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Athleisure Mag™ | Athleisure Culture

ATHLEISURE MAG™ | Athleisure Culture
  • FITNESS
  • Food
  • Beauty
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  • Travel
  • Athleisure Studio
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  • THIS ISSUE
  • Athleisure TV
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GOV BALL 2026 PRE-COVERAGE

June 19, 2026

Next month Governors Ball makes its way to Flushing Meadows for 3 days of phenomenal performances from Jun 5th - 7th. We’re looking forward to seeing Katseye, Lorde, Major Lazer, A$AP Rocky, Jennie, Clipse, and more! If you have yet to get your tickets, now is the time. Over the past few years we have enjoyed being able to see the biggest acts across genres that make their way to the staycation. Add the activations, vibes, and people watching - it’s a very busy weekend!

In the midst of great music and the early days of Summer, the food offerings are another element that makes this so enjoyable. We enjoyed Gotham Burger Social Club last year and we are looking forward

to their return this year as well! With various culinary options across the board, there is something for everyone including: Lobster Rolls & More, Grumpy Dumpling Co, and Tacombi. For those looking for something for their sweet tooth, Van Leeuwen Ice Cream, John’s Juice, and Fan Fan Donuts will also be options there.

For those that want to continue the party, their After Dark series is concerts and sets taking place outside of this venue throughout the city. To check out who you want to see, make sure to check out that portion of the site in order to obtain tickets which are separate from your passes to Gov Ball.

IG @govballnyc

PHOTOGRAPHY CREDITS | PG 154 Ismael Quintanilla | PG 156 + PG 158 Taylor Regulski |

Read the MAY ISSUE #125 of Athleisure Mag and see Gov Ball 2026 Pre-Coverage in mag.

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In AM, Lifestyle, May 2026, Music, Festival, Food Tags Gov Ball, Gov Ball 2026, Pre-Coverage, Music, Festival, Governors Ball, Flushing Meadows, Katseye, Lorde, Major Lazer, A$AP Rocky, Jennie, Clipse, Food, Gotham Burger Social Club, Lobster Rolls & More, Grumpy Dumpling Co, Tacombi, Van Leeuwen Ice Cream, John's Juice, Fan Fan Donuts, After Dark
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THE STYLE ICON WITH JUNE AMBROSE

May 27, 2026

We have been a long time fan of June Ambrose who has been in the industry not only for decades, but if you grew up watching music videos done by Hype Williams, saw epic style statements by Busta Rhymes and Missy Elliott - you were enjoying a living masterclass by June Ambrose. You were seeing her work. The clothing, the hues, the storytelling that was done that was bordered by the videos, lyrics, dancing, and more. She set the tone and continues to do so in her projects.

This stylist, Costume Designer, and Creative Director continues to push the envelope. She recently launched another capsule collection for Naturalizer X June Ambrose. We talk with her about the shoes, her approach to her work, and what we can keep an eye out for!

ATHLEISURE MAG: When did you first fall in love with fashion?

JUNE AMBROSE: I fell in love with fashion before I even had the language for it. Growing up in the Bronx, style was survival - it was expression, armor, aspiration. MTV just amplified what I already felt in my bones. I realized early that clothing could shift energy in a room. That was my first understanding of power.

AM: When did you realize this could be your career?

JA: The moment I saw that my point of view could move culture - not just dress it. When artists trusted me to translate their sound into a visual language, I understood this wasn’t just styling and costume design… it was authorship. That’s when it became a calling.

AM: How would you define your personal style and 3 favorite accessories?

JA: My style is intentional contradiction - tailored yet fluid, disciplined but expressive. It’s what I call Authentic Intelligence.

My essentials? A statement heel (always), fun hat, and a fun and iconic shaped bag that feels like art.

AM: Where do you start creatively on a project?

JA: I always begin with narrative. Who is this person? What is the emotional temperature? I build from story, then silhouette, then texture. I’m not dressing bodies - I’m designing moments that add punctuation to your look.

AM: What have been your 3 favorite projects that you have done?

JA: Building Missy Elliott’s iconic persona, starting with her Supa Dupa Fly music video, launching women’s basket and motor sport catergory for Puma, and building the STYLE-LETICS universe. Each one pushed culture forward in a different way.

AM: Tell me about STYLE-LETICS and Naturalizer?

JA: STYLE-LETICS is where fashion meets velocity. It’s a new category where the elegance of pumps and sandals moves like a sneaker. My partnership with Naturalizer was rooted in a shared belief: comfort should never compromise style. Together, we challenged the idea that fashionable shoes require sacrifice.

AM: Tell me about the Macy’s event that took place this month.

JA: At Macy’s Herald Square, we didn’t just host an event - we activated a movement. Women stepped into the arena, tried on power, and walked in confidence. It was immersive, high-energy, and deeply personal. Style became a shared experience.

AM: What was your approach to the capsule collection?

JA: Precision. Each drop was engineered for versatility and transformation. I wanted silhouettes that could move from work to play and dancing all night without losing intention. Every piece had to perform - emotionally and physically.

AM: What do you love about your partnership with Naturalizer?

JA: It’s alignment. They understand that a woman’s life is dynamic - so her wardrobe must be too. We’re not just designing shoes, we’re designing freedom and taking risk.

AM: We always like asking our faves about 3 workouts that you love doing!

JA: Pilates for elongation, strength training for power, and walking - intentional, styled walking - for clarity. Movement is part of my creative process.

AM: How do you replenish your cup?

JA: I disconnect to reconnect. Silence, travel, and moments with my family. Stillness is where my next vision reveals itself.

AM: Are there any upcoming projects that we should keep our eye out for?

JA: Expansion of the STYLE-LETICS universe - new silhouettes, deeper storytelling, and hopefully global activations. And of course, continuing to build platforms where style and culture intersect in meaningful ways.

IG @juneambrose

PHOTOGRAPHY COURTESY | June Ambrose X Naturalizer

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In Apr 2026, Fashion, Lifestyle, Style, TV Show, Celebrity, AM, Music, Editor Picks Tags The Style Icon, June Ambrose, Costume Designer, Celebrity Fashion Designer, STYLE-LETICS, June Ambrose X Naturalizer, Naturalizer, Shoes, Style, Fashion, Hype Williams, Missy Elliott, Busta Rymes, MTV, Music Video, Supa Dupa Fly, Puma, Macy's, Macy's Herald Square
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PHOTO COURTESY | Instagram/Mindy Weiss

PLANNING OUR GATHERINGS WITH MINDY WEISS

May 25, 2026

We always enjoy when we sit down with Celebrity Event Planner, Mindy Weiss who has worked with a number of celebs and high-profile events and weddings over the years. She knows the importance of having a theme, proper flow for a function, and what it means to make a statement. Today, we caught up with her to talk about how we can use her tips to plan our functions as well as how to stay organized with Adobe Acrobat PDF Spaces.

ATHLEISURE MAG: We've had the pleasure of interviewing you a few years ago and we have been fans of your work! What are some wedding trends as we navigate Summer 2026 and looking ahead to Fall 2026 that we can see in event planning.

MINDY WEISS: This summer I’m seeing lots of color. Couples are open to so much more this year in terms of color. I don’t recall a year when we’ve leaned into this so much. But the look isn’t heavy, it’s lighter and happier. Couples are really taking sunshine to heart for summer.

In the fall, I’m still seeing a lot of color, but much more saturated. Burgundy, wine and aubergine are huge. Then I’m seeing pops of citrus and chartreuse too.

AM: There are a number of events this year from FIFA watch parties, dinner parties at home, or other sporting events, and more. What are 3 tips that we should keep in mind when hosting events at our homes?

MW: I always say it's important to make the house welcoming by cleaning it first! You need to organize and clean before your guests come over. You want to make it a very comfortable environment for everyone (and sometimes that means more organization than you’ve done in a while).

Think about the weather. If your party is outside, how are you going to cool the people down in summer? If it’s inside, you want to make sure it's not too warm. The temperature seems like an afterthought but it really can change the guest experience for the better or worse.

Also remember the season that you’re celebrating in. During summer, you don’t want to serve heavy food, skip the thick meats and serve lighter fare, foods that aren’t so filling. FIFA is during summer so if you’re hosting a viewing party, it’s a great time to lean into fresh fruits and vegetables and throw a barbecue. Nothing too fancy.

Also, I always like to have some sort of experience for guests to remember. For FIFA, you could take the teams playing and base the decor on them - perhaps playing each other. Their colors, logos, competition, even something as simple as soccer balls make great décor.

AM: Events are all about great planning and staying organized! You recently partnered with Adobe Acrobat. Why did you want to work with them and tell me about PDF Space and how it can assist in wedding planning or other events we are planning?

MW: There’s so much organization that goes into planning an event. Keeping myself organized is really the key to my success. I wish I had Adobe Acrobat PDF Spaces when I was starting my career. It would have saved me so much time and kept me on track. PDF Spaces in Acrobat is an interactive workspace where you can use AI to ask questions, surface insights and even create content with help from Adobe Express. Partnering with Adobe Acrobat on a PDF Space was a natural fit because they help take the stress out of planning so you can focus on the aspects that bring you joy--not stressing over deciphering and comparing contracts. It helps in so many ways, and it helps couples too, they can streamline their admin duties so they can enjoy the fun parts of starting a new chapter together. Adobe Acrobat took my various tips and tricks from years and years of experience into one central hub and I’m very excited about sharing this experience with couples and other planners.

AM: How has AI transformed modern wedding planning?

MW: AI has saved me so much time. A simple example, I used to look up the times of sunset in each city or each area I was planning in and it would take me quite a while to figure out exactly when the sunrise and sunset was and the tide of the ocean if the client was getting married on the beach. Now it takes two seconds. AI has just been a fantastic time-saver. And if you use AI correctly, it can really help with design too - so many things that are a part of our business can be supported by AI.

AM: When we are planning our events. What are 3 things that we shouldn't overlook?

MW: Consider the guests that are celebrating with you. If you’re inviting people into your home, you need to consider their food preferences and allergies. If you know two couples are vegetarian, you need to take that into consideration.

Consider the time of day of your event and plan accordingly. An afternoon lunch party is quite different than an evening party. People tend to eat and drink more at dinner hour and go lighter at lunch so if budget is important, this could make your decision for you. And if it’s a lunch, guests will leave earlier, at night it could be a late night so plan accordingly.

For all events, but especially when celebrating at home, consider the parking in your area. Is it busy at night or during the day? What makes it easy for guests to enjoy themselves? These small details can impact the mood of the party; always consider your guest experience.

Read the latest issue of Athleisure Mag.

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KNOWING MORE | ANCESTRY.COM

May 24, 2026

We have always been fond of the quote, “to know where you’re going, you have to know where you have been.” Not only does that include your personal journey, but we also believe it includes insights from your ancestors as history tends to repeat itself. We enjoy mapping out our family trees, hearing stories and seeing how we are connected to others. We have used Ancestry.com for years to create our tree and to see records as they have become available. Recently, we sat down with Nicka Sewell-Smith, Sr. Story Producer to find out why finding your family history is important, tips we can use, and how best to navigate the site.

ATHLEISURE MAG: There is always someone in the family who takes on the role of being the person collecting the stories of the family. So Ancestry.com is a site that we have been a long time fan of because of the vast amount of records and layouts. We’re very well aware that your background is phenomenal in this space so this conversation feels like years in the making that we’re finally connected to you to talk to you about getting tips when you are going into this kind of research for your family history.

So when did you fall in love with genealogy and realize that you wanted to do this as a career?

NICKA SEWELL-SMITH: You know, I don’t necessarily think that about this as a career. I think that, you know, if you think about that movie Crash, where I don’t know if you’ve seen it, where like everybody had to be at a particular place at a particular time. That’s kind of how stuff operates for me.

AM: Same, love a Crash reference!

NSS: I come from a family of storytellers and I don’t necessarily think that I thought about it from that vantage point - just folks who you know innately had a knowledge of the beginning, middle, and the end and how to add all the details. When you have 2 parents that come from storytelling backgrounds like that, it just makes the perfect storm for somebody to enter this world. So it was that, it was the fact that, you know, one branch of my family, we’ve had family reunions longer than I’ve been in the world. So every two years we were coming together for the common purpose of our family, connecting and doing all that.

You know, the early work that was done on that side on family history - that first family tree is one of the first things I remember sitting down reading by myself as a kid. I would just ask my mom all these questions about everybody that was there and then I went to college for journalism. Wrapped into journalism is the need to search and find stories. So I think that’s actually what made me a great researcher is always trying to find the angle of history, a person’s story, something that will like resonate with this specific person that I’m talking to or whatever the campaign is that we’re working on. I think that’s definitely what gave me a good skill set.

AM: Tell us a bit about your background and how you came to Ancestry.

NSS: I’ve been in the Ancestry family for close to a decade now, but more formally for the last three years. Ironically, I got to Ancestry because of my cousin Crista Cowan. Me and her had actually met at a genealogy conference probably about 12 years ago when I discovered her mom was among my DNA matches. And I was like, wait a minute. This is Crista. Am I related Crista? So we were at the same event and we were just like, okay, we’re going to meet there. It’s so funny. If you actually go on Ancestry’s YouTube channel, you can see the video when me and Crista first met in person. She’s white and I’m Black. How are you guys related? We know now, we know exactly how we’re related. Crista was just like, “you would be an excellent, asset for our team.” I had never even entered the world of consulting, I didn’t even know that I had the ability to do that or that I had the ability to knowledge. Sometimes when you’re meant to do a thing other people see it before you do!

Within weeks of me signing on, I was doing a virtual interview with Essence Magazine, which you already know for Black women, that’s like the like thing. And I’m like, “oh my gosh!”

AM: It better be right because you know that everybody, Grandma, etc is reading that!

NSS: Right! It’s a mainstay. Within like two weeks after that, I was on set in New Jersey. I had never been in New York before. I was sitting there with Dionne Warwick.

AM: Ok, now.

NSS: Like literally that happened! This is fun. I like the variety. Every day is different and that is what I like so much about it is that I can nerd out on content and help our content acquisition team develop the descriptions for the different collections we have. I can be working on a Hackathon project um or I could be interviewed like this or leading a bus tour! I cannot forecast what we’re going to be doing. I have no idea. Just like, I have no concept of every set of set of records that are on the site. I’m constantly coming across stuff where I’m like, we have this?

AM: What is your official title at Ancestry?

NSS: So my official title is Senior Story Producer. So in essence, we work with our marketing colleagues, programming colleagues, and we work with pretty much all across the business, helping people to unearth stories, to bring them to life so that people can see the power of what Ancestry is.

AM: And for those who aren’t aware, how do you define genealogy or being a

genealogist?

NSS: I think that the term or anything with an “ologist” intimidates people.

AM: Right.

NSS: You know, it doesn’t matter is what it is. I’m a Crayonologist!

AM: You’re like, whoa, put your crayons away.

NSS: There probably is somebody that is a Crayonologist.

AM: Crayola does have someone like that actually – there was a press release a few years back.

NSS: I need an Instagram BTS on the Crayolologist.

For genealogy, and we typically use the term genealogist and family historian kind of together. It’s just literally the study of pedigrees and family trees. Most peers will say genealogists. I like family historians. I feel like family history is, what I say is - it’s the dash between the dates that is where you get the most information. You are getting information around when a person was born, where they were born. Same thing for where they died and when they died. But that dash between those dates is the context. How did they get that job? Why do they live in that environment? That’s where I like to live. I think that that dash is family history.

AM: We’ve been working on our family tree over 15 years or so. It came out of a curiosity in terms of how far could we go back? It would be challenging due to being Black when you hit certain areas in time.

Why is it important for someone to begin to engage in this activity and to put it upon themselves if no one else in their family has done it?

NSS: I think for Black Americans in particular, starting is the most important thing and the reason why is as we allow more time to elapse the stories, the facts, the documents, the pictures, start to become fewer and fewer. When someone becomes intentional about documenting it in the time in which they live and they pass it to someone else to that next person, they don’t have as much work to do.

As time goes on and as we get access to more records and the way that records are discovered changes, there’s going to be more things that are going to open up that weren’t available when the initial person first started to do research. I think it’s the fact that for me, you know, my grandparents, their grandparents were enslaved. So where I have that phenomenon, my son and the generation after him, for them, the context is, oh, my grandparents lived through segregation. So what’s going to happen for them when they’re grandparents? For them, it’s going to be, we were alive for the first Black President. So you have to keep sort of these milestones and the stories related to it. You have to keep it at the forefront and I think for that one branch of the family that I talked about, I had a cousin who pre-computers started doing this research, they were going to the archives and doing all this kind of stuff - I had that head start there. When I got into it, my research questions were different.

His were just, can I put a tree together? Mine was, can I find the last slaveholder? For other branches of my family, I was the, can I just get a tree together person? That’s the thing, because we’ve got 4 grandparents, 8 greats, 16 great greats. Your work is never done. And as I always say, if people keep being born and dying, you’re never finished. You never will be.

AM: What are some general tips that we should keep in mind before we embark upon setting our family tree? What should we kind of be doing?

NSS: Really, the most important thing is utilizing the living resources you have around you. I think a lot of people just forget that they have living history and individuals who were alive before them who remember those folks or got the stories that you didn’t get. I think that also is the beauty of when you work in community and in concert with others on Ancestry. You start to find other family members that are building their trees out and researching the same people. I remember in one branch of my family where I have so many pictures, you can literally correlate it to how early on people attained property and land. Wherever that generation is, that was their goal. They met it. Then the next generation, they don’t have that goal anymore. For them, it’s a matter of well, we don’t have that goal, so we can afford to buy a camera or afford to go get photos.

So I have this one picture of my great grandmother and her sister-in-law, it’s gorgeous. It’s like a postcard essentially. I’m an AKA and I love the fact that it was literally on Founder’s Day which is the date of this photo.

AM: Oh, wow.

NSS: So I was like, oh my gosh, this is interesting. So I uploaded the picture and I didn’t know I had a cousin who had been trying to find a photo of her great-grandmother. The only picture she had was one where she was to the side. She wanted to know what she looks like. Then when she’s found the picture, it’s her great-grandmother and my great-grandmother. So my great-grandmother’s sister-inlaw was her great-grandmother. It’s literally, she looks just like her. I was like, so here you were, trying your best to get a picture of a woman and all you had to do was look in the mirror! So when we met in person, I was like, okay, we have to take a picture and we both look just like them. I’ll have to send you like a picture so you can see. I remember I posted that on social and people were like, this is so crazy that you all look just like them. It’s just one picture of sepia and the other one is in color. So I would say, that’s the reason why you’ve got to connect with other people in your family first. It’s because they have those pictures, they have those stories. You might have walked away with one thing or your side walked away with one thing and their side walked away with something else.

I think another tip is your home and what you have in your possession. I think people don’t really think they have anything. No, actually you do. You know, one of my grandmothers was like the funeral maven. I promise that lady went to funerals with people she didn’t even know. I don’t understand it to this day, but she was totally like a funeral maven and she would just keep these programs. You know you’ve just got to save the program. We lived miles away from her. So she would periodically, like quarterly, she would send my mom a stack of obituaries of people who had died. So I remember being the one who would go to the mailbox and I’d be all excited to go and get this package of obituaries from my grandma. Like what teenager is like that? That was me. I remember the first time I saw a color one. I don’t even know what my mom did with all of those because some of them were family, but some of them were just like friends. But like it’s those things where we’re in a culture now where the mortuary has a website with the information. You have to think about what we have already in our possession and sometimes those things can answer the questions that we have around what’s going on with our family trees. And that might be the only thing we have that substantiates that.

AM: What we love most about Ancestry is everything is so organized. You have the newspaper documents and when you roll your cursor, it’ll enhance the document so you can see what it says as sometimes the incursive may be tough to read. As the family historian, you feel like Carmen Sandiego!

NSS: So I actually brought her up during a meeting yesterday. And I was like, do you guys even know who that is? That show was like the journey and return. If you were into that, you got it.

AM: So what are the kinds of items that you generally can find when they access it between the Newspapers.com and other resources?

NSS: So Ancestry, we are a company of many aunts and uncles. You know, that’s one of the ways that I describe to people who I report to is I say who my grandmother is, who my parent is. Everything from Fold3, which is military records, Newspapers.com, which is the newspaper’s archive, Find A Grave, Virtual Cemetery, where volunteers go around to cemeteries around the world and photograph headstones.

There’s just Ancestry in general. I think also people don’t know or aren’t aware because we’ve got really great marketing that Ancestry DNA and Ancestry are both still Ancestry. People think that you can just DNA test and that’s all we have. No, there’s 70 billion plus historical records on the side. Most folks, it’s the U.S. Census. That’s probably the number one record that they’re going to use because you can go back in time every 10 years. You can see family groups together. One of my favorite things is the multi-generational household where you’ve got the parents and the kids and the grandparents and sometimes the great-grandparents. I’ve even seen great-great-grandparents in the same house. There’s that there’s a draft cards, you know, that’s one of my favorite things to share with folks where they can see the signature of their, their male an cestors or, a vital records like births, marriages, and deaths from the actual certificates to indexes. All these things, you know, really come together. And really, again, it just broadens out what we know about folks. And then within each of those records, you get a bunch of different things. In the 1950 census, it will tell you things like, or actually 40 will tell you the highest level of education a person has. Where they were living five years earlier or where they were living the year prior. You get their occupation. Did they own their land? Even like crazy stuff like, did they own a radio? Could they read or write? There’s all kinds of stuff like that where if you’re just focused on the names and the dates, you’re going to miss all that additional contextual information. So, yeah. So we have so much stuff. Sometimes there’s unique state specific stuff where we tell you, here’s the history of this collection. Here’s where we got it from. Here’s what you can find. Here’s maybe a way that you can go and get more information based off of what you find here. Like that part too is important because the collection I’ve been talking about most recently are like the cosmetology licenses in California where they say she could pin curl. In that collection there’s a lot of immigrants who were starting their own businesses and literally trying to make themselves in a new place. And so you’ll see them, you’ll see Black folks. It’s a great genealogical source.

AM: What should we be mindful of? We had this happen in our family this weekend. You’re told certain stories in your family that become canon. It is great that you hear those stories. But then when you start looking at the documents, you’re like, wait, the story that was being told and what the paperwork is saying doesn’t match up. So we were told that there was a certain celebrity that was in our family and we wanted to know from what branch. When the branch was mentioned, that didn’t align with the documents. It became a long conversation and number people on speaker phone to get to the bottom of it because people remembered conversations that were said but the documents are the documents in many respects. It’s not to say that someone couldn’t have said something in a document that could be in question. What should we be mindful of in knowing that, yes, people are telling us these stories, but maybe these stories might be twisted for whatever the reason it is and aligning that with what the actual historical record is saying?

NSS: Yeah. I think about the game telephone. You’re doing team building and the first person says the thing and then it gets passed and then people think they hear one thing, but they don’t and it ends up getting transposed. It happens quite often. You know, it’s not that the person was lying. It’s just that they just got the stories confused. You’ve got to remember, again, you’ve got 2 parents, 4 grandparents, 8 great-grandparents, 16 great-greats. And, you know, for your mom, that’s just my side of the family as opposed to, actually, it’s my dad’s side. So people don’t kind of know where the off-ramps are. People come to genealogy and family history trying to substantiate stuff that you’re talking about. Generally, what I tell them is, run into it. Do not chase the proverbial we’re related to and the reason why is sometimes you get confirmation bias. Oh, look, this name matches - actually, hold on, step back - That might not be that person and here’s why. This and this are not quite lining up.

I’ve been there, so there’s a branch of my family that has around our origins in Africa. I was like, listen guys the 6 pages of records that I have with regard to enslavement do not go back to Morocco. The oral history you all have about us not being enslaved – no. What I have, that’s not it. It’s not my job t say you’re wrong. I’m going to let you believe whatever you want to believe. Then I have other branches in my family where it was spot on!

There were no deviations, the names matched and it’s like how did the story stay intact like this? I have one infamous ancestor that I often talk about it and I say that he is the ancestor that if he is going to be in a debate on who my favorite one is – it’s him. He’s the one where we are all related through our dads but it’s our moms who have passed on the stories as our dad’s have passed. It always blows my mind, because our moms shared the stories and that’s how we all found each other. Then we started going online and searching, and one found me, the other one found me. I would say don’t throw out the baby with the bathwater on the story because some people do. At the same time don’t lean so heavily in on them either. It’s research, but there’s a human and emotional component to it and there’s an identity component to it is where things get murky because we process in our own way.

I give people permission to seek this information out because sometimes folks need a vote of confidence. They need someone to say it’s okay and and you know it’s it’s okay to go and search the information out. Maybe it is a journey you take for yourself and once you have absorbed it, you can share it with others and let them sit with it.

AM: That is a great point.

One of the things, once you start delving into the rabbit holes is you learn terms. There is a termthat to this day it baffles when the site notes that a family member is x amount removed. When we first read this, we thought oh this person and then divorced, but we now know it doesn’t mean that. Can you define what it means when we see this?

NSS: Imagine that your family is represented in a multi-story building. Your earliest ancestors are on the first floor - those are your great great grandparents. Then when you move up to the second floor that’s where your great grandparents are. The third floor is where your grandparents are. The fourth floor is where your parents are. And the fifth floor is where you are at in the building. If you want to go and visit your parents or their first cousins, you have to go down the next floor.

AM: Right.

NSS: That’s what once and twice removed is. So, you know, it’s like, they’re still in the building, but I have to go to the floor. So if I want to see mom’s first cousin, I got to go down the floor. If I want to see grandmother’s sister, I’d go down to three. If you’re on five, you want to go see your grandma’s sister or anyone on that generation, you’ve got to go two floors down.

AM: What is a DNA cousin because when you’re watching Finding Your Roots, every now and then, he lets you know about your DNA cousin. What does that term mean?

NSS: So DNA cousins, are folks who have had their DNA and we test them compared to your DNA. We have identified that you all share segments of DNA so you’re related genetically and then you have to go about the work of trying to figure out exactly how. For the example I gave with me and Crista me and her mom share I think 20 cinnamorgans or something like that. Cinnamorgans is the degree of relatedness and then it was using deductive reasoning - who’s in common with me and her mom on my side? It’s my grandmother my paternal – for her it’s her maternal grandfather so it’s opposite sides. From there, who’s living where – where is the relationship at and we got back to I think it’s my fourth parents or fifth grade parents - it’s back that far, but it was traceable. The closer the relationship, the more dna you share with the person. The further out, the less amount of DNA that you share.

AM: For those that may be hitting a brick wall on Ancestry, are there services that a person could use professionally to get the information?

NSS: So one of the parts of Ancestry is called Pro-Genealogists, and there are a whole team of professional genealogists who are certified, and they work and specialize in specific areas around the world, not just the United States. So if someone got stuck and was not sure what to do, they could connect with Pro-Genealogists. Also, we have a whole section of learning that we have on the site. If you go to ancestry.com/education, we do weekly webinars. Those are free for the public that teach you how to use the site and how to delve into collections. Plus there’s the wiki.

AM: For those of us that are Black, being able to search family origins becomes a little tougher as you keep going further back. What are some of the resources that we should be using?

NSS: I think the number one thing is your timeline. I think folks ignore this because we want to get back as quickly as possible. But having a timeline, meaning who’s in play, where are they at, where are they living? This is key especially prior to 1900 - even though that sweet spot we want to really contextualize where folks are at between 1865 and 1870 we really need to qualify the reconstruction time period and you know post-slavery time period you know to 1865 to 1899 to be honest right because folks were moving around, they were assuming what their identities were. They could have gone by one surname in 1870 with another one in 1880. They could have moved to different counties. They could have been involved in transportation.

I was just with some folks last week where a friend of mine, her family’s from King Street, South Carolina. And there were a group of more than 400 newly emancipated folks who were taken by the Freedmen’s Bureau. They were taken from King Street to Texas. So here’s the thing. If somebody found them, this was before 1870. So if someone found them in 1870 in that Texas county and saw that they were born in South Carolina - they may make the mistake of thinking, oh, well, they were brought here by their slaveholder. They were not brought there by the slaveholder. They were brought there by the Freedmen’s Bureau. So having that timeline is important. You’ve got to know who’s there, what they’re doing, who they’re involved with. And then I think it’s really mining through the records. And especially when you get between 1865 and 1870, it’s so key. Who were they working for? Were they involved in land leases or labor contracts or supply contracts? Who were those conglomerates that they were involved with? Were those potentially the people who enslaved them prior to, you know, have you searched for them as free people of color before 1865? We can’t figure out that, you know, 10% of the population of black folks in the U.S. were free before the Civil War. And then it’s like the clues are there and sometimes they’re hard to see. Sometimes you find them genetically. It may be that you have a bunch of DNA matches from a county or a state where you’re like, we have no connections to these folks, but this is when I would say that’s your ancestor screaming very loudly to pay attention to this.

AM: We enjoy when Ancestry provides hints. It’s the first thing we do after logging in. How important is it for you to check your hints?

NSS: People get used to it when they first start building their tree out. But I think people also forget because we are constantly adding stuff to the site. Then there are also things that we do as well where like if you’re logged in on the homepage, you will see hints that are targeted to Black History Month or Women’s History Month.

When 1950 Census came out, we had a whole tab under all hints that was literally just the 1950 Census. So you could just mine through that. So hints are super important because they’re doing the work for you.

AM: We love when see that little green leaf which let’s us get that information!

NSS: What I love to see too, there are when people upload their own stuff that they have in their own collection, like pictures, funeral programs, things like that, that hints as well. People who also are building out trees with the same folks. It’s giving you a nudge to go check those things out.

AM: For those who are just starting out, what is the reasonable expectation of how long you’ll take or spend time finding your person. When you watch Finding Your Roots, it’s an hour but the research is so much longer! When we started our tree we did it in 2004 and continue to spend hours each week combing through new records that have become available.

NSS: I mean, it’s kind of hard to tell. Here’s the thing. If you’re in my family, you’re going to look out because my tree is there. I mean, and once you get back, it’s going to go. You know what I mean? And for other people, they’re the first folks starting out. It’s kind of hard to prescribe how long it is but you’re right in your assessment that you know we love our partnership with Finding Your Roots you know like that’s a very corralled show that shares the details in 1 hour. The way that the show is framed, it’s two people in the episode and they have to hone in on a limited amount of stories so even in that hour you’re still not getting the whole tree!

You’re going to spend the time it takes to do this. I also think it bears repeating slow down do not feel like you gotta get back to the beginning of time the first time that you sit down because you’re likely missing so much context with your ancestors that you just miss because you’re speeding through, you’re not reading through everything, and you’re missing crucial important stuff that you’re going to need later. And the other thing I’ll also mention is people just say, like, what’s the most underutilized record set? And I always tell people, it’s the stuff you already have. That’s the most underutilized stuff. Because your perspective on a person, an event, It’s based on what you know at that moment when you encounter it. When you learn more, your perspective generally is going to change and shift in time. And you’re going to read through the same subject. It’s going to feel like you’ve done it 700 times. And you’re going to have 700 different thought processes.

AM: For those of us who have accounts, how are we able to like share that information?

NSS: So there’s lots of ways. You can share your tree directly. So anyone with a registered free account can look at and can view a tree. The subscription comes into play when you’re accessing certain record collections. But there are still a ton of records on Ancestry that are free. There’s also when you have things like Pro Tools, you can report where they can start from your perspective and then go to the earliest ancestors or vice versa starting from the earliest ancestors down to you and then you also have charts and things that you can print out like pedigree charts right.

AM: Is there anything coming up in Ancestry.com that we should know about in terms of certain collections you guys are going to be focused on?

NSS: There are so many things I’m thinking of but the one that is coming to mind due to the timeliness - it’s America’s 250 years coming up. We have our Whole Stories On Us Campaign and we collected stories all across the United States for every state for the known and unknown figures in the US. So that campaign rolled out in January of this year. We’ve had murals commissioned in two different cities in Chicago and in New York to commemorate stories that we were telling there. So the one in New York featured the first Black Chief in the Fire Department of New York along with a photo of a woman and her children that he saved from a burning building in 1929 and what we were able to do was bring the descendants of the firemen and the descendants of people who survived the fire together so they could meet. They had never met.

Then we had another thing that we did in Chicago where we focused on Women’s History of the statues in Chicago as 95% honor men they don’t honor women and we worked on that and we did a bus tour that told the story of women who helped build the city of Chicago and so the mural that we have in Chicago I think it’s still up to the end of March. It features Mary Emerson Haven who was one of the founders of the YWCA along with Dr Margaret Lynn who was a Chinese doctor in Chicago and then the bus tour stops go all over the city.

AM: That’s cool.

NSS: We have one more tour that’s in a couple days and then we have a connection program with YWCA and we sponsor their Tech Girls Program. So we have a whole tour that we did specifically for them and then we’re continuing to expand out throughout other geos across the country to continue to tell those stories but the landing page is there. What I think it does really effectively is it tells you who the person is and it shows them in Ancestry records so that you can see that these notable people and some people who may not necessarily be as notable in records.

IG @ancestry

@neeksmith

PHOTOGRAPHY CREDITS | Ancestry

Read the APR ISSUE #124 of Athleisure Mag and see KNOWING MORE | Ancestry.com in mag.

In AM, Apr 2026, Lifestyle Tags Ancestry.com, Ancestry, YWCA, Nicka Sewell-Smith, Ancestors, Storytellers, Crista Cowan, Essence Magazine, Dionne Warwick, Genealogy, Family Historian, Cousins, Fold3, Newspapers.com, Find a Grave, DNA, Finding Your Roots
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YAGP GALA 2026 POST COVERAGE

May 24, 2026

This month, we attended the Youth America Grand Prix which has its World’s Largest Ballet Scholarship Competition for their 2026 Stars of Today Meet the Stars of Tomorrow Gala at David H. Koch Theater in NYC. This event began with a VIP Cocktail hour during Golden Hour as we waited for the performances.

After cocktail hour, we made our way into the theater and for nearly 2 hours, we were able to enjoy young talent, up and coming stars, as well as noted ballerinas! The evening was hosted by Misty Copeland who was joined on stage by Tamar Greene, who is currently the longest running George Washington in Hamilton!

After their remarks, we were treated to a number of performances with our favorite being Rainbow which was choreographed by Melanie Hamrick and was set to She’s A Rainbow by The Rolling Stones with a special arrangement for this performance by Melanie’s partner, Mick Jagger! The performance was done by Christine Shevchenko and Calvin Royal III of the American Ballet Theatre. Their outfits were created by Rebecca Hessel Cohen, Founder and Creative Director of LoveShackFancy and was such a moment. There was also a phenomenal performance of Carmen with 3 male ballet dancers, which was a great performance.

At the conclusion of this portion of the night, we made our way back to the cocktail party area for the start of the dinner portion of the gala. We enjoyed sitting next to one of the choreographers from the night and it was interesting to hear how she created it.

We also watched both Melanie and Rebecca get honored and to hear from them about the passion for ballet! Guests also had the opportunity to participate in The Pointe Project where shoes were available for auction.

IG @yagp

PHOTOGRAPHY CREDITS | PG 46 - 53 LK Studio | PG 54 - 57 BFA |

Read the APR ISSUE #124 of Athleisure Mag and see YAGP GALA 2026 POST COVERAGE in mag.

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Read the APR ISSUE #124 of Athleisure Mag and see 9LIST STORI3S | June Ambrose in mag.

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FINDING YOUR BALANCE

February 19, 2026

Avid readers of Athleisure Mag know that a few months back we had an article that was focused on fitness and menopause where we talked with Dr. Jessica Shepherd, Board-Certified OB/GYN, Chief Medical Officer at Hers, and Pvolve Advisory Board Member for Women’s Health & Longevity. It was the first time that we covered this topic.

She shared how menopause is comprised of perimenopause, menopause, and post-menopause. She also talked about symptoms that many of us may be familiar with from hot flashes, irregular periods, brain fog and more. We know that this tends to happen to women between 40 and 50. Although a number of elements of menopause seemed to be new to what we knew about, we were not prepared to learn so much more in Balance: A Perimenopause Journey which is a docuseries created by 2 monastic filmmakers, Sadhvi Siddhali Shree and Sadhvi Anubhuti, who not only started their menopausal jounrey, but wanted to share their experiences and how they are approaching it as they found that there was quite a bit of misinformation, lack of research/education, and stigme around this portion of a woman’s lifecycle. This docuseries premieres on Jan 30th on Apple+ and Prime Video.

We do not only hear from them and the doctors that are treating them as one focuses on Hormone Replacement Therapy (HRT) and the other opts to do so utilize natural remedies. They also have medical professionals who have varying opinions, regular women along with their partners who weigh in, and even Executive Producers Alyssa Milano (Who’s the Boss, Charmed, Spin City) and Jeannie Mai (The Real, Raid the Cage, America’s Test Kitchen: The Next Generation) share their accounts as well. In watching this 4-part docuseries, we were constantly reminded of so many aspects that people don’t talk about and why we need to do the research necessary to assist us as we navigate this time as for many, this journey start 10 years prior to the target age of menopause which is in the 30s for many of us!

ATHLEISURE MAG: First off, we have to say that we’re positively frustrated in watching this docuseries. That is to say that this is an incredibly informative docuseries where we learned a number of things that we didn’t know about the menopausal journey and that it makes us want to do more research and yet to see the gaps that exist that shouldn’t be. We could go on and on but I am excited to sit with you to hear from you as filmmakers and women navigating the menopausal journey.

Why did you want to make this docuseries?

SADHVI SIDDHALI SHREE: We wanted to make this docuseries Balance, because we wanted to educate women. We are not prepared and because we’re not prepared, we don’t know what we’re going through. We often criticize ourselves, we blame ourselves and we feel all kinds of frustrations because we are going through this transition but no one told us how to navigate. So, to reduce that suffering is important to us as monks and filmmakers.

AM: What’s really impressive in this docuseries are the different voices that you have coming together to talk about this topic. You have different kinds of medical professionals, those who are pro HRT, as well as those that aren’t, I was so excited to see Dr. Jessica Shepherd who I met a few months ago and I had interviewed her about menopause as the event was on the topic, having regular women, Alyssa Milano, and a former cover of ours – Jeannie Mai – both who serve as Executive Producers of this docuseries. So why did you want to approach it in this way by having those on various sides of the issue for, against, and those in the grey area?

SADHVI ANUBHUTI: You said it right! We wanted to make sure that we covered everything. When you are treating perimenopause and menopause, you want to treat it holistically. So we wanted to make sure that we had nutrition, activity, and a full understanding of what is happening to us from the OB/GYNs and a full scope of everything. So it was very important that we included trusted voices.

AM: Why do you think that there is such a stigma around the transition of menopause from the awareness, the marketing aspect, the fact that there is this timeline of life prior to menopause, 1 day which is the actual menopause, and then after. I’m 46 and I will be 47 in Sept. When I went to my first menopause event last Fall I remember thinking well that is for people in their 50s and 60s – is this even a fit? Then learning about the menopausal journey, it was like, “oh no you are in that mode and you need to learn about this!”

SA: You are right! It’s that misunderstanding of what is happening in this space. It’s the fact that women have not been included in that research and we have been underfunded, under researched, and misunderstood. That needs to change. So information needs to be out there and that is why this series needs to be there.

AM: It covers so many things from the social, emotional, and physical aspects of this journey. How long did it take you to think about creating this, doing this, traveling all over the world, and the research? What was the process in creating this?

SSS: I would say, that we were going through the early perimenopause symptoms for a few months and as filming was going on, we realized that no one knew about this. We were researching for ourselves and so we knew we had to do a docuseries in 4 parts so that it would cover everything. So the whole process took about 2.5 years. So as soon as we knew that we could film our appointments because we wanted to show this raw and honest from the very get go.

AM: It took 2.5 years and it’s now coming out Jan 30th, the same day that our JAN ISSUE #121 drops, what Jan 30th, what has been the response that you have received from those with early previews/screenings? Even for those that have participated in it as we get to see other people’s journeys along with their spouses as well and how they are doing. You also have your journeys as well.

SA: I think that for the first time, many women are starting to feel seen, validated, believed, they’re not crazy – this is something that all women go through. I think that we are building our own community of women who are saying that they are not going to suffer anymore, they’re not going to go through it like their mom did, and so it is very empowering to see that response.

AM: Where should people go to find out more information about the movie as well as this journey of menopause? In watching this and hearing certain responses in the docuseries, I think about things I have noticed and just attributed it to other things. I’m someone who eats healthy, works out etc, but maybe something I felt that I just assumed I was tired could be a symptom so I know I will be rewatching and taking personal notes to get to the bottom of things that I didn’t know could be more aligned to this and not just something that is about age or being tired. So where can people go to find out more about this?

SSS: Our viewers can go to the Balancedocuseries.com website where there we will have resources and viewers can follow all the doctors that they resonate with featured in our series because they have education on this, they are posting all of the time on social media and you can always go to the Menopause Society as well. It’s one of those things that you need to go to a trusted resource so that you have the right guidance as that is critical in this time and that’s why Balance is such a trusted resource because it is raw and it is real and we’re not holding anything back.

AM: You guys are filmmakers and I have enjoyed seeing other documentaries that you have done. What do you enjoy about storytelling, and how was it to do this particular story because it is personal? You’re telling this story and you have also injected yourself in this as well as we’re following your journey, as well as others in this docuseries as being objective must have been something that was always in mind in navigating telling this story.

SSS: I think that it comes from our experience of being monks and filmmakers on 3 other films – 2 on human trafficking and another one on animal cruelty. So, these are very dark and human subjects and we are passionate people. What we practice in our system is that there are so many sides and you have to see them and there are various truths to those sides and how do you do it – no pun intended, in a balanced way? That is really important because you have to honor all voices and as you have seen in this series, I have taken the hormone therapy path and she (name) has taken the natural approach which will resonate with audiences and we have our own questions so it kind of covers the whole spectrum of the topic.

IG @siddhalishree

@sadhvianubhuti

PHOTOGRAPHY CREDITS | Balance: A Perimenopausal Journey

Read the JAN ISSUE #121 of Athleisure Mag and see Finding Your Balance in mag.

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ORIGINS AN NFL COLLECTION

February 18, 2026

It’s been another great NFL season and it all culminates with Super Bowl LX which takes place on Feb 8th at Levi’s Stadium in Santa Clara, CA, the home of the San Francisco 49ers! This year, the Seattle Seahawks and New England Patriots will battle it out to see who will be the champions! During this time of year, there are a number of events and activations taking place. One of them is Origins: An NFL Collection which in addition to be a collaborative line of apparel that is created with designers who are in the community that the Super Bowl is being held, but it is a time where those who are in the area can enjoy the pop-up! We wanted to find out more about this collection, the pop-up event, the NFL’s committment to highlighting artists and bringing them in to the experience of Game Day! We took some time to catch up with the Director of Marketing and E-Commerce at the NFL, Ashley Daniel to find out about this and more.

ATHLEISURE MAG: Tell me a bit about your background prior to coming to the NFL.

ASHLEY DANIEL: I’ve spent most of my career since coming out of college working for the NFL. During undergrad, I volunteered with the Super Bowl Host Committee and later interned with the NFL in the Media Strategy & Business Development department. After graduating, I was selected for the NFL’s Rotational Program and have continued to grow my career within the Consumer Products department ever since.

AM: As the Director of Marketing and E-Commerce at the NFL, what does your role entail?

AD: The role is dynamic, which is one of its most rewarding aspects. My work ranges from leading our Local Club Collaboration Program and developing capsule collections with small, local brands to collaborating with our advertising team on national NFL Shop TV campaigns. At its core, the position is about tying inspiration to conversion and strengthening fans’ connections to their cities and teams through product.

AM: Tell us about Origins: An NFL Collection in terms of why this program was created and what it serves to do.

AD: The Origins program was first developed for the Super Bowl in Los Angeles. Although we produce incredible Super Bowl merchandise, there was an opportunity to showcase products from local brands that authentically represent the host city and its communities. The program emerged from that insight, grounded in the belief that every host city is home to artists and designers who reveal dimensions of the city often overlooked.

AM: How do you go about finding designers to partner with, and what are you looking for?

AD: Each year, the approach evolves. In previous years, my colleague, Xaimara Coss, who is also a Director on the Consumer Products team at the NFL, and I relied heavily on web research and social media, tracking who was showing up at local markets, consistently launching collections, actively engaging with their communities, and creating truly distinctive work. This year, we partnered with our licensing partner, NoCallerID, to support the search. Together, we spent several weeks reviewing candidates and hosting introductory conversations before ultimately selecting the final group of brands.

AM: Tell me about the designers who will be participating in this year’s Origins: An NFL Collection.

AD: Each designer brings a distinctly different point of view, which is what makes this group so compelling. Aaron De La Cruz is an artist by trade, and his work immediately stood out to us, particularly his use of shape and movement, which introduced an aesthetic we hadn’t previously explored within the Origins program. We knew he would bring a bold, unexpected reinterpretation of the Super Bowl. Nostalgia approaches design through incredibly unique silhouettes; when we saw a previous collection featuring intricate woven paisleys, it was clear they would offer a fresh perspective on what fan apparel can be. Lastly, there’s Blvck Scvle, an iconic Bay Area streetwear brand that has been shaping the culture since 2007. Their product is elevated and refined, with exceptionally strong design execution. Together, the three brands form a powerful cohort that authentically represents the spirit and creativity of the Bay.

AM: This year, there will be a one-day pop-up event ahead of the Super Bowl in the Bay Area. Tell us more about this.

AD: Each year, we host a launch pop-up retail event that serves as the first opportunity for fans and the community to shop the new collection. The event brings together shopping, music, and a strong community presence in support of the participating brands, attracting both locals and visitors in search of authentic Super Bowl products and experiences. This year’s launch will take place on Thursday, February 5, at the Pearl from 11 a.m. to 5 p.m., and is free and open to the public.

AM: For those who are unable to attend the event, how can they be part of this experience?

AD: On Friday, February 6, at 9 AM ET, the product goes live on NFLShop.com/origins. They can also follow the brand stories as they launch on @NFL on IG and on NFL.com/origins.

AM: In terms of the Super Bowl, will this collection of Origins: An NFL Collection be at the stadium?

AD: No. Any product that does not sell out at the launch event will be sold at the NFL Shop Presented by Visa at Super Bowl Experience Presented by Jersey Mike’s.

AM: Are there any upcoming projects that you would like to share with us that we should know about at the NFL that you are involved in?

AD: There are a lot of great drops coming out around the Super Bowl. We can’t say much right now, but stay tuned.

IG @nfl

After speaking with Ashley about Origins: NFL Collection, we wanted to talk with one of the designer collaborators, Aaron De La Cruz, to find out more about his work, participating in this assortment, and more!

AM: Before we delve into this collaboration that you did with Origins: An NFL Collection, can you tell me about your background and what led you to design?

AARON DE LA CRUZ: From as far back as I can remember, I have loved to draw. As a kid growing up in the 80’s and 90’s, I spent a majority of my time outside surrounded by skate and graffiti culture. The graphics I would see on clothing, skateboards and art in the streets influenced me to create my own at home, school and, eventually, on the streets too. I was fortunate enough to have the support of my parents and teachers who recognized my talent, which helped me get into programs and eventually art school. I graduated from college with a BFA and went into teaching art for ten years until I became a parent and I decided to pursue being a full-time artist. That was exactly 13 years ago this month – wow, time flies! I’m the first full-time artist in my family, so my main focus is to show my kids that being a creative for a living is possible. This occupation is hard and definitely has its challenges. They are old enough now to see what it’s really like, but projects like this are moments to celebrate and make it feel like a dream come true.

AM: You have done a number of collaborations with Maison Margiela, Diesel, ESPN, etc. What is the creative process that you go into when you are creating something for or with another brand?

ADLC: When taking on collaborative projects, I prefer to have a personal connection with the client or find a way to connect the project to my family. Because many of my works are considered abstract at times, they can appear as decorative considering the context in which they are displayed. I always try to find a way to integrate my family into these types of projects because, for me, these are the people in my life I’m surrounded by the most. When given the opportunity, I make it a point to provide a story that will connect with the audience, especially for those who are interested in what’s beyond the surface.

AM: How much does the Bay Area influence your work?

ADLC: The Bay is a special place. We have a rich history of movements that were born here that have spread throughout the world. That, plus our unique landscape, draws people to visit and live here, including myself. I don’t know if the Bay is something visually noticeable in my work, but I can say the culture here has definitely influenced what I do with my artwork. Social justice is something very important to me, and I use my art as a vehicle to express my opinions. I try my best to donate works to nonprofits that are doing amazing work. I also give away my work from time to time for those who might not be able to afford it and promote social interaction.

AM: As one of the collaborators in the Origins: An NFL Collection, what does it mean to you to be part of this project?

ADLC: This project is HUGE! As a kid, I was a big NFL fan, and now as a parent, football plays a big part in my life 24/7. I have twin sons (and a wife) who are borderline obsessed with the sport, so for me to be involved at this level is definitely a project I am happy about, and so are they. Being Mexican and a fan of the sport, you don’t see much representation on the field, so for me, this project was an opportunity for us to be seen at this level. I really wanted to show any kids who are artists or have a desire to play the sport that we can find ways to be seen on and off the field in the NFL.

AM: What were you inspired by in terms of the items that you designed in this collaboration?

ADLC: Many of the works I create involve the idea of deconstruction and breaking something down to its simplest form. For the collection, I wanted to create something that my fan base – who might not be football fans – would appreciate, and for football fans who aren’t familiar with my work would recognize.

First, the use of black and white was inspired by the referee uniform. The referee is someone who plays a big part in the game and, at times, can control the game. The artwork on the garments is scaled at 2” wide, which is the width of the black and white stripes found on the official NFL referee uniform.

Second was the location of the artwork. This was inspired by the player, their passion and what they put their body through playing the sport. I created an all-over design because they take hits all over the body and sometimes walk away with wounds and scars that they have for life, all for the love of the sport.

Third was the design, I created unique marks using my signature style that reference routes found in a playbook. I wanted to capture the simplest thing that was recognizable and had that feel of hand-drawn.

I wanted to capture the simplest thing that was recognizable and had that feel of hand-drawn.

The colors of the garments are white on black (chalk on board), black on white (marker on dry erase board) and the grey colorway is a nod to San Francisco and our reputation for being covered in fog.

AM: Are there any upcoming projects that you would like to share with us that we should know about?

ADLC: Please be on the lookout for the online release of the collection at AARONDELACRUZ.COM on Feb 7th. If you happen to be in San Francisco for the Super Bowl, be on the lookout for a city-wide project I’m doing on Feb 6th. This project will involve me creating 11 original works of art and dropping them off at 11 different locations throughout the city. I’m using this as an opportunity for people to discover and support independently owned businesses within the 11 districts (11 players on the field!) of San Francisco. All of this will take place on my Instagram (@aarondelacruz) so you will need to follow and see what happens!

Aside from that, I’m working on multiple projects and continuing to play this game of life while supporting my team (family). Trying my best to win the MVP for being the best Dad in the league and not end up on the injured reserve list haha.

IG @aarondelacruz

PHOTOGRAPHY CREDITS | Origins: An NFL Collection

Read the JAN ISSUE #121 of Athleisure Mag and see ORIGINS an NFL Collection in mag.

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In AM, Fashion, Jan 2026, Lifestyle, Sports, Editor Picks Tags Origins an NFL Collection, NFL, Sports, Super Bowl LX, Football, The Bay, Levi's Stadium, San Francisco 49ers, Seattle Seahawks, New England Patriots, Ashley Daniel, Fashion, Game Day, Director of Marketing and E-Commerce, Aaron De La Cruz, Nostalgia, Blvck Scvle, Bay Area, NFL Shop, Jersey Mike's, Visa, Maison Margiela, Diesel, ESPN
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EDIBLES.COM | EDIBLE BRANDS THOMAS WINSTANLEY

November 22, 2025

We caught up with Thomas Winstanley, who is heading up the new Edibles.com platform powered by Edible Brands, of Edible Arrangements fame. They had tried the chocolate-dipped CBD strawberry route in 2019+, but was very early in the market. Now their edibles platform features various tried and true gummies, chews and more with the goal to destigmatize the edibles space further and safely curate some of the best brands for veteran and curious consumers who are looking to be Healthy Not High.

ATHLEISURE MAG: Great to chat with you Thomas, tell our readers more about your background, and what led you to working with Edibles.com and Edibles Brands.

THOMAS WINSTANLEY: Prior to coming to Edibles, I was the CMO for Theory Wellness and Hi5. I joined Theory when it was just two medical stores in Massachusetts, and I came on, you know, there were maybe 35 to 40 people in the company. And over the course of 6 years, I just have always been a fan of these products, of the industry. Even before, when I was in my teenage years. I was always the guy who loved cannabis and THC.

I started my professional career in pharmaceutical advertising, one into CPG, one into alcohol, worked on, you know, Remy Martin, worked on Tampax, worked on big blockbuster drugs, really understood the regulated markets. And then went home and smoked a joint after work almost every night when I lived in New York. Fast forward, it’s once I moved out of New York, we went out west, I saw the early inklings of the Colorado cannabis market, and as a marketer it really made me think about, basically the 16-year-old’s dream of what happens if this is legal? How do you build a better brand? How do you build a better mousetrap?

So at Theory, when I got linked in with them, it was kind of an amazing kind of synergy with their team of two founders, where as a passionate steward of these products it was amazing to be able to say, OK let’s go commercialize this. And at Theory, as their CMO, I got to design retail, I got to design brands and products within our portfolio of about 250 products. And I got to architect a lot of the brand, I’d basically write the briefs of what new products do we want to make. And then Hi5 came along, and we did the beverage thing, and that was always this major unlock to the category. By the time I left, we had operations in about 7 States, with around 18 retail stores, we’re the largest independently owned cannabis company on the East Coast.

And to have somebody who’s for the better part of my life, loved these products and this plant, to be able to bring it into a place where people have access to, and that’s really what we were all about, was how do we connect more people to safe, trusted access to these products? And not just products that met a baseline need, but I always go back to a Steve Jobs quote, ‘give the people what they want, and then introduce them to the things they didn’t know they needed.’

And that became very clear, I’ve always loved these products. I’m somebody who now that I’m almost 40, with 2 kids, my relationship has evolved with the category, but I’ve always been a big believer in the health efficacy of this category. People think I’m crazy, my most common use cases during the time that I’ve used cannabis have been around tennis, cross-country skiing, running - I’ve always found it to be a great complement to that. That’s more of my core usage outside of, kind of, evenings of relax and unwind.

And a lot of this all led to one day, Edible Brands reached out and said, hey, we have a crazy idea. We own edibles.com, looking to commercialize this at scale nationally, and we need somebody to help guide us in building a business around this category. I was skeptical, to put it lightly, because I didn’t want to be a part of a cash grab. [A]s I went deeper and deeper into conversations, my skepticism was alleviated, because philosophically and fundamentally, we were very aligned on how we wanted Edibles.com to become as a company. A lot of my business around this category. I was skeptical, to put it lightly, because I didn’t want to be a part of a cash grab. As I went deeper and deeper into conversations, my skepticism was alleviated, because philosophically and fundamentally, we were very aligned on how we wanted Edibles.com to become as a company. A lot of my non-negotiables were; I want to do this around health and wellness; have curation of products - don’t want the Cheesecake Factory menu; an outcome-based focus on our category; work with the best brands who have been doing this for a long time; and use our name of edible brands and edible arrangements as a sign of permission for consumers to step into the category who may not have ever stepped into the category. And it’s similar to what we did at Theory when you were introducing this novel concept of buying legal cannabis for the first time. We’re kind of doing the same thing with hemp today.

And what really pushed me over the edge is that in a lot of ways, the mission for me hasn’t really changed of connecting more people with THC. We can just do it at a much bigger scale, and in many ways, I think hemp has succeeded where cannabis has failed in terms of access to the economics and the commercial supply lines of this industry. Hemp is the equalizer of THC access, and so for all those reasons, you know, Edible Brands has an amazing supply chain, they have an amazing brick-and-mortar presence, they have a lot of brand affinity. What was a crazy idea actually became something very material, and Somia Farid Silber, who’s the second-generation CEO of the company within her family - she and I were very much in alignment on all of these points.

Fast forward a year and a half later, here we are with national shipping, last mile services, and what I would argue is probably the most eclectic group of products available today outside of a dispensary that can be sent to your doorstep. That’s something that you could never do in cannabis, and that’s what really fuels me around this project.

AM: So when I first heard about this, I thought am I’m going to see edible THC arrangement bouquets, something like edibles on stems was going to be the vibe? And then I learned about the CBD-dipped edibles from 2019, so it would be good to start there as that was definitely very innovative.

TW: It was! So, in so many ways, the Farid family, Tariq Farid, who’s the original founder, who has stepped back.. his daughter runs the show now, but in 2019, this was actually the first iteration of what Edibles.com became. So, back then, it was called Incredible Edibles, and they were going in that direction of basically blending CBD, and then doing chocolate-dipped CBD strawberries, and the idea was incredible for so many reasons, but the challenge was it was so early after the Farm Bill. You know, they were almost too far ahead of where the category was going to have the connectivity to what consumers were expecting back then. And it really wasn’t until about 2019, when hemp really started to get this gravity that we see today. They had the right idea, but they were just way too early, and from what I’ve understood, I think they had a retail play at one point, and they had tried to engineer this thing.. the consumers weren’t ready for it yet, because CBD was still kind of a ‘snake oil-esque type’ of category, where it showed up everywhere, and there wasn’t that level of differentiation at the time. They were trying to commercialize it at scale, but I think they also realized too, that the manufacturing and production side of making a finished good using these type of blended cannabinoids that were non-intoxicating was a very different ballgame and that the market was still not totally matured into. So they knew they were onto something, and I think they were actually up in Connecticut at the time, too.

That’s when Theory was also starting to really build, so they knew about Theory at the time.

But they were just too early into the market, and the idea was right, and they had vending machines, they had some products too, and they just didn’t quite land, I think, in the zeitgeist of where things were heading, but they were positioned in advance of the market, where the market was going. I think they tried it again in 2020 and 2021, but it was still just too early.

Hemp accelerated beyond what anybody really was anticipating, and as a Pakistani Muslim-run group, you know, the intoxicating side was an interesting angle that we’ve talked about, where health and wellness is the driver of the success of this category, and for them, that was something that they wanted to hold very tightly. I didn’t want to touch inhalables, because I don’t think inhalables.. anything other than air in your lungs is not healthy. And I think where I see this amazing ingestible category is much more akin to a nutraceutical type of product category, Ollie’s and all of these new classes of these nutraceuticals that folks take.

And so we were very philosophically aligned on that, that this is their first real foray as a corporate enterprise to touch something that has potentially intoxicating effects. But I think they were missing the other component of the THC side, which, truthfully, does unlock the efficacy of CBD in a much grander way.

AM: I agree.

TW: I know what these products are, I’ve tried them, I know that we have the opportunity to use our scale and sphere to connect something that consumers really want in terms of their health and wellness. And how can we be an arbiter to create that point of access? And that’s really where Edible Brands is really remarkable. They want to curate these experiences with edible arrangements - gifting those moments of wow for consumers to get something on a certain day.

We just acquired a fast-casual Mediterranean restaurant out of bankruptcy called Roti, to bring more nourishment and healthy eating.. And safe access to health and wellness products all focus on a consumer [online]. So now you have these moments of wow for consumers with the gifting side; you have nourishment through the food piece; and now you have this wellness angle with these products.

AM: Tell me about the Edibles.com marketplace you’re building out, how you curate, the brands that you’re selecting, and how you’re going to promote them.

TW: When I first joined, I literally went to my chief legal officer here and I told him compliance is paramount. That became kind of the first lens of looking at products. And the first calls that I made were to Jake Bullock over at Cann. You know, I knew all of these brands from the cannabis world, because we were buying it wholesale, I was in the beverage space, and I built the first beverage dispensary in the country with Theory. And so I had this kind of short list, you know, Cann, Wana, Ayrloom was a great team, like, Mack [Hueber] and Eddie [Brennan] are just wonderful guys. And the first two calls were, yes, Jake Bullock, I had him NDA’d up, and Joe Hodas over at Wana.

And Jake was terrific. I mean, I always remember this call, because he and I had worked together on some projects when I was at Theory, he said to me this is a little bit of a bellwether moment for hemp, because we just had DoorDash. And they’re not really promoting this. We had Total Wine, which was just coming on board. And, you know, when I started to really think about what a portfolio would look like, it’s how do you bring together these cannabis-adjacent brands who are currently now emerging into hemp and leading into hemp. How do I bring together the largest kind of market share of leaders on beverage and gummy and chews? How do I bring them under a portfolio, the likes of which maybe hasn’t been seen outside of a dispensary?

The reason I chose some of these folks is that, you know, you look at Wana, they started in 2010, they’ve been doing this for 15 years. They know the regulatory risks, they know compliance, they have really great formulations, they take it seriously, they’re not a fly-by-night group. Same thing with Cann. Cann broke the mold. I always remember the first time I had a beverage was Cann Cranberry Sage, and I remember drinking and thinking, whoa this changes everything when I was at Theory. What we’ve done is really tried to, with the starting group, the kind of first cohort, was to work with the brands that I know are making great products that are going by the rules, that aren’t going be a risk or compliance issue for us.

As a former CMO, marketing is powerful, and you can have a good brand and a bad product, or a great product and a bad brand. I was building this a lot behind the scenes, and nobody knew, and I didn’t want anybody to know. I wanted to have that moment where you pull the cover off and people go Whoa, this is big, but also like, Thomas is working on this, he knows these products, he’s not a shill.

You know, my goal is really to have a portfolio that is well-curated around these buckets of sleep, relaxation, uplift, energy, you know, really focused on outcome-based purchase habits versus get a distillate gummy at a good cost per milligram ratio. Anybody can do that. And it also aligns, I think, with the sentiment of the consumer base of the hemp industry, of the consumers, where you have so many of these new consumers coming in who are curious about these products. They see them everywhere, they hear about them. How do we do the homework for them where they can come and shop based on an outcome that they’re looking for?

I want to sell the Health Not High, a drumbeat that some people - [does] everybody want to get high?

AM: Yeah, it might be a healthy high for me. That’s a Yeah.

TW: And for me, it’s like, I think a lot of, when I talk to consumers, you know, and I talk to people who… my wife, my in-laws are conservative doctors from the South. They now went from being very skeptical about this category into saying, you know, oh, well, I don’t take it to get high. I take it for sleep, or I take it for my back, or I take it for relaxation and all these things. And it is true for me. It’s like, I’m not really here to get people high. People will do it on their own. I don’t want to sell people getting overly intoxicated, that’s not really my bag, it’s more about creating functional, health-based outcomes. It’s more akin to nutraceutical or supplements that add the efficacy.

And it’s like nobody goes and markets alcohol to get drunk? Do we all know we can get drunk by drinking more beers than we need to? Sure. But you don’t need to market that. I don’t think we need to market getting high, because when I talk to lobbyists and regulators and senators about this, one gummy is no more intoxicating to me than one beer or glass of wine.

What does become intoxicating is if you have multiple servings and irresponsible use, and frankly, I have no shame on consumers who want to do that, like, that’s totally up to them, but my goal is to really help people understand the functional properties of this hemp category, and introduce them to these things that maybe don’t take an Ambien at night, maybe take a Wana stay asleep chew, or a fast asleep chew, and see how that works for you, and maybe give somebody else an alternative. And so, you know, all of this kind of health-not-high criteria is something I strongly believe in as a consumer. And I also like getting high, too. So, like, again, no shame there, like there’s always a time and a place for it.

And I think that a lot of our strategy is emanating out of this Health Not High, because a lot of the consumers we want to have on here, these 60 and older folks who are part of the Reagan era. We’re trying to demystify a little bit of that stigma, and it’s not that we have anything against getting high, like, again, totally fine. But our mission is very critical, and so when we look at portfolio, we want that to be the reflection of outcomes. And that’s always how I’ve loved these products, too, you know?

AM: And looking at your project, one of the things I loved seeing was the educational part. So, when it comes to hemp-derived you obviously are a wealth of knowledge. I would love to talk about that a little more detail, because I do think it’s super confusing out there. There’s been a lot of quick progress, and consumers just are trying, experimenting, but I don’t think they fully understand what they’re getting.

TW: No. I spend a lot of time lobbying. We’re, you know, executive board members of the U.S. Hemp Roundtable, the largest trade association. Education is paramount in this category. You know, the most frequently asked questions we get when we run social ads or I talk to consumers are, how is this legal, is the first question. I always give a very simple answer. 2018, we had a Farm Bill, and in that bill, 0.3% dry weight equivalency of THC can be commercialized into products. That small percentage is actually enough to have the impact that we want for consumers, which are functional outcomes that can help with sleep, relaxation, all these things.

And it’s a low enough kind of threshold of a dose that, it’s not egregious, it’s not over the top, and we always recommend folks start low and go slow. The next question we always get is, but is it weed? It’s technically weed, because cannabis and hemp are the same plant. Like, they’re scientifically the same cannabis sativa plant. But our government assigned an arbitrary 0.3% number to say any plant that produces 0.3% THC and below is a hemp plant. Anything that is 0.31% is a cannabis plant. Two are regulated very, very differently. Cannabis is a lightning rod with over-regulation. Hemp is less regulated. But also, you know, essentially the same thing, but you don’t have any of the restrictions that cannabis has in terms of interstate commerce, shipping, you know, all this stuff, regulatory-wise.

And, you know, but really what it comes down to, we’re talking about regulating a molecule, not a plant. It’s the molecule. And that’s the third question, is the THC different in a Kiva gummy from edibles.com, from a Kiva gummy from a Colorado dispensary. The molecule does not change. That is the most important thing that we want people to take away, that these are not very different from dispensary products. The molecule doesn’t change, because it’s all the same. It’s just the amount of the molecule you can have.

I think that is one of the largest misunderstandings and perceptions about the category, is yes it’s legal, and I think that’s where we fill in a white space. If you send strawberry dipped strawberries to your grandmother on her birthday, and is also partaking in this category, well you actually know it’s probably not as bad as it seems by comparison to gas station products and, you know, all of these other areas that these products are being sold. We really want to be a leader in the safety, the security, the compliance, the regulations. We want to give that permission to those customers who say, yeah maybe I should try it. Well, if you come to edibles.com, you know you’re getting all of this, a half Billion dollar company wouldn’t step into this space if it wasn’t legal, and it wasn’t safe.

And that’s where I think, for me it becomes really exciting to be the first kind of handhold experience for folks who are coming into the category. And on the other side, you know the people who love Wana, Kiva, and Wyld. Well, now they can get it shipped to their door if they live in a market where these products aren’t sold. And it’s the first time you can get all 3 of them in a package delivered to your house in history. That, to me, is a powerful moment for consumers.

AM: That’s really cool. I want to ask you about best practices taking a gummy, because there are some…

TW: God bless.

AM: ..there are some gossip points about having fat content, or how long it would take to be acting, and I’m sure there’s different products, but any knowledge to pass along?

TW: Yeah, so I’ll say for a novice consumer, start low and go slow. You know, anywhere from a 2.5 to 5 milligram dose is a good starting point. I would argue 2.5mg is always the best place to start. That way, you can always take more, but you cannot take less. And that’s something that over the history of THC, everybody has that story where, they took a brownie, and then they didn’t feel anything, and then they took another one an hour later, and then all of a sudden they were on the moon, and it was, you know…

AM: Or just the batter making it.

TW: Yeah, exactly, right? It’s just kind of like one of these things, and you know. I want to hear that story for sure.

AM: You got it.

TW: The other thing that I think is really important that’s not talked about as much is there is a difference between regular kind of products that are just standard action products of how THC is delivered, and fast-acting products. And this is where the industry’s matured in the last 3 to 5 years, is we finally figured out that THC does not necessarily have to bind with lipids and proteins because of fast-acting technology, which is basically the reason beverages exist is because somebody figured out that you don’t need fats to carry the THC, because you could never make a beverage without having oil or something in there. Well, now this new technology, this fast-acting technology, allows a quicker onset of these products. So, standard products, which I would call 45 minutes to an hour to see how it affects. Fast-acting products that we see today, you can feel effects as quickly as 10 to 15 minutes. This is important, because if it’s standard, you’re metabolizing it and that can take longer, because your body has to break it down. If you eat a huge pancake breakfast and then take a standard acting gummy, your body’s going to take a lot longer to metabolize it, versus if you took a standard acting on an empty stomach, that’ll happen faster. Fast acting, that goes directly into your bloodstream. You absorb the THC faster.

And what’s great is once you start to get a comfort level on how your endocannabinoid system starts to respond, that’s where the fun begins. Because for me, mostly, I’m a non-school night user at this point in life with my two little kids. It’s mostly on the weekends. But I’ve been a big advocate, too, for folks who do play competitive tennis like I do, and are competitive runners to try this stuff when they do those types of activities. Like, that’s where the fun really begins, when you can start to introduce the molecule and these products into areas of your life that become really compatible and symbiotic with these types of products.

AM: And what would you say for those that might say they had a high tolerance, or found that they need to change… it worked for them, but they need to change up their routine somehow? (Editor’s Note: Asking for a friend)

TW: Yes. So, I think for people with high tolerances. I actually have somebody in my office that I don’t want to name-shame, because they have a really high trough tolerance, but what I always recommend is, Tolerance breaks are great if you medically can. Responsible consumption is always important. If you’re somebody who just kind of pushes the envelope on wanting to go further and further, well, at some point, you’re kind of removing the efficacy that you wanted in the first place.

The other thing that I always like to recommend for folks is if you have a high tolerance, it’s always good to take those kind of breaks to see if that drops down, and then there are some people who are just like, yeah, I need 100mg a dose, or I don’t feel anything. I might not be the right place for you. You’re probably a dispensary customer.

The other thing I’ll just add into all of this is I think CBD is one of these things that we’ve written off in some ways because of the CBD, you know, for the reason that Incredible Edibles was a CBD company originally. CBD is actually this molecule that you need THC to unlock the values of. And what I actually have recommended for folks who are looking for different types of efficacy is I’m a big believer in high doses of CBD with lower doses of THC, or nominal doses of THC, because I think you can find a different type of efficacy that, until, you know, I’ve been in the industry for almost 10 years. I always kind of wrote off CBD because I thought it was snake oil, but I’m seeing it come back more where there are some incredible brands who are just, like, a one-to-one, where it’s, like, 5mg of THC, 5mg of CBD. There are some brands that are doing amazing work where it’s, like, 25mg of CBD with 5 of THC. Those products are super interesting to me. And there are a couple of brands that I’m going to be bringing onto the platform, who are taking kind of the innovation side of these form factors and really peeling them a part in a way that traditional landscape of THC products hasn’t really done in a long time.

Cann was one of the first where they did a 2 to 1 with, you know, 2mg THC, 4mg of CBD. But there are some really great products that I’m so excited about, that are leaning in on more niche formulations than more of what we see, you know, on our website today. You’ll see kind of just, like, straight THC or one-to-ones. The ratio products actually are probably, over time, going to be more interesting to me, I think, as I look at the landscape. That doesn’t necessarily help the high-dose people, but it might be a different way of looking at consumption of these products, where maybe it’s combining a couple of different products to get the same outcome. Maybe it’s a little bit more CBD-focused with less THC that might get them to the same place. You know, and that to me is, again, where this landscape is fascinating with how people are starting to gravitate and find the right balance of what works for them.

AM: Sure, I would say there’s nothing like a week tolerance break. It’s on the other side, like your brain and your body just are born again naturally.

TW: You get used to the feeling of being high, which almost underrides the impact of the kind of the category at large. Like, if you take these products every night, you’re kind of building your own tolerance in some ways, and the same thing with alcohol. Like, if you drink alcohol every night, kind of the value of alcohol that you feel is tampered. And so, you know, that’s one of the reasons, you know, to be quite honest, that I like to reserve my consumption of these products to non-school nights, Friday nights, Saturdays, and Sundays, because for a long time in my life, I used them every day, and there’s nothing wrong with that, but I started to feel like the effects for me were dulled heavily, and I started to lose a little bit of the nuance of what I was actually seeking to achieve.

And there’s nothing like, you know - I’m a big fan of the… it’s not quite a wake-and-bake anymore, but, you know, Saturday mornings, having an infused beverage, you know, functional infused beverage. It always kind of fires me up, and then, man, when I play trains or Legos or whatever it is with my kids, it’s dialed up to 11, and so, you know, it’s one of these things where tolerance is really important.

But again, there’s so many reasons why people come to this category. It’s about finding the right balance for yourself, and really exploring, why do you want these products? Why do you need them? What are you looking to achieve? And then figuring out, in the same way we do with, like, supplements. When do you need to use them, how much do you need to use? And, like, what products work the best?

And I will say there are some products now that I have tried that I’m like, wow, this is a product that I’ve wanted forever, and now it exists. And I’ll shout out OFFIELD is, one of probably my favorite breakthrough category products, and they make athletic products. Athletic consumables, and they have gummies for pre-workouts and post-workouts, and they have an electrolyte, L-theanine, THC, basically a Gatorade equivalent. And I bring one on the tennis court during matches.

AM: Yeah, interesting!

TW: You know, and I just love now where we’re getting to a point where the category can really get more niche in terms of its focus and growth.

AM: Yeah, I’ve had some interviews where it was interesting to see use for training, practicing, and playing in the sport, rather than just recovery or recreational.. And it was very interesting to hear, like, are you more focused? Are you enjoying the sport more? Is it adding focus or detracting from it, or parts? And when? For these people, and me, you know, of course it’s not about overdoing it.. It’s about being productive and healthy.

TW: Yeah, so I’ll give an example, right? So, I run, you know, probably 3 or 4 mornings a week, and it’s usually low Zone 1 thresholds, just kind of getting my legs going. But then on the weekends, when I want to go for a longer duration run when I take a dose of THC, I actually find I can get into my rhythm and flow state of a long run faster with a little THC, because it almost kind of takes away a little bit of the overthinking. When I first started running, I’m like why am I doing this to myself? Like, this is not fun, but I know I have to do it. But, you know, the THC actually kind of helps me kind of dissolve that a little bit, and I can actually feel.. be a little bit more in tune with my stride, my pacing, my steps per minute, so on and so forth.

And it’s the same thing on the tennis court. You know, instead of thinking about do I need to tune up my forehand a little bit? You know, am I over-extending or am I too close on my forehand?

It actually helps bleed away a lot of that where I can get into a flow state a little bit quicker, and it kind of dulls a little bit of the noise. It can be a little bit physical, but it can be very mental. It can give you a little bit less of that stream of consciousness when you’re doing something that’s very technical. And so, I’m surprised that athletes haven’t come more into that. Maybe they are, and maybe they’re not in a place where they can talk about that, but you know, for me this is the next phase of where we’re going, is I think there’s a lot of application today for THC in these types of products in those types of activities. And that is what really energizes me about the future growth of the category and the innovation that can come. And people think I’m crazy when I tell them that I like to take edibles and go running. They’re like how do you know how to do it? It’s like, no, it’s not what you think. You’re not kind of looking off in the distance, you’re getting into a very focused mind state, and you’re quieting your subconscious a little bit.

But it’s again - right products, right time, right outcomes.

AM: Yeah, also as a celebrity photographer, I’ve vaped before and during most shoots.

TW: I love that call.

AM: Yeah. I think for me, it’s about loosing up, mood, creativity, picking up on lighting, poses, opportunities and context. Improv is very much about being open and adaptive, so many nuanced aspects light up for positive productivity.. so when you’re saying healthy, not high, I’m hearing for wellness, fitness/sport, recreation, also for art and creatives and, and.. Being productive is healthy and also, you have to be true to yourself that you have, in my opinion, you need to tell yourself you could easily do it without it as well. So it shouldn’t take over though.

TW: Right? That is one of the most important things, like, you have to be able to do it without it. And that’s where I look at my comparison of running during the week and on the weekends. On the weekends, I’m stoned and I’m running. During the weekdays, I’m sober. Because I want to be able to say, yeah it’s still fun either way, I could use it or lose it, and it wouldn’t really impact my interest in this activity. Right.

AM: It’s often a big net plus.

TW: Yeah, and I spend a lot of Sunday afternoons when I have a really interesting strategic problem to solve for. I will, on my own time, on the weekends, have a couple of infused beverages, and lay out a design, or look at a problem I dealt with during the week with a different lens. And, you know, that to me is that duality of these products have this really wonderful massive benefits when used responsibly.. can be used creatively, you know, physically, mentally, all of these things - this category can unlock a different type of value set, that most consumers, unfortunately, haven’t had the privilege of engaging in. And I think over time, we know that more and more consumers are going to start to engage it this way. And we want to be the person who can recommend to you to try this, and this may help. It may not, but, you can try it and see if it works for you, and if it doesn’t, that’s also okay. And if it does, great! And if you like it, then there’s more that you can try, too. And that’s usually where what we see is we have a very high retention rate right now of return customers, because they try something, and then they come back and try 3 more things, and then they come back.

AM: Yep.

TW: Building on that, because there is an educational curve, like everything, but once you find that right balance.

AM: Now, let me ask you, are we going to see a lot more products on the edibles.com marketplace coming up?

TW: Yeah, and we once crossed our national shipping kind of expansion that put us into the 65-plus percent of households in the country.. But this is where it becomes really exciting for me, because we have all these big, major brands, right? There are a lot of smaller brands that deserve to be discovered. OFFIELD is one of them. Todd Hunter, who’s the CEO, he’s a great guy, and I think he created this product, this brand of products that I’m really interested in, and I want to continue to grow the portfolio, because I think the future of this category is going to be very specific to needs, states, and outcomes.

And I love when, you know, I take it with a healthy dose of skepticism if somebody’s like, I have a creativity chew. And I’m like, yeah, like, I’ll try it and see if it does what it’s supposed to. I think over time, you know, now that we have so much capital coming into the space, we have so much innovation, we have people really pushing the boundaries in ways that maybe cannabis didn’t as much, because it was a very binary sales channel. Now we’re starting to see a much more nuanced approach to innovation of these new types of categories of products. You will see probably in the next couple of months, a lot of new brands coming on board. I have a list of folks that I have tried over the last year and a half and beyond that I want to be a part of this, and I want to have on, and nobody has said no to coming on the platform. We’ve had to say no to a lot of folks, unfortunately, but it’s really about making sure that we have this portfolio that continues to grow. And the other thing that we’re also looking at, too, is not just THC products, but we’re going to bring on a bunch of CBD products. I think it is another really important part of this portfolio that can be complementary to other products, and also stand alone. And furthermore, we’re also going to bring on likely some nutraceuticals as well. You know, so a lot of different types of non-infused, non-cannabinoid products that edibles over time will probably continue to expand into. Yeah, you may be able to get a magnesium sleep powder to mix in with tea, but you can also get your infused gummies that also help with sleep. We really want to build this as a wellness-focused platform, and that doesn’t just need cannabinoids, but it’s where we’re starting to open the door to great brands that we want to help bring to consumers in this marketplace type of approach. And it’s very novel in its kind of concept, because we’re In a white space today that we want to start to increase people’s appetite for alternative health products.

AM: Well, I think Edible Brands is super fortunate to have you, the space is fortunate to have you, and nothing bothers me more when I go into recreational or medicinal dispensaries, and they’re constantly just saying, this is the highest potency, and what is best for cheapest.

TW: Oh, yeah.

AM: Maybe many consumers are programmed to think bang for buck and all these things, but they’re not looking at the art and science of it, they’re not bettering themselves, maybe they’re not looking at wellness in other parts of their life also, but often the dispensaries are not curating or explaining things well, and I think it’s terrific that in leading in the edibles space, you’ll be able to educate people, safely destigmatize, and curate and help guide towards desired outcomes.

IG @ediblescom

PHOTOGRAPHY COURTESY | Edibles.com

Read the OCT ISSUE #118 of Athleisure Mag and see EDIBLES.COM | Edible Brands Thomas Winstanley in mag.

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NEW DAWN FOR BAGS | JESSY DOVER - DAGNE DOVER

October 25, 2025

Dagne Dover launched in 2013 and is a brand that form, function, and innovation come together so that you can enjoy rocking a nice bag that allows you to stay organized. Jessy Dover is 1 of the 3 Co-Founders of this brand and we took a moment to talk about how she got into the industry, her design/creative approach, and what is coming up with the brand.

ATHLEISURE MAG: When did you realize that you wanted to be a designer in the handbag category?

JESSY DOVER: I always knew I wanted to be a designer because it’s where I light up the most. I love making things and in particular, I love making wearables. I didn’t know that I wanted to be a handbag designer though until I started seeing my successes there. I don’t know who made up this term, but it’s all about greenlights and I kind of live by that term! So when I start getting greenlights, I try and follow that. So the first kick off of that was in my Senior year of Parsons, I was like, I need a job. I’m going to apply for every award, every internship, that I could and I ended up winning the Coach Design Competition and that was the first time that I realized I had fun with that project and I got to really understand how to create a bag. For me, as someone who has more of an athletic body type, I never fit into the fashion body type world, and when I was at school there, I felt out of place. I just fell in love with bags because you didn’t have to consider the body all that much. It is just a tool that you can use every day to make your life work. I was stoked on that!

It kind of led me down this path of eventually meeting my co-founders and creating my first few bags. After we started selling, I would say that after I sold my first 100 bags, I would say “oh, ok other people want really great bags that have pockets and actually support them through their day,” which led me to where I am today, which is deep in bag world and I love it! It definitely wasn’t something growing up where I thought that I would be a bag designer.

AM: I have to say that when I first started working in the fashion industry, I started as a model, then went into design, visual merchandising, wholesale, and then styling before I entered publishing – I would always tell people that I am an Accessory Expert and they would ask why I liked it so much. I would tell them whether you’re bloated or not, the bag is going to fit – the shoe is reasonably going to fit for the most part and the jewelry is generally never going to disappoint you no matter what is going on with your body. When you can do that and enjoy those items, it’s a different level of confidence you can have when you’re wearing them.

JD: Totally!

AM: So I love being accessory first!

JD: Yes! Ok, me too! It also just tops everything off. You can put on your clothes, but when you put on those shoes and that bag, it brings everything together!

AM: What was the first bag ever that you designed?

JD: I really have to think about this one! I would say that the first bag that I ever designed that became an actual bag that someone would want to wear, was the design that I did for the Coach Award. As you can imagine, it takes a lifetime to be a good craftsman and to make a luxury bag.

AM: For sure!

JD: Whenever we go to Asia and we’re with the sample makers, I’m just bowing down because it’s all them. We design, but they create it. But I made this bag with the Coach sample maker and it was my first leather bag, it was a work bag, fairly simple, a camel color, with buckles on the front, computer sleeve, and I looked at it when it was finished and that is when it clicked for me. You need to have a team of people to create something incredible and you can’t be the expert at every single thing. That’s when I realized that I am a designer and I am not a maker.

Then I would say that the first bag that I actually sold that was a success was our Legend – we still sell it and it is still on the site. There was another bag, but we don’t sell it anymore as it has been discontinued, called the Clutch Wallet. But the Legend was our very first work tote and it was made out of coated canvas and it was a solve to the problem that we had originally pinpointed. The problem was that there wasn’t a work bag that was also cute that is a good price point for a working woman that can keep your things safe - that has a computer sleeve, has a key leash, has a spot for your phone and you know all of that good stuff. So that was a big moment for me. I think that the confidence that gave me was that it wasn’t even me, it was like, people want what I want and it gave me that push to keep going. The next bag that I look at as my biggest most favorite success was the Dakota Backpack – that or the Landon, I came out with it at the same time. That was when things started lighting up for the brand and that was a whole other different success than the Legend. Because, all of a sudden we were talking to a whole community that were not just those that were working corporate jobs. They were living!

AM: That’s right!

JD: That was the time that I was really coming into my own as a designer and a person who really prioritizes health and wellness and bringing my self to the world, and I feel that that was the moment for me as a really young designer.

AM: I love when you were talking about the whole designer and the community of makers that support it. My mom was a couture designer for a number of years so I watched her make gowns, suiting, etc.

JD: Goosebumps!

AM: I loved it and she had another person who worked with her. But it wasn’t until I did a collab line with Sebago for a few seasons where I would sell it on HSN and we designed it in the Dominican Republic at the factories there; when I was there you would have generations of people that by hand were sewing and putting the different leathers on the machines. I knew what I knew in terms of leathers, cool colors, and how that should come together, but then I would talk with the teams that would talk about the placements to take my vision to how it could actually come forward, and there was so much knowledge there that I really respected. So when I would go on air to talk about the shoes I was always happy to say that I designed them, but I would always reference the makers and their knowledge over so many years that brought those shoes to life! They would tell me that they had been doing shoes since they were 16 and some of them were in their 80’s.

JD: They knew what they were doing!

AM: They totally did. It’s about the community and taking that feedback and knowledge and making people aware how your favorite items come to be! I think it’s such a great point that you highlighted.

JD: For sure. It’s cool that you got to watch your mom doing that. I didn’t have that level of transparency into fashion and garment making and bag making – but once I did, that’s what hooked me and I knew that that was so cool.

AM: You talked a little bit about how your co-founders came together. What are each of your roles and what does Dagne Dover mean?

JD: Great question! I’m the Chief Creative Officer, I handle all things creative and design. I spend a third of my time designing product, a third of it doing creative marketing, and then a third of my time doing founder stuff.

AM: There’s always founder stuff.

JD: There’s ALWAYS founder stuff! If I let it, it could take 100% of the time.

AM: FACTS!

JD: Oh yeah, I’m always stopping and saying – that can wait until tomorrow.

My Co-Founders, God bless their hearts, because this company could not run without them, they are sort of the business genius behind everything. They do all of the fundraising, they do a lot of the strategic planning for our drops and our buys and our distribution strategy – all of the stuff that goes into running a business. So my partner Melissa Shin Mash, she’s our CEO and my other partner, Deepa Gandhi are COO/CFO –

AM: When you’re Co-Founder you’re always wearing multiple hats!

JD: Oh, we’re all wearing multiple hats! The day that I can just run 1 department is the day that I just die of happiness!

AM: Oh I hear you!

So the name means …

JD: Oh yeah, so Dagne means new dawn. So in Nordic indigenous language it means new dawn and we just love the name Dagne. I’m so obsessed with Scandinavian design because I think that the simplicity, the purposefulness, and the natural elements – it’s the perfect balance from my perspective. So we chose that as our first name, and then Dover is my last name and we just felt that it was a true collaboration. I did not want my name on it to be totally honest. They were like you should have your name on it because you are the creative behind it. So we kind of created this character out of Dagne Dover and we like to look at it as a new dawn for handbags and really in everything that we do, we support the concept that you should expect more from your bag and you should – we’re here to give that to you.

AM: I will say, that I love that your ears are always to the ground, you’re watching and somewhere along the line an innovation is birthed and will fall into a future season. Not everyone does that.

JD: I really appreciate that and I really have that to owe to my partners because I have the space to do it. I’m still very busy, but because of my team and my partners, I’m really fortunate. I have other friends that are designers and I know that you know this, they’re running their business and they are also designing. That is so much! I am super grateful for that and our community is super outspoken! Our community is power women and they’re so great because they will tell you what they want, what they don’t like and they are super honest and I appreciate that!

AM: They truly care and a number of us saw the initial assortment and have had the joy of being along for the ride of the expanded styles, colorways, and innovations! For me, I find that the purpose and intention is there. Whether I may use a specific style or not, I can understand why it is there and who it is servicing.

Many years ago, when I worked in the wholesale division at Lacoste, there would be a large number of SKUs for that particular season and I always thought about how much that could be edited. You could look through and in terms of buyers you knew where a lot of those items would gravitate towards.

JD: I think that that is the difference too between running a product led brand and a brand brand. We’ve all come from the world of brand led brands where you just need stuff to sell. We’re really selling a brand, but we wanted to create something that is product first. We love the brand, the brand has value, but it’s really about the product, because otherwise you’re selling and idea that people are buying into, but I really love product.

AM: What’s an average week like for you? I ask that knowing that there are no average weeks!

JD: I know! I think it’s so funny that you asked this because I really want to nail this down! You’re right! I set a schedule and then it just gets wiped out every week. I do try to stay true to my 1/3 design, 1/3 digital marketing – with all of my emails and photoshoots, and 1/3 founder stuff! I would say that most of my stuff I try to split it between the day, but as a leader of this initiative and how we can be available and make our schedules work, so that we can make it happen and push it forward – what keeps me focused and on point is that at the beginning of the week I write down my top 5 things that must must happen and even if those meetings don’t happen we use Slack, text, and voice notes and all of the other modes of communication to make sure that the ball keeps rolling. It’s about finishing and completing those initiatives. I know that you also know this, but we don’t really have a big team. I don’t even know what size brand to call us! We have a small team, we drive a lot of business, but it is still a hustle every day! It’s a lot of meticulous planning ahead of time. I have all of my workouts slotted in because if I don’t they just won’t happen.

AM: This Summer was a great one for Athleisure Media. We traveled, attended a number of functions, connected with people and have great projects coming up. The IG looks great, but behind the scenes while all that is going on is a lot of controlled chaos.

JD: For sure! I say that all the time my IG looks pretty because it shows my slow paced life, but really it’s not at all because there are a lot of things going on.

AM: Impossible. Just looking at your drops of new products, you do a number of events outside of NYC and dealing with communities in other cities, the planning that goes behind introducing colorways and new styles – there is constant movement going on there and a lot of planning.

I know especially with my wholesale background that yes your brand is small, but the amount of output, the footprint etc – there is a lot of working going on perpetually.

So how do you get inspired and where do you go for your inspiration for the collections and the colorways?

JD: I love this question! I have a lot of different places where I get inspired and mainly it comes from my every day life! For product, I look at what I am struggling with and where is there white space? An example of that is not being able to find my keys for 10mins in my bag at my front door – I don’t have 10 extra minutes, that’s my break time in between meetings!

AM: So true!

JD: Then I designed the key leash and we put it in every single bag! So now it is super quick to find them. So things like that – but then also for seasonal drops that are a lot more conceptual, I learned to design with a method that is very traditional due to going to Parsons with an inspiration and everything fitting within that so that you have the guardrails. For me those inspirations come from travel. Our SS drop this year was called Lakehouse and we had come up with this whole dream world of a lakehouse and we pulled colors, textures, color names, from that theme and so that happens a lot. I will go on trips and be like, “guys let’s just dive into this world.” A lot of times, it becomes place.

AM: Always a good place to start.

JD: Yeah, it’s inspiring. It’s fun and gives me energy. I love a natural landscape. I wanted to go to the Scottish Highlands this Summer, but I didn’t have time. There was no way that that was going to happen so I went to Chat GPT an asked if there was anywhere in the US that was like the Scottish Highlands. It spit out that in Virginia, there are areas that look like that in the Appalachian trail. It’s a small portion of it, but I flew down and there were cows and ponies and it was so crazy. I didn’t know it existed so close to us, but things like that get me really excited.

Then being outdoors – I love being outdoors whether it’s hiking, backpacking, snowboarding. I grew up in Colorado so being in NY, I don’t really get access to that so every chance I get, I go. Often times, I’m inspired by technical gear that I’m getting or buying because those are super high functioning and they are not used in traditional fashion a lot. They are great and they look professional if they are done with the right silhouette.

AM: In those early days, I have been a Dark Moss girl from the start. For me, I feel that it is one of those new neutrals. I don’t want to just have black but somehow, that Dark Moss it just hits different.

How did you guys identify that these were going to be core colors, what would oscillate in terms of colorways throughout seasons, and those that are limited editions? Even now you have those core colors that still find their way there.

JD: I kind of shot myself in the foot with that one if I’m honest. Those colors sell and I’m like, “please, let’s get new ones.” But people love them! They have become iconic to the brand in a way. If I’m totally honest, I made colors that I totally wanted to wear.

AM: Which is fair.

JD: I was working a lot, I wanted to make sure that whatever core colors we dropped, it would go with my friends and families existing wardrobe. They were picked to be complimentary, but exactly what you said, I didn’t want them to be plain and dull and boring and in the exact same colors that everybody else drops. There are limitless colors so can we pick a brownish/purple that other people don’t do? Really when we look at it, we want it to feel good – color is such a powerful tool with the psychology behind it. This has always been interesting to me. There are people who love purple, they only wear purple, and when I do a purple – I know who will buy it and it will sell through really fast, but I can’t make it a core color because it won’t continuously sell. Digging into these people’s minds, there are similarities of how they think because they will choose purple. Green, the Dark Moss green is exactly what you said. They don’t want to wear black every day. They have their own flair and they still need to fit into some kind of societal structure where maybe they are going to the office or they don’t want to be super flashy, but they want to be cool and fun – a little bit interesting. Then there is the navy people. So I just tried to hit on the buckets of those things and to give the best version of those things.

AM: Wow!

When I first started getting pieces from you guys. I came to love the leather collections and it was the oxblood. From the tote bags to this beautiful large clutch/cosmetic base that I use to hold items I use for wine when I am traveling ha! That part of the collection reminded me of 1970’s Etienne Aigner – that was my jam!

JD: Yes! It was! Fun fact, I worked on that brand for awhile!

AM: I am not surprised! My parents in the 70s had matching Etienne Aigner oxblood leather jackets and then my mom gave me hers and I used to wear it all the time and I had the bag to match!

Then neoprene came and I was like, this is not even a fabrication that I would ever think that I would want for my bags, but I got the versatility of it immediately. I love how it is squishy.

JD: Squishy!

AM: Super expandable, and I was there for it. So how did neoprene make its way in there? I knew from the first one that every part of my bag needed this fabrication.

JD: I’m so glad you like it! I love it too! My life changed. I went from a corporate design job to being a founder. I’m running around the city – I’m not seeing people except for my factory and my teammates. We were working in basically a closet and I was in gym clothes every day. I wanted something that felt like me – sporty, needs to move with me throughout the day, but still where I look put together to be neat and presentable. I was in Vietnam working to set up another factory and I was swimming and I had this neoprene bathing suit. I was like, this is rad! So I said to Deepa, do you think that we could make bags out of this? She’s like, “dude, I don’t know but why don’t you try?” She’s always like try it and we’ll see what happens. We did it and it turned out really cool. Before we dropped it, I didn’t know if people would like it.

To me, I felt that it might be a world where people didn’t understand it. In Colorado, I knew people where I’m from would understand the fabrication, but they don’t really need a bag that is tailored as much as those are. They are wearing Patagonia and gear – it’s not like they are wearing something that needs to go into the boardroom also. So I thought, they will get it, but they may not buy it.

My people in NY, they might get the silhouette but this may be too sporty for them!

It was a passion and a random idea that we thought could be really cool and it turned out really great.

AM: The other side of that is the bags that were made completely out of mesh! Again, I was like ok now we’re taking something that is usually inside of the bag as a pocket or a pouch and we’re taking that to the next level!

JD: I know! That was said by people too and they loved it and the fact that it was so lightweight! We ended up dropping the Air Mesh. Ultimately, that one did great, but it was a fun learning experience because it was so sporty, people felt that they couldn’t wear it to the office.

AM: Sustainability has always been something key and core to the brand. I love that now the neoprene bags are made out of x amount of bottles. You also have other environmental innovations as well. Why is that so important to you and being transparent about it because a lot of times you don’t know when someone is saying that something is that – to what end?

JD: Right – what? It could mean anything. I try to stay away from the word sustainable because I am afraid that it doesn’t mean anything anymore. What I try to do is to infuse as many conscious materials that I can find that is trackable. Part of being in a new wave of something is figuring out what is legit and what it’s not. The systems aren’t there, the regulation isn’t there yet and quite frankly, the US doesn’t have a lot of rules around that in the same way that Europe and other places do. It was a process of finding out which manufacturers were making eco-friendly materials.

What do they have that we can already utilize for the products that we have created and what do they have that we can use in the future to make even more sustainably minded products. It’s important to me because I love bags, I love making things and if you saw my apartment – there is stuff everywhere. I understand that when you make things, there is a lot of waste. There is a lot of testing and you’re making a physical thing so as much as you can be conscious about wastage and where it is coming from and where it is going to after, I think is fantastic and hopefully my wish and hope is that we live in a world where there are companies that are offering sustainable materials that we can use that are also durable. I think one of the biggest challenges for us is finding durable sustainable materials that can also be produced in a way that is timely and consistent – a lot of it is experimental!

What people don’t talk in terms of sustainability is affordability and that is a big one.

AM: It’s a huge barrier.

In terms of the travel collection. How long did it take to create that? You know I love it, for years I had asked members of your team why you were not adding it to your assortment and once it came out, I switched over my travel as well as my styling kit – including the carry-ons, duffles, garment bags, cubes to these products and love how they play well with the other Dark Moss pieces that I do have from the eyeglass case, toiletry bags as well.

I will also say the wheels on those bags work so well. Here in NYC, you know we have like 80 types of streets/concrete.

JD: Ha! Thank you for noticing. We put a ton of time into those wheels. I told them that we were not dropping until we had nice wheels because that is the key to the whole thing. I guess it took 3 years, but I was thinking about it a long time prior to that. It was a meticulous process. Luggage is not forgiving! There are a lot of regulations from any number of airlines from around the world that you have to hit so you are boxed into these being the sizes that you have to do or else people will not be able to carry them on the flight – so there’s that. It has to be incredibly durable because of course, we don’t know what they do behind those curtains, but every time that a bag comes out – you’re like what happened here? It has to be durable, dense material – I was really on my sustainability quick when we were designing this. They are 100% recycled and I was not willing to make any compromises on that. We were developing into this custom material and then I really wanted the interior organizational system to match what they were expecting from us. So we designed a ton of pieces, we tested them for a really long time, ultimately narrowed it down and the process took a long time. So we manufacture in Asia so we get the best products and it takes time for them to make every single sample set and we could be waiting 1 month or 2 between sample sets while we’re waiting for the next one to make changes and to evolve them. So it took about 3 years and to be totally honest, I was learning on the fly. Luggage is a whole other category.

AM: It is a whole other beast!

JD: That was very fun, but I am super happy with where they landed and I’m so glad you love your Dark Moss! I need a picture of your set.

AM: I’m constantly taking pictures of it in every photoshoot when I’m on set. I mean yes they are great travel bags but when I am bringing them to set or we’re sketching out what is coming as each shoot is a snowflake with different needs there may be a series of luggage and related accessories to support the needs and I’m always happy how smooth it is or how the compartments work or how I use it for a set versus going on a vacation.

I will also say that the long garment bag which I know is really great for weddings. It’s awesome for pulls because I can fit quite quite a few things in there and it’s still streamlined. When we shot our cover with Bozoma Saint John back in the Fall last year, I literally walked into 2 different bridal showrooms as they had evening wear and I must have fit 8-10 pieces in there easily.

JD: So glad you love it because we made that bag for gowns. My partner Deepa is Indian and we need an extra extra long bag for her gowns and people started loving it for all sorts of things. We have a bunch of designers that are using it for Fashion Week. Garment bags are great, but again, there are not a lot of cute options that are also lightweight and all the things that we as people in the industry need. I am so glad that you love The Capri.

AM: Oh yeah, I use the Carpi bag. I think that day I had that as well as the Air Mesh XL tote in Dark Moss that way folded could go there and everything else was in the other because I was hopping in and out of the subway that day for that cover shoot and I wanted to keep it light and agile haha!

Each showroom was talking about how co-ordinated it was and it didn’t matter if you were in a luxe space or something more functional the bags never looked out of place.

JD: I love hearing that and am glad you’re working those bags!

AM: Without question!

How many drops a year would you say that you guys have?

JD: It depends. I don’t have a specific numbers that I have to or feel that I need to hit. We always have a SS and a FW drop. Depending on what strategically we are trying to achieve, I will drop a product based collection or sometimes just new products if I feel they are needed and I’m working on it.

For example, last year in 2024, we had 4 drops. For 2026, I’ll have 7+ drops planned. So it really depends. I would say that I like to try and stay on a schedule. Things are ready when they are ready. For me, it’s about doing it and the dropping it the right way. That’s why some years we’re making it rain and then in other years it feels like we’re pulling it back a little.

Sometimes I just want to move on and create something new so you have to replace something. Something better is coming and I want to get ahead of it. Sometimes it’s also that something is too expensive to create for what we can sell it for. Being transparent is important about that. People will ask if we can make something and we can, I want to, but it will not be affordable!

AM: If someone is new to the brand, what would be 3 items that they should have to start their collections?

JD: Love this question! I would say that they must have the 23.5 Carry On Luggage that is the larger sized because there are 2. The Landon in the Medium Size. I love it because it goes from duffle to tote and it’s just the most versatile bag ever. I would say the Bennie Sling that we just dropped this past Spring and it’s like our old Morris Sling, but on steroids. We know that our slings are awesome, how can we make it even better and to address every pain point that people have? Everyone needs one. So that is my third pick! Those three you can rule the world!

AM: You guys always do fun events. My favorite event you guys threw was a few years ago and it was a twist on a Field Day/Olympics day.

JD: Oh yeah!

AM: It was like you literally felt you were living with the bags and it was fun. It’s also fun when you have done things with Sloane Stephens and she did a fun collab with you guys for Doc + Glo. We’ve had her as a previous cover, have interviewed her a few times, and I had lunch with her earlier this Spring. She’s just a good human.

JD: She really is! I feel like I’m best friends with her, but I don’t know her like that that well.

AM: You can sit with her and you just feel like you’ve known her for awhile.

Are there any partnerships or event collaborations that you can share?

JD: We have our FW assortment that is dropping in Oct this year. We’re really excited and we have some awesome prints and new colors.

I would say stay tuned for 2026 because we have a big year planned out! I’m very excited about it.

I mean, Sloane, we just love her. She is part of the team at this point so it comes from things like that – synergistic connections that we can create something really cool together.

AM: When you’re not doing all of the things that you do as a co-founder, how do you take time for yourself? This work is consuming and you do love it, but you do have to take at least half a second.

JD: For me it is very physical. My nervous system will crash and I always feel it coming. I will call my mom and I tell her I can feel it coming. When I get to that and some people call it burnout mode, I will take a little trip whether it is 1 night or 5 nights. I was actually able to take a trip for the month of August to Steamboat which is where I’m from and I worked from there for a month. When I tell you that it changed everything for me, I can’t suggest enough about taking a beat and it can be as simple as skipping the commute. Just that, working from home for a week can do that. For me, it’s about working out. I have to get that in and really think about the fact that we have a body too! We’re always up here in our mind and stuff, but when my body is in motion, it’s when I feel the best – hiking and biking – that’s when the ideas come to me. I have 2 dogs and honestly getting the dogs was the best because it forces me to go out and walk them.

AM: They have to do their business!

JD: They have to do their business and they are not going to wait!

IG @dagnedover

PHOTOS COURTESY | Dagne Dover

Read the SEP ISSUE #117 of Athleisure Mag and see NEW DAWN FOR BAGS | Jessy Dover - Dagne Dover in mag.

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In AM, Fashion, Lifestyle, Sep 2025 Tags Fashion, Jessy Dover, Dagne Dover, Coach, Bags, Luggage, Chief Creative Office, Designer, Collection, Dennis Basso, Awards, Design, Designs
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FINE + DIVINE

May 21, 2025

We're always looking at wines to add to our bar carts or cabinets and it's a no-brainer when the aesthetic of the bottle is just as lovely as the wine itself. We took some time to sit down with Andrea Brambila, winemaker at Chloe to find out more about how she came to the industry, learning more about Chloe, and the collaboration that they did with accessory designer and lifestyle brand, Lele Sadoughi.

ATHLEISURE MAG: When did you realize that you wanted to be a winemaker?

ANDREA BRAMBILA: I have been in the wine industry for over 20 years and have been head winemaker of Chloe Wine Collection for the last several years. I love everything about the wine and the brand. I was always drawn to the blend of art and chemistry in winemaking and enjoy the unique challenges each vintage brings.

AM: Can you tell us a bit about the ethos of the brand, Chloe?

AB: The Chloe Wine Collection is built on the ethos of creating high-quality, thoughtfully crafted wines that reflect the passion, artistry, and dedication of the winemaking process. We emphasize a commitment to producing elegant, approachable wines that cater to a range of palates while maintaining a focus on quality.

AM: What can you tell us about the portfolio of Chloe?

AB: In our winemaking, we strive to produce the best representation of the varietal. It’s truly the classic style. I spend a lot of time working with the local growers whether that’s in Northern Italy for our Pinot Grigio or in the cooler, coastal climate of Monterey County for our Pinot Noir and Chardonnay to Marlborough, New Zealand for our Sauvignon Blanc.

AM: Tell us why it is important that you engage in traditional winemaking when it comes to making this portfolio of wines and what is the process?

AB: Engaging in traditional winemaking is crucial for us because it allows us to honor and respect the rich history and craftsmanship that has shaped the wine industry over centuries. The process is not just about making wine, but about respecting time-tested techniques, the land, and the heritage that comes with each bottle. By utilizing traditional methods, we ensure that every wine tells a story - of the soil, the climate, and the hands that have worked the vines. This means focusing on quality, balance, and finesse in every step, from hand-picking the grapes to carefully controlling fermentation. Our process embraces both the old and the new, creating wines that are timeless yet sophisticated, and that truly reflect our passion for creating something exceptional.

AM: Can you speak on cultivation, fermentation, and aging of wines and what those techniques are?

AB: The Chloe Pinot Grigio is bright and classic and is fermented in 100% stainless steel tanks, delivering fresh, fruit-forward flavors with mouthwatering acidity, balanced minerality, and pure panache.

The Chloe Pinot Noir is elegant, and complex. It’s cold-soaked, cool-fermented, and aged in French oak, offering a plush mouthfeel, balanced texture, and a rich, satisfying finish.

AM: As a winemaker who spends time with local growers in Northern Italy as well as in Monterey County, CA - what takes place here and why is it important for you to be part of these steps in winemaking?

AB: Spending time with local growers in both Northern Italy and Monterey County allows me to connect deeply with the land and understand the unique characteristics of each region. The collaboration with these growers is essential because it gives me insight into the specific terroirs, climates, and farming practices that shape into the specific terroirs, climates, and farming practices that shape the wines. By being directly involved in these steps, I bring that knowledge back to our winery, ensuring it influences each varietal expression and translates into wines that reflect both the distinctiveness of their origin and our commitment to quality.

AM: How did the collaboration between CHLOE and Lele Sadoughi come about?

AB: Pairing Chloe Wines with Lele Sadoughi was a natural fit, as her feminine aesthetic and iconic bow designs mirror the essence of the Chloe Wine Collection and its signature label bow. This collaboration marks Chloe's first with a fashion designer and Lele's first with a wine brand.

AM: The bottles for both of these wines are a departure from the ones that are associated with the brand. Can you tell us about the LTO design process and why you wanted the bottles to be this way?

AB: The design reflects the beauty of the wines and celebrates what our bow signifies: high-quality wines from the most pre-eminent wine regions around the world. The oblong glass vessel resembles a perfume bottle with elegant-curved shoulders, which directly reflects the experience we want our drinkers to have when enjoying the wine - an elevated, premium, and luxurious experience.

AM: In looking at the bottles, they are so appealing to work with. What are 3 items that you would pair with the Pinot Grigio as well as the Pinot Noir as we begin to plan meals at our homes this season?

AB: Our Chloe x Lele Pinot Grigio pairs well with light, fresh dishes. Here are three great options:

• Grilled Shrimp or Branzino – The crisp acidity of the Chloe Pinot Grigio complements the delicate flavors of seafood, especially grilled shrimp or grilled branzino.

• Fresh Salads – A Caesar wedge salad enhances the refreshing notes of the Chloe Pinot Grigio.

• Parmesan Risotto – Chloe Pinot Grigio’s crispness and citrus notes pair beautifully with the richness of a classic Parmesan Risotto.

Our Chloe x Lele Pinot Noir is a versatile red wine that pairs well with a variety of dishes. Here are three of my favorite options:

• Rosemary & Thyme Roasted Chicken – The light tannins and fruity notes of the Chloe Pinot Noir will complement these savory flavors.

• Grilled Salmon – The acidity in our Chloe Pinot Noir and subtle earthy flavors pair wonderfully with the richness of grilled salmon or other fatty fish.

• Pasta ai Fungi – Chloe Pinot Noir’s earthy undertones make it a great match for dishes featuring mushrooms.

Now that we know more about Chloe, the brand, and their collaboration with Lele Sadoughi, it's time that we talk with this accessory designer to find out about her brand that has been styled in our editorials, how she came to the brand, and more!

AM: When did you realize that you wanted to be an accessory designer, and do you remember the first piece that you designed?

LELE SADOUGHI: I started my career in ready to wear managing pattern makers. I would get creative projects to paint and bead panels, and knew I loved working with the details. I started to design trims at Rebecca Taylor, so picked out all the buttons, ribbons, and bows that adorn outfits. This led me to designing jewelry for many companies including Banana Republic, Tory Burch, and launching the jewelry at J. Crew.

For the first accessory I designed, I remember making a ribbon necklace with bleached wooden beads for Banana Republic. Thousands of them were produced. My most viral design is the bubble necklace I made for J Crew, when it was all about layering necklaces and wearing a statement piece.

AM: Where do you look to in terms of inspiration for the next collection that you create?

LS: Inspiration for my designs comes from all around me—nature, art, culture, and even everyday life. I’m constantly looking for beauty in unexpected places: color combinations in a painting, the texture of a material, or the patterns found in natural landscapes. I love traveling, and each place I visit brings a new wave of creative energy. Above all, my inspiration often comes from the emotions I want to evoke. Whether it’s empowerment, joy, or a sense of nostalgia, I aim to create pieces that connect with people on a deeper level.

AM: I've had the pleasure of styling photoshoots and including your brand in these editorials! As someone who loves accessories, what does accessorizing mean to you and how do you feel it compliments your identity?

LS: Accessories give the ability to showcase personal style on top of a well-dressed outfit. There’s nothing better than putting together an outfit that makes you feel feminine and confident and adding an accessory like a headband, sunglasses or a bow to complete the look and elevate it that much more. Adding an accessory is like treating yourself to a little luxury, and putting a bow on this fabulous Chloe Pinot Grigio bottle is doing just that.

AM: The Chloe bottle is gorgeous! Can you tell us about the inspiration behind the bottle and elevating their iconic Chloe bow?

LS: I was very honored to work with Chloe to create the perfect accessory for them. They came to me with this stunning, super luxurious perfume bottle-styled bottle and asked me to celebrate the signature bow on the label and hero the quality of the wine in the bottle. So, I designed a handmade, double layer silken bow to accent the limited-edition Chloe Wine Collection bottle, so this new beautiful shape can stand out amongst its neighbors. The elegance of the perfume-like shaped bottle evoked such femininity, and adorning it with this chic, luxurious black silken bow was the ultimate finishing touch. Not only is the limited-edition Chloe bottle visually exquisite, but the taste is also perfect for sipping. The bottle serves as a great collector’s piece that will sit pretty, even next to your Lele accessories.

AM: How do you make the everyday seem a bit more luxurious especially as we continue to navigate the Spring and begin to embrace the Summer?

LS: Every day should be luxurious, joyous, celebratory and over the top. Maybe it’s the thrill of adding a bold accessory to compliment an outfit, or even something as simple as pouring yourself a glass of your Chloe wine. To be able to showcase personality through luxurious bows and accessories is a great way to celebrate style, the art of living and enjoying life!

AM: You recently launched your one-of-a-kind Floral Boutique Collection! Are there additional launches and collaborations that we can keep an eye out for?

LS: We are always working in new collection drops. We have a surprise drop of rainbow colored crystal headbands coming soon. Also, every spring we drop a collection using Liberty of London prints as well as an Americana collection just in time for the summer.

IG @chloewine

@lele_sadoughi

PHOTOS COURTESY | Chloe Wine

Read the APR ISSUE #112 of Athleisure Mag and see FINE + DIVINE in mag.

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In AM, Apr 2025, Fashion, Food, Lifestyle Tags Chloe Wine, Lele Sadoughi, Rebecca Taylor, Tory Burch, Banana Republic, J. Crew, Accessories, Fashion, Wine, Pinot Noir, Pinot Grigio, Chloe Wine X Lele Sadoughi
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SPRINGING AHEAD | KELLY OLMSTEAD CMO ALLBIRDS

April 23, 2025

Last month we went to Ludlow House to screen Allbirds' series Cards on the Table hosted by and created in collaboration with Stanley Tucci (The Devil Wears Prada, The Hunger Games franchise, Conclave) as well as to enjoy a lovely dinner and to keep the conversation going. This series includes conversations with fashion designer Tan France, F1 racer Carlos Sainz, Henry Golding (Crazy Rich Asians, The Gentlemen, A Simple Favor), Molly Ringwald (The Breakfast Club, Pretty in Pink, The Bear), Sophie Turner (Game of Thrones, Dark Phoenix, The Staircase), and physicists Brian Cox to name a few. The series was developed by Allbirds in partnership with OBB Pictures and SALT Productions.

We enjoyed the vibe of the series, the dinner and the conversation and wanted to find out more about this lifestyle shoe brand by chatting with the companies' CMO, Kelly Olmstead. We talk about shoes, why it started, the thought behind this series which you can watch on Rolling Stones' YouTube channel, and why they wanted to present the brand in this way.

ATHLEISURE MAG: Can you tell us about your background and what drew you to joining Allbirds?

KELLY OLMSTEAD: Having been in the industry for years, I remember Allbirds first showed up on my radar—and as part of a big industry leader like Adidas, wondering if this small company from San Francisco could really shake up the footwear industry like they claimed. Could they actually do things better, in a better way? When I eventually joined Allbirds, that same scrappy, counterculture spirit was still alive and well—and that’s what pulled me in. It was a chance to rethink the way things had always been done. Back then, I saw the potential for this brand to change the footwear industry for the better. And today, I still do.

AM: Tell us about Allbirds, the first product that they launched and their ethos.

KO: Allbirds was founded in 2015, and since day one, we’ve been deeply committed day one, we've been deeply committed

to drawing inspiration from nature to make better since day one, we’ve been deeply commit make better things in a better way. That philosophy inspired our first product, the Wool Runner, the style that put the business on the map and is still known today for its incredible comfort and simple aesthetic. Today, that same philosophy still rings true. We design our products to be materially different by turning away from convention toward nature’s inspiration.

AM: As a CMO at Allbirds, what is your day-to-day like with the brand?

KO: Our business is focused on three main priorities: making great product, delivering great customer experiences, and telling great stories. In my role, I’m especially focused on that last piece of the equation–and that’s where our brand platform Allbirds by Nature came into play. We introduced Allbirds by Nature last year, which has opened up an enormous opportunity to engage with people on a wide range of topics that are important to us. It’s been an awesome few months really exploring the different dimensions that platform allows with my team, celebrating how we take inspiration from Mother Nature and human nature to make better things in a better way.

AM: What does Allbirds by Nature mean?

KO: Since day one, we’ve been deeply inspired by nature: Mother Nature, the ultimate innovator; and equally, human nature–our consumer’s needs and commonalities. Allbirds by Nature reflects that. Everything originates by observing the world around us, which influences everything from the materials we use in our products, to the stories we tell in our marketing.

AM: Can you talk a bit about the design aesthetic of the shoes and what are 3 products from the men's line and 3 from the women's line that are a must-have as we build our collection?

KO: I’d say Allbirds is widely known for our marriage of natural materials and textiles with sleek, simple, modern design. But we’re widely loved for how comfortable our products are. Aesthetic can be more subjective, whereas comfort is universal, and that’s why comfort is paramount to our product design and development process. There really is a shoe for every foot, but to list just a few of our fan-favorite styles: the Tree Runner Go, Wool Runner Go, and Tree Dasher 2s are consistent best-sellers in both men’s and women’s.

We’ve got an incredible design team led by Adrian Nyman, our Chief Design Officer, and Jason Israel, our VP of Design. They've got a team stacked with incredible talent, including industry experts in materials and color. Later this year, we’re delivering an even more robust product line with fresh silhouettes and material executions, which we’re really excited about.

AM: We had the pleasure of attending your recent event in NYC for the Stanley Tucci X Allbirds Cards on the Table Event at Ludlow House. Can you tell us about the campaign, why Stanley Tucci was a great fit as well as including Dr. Orna Guralnik, and why Allbirds wanted to create this?

KO: At the core, the impetus for Cards On The Table was a desire to make meaningful content that brought to life our brand values and beliefs. One of our core values is to Live Curiously, and it’s that quality that we kept coming back to. The concept of a dream dinner party gained traction quickly, because there’s something about gathering around a table that feels ripe for curiosity, conversation, and authentic connection. In each of the four episodes from the series, we’re bringing together people who inspire us and embody our ethos in different and powerful ways–either with an inquisitive spirit, unconventional approaches to their work, or unique stories of success from those who challenge the status quo.

Stanley was the one and only person weconsidered as our host. Not only is he respected and beloved for his influence in entertainment, fashion, and food, but he embodies curiosity, taste, consideration, individuality, and authenticity. He’s the ultimate articulation of who we imagine the Allbirds consumer to be, and really, the ultimate host. Who wouldn’t want to be at Stanley’s table?

Dr. Orna Guralnik’s expertise was critical to adding weight to the series concept, driving compelling conversations and meaningful connections. I can’t overstate just how important her influence was in crafting the discussion cards, which drive the discussion in each episode. With those prompts in hand, we were able to cook up really exciting, entertaining, and unexpected conversations that uncovered common threads between our guests and encouraged authentic connection.

We’re always exploring new ways to connect with our audience. We know people increasingly seek out brands that share their values and offer more than just a product–people don’t want to be sold to constantly. People want to see content that’s entertaining, inspiring, and adds value to their daily lives. We’re eager to see how people respond to this series, because it’s a reflection of what we believe and value, and we’re hopeful it will resonate with people far and wide.

AM: Will you continue to do this series?

KO: We’re hopeful that this series concept will be compelling and resonant for a wide audience, and we’re excited to see how viewers respond as the remaining episodes drop throughout the month. The natural world and human nature are really a limitless source of inspiration, and we’ve just scratched the surface of where this exploration could lead.

AM: What did you learn the most from doing this series?

KO: We’re always exploring new ways to connect with our audience. We know people increasingly seek out brands that share their values and offer more than just a product–people don’t want to be sold to constantly. The initial response to the series has affirmed that, and it’s been so encouraging and fulfilling to see people connect with the series, the talent, and even with one another in the comments. People are asking for more, and that’s the best result as a storyteller and marketer.

But even more broadly speaking, on a human level, this series reminded me of the joy that comes from human connection. Our hope is that Cards On The Table not only paints a picture of our brand’s beliefs and personality, but inspires people to approach life with renewed curiosity and desire for connection. We want everyone to be reminded of the power of community, and to feel encouraged to connect through the shared qualities that make us human.

AM: Are there any new launches coming out that we should keep an eye out for?

KO: Absolutely–nothing I can tease out quite yet, but we have some pretty fantastic products coming this year that we’re unbelievably excited to bring out into the world.

IG @allbirds

PHOTOS COURTESY | Matt Holyoak

Read the MAR ISSUE #111 of Athleisure Mag and see SPRINGING AHEAD | Kelly Olmstead CMO Allbirds in mag.

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In AM, Fashion, Lifestyle, Mar 2025, Editor Picks Tags Kelly Olmstead, Stanley Tucci, CMO, Allbirds, Cards on the Table, Rolling Stones, YouTube
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THE POWER OF YOUR HOME | HGTV'S EGYPT SHERROD + MIKE JACKSON

March 18, 2025

The beginning of the year makes us think about new projects we're taking on, our goals, and it's that time of year that you begin about getting your home in order for upcoming events and gatherings as Spring is on the way! We caught up with power couple Egypt Sherrod and Mike Jackson who we know from an array of HGTV shows including Married to Real Estate and Property Virgins. They talk with us on how they got into Real Estate, Interior Design, and construction. They also talk about how they work with one another, aesthetics in design for our homes and how they have partnered with TurboTax to keep their business flow on track.

ATHLEISURE MAG: It’s so great to meet both of you!

EGYPT SHERROD: You as well!

MIKE JACKSON: How are you?

AM: I am very good! I have been a fan of yours Egypt since your WBLS days.

ES: Oh wow! Thank you!

AM: Of course I have enjoyed seeing you on HGTV as well Mike.

It's great to see you guys on, Married to Real Estate to see your power coupleship, navigating properties, and projects. How did both of you come to working in real estate, home renovation, and design?

MJ: Okay. Well, for me, mine is pretty simple as it pertains to real estate. My wife said, “get your license or I'm not going to be your friend.” – no haha!

ES: It kind of went like that!

MJ: So you know, proximity, for me!

AM: Right!

MJ: On a serious note, you know, she came to me one day. We were having lunch, and she mentioned, “babe, I'm giving a lot of referrals away. Why don’t you get your license? This way, we can keep it all in-house and it will save us a lot of money and garner us a lot of money. So, in that moment, I thought about it. And the next day, I was right at it, you know, taking the classes getting the material and got my license to be a Real Estate Agent. My wife’s a Broker Agent, but however, at this moment, my license is parked so at any moment, I can unpark it and actually practice, right?

AM: Wow!

ES: But, he's so busy running the construction and that part of the business, that I think that that only allows all of us to super serve our clients.

MJ: Yeah, that's right.

I'm sorry. I got into all of that and looked at her and got flabbergasted.

ES: Whatever ha! Stop flirting, stay focused!

MJ: What was the rest of that question?

AM: Well, how well, just how both of you came to this because it's amazing?

ES: Yeah, well, you said, you remembered me from WBLS. I think that's a perfect example of how we don't have to be a one trick pony at all.

AM: Exactly.

ES: I was obviously a radio personality, but developed a passion and love for Real Estate investing so much that I got my license and became an agent, and I had a dual career which, is then, what led me to television because, as I would talk about on the radio all of my exciting exploits in real estate and making it funny for people, HGTV heard and came calling. That started Property Virgins and then Flipping Virgins and then together Married to Real Estate! Actually, it started on Mike's phone during the Covid years – Married to Real Estate did.

AM: Oh wow!

ES: Many people don't know that story, but you know, it was a natural evolution that really developed through a passion and a thirst for building and leaving a legacy for our family.

MJ: That’s right!

And for me as it pertains to, you know, because you asked for Real Estate, construction, and design, I have always been doing construction with my grandfather and uncle since I was a kid.

AM: Oh wow.

ES: They have their own construction company and they would pull me in and bring me on because they sat aside and saw that I was able to do this stuff without being asked to do it. They saw something in me and said, "listen, come along with us and follow suit,” which I did. And I'm so glad I did. I've always been a creative. I enjoy seeing something, start from nothing, and become something. And in construction, that's what we do all day, you know. We tear it down, and we build it back up. And it was, it was inevitable because I was doing construction while I was touring around the world as a DJ.

AM: Ok, now.

ES: It was like I was DJing at 4am and then at 7am, I'm on somebody’s construction site. It was always there for me and then in New York City, working with the Local 28 Trade and then coming to Georgia and owning my own company, it was like, inevitable.

AM: Well, are there 3 key design elements that are going to be trends in 2025? Whether you know you're here in New York and looking to renovate your space or maybe you're buying home. What are 3 trends that we should be keeping an eye out for?

ES: So number one, as a designer, I'm the principal of a design firm as well at Indigo Road. The one thing I tell all my designers is to be classic. Really embrace the client's aesthetic. Don't follow the trend. Why? Because trends come and go, and if we start designing our home based on trends, you're going to lose money fast every year, every 2 years you're going to want to redesign. But if you do something classic and timeless, then, you can change things up with art and pillows, which you know are a lot more affordable!

So what I will tell you that some of the things that I think are going to be timeless: #1 is, you can change a space, and this is becoming even more popular - you can change the space just with a can of paint. It's inexpensive, you can do it as many times as you want to and you can give the space a totally different feel. So, doing color drenches – color drenches are when the moldings, the walls, the ceiling, everything is the same color, and so you have this amazing, beautiful, colorful canvas to furnish. We're bringing color back, because we went through the years where everything was beige and everything was gray. Now, everybody is embracing color again. So you’re gonna see a lot more of that in 2025!

Arches. We’re bringing arches back (singing it to the melody of Justin Timberlake’s SexyBack).

AM: Nice!

ES: Yes beautiful arches are coming back and that’s coming back in with the wabi-sabi aesthetic (Editor’s Note: Wabi-Sabi is a Japanese aesthetic that embraces imperfection and transience. It’s a philosophy that encourages people to find beauty in imperfection and accept the natural cycle of life. In interior design, it focuses on natural and weathered materials. It often has a rustic and organic feel).

We're also bringing more of the outdoors in with organic luxe and I truly think and this is classic, right? When we were all locked inside for a few years, everybody wanted to get out, to feel nature, and touch.

AM: Yes.

ES: So now, this is being reflected in design where everybody's, like, open my house up. No, I don't mean open floor plan, I mean, open the entire house up. I want just a courtyard of plants in my house.

I want you to knock out the entire back of my house and make it a door that just opens up to the backyard, you know?

AM: Yeah!

ES: Let the outdoors in because I want to feel nature. So, organic luxe as an aesthetic I think it's here to stay, bringing plants and using natural wood.

AM: I love that.

Tell me a bit about the Marriage and Money podcast you guys have. I love this.

MJ: Oh wow, where do we start with that? So, the Marriage and Money podcast is exactly what you hear – we deal with marriage and we talk about money and everything in between. We've had a plethora of guests that have been amazing. It's another idea where you know, in the midst of nowhere I said, “babe, I think we need to reach a different audience, you know, let's create this podcast because we have more to say.”

ES: And I said, no. I said, do not give me another job. Please don’t put anything else on the plate.

AM: Yeah.

ES: Mike is full of ideas! He’s totally the idea guy. I’m the – what do you call me, the Wide Receiver or the Running Back?

MJ: Wide Receiver.

ES: Yeah, and he’ll get me on board with it and I’ll just start running it and working with it!

But no, I'll say this, he was right yet, again. It's fun. It's a catharsis for us and it’s where we let our hair down, because even though our guests and we're talking money, and we're getting into marriage - we have so much freaking fun on the show!

MJ: Yes!

ES: So, we’re very excited!

MJ: And our audience and our fans and our fams – F-A-M-S - fams that’s what we call them because they're more like family. They get to see a different side of us that they may not be used to to get familiar with, right? And one of the things that I love about the podcast is that, you know, it causes others to think and to look at each other when they're listening or watching the podcast because I can't tell you how many times folks have come up to us and say, “listen, I sat down with my husband or my wife and we worked it out because of that particular episode.”

ES: Yeah, or even you know what it allows us to do is teach people through the schools of hard knocks that we had to learn from. Be it in marriage, you know, but also in business, we have made a lot of mistakes, and we're very transparent about it. We could have done things easier and faster, but now we have resources and tools, whereas before we didn't.

MJ: Right.

ES: So on our podcast, we opened Pandora's Box by providing education and resources as well.

AM: You guys have partnered with TurboTax. So, in thinking of like, how important is transparency, especially in couples, you know when you're doing your taxes together? Why did you guys want to work with the brand? I mean transparency and finances is key!

ES: People often ask, how have y'all been together for over 21 years like you seem so perfect!

AM: Yup!

ES: The first thing that we do is chuckle because we've had our hard moments and a lot of them have evolved around business and money.

MJ: Mmm hmm.

ES: It's revolved around taxes. He's the doer, right? And then I'm the organizer. I’d be sitting at the kitchen table with receipts falling out of my ears and my hair just trying to dig us out and to make sense of it all.

MJ: We literally just said a few months ago, when we were doing taxes, that we need to let someone else do this for us from now on. And it made perfect sense for us to partner with TurboTax you know, moving forward.

ES: Then, when you learn, you're like, wait a minute? What have we been doing, all of our lives right? Like, why didn’t we know? So, for us, obviously, we are a champion for the spirit of entrepreneurship. We want people to step out, you know, step on faith and go after the life and careers of their dreams. We want them so we don't want to scare them, which is why we said, you know, what? Let's go out and let everybody know what tools are available. And so, what we loved about this partnership with TurboTax is that number one, they are experts, and they literally have folks who specialize in business taxes. TurboTax Business provides small business owners and solopreneurs access to unlimited live expert help to get your taxes prepared and filed.

That's not what many of us went to school for. We don't want to sit around here doing this. We don't know either. We don’t know all of the deductions that are available for us. So then we lose money because we simply didn't know, trying to save money and not wanting to pay somebody else. They're affordable so, even if you're smaller, just starting out and then they also offer year-round tracking. So, they give you that support year around, because you know with business, you have to file taxes more than once! They provides unlimited year-round expert support at no extra cost, and provides 100% audit protection and accuracy guaranteed. Businesses are matched with a small business tax expert who will securely prepare, sign, and file their taxes virtually.

AM: Exactly.

ES: These are some of the incredible tools that we found value in for our lives and for our business to help us simplify. In short, to get accuracy and peace of mind.

AM: That part.

MJ: I also love how they have the option of integrating their platforms between MailChimp. Turbotax and QuickBooks.

ES: Many people don't even know that they're the same company. But again, that's a business solution. That's an all-in-one package for you to be able to really level up your game and simplify.

I’d love to just kind of encourage everybody as my middle name is Bargain Value and I love giving value to others! So there's something going on that everybody needs to know about. So if you get your business taxes done with TurboTax, you can also get 20% off of your personal taxes right now. So you need to go to turbotax.com/business for more details on that.

AM: Are there any other projects coming up that we should keep an eye out for because I'm always seeing you guys doing tons of stuff?

ES: As far as what we have coming up – we’re talking about March 12th S4 Married to Real Estate is coming at you so put that on your calendar! The podcast.

MJ: The podcast, we’re getting ready to do more episodes of that!

A Thousand Women.

ES: A Thousand Women Owned is my non-profit that we were about to do the formal launch of next month! Our goal is to help, support, provide resources for, and encouragement for a thousand women-owned businesses.

AM: Wow!

MJ: Yes yes

ES: BY 2030, We want to help a thousand women own businesses level up to get the grants that they need to start or to continue running as well.

MJ: And then you can catch somebody I know on, HGTV's Smart Home 2025, as the host!

AM: Ok Mike!

ES: Mike is hosting!

AM: Oh nice, that's amazing. Well, it's always good to see you guys anf I look forward in seeing your upcoming projects.

IG @egyptsherrod

@djfadelf

PHOTOGRAPHY COURTESY | PG 113 PG Egypt Sherrod + Mike Jackson | PG 114 TurboTax

Read the FEB ISSUE #110 of Athleisure Mag and see THE POWER OF YOUR HOME | HGTV’s Egypt Sherrod + Mike Jackson in mag.

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In AM, Celebrity, Feb 2025, Lifestyle, TV Show, Streaming, Real Estate Tags HGTV, Egypt Sherrod, Mike Jackson, Married to Real Estate, Property Virgins, TurboTax, WBLS, Real Estate, Decor, Home, Flipping Virgins, Local 28 Trade, Justin Timberlake, SexyBack, Marriage and Money podcast, Podcast, MailChimp, QuickBooks, tazes, taxes, business, Smart Home 2025
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LO-FI VIBES EDITORIAL @ TECHNICA HOUSE

November 28, 2024

We've always been a proponent of the power of creativity. When it comes together, there's something about being able to explore ideas and being in inspirational environments that allows concepts to grow!

When we heard about TECHNICA HOUSE, this creative space piqued our interest as this vinyl listening lounge is an impressive showroom space that allows you to know more about Audio-Technica's headphones and speakers, has a space to create podcasts, is a working office, and also has innovated automation machines by AUTEC to make sushi!

After hearing about this space, we decided that it would be the perfect location for our Lo-Fi Vibes Editorial which is Fall forward with easy styles that can be worn when you're taking in your latest music find, working on your next project, collaborating with those that are like minded and being able to enjoy wherever the day takes you!

LO-FI VIBES EDITORIAL | TEAM CREDITS

PHOTOGRAPHER Paul Farkas | FASHION STYLIST + CREATIVE DIRECTOR Kimmie Smith | MUA Sang Le | MALE MODEL Ben Simic |

IG @pvfarkas

@shes.kimmie

@sang_theglaminator

@lilboochie

LO-FI VIBES EDITORIAL | STYLE CREDITS

LOOK I PG 76 - 86 | BEN - COLMAR Down Jacket with Envelopping Collar | White Tank | MAVI James Skinny | LAGOS Caviar Beaded Chain Necklace 12mm + Twist Curb Chain Bracelet 12mm |

LOOK II | PG 88 - 89 | BEN - ATHLEISUREVERSE Sleeveless Hoodie | MICHAEL KORS Camouflage Denim Cargo Jeans | LAGOS Twist Curb Chain Bracelet 12mm |

LOOK III | PG 104 | BEN - LX3 Olive Track Jacket + Olive Track Pants | PSYCHO BUNNY Graphic Tee |

LOOK IV | PG 106 - 111 | BEN - | LX3 Oversized Cream Hoodie | MAVI Jake Slim Leg | LAGOS Caviar Beaded Chain Necklace 12mm + Twist Curb Chain Bracelet 12mm | NIKE Air Jordan |

LO-FI VIBES EDITORIAL | PHOTOGRAPHY CREDITS

| SONY Alpha A7R V, FE 50mm F/1.2 GM, FE 24-70mm F2.8 GM II, FE 70-200mm F2.8 GM II, FE 90mm F2.8 Macro G OSS + HVL-F45RM Wireless Radio Flash |

We enjoyed shooting our Lo-Fi Vibed Editorial at TECHNICA HOUSE and we wanted to find out more about this space which recently opened, what they offer in this creative destination, and how you can get to know more about them. We took some time to chat with Takayuki Tanaka, the CEO of TECHNICA HOUSE to find out this and more.

ATHLEISURE MAG: You just launched TECHNICA HOUSE New York earlier this month. This space is above SUSHIDELIC which we covered last month in The Art of the Snack. Tell us about the Japanese technology companies AUTEC and Audio-Technica that came together for this space.

TAKAYUKI TANAKA: TECHNICA HOUSE is a unique collaboration between two iconic Japanese technology companies, AUTEC and Audio-Technica, both bring their expertise, heritage, and commitment to fostering the next generation of creators into this space.

AUTEC is known for its innovative sushi robots, designed to deliver chef-quality sushi with unmatched efficiency. By merging tradition with advanced automation, AUTEC empowers chefs to maintain the authenticity of Japanese cuisine while optimizing operations. Their focus on culinary technology has revolutionized the food service industry and created new opportunities for emerging culinary creators to innovate. 

Audio-Technica, a global leader in high-fidelity audio equipment, has a long history of supporting artistic and creative communities. Their expertise in sound technology elevates the experience at TECHNICA HOUSE, offering an immersive auditory environment. Audio-Technica's involvement speaks to its dedication to fostering creativity through sound, empowering emerging creators in music and art.

Together, TECHNICA HOUSE celebrates Japanese heritage while providing a collaborative space where food, music, fashion, and art converge. This venture is designed to nurture creativity and inspire the next generation of innovators, offering a unique platform for emerging creators to explore new possibilities and ideas.

AM: It seems that TECHNICA HOUSE - New York merges food, music, fashion, and art together. Why was it important for you to have these elements in one place?

TT: Merging food, music, fashion, and art at TECHNICA HOUSE was a natural progression at TECHNICA HOUSE was a natural progression of our vision to create a dynamic space where creativity and cultural expression thrive. Each of these elements speaks to the core of human connection and emotion. Food brings people together and is a universal language; music is the heartbeat of culture, evoking powerful emotions; fashion reflects individuality and artistic expression; and art gives form to imagination and ideas.

Combining these elements in one space fosters a platform where creators from diverse backgrounds and industries can collaborate, share ideas, and inspire each other. TECHINICA HOUSE is more than just a venue—it's a movement that encourages innovation and exploration across disciplines. We wanted to create a tradition can fuel modern creativity, and emerging creators as well as established creators as well push the boundaries of what's possible in a collaborative environment. This holistic approach creates a vibrant atmosphere that invites people to be part of something bigger, sparking new ideas and connections. 

AM: In terms of the concept of TECHNICA HOUSE, are there others in addition to the one in New York and if not, do you plan on having other locations?

TT: At present, the joint venture TECHNICA HOUSE in New York City is our sole location. While our primary focus is on establishing a thriving community here, we have aspirations to expand TECHNICA HOUSE to other cities across the United States and around the world. By doing so, we aim to celebrate and support emerging creators in various regions.

AM: Can you tell us about who designed the space and what visitors can expect to see when they are entering this space?

TT: The space was designed by Yoshiyuki Morii of Cafe Co, incorporating the aesthetics and heritage of both AUTEC and Audio-Technica. At TECHNICA HOUSE NY, visitors can immerse themselves in a state-of-the-art listening experience featuring top-tier Audio-Technica analog audio equipment to listen to the 2000 vinyl records collection. The space includes a fully equipped conference room, a dedicated podcast studio, and an AUTEC sushi counter where chefs showcase cutting-edge robotic sushi-making technology.

AM: You have over 2,000 records here. How do you go about acquiring them, are their genres that you tend to focus on?

TT: Our record collection has come from various sources, both local and international. Many were donated by Audio-Technica staff members, discovered at local thrift shops and secondhand record stores, or sought out by company leadership. Some of our favorites are the Japanese pressings of classic American albums. 

AM: What can we do in this listening lounge which also allows us to hear music on your headphones as well as your speakers?

TT: We have a variety of headphones and turntables on display, like our colorful Sound Burger and our pro-grade High-end AT-LP7. Visitors are welcome to hook up a pair of M50x headphones to any of our turntables and enjoy a listening experience. We also have a pair of our newly released AT-SP3x Bluetooth Speakers if they're listening with friends.

AM: Can you tell us about the equipment that is available there? 

TT: AUTEC’s food-focused experience at TECHNICA HOUSE highlights the latest innovations in sushi-making technology. On display are cutting-edge sushi robots, including ASM895A The Rice Sheet Maker for sushi rolls, ASM260A The Sushi Roll Cutter, ASM410A The Nigiri Sushi Rice Ball Maker, and ASM575A The Handheld Onigiri Rice Ball Maker, showcasing the precision and efficiency that define modern culinary automation. One of our goals is for chefs to visit this space to tap into their creativity and explore the potential of integrating these robots into their culinary processes.

TECHNICA HOUSE displays a wide variety of Audio-Technica products: from high-end turntables to limited edition headphones and microphones, to a collection of artistic signed A-T gear. We prominently feature the NARUKA MI Headphone Amplifier, a premium piece of audio technology built from kurogaki wood. Very few of these exist in the United States. We welcome guests to pull a record off the wall and enjoy the listening experience at our space.

AM: As Audio-Technica continues to create new products, will they find their way into TECHNICA HOUSE - New York? Will there always be someone on site that will be able to walk you through products?

TT: While TECHNICA HOUSE is currently open to the general public for select events and collaborations, we're actively working to expand our accessibility. Stay tuned for updates on future openings and opportunities for general visitors to experience our space.

AUTEC and Audio-Technica staff are regularly at TECHNICA HOUSE and are available to schedule visits for those genuinely interested in the space. While we're happy to arrange appointments, we may only sometimes be able to accommodate every request due to the nature of the space. We appreciate the understanding of those wishing to explore this creative hub.

AM: Tell us about the podcast studio and the conference room.

TT: The podcast studio is a little respite from the noise of a bustling Soho. It's an isolated studio space, acoustically treated from floor to ceiling. We are recording original podcasts and digital content in the space and are beginning to bring outside creators in to use the space for their content creation. 

Our debut series, AT Sometime, Somewhere, features artists and creatives from New York City telling stories of their ambitions, failures, successes, and the moments that helped them find their voices. We look forward to future series featuring an even wider variety of artists, stories, and topics. 

AT-ONE Studio is designed to make production as simple as possible. On top of that, it's built for comfort. Recording in the studio is like chatting in a high-end living room with your friends.

AT-ONE Studio is for both Audio-Technica podcast projects and outside artists and organizations who want to rent time in the space. We'll be introducing a rental fee menu soon. If you're interested in collaborating on a project with A-T or using the studio to produce a personal project, give us a ring through the TECHNICA HOUSE website.

The conference room is available for meetings of all types, and it features a large Frame-style television connected to a hi-def camera for remote meetings, plus an Audio-Technica ceiling array beamforming microphone - the ATND1061.

AM: You also have a sushi counter along with robotic sushi making technology. What kinds of sushi do these machines make?

TT: AUTEC's sushi robots are designed to assist in various aspects of sushi-making rather than creating a complete sushi dish. These machines automate essential tasks like mixing and seasoning rice, forming rice sheets for rolls, shaping rice balls for nigiri, and cutting rolls with speed and precision. By handling these repetitive tasks, our robots enable chefs to focus on their creativity and the artistry of sushi, all while ensuring consistent, high-quality production.

AM: When is this space open to the general public and how do they go about reserving a time to come in?

TT: Currently, TECHNICA HOUSE is not fully open to the general public, as our primary focus is hosting select events and collaborations. If you're interested in exploring partnerships or attending a specific event, we encourage you to reach out through the contact information provided on our website. While we may not always be able to accommodate all requests, we're happy to consider inquiries related to our mission and space. In the near future, we plan to expand access to general inquiries and reservations.

AM: What kinds of events will be offered here and do you have anything coming up for the fall and/or holiday season?

TT: We're currently crafting our event calendar, which will include a variety of engaging activities for the community to participate in at TECHNICA HOUSE. Stay tuned for exciting announcements to come.

AM: How will you reach out to creatives to come to this space?

TT: We're building a strong community at TECHNICA HOUSE by leveraging our existing network of creators and brands with whom we've built relationships. Our organic approach allows us to grow with emerging creators through word of mouth, meaningful collaborations, and increased visibility across various channels. We'll continue to foster this community through engaging activations such as open houses and events to connect with potential collaborators.

IG @technicahousenyc

Read the OCT ISSUE #106 of Athleisure Mag and see LO-FI VIBES EDITORIAL | Technica House in mag.

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VINTAGE STYLE HOLIDAY | ZOEY DESCHANEL

November 25, 2024

Whether you have enjoyed seeing her on New Girl, Elf, or even the Trolls franchise, Zooey Deschanel is one of our faves who always has such a light hearted nature about her and a great sense of style. Earlier this year, she partnered with Vera Bradley to become the fave of their campaigns. We took a moment to talk with her about her love of vintage style, pieces she's drawn to, what she loves about the Holiday Season, and what she has coming up that we can't wait to see!

ATHLEISURE MAG: Earlier this year, it was announced that you had partnered with Vera Bradley which is amazing. I grew up with the brand. I’m originally from Indiana which is where this is based and of course, I’m in NY now, so it’s cool to see how much the brand has evolved since I first connecting it with so many years ago.

What do you love about this brand, why did you want to partner with them and what are 3 bags from the Holiday collection that you are excited about?

ZOOEY DESCHANEL: I love this brand going back to the quilted bags which they still have! There’s so many beautiful patterns and I have always liked that kind of vibe. But now they have so much variety! They have bags for basically every aspect of your day, your week, and your month!

So I really wanted to partner with them because they were doing a big rebrand and kind of bringing an aspect into their catalog that was a little bit more high end and kind of fancier and a little more fashion forward so I kind of liked the idea that they were expanding their repertoire. Their design team is fantastic and I’m excited to show everybody what’s on offer.

I actually have a bunch of bags here that I can show you!

This is one of my favorite bags!

AM: That’s pretty cute!

ZD: This is the Heritage Bear Crossbody in Goji Berry Red Leather! I just really connect with this for obvious reasons!

Another bag that I really like is this velvet bag which is for holiday, the Astoria Shoulder Bag in Sea Moss Velvet. These are all holiday and it has a very beautiful chain and it’s big so you can fit a lot of stuff. It’s also great for evening and I think it can go great for daytime as well.

This is very me, it’s a mini tote bag – Mini Hathaway Tote in Bossanova Bold Sequin Leather. It’s a great size, it’s not too big and you can fit a lot of things in there. These straps are called friendship straps I think.

AM: Oh that’s cute!

ZD: You can make it a crossbody if you want. It’s a tote and you can take off the straps and can make it to your liking. One of the things that I like most about Vera Bradley is that almost all of the bags have a lot of compartments that are very practical.

One thing that was funny was that I was in kind of like a few years ago, I was in a fancy bag store. I noticed that none of the bags had compartments! None of them had zippers and I was so shocked about it! They were like, “oh, it’s really expensive to put those things in.” This shocked me because these bags were really expensive! They retail for more than a Vera Bradley bag and their bags have all kinds of zippers.

I mean, not every single one has it but, let’s say a more practical bag like a travel one that they have – it has tons of places where you can put all kinds of things so that you can stay organized. I mean, I’m a mom, we have to be organized!

AM: 100%

You did a photoshoot with your stylist, Ib Nasser where you combined Miu Miu and vintage pieces in it along with the brand. Tell us more about this.

ZD: Actually my stylist, who is right here – we both have a passion for vintage clothes that are very – fashion history is a passion of mine. I have always collected vintage. So that was definitely going to be part of it because it’s like the things that we buy has to fit into our aesthetic and all of the things that we have collected. It’s really a nice way to express your style and also, we kind of – a lot of the things that we buy, we also tailor a lot and reimagine as well.

AM: Which is really smart as fit is everything!

What do you love about the holiday season? I loved you in Elf, I loved that movie which is such a great one to watch during the holidays. So what do you love about it?

ZD: You know, Christmas, Thanksgiving, the holidays in general – the season! It’s always been one of my favorite times of year since I was a little kid. I kind of like when it gets colder and I love decorating a house for Christmas. I love spending time with my family most of all of course, Nothing beats a Christmas morning for me. I love it so much.

I like watching old movies. Last year we watched Meet Me in St. Louis on Christmas and I just love Christmas carols! I love the whole holiday vibe.

AM: Around now is when I start thinking about shopping for the holidays so that I’m not pushed to the last minute to do it. How do you tackle that as it is a whole project in and of itself!

ZD: It is really hard! I love to give gifts and it kind of makes it more stressful for me. I think that I care too much sometimes about it! I want to make sure that people really like what I get them. So sometimes, I will be late in giving gifts because it will take me forever to find the perfect gift. It is really helpful if I know of a place that has really cool stuff. You know, one stop shopping! That’s actually and not to bring it back to Vera Bradley, but it’s one of the things that I like as they have travel things, they have stocking stuffers, suitcases, they have all of the beautiful evening bags, they have everyday bags, and it’s a lot in one place! That’s a key thing for me! Some years, I will be in a mode where I will do work gifts. It’s one thing that I know that everyone will like. But if you can order a lot of stuff from one site, or go to one store – that is always great!

AM: You have to save time!

ZD: Exactly, you have to save time!

AM: I’m sure that you’re always hosting friends and family during the holiday season. Do you have go-to items that you like to have such as certain types of snacks or drinks just so that it makes things easy especially for impromptu celebrations that take place?

ZD: Yeah, I always have a lot of snacks on hand at my house. I always have a ton of crackers and nuts in my pantry. But if I am having people over, I usually do a nice cheese plate because that is always great. Cookies are always popular and then sometimes I like to have a bit of food delivery. So there are places that will have cheese plates delivered and that’s pretty nice!

AM: It’s nice homey ta-da touch delivered!

ZD: Of course! You can always think about having these in your freezer – there are bakeries that make the unbaked cookies or even in the grocery store. You can keep them in the freezer and then when you want them, you can just bake them and then you have fresh cookies when people come. I had some croissants like that that were from a bakery – they were raw and then you just put them right in the oven! And then people are like, “oh my God, did you bake this?”

AM: It’s like – um yeah!

ZD: I mean, I did bake it! But I did none of the other work though!

AM: Exactly!

Are there any upcoming projects coming up that you have that we can share with our readers?

ZD: I have a movie coming out next year! I’m not sure what it’s called, it had a working title Merv – I’m not sure if that will be the final title. It’s for Amazon, it’s a rom-com. It’s such a cute movie, I’m really excited about it and I think that that will be really good. That’s with Charlie Cox and it will come out end of next year.

IG @zooeydeschanel

PHOTOS COURTESY | Vera Bradley

Read the OCT ISSUE #106 of Athleisure Mag and read VINTAGE STYLE HOLIDAY | Zoey Deschanel in mag.

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WEEKEND VIBES ONLY EDITORIAL

July 12, 2023

This month, our editorial takes us to a hotel group that has been our favorites as we have stayed at their properties in Seattle, DC, and Philadelphia. In addition, we have gone to their hotels here to attend a number of functions there from launches, editor events, and more. Kimpton Hotels are always a great place to go to as the vibe always feels so comfortable and has a boutique essence to it. When you stay as a guest, you can enjoy their complimentary wine hours that take place in their lobby, they have yoga mats in their rooms, and they always have great restaurants on their properties as well.

Kimpton Hotel Eventi has always been a lot of fun whether we're attending a preview or meeting up with friends to grab a quick bite which turns into an epic night out! Because we've frequented it so much, for this month's editorial, we thought it would be perfect to take our readers inside one of their suites known as Veranda which has a large L shaped balcony, a living/sitting room, large bedroom, and 2 bathrooms. Whether you're having a weekend in with friends, enjoying it with your significant other, planning a wedding event, or anything of that nature - this is a great suite to make memories!

Our shoot looks at our models enjoying a weekend in by taking in the city and taking a moment for themselves. They're rocking a new line that we excited to share that is created by us known as ATHLEISUREVERSE! With pieces that are soft, various colors, and styles - there is something for everyone! In addition, this shoot includes a number of our favorite accessories that you should pair with your favorite looks as well as some treats that we've been fans of from our issues! Following the credits, you'll also find out more about Kimpton Hotel Eventi and why this should be a place that you stay at when you're visiting NY for vacation, business or as a staycation! Not only do they share more information about the property, but they also gave us insight on how you can get the most out of the neighborhood when you're staying here as well!

WEEKEND VIBES ONLY | CREDITS

LOOK I PG 38 | Emma Young - ATHLEISUREVERSE Zipped White Hoodie, Flowy Black Jersey Muscle T with Rolled Sleeve, White/Black Tipped Shorts | Tim Park - ATHLEISUREVERSE Classic Fleece Hooded Black Sweat Set Jogger | WHOOP 4.0 Health and Fitness Tracker | APPLE Watch |

LOOK II PG 40-49 (additional images in this photoset included here that are not in the JUN ISSUE #90) | Emma Young - ATHLEISUREVERSE Cropped Fleece Hoodie Off-White Sweat Set Short | BEIS The Sport Pack | CARRERA Superchampion | CARMEN SOL Red Aviator Sunglasses | Tim Park - ATHLEISUREVERSE Jersey White Muscle T, Fleece Off-White Jogger | CARRERA 302/S | APPLE Watch | DRINK SIMPLE Raspberry Lemon Sparkling Maple Water | JAMBAR Organic Energy Bars | SOUNDCORE Motion+ | BALA Bala Bangles |

LOOK III PG 53-57 (additional image in this photoset included here that are not in the JUN ISSUE #90) | Emma Young - ATHLEISUREVERSE Jersey Hooded Olive Track Short Set | CARRERA 3006/S | SPRAYGROUND Lasers Blazin' Backpack Sling | Tim Park - ATHLEISUREVERSE Olive Bomber, Fleece Cream Short | CARRERA Superchampion | WHOOP 4.0 Health and Fitness Tracker | APPLE Watch | NIKE Air Jordan 1 Retro |

LOOK IV PG 58-63 (additional images in this photoset included here that are not in the JUN ISSUE #90) | Emma Young - ATHLEISUREVERSE - Classic Fleece Hooded Hot Pink Sweat Set Jogger | CARMEN SOL Racquel Jelly Bucket Hat in Fuschia, Lisa Small Crossbody Bag in Fuschia + Tonino Wedge | CARRERA Flaglab 14 | Tim Park - ATHLEISUREVERSE Classic Fleece Hooded Neon Lime Sweat Set Jogger | CARMEN SOL Racquel Jelly Bucket Hat in White | CARRERA Flaglab 14 | NIKE Air Jordan 1 Retro |

LOOK V PG 64 | Emma Young - ATHLEISUREVERSE Cropped Fleece Hooded Peach Sweat Set Jogger | Tim Park - ATHLEISUREVERSE Classic Fleece Hooded Peach Sweat Set Jogger | DRINK SIMPLE Raspberry Lemon Sparkling Maple Water |

PHOTOGRAPHY | Paul Farkas

STYLIST | Kimmie Smith

MODELS | Tim Park/Prestigious Models + Emma Young

Now that you have seen a number of the features of Kimpton Hotel Eventi's Veranda Suite which is quite spacious! We wanted to know more about the property as well as the neighborhood so that you can plan accordingly for your next visit!

ATHLEISURE MAG: When did Kimpton Hotel Eventi open?

KIMPTON EVENTI HOTEL: Kimpton Hotel Eventi debuted in 2010.

AM: Before we talk about Eventi specifically, we have had the pleasure to stay at several Kimpton hotels as well as to attend events that are held there, including this property. For those that aren't familiar with Kimpton Hotels, can you tell us about what a guest can expect when they are staying at these properties in general?

KHE: The Kimpton brand is known for its unique, design-driven properties with warm, genuine service. Our hotels have exciting restaurants and aim to create moments of connection with guests.

AM: Tell us about the art at Eventi?

KHE: Kimpton Hotel Eventi features a variety of works sourced and installed under the creative direction of Reunion Goods & Services by Art Consultant Kyle DeWoody, Associate Art Consultant Laura DVorkin, and design team We Came in Peace. Extending from the hotel's original design rich in texture and depth with a variety of fine art pieces from renowned artist Barbara Nessim, the new collection introduces a mix of both established, younger artists and emerging artists with visibly promising talents.

Moving beyond the traditional decorative intention, this collection attempts far more conceptual approach by showcasing edgy and thought-provoking works including Kwangho Lee's hanging light installation made entirely out of electrical wire, and a Tony Matelli mirror - which is made to look dusty through a technique using layers of urethane. The dynamic collection also features stunning works by artists including Lorna Simpson, Alex Katz, and Ernesto Leal that flow throughout the lobby and fill spaces within The Vine and L'Amico.

AM: Our editorial shoot took place at the Eventi which is in Chelsea. What can you tell us about the property in general and how it connects to the neighborhood?

KHE: Kimpton Hotel Eventi’s location in the heart of Chelsea – on 6th Avenue between 29th St. and 30th St. – places guests conveniently in the midst from some of the city’s most prominent art galleries, boutiques, nightclubs and restaurants. Being located near Chelsea Market and the High Line allows easy access to popular attractions, and travelers are also within a few blocks of the nearby NoMad and Flatiron neighborhoods and landmarks including Times Square and the Empire State Building.

AM: Tell us about the 3 restaurants, L’Amico, The Vine, and Skirt Steak that are at Eventi which can be enjoyed by those on vacation, staycations or just hanging out in the neighborhood.

KHE: The three on-site restaurants, all helmed by Chef Laurent Tourondel, offer visitors a variety of dining experiences. L’Amico serves Italian-influenced American cuisine inspired by the simplicity of a countryside stroll and a wood-fired meal; The Vine’s welcoming environment complements locally sourced, vegetable-centric French dishes; and Skirt Steak harkens back to old-school steakhouses, serving only grilled skirt steak (or a cauliflower steak), salad and fries, followed by a rolling dessert cart.

AM: We like that regardless of the Kimpton properties that you’re staying at, hotel guests can enjoy complimentary morning coffee and tea to start your day as well as the hosted evening wine hour that’s in the Lobby Living Room. Can you tell us about this and why these have been an amenity for guests?

KHE: We aim to provide opportunities for connection, and this often happens over food and drinks. Beyond giving guests a morning or evening beverage, we’re creating space where visitors can relax, get to know one another and build a sense of community. Our wine hour, a core part of our programming, was started by Bill Kimpton and is practiced at every Kimpton property worldwide.

AM: We enjoyed having our shoot in one of your suites. For guests that are staying at the hotel, what guestrooms and suites are available?

KHE: Our guestrooms range from standard King and Queen/Queen rooms to our specialty suites featuring balconies, Jacuzzi tubs or pool tables. Each room in the hotel offers a spacious respite amid the city, floor-to-ceiling windows to take in the cityscapes, and design emphasizing brightness and clean lines.

AM: What amenities are offered in these rooms?

KHE: All guests receive complimentary morning coffee and tea and a hosted evening wine hour. In addition, there is a yoga mat in every room, mini-bar service, valet laundry service, and access to public bikes to explore the city.

AM: For those looking to maintain their fitness routines, how can they do so at Eventi?

KHE: In addition to our onsite 1,000 square foot 24-hour fitness center that includes Peloton bikes and other workout equipment, we also offer custom designed PUBLIC bikes and yoga mats in every room, free of charge.

AM: For those traveling with their four-legged friends, tell us how this hotel is pet-friendly as well as Wag! Premium.

KHE: Kimpton Hotel Eventi welcomes dogs and provides them with in-room water bowls, pet beds and courtesy bags for walks. We don’t charge a deposit or cleaning fee for bringing in dogs, and have no size or weight restrictions, nor a limit on the number of pets allowed. Our concierge keeps a list of pet-friendly restaurants, parks and groomers as well.

Guests receive complimentary access to Wag! Premium, meaning they receive 10% off of services, no booking fees, and round-the-clock access to licensed veterinary professionals. If a walk is arranged, travelers can leave a key at the front desk to be handed over to the dog walker upon their arrival.

AM: In addition to complimentary Wi-Fi, you keep guests connected with access to Press Reader (which Athleisure Mag is on this platform), are there other digital amenities that you offer?

KHE: Press Reader provides access to a vast library of local, regional and national newspapers and magazines, allowing guests to keep up with the news during their stay. Each guestroom also includes a Crave tablet that guests can use to set wake up calls, request housekeeping items, get information about local attractions, use as a TV control and channel guide and more. All TVs include Chromecast, allowing guests to stream from their personal devices.

AM: Tell us about the Kimpton Library.

KHE: The Kimpton Library allows guests to borrow from a curated collection of books on property, so they can pack light and still enjoy some of the most popular literary titles.

AM: For those that may be getting in a bit of work whether they’re there for business or simply need to do a few things, what is available at your business center?

KHE: We do not have a formal business center, but our team is happy to assist with small printing requests. Our concierge can also guide guests to nearby storefronts and libraries with extensive offerings.

AM: Tell us about the Public Bikes that are available.

KHE: Our PUBLIC bikes are custom-made. Guests are invited to take them on a spin at leisure and can use our Manhattan Waterfront Greenway map as a guide.

AM: NYC is always great to visit regardless of the time of year; however, the summer is always a lot of fun. What packages are you offering for those that are looking to book?

KHE: This month we are bringing the fictional world to life with a new Dream Blades offering. Taking inspiration from retro neon sportswear and summers in Malibu, we are launching a limited-time complimentary roller blade lending program for hotel guests looking for a fun outdoor activity. Hotel guests will be gifted neon retro skating accessories, including candy-colored sun visors, sweatbands and fanny packs, as well as the option to rent rollerblades.

We also have our Celebrate Summer offer, allowing travelers to make the most of their time to the city by enjoying a picnic in the park or taking surf lessons at one of the city’s beaches.

AM: For residents who are looking to enjoy a staycation, why should they book at Eventi?

KHE: So often, New Yorkers forget to be tourists in their own city. Kimpton Hotel Eventi is located in a central spot allowing guests to take in some of the city’s most popular attractions, whether they’re visiting for the first time or the twentieth. Our rooms also offer a peaceful escape above the hustle and bustle of Manhattan, making it a great spot to stay in the city while getting spot to stay in the city while getting out of a mundane routine.

AM: The hotel’s location is in the heart of several neighborhoods that are a must visit!

Although the hotel is great for those that may really want to stay in, there are a number of things to do outside of it!

For the solo traveler: where should they grab a bite for people watching, where should they shop, and what's an attraction/gallery/park they they should visit?

KHE: L’Amico on-property is the perfect place for a solo traveler to sit at the bar and people watch the world around them. We are centrally located, close to the shops in Chelsea, Flatiron District, and Herald Square areas. We are minutes away from Broadway and the theater district - perfect for a solo traveler to take in a show.

AM: Our shoot focuses on our models enjoying a getaway so for those booking their girl’s trips whether a staycation or traveling to the city: where should they go out for brunch, where should they go for a spa session, and where should they go for a bit of nightlife?

KHE: La Pecora Bianca and Oscar Wilde offer great brunches nearby. We are located near Juvenex Spa, a day spa on West 32nd known for their Korean-style Salt Glow Scrub. The Vine has a great wine and cocktail list for guests.

AM: For the business traveler who will be with a group of their colleagues: where should they go for a drink to decompress after a day of sessions, what’s a great spot for sightseeing and to take in the city, and what’s a great place for a group exercise?

KHE: The Vine’s cocktails are expertly curated and perfect to decompress after a long day. We’re in the heart of Manhattan, blocks from the Empire State Building, Chelsea Market, The High Line, Times Square and more. All are great for sightseers. We are located minutes away from a variety of boutique fitness studios from yoga to boxing, and more.

AM: For those that are booking Sales Meetings, conferences, editor events, etc. Why is Eventi a great place to host this?

KHE: Our meeting spaces are spacious and clean, and meeting attendees get all of the perks of our central location: great for those living in the city or anyone visiting for the day or overnight. These spaces are also filled with natural light, fitted with large screens, and our catering offerings are restaurant quality courtesy of Laurent Tourondel. Our caring staff, many of whom have been with the hotel for years, take wonderful care of our meetings guests.

AM: Are there events that Eventi participates in such as Pride, Summer Solstice, or NYC specific initiatives to support the community/neighborhood?

KHE: We just hosted a special Pride wine hour in collaboration with Absolut, benefiting the Trevor Project. The hotel often leans into major events to tie the guest experience into major happenings in the city.

IG @hoteleventi

KIMPTON EVENTI HOTEL VERANDA SUITE

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Read the JUN ISSUE #90 of Athleisure Mag and see WEEKEND VIBES ONLY Editorial in mag.

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MAKE IT A SIGNATURE | MINDY WEISS

January 19, 2023

As much as we love living vicariously through a number of people's travels on IG, we also love a good event. There is something about an immersive experience where you know that the food must have been amazing, the setting is transportive and the visuals make every picture look epic! These things just don't happen on their own, it's a blend of cohesive themes that come together and in many cases, there is an event planner who makes it happen!

We have been fans of Mindy Weiss for decades as she has created events with phenomenal themes whether they are large scale or intimate in nature. Her work has been used by some of the biggest celebrities and athletes while executing their vision to perfection. Her work has been cosigned by Vogue, Brides and Harper's Bazaar! So, when we had the chance to find out more about how she got into the industry, how she stays inspired and what we need to think about our event regardless of whether she is at the helm or if we are doing it ourselves, we had to take a few moments of her time!

ATHLEISURE MAG: We have been fans of yours for a few decades now and whether it’s a wedding, launch event or whatever it is. There is something about how you create an immersive experience that also showcases the vibe of the person that is hosting the event!

MINDY WEIS: Oh thank you and thanks for noticing that!

AM: Of course! When did you realize that you wanted to be an event planner?

MW: Well, I got married the first time, very young and I was looking for a part-time job. In college, I thought that I was going to go into production and didn’t know that I would go into this direction. I got a job in a little precious stationery store. This stationary store is where they don’t do it as much, but you look through books and you order custom stationery and innovations. Oh my God, I loved it! From that point, the person who hired me who is now my best friend in the whole world, for the last 40 some odd years, we started to work out of the house. We left that store and worked out of the house and people started asking me to do their events besides just doing their invitations.

Now growing up, my mother gave the best parties. Hysterical, now as an adult and a mother, my Sweet 16 was at the Playboy Club! Back when they used to have Playboy Clubs – so embarrassed now! I mean, they weren’t naked, but they were definitely in their bunny suits and it was like, what were you thinking? But she thought that that would be clever. So it was in the blood and I did the first party and then it just stuck from that one party, I got 10 events. So that is my story!

AM: How do you get inspiration when you are tackling your next project?

MW: Well, I really try to personalize it as much as possible. So we have great conversations, I’m trying to pull things out of what they love! You know they give me Pinterest pages that literally have 20 different ideas from a traditional event, a modern event, a vintage event. I try to pull itall back to personalizing it as much as possible and that brings me here to say that right now, the biggest trend is guest experience. This is the trend obviously for every event from a wedding on. Everything is very important and is the key, but how is your event going to be different from all the events that you’re going to at the same time. Typically, if you’re getting married, you’re group of people are getting married and then you are on the wedding circuit.

Like my middle son was in 6 weddings and he is on the circuit and I keep saying to him – elope, elope! But no, his girlfriend is going to want the whole thing! So bringing it back to guest experience, I’m always trying to find what is new, what would be a cool thing that you could include people in that looks beautiful, that is something that they may have never considered before and that’s kind of why I teamed up with Seedlip for the Seedlip Soiree because it’s so up my alley.

I don’t know if you have seen these bottles.

AM: We have seen these bottles and my boyfriend has had them. I like that sometimes when you have been partying maybe too much, but you still would like to have a beverage that looks tasty and it pairs well with fruit juices – it’s a great mocktail! I’ve even made it into a cocktail as well because the ingredients are great!

Why did this collaboration come about?

MW: Well, the truth is, I don’t drink. Once in awhile in Cabo at the end of a very big event, I’ll take a shot of tequila. So what interests me in this is exactly what you just said! I want to have a beautiful drink that doesn’t necessarily have to be mixed with alcohol, but certainly can be. I can still feel like I can be social and I don’t feel the pressure, but I would like to carry a beautiful drink that feels somewhat organic and beautiful. The last event that I served it at, let’s just say one of the ingredients is the rosemary, well I took it to a new place by making sure that there was a sprig of it in the drink, I made sure that there were beautiful flowers to represent what that drink was. I think that I have a few more holiday parties, I’m on the countdown and at one party, we’re going to do a party with a bar that is in the Seedlip drink, I’m going to design where that bottle sits with what’s in it.

AM: I’m sure that that will be beautiful because you do beautiful work.

MW: It will enable people to know what exactly is in it immediately. And again, it’s a guest experience. I do get asked to represent some different companies, but I’ve kind of made a pact with myself that I can only really speak to the things that I can relate to.

AM: How important is it to have a signature cocktail(s) at an event?

MW: I actually thought that at one point is was going away.

AM: Really?

MW: Yeah, because all of the Old Fashioned drinks were coming in, but then it’s back in a really big way! A big part of my business was making bar menus so people could see the creativity and look at the names of the drinks and what is in it which is important obviously for a lot of people. It’s on every wedding list that we check off. So how is it important? It’s very important because no one is letting it go!

AM: Exactly!

Regardless of all of the things that you have done in terms of the amazing events that you have created, if we’re not able to book you as I would obviously love to do so for a future event...

MW: Book me! Yes!

AM: Every time we see your IG, you’ve killed it again! How does someone go about creating their own events if they are doing it themselves? What should they be focusing on? What should they be organizing so that they can execute their vision?

MW: First of all, they should sign up for my Masterclass because I have a Masterclass now! It takes you through all of those categories, but it needs to represent you. So, put aside the IG for a second and the Pinterest and everything. What are your favorite drinks? What are your favorite flowers? What’s great is that when people walk into a wedding or a holiday party or a shower or whatever it is and you want people to come in and go, “oh my God, this is so them!” Of course they have that because this is what they like! If you can pull from that when you're doing your signature drinks it should represent what you drink. So you want to share that part and obviously we would do Mindy’s Mocktails which would have what I like and my husband loves Old Fashioned and we would do that – he is so old fashioned which he is! But then, that’s how you would personalize these things with music you play, the food you serve, the vows you say -everything comes from within you and trying not to be a copycat!

See, there’s nothing wrong with going to an event and seeing a beautiful bar with the drinks that they serve. You can still have a beautiful bar with drinks that you serve that represent you. Look at everything as inspiration.

AM: I love hearing that. As someone who is the Co-Founder/Creative + Style Dir of Athleisure Media who is also a fashion stylist, I like the concept of mood boarding, pulling all of these different inspirations in and making sure that when I’m dressing our celebrities, I like adding things that speak to them while adding in a layer to it so that it is a little different. But it still feels true to who they are. So I can totally get what you’re saying about that.

MW: Because in our world, the first thing that people go to unfortunately is, “I saw that already!” I’m sure in fashion, you really see that a lot because if someone already wore it, how are you going to change it up? In my world, the competition with event planners is pretty up there. I love to Instagram to do inspiration and to give inspiration, but don’t you think that I don’t get inspiration from there and then put a twist on it where I feel like, “ooo I can make it better” or “I can make it different.” That’s the same with every aspect of celebrating.

AM: You’ve been talking about guest experience. Whether someone is hiring you or creating their event themselves, what should be in your mind when it comes to those that are attending your party regardless of your theme or why they are there?

MW: If you’re having a party, it’s not just about you! You’re inviting people to your event, it’s a gift to them and it’s a gift that just keeps on giving, It cannot be all about yourself. Not when people are coming, bringing a gift, spending money to get there, buying clothes – it’s a gift for both of you. You need to remember that when you are the host or hostess that it’s not going to be all about you.

IG @mindyweiss

PHOTOGRAPHY CREDITS | PG 94-97 Dennis Kwan Photography

Read the DEC ISSUE #84 of Athleisure Mag and see MAKE IT A SIGNATURE | Mindy Weiss in mag.

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HOME FOR THE HOLIDAYS | MARIANNA HEWITT

January 17, 2023

We caught up with Marianna Hewitt, a well known influencer that took her passion for brands that she loved and personal style to build a brand that is coveted and leaves its consumers wondering about what the next must-have product will be. Summer Fridays has been a brand that we have shared in a number of our roundups over the past few years. We wanted to find out more about about Marianna's approach to the brand, how the line continues to grow its assortment and how she takes time to enjoy her holiday with family and friends as we get into the thick of the season.

ATHLEISURE MAG: We have been fans of yours for a number of years starting way back when you had your lifestyle blog which displayed your visual texture play with neutrals in personal style as well as interior aesthetics. Later, you would go on to create Summer Fridays which we enjoy very much and have shared a number of your products with our readers and are personal fans as well. Why did you want to launch this brand?

MARIANNA HEWITT: Well, being an influencer for so many years and you’re familiar with my content. I love my community, I love my followers and it felt like they wanted something from me that was an extension of me and things that I love. After so many years of posting products, they would ask me if something was vegan, cruelty free, sustainable, if it was good for all skin types – without even knowing, they became a focus group for us. We wanted to dream up that product! You know, you receive so many things and you want to get something that you are excited to try that you love the branding, the packaging and that you love the colors.

So we took all of that information and created Summer Fridays. So Lauren Ireland, my partner and I started working on Summer Fridays in 2016. We launched in 2018 and we’re coming up on 5 years and it has been such an incredible journey. I’m so grateful to not only be an influencer founded brand, but a brand that also works with influencers and it’s so fun because I really value what I bring to other brands so to be able to partner with other creators and to give back to this community of influencers that gave me the career that I have today, I love being able to work with them now today too – so it’s very full circle for me.

AM: We always look forward to your editor packages because you know it's going to be something that is thoughtful and necessary. I love the Jet Lag Mask, the Lip Butter Balm and Body Lotion. I’m constantly stalking your IG to see what’s next. What’s your process like when you’re thinking of bringing new products to the brand and do you have anything new coming up for this holiday season or as we’re looking into the new year?

MH: Our thought process is to be really intentional with the things that we bring out into the world. We want to add products into your routine that you actually want and need and not anything that is unnecessary. We’re still a small indie brand, so there’s only so many things that we can create each year so each of those things have to be really meaningful and things that we think that our community will really love!

So this year, a few of the things that we had were our Lip Balm Butter Sets, so we had an extension of those. We had an SPF that we launched this year too because I live in CA and it’s a little bit gloomy today, but it’s usually sunny and I love to be in the sun and all around the world, but I definitely want to be able to protect my skin no matter where I am. So, launching a sun screen felt very summer for Summer Fridays. We were so excited to have that as it was something that our community really wanted and we really do listen to our customers for the products that they want, the skincare ingredients that they’re looking for and so we create those products for them.

Coming up, we're kind of wrapping up the holiday season, but we have really great launches next year and hopefully, you’ll get them and I think that you will like it!

AM: Looking at your social, you’re always sharing your fun lifestyle as well as interiors. What are some of the things that you’re thinking about when it comes to hosting gatherings for dinner parties and brunches? What are some of your hosting must-haves when it comes to having people over?

MH: I love to entertain, I love having people over and my interior design style was really to invite people over so that they feel comfortable. I like this elevated feeling of my home, but I really wanted people to feel that they could just gather and be together when they come over and that it feels comfortable and not too stuffy! I like to show off my interior design love that I have and it’s so fun to have an excuse to invite people over. I’m super busy and I’m also a very particular person in how I like to have things. My biggest holiday hack is to batch and pre make your cocktails before all your guests come over. What I don’t want to do is that all of my guests come over and I’m in the kitchen making them drinks or they’re trying to make drinks for themselves and they’re not actually gathering with their friends and family together. So by pre-batching that cocktail, it really saves so much time! You can do this in such a cute way. I love glass containers that you can get, you can put all the pre-mixed things together into one container and have it ready to go! That's why I love Astral – any kind of tequila drink is my go-to cocktail. I literally don’t drink anything else except for tequila. So to pre-make these cocktails and everyone knows it’s my favorite, we came up with this really fun recipe. It’s like your classic Paloma, but it has this holiday twist with this Brulee and I am not a bartender by any means, but the fact that I can do this drink and it tastes delicious and it looks beautiful, it’s definitely going to be something that is going to impress your guests.

AM: Is that your signature one?

MH: I love that cocktail, it just feels really great. A normal Paloma anytime of year is perfect and then you have this Brulee one for this time of year for the holidays! I love a Spicy Margarita especially in the summer, so I love to have that then and it’s my go-to cocktail when I’m out. Any type of tequila drink variation is my favorite.

AM: For those that are coming over, what do you suggest that we should have on hand?

MH: A couple of other things that I like to have on hand is of course Summer Fridays Jet Lag Mask. You always want to stay hydrated this time of year because I feel like my skin is so dry with the winter weather and the heat is on inside. Just any kind of lack of moisture in our skin so our Jet Lag Mask is great. Jenni Kayne makes these really beautiful Leather Coasters, so I have a beautiful marble table that I made myself from a slab of marble that I found in a stone yard. So I don’t want to mess up the marble table so I always have coasters everywhere just to make sure that no one is leaving rings on my table when they leave my house. So they look really beautiful but they are functional as well. There are a couple of other things that I love to have at home. I like to eat a lot of gluten-free, grain-free desserts and there’s this bakery here in LA called Sweet Laurel. They have my favorite desserts ever, they ship nationwide and they have a pre-boxed one too so, if you want to make it at home yourself, you can. I recently brought it over to a friend for Thanksgiving and it had all of these different desserts and I can't even tell that these are gluten-free and grain-free because of how delicious they are. You can box them up and make them at home and I definitely recommend trying them out!

BRÛLÉED PALOMA

INGREDIENTS

Juice of ½ Ruby Grapefruit

1oz Fresh Lime Juice

Sparkling Pink Grapefruit Soda

Brown Sugar

GARNISH

Brown Sugar Rim + Brûléed Grapefruit

Slice a grapefruit into discs and place onto a paper towel. Once dry, place grapefruit into a bowl of brown sugar to evenly coat the dry side. Place the slice, sugar side up, under the broiler until the sugar caramelizes. Allow to cool completely before garnishing.

GLASSWARE

Highball Glass

PREPARATION

Combine Astral Tequila, grapefruit juice and lime juice in a cocktail shaker. Add ice and shake. Rim a highball glass with brown sugar and pack with crushed ice. Strain shaker into the glass and top with sparkling pink grapefruit soda. Garnish with a brûléed grapefruit slice.

IG @marianna_hewitt

PHOTO COURTESY | PG 64-67 + PG 144 9LIST STORI3S Marianna Hewitt |

Read the DEC ISSUE #84 of Athleisure Mag and see HOME FOR THE HOLIDAYS | Marianna Hewitt in mag.

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HOONIGAN DROPS ELECTRIKHANA

October 27, 2022

After a billion total views across 10 wildly successful Gymkhana Films, setting the current bar for automotive action movies, Ken Block is back with a new partner to launch the future of his acclaimed viral series. Driving an entirely bespoke machine developed and built by Audi, Ken Block is electrifying Gymkhana in the first ever Electrikhana! To provide the perfect setting for the Audi S1 Hoonitron’s tire-slaying debut, Hoonigan Media Machine shut down one of the busiest cities in the world: LAS VEGAS.

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PHOTO COURTESY | Louis Vuitton

SS23 | LOUIS VUITtON MENS

June 28, 2022

If you have yet to check out Louis Vuitton Men’s SS23 show, it’s worth watching as not only does it show a number of looks from the house but it is also another tribute to Virgil Abloh. The show kicks off with HBCU FAMU’s Marching 100 who walks and performs (Enlightment, If You Are Not a Myth, Mighty Rattlers, Rattler to the Bone, Get Up, S.O.S.) from a rooftop to a “yellow brick road” which brings an array of models highlighting the looks for next season.

This collection and show focuses on the belief that imagination can heal, regenerate and uplift us all. The show takes place at the Cour Carrée of the Louvre. Kendrick Lamar performed Savior, Rich Spirit, Count Me Out, N95 seated next to Naomi Campbell s the looks hit the runway.

The balance between Louis Vuitton and culture in its impact on design has been one that has always existed with this fashion house.

In AM, SS23, Lifestyle, Fashion, Menswear Tags Louis Vuitton, Kendrick Lamar, FAMU Marching 100 Band, Virgil Abloh, Naomi Campbell, HBCU
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