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Athleisure Mag™ | Athleisure Culture

ATHLEISURE MAG™ | Athleisure Culture
  • FITNESS
  • Food
  • Beauty
  • Sports
  • Travel
  • Athleisure Studio
  • Athleisure List
  • THIS ISSUE
  • Athleisure TV
  • The Latest
  • ARCHIVE
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NEW DAWN FOR BAGS | JESSY DOVER - DAGNE DOVER

October 25, 2025

Dagne Dover launched in 2013 and is a brand that form, function, and innovation come together so that you can enjoy rocking a nice bag that allows you to stay organized. Jessy Dover is 1 of the 3 Co-Founders of this brand and we took a moment to talk about how she got into the industry, her design/creative approach, and what is coming up with the brand.

ATHLEISURE MAG: When did you realize that you wanted to be a designer in the handbag category?

JESSY DOVER: I always knew I wanted to be a designer because it’s where I light up the most. I love making things and in particular, I love making wearables. I didn’t know that I wanted to be a handbag designer though until I started seeing my successes there. I don’t know who made up this term, but it’s all about greenlights and I kind of live by that term! So when I start getting greenlights, I try and follow that. So the first kick off of that was in my Senior year of Parsons, I was like, I need a job. I’m going to apply for every award, every internship, that I could and I ended up winning the Coach Design Competition and that was the first time that I realized I had fun with that project and I got to really understand how to create a bag. For me, as someone who has more of an athletic body type, I never fit into the fashion body type world, and when I was at school there, I felt out of place. I just fell in love with bags because you didn’t have to consider the body all that much. It is just a tool that you can use every day to make your life work. I was stoked on that!

It kind of led me down this path of eventually meeting my co-founders and creating my first few bags. After we started selling, I would say that after I sold my first 100 bags, I would say “oh, ok other people want really great bags that have pockets and actually support them through their day,” which led me to where I am today, which is deep in bag world and I love it! It definitely wasn’t something growing up where I thought that I would be a bag designer.

AM: I have to say that when I first started working in the fashion industry, I started as a model, then went into design, visual merchandising, wholesale, and then styling before I entered publishing – I would always tell people that I am an Accessory Expert and they would ask why I liked it so much. I would tell them whether you’re bloated or not, the bag is going to fit – the shoe is reasonably going to fit for the most part and the jewelry is generally never going to disappoint you no matter what is going on with your body. When you can do that and enjoy those items, it’s a different level of confidence you can have when you’re wearing them.

JD: Totally!

AM: So I love being accessory first!

JD: Yes! Ok, me too! It also just tops everything off. You can put on your clothes, but when you put on those shoes and that bag, it brings everything together!

AM: What was the first bag ever that you designed?

JD: I really have to think about this one! I would say that the first bag that I ever designed that became an actual bag that someone would want to wear, was the design that I did for the Coach Award. As you can imagine, it takes a lifetime to be a good craftsman and to make a luxury bag.

AM: For sure!

JD: Whenever we go to Asia and we’re with the sample makers, I’m just bowing down because it’s all them. We design, but they create it. But I made this bag with the Coach sample maker and it was my first leather bag, it was a work bag, fairly simple, a camel color, with buckles on the front, computer sleeve, and I looked at it when it was finished and that is when it clicked for me. You need to have a team of people to create something incredible and you can’t be the expert at every single thing. That’s when I realized that I am a designer and I am not a maker.

Then I would say that the first bag that I actually sold that was a success was our Legend – we still sell it and it is still on the site. There was another bag, but we don’t sell it anymore as it has been discontinued, called the Clutch Wallet. But the Legend was our very first work tote and it was made out of coated canvas and it was a solve to the problem that we had originally pinpointed. The problem was that there wasn’t a work bag that was also cute that is a good price point for a working woman that can keep your things safe - that has a computer sleeve, has a key leash, has a spot for your phone and you know all of that good stuff. So that was a big moment for me. I think that the confidence that gave me was that it wasn’t even me, it was like, people want what I want and it gave me that push to keep going. The next bag that I look at as my biggest most favorite success was the Dakota Backpack – that or the Landon, I came out with it at the same time. That was when things started lighting up for the brand and that was a whole other different success than the Legend. Because, all of a sudden we were talking to a whole community that were not just those that were working corporate jobs. They were living!

AM: That’s right!

JD: That was the time that I was really coming into my own as a designer and a person who really prioritizes health and wellness and bringing my self to the world, and I feel that that was the moment for me as a really young designer.

AM: I love when you were talking about the whole designer and the community of makers that support it. My mom was a couture designer for a number of years so I watched her make gowns, suiting, etc.

JD: Goosebumps!

AM: I loved it and she had another person who worked with her. But it wasn’t until I did a collab line with Sebago for a few seasons where I would sell it on HSN and we designed it in the Dominican Republic at the factories there; when I was there you would have generations of people that by hand were sewing and putting the different leathers on the machines. I knew what I knew in terms of leathers, cool colors, and how that should come together, but then I would talk with the teams that would talk about the placements to take my vision to how it could actually come forward, and there was so much knowledge there that I really respected. So when I would go on air to talk about the shoes I was always happy to say that I designed them, but I would always reference the makers and their knowledge over so many years that brought those shoes to life! They would tell me that they had been doing shoes since they were 16 and some of them were in their 80’s.

JD: They knew what they were doing!

AM: They totally did. It’s about the community and taking that feedback and knowledge and making people aware how your favorite items come to be! I think it’s such a great point that you highlighted.

JD: For sure. It’s cool that you got to watch your mom doing that. I didn’t have that level of transparency into fashion and garment making and bag making – but once I did, that’s what hooked me and I knew that that was so cool.

AM: You talked a little bit about how your co-founders came together. What are each of your roles and what does Dagne Dover mean?

JD: Great question! I’m the Chief Creative Officer, I handle all things creative and design. I spend a third of my time designing product, a third of it doing creative marketing, and then a third of my time doing founder stuff.

AM: There’s always founder stuff.

JD: There’s ALWAYS founder stuff! If I let it, it could take 100% of the time.

AM: FACTS!

JD: Oh yeah, I’m always stopping and saying – that can wait until tomorrow.

My Co-Founders, God bless their hearts, because this company could not run without them, they are sort of the business genius behind everything. They do all of the fundraising, they do a lot of the strategic planning for our drops and our buys and our distribution strategy – all of the stuff that goes into running a business. So my partner Melissa Shin Mash, she’s our CEO and my other partner, Deepa Gandhi are COO/CFO –

AM: When you’re Co-Founder you’re always wearing multiple hats!

JD: Oh, we’re all wearing multiple hats! The day that I can just run 1 department is the day that I just die of happiness!

AM: Oh I hear you!

So the name means …

JD: Oh yeah, so Dagne means new dawn. So in Nordic indigenous language it means new dawn and we just love the name Dagne. I’m so obsessed with Scandinavian design because I think that the simplicity, the purposefulness, and the natural elements – it’s the perfect balance from my perspective. So we chose that as our first name, and then Dover is my last name and we just felt that it was a true collaboration. I did not want my name on it to be totally honest. They were like you should have your name on it because you are the creative behind it. So we kind of created this character out of Dagne Dover and we like to look at it as a new dawn for handbags and really in everything that we do, we support the concept that you should expect more from your bag and you should – we’re here to give that to you.

AM: I will say, that I love that your ears are always to the ground, you’re watching and somewhere along the line an innovation is birthed and will fall into a future season. Not everyone does that.

JD: I really appreciate that and I really have that to owe to my partners because I have the space to do it. I’m still very busy, but because of my team and my partners, I’m really fortunate. I have other friends that are designers and I know that you know this, they’re running their business and they are also designing. That is so much! I am super grateful for that and our community is super outspoken! Our community is power women and they’re so great because they will tell you what they want, what they don’t like and they are super honest and I appreciate that!

AM: They truly care and a number of us saw the initial assortment and have had the joy of being along for the ride of the expanded styles, colorways, and innovations! For me, I find that the purpose and intention is there. Whether I may use a specific style or not, I can understand why it is there and who it is servicing.

Many years ago, when I worked in the wholesale division at Lacoste, there would be a large number of SKUs for that particular season and I always thought about how much that could be edited. You could look through and in terms of buyers you knew where a lot of those items would gravitate towards.

JD: I think that that is the difference too between running a product led brand and a brand brand. We’ve all come from the world of brand led brands where you just need stuff to sell. We’re really selling a brand, but we wanted to create something that is product first. We love the brand, the brand has value, but it’s really about the product, because otherwise you’re selling and idea that people are buying into, but I really love product.

AM: What’s an average week like for you? I ask that knowing that there are no average weeks!

JD: I know! I think it’s so funny that you asked this because I really want to nail this down! You’re right! I set a schedule and then it just gets wiped out every week. I do try to stay true to my 1/3 design, 1/3 digital marketing – with all of my emails and photoshoots, and 1/3 founder stuff! I would say that most of my stuff I try to split it between the day, but as a leader of this initiative and how we can be available and make our schedules work, so that we can make it happen and push it forward – what keeps me focused and on point is that at the beginning of the week I write down my top 5 things that must must happen and even if those meetings don’t happen we use Slack, text, and voice notes and all of the other modes of communication to make sure that the ball keeps rolling. It’s about finishing and completing those initiatives. I know that you also know this, but we don’t really have a big team. I don’t even know what size brand to call us! We have a small team, we drive a lot of business, but it is still a hustle every day! It’s a lot of meticulous planning ahead of time. I have all of my workouts slotted in because if I don’t they just won’t happen.

AM: This Summer was a great one for Athleisure Media. We traveled, attended a number of functions, connected with people and have great projects coming up. The IG looks great, but behind the scenes while all that is going on is a lot of controlled chaos.

JD: For sure! I say that all the time my IG looks pretty because it shows my slow paced life, but really it’s not at all because there are a lot of things going on.

AM: Impossible. Just looking at your drops of new products, you do a number of events outside of NYC and dealing with communities in other cities, the planning that goes behind introducing colorways and new styles – there is constant movement going on there and a lot of planning.

I know especially with my wholesale background that yes your brand is small, but the amount of output, the footprint etc – there is a lot of working going on perpetually.

So how do you get inspired and where do you go for your inspiration for the collections and the colorways?

JD: I love this question! I have a lot of different places where I get inspired and mainly it comes from my every day life! For product, I look at what I am struggling with and where is there white space? An example of that is not being able to find my keys for 10mins in my bag at my front door – I don’t have 10 extra minutes, that’s my break time in between meetings!

AM: So true!

JD: Then I designed the key leash and we put it in every single bag! So now it is super quick to find them. So things like that – but then also for seasonal drops that are a lot more conceptual, I learned to design with a method that is very traditional due to going to Parsons with an inspiration and everything fitting within that so that you have the guardrails. For me those inspirations come from travel. Our SS drop this year was called Lakehouse and we had come up with this whole dream world of a lakehouse and we pulled colors, textures, color names, from that theme and so that happens a lot. I will go on trips and be like, “guys let’s just dive into this world.” A lot of times, it becomes place.

AM: Always a good place to start.

JD: Yeah, it’s inspiring. It’s fun and gives me energy. I love a natural landscape. I wanted to go to the Scottish Highlands this Summer, but I didn’t have time. There was no way that that was going to happen so I went to Chat GPT an asked if there was anywhere in the US that was like the Scottish Highlands. It spit out that in Virginia, there are areas that look like that in the Appalachian trail. It’s a small portion of it, but I flew down and there were cows and ponies and it was so crazy. I didn’t know it existed so close to us, but things like that get me really excited.

Then being outdoors – I love being outdoors whether it’s hiking, backpacking, snowboarding. I grew up in Colorado so being in NY, I don’t really get access to that so every chance I get, I go. Often times, I’m inspired by technical gear that I’m getting or buying because those are super high functioning and they are not used in traditional fashion a lot. They are great and they look professional if they are done with the right silhouette.

AM: In those early days, I have been a Dark Moss girl from the start. For me, I feel that it is one of those new neutrals. I don’t want to just have black but somehow, that Dark Moss it just hits different.

How did you guys identify that these were going to be core colors, what would oscillate in terms of colorways throughout seasons, and those that are limited editions? Even now you have those core colors that still find their way there.

JD: I kind of shot myself in the foot with that one if I’m honest. Those colors sell and I’m like, “please, let’s get new ones.” But people love them! They have become iconic to the brand in a way. If I’m totally honest, I made colors that I totally wanted to wear.

AM: Which is fair.

JD: I was working a lot, I wanted to make sure that whatever core colors we dropped, it would go with my friends and families existing wardrobe. They were picked to be complimentary, but exactly what you said, I didn’t want them to be plain and dull and boring and in the exact same colors that everybody else drops. There are limitless colors so can we pick a brownish/purple that other people don’t do? Really when we look at it, we want it to feel good – color is such a powerful tool with the psychology behind it. This has always been interesting to me. There are people who love purple, they only wear purple, and when I do a purple – I know who will buy it and it will sell through really fast, but I can’t make it a core color because it won’t continuously sell. Digging into these people’s minds, there are similarities of how they think because they will choose purple. Green, the Dark Moss green is exactly what you said. They don’t want to wear black every day. They have their own flair and they still need to fit into some kind of societal structure where maybe they are going to the office or they don’t want to be super flashy, but they want to be cool and fun – a little bit interesting. Then there is the navy people. So I just tried to hit on the buckets of those things and to give the best version of those things.

AM: Wow!

When I first started getting pieces from you guys. I came to love the leather collections and it was the oxblood. From the tote bags to this beautiful large clutch/cosmetic base that I use to hold items I use for wine when I am traveling ha! That part of the collection reminded me of 1970’s Etienne Aigner – that was my jam!

JD: Yes! It was! Fun fact, I worked on that brand for awhile!

AM: I am not surprised! My parents in the 70s had matching Etienne Aigner oxblood leather jackets and then my mom gave me hers and I used to wear it all the time and I had the bag to match!

Then neoprene came and I was like, this is not even a fabrication that I would ever think that I would want for my bags, but I got the versatility of it immediately. I love how it is squishy.

JD: Squishy!

AM: Super expandable, and I was there for it. So how did neoprene make its way in there? I knew from the first one that every part of my bag needed this fabrication.

JD: I’m so glad you like it! I love it too! My life changed. I went from a corporate design job to being a founder. I’m running around the city – I’m not seeing people except for my factory and my teammates. We were working in basically a closet and I was in gym clothes every day. I wanted something that felt like me – sporty, needs to move with me throughout the day, but still where I look put together to be neat and presentable. I was in Vietnam working to set up another factory and I was swimming and I had this neoprene bathing suit. I was like, this is rad! So I said to Deepa, do you think that we could make bags out of this? She’s like, “dude, I don’t know but why don’t you try?” She’s always like try it and we’ll see what happens. We did it and it turned out really cool. Before we dropped it, I didn’t know if people would like it.

To me, I felt that it might be a world where people didn’t understand it. In Colorado, I knew people where I’m from would understand the fabrication, but they don’t really need a bag that is tailored as much as those are. They are wearing Patagonia and gear – it’s not like they are wearing something that needs to go into the boardroom also. So I thought, they will get it, but they may not buy it.

My people in NY, they might get the silhouette but this may be too sporty for them!

It was a passion and a random idea that we thought could be really cool and it turned out really great.

AM: The other side of that is the bags that were made completely out of mesh! Again, I was like ok now we’re taking something that is usually inside of the bag as a pocket or a pouch and we’re taking that to the next level!

JD: I know! That was said by people too and they loved it and the fact that it was so lightweight! We ended up dropping the Air Mesh. Ultimately, that one did great, but it was a fun learning experience because it was so sporty, people felt that they couldn’t wear it to the office.

AM: Sustainability has always been something key and core to the brand. I love that now the neoprene bags are made out of x amount of bottles. You also have other environmental innovations as well. Why is that so important to you and being transparent about it because a lot of times you don’t know when someone is saying that something is that – to what end?

JD: Right – what? It could mean anything. I try to stay away from the word sustainable because I am afraid that it doesn’t mean anything anymore. What I try to do is to infuse as many conscious materials that I can find that is trackable. Part of being in a new wave of something is figuring out what is legit and what it’s not. The systems aren’t there, the regulation isn’t there yet and quite frankly, the US doesn’t have a lot of rules around that in the same way that Europe and other places do. It was a process of finding out which manufacturers were making eco-friendly materials.

What do they have that we can already utilize for the products that we have created and what do they have that we can use in the future to make even more sustainably minded products. It’s important to me because I love bags, I love making things and if you saw my apartment – there is stuff everywhere. I understand that when you make things, there is a lot of waste. There is a lot of testing and you’re making a physical thing so as much as you can be conscious about wastage and where it is coming from and where it is going to after, I think is fantastic and hopefully my wish and hope is that we live in a world where there are companies that are offering sustainable materials that we can use that are also durable. I think one of the biggest challenges for us is finding durable sustainable materials that can also be produced in a way that is timely and consistent – a lot of it is experimental!

What people don’t talk in terms of sustainability is affordability and that is a big one.

AM: It’s a huge barrier.

In terms of the travel collection. How long did it take to create that? You know I love it, for years I had asked members of your team why you were not adding it to your assortment and once it came out, I switched over my travel as well as my styling kit – including the carry-ons, duffles, garment bags, cubes to these products and love how they play well with the other Dark Moss pieces that I do have from the eyeglass case, toiletry bags as well.

I will also say the wheels on those bags work so well. Here in NYC, you know we have like 80 types of streets/concrete.

JD: Ha! Thank you for noticing. We put a ton of time into those wheels. I told them that we were not dropping until we had nice wheels because that is the key to the whole thing. I guess it took 3 years, but I was thinking about it a long time prior to that. It was a meticulous process. Luggage is not forgiving! There are a lot of regulations from any number of airlines from around the world that you have to hit so you are boxed into these being the sizes that you have to do or else people will not be able to carry them on the flight – so there’s that. It has to be incredibly durable because of course, we don’t know what they do behind those curtains, but every time that a bag comes out – you’re like what happened here? It has to be durable, dense material – I was really on my sustainability quick when we were designing this. They are 100% recycled and I was not willing to make any compromises on that. We were developing into this custom material and then I really wanted the interior organizational system to match what they were expecting from us. So we designed a ton of pieces, we tested them for a really long time, ultimately narrowed it down and the process took a long time. So we manufacture in Asia so we get the best products and it takes time for them to make every single sample set and we could be waiting 1 month or 2 between sample sets while we’re waiting for the next one to make changes and to evolve them. So it took about 3 years and to be totally honest, I was learning on the fly. Luggage is a whole other category.

AM: It is a whole other beast!

JD: That was very fun, but I am super happy with where they landed and I’m so glad you love your Dark Moss! I need a picture of your set.

AM: I’m constantly taking pictures of it in every photoshoot when I’m on set. I mean yes they are great travel bags but when I am bringing them to set or we’re sketching out what is coming as each shoot is a snowflake with different needs there may be a series of luggage and related accessories to support the needs and I’m always happy how smooth it is or how the compartments work or how I use it for a set versus going on a vacation.

I will also say that the long garment bag which I know is really great for weddings. It’s awesome for pulls because I can fit quite quite a few things in there and it’s still streamlined. When we shot our cover with Bozoma Saint John back in the Fall last year, I literally walked into 2 different bridal showrooms as they had evening wear and I must have fit 8-10 pieces in there easily.

JD: So glad you love it because we made that bag for gowns. My partner Deepa is Indian and we need an extra extra long bag for her gowns and people started loving it for all sorts of things. We have a bunch of designers that are using it for Fashion Week. Garment bags are great, but again, there are not a lot of cute options that are also lightweight and all the things that we as people in the industry need. I am so glad that you love The Capri.

AM: Oh yeah, I use the Carpi bag. I think that day I had that as well as the Air Mesh XL tote in Dark Moss that way folded could go there and everything else was in the other because I was hopping in and out of the subway that day for that cover shoot and I wanted to keep it light and agile haha!

Each showroom was talking about how co-ordinated it was and it didn’t matter if you were in a luxe space or something more functional the bags never looked out of place.

JD: I love hearing that and am glad you’re working those bags!

AM: Without question!

How many drops a year would you say that you guys have?

JD: It depends. I don’t have a specific numbers that I have to or feel that I need to hit. We always have a SS and a FW drop. Depending on what strategically we are trying to achieve, I will drop a product based collection or sometimes just new products if I feel they are needed and I’m working on it.

For example, last year in 2024, we had 4 drops. For 2026, I’ll have 7+ drops planned. So it really depends. I would say that I like to try and stay on a schedule. Things are ready when they are ready. For me, it’s about doing it and the dropping it the right way. That’s why some years we’re making it rain and then in other years it feels like we’re pulling it back a little.

Sometimes I just want to move on and create something new so you have to replace something. Something better is coming and I want to get ahead of it. Sometimes it’s also that something is too expensive to create for what we can sell it for. Being transparent is important about that. People will ask if we can make something and we can, I want to, but it will not be affordable!

AM: If someone is new to the brand, what would be 3 items that they should have to start their collections?

JD: Love this question! I would say that they must have the 23.5 Carry On Luggage that is the larger sized because there are 2. The Landon in the Medium Size. I love it because it goes from duffle to tote and it’s just the most versatile bag ever. I would say the Bennie Sling that we just dropped this past Spring and it’s like our old Morris Sling, but on steroids. We know that our slings are awesome, how can we make it even better and to address every pain point that people have? Everyone needs one. So that is my third pick! Those three you can rule the world!

AM: You guys always do fun events. My favorite event you guys threw was a few years ago and it was a twist on a Field Day/Olympics day.

JD: Oh yeah!

AM: It was like you literally felt you were living with the bags and it was fun. It’s also fun when you have done things with Sloane Stephens and she did a fun collab with you guys for Doc + Glo. We’ve had her as a previous cover, have interviewed her a few times, and I had lunch with her earlier this Spring. She’s just a good human.

JD: She really is! I feel like I’m best friends with her, but I don’t know her like that that well.

AM: You can sit with her and you just feel like you’ve known her for awhile.

Are there any partnerships or event collaborations that you can share?

JD: We have our FW assortment that is dropping in Oct this year. We’re really excited and we have some awesome prints and new colors.

I would say stay tuned for 2026 because we have a big year planned out! I’m very excited about it.

I mean, Sloane, we just love her. She is part of the team at this point so it comes from things like that – synergistic connections that we can create something really cool together.

AM: When you’re not doing all of the things that you do as a co-founder, how do you take time for yourself? This work is consuming and you do love it, but you do have to take at least half a second.

JD: For me it is very physical. My nervous system will crash and I always feel it coming. I will call my mom and I tell her I can feel it coming. When I get to that and some people call it burnout mode, I will take a little trip whether it is 1 night or 5 nights. I was actually able to take a trip for the month of August to Steamboat which is where I’m from and I worked from there for a month. When I tell you that it changed everything for me, I can’t suggest enough about taking a beat and it can be as simple as skipping the commute. Just that, working from home for a week can do that. For me, it’s about working out. I have to get that in and really think about the fact that we have a body too! We’re always up here in our mind and stuff, but when my body is in motion, it’s when I feel the best – hiking and biking – that’s when the ideas come to me. I have 2 dogs and honestly getting the dogs was the best because it forces me to go out and walk them.

AM: They have to do their business!

JD: They have to do their business and they are not going to wait!

IG @dagnedover

PHOTOS COURTESY | Dagne Dover

Read the SEP ISSUE #117 of Athleisure Mag and see NEW DAWN FOR BAGS | Jessy Dover - Dagne Dover in mag.

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PHOTO CREDIT | The Daily Pour/Drinks with Benefits

DRINKS WITH BENEFITS | DAN ABRAMS + AMANDA PAUL-GARNIER

September 24, 2025

We caught up with The Daily Pour (formerly Bottle Raiders) Founder/Publisher, Dan Abrams, and VP Marketing, Amanda Paul-Garnier, to chat about the exciting Drinks With Benefits, the first Zero Proof Festival, coming to New York (Altman Building, September 27, 2025).

At Drinks With Benefits Festival guests will discover 50+ Non-Alc brands to sip and savor. Taste innovative and sophisticated non-alcoholic beverages, botanical spirits and functional elixirs in the Tasting Gallery, and meet and connect with industry innovators. Stroll through the Non-Alcoholic Beer Garden and Hemp Beverages with music. Experiment in the interactive Mixology Lab, with non-alcoholic cocktail mixing demos. Take in the immersive experience in the Drink Rhythms Lounge DJ Sets, Podcasting Lounge, and mindful experiences in the Meditation Tent. Pair your drinking journey with 3 Omakase-style courses by top chefs for VIP Ticket-holders. In the Cipriani Cafe, their Chef will serve up complimentary pasta tastings. Reknowned for pioneering the Bellini, Cipriani will pair these dishes with their Bellini Zero Cipriani! The Drinks With Benefits Festival will also feature the Zero Proof Choice Awards, crowning the best winners in Non-Alc and Functional beverages.

ATHLEISURE MAG: So what led you to start the first Zero Proof Festival in NYC?

DAN ABRAMS: We had started a spirits media company that was initially focused on whiskey. And we were planning on expanding, and we did, to gin and rum and tequila. And as we were building out the business, we realized that functional beverages are becoming just an enormous part of spirits. And we can't really create a forward-thinking spirits business without making functional beverages a serious part of what we're doing.

And so as we came to that realization, we started talking about and thinking about events, in addition to doing content. Because we had acquired a company that was doing at the time 12 events around the country for whiskey and tequila. We've now expanded that to 15, so events were in the DNA of the business.

But now we were thinking, let's go big! We were stunned considering how significant a business non-alcohol and functional beverages have become, that there hasn't been a major awards in New York. There hasn't been a major event in conjunction with wellness in New York, almost anywhere. And so we thought, what a great opportunity to be on the forefront of this. And those were the seeds behind Drinks With Benefits.

AM: So what types of non-alcoholic or functional beverages would be showcased at this specific event?

AMANDA PAUL-GARNIER: So we have over 60 brands covering non-alcoholic wines, non-alcoholic beers, functional hemp and functional non-hemp products. Brands, probably, you know, like Ghia, Kin Euphorics, Athletic Brewing Company, Bero, But also brands you probably don't know that are very high quality, like Opius Elixirs, which is probably one of the best brands out there.

AM: Yeah, I would say on a personal note, I was diagnosed with gout in the middle of college. Beer is my kryptonite. So I've had to drink clear alcohol spirits or non-alcoholic beverages personally. So when I tried Ghia, for example, I couldn't believe the complexities that they put into a beverage like that.

So the space is growing. But in addition to growing, the formulations are getting better and better. Isn't that true?

APG: Yeah, I would definitely agree with that. We actually just talked with Melanie Masarin, from Ghia. And she was talking about her inspiration for starting the product. But just her integrity in terms of the quality of the ingredients she uses, she's very inspired from the Mediterranean, but she's also French and Italian. So nothing in Ghia is fake or superficial. But she also teases the whole concept that, you know, of like fake ingredients or say, people concerned about the sugar content with non-alcoholic beverages. But she was like, there's a difference between synthetic sugar and actual real sugar. And, you know, what she's trying to create and she believes the next forefront of the frontier for non-alcoholic beverage will be with people seeing those quality ingredients, real ingredients over anything processed. And I think that's one of the driving forces behind this, is that we're seeing in the non-alcoholic spirits industry that people are clamoring for an evaluation of quality. And they're basically the industry folks are saying we care about quality.

DA: This isn't just non-alcoholic wine. We want people to be thinking about what are our ingredients? How are we doing this? How are we distilling this? The same way people do with spirits. And I think that's why both our awards and Drinks With Benefits are really resonating.

AM: And, you know, in preparing for discussing the event, so I came up with the notion of things need to be tasty, but also things need to be useful or new and exciting also. So what kind of categories or different types of vendors or drinks are there available at this Drinks With Benefits Festival as this is new to a lot of communities.

APG: The festival is tiered as far as different categories with the space laid out exactly to respond to that, as for a lot of consumers, this is new and we wanted to kind of guide them through the experience.

So upon arrival, they'll get a consumer discovery map where all the non-alcoholic wines are in one area, all the non-alcoholic spirits and bitters are in one area. And then as you go downstairs, you will find the alcohol-free beer garden and then the hemp and functional space. So we've set this up so that they can discover it by category.

AM: That's great. And then there's also immersive wellness experiences as well, right?

APG: Yes. So we partnered with Sage and Sound, whose Upper East Side wellness studio has a meditation experience. And that will be led by Dara Hart, who's a Reiki master and spiritual guide. So we wanted to have, you know, something wellness adjacent within the experience to really bring to life that, you know, drinking less but better is about overall wellness. It's not just about drinks, even though they're a huge part. It's an overarching thing.

And additionally, we will have live podcasting with Samantha Feher from the podcast Caps Lock, who will be covering different topics on wellness; helping educate the consumer on different aspects of wellness; and transparency and ingredients.

AM: And what types of attendees do you foresee coming?

DA: You know, we see it being a mix. This is not an industry event, but we certainly expect some industry folks will be there. But this is primarily a consumer event. We're targeting a bit of a younger demographic. I mean, that's part of it. We just did a big redesign for our website and our app, now called The Daily Pour. And part of the reason for that is our doubling down in the Non-Alc space, but also the fact that we really are trying to target the 25 to 40 year old demo of people, who have expendable income but who care about health and wellness.

And by the way, it doesn't mean that they don't drink alcohol. Right. It just means that for a lot of them, they do drink alcohol. They just are trying to drink less.

AM: That actually leads me into my next question about Gen Z and millennials in particular and whether they're seeing this as a specific intentional choice versus a substitute. So as people are looking to what to imbibe or include in their lifestyle routines, how do you see the difference if there are between different types of consumers that some are just looking for this and others maybe are moderating alcohol consumption?

DA: So we think the targeting is the same. Which is, it's about quality beverages. Whether you are trying to drink less; whether you don't drink at all; whether you are moving from alcohol to hemp; whatever the case may be - we think that the piece that's been missing is focusing on the quality. And that's how we started this business.

We started this as a consumer facing business to say to people, we're going to help you drink whiskey and tequila and rum smarter and better. All we're doing is applying that same philosophy to non-alcohol and functional beverages. So it applies to all of them with regard to and again, that's why I think it's so important that I keep emphasizing that we're doing these awards in conjunction with the event. Because it's the same focus, which is quality. What is the quality? What are the ingredients? Because that's what drinking fine spirits is all about.

AM: And you guys are having a Omakase Food Hall at the event, which I think would get us to go to most events. What's involved with that?

APG: So we wanted to recreate experiences for consumers where they would normally have alcohol, but really show them they could have fun with non-alcoholic and alternative beverages. So we created a pairing experience with well-known restaurants in New York, including the Butcher's Daughter, Ado Lei, and Seatopia. Basically with that VIP ticket, consumers will get to go to two different counters and have a pairing experience where they have a light bite paired with an alternative beverage.

AM: There's also a mixology area for the Drinks With Benefit Festival. What kinds of things would guests be able to mix?

APG: So yes, we have the mixology lab. And we really wanted to bring to life, have a space within the event that made education fun. So The Pathfinder, For Bitter For Worse, FLUÈRE, those are some of the brands that have taken over the space. And they'll be doing education, cocktail making sessions, guided tastings.

The Alchemist Kitchen, which is in Soho, they will do a lot of elixirs, and a guided education with how to make cocktails with different plants and herbs and things like that. It'll be a really fun space for consumers to have a hands-on education or edutainment experience.

AM: For non-alcoholic consumers, are they generally narrow-minded towards the areas they're focused on? Or are they very open-minded, where they would like to try the different categories from beer, to a CBD, to maybe a sparkling spritz or something?

DA: So look, yeah, obviously, it completely depends on the person. There are some people who simply don't want anything that is in any way mind-altering, right? So they don't want functional alternatives. They don't want alcohol. That's one. And that's probably a much smaller base of consumers. There's still people we're appealing to, but they are a much smaller group. The much larger group are the people who drink a little.

They also try functional beverages. They try non-alcohol. They're interested in different areas. There are some folks who only want functional beverages and not alcohol. So it really depends. But what we're finding, based on the studies, is that most of the people who drink these non-alcohol and functional beverages also drink alcohol.

AM: That's super interesting. The space is definitely booming as consumers are finding multiple winners, in multiple categories, as open-minded in trying new things. And there might even be new categories that come out in the future. What are some untapped areas you could see now? Or do you think pretty much we're hitting where we would be for several years to come?

DA: I'd say the untapped is really the increase in the quality and the focus on ingredients. In a way that’s 10 years, 15 years ago, it was, ‘oh it's just a non-alcoholic wine.’ Or hey, I mean, ‘you probably know this from it as a non-alcoholic beer or whatever it is.’ And it's like, ‘OK, is it good? What is it made from?’ So that's the difference.

And I think that's the future in terms of where people are going, which is why we're trying to ride that wave of particularly younger people who have been brought up, focused on quality in a world where the evaluation of quality hasn't been so focused on non-alcoholic spirits.

AM: Sure. And do you see that a lot of these consumers are somewhat sophisticated where the benefits will be worth the price points?

DA: They're becoming more sophisticated. And I think that is the whole philosophy behind what we're doing, is that we're trying to help them become more sophisticated. We're the place that can say to them, we know you want to be more sophisticated. Now let us help you get there in a really accessible way.

AM: Yeah. Master edutainer, Dan. I see that totally. I learn stuff from all your other groundbreaking shows, I just know a couple of things what to do, not to do now because of you.

DA: My strengths are condensing complicated information into a pretty simple and accessible way to say it. We're kind of doing the same thing here with drinks. We are taking a confusing world of drinks and trying to make it a lot more understandable and to help them make choices.

And that's not completely dissimilar from what I do in my TV world. Sure. And then also some humor here and there.

AM: Totally. So and then after New York, are there other cities you're looking to take this festival to?

DA: Yeah, we haven't figured it out. I mean, we definitely are thinking about doing more. We want to first get this one under our belts before we start actively planning the next one. We want to see what went right, what went wrong, where could we improve? And that will help us determine, should we do another one in New York? Should we think about one in a different city? Our whiskey and tequila events, we're seeing great success recently in launches in some smaller cities like Scottsdale, Arizona or Austin, Texas and places like that. And so would that be our next? I don't know yet.

New York is a big swing. You know, and honestly, if we weren't kind of first to market on this, we probably wouldn't have started in New York. But I think that's why we felt comfortable starting in New York, because we were stunned that this hasn't existed yet.

AM: Tell us more about The Daily Pour, the organizers of the Drinks With Benefits Festival.

DA: Yeah, it's a consumer guide to drinking better. And so it has what we do - we have an app that aggregates reviews and ratings, some of which we do, some of which is from other places. But it allows it to be a kind of one stop shop to tell you, is this any good? I mean, I use it all the time when I'm thinking about buying a whiskey or something, because it allows me to see numerous aggregated reviews. And a lot of these are enthusiasts who've done reviews who might not have put a number on it. And we translate it into a number.

So the app is very useful. The website covers different issues in the spirits industry. We've recently been focusing on one particular beverage in a particular week or a particular month, which is another new thing we've done.

But, you know, the Daily Pour literally went live two days ago (formerly Bottle Raiders). And it's just a fundamentally different vibe. Bottle Raiders was initially designed based on a whiskey drinker.. And now you're in a much brighter, more vibrant place because we want it to be more inclusive of the non-alcoholic and wellness community as well.

APG: I think The Daily Pour is meeting the consumer where they are today, covering cross categories. So it's covering ‘I do still want to drink, but I want to drink better.’ So it's covering spirits. Also, it’s ‘I want to have that great margarita, but I don't want to have that during the week.’ Additionally it’s covering functional beverages, ‘and I want to learn about Non-Alc.” So I think that a lot of the other websites treat Non-Alc and alternative beverages like a footnote. Like it's really hard to find them. If you go to certain websites, they have it hidden under culture. I'm like, I don't know how anyone would find that. So we don't want to treat it like that.

I think about the scoring. I think that's extremely helpful to have this kind of meta score, our signature rating system that aggregates everyone's point of view and just gives space that is sometimes hard to understand.

AM: And the app is free. Are there premium plans to it or features?

APG: Yes, and then if you get the premium subscription, that's like $5 a month. And what are the benefits of that, so it saves your taste list. You get access to certain events and kind of discounts on certain things that we offer, exclusive content, things like that.

AM: That's terrific. And I also wanted to ask about Ev & Em Vineyards, Dan.

DA: So Ev & Em is a winery that I acquired in early 2021. It was right in the heart of COVID and the winery owners had kind of given up in COVID. And I had a friend who is one of the pioneers of the North Fork wine scene who called me and said, hey, you mentioned that you were interested in buying a winery. Were you serious? And I said, yeah, I was serious. Because I told you if I ever saw something really interesting that I would let you know.

And this is really interesting. It has one of the oldest planted vineyards on the North Fork. It has a beautiful location. It just needs some love. It needs some new thoughts about how to do the winemaking. And you could have an A-list vineyard.

And he was right. Even by the ‘22 Vintage, which was released in some of it in ‘23, some of it only now for the Reds, we're creating luxury wines in Long Island. So these are wines that we think can compete with California, Oregon, Washington, et cetera, in really all varietals. And so that's been super exciting!

AM: And there are multiple offerings. There's a Reserve, correct?

DA: There is. Yeah, we're making everything from Cabernet, Merlot, Pinot Noir, Chardonnay, Sauvignon Blanc, Gewürztraminer, Pinot Gris. I mean, we've got a whole range of offerings.

And in some of those, we have a Reserve. So depending on the year, for example in ‘22, we had a number of Reserve wines on the Reds, some of which actually haven't even been released yet. But our Reserve Red ‘22, super proud of that.

‘23 was a tougher year for us, but ‘24 was amazing. So we're very confident about that ‘24 Vintage that's coming out. And ‘25 looks great as well.

 You can find out more about Drinks with Benefits Festival and get your ticket (General Admission is still available as VIP is sold out) by visiting their site. In our SEP ISSUE #117 which drops on Sep 30th, we will also recap this event as well.

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In AM, Festival, Food, Wellness, Wellness Editor Picks Tags The Daily Pour, Drinks with Benefits, Drinks with Benefits Festival, Dan Abrams, Amanda Paul-Garnier, Altman Building, Non-Alcohol, Non-Alcoholic, Non-Alc, Functional beverage, Wellness, Zero Proof, Awards, NYC, Ghia, Kin Euphorics, Athletic Brewing Company, Bero, Opius Elixirs, Melanie Masarin, Alcohol, Sage and Sound, Dara Hart, Caps Lock, Podcast, Tasting Gallery, Omakase, The Alchemist Kitchen, CBD, Butcher's Daughter, Ado Lei, Seatopia, The Pathfinder, For Bitter For Worse, Fluere, Ev & Em Vineyards, North Fork, Long Island, New York, Bottle Raiders, Zero Proof Festival, Hemp, Reiki Master, Omakase Food Hall, Spirits, Cocktails, Whiskey, Gin, Tequila
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AWARDS SEASON | OSCARS WINNERS

March 10, 2024

Earlier today, The Academy Awards announced the nominees for the 96th Oscars which ends the road to Awards Season on Sunday, March 10th! WIth a number of our favorite movies getting recognition, we can’t wait to see what’s in store for us when it airs on ABC. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Picture

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Interest (James Wilson, Producer)

Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)

Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher’s Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

Read the latest issue of Athleisure Mag.

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags Oscars, The Academy Awards, Barbie, Oppenheimer, American Fiction, Films, Awards, Award, Film, The Holdovers, Actor, Actress, Writing, Script, Nominations
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AWARDS SEASON | OSCAR NOMINATIONS

January 23, 2024

Earlier today, The Academy Awards announced the nominees for the 96th Oscars which ends the road to Awards Season on Sunday, March 10th! WIth a number of our favorite movies getting recognition, we can’t wait to see what’s in store for us when it airs on ABC. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Picture

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Interest (James Wilson, Producer)

Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)

Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher’s Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

Read the latest issue of Athleisure Mag.

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags Oscars, The Academy Awards, Barbie, Oppenheimer, American Fiction, Films, Awards, Award, Film, The Holdovers, Actor, Actress, Writing, Script, Nominations
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emmy.jpg

AWARDS SEASON | EMMY NOMINATIONS

September 17, 2018

Another year and another Awards Season! We’re excited to pick out which nominee will be a winner and then to see where we stood when all is said and done. We can’t wait for the 70th Annual Emmy Awards. Make sure to check back to see who won and how close we were in our predictions!

Nominations that are italicized are Athleisure Mag’s predictions, names that are in bold are winners that we didn’t predict correctly and those that are italicized and bold are winners that we predicted correctly.

OUTSTANDING DRAMA SERIES

The Americans (FX)

The Crown (Netflix)

Game Of Thrones (HBO)

The Handmaid's Tale (Hulu)

Stranger Things (Netflix)

This Is Us (NBC)

Westworld (HBO)

OUTSTANDING COMEDY SERIES

Atlanta (FX)

Barry (HBO)

Black-ish (ABC)

Curb Your Enthusiasm (HBO)

GLOW (Netflix)

The Marvelous Mrs. Maisel (Amazon)

Silicon Valley (HBO)

Unbreakable Kimmy Schmidt (Netflix)

OUTSTANDING LIMITED SERIES

The Alienist (TNT)

The Assassination of Gianni Versace: American Crime Story (FX)

Genius: Picasso (National Geographic)

Godless (Netflix)

Patrick Melrose (Showtime)

OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES

Claire Foy (The Crown)

Tatiana Maslany (Orphan Black)

Elisabeth Moss (The Handmaid's Tale)

Sandra Oh (Killing Eve)

Keri Russell (The Americans)

Evan Rachel Wood (Westworld)

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (Ozark)

Sterling K. Brown (This Is Us)

Ed Harris (Westworld)

Matthew Rhys (The Americans)

Milo Ventimiglia (This Is Us)

Jeffrey Wright (Westworld)

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES

Alexis Bledel (The Handmaid's Tale)

Millie Bobby Brown (Stranger Things)

Ann Dowd (The Handmaid's Tale)

Lena Headey (Game Of Thrones)

Vanessa Kirby (The Crown)

Thandie Newton (Westworld)

Yvonne Strahovski (The Handmaid's Tale)

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

Nikolaj Coster-Waldau (Game Of Thrones)

Peter Dinklage (Game Of Thrones)

Joseph Fiennes (The Handmaid's Tale)

David Harbour (Stranger Things)

Mandy Patinkin (Homeland)

Matt Smith (The Crown)

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES

Viola Davis (Scandal)

Kelly Jenrette (The Handmaid's Tale)

Cherry Jones (The Handmaid's Tale)

Diana Rigg (Game Of Thrones)

Cicely Tyson (How To Get Away With Murder)

Samira Wiley (The Handmaid's Tale)

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES

F. Murray Abraham (Homeland)

Cameron Britton (Mindhunter)

Matthew Goode (The Crown)

Ron Cephas Jones (This Is Us)

Gerald McRaney (This Is Us)

Jimmi Simpson (Westworld)

OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES

Pamela Adlon (Better Things)

Rachel Brosnahan (The Marvelous Mrs. Maisel)

Allison Janney (Mom)

Issa Rae (Insecure)

Tracee Ellis Ross (Black-ish)

Lily Tomlin (Grace And Frankie)

OUTSTANDING LEAD ACTOR IN A COMEDY SERIES

Anthony Anderson (Black-ish)

Ted Danson (The Good Place)

Larry David (Curb Your Enthusiasm)

Donald Glover (Atlanta)

Bill Hader (Barry)

William H. Macy (Shameless)

OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES

Zazie Beetz (Atlanta)

Alex Borstein (The Marvelous Mrs. Maisel)

Aidy Bryant (Saturday Night Live)

Betty Gilpin (GLOW)

Leslie Jones (Saturday Night Live)

Kate McKinnon (Saturday Night Live)

Laurie Metcalf (Roseanne)

Megan Mullally (Will And Grace)

OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES

Louie Anderson (Baskets)

Alec Baldwin (Saturday Night Live)

Tituss Burgess (Unbreakable Kimmy Schmidt)

Brian Tyree Henry (Atlanta)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Kenan Thompson (Saturday Night Live)

Henry Winkler (Barry)

OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES

Tina Fey (Saturday Night Live)

Tiffany Haddish (Saturday Night Live)

Jane Lynch (The Marvelous Mrs. Maisel)

Maya Rudolph (The Good Place)

Molly Shannon (Will And Grace)

Wanda Sykes (Black-ish)

OUTSTANDING GUEST ACTOR IN A COMEDY SERIES

Sterling K. Brown (Brooklyn Nine-Nine)

Bryan Cranston (Curb Your Enthusiasm)

Donald Glover (Saturday Night Live)

Bill Hader (Saturday Night Live)

Lin-Manuel Miranda (Curb Your Enthusiasm)

Katt Williams (Atlanta)

OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Jessica Biel (The Sinner)

Laura Dern (The Tale)

Michelle Dockery (Godless)

Edie Falco (The Menendez Murders)

Regina King (Seven Seconds)

Sarah Paulson (American Horror Story: Cult)

OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Antonio Banderas (Genius: Picasso)

Darren Criss (The Assassination of Gianni Versace: American Crime Story)

Benedict Cumberbatch (Patrick Melrose)

Jeff Daniels (The Looming Tower)

John Legend (Jesus Christ Superstar: Live in Concert)

Jesse Plemons (USS Callister: Black Mirror)

OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

Sara Bareilles (Jesus Christ Superstar: Live in Concert)

Penelope Cruz (The Assassination Of Gianni Versace: American Crime Story)

Judith Light (The Assassination Of Gianni Versace: American Crime Story)

Adina Porter (American Horror Story: Cult)

Merritt Wever (Godless)

Letitia Wright (Black Mirror (Black Museum))

OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

Jeff Daniels (Godless)

Brandon Victor Dixon (Jesus Christ Superstar)

John Leguizamo (Waco)

Finn Wittrock (The Assassination Of Gianni Versace: American Crime Story)

Ricky Martin (The Assassination Of Gianni Versace: American Crime Story)

Edgar Ramirez (The Assassination Of Gianni Versace: American Crime Story)

Michael Stuhlbarg (The Looming Tower)

OUTSTANDING VARIETY TALK SERIES

The Daily Show With Trevor Noah (Comedy Central)

Full Frontal With Samantha Bee (TBS)

Jimmy Kimmel Live (ABC)

Last Week Tonight With John Oliver (HBO)

The Late Late Show With James Corden (CBS)

The Late Show With Stephen Colbert (CBS)

OUTSTANDING VARIETY SKETCH SERIES

At Home With Amy Sedaris (TruTV)

Drunk History (Comedy Central)

I Love You, America With Sarah Silverman (Hulu)

Portlandia (IFC)

Saturday Night Live (NBC)

Tracey Ullman's Show (HBO)

OUTSTANDING REALITY COMPETITION SERIES

American Ninja Warrior (NBC)

The Amazing Race (CBS)

Project Runway (Lifetime)

RuPaul's Drag Race (VH1)

Top Chef (Bravo)

The Voice (NBC)

OUTSTANDING STRUCTURED REALITY PROGRAM

Antiques Roadshow (PBS)

Fixer Upper (HGTV)

Lip Sync Battle (Paramount Network)

Queer Eye (Netflix)

Shark Tank (ABC)

Who Do You Think You Are? (TLC)

OUTSTANDING UNSTRUCTURED REALITY PROGRAM

Born This Way (A&E)

Deadliest Catch (Discovery Channel)

Intervention (A&E)

Naked And Afraid (Discovery Channel)

RuPaul's Drag Race: Untucked (VH1)

United Shades Of America W. Kamau Bell (CNN)

OUTSTANDING HOST FOR A REALITY OR REALITY-COMPETITION

W. Kamau Bell (United Shades Of America W. Kamau Bell)

Ellen Degeneres (Ellen's Game Of Games)

RuPaul (Rupaul's Drag Race)

Heidi Klum and Tim Gunn (Project Runway)

Jane Lynch (Hollywood Game Night)

OUTSTANDING TV MOVIE

Fahrenheit 451 (HBO)

Flint (Lifetime)

Paterno (HBO)

The Tale (HBO)

USS Callister (Black Mirror) (Netflix)

OUTSTANDING VARIETY SPECIAL (LIVE)

The 75th Annual Golden Globe Awards (NBC)

60th Annual Grammy Awards (CBS)

Jesus Christ Superstar Live in Concert (NBC)

Night of Too Many Stars: America Unites for Autism Programs (HBO)

The Oscars (ABC)

OUTSTANDING VARIETY SPECIAL (PRE-RECORDED)

Carol Burnett Show 50th Anniversary Special (CBS)

Carpool Karaoke Primetime Special 2018 (CBS)

Dave Chappelle: Equanimity (Netflix)

Full Frontal with Samantha Bee Presents: The Great American* Puerto Rico (*It's Complicated) (TBS)

Steve Martin & Martin Short: An Evening You Will Forget for the Rest of Your Life (Netflix)

OUTSTANDING INFORMATIONAL SERIES OR SPECIAL

Anthony Bourdain: Parts Unknown (CNN)

Leah Remini: Scientology And The Aftermath (A&E)

My Next Guest Needs No Introduction With David Letterman (Netflix)

StarTalk with Neil deGrasse Tyson (National Geographic)

Vice (HBO)

OUTSTANDING DOCUMENTARY OR NONFICTION SERIES

American Masters (PBS)

Blue Planet II (BBC America)

The Defiant Ones (HBO)

The Fourth Estate (Showtime)

Wild Wild Country (Netflix)

OUTSTANDING ANIMATED SERIES

Baymax Returns (Disney XD)

Bob's Burgers (FOX)

Rick and Morty (Adult Swim)

The Simpsons (FOX)

South Park (Comedy Central)

OUTSTANDING CHILDREN’S PROGRAM

Alexa & Katie (Netflix)

Fuller House (Netflix)

The Magical Wand Chase: A Sesame Street Special (HBO)

A Series of Unfortunate Events (Netflix)

Star Wars Rebels (Disney XD)

OUTSTANDING DIRECTING IN A DRAMA SERIES

Jason Bateman (Ozark)

Stephen Daldry (The Crown)

The Duffer Brothers (Stranger Things)

Jeremy Podeswa (Game Of Thrones)

Daniel Sackheim (Ozark)

Kari Skogland (The Handmaid's Tale)

Alan Taylor (Game Of Thrones)

OUTSTANDING DIRECTING IN A COMEDY SERIES

Donald Glover (Atlanta)

Bill Hader (Barry)

Mike Judge (Silicon Valley)

Hiro Murai (Atlanta)

Jesse Peretz (GLOW)

Amy Sherman-Palladino (The Marvelous Mrs. Maisel)

OUTSTANDING DIRECTING IN A VARIETY SERIES

Andre Allen (Full Frontal With Samantha Bee)

Carrie Brownstein (Portlandia)

Jim Hoskinson (The Late Show With Stephen Colbert)

Don Roy King (Saturday Night Live)

Tim Mancinelli (The Late Late Show With James Corden)

Paul Pennolino (Last Week Tonight With John Oliver)

OUTSTANDING DIRECTING IN A LIMITED SERIES OR MOVIE

Scott Frank (Godless)

David Leveaux and Alex Rudzinski (Jesus Christ Superstar Live In Concert)

Barry Levinson (Paterno)

Edward Berger (Patrick Melrose)

Ryan Murphy (The Assassination Of Gianni Versace: American Crime Story)

Craig Zisk (The Looming Tower)

David Lynch (Twin Peaks)

OUTSTANDING WRITING IN A DRAMA SERIES

David Benioff and D.B. Weiss (Game Of Thrones)

The Duffer Brothers (Stranger Things)

Bruce Miller (The Handmaid's Tale)

Peter Morgan (The Crown)

Joe Fields and Joe Weisberg (The Americans)

Phoebe Waller-Bridge (Killing Eve)

OUTSTANDING WRITING IN A COMEDY SERIES

Alec Berg (Silicon Valley)

Alec Berg and Bill Hader (Barry)

Donald Glover (Atlanta)

Sefani Robinson (Atlanta)

Liz Sarnoff (Barry)

Amy Sherman-Palladino (The Marvelous Mrs. Maisel)

OUTSTANDING WRITING IN A VARIETY SERIES

Full Frontal With Samantha Bee

Last Week Tonight With John Oliver

Late Night With Seth Meyers

Saturday Night Live

The Late Show With Stephen Colbert

OUTSTANDING WRITING IN A LIMITED SERIES OR MOVIE

Kevin McManus and Matthew McManus (American Vandal)

Scott Frank (Godless)

David Nicholls (Patrick Melrose)

Tob Rob Smith (The Assassination Of Gianni Versace: American Crime Story)

David Lynch and Mark Frost (Twin Peaks)

William Bridgers and Charlie Brooker (USS Callister (Black Mirror))

Read from the latest issue of Athleisure Mag.

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In Awards Season, Awards Season 2019 Tags Emmys, Awards Season, Awards Season 2019, Awards
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