AM: When we think of EDM and what we enjoy listening to regardless of the subgenre, Sweden has had just a number of our favorites in general – Swedish House Mafia, Alesso, Avici, and Galantis! What is the music scene like in Sweden and how do these artists influence your work?
K: I would say that the Swedish artists very much influenced me in the beginning of my career.
I would say that the music scene in Sweden in general – I have not technically performed in Sweden yet.
AM: Oh wow!
K: I’ve had opportunities, but I’m waiting for that perfect moment where I feel that that would suit me.
The export from Sweden is just unbelievable. Everything from obviously, the DJs to even songwriter/producers like Max Martin (Shake it Off/Taylor Swift, Dark Horse/Katy Perry, Problem/Ariana Grande), who is responsible for 90% of the American market. I don’t know what it is but, Swedes are really, really talented at making music, but of course, that inspired me a lot. I’m pretty proud to be Swede because of it without sounding patriotic.
AM: It’s pretty cool. Because in thinking about going to Sweden as we have never been, we have always wondered what it would be like from a music perspective due to how much music comes from there.
K: Especially since it is so small!
AM: Right!
K: It’s such a small country. It’s the size of California, minus all of the people!
AM: What is your creative process like when it comes to working on your music and where do you like to start?
K: Oh, it’s always different. I’m that type of artist that it kind of comes to me. Not all the time, but it comes to me. I hear something on the radio. I love to go over really, really old music on my playlist. I don’t listen to electronic music privately, I only listen to everything else. That’s a lot of times where I find inspiration, whether it is a sample or a melody. It could be a vibe, it doesn’t matter, but I find everything outside of the electronic world. A few times, I do sit down with a clear mind and I don’t know where to start and I will just play around with sounds and sometimes, nothing happens.
The only cool thing I do is sometimes when I start my productions, I have always done this and it works really well for me, I know some other DJs do – such as Fred again.. I put a timer on myself for 35 mins and within those 35 mins, I need to come up with something solid. It can be super rough but as long as it has something to work on, and if after 35 mins I’m still like waa – I delete it and I restart. I reset the alarm and I do it until I find something. It puts a little pressure on really activating every single cell in your brain. I think at least for me. So that’s kind of how I do it, but a lot of times I do have a little idea from some old playlist or some old song and I try to take that idea and put it into 35 mins and see what happens.
AM: In hearing you say that that is your process, you would have so many snippets that if those didn’t go forward, you would have to delete them, but it’s interesting because if you did keep some of them – maybe there would be things that would bud back together again!
K: Yeah you know, obviously, there could be something that is tiny tiny tiny that I’m not sure about so some of them I do save. But if it is too nonsense, then I just let it go. Because if the idea is good and I delete an idea, that idea is most likely going to come back at some point. And that has happened a couple of times where I had an idea, I scratched it and I am sitting down 2 months later, and I was like wait – I have done this melody before and that was a sign that it was better then what I thought.
AM: That’s really cool.
Well you have collaborated with a lot of phenomenal artists from David Guetta to Britney Spears to Steve Aoki, Calvin Harris and more – what do you look for when it comes to doing a collaboration?
K: Not much really! It’s just a song pretty much. The song is the most important. I don’t really mind if it’s David Guetta or a very young up and coming artist. It comes down to the material and the potential of that song. Of course, I am extremely grateful and blessed to have worked, and to have songs coming up, with names like David Guetta and stuff! I would never believe it if I told myself that 18 years ago. So that is really really cool, but in the end, the song is what is most important and it always will be. I just try to always focus on the song and whoever is a part of it, great. It’s about making the best result of the song.
AM: You ended 2025 last year with dropping Head Rush with Steve. Tell us about the project and what was it like working together again with him?
K: We have been working on the project for about a year. We had already planned a year back that we were going to drop an EP together. We were going back and forth between a ton of demos and which ones should we include. Overall, I just love to release music with Steve. Mainly because he is a great, great friend of mine and is the closest friend that I have in the industry in terms of DJs. He is what I call, a proper G. He is such a sweetheart and he cares so much for me and everyone else and it’s very, very rare that someone on his level acts the way that he does. I have never heard anything bad about him. Everyone just loves him and I understand why. So that’s why I love to work with him so much because of the friendship and we have so much fun. He invites me to shows and he really believes in my sound and he believes in my vision with myself. That’s really cool. He’s not trying to take shine, he’s like, I want to KAAZE in this direction and he feels that’s cool and he wants to be part of it. That’s what makes making music with Steve so fun. This is why we have such a great friendship.
AM: This month, you’re dropping Antidote which is also exciting! Tell us about this song!
K: I really, really love Antidote, especially the vocal! The vocal is absolutely phenomenal. It’s 2 guys Mentum. I worked with them before on an album called Mick, so this is our second song together. Amazing songwriters. The cool thing about this song is, I had a demo of a song that I have been playing since 2023 and I have just been playing it on my sets, as a mashup with Travis Scott on a vocal on it or something and then Mentum reached out to me with a ton of new ideas including Antidote. They had the vocal and everything with a rough idea of the track and I heard – this just happens, a few times, but sometimes it happens that I hear that this song could really fit this song and it was very similar in the arrangement, the key, and the overall vibe. So, I literally took parts of that song and I put it on top of my 2023 demo and it was just done so it was like 45 mins and the track was just complete. So that vocal was really just meant for that demo. It was pretty cool that I have just been having it for 3 years laying around and playing it here and there and now we have a full track! So that was really dope and I am looking forward to that track. I think that the coolest thing with that song is that it has that Hot Teknō kind of energy. It’s a techno track and it also has that vocal and melody which is very poppy in a way as well as commercial so it is very hard to pinpoint exactly what type it is if you want to put a genre on it. It’s really really hard. I think that it is really to experiment and you don’t really know what kind of a song that it is. It’s a party and still vocal.