobi • Part I • Disney+ • Lucasfilm Ltd. Suttirat Anne Larlarb, Costume Designer Stacia Lang, Assistant Costume Designer Lynda Foote, Costume Supervisor

What We Do In The Shadows • The Wedding • FX • FX Productions Laura Montgomery, Costume Designer Barbara Cardoso, Assistant Costume Designer Judy Laukkanen, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES
Emily In Paris • What's It All About... • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Marylin Fitoussi, Costume Designer Herehau Ragonneau, Assistant Costume Designer Daniela Telle, Associate Costume Designer Marie Fremont, Costume Supervisor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Cynthia Ann Summers, Costume Designer Kelsey Chobotar, Assistant Costume Designer Rebecca Toon, Assistant Costume Designer Michelle Carr, Costume Supervisor

Only Murders In The Building • Framed • Hulu • 20th Television Dana Covarrubias, Costume Designer Abby Geoghegan, Assistant Costume Designer Kathleen Gerlach, Wardrobe Supervisor

Succession • Church And State • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Michelle Matland, Costume Designer Jonathan Schwartz, Assistant Costume Designer Mark Agnes, Wardrobe Supervisor

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Colleen Atwood, Costume Designer Mark Sutherland, Co-Costume Designer Robin Soutar, Assistant Costume Designer Claudia Littlefield, Costume Supervisor Adina Bucur, Costume Supervisor

The White Lotus • That's Amore • HBO Max • HBO in association with Rip Cord and The District
Alex Bovaird, Costume Designer Brian Sprouse, Assistant Costume Designer Margherita Zanobetti, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • The Birds Don't Sing, They Screech In Pain • Netflix • A Netflix Series / An A24 Production Helen Huang, Costume Designer Austin Wittick, Assistant Costume Designer YJ Hwang, Assistant Costume Designer Mark Anthony Summers, Costume Supervisor

Dolly Parton's Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions Provi Fulp, Costume Designer Jose Ramos, Costume Supervisor Steve Summers, Dolly's Wardrobe by

Fleishman Is In Trouble • Me-Time • FX • ABC Signature Leah Katznelson, Costume Designer Angel Peart, Assistant Costume Designer Katie Novello, Assistant Costume Designer Deidre Wegner, Assistant Costume Designer Anne Newton-Harding, Costume Supervisor

Swarm • Honey • Prime Video • Amazon Studios Dominique Dawson, Costume Designer Brittny Chapman, Assistant Costume Designer Mashal Khan, Costume Supervisor

The Watcher • Welcome, Friends • Netflix • A Netflix Series / Jam Tart Films / Prospect Films / Ryan Murphy Television Lou Eyrich, Costume Designer Rudy Mance, Costume Designer Catherine Crabtree, Assistant Costume Designer Zakiya Dennis, Costume Supervisor

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES
Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Skip Macdonald, ACE, Editor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Timothy A. Good, ACE, Editor Emily Mendez, Editor  

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Jane Rizzo, ACE, Editor

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Bill Henry, ACE, Editor

Succession • With Open Eyes • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Ken Eluto, ACE, Editor

The White Lotus • Abductions • HBO Max • HBO in association with Rip Cord and The District
Heather Persons, ACE, Editor

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
John M. Valerio, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES
Call Me Kat • Call Me Consciously Uncoupled • FOX • That's Wonderful Productions, Sad Clown Productions and BBC Studios in association with Warner Bros. Television and FOX Entertainment
Pamela Marshall, Editor

How I Met Your Father • Daddy • Hulu • 20th Television Russell Griffin, ACE, Editor

Night Court • Pilot • NBC • After January Productions in association with Warner Bros. Television and Universal Television Kirk Benson, Editor Chris Poulos, Editor

The Upshaws • Duct Up • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Russell Griffin, ACE, Editor Angel Gamboa Bryant, Editor

The Upshaws • Off Beat • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Angel Gamboa Bryant, Editor

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES
Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Franky Guttman, Editor Ali Greer, ACE, Editor

The Bear • System • FX • FX Productions Joanna Naugle, Editor

Only Murders In The Building • The Last Day Of Bunny Folger • Hulu • 20th Television Peggy Tachdjian, ACE, Editor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television A.J. Catoline, ACE, Editor Alex Szabo, Editor

Ted Lasso • So Long, Farewell • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Melissa McCoy, ACE, Editor Francesca Castro, Additional Editor

What We Do In The Shadows • Go Flip Yourself • FX • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, ACE, Editor
 

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • Figures Of Light • Netflix • A Netflix Series / An A24 Production Nat Fuller, Editor Laura Zempel, Editor

Dahmer - Monster: The Jeffrey Dahmer Story • The Good Boy Box • Netflix • Ryan Murphy Productions for Netflix Stephanie Filo, ACE, Editor

Ms. Marvel • Generation Why • Disney+ • Marvel Studios Nona Khodai, ACE, Editor Sabrina Plisco, ACE, Editor

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Kelley Dixon, ACE, Editor Josh Earl, ACE, Editor

Prey • Hulu • 20th Century Studios Angela M. Catanzaro, ACE, Editor Claudia Castello, Editor

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Jamie Kennedy, ACE, Editor

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

A Black Lady Sketch Show • My Love Language Is Words Of Defamation • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Stephanie Filo, ACE, Supervising Editor Malinda Zehner Guerra, Editor Taylor Joy Mason, Editor

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Mike Polito, Offline Editor Timothy Schultz, Offline Editor

The Daily Show With Trevor Noah • Jordan Klepper Shows Trump Supporters January 6th Hearing Clips • Comedy Central • Central Productions, LLC Storm Choi, Editor Eric Davies, Editor Tom Favilla, Editor Lauren Beckett Jackson, Editor Nikolai Johnson, Editor Ryan Middleton, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor

History Of The World, Part II • III • Hulu • 20th Television and Searchlight Television Angel Gamboa Bryant, Editor Stephanie Filo, ACE, Editor Daniel Flesher, Editor George Mandl, Editor

Saturday Night Live • HBO Mario Kart Trailer (Segment) • NBC • SNL Studios in association with Universal Television and Broadway Video Ryan Spears, Editor Christopher Salerno, Editor

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM
 
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Brett Morgen, Editor

100 Foot Wave • Chapter III - Jaws • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Alex Bayer, Editor Alex Keipper, Editor Quin O'Brien, Editor

Pretty Baby: Brooke Shields • Hulu • ABC News Studios, Bed By 8, Matador Content, Drifting Cloud Productions David Teague, Supervising Editor Sara Newens, Editor Anne Yao, Editor

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Ephraim Kirkwood, Editor
Jesse Allain-Marcus, Additional Editor Adriana Pacheco, Additional Editor

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Liz Roe, Editor

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Harte, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A STRUCTURED REALITY OR COMPETITION PROGRAM
The Amazing Race • Body Of Work • CBS • WorldRace Productions, Inc. Eric Beetner, Editor Kevin Blum, Editor Trevor Campbell, Editor Kellen Cruden, Editor Jay Gammill, Editor Katherine Griffin, Editor Jason Groothuis, Editor Darrick Lazo, Editor Ryan Leamy, Editor Josh Lowry, Editor Paul Nielsen, Editor Steve Mellon, Editor

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Toni Ann Carabello, Lead Editor Nova Taylor, Editor Jason Szabo, Editor Widgie Nikia Figaro, Editor Sean Gill, Editor Kimberly Pellnat, Editor

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Jamie Martin, Lead Editor Paul Cross, Editor Ryan Mallick, Editor Michael Roha, Editor

Survivor • Telenovela • CBS • MGM Television Bill Bowden, Supervising Editor Evan Mediuch, Supervising Editor Francisco Santa Maria, Editor Plowden Schumacher, Editor Andrew Bolhuis, Editor Jacob Teixeira, Editor James Ciccarello, Editor

Top Chef • Body Of Work • Bravo • Magical Elves Steve Lichtenstein, Lead Editor Ericka Concha, Editor Blanka Kovacs, Editor Eric Lambert, Editor Matt Reynolds, Editor Jay M. Rogers, Editor Brian Freundlich, Additional Editor Brian Giberson, Additional Editor Malia Jurick, Additional Editor Brian Kane, Additional Editor Daniel Ruiz, Additional Editor Anthony J. Rivard, Additional Editor Annie Tighe, Additional Editor Tony West, Additional Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM
Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Rob Butler, Supervising Editor Isaiah Camp, Supervising Editor Alexandra Moore, Editor Alexander Rubinow, Editor Ian Olsen, Editor Hugh Elliot, Editor Joe Mikan, Additional Editor

Life Below Zero • A Storm To Remember • National Geographic • BBC Studios Michael Swingler, Editor Tony Diaz, Additional Editor Matt Edwards, Additional Editor Jennifer Nelson, ACE, Additional Editor Tanner Roth, Additional Editor

RuPaul's Drag Race: Untucked • The Daytona Wind 2 • MTV • World of Wonder Matthew D. Miller, Lead Editor Kellen Cruden, Editor

Vanderpump Rules • Lady And The Glamp • Bravo • Evolution Media Jesse Friedman, Editor Tom McCudden, Editor Ramin Mortazavi, Editor Christian Le Guilloux, Editor Paul Peltekian, Editor Sax Eno, Editor Robert Garry, Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mohamed El Manasterly, Editor Curtis McConnell, Editor Michael Brown, Editor Charles Little, ACE, Editor Bryan Rowland, Additional Editor

OUTSTANDING EMERGING MEDIA PROGRAM
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google
Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O'Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky's The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine's Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES
America's Got Talent • Episode 1717 • NBC • Fremantle and Syco Entertainment Noah Mitz, Lighting Designer Will Gossett, Lighting Director Ryan Tanker, Lighting Director Patrick Brazil, Lighting Director Jay Koch, Lighting Director Matt Benson, Lighting Director Scott Chmielewski, Lighting Director Kevin Faust, Video Controller

American Idol • Top 20 • ABC • Fremantle and 19 Entertainment Tom Sutherland, Lighting Designer Bobby Grey, Lighting Director Nathan Files, Lighting Director James Coldicott, Lighting Director Hunter Selby, Lighting Director Scott Chmielewski, Lighting Director Luke Chantrell, Video Controller Ed Moore, Video Controller

Dancing With The Stars • Semi Finals • Disney+ • BBC Studios Los Angeles Productions Noah Mitz, Lighting Designer Michael Berger, Lighting Director Patrick Brazil, Lighting Director Andrew Law, Lighting Director Matt Benson, Lighting Director Matt McAdam, Lighting Director Luke Chantrell, Video Controller

So You Think You Can Dance • Starry Starry Night • FOX • The Intellectual Property Corporation (IPC) and Dick Clark Productions (DCP) Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director Jeff Behm, Lighting Director Christopher Gray, Video Controller

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer Ronald Wirsgalla, Lighting Director Erin Anderson, Lighting Director Andrew Munie, Lighting Director Jeff Shood, Lighting Director Daniel Boland, Lighting Director Terrance Ho, Video Controller

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL
Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Al Gurdon, Lighting Designer Harry Forster, Lighting Director Bobby Grey, Lighting Director Darien Koop, Lighting Director James Coldicott, Lighting Director Chris Hill, Video Controller Ed Moore, Video Controller

The 65th Annual Grammy Awards • CBS • Fulwell 73 Noah Mitz, Lighting Designer Andy O'Reilly, Lighting Director Patrick Boozer, Lighting Director Ryan Tanker, Lighting Director Madigan Stehly, Lighting Director Bryan Klunder, Lighting Director Erin Anderson, Lighting Director Will Gossett, Lighting Director Matthew Cotter, Lighting Director Terrance Ho, Video Controller Guy Jones, Video Controller

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production
Allen Branton, Lighting Designer Darren Langer, Lighting Director Felix Peralta, Lighting Director Kevin Lawson, Lighting Director Alex Flores, Lighting Director Bianca Moncada, Lighting Director Chuck Reilly, Video Controller Guy Jones, Video Controller
 
75th Annual Tony Awards • CBS • White Cherry Entertainment Robert Dickinson, Lighting Designer Noah Mitz, Lighting Director Harry Sangmeister, Lighting Director Tyler Ericson, Lighting Director Richard Beck, Lighting Director Jason Rudolph, Lighting Director JM Hurley, Video Controller Ka Lai Wong, Video Controller

The Weeknd Live At SoFi Stadium • HBO Max • HBO Jason Baeri, Lighting Designer Joe Bay, Lighting Director Kille Knoble, Lighting Director Mark Butts, Lighting Director Loren Barton, Lighting Director

OUTSTANDING MAIN TITLE DESIGN
Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Mike Schaeffer, Creative Director Chet Hirsch, Director David Rowley, Art Director Akshay Tiwari, Designer

Hello Tomorrow! • Apple TV+ • MRC in association with Apple Ronnie Koff, Creative Director Lexi Gunvaldson, Editor Christoph Gabathuler, 3D Artist Juan Monasterio, Animator Lindsey Mayer-Beug, Illustrator Fernando Lazzari, Animator

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Andy Hall, Creative Director Nadia Tzuo, Creative Director Gryun Kim, 3D Artist Min Shi, Designer Jun Kim, 3D Artist Xiaolin (Mike) Zeng, Designer

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Katrina Crawford, Director Mark Bashore, Director Anthony Vitagliano, Creative Director Fernando Domínguez Cózar, Animation Director

Wednesday • Netflix • A Netflix Series / An MGM Television Production Aaron Becker, Creative Director Joseph Ahn, Designer James Ramirez, Animator Lee Nelson, Animator Eric Keller, 3D Artist Hsien Lun Su, Animator

The White Lotus • HBO Max • HBO in association with Rip Cord and The District Katrina Crawford, Director/Creative Director/Photographer Mark Bashore, Director/Editor Lezio Lopes, Illustrator Cian McKenna, Animator

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor • The Eye • Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Margit Pfeiffer, Co-Supervising Sound Editor Richard Quinn, Dialogue Editor Jonathan Greber, ADR Editor J.R. Grubbs, Sound Effects Editor John Finklea, Music Editor Shaun Farley, Foley Editor Shelley Roden, Foley Artist John Roesch, Foley Artist

The Boys • The Instant White-Hot Wild • Prime Video • Sony Pictures Television, Amazon Studios
Wade Barnett, MPSE, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor Ryan Briley, Supervising ADR Editor Jeffrey A. Pitts, Sound Efffects Editor/Sound Designer Pete Nichols, Sound Effects Editor Christopher Brooks, Music Editor James Howe, Foley Editor

House Of The Dragon • The Black Queen • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Al Sirkett, Supervising Sound Editor Tim Hands, Dialogue Editor Adele Fletcher, Supervising ADR Editor Paula Fairfield, MPSE, Sound Designer David Klotz, Music Editor Timeri Duplat, Music Editor Mathias Schuster, Foley Editor Barnaby Smyth, Foley Artist Paula Boram, Foley Artist

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Michael J. Benavente, Supervising Sound Editor Joe Schiff, Dialogue Editor Christopher Battaglia, Sound Designer Chris Terhune, Sound Designer Mitchell Lestner, Sound Effects Editor Jacob Flack, Sound Effects Editor Matt Yocum, MPSE, Sound Effects Editor Maarten Hofmeijer, Music Editor Randy Wilson, Supervising Foley Editor Justin Hele, Foley Editor David Aquino, Foley Editor Stefan Fraticelli, Foley Artist Jason Charbonneau, Foley Artist William Kellerman, Foley Artist
 
The Lord Of The Rings: The Rings Of Power • Udûn • Prime Video • Amazon Studios Robert Stambler, MPSE, Co-Supervising Sound Editor Damian Del Borrello, Co-Supervising Sound Editor Ailene Roberts, Dialogue Editor Stefanie Ng, Dialogue/ADR Editor Paula Fairfield, Sound Designer Chris Terhune, Sound Editor James Miller, Sound Editor Michael Baber, Music Editor Jason Smith, Music Editor Amy Barber, Foley Editor Jonathan Bruce, Foley Artist

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jill Purdy, Dialogue Editor Lee Gilmore, Sound Effects Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor Ken McGill, MPSE, Sound Effects/ Foley Editor Steve Baine, Foley Artist

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Sean Heissinger, Co-Supervising Sound Editor Matthew E. Taylor, Co-Supervising Sound Editor John Creed, Dialogue Editor Rickley W. Dumm, MPSE, Sound Effects Editor Deron Street, Sound Editor Clay Weber, Sound Editor Michael Brake, MPSE, Music Editor Darrin Mann, Foley Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist

The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Supervising Sound Editor Evan Benjamin, Dialogue Editor Jonathan Fuhrer, Sound Effects Editor Annie Taylor, Foley Editor Chris White, Foley Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Brad Semenoff, Dialogue Editor David W. Collins, Sound Designer Luis Galdames, Sound Effects Editor Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Joel Raabe, Foley Editor Shelley Roden, Foley Artist  

Reservation Dogs • This Is Where The Plot Thickens • FX • FX Productions Patrick Hogan, Supervising Sound Editor David Beadle, Sound Editor Sonya Lindsay, Sound Editor Michael Sana, Sound Editor Daniel Salas, Sound Editor Amber Funk, Music Editor Lena Krigen, Foley Editor

What We Do In The Shadows • The Night Market • FX • FX Productions Steffan Falesitch, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor David Barbee, MPSE, Sound Effects Editor Steve Griffen, Music Editor John Guentner, Foley Editor Sam Lewis, Foley Editor Ellen Heuer, Foley Artist

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

Dahmer - Monster: The Jeffrey Dahmer Story • God Of Forgiveness, God Of Vengeance • Netflix • Ryan Murphy Productions for Netflix Gary Megregian, MPSE, Supervising Sound Editor Borja Sau, Dialogue Editor Bruce Tanis, MPSE, Sound Effects Editor David Klotz, Music Editor Sam Munoz, Foley Editor Noel Vought, Foley Artist

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You Nelson Ferreira, MPSE, Supervising Sound Editor Jill Purdy, Dialogue Editor Paul Davies, Sound Designer Bernard O’Reilly, Sound Effects Editor Paul Germann, Sound Effects Editor Tom Jenkins, Sound Editor Robert Hegedus, Music Editor Rose Gregoris, Foley Editor Goro Koyama, Foley Artist

Mrs. Davis • Mother Of Mercy: The Call Of The Horse • Peacock • Warner Bros. Television, Little Bug, White Rabbit Bryan Parker, Supervising Sound Editor Kristen Hirlinger, Dialogue Editor Nathan Efstation, Dialogue Editor Roland Thai, Sound Designer Matt Decker, Music Editor Sam Lewis, Supervising Foley Editor Sam Munoz, Foley Editor Ellen Heuer, Foley Artist Nancy Parker, Foley Artist

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Angela Ang, Dialogue/ADR Editor Ryan Cota, Dialogue/ADR Editor Jon Borland, Sound Designer/Sound Effects Editor Tim Farrell, Sound Effects Editor Michael Levine, Sound Effects Editor Ramiro Belgardt, Music Editor Nicholas Fitzgerald, Music Editor Thom Brennan, Foley Editor Ronni Brown, Foley Artist Sean England, Foley Artist

Prey • Hulu • 20th Century Studios Chris Terhune, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jessie Anne Spence, Dialogue/ADR Editor James Miller, Sound Designer Diego Perez, Sound Effects Editor Lee Gilmore, Sound Effects Editor Christopher Bonis, Sound Effects Editor Daniel DiPrima, Music Editor Stephen Perone, Music Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Love, Lizzo • HBO Max • Warner Music Entertainment and Live Nation Productions, Atlantic Film Productions in association with Boardwalk Pictures and Diamond Docs Vanessa Flores, Sound Editor Jessie Brewer, Sound Editor

Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films John Warhurst, Co-Supervising Sound Editor / Music Editor Nina Hartstone, Co-Supervising Sound Editor Jens Rosenlund Petersen, Dialogue Editor Samir Foco, Sound Effects Editor James Shirley, Sound Effects Editor Elliott Koretz, Sound Effects Editor Amy Felton, Sound Effects Editor Louise Burton, Foley Editor Brett Morgen, Music Editor

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Max Holland, Dialogue Editor / Sound Editor Eric Di Stefano, Sound Effects Editor / Sound Designer Kevin Senzaki, Sound Designer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Feuser, Dialogue Editor Rich Bologna, Sound Effects Editor Wyatt Sprague, Sound Effects Editor Heather Gross, Foley Editor Bill Bernstein, Music Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Will Harp, Dialogue Editor Jon Schell, Sound Effects Editor Shaun Cromwell, Sound Effects Editor

Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Phillip W. Palmer, CAS, Production Mixer

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Marc Fishman, CAS, Re-Recording Mixer Kevin Roache, CAS, Re-Recording Mixer Michael Playfair, CAS, Production Mixer

The Marvelous Mrs. Maisel • The Testi-Roastial • Prime Video • Amazon Studios Ron Bochar, Re-Recording Mixer Mathew Price, CAS, Production Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, CAS, Re-Recording Mixer William Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Andy Kris, Re-Recording Mixer Nicholas Renbeck, Re-Recording Mixer Ken Ishii, Production Mixer Tommy Vicari, Scoring Mixer

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
Christian Minkler, Re-Recording Mixer Ryan Collins, Re-Recording Mixer Vincenzo Urselli, Production Mixer

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • The Great Fabricator • Netflix • A Netflix Series / An A24 Production Penny Harold, Re-Recording Mixer Andrew Garrett Lange, Re-Recording Mixer Sean O'Malley, Production Mixer

Dahmer - Monster: The Jeffrey Dahmer Story • Lionel • Netflix • Ryan Murphy Productions for Netflix Laura Wiest, Re-Recording Mixer Jamie Hardt, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Amanda Beggs, Production Mixer

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Lindsay Alvarez, CAS, Re-Recording Mixer Mathew Waters, CAS, Re-Recording Mixer Chris Welcker, Production Mixer Mike Poole, Music Mixer

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Danielle Dupre, Re-Recording Mixer Scott Lewis, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Julian Howarth, CAS, Production Mixer

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Tony Solis, Re-Recording Mixer Richard Bulloock, Production Mixer Brian Magrum, ADR Mixer Phil McGowan, Score Mixer

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Elmo Ponsdomenech, CAS, Re-Recording Mixer Teddy Salas, Re-Recording Mixer Scott Harber, CAS, Production Mixer Aaron Hasson, ADR Mixer
 
The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Re-Recording Mixer Scott D. Smith, CAS, Production Mixer

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Chris Fogel, Scoring Mixer

Only Murders In The Building • The Tell • Hulu • 20th Television Penny Harold, Re-Recording Mixer Andrew Lange, Re-Recording Mixer Joseph White Jr., CAS, Production Mixer Alan DeMoss, Scoring Mixer

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
Bono & The Edge: A Sort Of Homecoming With Dave Letterman • Disney+ • Disney+ Presents an Imagine Documentaries, Tremolo Productions and Worldwide Pants Inc. Production Phil DeTolve, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Alastair McMillan, Music Mixer

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Michael Abbott, Broadcast Production Mixer Eric Schilling, Music Mixer Matt Herr, FOH Mixer Alan Richardson, Monitor Mixer

The 65th Annual Grammy Awards • CBS • Fulwell 73 Thomas Holmes, Production Mixer John Harris, Music Mixer Eric Schilling, Music Mixer Jeffery Peterson, FOH Production Mixer Ron Reaves, FOH Music Mixer Mike Parker, FOH Music Mixer Andres Arango, Monitor Mixer Eric Johnston, Supplemental Mixer Christian Schrader, Supplemental Mixer Kristian Pedregon, Re-Recording Mixer Juan Pablo Velasco, Playback Mixer Aaron Wall, Playback Mixer

Saturday Night Live • Co-Hosts: Steve Martin & Martin Short • NBC • SNL Studios in association with Universal Television and Broadway Video Robert Palladino, Production Mixer Ezra Matychak, Production Mixer Frank Duca Jr, FOH Production Mixer Caroline Sanchez, FOH Music Mixer Josiah Gluck, Broadcast Music Mixer Jay Vicari, Broadcast Music Mixer Tyler McDiarmid, Playback Mixer Christopher Costello, Monitor Mixer Teng Chen, Supplemental Mixer William Taylor, Supplemental Mixer Geoff Countryman, Supplemental Mixer Devin Emke, Post Audio Mixer

Taylor Hawkins Tribute Concert • Paramount+ • EP-PIC Films & Creative and MTV Entertainment Studios Bob Clearmountain, Music Mixer Ollie Nesham, Audio Engineer Darrell Thorp, Audio Engineer Chris Kalcov, Audio Engineer Steve Massey, Audio Engineer Eduardo Puhl, Audio Engineer Will Langdale, Audio Engineer Antony King, FOH Audio Mix Engineer Ian Beveridge, Monitors Audio Mix Engineer

OUTSTANDING SOUND MIXING FOR A NONFICTION PROGRAM (SINGLE OR MULTI-CAMERA)
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Paul Massey, Re-Recording Mixer David Giammarco, Re-Recording Mixer

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Keith Hodne, Re-Recording Mixer

The Sound Of 007 • Prime Video • MGM Richard Davey, Re-Recording Mixer Jonny Horne, Production Mixer Simon Norman, Production Mixer Francesco Corazzi, Production Mixer

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Matt Skilton, Re-Recording Mixer Christopher Syner, Production Mixer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Skip Lievsay, Re-Recording Mixer Benjamin Berger, Production Mixer Martin Kittappa, Production Mixer Lily van Leeuwen, Production Mixer

OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTI-CAMERA)
The Amazing Race • The Only Leg That Matters • CBS • WorldRace Productions, Inc. Jim Ursulak, Lead Production Mixer Troy Smith, Re-Recording Mixer The Production Mixing Team, Production Mixer

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Jared Robbins, Re-Recording Mixer

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Erik Valenzuela, Re-Recording Mixer Sal Ojeda, Re-Recording Mixer David Nolte, Production Mixer Gabe Lopez, Music Mixer

The Voice • Live Top 10 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Michael Abbott, Production Mixer Randy Faustino, Broadcast Music Mixer Tim Hatayama, Re-Recording Mixer

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mark Jensen, CAS, Re-Recording Mixer

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor • Disney+ • Lucasfilm Ltd. Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Richard Van Den Bergh, Special Effects Supervisor Neal Scanlan, Creature Effects & Droid Supervisor Liyana Mansor, Lead Visual Effects Editor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Jelmer Boskma, Scanline Visual Effects Supervisor Jean-Clément Soret, Colorist

House Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Angus Bickerton, Visual Effects Supervisor Nikeah Forde, VFX Producer
Thomas Horton, VFX Producer Sven Martin, VFX Supervisor Mark Spindler, VFX Co-Supervisor
Mark Dauth, Virtual Production Supervisor Sebastian Meszmann, VFX Producer Mike Bell, VFX Supervisor Tobias Graa Winblad, VFX Producer

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Alex Wang, Overall Visual Effects Supervisor Sean Nowlan, Overall Visual Effects Producer Joel Whist, Production SFX Supervisor Stephen James, Visual Effects Supervisor, DNEG Nick Marshall, Digital Effects Supervisor, DNEG Simon Jung, Visual Effects Supervisor, WETA FX Dennis Yoo, Animation Supervisor, WETA FX Espen Nordahl, Visual Effects Supervisor, Storm Studios Jonathan Mitchell, Visual Effects Supervisor, Distillery FX

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Ron Ames, VFX Producer Jason Smith, VFX Supervisor Nigel Sumner, VFX Supervisor, Industrial Light & Magic Ara Khanikian, VFX Supervisor, Rodeo FX Dean Clarke, SFX Supervisor Ken McGaugh, VFX Supervisor, Wētā FX Tom Proctor, VFX Supervisor, DNEG Greg Butler, VFX Supervisor, Method Studios Joe Henderson, Visualization Creative Supervisor, The Third Floor, Inc.

The Mandalorian • Disney+ • Lucasfilm Ltd. Grady Cofer, Visual Effects Supervisor, Production Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor, Production Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor, Production J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Important Looking Pirates Visual Effects Supervisor

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Five Days At Memorial • Day Two • Apple TV+ • ABC Signature in association with Apple Eric Durst, VFX Supervisor Matthew Whelan, VFX Supervisor Danny McNair, VFX Producer Goran Pavles, VFX Supervisor, Stormborn Studios Rafael Solórzano, VFX Supervisor, El Ranchito John MacGillivray, SFX Coordinator Viktor Muller, VFX Supervisor, UPP Manuel Tausch, VFX Supervisor, Stormborn Studios Gonzalo Escudero, VFX Producer, El Ranchito

The Nevers • It's A Good Day • Tubi • HBO, Mutant Enemy Productions Johnny Han, Visual Effects Supervisor Jack Geist, Visual Effects Producer Damon Fecht, Visual Effects Editor Alexandre Prod'homme, On-Set VFX Supervisor Emanuel Fuchs, Visual Effects Supervisor Gaia Bussolati, Visual Effects Supervisor Ed Bruce, Visual Effects Supervisor Brian Ali Harding, Visual Effects Artist Takashi Takeoka, Visual Effects Artist

Shadow And Bone • Rusalye • Netflix • 21 Laps Entertainment and Chronology for Netflix Ante Dekovic, VFX Supervisor Helen Jen, VFX Producer Richard Macks, VFX Production Manager Gergely Galisz, On-Set VFX Supervisor Juri Stanossek, VFX Supervisor Adam Balentine, VFX Supervisor Jane Byrne, VFX Supervisor Håvard Munkejord, VFX Supervisor Angel Rico, VFX Supervisor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television James MacLachlan, On-Set VFX Supervisor Bill Parker, Compositing Supervisor Lenny Wilson, CG Supervisor Gretchen Bangs, VFX Producer Brian Hobert, Compositing Lead Sherry Li, Compositing Lead Kenneth Armstrong, Compositing Lead Ying Lin, Compositor Neil Taylor, CG Modeler

The Umbrella Academy • Marigold • Netflix • UCP for Netflix Everett Burrell, Senior VFX Supervisor Phillip Hoffman, VFX Producer Dave Axford, On-Set VFX Supervisor Maria Satzetaki, VFX Coordinator Sophie Vertigan, Special Effects Coordinator Jeff Campbell, VFX Supervisor Laurent Spillemaecker, VFX Supervisor Chris White, VFX Supervisor Ryan Freer, VFX Supervisor

Wednesday • A Murder Of Woes • Netflix • A Netflix Series / An MGM Television Production Tom Turnbull, VFX Supervisor Kent Johnson, VFX Producer Jesse Kawzenuk, VFX On-Set Supervisor Oana Barden, VFX Coordinator Craig Calvert, VFX Supervisor Ed Englander, VFX Supervisor John Coldrick, VFX Supervisor Brodie McNeill, VFX Supervisor Jason Troughton, Special Effects Supervisor 

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SERIES
American Idol • Season Finale • ABC • Fremantle and 19 Entertainment Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Danny Bonilla, Camera Mike Carr, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Curtis Eastwood, Camera Jimmy Garcia, Camera Bruce Green, Camera Nathanial Havolm, Camera Ron Lehman, Camera Bettina Levesque, Camera Adam Margolis, Camera Rob Palmer, Camera Brian Reason, Camera Daryl Studebaker, Camera Damien Tuffereau, Camera Easter Xua, Camera

Dancing With The Stars • Finale • Disney+ • BBC Studios Los Angeles Productions Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Terry Clark, Camera
Karyn D'Alessandro, Camera James Garcia, Camera Nathanial Havholm, Camera Mark Koonce, Camera Tim Lee, Camera Ron Lehman, Camera Bettina Levesque, Camera Dave Levisohn, Camera Adam Margolis, Camera Derek Pratt, Camera Brian Reason, Camera Philo Solomon, Camera Daryl Studebaker, Camera Marc Stumpo, Camera Damien Tuffereau, Camera Cary Symmons, Camera

The Masked Singer • New York Night • FOX • FOX Alternative Entertainment Christine Salomon, Technical Director Cary Symmons, Camera Bert Atkinson, Camera Brett Crutcher, Camera Kary D'Allesandro, Camera Jimmy Garcia, Camera John Goforth, Camera Sean Flannery, Camera Bettina Levesque, Camera Adam Margolis, Camera Mark Koonce, Camera Daryl Studebaker, Camera James Sullivan, Camera Rob Palmer, Camera

The Problem With Jon Stewart • Trump Indicted • Apple TV+ • Busboy / EDEN in association with Apple Dave Saretsky, Technical Director Marc Bloomgarden, Camera Franco Coello, Camera Nick Fayo, Camera Kevin Murphy, Camera John Pry, Camera Tim Quigley, Camera Rich York, Camera

The Voice • Live Top 10 Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Allan Wells, Technical Director Danny Bonilla, Camera Mano Bonilla, Camera Martin J. Brown Jr., Camera Robert Burnette, Camera Suzanne Ebner, Camera Guido Frenzel, Camera Alex Hernandez, Camera Scott Hylton, Camera Kathrine Iacofano, Camera Scott Kaye, Camera Steve Martynuk, Camera Jofre Rosero, Camera Nick Tramontano, Camera Dann Webb, Camera

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SPECIAL
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Eric Becker, Technical Director David Alfano, Camera Rob Balton, Camera Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Sean Flannery, Camera Kevin French, Camera Shaun Harkins, Camera Helena Jackson, Camera Tayler Knight, Camera Toré Livia, Camera Allen Merriweather, Camera Eann Potter, Camera Jofre Rosero, Camera Keyan Safyari, Camera Casey Roche, Camera Christopher Rybitski, Camera Rod Wardell, Video Control

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Emmett Loughran, Technical Director Robert Del Russo, Camera Mark Britt, Camera David Driscoll, Camera Tim Farmer, Camera Pete Forest, Camera Andrew Georgopoulos, Camera Pat Gleason, Camera Bruce Green, Camera Shaun Harkins, Camera Jay Kulick, Camera Kevin Murphy, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Rob Palmer, Camera Jesse Placky, Camera David Plakos, Camera George Prince, Camera Mark Renaudin, Camera David Rudd, Camera Austin Rock, Camera Keyan Safyari, Camera Ed Staebler, Camera Rob Vuona, Camera Mark Whitman, Camera Rich York, Camera Jeff Lee, Camera Michael Taylor, Camera Brian Lataille, Camera Loic Maheas, Camera Chris Schuster, Camera

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Christine Salomon, Technical Director Shanele Alvarez, Camera Dominic Bendijo, Camera Bonnie Blake, Camera Danny Bonilla, Camera Kary D’Alessandro, Camera Sean Flannery, Camera Shaun Harkins, Camera Charlie Henry, Camera Cory Hunter, Camera George Reasner, Camera Jofre Rosero, Camera David Rudd, Camera Ryan Schultz, Camera Aymae Sulick, Camera

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production Toby Santos, Technical Director Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Dave Eastwood, Camera Guido Frenzel, Camera Andrew Georgopoulos, Camera Jeff Johnson, Camera Zac Jones, Camera Brian Lataille, Camera Dave Levisohn, Camera Sean Mark Mckelvey, Camera Steve Martyniuk, Camera Rob Palmer, Camera Dave Plakos, Camera Dave Rudd, Camera Dylan Sanford, Camera Matt Trujillo, Camera Roy Walker, Camera Andrew Waresewski, Camera Easter Xua, Camera

The Weeknd Live At SoFi Stadium • HBO Max • HBO Toby Santos, Technical Director Brandon Smith, Technical Director Scott Acosta, Camera Dominic Bendijo, Camera Manny Bonilla, Camera Mano Bonilla, Camera Justin Danzansky, Camera Austin Ellsworth, Camera Chris Ferguson, Camera Jeremy Freeman, Camera Andrew Georgopoulos, Camera Randy Gomez, Camera Jonny Harkins, Camera Shaun Harkins, Camera Travis Hays, Camera Coy Hunter, Camera
Oliver Lanzenberg, Camera Ron Lehman, Camera Andrew McMillan, Camera Dee Nichols, Camera Connor O’Brien, Camera Josh Perry, Camera Rob Pittman, Camera Keyan Safyari, Camera Daniel Schade, Camera Austin Straub, Camera Josh Turner, Camera Justin Umphenour, Camera Joe Victoria, Camera Vince Warburton, Camera Drew Welker, Camera

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63MIX ROUTIN3S | GLEYBER TORRES

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