AWARDS SEASON | GRAMMYS NOMINATIONS

Today, the GRAMMYs announced the nominations for the 68th award show that will take place on Feb 1st on CBS at 8pm ET and you can stream it live on Paramount+. Music’s biggest night will not disappoint! As we do throughout Awards Season, we share our predictions in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics. On the night of the event, we will share who we predicted correctly as well as those we didn’t that won.

General Field

Record Of The Year

DtMF
Bad Bunny
Scotty Dittrich, Hydra Hitz, La Paciencia, JULiA LEWiS, MAG & Tyler Spry, producers; Antonio Caraballo, Josh Gudwin, Roberto Rosado & Tyler Spry, engineers/mixers; Colin Leonard, mastering engineer

Manchild
Sabrina Carpenter
Jack Antonoff & Sabrina Carpenter, producers; Jack Antonoff, Bryce Bordone, Jozef Caldwell, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger & Laura Sisk, engineers/mixers; Ruairi O'Flaherty, mastering engineer

Anxiety
Doechii
Doechii, producer; Jayda Love, engineer/mixer; Nicolas De Porcel, mastering engineer

WILDFLOWER
Billie Eilish
FINNEAS, producer; Jon Castelli, FINNEAS & Aron Forbes, engineers/mixers; Dale Becker, mastering engineer

Abracadabra
Lady Gaga
Cirkut, Lady Gaga & Andrew Watt, producers; Bryce Bordone, Serban Ghenea & Paul LaMalfa, engineers/mixers; Randy Merrill, mastering engineer

luther
Kendrick Lamar With SZA
Jack Antonoff, Bridgeway, M-Tech, roselilah, Sounwave & Kamasi Washington, producers; Jack Antonoff, Ray Charles Brown Jr., Hector Castro, Oli Jacobs, Jack Manning, Sean Matsukawa, Dani Perez, Tony Shepperd, Laura Sisk & Johnathan Turner, engineers/mixers; Ruairi O’Flaherty, mastering engineer

The Subway
Chappell Roan
Daniel Nigro, producer; Chris Kaysch, Mitch McCarthy & Daniel Nigro, engineers/mixers; Randy Merrill, mastering engineer

APT.
ROSÉ, Bruno Mars
Rogét Chahayed, Cirkut, Omer Fedi & Bruno Mars, producers; Serban Ghenea

Album Of The Year

DeBÍ TiRAR MáS FOToS
Bad Bunny
Big Jay, La Paciencia, MAG & Tainy, producers; Antonio Caraballo, Josh Gudwin, Luis Amed Irizarry & Roberto José Rosado Torres, engineers/mixers; Benito Antonio Ocasio Martinez, Roberto José Rosado Torres, Marco Daniel Borrero, Jay Anthony Nuñez & Marcos Efrain Masis, songwriters; Colin Leonard, mastering engineer

SWAG
Justin Bieber
Eddie Benjamin, Justin Bieber, Daniel Chetrit, Dijon, Carter Lang & Dylan Wiggins, producers; Felix Byrne & Josh Gudwin, engineers/mixers; Eddie Benjamin, Justin Bieber, Daniel Chetrit, Dijon Duenas, Tobias Jesso Jr., Carter Lang, Jackson Lee Morgan & Dylan Wiggins, songwriters; Dale Becker, mastering engineer

Man's Best Friend
Sabrina Carpenter
Jack Antonoff, Sabrina Carpenter & John Ryan, producers; Zem Adu, Jack Antonoff, Bryce Bordone, Jozef Caldwell, Serban Ghenea, Jeff Gunnell, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jack Manning, Joey Miller, Michael Riddleberger, John Ryan, Laura Sisk & Evan Smith, engineers/mixers; Amy Allen, Jack Antonoff, Sabrina Carpenter & John Ryan, songwriters; Nathan Dantzler & Ruairi O'Flaherty, mastering engineers

Let God Sort Em Out
Clipse, Pusha T & Malice
Pharrell Williams, featured artist; Pharrell Williams, producer; Mike Larson, Manny Marroquin, Rob Ulsh & Pharrell Williams, engineers/mixers; Gene Elliott Thornton Jr., Terrence Thornton & Pharrell Williams, songwriters; Zach Pereyra, mastering engineer

MAYHEM
Lady Gaga
Cirkut, Gesaffelstein, Lady Gaga & Andrew Watt, producers; Bryce Bordone, Serban Ghenea & Paul LaMalfa, engineers/mixers; Henry Walter, Mike Lévy, Lady Gaga, Michael Polansky & Andrew Watt, songwriters; Randy Merrill, mastering engineer

GNX
Kendrick Lamar
Jack Antonoff & Sounwave, producers; Jack Antonoff, Ray Charles Brown Jr., Jozef Caldwell, Oli Jacobs, Jack Manning, Dani Perez, Laura Sisk & Johnathan Turner, engineers/mixers; Jack Antonoff, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Matthew Bernard & Mark Anthony Spears, songwriters; Ruairi O’Flaherty, mastering engineer

MUTT
Leon Thomas
Freaky Rob, Peter Lee Johnson, D. Phelps & Leon Thomas, producers; Jean-Marie Horvat, engineer/mixer; Lazaro Andres Camejo, Freaky Rob, Peter Lee Johnson, D. Phelps & Leon Thomas, songwriters; Dave Kutch, mastering engineer

CHROMAKOPIA
Tyler, The Creator
Tyler, The Creator, producer; NealHPogue, Tyler Okonma & Vic Wainstein, engineers/mixers; Tyler Okonma, songwriter; Mike Bozzi, mastering engineer

Song Of The Year

Abracadabra
Lady Gaga, Henry Walter & Andrew Watt, songwriters (Lady Gaga)

Anxiety
Jaylah Hickmon, songwriter (Doechii)

**APT.**
Amy Allen, Christopher Brody Brown, Rogét Chahayed, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park, Theron Thomas & Henry Walter, songwriters (ROSÉ, Bruno Mars)

DtMF
Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Benito Antonio Martínez Ocasio, Hugo René Sención Sanabria, Tyler Thomas Spry & Roberto José Rosado Torres, songwriters (Bad Bunny)

**Golden [From "KPop Demon Hunters"]**
EJAE & Mark Sonnenblick, songwriters (HUNTR/X:EJAE, Audrey Nuna, REI AMI)

luther
Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Scott Bridgeway, Sam Dew, Ink, Kendrick Lamar, Solána Rowe, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar With SZA)

Manchild
Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)

WILDFLOWER
Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)

Best New Artist

Olivia Dean
KATSEYE
The Marias
Addison Rae
sombr
Leon Thomas
Alex Warren
Lola Young

Producer Of The Year, Non-Classical

Dan Auerbach
Elegantly Wasted (Hermanos Gutiérrez Featuring Leon Bridges) (S)
Harsh & Exciting (Moonrisers) (A)
Holy Ghost Party (Robert Finley) (S)
Love Is Cruel (Miles Kane) (S)
Medium Raw (Early James) (A)
A Million Knives (The Velveteers) (A)
No Rain, No Flowers (The Black Keys) (A)
Our Time In The Sun (Jeremie Albino) (A)

Cirkut
Abracadabra (Lady Gaga) (S)
AEOMG (Coco Jones) (T)
APT. (ROSÉ & Bruno Mars) (S)
Big Sleep (The Weeknd Featuring Giorgio Moroder) (T)
Disease (Lady Gaga) (S)
IT girl (JADE) (S)
A Little More (Ed Sheeran) (S)
Mayhem (Lady Gaga) (A)
Red Terror (The Weeknd) (T)

Dijon
Baby (Dijon) (A)
DAISIES (Justin Bieber) (T)
DEVOTION (Justin Bieber & Dijon) (T)
THINGS YOU DO (Justin Bieber) (T)
YUKON (Justin Bieber) (T)

Blake Mills
For Melancholy Brunettes (& sad women) (Japanese Breakfast) (A)
Forever Is A Feeling (Lucy Dacus) (A)
Glory (Perfume Genius) (A)
That Wasn't A Dream (Pino Palladino And Blake Mills)(A)

Sounwave
GNX (Kendrick Lamar) (A)

Songwriter Of The Year, Non-Classical

Amy Allen
APT. (ROSÉ & Bruno Mars) (S)
Bad As The Rest (Jessie Murph) (S)
Hail Mary (Shaboozey, Sierra Ferrell) (T)
Handlebars (JENNIE Featuring Dua Lipa) (S)
Just Keep Watching (Tate McRae) (S)
Lost In Translation (Carín León & Kasey Musgraves) (S)
Manchild (Sabrina Carpenter) (S)
Tears (Sabrina Carpenter) (S)
WHY (Jon Bellion Featuring Luke Combs) (S)

Edgar Barrera
Birthday Behavior (BIA, Young Miko) (S)
Coleccionando Heridas (KAROL G, Marco Antonio Solís) (T)
Ese Vato No Te Queda (Carín León, Gabito Ballesteros) (S)
Me Jalo (Fuerza Regida, Grupo Frontera) (T)
Me Retiro (Santana, Grupo Frontera) (S)
Milagros (KAROL G) (S)
Sigueme Besando Asi (Manuel Turizo) (T)
Soltera (Shakira) (S)
Una Noche Contigo (Juanes) (S)

Jessie Jo Dillon
Bless Your Heart (Megan Moroney) (T)
Bottomland (HARDY) (S)
Dreams Don’t Die (Jelly Roll) (S)
First Rodeo (Kelsea Ballerini) (T)
Happen To Me (Russell Dickerson) (S)
Hello S—ty Day (Jake Worthington, Miranda Lambert)(S)
If You Were Mine (Morgan Wallen) (T)
Patterns (Kelsea Ballerini) (T)
To The Men That Love Women After Heartbreak (Kelsea Ballerini) (T)

**Tobias Jesso Jr.**
Another Baby! (Dijon) (T)
Baby! (Dijon) (T)
Daisies (Justin Bieber) (T)
From (Bon Iver) (T)
Go Baby (Justin Bieber) (T)
Golden Burning Sun (Miley Cyrus) (T)
Man I Need (Olivia Dean) (S)
Relationships (HAIM) (S)
Walking Away (Justin Bieber) (T)

Laura Veltz
About You (BigXthaPlug Featuring Tucker Wetmore) (T)
Blue Strips (Jessie Murph) (S)
Grand Bouquet (Maren Morris) (T)
Leave Me Too (Josh Ross) (S)
Parallel Universe (Lauren Spencer Smith) (T)
Someone In This Room (Jessie Murph Featuring Bailey Zimmerman) (T)
Touch Me Like A Gangster (Jessie Murph) (S)
What Tomorrow's For (Blessing Offor) (T)
You'll Be OK, Kid - From The Original Documentary “Child Star” (Demi Lovato) (S)

Field 1: Pop & Dance/Electronic

Best Pop Solo Performance

DAISIES
Justin Bieber

Manchild
Sabrina Carpenter

Disease
Lady Gaga

The Subway
Chappell Roan

Messy
Lola Young

Best Pop Duo/Group Performance

Defying Gravity
Cynthia Erivo & Ariana Grande

**Golden [From "KPop Demon Hunters"]**
HUNTR/X: EJAE, Audrey Nuna, REI AMI

Gabriela
KATSEYE

**APT.**
ROSÉ, Bruno Mars

30 For 30
SZA Featuring Kendrick Lamar

Best Pop Vocal Album

SWAG
Justin Bieber

Man's Best Friend
Sabrina Carpenter

Something Beautiful
Miley Cyrus

MAYHEM
Lady Gaga

**I've Tried Everything But Therapy (Part 2)**
Teddy Swims

Best Dance/Electronic Recording

No Cap
Disclosure & Anderson .Paak
Disclosure, producer; Guy Lawrence, mixer

Victory Lap
Fred again.., Skepta, & PlaqueBoyMax
Blake Cascoe, Berwyn Du Bois, Fred again.., Darcy Lewis, Dan Mayo & PlaqueBoyMax, producers; Tom Norris, mixer

SPACE INVADER
KAYTRANADA
KAYTRANADA, producer; KAYTRANADA, mixer

VOLTAGE
Skrillex
John Feldmann & Skrillex, producers; Luca Pretolesi, Skrillex & Virtual Riot, mixers

End Of Summer
Tame Impala
Kevin Parker, producer; Kevin Parker, mixer

Best Dance Pop Recording

Bluest Flame
Selena Gomez & benny blanco
benny blanco, Dylan Brady & Cashmere Cat, producers;benny blanco & Cashmere Cat, mixers

Abracadabra
Lady Gaga
Cirkut, Lady Gaga & Andrew Watt, producers; Serban Ghenea, mixer

Midnight Sun
Zara Larsson
Margo XS & MNEK, producers; Tom Norris, mixer

Just Keep Watching (From F1® The Movie)
Tate McRae
Tyler Spry & Ryan Tedder, producers; Manny Marroquin, mixer

Illegal
PinkPantheress
Aksel Arvid & PinkPantheress, producers; Nickie Jon Pabon

Best Dance/Electronic Album

EUSEXUA
FKA twigs

Ten Days
Fred again..

Fancy That
PinkPantheress

Inhale / Exhale
RÜFÜS DU SOL

F— U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3
Skrillex

Best Remixed Recording

**Abracadabra (Gesaffelstein Remix)**
Gesaffelstein, remixer (Lady Gaga, Gesaffelstein)

Don't Forget About Us
FKAYTRANADA, remixer (Mariah Carey & KAYTRANADA)

A Dreams A Dream - Ron Trent Remix
Ron Trent, remixer (Soul II Soul)

Galvanize
Chris Lake, remixer (The Chemical Brothers & Chris Lake)

Golden - David Guetta REM/X
David Guetta, remixer (HUNTR/X: EJAE, Audrey Nuna, REI AMI)

Field 2: Rock, Metal & Alternative Music

Best Rock Performance

U Should Not Be Doing That
Amyl and The Sniffers

The Emptiness Machine
Linkin Park

NEVER ENOUGH
Turnstile

Mirtazapine
Hayley Williams

Changes (Live From Villa Park) Back To The Beginning
YUNGBLUD Featuring Nuno Bettencourt, Frank Bello, Adam Wakeman, II

Best Metal Performance

Night Terror
Dream Theater

Lachryma
Ghost

Emergence
Sleep Token

Soft Spine
Spiritbox

BIRDS
Turnstile

Best Rock Song

As Alive As You Need Me To Be
Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)

Caramel
Vessel1 & Vessel2, songwriters (Sleep Token)

Glum
Daniel James & Hayley Williams, songwriters (Hayley Williams)

NEVER ENOUGH
Daniel Fang, Franz Lyons, Pat McCrory, Meg Mills & Brendan Yates, songwriters (Turnstile)

Zombie
Dominic Harrison & Matt Schwartz, songwriters (YUNGBLUD)

Best Rock Album

private music
Deftones

I quit
HAIM

From Zero
Linkin Park

NEVER ENOUGH
Turnstile

Idols
YUNGBLUD

Best Alternative Music Performance

Everything Is Peaceful Love
Bon Iver

Alone
The Cure

SEEIN' STARS
Turnstile

mangetout
Wet Leg

Parachute
Hayley Williams

Best Alternative Music Album

SABLE, fABLE
Bon Iver

Songs Of A Lost World
The Cure

DON'T TAP THE GLASS
Tyler, The Creator

moisturizer
Wet Leg

Ego Death At A Bachelorette Party
Hayley Williams

Field 3: R&B, Rap & Spoken Word Poetry

Best R&B Performance

YUKON
Justin Bieber

It Depends
Chris Brown Featuring Bryson Tiller

Folded
Kehlani

**MUTT (Live From NPR's Tiny Desk)**
Leon Thomas

Heart Of A Woman
Summer Walker

Best Traditional R&B Performance

Here We Are
Durand Bernarr

UPTOWN
Lalah Hathaway

LOVE YOU TOO
Ledisi

Crybaby
SZA

VIBES DON'T LIE
Leon Thomas

Best R&B Song

Folded
Darius Dixson, Andre Harris, Donovan Knight, Don Mills, Kehlani Parrish, Khris Riddick-Tynes & Dawit Kamal Wilson, songwriters (Kehlani)

Heart Of A Woman
David Bishop & Summer Walker, songwriters (Summer Walker)

It Depends
Nico Baran, Chris Brown, Ant Clemons, Ephrem Lopez Jr., Ryan Press, Bryson Tiller, Elliott Trent & Dewain Whitmore Jr., songwriters (Chris Brown Featuring Bryson Tiller)

Overqualified
James John Abrahart Jr & Durand Bernarr, songwriters (Durand Bernarr)

YES IT IS
Jariuce Banks, Lazaro Andres Camejo, Mike Hector, Peter Lee Johnson, Rodney Jones Jr., Ali Prawl & Leon Thomas, songwriters (Leon Thomas)

Best Progressive R&B Album

BLOOM
Durand Bernarr

Adjust Brightness
Bilal

LOVE ON DIGITAL
Destin Conrad

Access All Areas
FLO

Come As You Are
Terrace Martin & Kenyon Dixon

Best R&B Album

BELOVED
GIVĒON

**Why Not More?**
Coco Jones

The Crown
Ledisi

Escape Room
Teyana Taylor

MUTT
Leon Thomas

Best Rap Performance

Outside
Cardi B

Chains & Whips
Clipse, Pusha T & Malice Featuring Kendrick Lamar & Pharrell Williams

Anxiety
Doechii

tv off
Kendrick Lamar Featuring Lefty Gunplay

Darling, I
Tyler, The Creator Featuring Teezo Touchdown

Best Melodic Rap Performance

Proud Of Me
Fridayy Featuring Meek Mill

Wholeheartedly
JID Featuring Ty Dolla $ign & 6Lack

luther
Kendrick Lamar With SZA

WeMaj
Terrace Martin & Kenyon Dixon Featuring Rapsody

SOMEBODY LOVES ME
PARTYNEXTDOOR & Drake

Best Rap Song

Anxiety
Jaylah Hickmon, songwriter (Doechii)

The Birds Don't Sing
Gene Elliott Thornton Jr., Terrence Thornton, Pharrell Williams & Stevie Wonder, songwriters (Clipse, Pusha T & Malice Featuring John Legend & Voices Of Fire)

Sticky
Aaron Bolton, Dwayne Carter, Jr., Dudley Alexander Duverne, Tyler Okonma, Janae Wherry, Gloria Woods & Rex Zamor, songwriters (Tyler, The Creator Featuring GloRilla, Sexyy Red & Lil Wayne)

TGIF
Lucas Alegria, Dillon Brophy, Yakki Davis, Jess Jackson, Ronnie Jackson, Mario Mims, Jorge M. Taveras & Gloria Woods, songwriters (GloRilla)

tv off
Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar Featuring Lefty Gunplay)

Best Rap Album

Let God Sort Em Out
Clipse, Pusha T & Malice

GLORIOUS
GloRilla

God Does Like Ugly
JID

GNX
Kendrick Lamar

CHROMAKOPIA
Tyler, The Creator

Best Spoken Word Poetry Album

**A Hurricane in Heels: healed people don't act like that (partially recorded live @City Winery & other places)**
Queen Sheba

Black Shaman
Marc Marcel

Pages
Omari Hardwick & Anthony Hamilton

Saul Williams Meets Carlos Niño & Friends At Treepeople
Saul Williams, Carlos Niño & Friends

Words For Days Vol. 1
Mad Skillz

Field 4: Jazz, Traditional Pop, Contemporary Instrumental & Musical Theater

Best Jazz Performance

Noble Rise
Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield

Windows - Live
Chick Corea, Christian McBride & Brian Blade

Peace Of Mind / Dreams Come True
Samara Joy

Four
Michael Mayo

All Stars Lead To You - Live
Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth

Best Jazz Vocal Album

Elemental
Dee Dee Bridgewater & Bill Charlap

**We Insist 2025!**
Terri Lyne Carrington & Christie Dashiell

Portrait
Samara Joy

Fly
Michael Mayo

Live at Vic's Las Vegas
Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth

Best Jazz Instrumental Album

**Trilogy 3 (Live)**
Chick Corea, Christian McBride & Brian Blade

Southern Nights
Sullivan Fortner Featuring Peter Washington & Marcus Gilmore

Belonging
Branford Marsalis Quartet

Spirit Fall
John Patitucci Featuring Chris Potter & Brian Blade

Fasten Up
Yellowjackets

Best Large Jazz Ensemble Album

Orchestrator Emulator
The 8-Bit Big Band

Without Further Ado, Vol 1
Christian McBride Big Band

Lumen
Danilo Pérez & Bohuslän Big Band

**Basie Rocks!**
Deborah Silver & The Count Basie Orchestra

Lights on a Satellite
Sun Ra Arkestra

Some Days Are Better: The Lost Scores
Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra & Frost Jazz Orchestra

Best Latin Jazz Album

La Fleur de Cayenne
Paquito D'Rivera & Madrid-New York Connection Band

The Original Influencers: Dizzy, Chano & Chico Arturo O'Farrill & The Afro Latin Jazz Orchestra
Featuring Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa

Mundoagua - Celebrating Carla Bley
Arturo O'Farrill & The Afro Latin Jazz Orchestra

A Tribute to Benny Moré and Nat King Cole
Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro

Vanguardia Subterránea: Live at The Village Vanguard
Miguel Zenón Quartet

Best Alternative Jazz Album

honey from a winter stone
Ambrose Akinmusire

Keys To The City Volume One
Robert Glasper

Ride into the Sun
Brad Mehldau

LIVE-ACTION
Nate Smith

Blues Blood
Immanuel Wilkins

Best Traditional Pop Vocal Album

Wintersongs
Laila Biali

The Gift Of Love
Jennifer Hudson

**Who Believes In Angels?**
Elton John & Brandi Carlile

Harlequin
Lady Gaga

A Matter Of Time
Laufey

The Secret Of Life: Partners, Volume 2
Barbra Streisand

Best Contemporary Instrumental Album

Brightside
ARKAI

Ones & Twos
Gerald Clayton

BEATrio
Béla Fleck, Edmar Castañeda, Antonio Sánchez

Just Us
Bob James & Dave Koz

Shayan
Charu Suri

Best Musical Theater Album

Buena Vista Social Club
Marco Paguia, Dean Sharenow & David Yazbek, producers (Original Broadway Cast)

Death Becomes Her
Taurean Everett, Megan Hilty, Josh Lamon, Christopher Sieber, Jennifer Simard & Michelle Williams, principal vocalists; Noel Carey, Sean Patrick Flahaven, Julia Mattison & Scott M. Riesett, producers; Noel Carey & Julia Mattison, composers/lyricists (Original Broadway Cast)

Gypsy
Danny Burstein, Kevin Csolak, Audra McDonald, Jordan Tyson & Joy Woods, principal vocalists; David Caddick, Andy Einhorn, David Lai & George C. Wolfe, producers (Jule Styne, composer; Stephen Sondheim, lyricist) (2024 Broadway Cast)

Just In Time
Emily Bergl, Jonathan Groff, Erika Henningsen, Gracie Lawrence & Michele Pawk, principal vocalists; Derik Lee, Andrew Resnick & Bill Sherman, producers (Bobby Darin, composer & lyricist) (Original Broadway Cast)

Maybe Happy Ending
Marcus Choi, Darren Criss, Dez Duron & Helen J Shen, principal vocalists; Deborah Abramson, Will Aronson, Ian Kagey & Hue Park, producers; Hue Park, lyricist; Will Aronson, composer & lyricist (Original Broadway Cast)

Field 5: Country & American Roots Music

Best Country Solo Performance

Nose On The Grindstone
Tyler Childers

Good News
Shaboozey

**Bad As I Used To Be [From "F1® The Movie"]**
Chris Stapleton

I Never Lie
Zach Top

Somewhere Over Laredo
Lainey Wilson

Best Country Duo/Group Performance

A Song To Sing
Miranda Lambert And Chris Stapleton

Trailblazer
Reba McEntire, Miranda Lambert, Lainey Wilson

Love Me Like You Used To Do
Margo Price & Tyler Childers

Amen
Shaboozey & Jelly Roll

Honky Tonk Hall Of Fame
George Strait, Chris Stapleton

Best Country Song

Bitin’ List
Tyler Childers, songwriter (Tyler Childers)

Good News
Michael Ross Pollack, Sam Elliot Roman & Jacob Torrey, songwriters (Shaboozey)

I Never Lie
Carson Chamberlain, Tim Nichols & Zach Top, songwriters (Zach Top)

Somewhere Over Laredo
Andy Albert, Trannie Anderson, Dallas Wilson & Lainey Wilson, songwriters (Lainey Wilson)

A Song To Sing
Jenee Fleenor, Jesse Frasure, Miranda Lambert & Chris Stapleton, songwriters (Miranda Lambert And Chris Stapleton)

Best Traditional Country Album

Dollar A Day
Charley Crockett

American Romance
Lukas Nelson

Oh What A Beautiful World
Willie Nelson

Hard Headed Woman
Margo Price

Ain't In It For My Health
Zach Top

Best Contemporary Country Album

Patterns
Kelsea Ballerini

Snipe Hunter
Tyler Childers

Evangeline Vs. The Machine
Eric Church

Beautifully Broken
Jelly Roll

Postcards From Texas
Miranda Lambert

Best American Roots Performance

LONELY AVENUE
Jon Batiste Featuring Randy Newman

Ancient Light
I'm With Her

Crimson And Clay
Jason Isbell

Richmond On The James
Alison Krauss & Union Station

Beautiful Strangers
Mavis Staples

Best Americana Performance

Boom
Sierra Hull

Poison In My Well
Maggie Rose & Grace Potter

Godspeed
Mavis Staples

That's Gonna Leave A Mark
Molly Tuttle

Horses
Jesse Welles

Best American Roots Song

Ancient Light
Sarah Jarosz, Aoife O'Donovan & Sara Watkins, songwriters (I'm With Her)

BIG MONEY
Jon Batiste, Mike Elizondo & Steve McEwan, songwriters (Jon Batiste)

Foxes In The Snow
Jason Isbell, songwriter (Jason Isbell)

Middle
Jesse Welles, songwriter (Jesse Welles)

Spitfire
Sierra Hull, songwriter (Sierra Hull)

Best Americana Album

BIG MONEY
Jon Batiste

Bloom
Larkin Poe

Last Leaf On The Tree
Willie Nelson

So Long Little Miss Sunshine
Molly Tuttle

Middle
Jesse Welles

Best Bluegrass Album

Carter & Cleveland
Michael Cleveland & Jason Carter

A Tip Toe High Wire
Sierra Hull

Arcadia
Alison Krauss & Union Station

Outrun
The Steeldrivers

Highway Prayers
Billy Strings

Best Traditional Blues Album

Ain’t Done With The Blues
Buddy Guy

Room On The Porch
Taj Mahal & Keb' Mo'

One Hour Mama: The Blues Of Victoria Spivey
Maria Muldaur

Look Out Highway
Charlie Musselwhite

Young Fashioned Ways
Kenny Wayne Shepherd & Bobby Rush

Best Contemporary Blues Album

Breakthrough
Joe Bonamassa

Paper Doll
Samantha Fish

A Tribute To LJK
Eric Gales

Preacher Kids
Robert Randolph

Family
Southern Avenue

Best Folk Album

What Did The Blackbird Say To The Crow
Rhiannon Giddens & Justin Robinson

Crown Of Roses
Patty Griffin

Wild And Clear And Blue
I'm With Her

Foxes In The Snow
Jason Isbell

Under The Powerlines April 24 – September 24
Jesse Welles

Best Regional Roots Music Album

Live At Vaughan’s
Corey Henry & The Treme Funktet

For Fat Man
Preservation Brass & Preservation Hall Jazz Band

Church Of New Orleans
Kyle Roussel

Second Line Sunday
Trombone Shorty And New Breed Brass Band

A Tribute To The King Of Zydeco
(Various Artists)

Field 6: Gospel & Contemporary Christian Music

Best Gospel Performance/Song

Do It Again
Kirk Franklin; Kirk Franklin, songwriter

Church
Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters

Still Live
Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing III, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters

Amen
Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters

Come Jesus Come
Cece Winans Featuring Shirley Caesar

Best Contemporary Christian Music Performance/Song

I Know A Name
Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters

YOUR WAY'S BETTER
Forrest Frank; Forrest Frank & Pera, songwriters

Hard Fought Hallelujah
Brandon Lake With Jelly Roll; Chris Brown, Jason Bradley Deford, Steven Furtick, Benjamin William Hastings & Brandon Lake, songwriters

Headphones
Lecrae, Killer Mike, T.I.; Bongo ByTheWay, Clifford Harris, William Roderick Miller, Lecrae Moore, Michael Render & Tyshane Thompson, songwriters

Amazing
Darrel Walls, PJ Morton; PJ Morton & Darrel Walls,songwriters

Best Gospel Album

Sunny Days
Yolanda Adams

Tasha
Tasha Cobbs Leonard

Live Breathe Fight
Tamela Mann

Only On The Road Live
Tye Tribbett

Heart Of Mine
Darrel Walls, PJ Morton

Best Contemporary Christian Music Album

CHILD OF GOD II
Forrest Frank

Coritos Vol. 1
Israel & New Breed

King Of Hearts
Brandon Lake

Reconstruction
Lecrae

Let The Church Sing
Tauren Wells

Best Roots Gospel Album

**I Will Not Be Moved (Live)**
The Brooklyn Tabernacle Choir

Then Came The Morning
Gaither Vocal Band

Praise & Worship: More Than A Hollow Hallelujah
The Isaacs

Good Answers
Karen Peck & New River

Back To My Roots
Candi Staton

Field 7: Latin, Global, Reggae & New Age, Ambient, or Chant

Best Latin Pop Album

Cosa Nuestra
Rauw Alejandro

BOGOTÁ DELUXE
Andrés Cepeda

Tropicoqueta
KAROL G

Cancionera
Natalia Lafourcade

**¿Y ahora qué?**
Alejandro Sanz

Best Música Urbana Album

DeBÍ TiRAR MáS FOToS
Bad Bunny

Mixteip
J Balvin

FERXXO VOL X: Sagrado
Feid

NAIKI
Nicki Nicole

EUB DELUXE
Trueno

**SINFÓNICO (En Vivo)**
Yandel

Best Latin Rock or Alternative Album

Genes Rebeldes
Aterciopelados

ASTROPICAL
Bomba Estéreo, Rawayana, ASTROPICAL

PAPOTA
CA7RIEL & Paco Amoroso

ALGORHYTHM
Los Wizzards

Novela
Fito Paez

Best Música Mexicana Album (Including Tejano)

MALA MÍA
Fuerza Regida, Grupo Frontera

Y Lo Que Viene
Grupo Frontera

Sin Rodeos
Paola Jara

**Palabra De To's (Seca)**
Carín León

**Bobby Pulido & Friends Una Tuya Y Una Mía - Por La Puerta Grande (En Vivo)**
Bobby Pulido

Best Tropical Latin Album

Fotografías
Rubén Blades, Roberto Delgado & Orquesta

Raíces
Gloria Estefan

Clásicos 1.0
Grupo Niche

Bingo
Alain Pérez

Debut y Segunda Tanda, Vol. 2
Gilberto Santa Rosa

Best Global Music Performance

EoO
Bad Bunny

Cantando en el Camino
Ciro Hurtado

JERUSALEMA
Angélique Kidjo

**Inmigrante Y Que?**
Yeisy Rojas

**Shrini's Dream (Live)**
Shakti

Daybreak
Anoushka Shankar Featuring Alam Khan & Sarathy Korwar

Best African Music Performance

Love
Burna Boy

With You
Davido Featuring Omah Lay

Hope & Love
Eddy Kenzo & Mehran Matin

Gimme Dat
Ayra Starr Featuring Wizkid

PUSH 2 START
Tyla

Best Global Music Album

Sounds Of Kumbha
Siddhant Bhatia

No Sign of Weakness
Burna Boy

Eclairer le monde - Light the World
Youssou N'Dour

**Mind Explosion (50th Anniversary Tour Live)**
Shakti

Chapter III: We Return To Light
Anoushka Shankar Featuring Alam Khan & Sarathy Korwar

Caetano e Bethânia Ao Vivo
Caetano Veloso And Maria Bethânia

Best Reggae Album

Treasure Self Love
Lila Iké

Heart & Soul
Vybz Kartel

BLXXD & FYAH
Keznamdi

From Within
Mortimer

No Place Like Home
Jesse Royal

Best New Age, Ambient, or Chant Album

Kuruvinda
Kirsten Agresta-Copely

According To The Moon
Cheryl B. Engelhardt, GEM, Dallas String Quartet

Into The Forest
Jahnavi Harrison

NOMADICA
Carla Patullo Featuring The Scorchio Quartet & Tonality

The Colors In My Mind
Chris Redding

Field 8: Children’s, Comedy, Audio Books, Visual Media & Music Video/Film

Best Children's Music Album

Ageless: 100 Years Young
Joanie Leeds & Joya

Buddy's Magic Tree House
Mega Ran

Harmony
FYÜTCH & Aura V

Herstory
Flor Bromley

The Music Of Tori And The Muses
Tori Amos

Best Comedy Album

Drop Dead Years
Bill Burr

PostMortem
Sarah Silverman

Single Lady
Ali Wong

What Had Happened Was…
Jamie Foxx

Your Friend, Nate Bargatze
Nate Bargatze

Best Audio Book, Narration, and Storytelling Recording

Elvis, Rocky & Me: The Carol Connors Story
Kathy Garver

Into The Uncut Grass
Trevor Noah

Lovely One: A Memoir
Ketanji Brown Jackson

Meditations: The Reflections Of His Holiness The Dalai Lama
Dalai Lama

You Know It’s True: The Real Story Of Milli Vanilli
Fab Morvan

Best Compilation Soundtrack For Visual Media

A Complete Unknown
Timothée Chalamet

F1® The Album
(Various Artists)

KPop Demon Hunters
(Various Artists)

Sinners
(Various Artists)

Wicked
(Various Artists)

Best Score Soundtrack For Visual Media (Includes Film And Television)

How To Train Your Dragon
John Powell, composer

Severance: Season 2
Theodore Shapiro, composer

Sinners
Ludwig Göransson, composer

Wicked
John Powell & Stephen Schwartz, composers

The Wild Robot
Kris Bowers, composer

Best Score Soundtrack for Video Games and Other Interactive MediaAvatar: Frontiers of Pandora - Secrets of the Spires
Pinar Toprak, composer

Helldivers 2
Wilbert Roget, II, composer

Indiana Jones And The Great Circle
Gordy Haab, composer

Star Wars Outlaws: Wild Card & A Pirate's Fortune
Cody Matthew Johnson & Wilbert Roget, II, composers

Sword of the Sea
Austin Wintory, composer

Best Song Written For Visual Media

**As Alive As You Need Me To Be [From "TRON: Ares"]**
Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)

**Golden [From "KPop Demon Hunters"]**
EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)

**I Lied to You [From "Sinners"]**
Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)

**Never Too Late [From "Elton John: Never Too Late"]**
Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)

**Pale, Pale Moon [From "Sinners"]**
Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)

**Sinners [From "Sinners"]**
Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Povilinus, songwriters (Rod Wave)

Best Music Video

Manchild
Sabrina Carpenter
Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers

So Be It
Clipse
Hannan Hussain, video director; Daniel Order, video producer

Anxiety
Doechii
James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers

Love
OK Go
Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann, video producer

Young Lion
Sade
Sophie Muller, video director; Aaron Taylor Dean & Sade, video producers

Best Music Film

Devo
Devo
Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers

Live At The Royal Albert Hall
Raye
Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers

Relentless
Diane Warren
Bess Kargman, video director; Peggy Drexler, Michele Farinola & Kat Nguyen, video producers

Music By John Williams
John Williams
Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers

Piece By Piece
Pharrell Williams
Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers

Field 9: Package, Notes & Historical

Best Recording Package

And The Adjacent Possible
Hà Trinh Quoc Bao, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)

Balloonerism
Bráulio Amado & Alim Smith, art directors (Mac Miller)

Danse Macabre: De Luxe
Rory McCartney, art director (Duran Duran)

Loud Is As
Farbod Kokabi & Emily Sneddon, art directors (Tsunami)

Sequoia
Tim Breen & Ken Shipley, art directors (Various Artists)

**The Spins (Picture Disc Vinyl)**
Miller McCormick, art director (Mac Miller)

Tracks II: The Lost Albums
Meghan Foley & Michelle Holme, art directors (Bruce Springsteen)

Best Album Cover

CHROMAKOPIA
Shaun Llewellyn & Luis “Panch” Perez, art directors (Tyler, The Creator)

The Crux
William Wesley II, art director (Djo)

Debí Tirar Más Fotos
Benito Antonio Martinez Ocasio, art director (Bad Bunny)

Glory
Cody Critcheloe & Andrew J.S., art directors (Perfume Genius)

moisturizer
Hester Chambers, Ellis Durand, Henry Holmes, Matt de Jong, Jamie-James Medina, Joshua Mobaraki & Rhian Teasdale, art directors (Wet Leg)

Best Album Notes

Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974
Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)

After The Last Sky
Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)

Árabe
Amanda Ekery, album notes writer (Amanda Ekery)

The First Family: Live At Winchester Cathedral 1967
Alec Palao, album notes writer (Sly & The Family Stone)

**A Ghost Is Born (20th Anniversary Deluxe Edition)**
Bob Mehr, album notes writer (Wilco)

Miles '55: The Prestige Recordings
Ashley Kahn, album notes writer (Miles Davis)

Best Historical Album

**Joni Mitchell Archives - Volume 4: The Asylum Years (1976-1980)**
Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)

The Making Of Five Leaves Left
Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers (Nick Drake)

**Roots Rocking Zimbabwe - The Modern Sound Of Harare' Townships 1975-1980 (Analog Africa No.41)**
Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)

**Super Disco Pirata - De Tepito Para El Mundo 1965-1980 (Analog Africa No. 39)**
Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)

You Can't Hip A Square: The Doc Pomus Songwriting Demos
Will Bratton, Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Doc Pomus)

Field 10: Production, Engineering, Composition & Arrangement

Best Engineered Album, Non-Classical

All Things Light
Jesse Brock, Jon Castelli, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence "Boo" Mitchell, Anders Mouridsen, Ryan Nasci, Ernesto Olivera-Lapier, Ethan Schneiderman & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)

Arcadia
Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)

**For Melancholy Brunettes (& sad women)**
Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)

That Wasn't A Dream
Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)

Best Engineered Album, Classical

Cerrone: Don't Look Down
Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)

Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2
Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)

Shostakovich: Lady Macbeth Of The Mtsensk District
Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)

Standard Stoppages
Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)

Yule
Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Trio Mediæval)

Producer Of The Year, Classical

Blanton Alspaugh
All Is Miracle - The Choral Music Of Kyle Pederson (Timothy J. Campbell & Transept) (A)
Heggie: Intelligence (Kwame Ryan, Janai Brugger, Jamie Barton, J'Nai Bridges & Houston Grand Opera) (A)
Marsalis: Blues Symphony (Jader Bignamini & Detroit Symphony Orchestra) (A)
Massenet: Werther (Robert Spano, Matthew Polenzani, sabel Leonard & Houston Grand Opera) (A)
The Mirage Calls (Charles Bruffy & Kansas City Chorale) (A)
Sheehan: Ukrainian War Requiem (Michael Zaugg, Axios Men's Ensemble & Pro Coro Canada) (A)
Sun, Moon, Stars, Rain (Christopher Gabbitas & Phoenix Chorale) (A)

Sergei Kvitko
Biedenbender: Enigma; River Of Time (Kevin L. Sedatole & Michigan State University Wind Symphony) (A)
Chiaroscuro (Vedrana Subotic) (A)
Dancing In A Still Life (Tasha Warren) (A)
Excursions (Vuorovesi Trio) (A)
Four Hands. Two Hearts. One Hope. Ukrainian And American Music For Piano Duo (Mykhailo Diordiiev & Anastasiia Larchikova) (A)
Here And Now - Trumpet Music By Virginia Composers (Jason Crafton, Richard Masters, Annie Stevens & Paul Langosch) (A)
Lansky: Touch And Go (Gwendolyn Dease) (A)
Orbiting Garden (William Hobbs) (A)
Would That Loving Were Enough (Haven Trio) (A)

Morten Lindberg
Fred Over Jorden (Peace To The World) (Elisabeth Holte, Kjetil Bjerkestrand & Uranienborg Vokalensemble) (A)
Stjernebru (Anne Karin Sundal-Ask & Det Norske Jentekor) (A)
Yule (Trio Mediæval) (A)

Dmitriy Lipay
Heggie: Before It All Goes Dark (Joseph Mechavich, Megan Marino, Ryan McKinny & Music Of Remembrance Ensemble) (A)
Odyssey (Jorge Glem, Gustavo Dudamel & Simón Bolívar Symphony Orchestra Of Venezuela) (A)
Ortiz: Yanga (Gustavo Dudamel, Alisa Weilerstein & Los Angeles Philharmonic) (A)

Elaine Martone
Berlioz: Symphonie Fantastique (Franz Welser-Möst & The Cleveland Orchestra) (A)
Chopin & Rachmaninoff: Cello Sonatas (Brian Thornton & Spencer Myer) (A)
Dear Mrs. Kennedy (Ryan Townsend Strand) (A)
Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2 (Franz Welser-Möst & The Cleveland Orchestra) (A)
LeFrak: Romántico (Sharon Isbin, Lopez-Yañez & Orchestra Of St. Luke's) (A)
Mozart: Piano Concerto No. 27 & Symphony No. 29 (Garrick Ohlsson, Franz Welser-Möst & The Cleveland Orchestrea) (A)
The Poet & The Prodigy (Debra Nagy & Mark Edwards) (A)
Shapes In Collective Space (Tallā Rouge) (A)
Songs Of Orpheus (Kelley O'Connor) (A)

Best Immersive Audio Album

All American F***boy
Andrew Law, immersive mix engineer (Duckwrth)

Immersed
Justin Gray, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Justin Gray, Drew Jurecka & Morten Lindberg, immersive producers (Justin Gray)

**An Immersive Tribute To Astor Piazzolla (Live)**
Andrés Mayo & Martín Muscatello, immersive mix engineers; Andrés Mayo & Martín Muscatello, immersive producers (Various Artists)

Tearjerkers
Hans-Martin Buff, immersive mix engineer; Hans-Martin Buff, immersive producer (Tearjerkers)

Yule
Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Arve Henriksen & Morten Lindberg, immersive producers (Trio Mediæval)

Best Instrumental Composition

First Snow
Remy Le Boeuf, composer (Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz)

Live Life This Day: Movement I
Miho Hazama, composer (Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra)

Lord, That's A Long Way
Sierra Hull, composer (Sierra Hull)

Opening
Zain Effendi, composer (Zain Effendi)

Train To Emerald City
John Powell & Stephen Schwartz, composers (John Powell & Stephen Schwartz)

Why You Here / Before The Sun Went Down
Ludwig Göransson, composer (Ludwig Göransson Featuring Miles Caton)

Best Arrangement, Instrumental or A Cappella

Be Okay
Cynthia Erivo, arranger (Cynthia Erivo)

A Child Is Born
Remy Le Boeuf, arranger (Nordkraft Big Band & Remy Le Boeuf)

Fight On
Andy Clausen, Addison Maye-Saxon, Riley Mulherkar & Chloe Rowlands, arrangers (The Westerlies)

Super Mario Praise Break
Bryan Carter, Charlie Rosen & Matthew Whitaker, arrangers (The 8-Bit Big Band)

Best Arrangement, Instruments and Vocals

Big Fish
Erin Bentlage, Sara Gazarek, Johnaye Kendrick, Nate Smith & Amanda Taylor, arrangers (Nate Smith Featuring säje)

**How Did She Look?**
Nelson Riddle, arranger (Seth MacFarlane)

Keep An Eye On Summer
Jacob Collier, arranger (Jacob Collier)

**Something In The Water (Acoustic-Ish)**
Clyde Lawrence, Gracie Lawrence & Linus Lawrence, arrangers (Lawrence)

What A Wonderful World
Cody Fry, arranger (Cody Fry)

Field 11: Classical

Best Orchestral Performance

Award to the Conductor and to the Orchestra.

**Coleridge-Taylor: Toussaint L’Ouverture; Ballade Op. 4; Suites From '24 Negro Melodies'**
Michael Repper, conductor (National Philharmonic)

Messiaen: Turangalîla-Symphonie
Andris Nelsons, conductor (Boston Symphony Orchestra)

Ravel: Boléro, M. 81
Gustavo Dudamel, conductor (Simón Bolívar Symphony Orchestra Of Venezuela)

Still & Bonds
Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

Stravinsky: Symphony In Three Movements
Esa-Pekka Salonen, conductor (San Francisco Symphony)

Best Opera Recording

Heggie: Intelligence
Kwamé Ryan, conductor; Jamie Barton, J'Nai Bridges & Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)

Huang Ruo: An American Soldier
Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang)

Kouyoumdjian: Adoration
Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O’Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)

O'Halloran: Trade & Mary Motorhead
Elaine Kelly, conductor; Oisín Ó Dálaigh & John Molloy; Alex Dowling & Emma O'Halloran, producers (Irish National Opera Orchestra; Mark O’Halloran)

Tesori: Grounded
Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D’Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)

Best Choral Performance

Advena - Liturgies For A Broken World
Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)

Childs: In The Arms Of The Beloved
Grant Gershon, conductor (Billy Childs, Dan Chmielinski, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)

Lang: Poor Hymnal
Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)

Ortiz: Yanga
Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic; Los Angeles Master Chorale)

Requiem Of Light
Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)

Best Chamber Music/Small Ensemble Performance

Dennehy: Land Of Winter
Alan Pierson & Alarm Will Sound

La Mer - French Piano Trios
Neave Trio

Lullabies For The Brokenhearted
Lili Haydn & Paul Cantelon

Slavic Sessions
Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)

Standard Stoppages
Third Coast Percussion

Best Classical Instrumental Solo

**Coleridge-Taylor: 3 Selections From '24 Negro Melodies'**
Curtis Stewart; Michael Repper, conductor (National Philharmonic)

Hope Orchestrated
Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)

Inheritances
Adam Tendler

Price: Piano Concerto In One Movement In D Minor
Han Chen; John Jeter, conductor (Malmö Opera Orchestra)

Shostakovich: The Cello Concertos
Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)

Shostakovich: The Piano Concertos; Solo Works
Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Classical Solo Vocal Album

Alike - My Mother's Dream
Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)

Black Pierrot
Sidney Outlaw, soloist; Warren Jones, pianist

In This Short Life
Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, artist

Kurtág: Kafka Fragments
Susan Narucki, soloist; Curtis Macomber, artist

Schubert Beatles
Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)

Telemann: Ino - Opera Arias For Soprano
Amanda Forsythe, soloist; Robert Mealy, Paul O'Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)

Best Classical Compendium

Cerrone: Don't Look Down
Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers

The Dunbar/Moore Sessions, Vol. II
Will Liverman; Jonathan Estabrooks, producer

Ortiz: Yanga
Gustavo Dudamel, conductor; Dmitriy Lipay, producer

Seven Seasons
Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi; Nicholas Dodd, conductor; Jeff Fair, Starr Parodi & Kitt Wakeley, producers

Tombeaux
Christina Sandsengen; Shaun Drew & Christina Sandsengen, producers

Best Contemporary Classical Composition

Cerrone: Don't Look Down
Christopher Cerrone, composer (Conor Hanick & Sandbox Percussion)

Dennehy: Land Of Winter
Donnacha Dennehy, composer (Alan Pierson & Alarm Will Sound)

**León: Raíces (Origins)**
Tania León, composer (Edward Gardner & London Philharmonic Orchestra)

Okpebholo: Songs In Flight
Shawn E. Okpebholo, composer (Will Liverman, Paul Sánchez & Various Artists)

Ortiz: Dzonot
Gabriela Ortiz, composer (Alisa Weilerstein, Gustavo Dudamel & Los Angeles Philharmonic)

STILL SNOWIN' | JAY "JEEZY" JENKINS

As we settle into the Fall, we know that the weeks ahead will be productive and busy! We’re navigating a number of projects while looking ahead to 2026! This month’s cover is definitely on that same wavelength! Jay “Jeezy” Jenkins is a 4X Grammy nominated artist, New York Times Best Selling Author, Entrepreneur, and Philanthropist who is known for a number of songs that have been on rotation on our playlists and more.

We wanted to know more about how he got into the industry, his passion for music, and his creative process. We also wanted to delve into his national TM: 101 Live Orchestra Tour which has been sold out. Due to the success of this tour, he announced his residency in Las Vegas at PH Live at Planet Hollywood with The Masquerade (Oct 31st + Nov 1st) and The Nutcracker (Dec 19th + 21st). On Sept 28th, he dropped his latest album, Still Snowin’! We had to find out this and more from the man himself!

ATHLEISURE MAG: It’s a pleasure to speak with you as I have been a fan, and I have enjoyed your body of work musically, as well as being an entrepreneur, so we’re thrilled to have you as the cover of Athleisure Mag this month!

JEEZY: I love that! Thank you so much! This is amazing!

AM: So, you’ve said that for you, music was a vehicle for business. When did you fall in love with rap, and when did you realize you wanted to be an entertainer?

J: I fell in love with music at a very young age. I think my mother bought me like a Fat Boy’s tape, EPMD tape, and that’s kind of when I was just like, “okay, this is something I love, and when we moved from abroad and came back to the States right before my parents separated, we moved into this small apartment complex. The lady, her name was Dimitri. She lived next door, she was, you know about my father’s age and she played Supersonic. Like, all day, every day, I mean, like J.J. Fad, Supersonic, and it was like, I heard this song literally from when the sun went up to when the sun went down. Because she would play it, and I would just put my ear to the the wall and just listen to it. I just couldn’t believe, like what I was hearing, because I was feeling it. As I started coming of age and you know, I found the people that I liked, I ended up discovering Tupac and I just felt like he was for me. Like, I just couldn’t believe somebody else had the same views I did, and that’s why I really like fell in love with it. And I was, like, okay, you can learn from this. I can enjoy it. This is it. That was the moment.

As far as the artistry, I think I was forced more into being an artist more than I chose to be. I learned from music like music has always been my teacher. One of the real reasons why, I still, you know, listen to podcasts is that I’m learning something. I feel like I always learn from the people I listen to. But the first entrepreneurs that I ever saw were the local hustlers or when Cash Money or No Limit, when they were taking off. I was, like, okay, I could do that, but I want to be a CEO, so I basically, was grinding up money to be a CEO of a label, so I would put my money into the artists, and it didn’t work, you know. And over time, I kind of left with no money, a studio, and really a dream. And one of my guys said, “man, you might as well, just try it yourself, because, you’re the most dedicated and devoted to it, but also, it’s your life.”

AM: Wow!

J: I thought about it and I was like, you know what, you’re right. And I just started to, you know, get in the booth and it took me 10 years. But I stuck with it and the next thing, you know, I was dropping, Tha Streets Iz Watchin, Trap or Die, and then Thug Motivation. It’s been on ever since then.

AM: I mean, where do you get your inspiration from when it comes to creating new music and what is your creative process like?

J: Hmm, creating new music for me, so I never looked at it as music. It’s almost like a journal. You have to live to journal. Like, if you’re not living, you don’t got nothing to journal about. You’ve gotta go through some good times, some bad times, some setbacks, some adversity.

AM: Yup.

J: For me, my process is living. You know, I go out. I have all these new experiences. I learn all these new things. You know, I’ll take a couple of chances, take some risks and with that, I’m able to basically journal about what I’m going through right or what just happened. I navigate through it, and that’s how I go into albums. They’re more like journals.

It’s like, what happened? How did you deal with it? How you feel? What are you gonna do better? What are you inspired to do? What’s in line with your purpose? That’s how I write the music. Now, as far as like the temperament of it, and the sound just depends on where I’m at. If I’m in a place where I’m in a great space, like, right now and this project that I’m about to release now, the music’s going to feel that way, you know, like, Still Snowin’ it feels like I’m in a good place, but, my last project I Might Forgive ... But I Don’t Forget, I was in a bad place, so the music was darker. The sound was darker, the production was deeper. The tempo was slower. So it just depends on how you feel. So, my process is where I live. It’s about enjoying your life no matter what state you’re in and when you take a break from the world and you start to journal, let that come out in the music. The rest is pretty much art.

AM: Right?

J: It’s almost like, if you’re trying to keep up with the trends or trying to stay on the radio and stuff like that - it might be a little more tricky because you’re not yelling it from a real place.

AM: I love the idea of you saying, you’re coming from a place of when you’re living, and so it is very interesting. When you’re hearing your music, but it’s always so super authentic, which I really appreciate.

J: Mmm yeah I receive that – thank you. I think the key to this game - any game really is to stay true to yourself. Staying true to how you really feel, stay present and stay in your flow. Don’t really get caught up in the noise because as artists, you have a million people to tell you how to do it, but they have never done it. And then you have people telling you what you should do and it’s almost like a recipe you get from your grandmother. She taught you how to do it and you understand it and nobody else can come and tell you how to remix this recipe if it has been a family secret. Culture is like our family secret. Nobody can come in and tell me how to remix culture. I’ve had people try and you know, I made some unpopular decisions to stay in my flow. Of course, I went through some turmoil, but it all came back around because I stayed solid, and I kept the Integrity of who I am, what I’m doing, and what I’m saying. So, I don’t want to be the guy at the park you know, out with my daughters and somebody’s like, “oh, that’s got to make that whack something!”

AM: Right!

You’ve been in the industry for 20 years, which is not only incredible, but it’s a cultural milestone. You’ve been on this live orchestra tour focusing on your debut album and performing in like some insane venues at the Apollo Theater here in New York. How did you come together and decide that you wanted to incorporate a 26 piece orchestra and and really pushing the boundaries of what blending hip-hop and classical music is together?

J: Well, the thing is, growing up, you know, we watched all the mafia movies. So, John Gotti stuff and all that, and we just associated that with the good life, right?

AM: Yeah.

J: You get to that point in life you just us see it through a different lens because you made it to this point, which is why we were always fascinated with the narcos and all of that.

As far as our culture, we just want to get it to a place where - you know, it was once a dream, a hope, and a prayer that you made it past 21 because of the circumstances you were in. As you make it past 21, you start to think, like, “damn, what am I going to do now?” And as I have matured into this, to meet the next level is this or that, and the next level for me is 20 years later. Staying in my truth was something that I always dreamed of doing with an orchestra. I was able to do that in Atlanta at the High Museum. It was the first time at 45 years old that I had even seen an orchestra! So, you know, on top of being, nervous, because I’m like, “okay, how does this work for me?” I wondered whether people would accept it. By the third song, I was, like, “oh my God, I gotta take this around the world because this is aligned with my purpose, It’s inspiring and uplifting my culture.”

There are people that I see in this crowd that have suits on that I’ve never seen in suits, Right?

AM: Right!

J: There’s people here celebrating life and just happy to be here because they feel as good as they look – and that’s a feeling right? I said to myself, for my 20-year anniversary, I’m going to take this around the world because there’s somebody in Kansas City that’s never been to an orchestra before, there’s someone in DC that hasn’t, there’s somebody in Miami, there’s somebody in Detroit and they deserve that! The best thing I could do is bring this experience to them and present it in a way that’s cool. It was a date night to see all these married couples are out having a great time together because they grew up on the music. But now they get to celebrate together.

It’s the first of its kind and to do it as a tour and to do it independently as well!

AM: That’s quite an undertaking to do for you to personally back it yourself. The logistics that are around that, like, how has that been to put all that together?

J: I gotta say, I have an amazing team, you know? We tight, but we’re strong. Everybody believed in the vision, and we hit the ground - boots on the ground, and we hit the ground running. The experience of some of the orchestra members and their dedication. You know, the people that were breaking down the equipment, and like everybody was just in on this, like everybody gave it, they’re all it’s one of the most amazing experiences I’ve ever been a part of, especially in the touring world.

I heard a lot of whispers out there, like, “Jeezy, don’t come to the West Coast.” I was, like, “no, we love the West Coast.” So, just for that, we just got a residency in Las Vegas. We’re bringing a 101 piece orchestra - first time to ever do it and we’re doing it at Planet Hollywood. We’re doing The Masquerade on October 31st, and November 1st, and then we’re coming back with The Nutcracker on December 19th and December 21st with that 101 piece orchestra members, Adam Blackstone, Derrick Hodge, DJ Drama, DJ Ace, and we bringing the whole show to the West Coast, and we want to make it a destination, so it’s more of an experience. Now, mind you, everybody else in the world is more than welcome to come. But I wanted to set up in the West Coast, just for the West Coast.

AM: It sounds amazing. We have previously interviewed Adam Blackstone a couple years ago. I find his artistry to be top notch and he is everywhere! Derrick Hodge, DJ Drama, DJ Ace - all of you coming together, creating this. How has that been?

J: It’s been amazing. I mean, I tell them all the time. Man, you know, I’m rocking with the best.

AM: Yup!

J: Adam Blackstone, brilliant. He’s brilliant, Derrick Hodge is phenomenal. Like, I’ve never seen someone that understands the way he understands how to mobilize the orchestra. Color of Noize Orchestra, has been phenomenal. Everything they’ve done doing, this tour has been nothing less than great. DJ Drama is the legend! The records that we have created and the synergy we have to see him open up the show - it’s almost like I’m getting hyped in my dressing room. Me and DJ Ace, we’ve been together almost 12 years now and we’re like Batman and Robin – you can’t have one without the other! We still give people that so you’re really getting 3 shows!

To me, it’s just like seeing everybody go down memory lane and really, just celebrating! By the way, it is not just a celebration of 20 years of Thug Motivation! 20 years ago, they were not in tuxedos listening to this music. That means you’ve done well for yourself to even be here. I’m just the guest of honor, and I’m coming to help you party! What I love is, in the beginning, a lot of people didn’t understand what an orchestra was because they hadn’t been to one before. So they were thinking more like they were going to come and my music would be playing. They didn’t think that I would be there. Once they realized that no, this is still a party, and when you get here and you stand on your feet, you never sit down - it’s been a party ever since!

AM: Wow!

What do you think your takeaway is going to be once the orchestra tour is completed, and obviously, this residency is an immersive environment. What are your takeaways going to be from doing these kinds of shows?

J: So always bet on yourself. To always stick with your vision no matter how many times people will tell you that it won’t work and what people won’t do and just hold your nose and jump in.

AM: Alright now!

J: That’s it! You have to take chances. You’ve gotta do things that are great. You gotta push the envelope and I just feel like, when you’re independent, you can do all those things. You don’t have to go back and forth with someone and try to get them to see what you see – you just take a chance. I hope and I pray that the generation behind being a generation behind them actually get a chance to see that you can evolve in this. You can give yourself permission to evolve. You don’t have to stay in this box that they put you in because that’s the way you came out in the beginning. You don’t have to stay that person you’re allowed to grow in this, you know?

We didn’t get to see Tupac get to his full potential. We didn’t see some of these greats get to their full potential. We didn’t see that from Bob Marley, you know - you get the right to grow in this. You get the right to evolve in this. Just be unapologetic of yourself and lean in and just be present meaning - I know where I’m at in my career, I know it’s been 20 years, but I feel younger than I’ve ever felt.

AM: Yeah.

J: I feel more creative than I have ever felt. I have more wisdom, more knowledge than that, I have more resources as well as relationships. And it’s just like, the thing that I don’t like when it comes to our culture and our music is that they feel like they can put a timeline on you.

AM: Facts.

J: You don’t get that with country music or rock music. Matter of fact, the older you get in rock, the greater you are. You know what I’m saying? Why can’t you be like that for us?

AM: As you know, sometimes we’re harder on ourselves?

J: Right!

AM: You’re absolutely right! I see Joe Perry of Aerosmith, Metallica, The Rolling Stones and it’s like oh my God, iconic – they’re still doing it and killing it, but we have that, too, and that should be respected within the culture.

J: And by the way, Richard Pryor when he was young he was probably cold but, Richard Pryor when he got older ha ha – he was a whole different beast, a whole different monster! He was a whole different animal!

AM: Facts!

J: That’s what I’m saying! For me, we’ve got to grow up as a culture! We have to grow up as a people. We have to grow up as men. We can’t shy away from that. I’m listening to classical music in the morning, I’m not negating that. No more Patron for me, but I’ll take some red wine! That’s my life!

AM: There you go!

J: You know what I’m saying, ain’t nothing wrong with that!

AM: As someone as busy as you are and you’re on the road touring, how do you stay in shape to optimize yourself? Here at Athleisure Mag, we’re always talking about fitness and/or wellness routines. So, what are 3 things that you do, because you’re always on the go?

J: Yeah, I mean, the good thing is, I’ve been busy pretty much 90% of my life, so I have been dialed in. I would say first, you know, you got to start off, you know, with your mental health. For me, that’s waking up meditating, praying about how grateful I am even when things aren’t going well. Taking the time to journal in the morning and step outside to get some fresh air. I’m definitely gonna go to the gym, and sometimes you know you might not have as much time as you would like, but you still got to do something.

AM: Exactly.

J: That’s my thing, just do something every day. And also, you know, of course, your vitamins, your nutrients, and stuff like that. I think eating right is a big part of that, but also like to be honest with you, the biggest thing I’ve learned through all this is like, don’t let none of this stuff stress you.

AM: That part!

J: If it’s not in your control, there’s nothing that you can do, it’s in God’s hand. He can handle everything.

AM: Exactly!

J: There is nothing for you to worry about.

AM: There’s many a time that I’m like, that’s on you, Lord – I know you got that and this.

J: Then just make decisions! Try your best to make decisions, you know, as quick as you can, so you don’t dwell on them. If you can’t make you that decision, just make sure you got some people that you trust that you can run things by just to get some insight.

I would say, you know, eating right, working out, taking care of your mind, taking care of you, and just knowing when it’s enough because you gotta have a work/life balance. I think that’s how you stay young. If you’re just working, and you’re not playing or doing things that charge you or fuel you, then you’ll be depleted.

AM: Absolutely.

J: Start with God first, then start with your mind, and then start with your physical health and just take care of yourself. Just treat yourself how you would treat your best friend!

AM: Pretty much!

You celebrated your birthday by dropping another project Still Snowin’ on your birthday, September 28th with DJ Drama. The live IG with you. hosted by DJ D-Nice was great, The office went nuts!

J: Yes!

AM: Tell me more about this, and why did you want to do this? I mean, you’re putting on a whole orchestra, and you’ve got this going on.

J: I know right? I couldn’t resist it! We were in Miami and I was getting ready for the tour, and I was just like, “you know, come out and put a studio in this bedroom!”

AM: Ha!

J: I know when it’s time. It was time for me and I felt with the orchestra and all of these things inspiring me this time, you know and getting back into my art bag as far as art collecting and stuff like that, which was one of the reasons why I tapped, Dr. Fahamu Pecou to do the cover art and actually paint the painting for the project.

For me, it’s just like, when you feel it, you gotta go. Because when you’re forcing it, it’s when you shouldn’t be doing it. If you’re doing it for money, you definitely shouldn’t be doing it. But if you’re doing it for the love of it, the passion of it, and it happens to come with some kind of monetary gain – absolutely! I’m doing this for the people that have always had love for me. I feel like they deserve it. In the words of the great Andre 3000, “if you want to hear something, make it yourself. He told me that one time, if you like something and you want to hear it, make it yourself.” That’s what I did, and this project is definitely where I’m at and I feel like, culturally, we need this, the fame needs, the people need this. It’s got to be a higher vibration. This is that. I want people to feel good, you know? I want people to feel good while they out here grinding, anybody out here, you know, solving the puzzle of life. I just wanted them to have some theme music!

AM: Well, one of the things I appreciate about you, is that you’re always involved in various projects, and I recently saw that you were in Trap City. What did you enjoy about being in this film and can we expect to see you more in TV /film as an actor?

J: This film to me was really cool because I had a lot of creative control. I was able to play a preacher that has street ties. I had to preach a sermon, so imagine that!

AM: Right!

J: It was actually fun, though it was one of those things where there was some down time. I was like, let’s try this again. Being in front of a camera, shooting music videos and doing this for most of your career, you just get really comfortable in front of the camera. It’s always those things you do when you have time, and you want to push yourself.

To me, it’s like, that’s another challenge - remembering lines, and showing up on time. Capturing those emotions because they told me that I had to cry and I said, I don’t know about that, but we’ll figure it out.

AM: As someone who is an entrepreneur with an ever growing portfolio, you most recently collaborated with Eastside Golf for their limited edition collab this past August. What was that process like, and what do you think the synergy is between hip-hop and golf?

J: I think it’s the synergy between men and golf and Black men in golf? I think that we looked at the sport as if we had no say in it. Shout out to Olajuwon Ajanaku who just went pro and he is the CEO over there at Eastside Golf. He’s one of the best players that I’ve ever seen, but we joke all the time about making golf cool. Golf is a part of my mental health if I’m honest. When you’re out there on that course and you’re able to have that fellowship, deal with people and be out there in that fresh air and listening to great music - it’s really how these meaningful conversations take place that helps your mental health. It brings up a level of peace you wouldn’t believe, and I think that’s what it is, I think us as Black men - we’re in a place right now, where we love peace, and this adds on to it. So I think that’s what people are actually doing, and the love! Golf is like like, you can never beat the course – you just play it. Sometimes you play good and sometimes you play bad. You’re not going to beat the course. You’re not going to go out there and get a hole in one every time you play the ball. The lesson is, every shot sets you up for the next shot. That’s how you have to live life. Every thing sets you up for the next thing.

AM: You also launched EDGE Energy Drink. Love the packaging. Love the can. Why did you want to add this to your diverse portfolio, and what can you tell me about the assortment of beverages?

J: Well, I’ve never been an energy drink guy. But the first time I had a taste of this, I was, like, oh my God, this is amazing. No aftertaste, it’s fresh. I had them bring down the sugar content in it.

AM: Nice.

J: I love the packaging. I love what it stood for, and I’ve had energy drinks and some of them could be really harsh. Some of them could make you really jittery. This was nothing of the sort. What I really love about EDGE is the opportunity to promote it and market it as a mixer as well.

You know, these signature drinks you like these signature cocktails. Instead of putting all this stuff in it with all this sugar and all this caffeine, you can go with something like EDGE and enjoy the taste and still get the energy you want. I like to do things that align with my purpose and my lifestyle.

You know, I might have 1 a day, 2 a day. I want to run it around so that it gives me the energy to get my work done. If I do, you know, ever, ever have a cocktail or something, I’ll just throw some EDGE in there instead of putting all this other stuff in there. It’s an amazing product. I’m actually excited about it. We’re gonna have a great year next year with Edge, for sure!

AM: When you’re not on the road or working on projects, how do you take time for yourself?

J: I really like to take a lot of time to work on myself spiritually, mentally, healthwise and to say grounded. So a lot of my free time, I’m really looking to be the best version of myself and really making sure that I am balancing my life. I know that balance is a word that doesn’t really exist, but you know, at the same time, I think that it is important to make sure that you are pouring into yourself and that you continue to grow so that when it is time for you to share back into the world, you’re more prepared.

AM: Are there any upcoming projects that we should keep an eye out for?

J: I mean, as far as right now, my philanthropy is the next thing on my table. My annual Snowball will be on Oct 9th in Atlanta, GA. It’s the gala for my non-profit foundation, Street Dreamz Foundation. This foundation is for at risk inner city youths. It’s a big, big, big, big deal this year. This year, the theme is Forever I Love Atlanta. Ludacris Bridges will be hosting. So it’s going to be amazing! I have some special surprises for all of my Atlanta folks. We’re going to raise a lot of money for a great cause and for some great kids.

AM: What do you want your legacy to be known as? You are a 4X Grammy Nominee, you have sold over 10 million albums worldwide, you’re a profound storyteller, NYT Best Selling Author, you have an impressive portfolio entrepreneurially - what do you want people to feel or say about you when they think about you and your body of work?

J: You know, I want to be a great father and to continue to be a great brother. As far as my legacy, I want to be known as somebody who took all of the risks that he had to take to pour back into his community, to pour back into his culture, to pour back into his people, and also the younger generation that it’s 1,000% ok to evolve. It’s 1,000% ok to be in your truth. It’s 1,000% ok to who you are.

AM: It was so great to sit down and talk with you as I know you have a busy few weeks ahead! As a fan of your music, I’ve enjoyed hearing about your vision, purpose, your com mitment, and your focus on community. I think that’s super important and that you’re a reflection of what people should look for when it comes to someone who is resilient and just doing it.

J: I appreciate that and receive it!

IG @jeezy

PHOTOGRAPHY CREDITS | FRONT/BACK COVER Matt Swinsky | PG 16 - 33 + PG 36 -39 JWJ Enterprises | PG 34 Erika Goldring |

Read the SEP ISSUE #117 of Athleisure Mag and see STILL SNOWIN’ | Jay “Jeezy” Jenkins in mag.

9PLAYLIST MULTI | JEEZY

Read the SEP ISSUE #117 of Athleisure Mag and see 9PLAYLIST MULTI | Jeezy in mag.

SONGS TO LIVE BY | ROB THOMAS

There are certain songs on our playlist that transcend just being songs. They’re moments, portals to place and time in our lives, and in many cases the sound is timeless no matter how many decades have passed. When we heard Push the 2nd single on Matchbox 20’s debut album in 1997, we were hooked not only to the sound, lyrics and visuals of the video - but we knew that vocalist, songwriter, and multi-instrumentalist Rob Thomas had something to say that was relevant to where we were and where we’d be in the future!

This sentiment hasn’t changed with countless hits from his band as well as his solo career that has included Smooth with Carlos Santana, Lonely No More, and This is How A Heart Breaks which continues to connect with people at a visceral level.

As this month’s cover of Athleisure Mag, we talked with Rob while he is on tour for his 6th non-holiday solo album which drops on Sep 5th. We wanted to know more about the band, his creative process, All Night Days, his tour, and more!

ATHLEISURE MAG: You were in my hometown in Indy a few days ago and I know you’re traveling throughout the Midwest right now.

ROB THOMAS: We were just there. We were just through Indianapolis and then last night, we were outside of Detroit and today, we have a day off on the bus just chilling out in St. Louis!

AM: When did you realize that you wanted to be an entertainer.

RT: I think when I exhausted all of the other options and I wasn’t good at anything else, you know? I think that when you’re lucky enough to find something that you feel like you’re good at and also – you know, when I was a kid growing up, I was in the South and I didn’t understand cars or sports and so trying to figure out where I fit in – it wasn’t until I found other people maybe in high school when I met the drama kids and the musical theater kids and they kind of spoke to me. Maybe it was the outcasts and the kids on the fringe. As I got a little older, it was musicians that were that way. It was like this fraternal group of the people that I felt like it just made sense to me.

So it was like at some point, maybe when I was like 19 or 20, it was like, I think that I want to do this as I was really writing songs. I thought, “I think that I want to do this.”

AM: Wow!

You’re so talented as a songwriter, a vocalist, and you play multiple instruments. Were you formally trained or did you just come across it all – how did all of this come together?

RT: Yeah, no – when I was a Freshman in high school, my buddies in my band were Seniors and then they all graduated and they went to Berklee College of Music and they would come back and they would bring me their music books. So I started to learn how to sight-read (Editor’s Note: It is the ability to read and perform a piece of musical notation you’ve never seen or played before, without any prior preparation or practice) chords and trying to understand relationship between notes and they would give me some of their books and I would kind of learn from that. So it’s pretty self taught and if you put me next to someone who is a really good player, it’s pretty obvious that I am self-taught.

I was alone with a guitar, I was alone with a keyboard, and I needed to learn how to write songs. I had melodies in my head, and I had songs in my head so I had to learn how to play just enough so that I could be able to write.

AM: Wow that’s interesting how you were able to access all of that as Berklee College of Music is a great school known for its jazz and popular music. My great uncle was Joe Henderson and I know that they have courses about him there.

Before we delve into your latest solo album, I can’t talk to you without talking about your band Matchbox 20. I remember when the debut CD came out, I was a Freshman in college when it came out. So for me, it was like all the things that I needed to learn about adulting and how to navigate emotions and scenarios that I hadn’t had to do before, it came from listening to your music and realizing that these things are normal! How did you come together as a band and did you think at the time that you would have this impact that resonates with so many people over all these decades?

RT: No. I mean, I think it’s funny. When you’re starting out, you have to have some sort of naïve suspension of disbelief that you’re going to make it – right? If you really thought about the odds, it would be so daunting that you would collapse under the weight of it. So I think that there was always this idea that we were going to be successful. I don’t think that we understood what that meant.

AM: Right.

RT: And I certainly don’t think that we had the ability to look forward 30 years later and realize the gift of being someone’s nostalgia. Like having this song like you said, that you went to college and this was your CD and that some people for one reason or another, at an event – someone’s wedding or their graduation and there was a song that was tied to it.

So I think that like, the gift of longevity and the ability to be around for awhile is bigger than like a level of success! It’s more of like being woven into the fabric of these fans and these people and I think that that’s a pretty special part of it.

AM: Is there going to be anything coming up that highlights the 30 year anniversary – that’s literally around the corner!

RT: Yeah, I mean, listen – we’re out on the road right now with the solo work and we’re still back and forth with Matchbox trying to plan out next year! Luckily, the end of next year marks when we put out our first record 30 years ago so we’re probably going to do some festivals next year to start gearing up for something really big at the end of the year and then touring 2027 around the world!

AM: Oh wow!

When it comes to creating music, where do you start in terms of the creative process and how is that different with you as a solo artist, you with your band, or when you’re collaborating with other artists?

RT: I mean, most of it is the same right? I write all the time. When I’m sitting down to work with someone – when I worked with Willie Nelson, we just sat down for 2 days and played each other’s songs. And then when I was done, he had written down 3 songs and he said, “I want to do these 3 songs.” If I’m writing with somebody else, maybe they come in with an idea and we can build on that. As far as if I am writing for someone or with someone, I’m just kind of drawing from this bucket of songs that I have worked on. If I go to Matchbox, I’m like, “do you guys like this song or how about this song?” I think that we all work that way so it’s never really like, gearing up for – well, I’m writing this song for this person so I need to get into this mindset. At some point, if someone wants to write with me, they probably want my point of view. So they will put their spin on my point of view.

AM: How would you define the Rob Thomas sound?

RT: Geez. I don’t know! I’ve been really fortunate that fans have allowed me to step outside and just do – I mean, if you listen to 3AM say 30 years ago, and you listen to Hard to Be Happy now, or if you listen to Lonely No More – those sound like different bands. They could be different artists. But I think that my voice is my voice and it ties them all together. So I don’t know that I have a certain – I write songs and I think about people and how people interact with each other. It’s just a very normal thing, right?

AM: Mmm.

RT: Like if I write about something going on in my life, it’s my job to write about how that thing makes me feel because you understand that – that has happened to you. You don’t need to know about me and my wife having a fight, you just need to know, “oh I know how you feel!”

AM: You’ve said that as a kid of the 80s, there are elements of that throughout your work. How do you add that aesthetic into your music while combining the various genres that you have been on and still making it sound current even if some of it is older?

RT: You know, I think part of it is that I have always went into this genreless. I think that that’s because when I grew up in the 80s, 80s radio was genreless. You would have MC Hammer played right after Van Halen and played right after Whitney Houston and then right after Bobby Brown and then Ozzy Osbourne.

AM: 100%.

RT: All of these things would play because MTV, that was our national radio!

AM: Oh yeah!

RT: It was all over the place. I think that growing up in the 80s made me more fearless where I didn’t have to be this kind of a writer and I’m a rock guy. Like, if in my whole career I had stayed 90s alt-rock like our first Matchbox 20 record, it would have been very limiting in all of the stuff that I could do later on.

AM: When I first heard Smooth, like many, I was blown away by so many things in the song and in the video! How was it for you to navigate the concept that you would be able to do both as a solo artist and then popping back in with your band?

RT: I mean, it took awhile! Looking back, Smooth happened between our 1st and 2nd record. Then we made 2 more records until I went solo. So it was 10 years into the Matchbox career before I made my 1st solo record! So it took me awhile even after Smooth! The thing about Smooth was that it opened the doors as a writer. So even when I was with Matchbox 20, I was doing a lot of outside writing for other things with Carlos, Seal, Marc Anthony, Willie Nelson, and Mick Jagger. I was getting a chance to be an anonymous writer for these other voices which was very very cool and then with Matchbox – we went from record to record to record and then on tour for like 10 years straight, so whenever we took that break, then it made sense and we all went out and made solo records.

AM: We were bummed that we were unable to catch your show at the Seaport earlier this month All Night Days is dropping Sep 5th and you’re currently on tour promoting the album. Why did you want to create this album and what can you tell us about it? We listened to Thrill Me which we really love and I enjoyed Hard to Be Happy and it has a fun video.

RT: Thank you! Thrill Me is my favorite. I think that there is almost an OCD to writing in that – like I said, I am writing all of the time. So if I don’t get some of these songs out, it’s a clutter in my head and I feel like there is no room for more material and other things. We were coming up on my 20th anniversary of my first solo record and I couldn’t think of a better way to commemorate it then to just let people know that I was still writing!

AM: I love that!

Since you’re on tour, you have the US portion and then you’re in Australia and New Zealand with a number of dates that takes place this Fall so you have quite an interesting schedule. How do you prepare for such a schedule, the performances, all the different cities, are there workouts that you like to do or must do’s before you hit the stage or after?

RT: Yeah, I mean, I think that I was much more careless about my body and my health when I was much younger. As you get older, you don’t want to look like you’re trying too hard right?

AM: Facts!

RT: You’re limited with your options out here. So I started with – there’s a Beach Body on Demand (Editor’s Note: aka BODi) that has a series of workouts like Insanity, P90X, Shift Shop and all of these things. Those are kind of great because a lot of those are bodyweight, calisthenics, so I don’t have an excuse. If I’m on the bus that day, I can do them on the bus. I can do a full hour long crushing workout! Sometimes they’re harder then just going to the gym with weights.

You know, I get a bonus workout every night. It’s 2 hours of just screaming and running back and forth you know? We love, the whole band – jokes about how we like a good hot night in the Summer! You feel like it’s part of the weight loss plan. It’s great to go out there and sweat off what we had for dinner.

I don’t do after show food. It used to be a big thing you know. After the show everybody orders some food because you’re really hungry and you’ve burned off a lot of that energy, but when I’m on the road, I find that I am probably on an 18 hour fast because I eat around 5:30pm and I don’t eat again until after I wake up and work out the next day. Keeping that, green juices, keeping vitamins – I think it’s your basic upkeep! I don’t think that you have to become obsessive about things, but I think that if you’re mindful, then you wind up – I have a different relationship with food. I have a different relationship with alcohol than I used to – well maybe only slightly!

AM: That’s fair!

RT: Well, every little bit helps!

AM: Your son is also on tour with you as your lead guitarist! What has that been like to have Maison with you?

RT: Well it’s great! He graduated from Berklee as well.

AM: Nice!

RT: Yeah. He went to Berklee and he has a band called The Lucky and they met there and as soon as they graduated, they all moved out to LA.

My guitar player from my solo band, he had just retired from live music. He’s been producing and writing for other people and killing it. It was his idea and he has been watching Maison on IG and sharing his shred videos and so I reached out and asked him if he wanted to do it. It has been the time of our lives! He fits right in although he brings the median age to the band down significantly! Having that energy has been really great. He’s known this band from when it was formed when he was 7. So when he was a little kid, he was on stage goofing with Al and Abe, my rhythm section. Now to see him as an active and integral section of the band, I have to stop sometimes because I almost forget that I’m performing because I will just stop and watch him.

AM: What do you want your legacy to be known as. You’ve had over 40M+ albums sold with the band, you have your 18M+ album sales with your solo career – what do you want people to feel about Rob Thomas?

RT: I mean, I don’t care! I think that I want the songs that I have written that have meant something to people – for them to carry on. If they ever forgot who wrote them, I don’t think that I would care. I like that those little pieces of music exist out there in the world and that they are out there for somebody if they want to use them for good times or for bad. It’s so selfish what I get to do – you know what I mean?

AM: Of course!

RT: I get to make a living doing the thing that I love. Most people, you spend most of your time working. Most people don’t get the ability to spend that time doing something that they really really enjoy. So it is a gift that is never lost on me. I get to do it and it is a sense of catharsis and therapy to write and be able to share it with people – like minded people. People seeing that you feel that way too and that they are not freaks! So, I think that just in general, I want the songs to kind of remain.

AM: Are there any upcoming projects that you would like to share that we can tell our community about?

RT: I’m in it right now! This is it right now! For me, every night we have to pretend that it is our first show!

AM: Right!

RT: For some people, it is the only one that they are going to come to. We don’t think too much farther then, we’re going to crush it tomorrow. That’s our mantra, “let’s just crush is tomorrow.”

IG @robthomas

PHOTOGRAPHY CREDITS | PG 16 - 23 + 32 - 37 Ashley Haer | PG 25 - 27 Andrew Angel | PG 28 - 31 Randall Slavin |

Read the AUG ISSUE #116 of Athleisure Mag and see SONGS TO LIVE BY | Rob Thomas in mag.

THAT IT VIBE | SOMMER RAY

This Summer we have enjoyed a number of our favorite songs, ticked off things on our bucket lists and with a few weeks left, we continue to add to our playlists. We need to make room for Sommer Ray - DJ, fitness influencer, and entrepreneur who has been dropping singles and touring here in NY, Las Vegas, Cancun, and Cabo San Lucas to name a few must visit destinations as she finishes phase 2 of her Summer tour.

We wanted to find out more about her background, her passions, and the importance of fitness in her life. Of course, we explore who she has worked with as a DJ, music she has dropped and what we can keep an eye out for. We also wanted to lear more about projects that she is working on from beverages to Imaraïs Beauty.

ATHLEISURE MAG: Before we delve into your recent tour and DJing, we’d like to get to know more about you. When did you fall in love with fitness?

SOMMER RAY: Fitness has been part of my life since I was a kid. My mom was a competitive bodybuilder, so I grew up in the gym and around that lifestyle. I loved the way training made me feel, both physically and mentally, and that connection never left.

AM: As someone who is constantly on the go, what are 3 workouts that you enjoy doing as we are always looking to add to our routines?

SR: I love weight training, Pilates, and yoga. Weight training keeps me strong, Pilates works my core and improves posture, and yoga helps me stay flexible while giving me a mental reset.

AM: What led to the launch of your fashion brand of fitness apparel and what do you enjoy about designing it?

SR: I wanted to create pieces that I would actually wear myself, things that feel good, move with you, and look great both in and out of the gym.

AM: Tell us about Imaraïs Beauty.

SR: Imaraïs Beauty is a plant-based beauty brand that focuses on gummies for skin, hair, and overall wellness. Everything is vegan, cruelty-free, and made with ingredients that really work. It’s about beauty from the inside out!

AM: We grew up as kids drinking Shirley Temples and have loved the trend of Dirty Shirley. You have Tempted. Why did you want to create this brand?

SR: I can’t share too much yet, but I’ve been teasing something in that space and there are some big things coming. It’s fun, it’s fresh, and I think people are going to be really excited when they see the full picture.

AM: What do you love about EDM music?

SR: I love the energy and the way it can instantly change your mood. EDM brings people together without needing words, it’s all about the vibe and the shared experience.

AM: When did you realize that you wanted to be a DJ?

SR: I used to host club nights, and after a while I realized I’d rather be the one curating the vibe than just sitting in the club. Once I started learning to mix, it clicked for me that this was how I wanted to be part of the energy.

AM: What is your creative process like when you are creating music?

SR: It usually starts with a feeling or a vibe I want to capture. I’ll think about the energy I want people to feel, then start building around that, whether it’s a beat, a hook, or a bass line that sets the tone.

AM: You dropped No Sleep last fall with Martin Jensen and earlier this year LaLaLa (Everybody’s Up) with a remix by HEDEGAARD. What was it like to release these songs?

SR: Both were amazing experiences. No Sleep had a fun, uplifting energy, while LaLaLa was heavier and more club-focused. Seeing people connect with them live has been the most exciting part.

AM: You recently dropped She’s A DJ. Why did you want to create this song and what was the process like for you?

SR: I wanted to make a song that was cheeky and empowering, especially as a female in a space that’s still very male-dominated. The process was fun, I leaned into personality and made sure it captured that “own the room” vibe.

AM: As you continue to navigate your music career, what artists would you like to work with?

SR: Calvin Harris and Martin Garrix are both at the top of my list. They’re legends in dance music who know how to make tracks that hit globally while still feeling fresh. Collaborating with either of them would be a dream, and I think we could create something high-energy that really connects with people.

AM: You have been touring for the past few weeks. What do you love about sharing your music with those in the cities that you are stopping in?

SR: Every city has a different energy. I love seeing how crowds react to certain tracks and how the vibe shifts depending on where you are. It keeps every show fresh.

AM: Since you’re traveling so much, how do you make your hotel and the city you’re in feel like home?

SR: I make time to hit the gym, explore local food spots with my team, and meet people at the shows. Those little routines and experiences make each city feel personal and keep the travel from feeling too repetitive.

AM: What upcoming projects do you have that you would like to share with us?

SR: I have more singles coming this year and a few exciting collaborations in the works. I’m also building out my live shows to make them even more of an experience.

AM: How do you take time for yourself as you have a lot going on as an entrepreneur, DJ, etc.?

SR: I carve out small daily routines that keep me balanced, morning workouts, staying active, and making time to unplug from my phone. Even when life is busy, those little moments to reset are important.

IG @sommerray

PHOTOS COURTESY | Sommer Ray

Read the AUG ISSUE #116 of Athleisure Mag and see THAT IT VIBE | Sommer Ray in mag.

63MIX ROUTIN3S | MATT STEFFANINA

Read the AUG ISSUE #116 of Athleisure Mag and see 63MIX ROUTIN3S | Matt Staffanina in mag.

9PLAYLIST MULTI | ROB THOMAS

Read the AUG ISSUE #116 of Athleisure Mag and see 9PLAYLIST | Rob Thomas in mag.

9PLAYLIST | TYSON MCGUFFIN

Read the JUL ISSUE #115 of Athleisure Mag and see 9PLAYLIST | Tyson McGuffin in mag.

EVOLUTION OF SANDSTORM | DARUDE

There are certain songs that you remember where you were when you first heard them and then there are others that are linked to numerous moments and they become a major part of the soundtrack of our lives!

Sandstorm is that song for us. We remember hearing it when it first came out when we were in college, we have heard it at fashion, sports, and tech trade shows, many a night at Limelight (back when it was a club here in NY), we heard this song and even other top DJ's play and have remixed this song. When you think of songs in EDM, Toni-Ville Henrik Virtanen aka as Darude is pivotal in anthems that get us moving. With this iconic song being out for 25 years with over half a billion Spotify streams, we wanted to talk with Darude about the impact of this song, how it was created, and what it means to him.

Currently, Darude is on the STORM 25 Tour where he plays this song along with other tracks that we can vibe to. We also talk with him about how he got into this industry, his creative process, and upcoming projects.

ATHLEISURE MAG: What was the song that you heard that made you fall in love with dance music?

DARUDE: So around 1982, I was maybe seven or eight years old, my cousin played me Oxygène the album by French composer Jean-Michel Jarre. I think it was the piece Oxygène Pt.4 especially which really got me hooked onto electronic sounds. It’s maybe not what we’d consider straight-up “dance music” like you hear today but it was almost certainly a precursor for genres like Trance with the beautiful melodies and careful use of synths and phasers to create that ambient, uplifting sound.

Faithless and Scooter were also early loves of mine, but really growing up I listened to a whole melting pot of sounds from Punk to 80s Hair Metal, which still influences my music today.

AM: When did you realize that you wanted to be a DJ?

D: I never set out to be a DJ as such, I was a producer and live artist and I still consider myself a producer first. Then, when Sandstorm blew up, I started to get these incredible booking requests and had to pick up the art of DJing pretty quickly as although the live sets are great, travelling with all of the gear needed is not as practical.

AM: How do you define the Darude sound?

D: I’m not one for strict genre labels, I’d say my sound is energetic, emotive, electronic dance music created with the dancefloor in mind. Ask me again in a few years, even months, it might differ slightly, but that’s the beauty of being an artist, you’re always honing and evolving your craft.

AM: What is your creative process when you're making music and where do you start?

D: Inspiration for a full track or even just the melody can strike anywhere really. My approach hasn’t really changed too much over the years, I still love tinkering. Sometimes I start from the drums, I start from drum-works that are energetic and make me want to move, but really, I just love just playing with different sounds, adding a delay, adding a reverb and if I hear something in it, I just see where I can take it next.

My purpose-built studio at home in Finland is aptly called Serendipity Studio because it’s where happy accidents often happen. Ideas just crash into one another and it’s in my skillset to recognise those ideas that I see potential in developing into, hopefully, a hit record or a solid dancefloor number.

AM: I was in college when I first heard Sandstorm. How did this song come about and what do you think it is about it that it continues to be a song that draws people in?

D: It’s the million-dollar question! What’s so interesting about Sandstorm is not only does it resonate with so many people, but it goes way beyond just dance music fans.

A lot of sports teams, from college football to ice hockey, listen to Sandstorm to get hyped for a big match. It’s huge in the gaming world too, and then it’s got this whole other life as an online meme.

When it came to actually producing Sandstorm, the first thing people often think about is the lead sound, the “dududu” if you will, and that I’d already started working on in around 1997.

So, the Sandstorm riff stayed on my hard drive for a couple years, then in summer of ’99 I just happened to open the file again. I liked the melody, and at the time I was using Cubase VST 24 which had a plugin called Quadrafuzz and once I distorted the sound with it, it became what now is known as the Sandstorm lead.

After that, it only took a day or so for me to build the chords around the main melody, then a few sessions maybe over a week to develop it into a full track. It got played by a few local DJs in Finnish clubs, then JS16, Jaakko Salovaara, now a close friend, took me under his wing and that time had just launched his own record company, 16 Inch Records. He asked if I wanted to be his first artist, we refined Sandstorm in his studio with his better gear and knowledge into the final version you hear now.

It was then time to put it out into the world, and the rest as they say is history.

AM: Did you think that Sandstorm would have the staying power that it has had for 25 years, with over half a billion Spotify streams and a number of DJs from Martin Garrix, Tiësto, Hardwell, David Guetta, and more who enjoy playing this song?

D: I never could have predicted the insane global phenomenon that Sandstorm would become. To be honest, if someone told me at the time “hey this track is going to reach millions of people, launch your music career, feature in the USB of the world’s biggest DJs, and still be huge in twenty-five years” I think the pressure would have been too much and it never would have made it out of my head, let alone the studio.

That’s the beauty of that track I suppose it came about so organically. Another thing to remember is at the time of Sandstorm being released, the internet was still relatively new and social media didn’t exist so the concept of something going “viral” on that scale wasn’t even a passing thought in my mind. I was just hyped if my buddies down my local club were into it.

AM: Why did you want to launch a record label?

D: I launched my record label Vibing Out for a few reasons. One, I wanted a platform to release my own music where I had full creative freedom and could keep full rights and control as much as I can.

Secondly, and my biggest motivator behind the label, is to help platform other producers and artists who I see great potential in. We all remember that first foot-up into the industry and if this label can provide that to others, then it’s a success in my eyes.

The name Vibing Out actually stems from my weekly live-stream show on Twitch which I’ve been hosting for a few years now. It’s the buzzword of the moment but we really have created a nice little community on there and I wanted that same togetherness spirit to carry on into the label.

Plus, I’m not here for following trends. Good music is good music. So, as long as your track is something we can all “vibe out” to on the dancefloor then I’m all ears.

AM: You have toured all over the world and have played at phenomenal festivals and currently you are on the STORM 25 World Tour! What was the vision behind doing this tour?

D: The tour was originally planned for the twentieth anniversary, however, as with most tours scheduled around 2020, this didn’t happen for obvious reasons.

So, for the twenty-fifth anniversary we had to go big. The tour itself it really is about bringing people together, it’s my thanks to everyone who has partied with me and listened to my music over the last two and a half decades.

It’s about not just celebrating Sandstorm, but the whole Before The Storm album and years of Darude which have followed. I’ve released five studio albums in total now, so it’s been really fun digging through my catalogue and reworking some tracks into exclusive brand new STORM 25 remixes you’ll only hear on this tour.

I’m also going back to my roots in a way as for select shows I’m performing live sets, reimagining my tracks in real time. A lot of work has gone into these with additional synths, controllers and extra visual production too. Custom visuals, lasers, it’s a full spectacle and hopefully a great night for everyone who comes along.

AM: One of your dates will be here in NYC at Webster Hall! What can we expect from this show?

D: I am so excited to return to New York and Webster Hall specifically. In the early 00’s I played the exact venue a couple of times, and it always was a really unforgettable show that just captured the hype around Sandstorm and the first album at that time, so it’s a personal full circle moment to come back and perform almost twenty-five years later. I know I'll have some long-time friends and industry associates coming as well, it’ll be a night to remember!

AM: On Aug 31st, you will be on the Finnish leg of this tour and there will be a Sandstorm Run - tell us about this 6K event!

D: Yes! I’m super stoked for the Sandstorm run. The music video for Sandstorm is loved by fans almost as much as the track itself so we wanted to do something fun to honour this.

With the Finnish STORM 25 show coming up too, we had the idea to create a route around the city which passes by iconic landmarks from the video. The cathedral steps are probably the most famous of them all.

It’s all about having fun though, so if you’re not a hardcore runner don’t be put off, you can walk the route too. There are going to be photo stops along the way, I’ll be waving you all across the finish line to the tune of Sandstorm and I want to see everyone in their best Y2K outfits! Which is all the trend now I hear!

So far, the reception has been amazing. We’ve had people signing up from as far away as the US and Mexico which is crazy to me. Who knows, maybe this will be the first of many Sandstorm runs to come…

AM: We read that last month, on multiple Finnish radio stations Sandstorm was played at the same time! What does it mean to you about the impact that this song has had?

D: I mean, it’s a feeling that is just impossible to put into words. It still blows my mind to this day how far and wide that track resonates. It’s so cool seeing the younger generations dig it too.

Especially, when I see amazing moments like the Finnish radio stations, schools and public stations dropping Sandstorm in unison, I’m in awe of the real superpower Sandstorm has in bringing people together. That humbles me every time.

AM: Since you're in the thick of touring, how do you take care of yourself on the road? Are there any activities/sports you follow to keep up your physical and mental health?

D: I’ve been touring for twenty-five years now so I am used to it in a way, and how I tour today definitely looks a lot different to the early days. I’ve done the heavy partying (plenty of it!) so these days it’s important to me to get a good night’s sleep to keep up the stamina and maybe an energy bar or soda if needed.

As for my downtime, I’m super into skateboarding. It’s a hobby I started as a kid, and I picked it up again later in life. So, whenever I’m on tour I always pack my board and check out the local skateparks in whatever city I’m in if I’ve got a couple of hours to myself.

Physically, skating helps to loosen up any stiff backs from a long-haul flight that’s for sure! It’s invigorating for the brain too, I love the drive of working at a new skill, a new trick or move, and seeing my progression. Of course, there are a few bumps and bruises along the way but that’s part of the thrill.

AM: Beyond this tour, are there any upcoming tracks that we should keep an eye out for?

D: Definitely! Between shows, I’m straight into the studio. Right now, I can’t give too much away. Not to be that guy, but what I can say, is that big things are coming for sure!

AM: What do you want your legacy to be known as you have won multiple awards, participated in great partnerships, and more!

D: As nice as they are, for me, it’s never been about the whole awards and accolades thing.

What makes me feel most proud is when I get a DM from a follower saying how one of my songs made them feel a certain way, or soundtracked a particular moment in their life.

Similarly, when people come to my shows and leave with life-long memories. It’s always awesome to bump into fans and they still recall parties from maybe ten, fifteen, even twenty years ago, how they felt, the music they heard, and new friends they made on the dancefloor. That’s what it’s all about.

IG @darude

PHOTOGRAPHY CREDITS | Front/Back Cover Nana Simelius | PG 16 - 27 + PG 30 for 9PLAYLIST Rachel Gold | PG 28 + 29 Tomas Fotoo |

Read the JUN ISSUE #114 of Athleisure Mag and see EVOLUTION OF SANDSTORM | Darude in mag.

LAST SUMMER ON EARTH 2025

This Summer as we navigate our concerts and music festivals, we’re always looking at what act we should have on our list. Barenaked Ladies is hitting the road with special guests, Sugar Ray and Fastball who are currently touring together and here in NYC, they will be here at Pier 17 at South Street Seaport on Jul 9th on the rooftop. This show will definitely bring us back to our 2000’s era!

Read the latest issue of Athleisure Mag.

GOV BALL 2025

As we close out the month of May, we're looking ahead to June which is filled with a number of events that includes NY's 3-day music festival - Governors Ball (Jun 6th - 8th), Bar Convent Brooklyn a trade 2-day event that showcases the spirits and hospitality (Jun 10th + Jun 11th) as well as the Summer Fancy Food Show (Jun 29th - Jul 1st) - another trade event that allows us to connect and sample foods from brands that are new to market as well as those who we have enjoyed previously.

We have always enjoyed covering Governors Ball as this music festival takes place in NYC that kicks off the Summer in many ways. This festival takes place in Flushing Meadows Corona Park in Queens. What makes this festival unique is that over the course of the 3 days, you have a number of genres of major acts such as Hozier, Olivia Rodrigo, T-Pain, and Benson Boone. But you will also find up and coming artists or those that are on the brink of being names to know that may be new to you!

With phenomenal music scheduled, it's also a great time to take in activations that are available as well as food and beverage vendors that give a depth of variety across dietary lifestyles. It's one of those events that you definitely feel the music community and there a number of memories that are built during this time of year. Last year [Editor's Note: you can check our our pre and post coverage], we enjoyed SZA who was the final act for this festival and we were mesmerized with her performance. We can't wait to see this year's acts and in our JUN ISSUE #114, we will share with you what we saw and will also share interviews with you as well.

IG @govballnyc

PHOTOGRAPHY CREDITS | Governors Ball/Paigge Warton

Read the MAY ISSUE #113 of Athleisure Mag and see GOV BALL 2025 in mag.

9PLAYLIST | SABRINA CARPENTER

Read the MAY ISSUE #113 of Athleisure Mag and see 9PLAYLIST | Sabrina Carpenter in mag.

9PLAYLIST MULTI | SLOANE STEPHENS

Read the MAR ISSUE #111 of Athleisure Mag and see 9PLAYLIST MULTI | Sloane Stephens in mag.

9PLAYLIST | KAAZE

Read the MAR ISSUE #111 of Athleisure Mag and see 9PLAYLIST | KAAZE in mag.

9PLAYLIST | PAUL VAN DYK

Read the DEC ISSUE #108 of Athleisure Mag and see 9PLAYLIST Paul Van Dyk in mag.

9PLAYLIST | SARAYA

Read the NOV ISSUE #107 of Athleisure Mag and see 9PLAYLIST | Saraya in mag.

DOUBLING DOWN ON THE TRACK | TAI WOFFINDEN

We love when worlds collide and this month's cover does just that. Tai Woffinden is a 5x Speedway World Champion and an open format DJ/Producer. We wanted to know more about Speedway racing and how he got into the sport, how he stays in shape for it, his passion for music, and why he became a DJ.

Since signing onto Armada Music, he released Body, a collaboration with Grammy nominated Gabry Ponte and vocalist Yasmin Jane. This was followed up by Feeling Super Naughty with CERES which just dropped recently. With all of this movement, we took some time find out more and to see what we should keep an eye out for.

ATHLEISURE MAG: We're excited to be able to talk with you as your background as an athlete as well as a DJ and a producer is such a great mix! When did you fall in love with being a Speedway Rider?

TAI WOFFINDEN: I first got into Speedway way way back in 2002. I went to my Dad’s mate’s house to ride on their private track and there was a speedway bike tucked away in the corner. I said to my dad at 12 years old, “I wanna try that” so we sold my MX gear and went all in from that day on.

AM: You are a 3X World Champion in this sport. What do you love about racing?

TW: It’s hard to explain but there is a feeling when you’re railing the fence on a nice little dirt line as fast as the bike will go and you’re on the complete limit of what you’re able to do on these bikes and you either make it around the corner or bury it into the wall. There is no better feeling in the world (not that I have found yet anyway) and I chase that feeling every time I race.

AM: Can you tell us about Speedway racing from what the bike is like and what races are like?

TW: They’re a one-of-a-kind motorcycle, built to only go left, 500cc, methanol-burning bulls with no breaks!

The races are super short and fast averaging about 1min per heat (4 laps). In a Grand Prix, we do 5 heats and the top eight go to the semi-finals and the 1st and 2nd place from each semi qualify for the final. It’s a wild sport! In Poland it’s huge in Warsaw we race in front of 55,000 inside the national stadium.

AM: To optimize yourself as a racer, what kinds of workouts do you do to stay in shape and meet the goals you need to be a champion rider?

TW: I won’t bore you with this too much but 5 days a week strength work, 6 days a week running or cycling, and a good nutritional plan to get through the workload and recovery.

AM: Your season is over this year. Are there any races that you are preparing for in 2025?

TW: Yes, it’s all done now so full focus on 2025 prep. Next year I will race most weekends in Poland, most Mondays and Thursdays in the UK, and some in races in Sweden on Tuesdays. Plus, four qualification rounds for the Grand Prix and possibly the European championship.

AM: What was the first song that you heard that made you fall in love with music?

TW: I can’t remember exactly, but it would have been something my mum had on in the car when I was a kid. My first hook on EDM specifically would have to be the Old EDM. Specifically it would have to be the Old Skitz Mix CDs back in the day.

AM: What led to you becoming a DJ and a producer?

TW: I went to watch Fisher headline his own show in Perth, Western Australia, and as Fisher was a surfer before he became a DJ, I was just watching him thinking well if he can do that, so can I. So, the week after I started my DJ course with Lab Six.

AM: How would you describe the Tai Woffinden sound?

TW: It’s been varied as I navigate and find my sound, I started out with some Tech House, but I’m a Techno guy so I want to focus on that Mainstage vibe after my first release on Armada Music with Gabry Ponte. But, my current track with CERES and my next single are still slightly different in sound so I’ll continue to play around with it all and see where it takes me.

AM: What would you say are the similarities between racing in front of large crowds and being able to DJ in front of them?

TW: For now, the biggest crowd I’ve played to as a DJ has been 12,000 people at Forestland Festival. It’s hard to say if it’s the same level of intensity as when I race, but from my history, the bigger the crowd, and the more pressure, is exactly where I thrive.

AM: How do you get inspiration for your music?

TW: Same as most people I would guess. Hearing a track I like that sparks an idea, or an individual sound. In the world that we live in today with everything at our fingertips it shouldn’t take too long to be inspired by something.

AM: Tell us about Body and what it was like to collaborate with Gabry Ponte and vocalist Yasmin Jane?

TW: So my A&R at Armada sent over the vocals, I then made a little demo and we sent it to Gabry’s team to shoot our shot. Four days later he said he loved it and wanted to work on it and a week later got it back, we were all stoked with his influence on the production! From my side, one, it was huge to have my first release secured with Armada, and for that track to then be a collaborative with Gabry Ponte was just amazing!

AM: Feeling Super Naughty is your latest with CERES - what is the meaning behind this song?

TW: Again, I heard the vocals and just immediately thought there was something about it. The track was a bit more Techno originally, but I was listening to some track at that time from Indira Paganotto and starting to play with that sound myself so that’s how it came to the final song you hear now. I’m super happy with it. I guess the track is just about having a great time!

AM: You were at ADE this month - what was that like?

TW: ADE was wild…it was my first one and I really made the most of it. I met some great people, made lots of new connections, and did a lot of partying. I already can’t wait until next year and hopefully I can get a few DJ sets locked in as well.

AM: You will be at You&Me Fest, a multi-day NYE fest in Australia. How excited are you to be performing there?

TW: Yes, I am! I’m super grateful that Bailey and Isaac called me up! I’m in Australia all summer and I’m ready to build my presence in this part of the world so why not kick things off there with the local boys. They’re killing it over here in West Australia, I mean you only have to look at this year’s huge line-up to see!

AM: Who are 3 people that are on your bucket list that you would like to work with?

TW: Timmy Trumpet would be one. We have chatted about a track and getting him on one of my race bikes which would be wild!

Also Maddix for sure. I love his sound. Finally, Will Sparks, I'm just a fan of Will. I met him in Newcastle UK this year and we chatted for ages backstage. He is a great guy and a beast at what he does. I also love his DJ performances. Anyway, enough fanboying haha!

AM: Do you have any upcoming festivals or tours that we should know about?

TW: Not right now. I’m in the studio and You&Me is my next big one. However, I have an important meeting coming up which I hope brings big opportunities and parties into 2025.

AM: You do a lot of traveling. What are 3 things that you like to have with you when you're on the road?

TW: I'm a simple man! As long as I have my passport, phone and USB, I can do everything I want…

AM: Whether you're racing or hitting the stage, are there routines you do?

TW: Maybe this comes as a surprise, but I have no routines, pre or post events. I literally just live in the moment and enjoy whatever is surrounding me, be it the stage or the racetrack, I soak it all up and enjoy the process.

AM: Are there any upcoming projects that you would like to share?

TW: I have one track that’s just come back from clearance, and I think could be my biggest yet but can’t say much right now. I plan to host my own event again in the UK next year. I threw a one-off this summer and we sold 12,000 tickets in just 11 days and it was fully sold-out which was insane.

My full focus now is on getting ready for the 2025 season ahead.

IG @twoffinden

PHOTOGRAPHY CREDITS | Front/Back Cover + PG 16 - 21 Tai Woffiden| PG 22 Tai Woffiden Press |

Read the OCT ISSUE #106 of Athleisure Mag and see DOUBLING DOWN ON THE TRACK | Tai Woffinden in mag.

63MIX ROUTIN3S | TAI WOFFINDEN

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9PLAYLIST | CALVIN HARRIS

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9PLAYLIST | CHANEL IMAN

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