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ATHLEISURE MAG™ | Athleisure Culture
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THE SUPER AGENT | LEIGH STEINBERG

November 19, 2025

We spoke with legendary sports agent, author and philanthropist, Leigh Steinberg. It was intriguing to hear how he became a sports agent before it was a core field and what research and strategy he puts into win-win dealmaking. Agents, managers/owners and entrepreneurs alike surely benefit from listening to and following his tried and true methods. He is all about making relationship bonds and helping athletes on and off the field. We discuss some of his major sports deals; working with top sports players and teams; as well as landing endorsements that align with player values. His new book, The Comeback: Resilience, Empathy and What Matters, comes out this Super Bowl, and includes his story of alcohol addiction and rebounding to be over a decade of continuous sobriety, as well as continuing to help athletes on the field; their health; as well as being a role model and supporting their respective communities, nurturing young sports talent, and during local tragedies.

ATHLEISURE MAG: So what led you to become a sports agent?

LEIGH STEINBERG: Well there really wasn’t a field of organized sports agentry when I began.I was a dorm counselor in an undergrad dorm working my way through law school and they moved the freshman football team into the dorm, and one of the students was the quarterback, Steve Bartowski, and in 1975 he became the very first player picked overall in the draft, the first player in the first round, and he asked me to represent him. I was out of law school a year choosing between different offers, and all of a sudden here I had the first pick in the NFL Draft and we ended up with the largest rookie contract in NFL history.

So that got it started, but my dad had two core values. One was treasure relationships, especially family and the other was make a meaningful difference in the world. In that very first experience, I saw that athletes were venerated in idol worships and that if I used their experience to try to trigger positives in the world that we could send them back to the high school community, and they could set up scholarship funds, or work with Boys and Girls Club, or a Church at the Collegiate level, they could endow scholarship or retrofit equipment and bond with the alums, and at the pro level that we could set up a charitable foundation that would attack some problem that bothered them in the world and use the leading business figures political figures and community leaders to assist in executing the program.

So that’s work done and running back who just put the 220th single mother and her family into the first home they’ll ever own, or Patrick Mahomes II his 15 and the Mahomies it helps at-risk kids, kids in hospitals, kids without enough to eat, and so that’s how I began, and that’s been the spirit of our firm.

AM: So how is it that you built the relationships with the team owners, the managers, and the GMs to get to some of those biggest deals ever?

LS: I think the whole key in life is listening skills. It’s being able to draw out another human being cut below the surface; understand their deepest anxieties and fears and greatest hopes and dreams; and see the world the way the other person sees it.

Now put your heart and mind into the heart and mind of a general manager, of an owner, of a potential client, and really people don’t tend to share their deepest emotional feelings very easily - so you have to create an atmosphere of trust around another human being so they’ll peel back the layers of the onion and show you who they are, and then you can craft win-win scenarios.

AM: That’s great. So what is it about win-win negotiating that has such big results? We’d love to hear more about your formula.

LS: So it’s first of all, doing an internal inventory so you understand how important is short-term economic gain and how important is long-term economic security. What about family or geographical location, or profile or autonomy and for an athlete? How important is being on a winning team, the quality of coaching, the system that they run the facilities.. and it’s to have an understanding if you’re representing a client of really what is critical to them in this transaction. It’s understanding what’s critical to a management type in the same situation. So it’s doing research ahead of time, it’s understanding the business, the profitability, the revenue streams and in contemporary sports salary caps, and understanding how they work and how to work around them. So it’s really a commitment to a win-win scenario where both parties walk away happy, and it takes creativity so there are times where you need to think outside the square and be more creative in how to problem solve.

AM: There’s so many lessons that you could give us just in an entrepreneurship in general, so what were some of the tools you used or even a war story about when you saw an owner a manager and or GM on the other side, but they weren’t really meshing where they agreed on what to do?

LS: So that’s where it can be important to go to the ultimate decision maker, and hopefully if I can negotiate with an owner.. can I create a concept of whose reality will govern in the situation. So one of the things I do is to create exhibits that show exactly how valuable a player is in a series of statistical categories or honors and that just how that relates to the market, so if we’ve done that correctly it should be a blueprint for a logical conclusion. So instead of saying I want the money or the most money, or whatever you’re trying - motivate the other side through logic, statistics and give them a framework to view compensation through.

AM: What has been part of your recipe for building strong relationships and bonds on and off the field?

LS: Part of it is not embarrass people publicly. That it’s understanding that there are, especially in sports having public exposure, putting the team in an awkward position creating a conflict publicly doesn’t near to the benefit of a client. In other words, you should try to do these things seamlessly behind the scenes quietly so that the first time anyone even knows negotiations are happening is when you have a happy player sitting signing his contract. So it’s being careful to safeguard relationships. if you’re in a situation where someone from the other side has his neck exposed and you’re tempted to step on it, the only thing I can tell you for sure is your neck will be exposed at some point in the future, and I think it’s critical to honor those relationships.

We live in primarily an oral world, so your word is your bond. So I think it’s really important to be trustworthy and to not try to build your own stature through diminishing others.

AM: Very true. So I know you’ve been asked a lot about Jerry Maguire in the past. It really hit me hard when I got to see it, so I wanted your impression by being an advisor, by being the inspiration and also the memo and the infamous tagline - I’d love to hear your thoughts about it.

LS: Well for the memo as you know, our concept is role modeling making a difference in the world. So it’s a boxer Lennox Lewis cutting a public service announcement that says real men don’t hit women and that could trigger behavioral attitude in rebellious adolescents more than a thousand authority figures ever could. So Cameron Crowe (Almost Famous, Vanilla Sky, Fast Times at Ridgemont High) called me up, the writer/director in ‘93 and asked if he could follow me around for a film that would be based on a sports agent. So he went to the NFL draft with me in New York. He went to league meetings in Palm Desert. He went to Super Bowl. He came to a series of games with me and went to pro scouting day at USC. He was like a fly on the wall and I told him stories.. lots and lots of stories and what part of those stories went into it, I’ll leave to Cameron, but then I was technical advisor so I had to vet the script to make sure [there was] the willing suspension of disbelief that holds you in the picture, and that the dialogue seems real, that the look is authentic and didn’t get tampered with, and then I worked with the actors.

I took Cuba Gooding, Jr. (Men of Honor, Boyz N The Hood, Selma), who played the wide receiver down to Phoenix for the Super Bowl and made him pretend he was a wide receiver client of mine all week and he hung out with Desmond Howard and Amani Toomer. I actually had to show the quarterback in the film played by Jerry O’Connell (Stand By Me, Las Vegas, Scream 2) how to throw a spiral because he had gone to NYU and they didn’t have a football program. So anyway it’s been 27 years and still every time I go to an airport or go out to dinner someone runs up to the table and either asks me to say those four words or says them to me that start with ‘Show Me The..’

AM: And is it taken well by you for the most part?

LS: Sure I think that I believe the film humanized sports agents and showed some of the true caring that goes into the relationships and you know it was the highest grossing sports film of all time until The Blind Side came along.

AM: Hmm, well we love that movie and thank you for being part of it and being an inspiration. It’s also inspiration for business people on passion, ethics, discipline and holding on; it’s an inspiration for people in romance - I mean the movie does go beyond sports too.

LS: So it’s really cool one of the reasons it was popular was the relationship, yeah romantic relationship. I have a new book coming out at the Super Bowl and it’s about resilience. It’s called The Comeback and it comes from the realization that life will frustrate us all at some level, hopefully minor and not catastrophic, but in many cases because of divorce and relationship problems and financial problems and substance abuse, people hit a situation where they lost their way and and they seem to be destructive. So the question is not whether that’ll happen in some form, it happens to us all. It’s how do you come back from that? How do you find resilience seeing the light at the end of the tunnel? So, it’s stories of resilience, including my own story.

AM: That’s really cool, looking forward to reading it. A lot of people need comebacks and you know as you’re speaking I think there is also a big epidemic right now of people functioning in their jobs or tasks or relationships but silently maybe not liking it or fitting where where they’re they might be just accomplishing the status quo but they need that pivot or growth that we kind of all need a comeback.

LS: Right, so sometimes not the most devastating moments, but it could be assessing yourself every now and again and making sure that you’re on the right path that’s where that internal assessment tool where you know short-term economics, long-term economic, profile making a difference in the world autonomy - you know vacation, whatever it is it’s having the most pristine clarity as what really will bring fulfillment to a person.

You know it’s fair to say, I battled with alcohol and crashed back in 2010, and so you know people are out there still suffering. The first key is breaking denial. OK, alcohol and addiction is a disease that tells you that you don’t have a disease, so it’s having some clarity about the fact that you’ve hit bottom. You don’t want to live this way for the rest of your life and you’ll take action. My action was a 12-step program, with a unique fellowship and the point is there is light at the end of the tunnel. I mean I just turned 15 and a half years continuously sober, so the point is for people out there despairing, who are confused and despondent - reach out! There’s help available and you can turn your life back into the fulfilling journey that you hope for that’s great.

AM: Let’s discuss the groundbreaking Mahomes deal, so how is it going through all that when you land that deal in 2020 with the Chiefs? What were you feeling when you closed the deal? What did it take to get there? How did Patrick feel and I guess you guys were on top of the world then!!

LS: Again, I think it’s understanding every client and to Patrick what was important was winning and wanted to go to the super bowl. In other words, it wasn’t enough to be the highest paid player on a team that was losing or under, so it’s part of what’s different about representing athletes, is that you’re not representing a corporation or a pig iron manufacturer or some commercial, and they’re a human being, so that you start to grow and care for the person you become bonded with. So being able to guarantee lifetime security felt really good.

AM: You have been a such a pioneer involved with endorsement deals. You know it’s great, that in the endorsement deals that you advocate and close for like-minded values between the players and hopefully the brand at the time and continuing. How is it finding those relationships between athlete and brand and showing athletes that they don’t just have to do things for money, that they could do things with money and values attached.

LS: Well one of the things I’ve tried to be careful of is advising clients not to do all that many endorsements [until] they’ve established a sports career. So to sort of take it easy so Mahomes didn’t do endorsements his first year, he wasn’t a starter and the second he was at the end of that year it was fine, but you want to prove to the fans of the city, to the ownership, to the other players that you’re serious about football or baseball or basketball, and you’re committed. Also hopefully set up a charitable foundation that shows you’re serious about being involved in that community, so a lot is about values, it’s about understanding that high profile is a role model and that your associations with products and and companies in the world ought to do what you suggested, which is to share the same values about what’s important. If you believe in helping people, then there’s a component there and each of the deals can actually have a structure where they go back to help the charity.

AM: Then sometimes you’re involved with helping athletes give back just to a disaster and being involved with the situation. How do you help facilitate those positive impact scenarios?

LS: I remember Ben Roethlisberger donated when they had the big tidal waves in Thailand. He donated a game check to relief, so it’s having an awareness of the time and place. One of the things we’ve been able to do at our Super Bowl party which I hold every year, is to address problems. So for example, back in Miami around 2008 or 2009, we shipped the water machine to Haiti. They had just had an earthquake and cholera problems with impure drinking water, we were able to ship a water machine that purified the water for 140,000 people. So it’s when we had troops in the field, we did a live hookup with troops between the Super Bowl party and Afghanistan and Iraq, so it’s having an awareness of what’s going on societally.

Years ago I created something called the Sporting Green Alliance and it took sustainable technology and wind, solar, recycling, resurfacing and water to state the arena and practice fields to drop carbon emissions and energy costs and it transformed them into teaching platforms. So the millions of fans that go could see a waterless urinal or solar panel and think about how to integrate those concepts into their homes and businesses.

AM: Then there’s also the Leigh Steinberg Foundation, so that’s where you’re helping educate about head trauma and CTE.

LS: I had a crisis conference back in the 1980s because I’m representing half the starting quarterbacks and they keep getting hit in the head and we would go to doctors and ask how many is too many? What’s the number that should contemplate retirement and they had no answers. So we started holding brain health summits back in 1994, and the first one here in Newport Beach had Troy Aikman, Steve Young, Warren Moon, and Drew Bledsoe, all came and listened to neurologists. By the time we got to about 2006, doctors like Bennett Amalu told us that three or more seemed to be the magic number, and after that you had an exponentially higher chance of Alzheimer’s, Parkinson’s, premature senility, chronic traumatic encephalopathy, and depression. So I call this a ticking time bomb. We’ve continued to have those brain health summits. We did two hours in New Orleans at our Super Bowl party, and I thought why not establish a foundation to raise money for research into brain health. There are two new modalities, one’s called RTMS and the other is neurofeedback. They can actually through neuroplasticity rehire a concuss rewire a concussed brain, so we’re making some progress and I have a series of neurologists on the board of the foundation and some iconic athletes.

AM: You’ve done so much, including golf tournaments and youth support for talented youth to get sponsorships. What is it that drives you to do so much good in the world beyond being an agent?

LS: So my my dad used to say if you see a problem in the world as tiny as picking up a piece of trash or as big as racism or climate change, and your tendency is to wait for they or them to solve the problems, older people, political figures, you know someone else, he would say, you could wait forever son, ‘the they is you,’ ‘you are the they.’ So it’s just a sense of responsibility, that’s part of why I’m in this world, is to heal pain to help people who can’t help themselves, to try, and be as active as I can in bringing hope and healing into the world.

AM: What is one lesser known story in either closing a deal, or in working with a top client - our community would certainly love it.

LS: So Ben Roethlisberger, Super Bowl winning quarterback of the Pittsburgh Steelers, was very superstitious, and so he had a routine he did before every game. So it came time to see the AFC championship, which was Pittsburgh versus Denver in Denver, and usually players will reserve tickets for you as an agent and everything. So I called Ben before that game about tickets and there was silence on the other end of the line, and I said is there a problem? He said, ‘yeah well, last year you came in Pittsburgh to the AFC championship game, and we lost.’ I said, well Ben there were 70,000 other people there too. He says, ‘I don’t know,’ but I said you mean I can’t come to the game? He said, well you could go to willcall, but you’ll be waiting for hours. So at any rate, they played, they won. So go back to the Super Bowl, which was played in Detroit, and I’m on the bus on the way back with him, and I said, ‘Ben guess what? You just won the Super Bowl, and I’m here, so I guess I get to go to more Super Bowls?” And he says, “Yes, but never an AFC championship game.”

IG @leighsteinberg

PHOTOGRAPHY COURTESY | Leigh Steinberg

Read the OCT ISSUE #118 of Athleisure Mag and see THE SUPER AGENT | Leigh Steinberg in mag.

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FIGHT FOR WHAT YOU LOVE | JACK HUSTON + MICHAEL C. PITT

January 25, 2025

Last month Day of the Fight was released into theaters. It tells the story of Irish Mike as he prepares for his fight at Madison Square Garden. As we lead up to this big event, we also get to see the people, places, and things that make up his life. With an incredible cast that includes Michael C Pitt (Boardwalk Empire, Asphalt City, Reptile), Ron Perlman (Hellboy franchise, Sons of Anarchy, StartUp), Joe Pesci (Goodfellas, Casino, The Irishman), and Steve Buscemi (The Sopranos, Fargo, Boardwalk Empire) to name a few - we're drawn into his world as well as the decisions that he makes.

We had the pleasure to sit down with Jack Huston (Boardwalk Empire, Expats, House of Gucci), writer, producer and making his directorial debut along with lead actor, Michael to talk about this film, how it came to be, moments that they enjoyed, the takeaway that they want others to have from it, and the power of cinema.

ATHLEISURE MAG: We watched this movie last night and we’re boxing fans. So we were already excited to see the movie. It was even better that it was not the traditional and formulaic boxing film that we are used to seeing! Before we delve into the movie, Jack you wrote, directed, and produced it. What led you to creating this film? Michael, what made you want to be part of this film?

JACK HUSTON: I had the great opportunity to work with Michael many years ago on Boardwalk Empire.

AM: Which was an amazing series!

JH: Thank you! I always had memories of Michael punching sandbags and going off to the boxing gym. So maybe, I had him there in my head. But I also had the memories of just how much I loved working with Michael just him being such a beautiful actor and he has always elevated any season that he was in. Somebody who just conveys so much through his eyes. He has this amazing sense of sensitivity and vulnerability with a hard exterior you know and he could play every part. When I sort of conceived the film, I could not imagine anybody else in the role. It’s amazing where you have these moments where you are literally right there with someone else’s voice in your head. So, I wrote and came up with the idea for the film with Michael in the role and I went to him and said, you’ve got to do this role! He asked me, where’s the script and I was like, well I haven’t written it yet. So we worked and sort of developed it through the years. It was a great fight worth having to get Michael to play this part. I thank God everyday that I got the opportunity to do it with him.

AM: Wow, that’s great to hear. What drew you to the film Michael?

MICHAEL C. PITT: Permission to speak freely?

AM: Of course.

MCP: This film chose me. Jack chose me. My very good friend, my buddy, and my collaborator basically said that he wanted me to do this. He pulled me out of the gutter to play this film. We made it with a lot of love and a lot of heart. We made it to inspire the younger generation and so I hope we do.

AM: It was incredible. The casting was incredible obviously in addition to Michael, Joe Pesci, Steve Buscemi, Ron Perlman -

MCP: Well that’s all Jack! I have no idea how – I mean I used to call him The Prince! I have no idea in hell how he did it!

AM: That part!

MCP: Yeah, how he assembled those older men – they are not the easiest and they are set in their ways.

AM: Haha you are basically asking what we’re trying to say so I thank you for navigating that one! How'd you do that?

MCP: To get them in the room. That was all Jack. All Jack. Thank God we were able to get those guys!

JH: You know, it’s funny. When you write it for certain people, I think that just like Michael said, the film was all heart and it was all love. The two elements or the two characters that were written specifically for the film were Mike and Joe. Joe was – you know, I heard his voice and that’s him singing in the movie. I was developing this character that had dementia and we needed an actor with such a history and almost where their reputation proceeded them the way that they find them in the film, they have to have such a body of work because they are suffering from dementia. Then I heard him sing and I thought, what if he doesn’t speak, but you hear him sing? That’s what brings back the memories because when my grandma when she was suffering from dementia, music would bring her back in the room. She gained that lucidity through that – through music and that’s what sort of happened.

But, getting Joe was landing the white whale because the film wouldn’t have happened. He pretty much secured our financing! I think it was kind of like, “ha ha if you get Joe Pesci, we’ll secure your financing for the movie.” Then we went ahead and got Joe Pesci. Then they were like oh shit, we have to finance the movie. But it was a big gamble and I think again it came down to the collective love of what we were trying to make and a bit of a throwback to the movies that aren’t made like this anymore. It is an homage to that type of picture. It’s all about feeling, all about character, all about the sort of real human struggle and the human condition. The kinds of films like Mike was saying that made us fall in love with cinema and hopefully, it will inspire other people to fall in love with cinema all over again.

AM: What did you draw from, Mike in terms of your character and how did you approach playing him?

MCP: Oh, that’s such a difficult question because it was set up – Jack set it up for me to experience this role. So it was a bit like, “ok, I set everything up, you’re trained, and now ding, ding, ding – go out there and do everything and get out into the ring and make me proud.” Basically, that’s how it was set up for me and it’s hard for me to watch, but I do notice that it does make people feel. I do think that that is a very important thing that Jack touches on. It’s really smart to be streetwise, it’s very good to keep your poker face up and to keep your guard on. But you need to feel things. We need to feel things or we’re not human. I hope that people have the courage to feel when they are watching the film.

AM: There were so many themes that we enjoyed when watching the film: redemption, resilience, fortitude, and even being able to establish things in the future that you know will not be yours to enjoy; however, you have created the fingerprint for that to happen. Of course, the whole past, present, future of everything that is going on in the film is just really great. What stuck out for you as moments in the film that you really enjoyed?

JH: God, there’s so much! You know what? It’s wonderful when you’re able to step back and say, this role is yours. Run, enjoy, feel it, and experience it. Witnessing the actors coming together and what was made, the writing was elevated to such an extent, but that is exactly again, going to the beauty of relationships. I have to say that I think that what Michael and a lot of our actors did is that they gave very honest performances. There’s a lot of truth in them and I think that everyone is always talking about forgetting to go to the movies. I always say that I like to remember things and I like to feel that scene in my heart and gut and I want to wake up thinking about that.

Certain images – I like when everything comes together and that’s usually as a common goal. There are a lot of surprising scenes that on the page read one way, but my God it’s gorgeous to witness 2 lovely actors take it and run with it. You know, it was magic. I spent a lot of time crying when I was looking at the monitors. It was huge moments of gratitude for me.

AM: Michael, was there anything that stuck out with you?

MCP: In the filming? Every single day! Every single day, every single moment. It’s a beautiful memory for me. Listening to Jack talk, you know, I don’t know why I started thinking about when I was a little boy and my mother has 4 kids tugging on her and we’re trying to make ends meet and she would buy $1 movies at Blockbuster. Blockbuster was going out of business and she would buy $1 movies, and I would just sit in front of all of these movies and I never saw a bad movie, I never saw a movie that I didn’t like.

JH: Yeah, right!

MCP: These films changed people. A film that makes you feel is a film that you see and it changes people. Those were films that changed my whole direction of life!

Every moment of every single day of every single second that I was filming, it was incredible! So people should go see it!

AM: In thinking about the concept of deadlines with the movie literally being the Day of the Fight, you know that you’re seeing everything that is happening or lead up to the day of the fight, but you also understand that there is this health condition that is going on so if he does box, this could be another timeline that takes place. What was the thought behind running these multiple timelines as well as the past, present, future, aspect as well?

MCP: Jack, you mentioned this wonderful quote by Hitchcock (Psycho, Rear Window, The Birds) and I think it’s so great that you need to say it.

JH: Yeah, Hitchcock did an early - well before I say that, in this film initially, you didn’t find out about his medical condition in this script until the fight and when he gets knocked down. Then you put things together and realize why this day has been like this.

It’s funny because when I was in the edit, I used an old Hitchcock quote which is, “2 people sitting at a table having a conversation and that’s one thing. You put a bomb under the table, the conversation becomes very different.”

MCP: So his condition is the bomb.

AM: Right.

JH: His condition is the bomb, but the audience –

MCP: Which is brilliant.

JH: It’s good for the audience to know that because every single one of those scenes where you know it’s a ticking bomb makes that scene all the more weighty because it’s possibly the last time that he is seeing any of these people. So you’re on this journey that only Irish Mike knows about!

MCP: From a writing standpoint, it’s a really brilliant thing for people to hear.

JH: Yeah.

MCP: It sets and puts the tension in every scene.

JH: Every scene!

MCP: It puts the motivation in every scene, every character, and so his condition is the bomb under the table during the conversation.

JH: And you know that, so it’s even better when you’re watching it for the second time. Even though you know it when you're watching it for the first time, it works great for the second time as it is really set in. A lot of people have come to multiple screenings and they have told me that they are so happy that they got to see it again. They gained so much more from the second viewing. I love films that you can watch over and over again! I think that this is a film that you can watch a bunch of times.

AM: Our thoughts exactly as we want to watch it again. Even when watching it last night in preparation for today’s discussion, it was incredible. We love a film that is in black and white. There was nothing to not love about this film. In an additional viewing, it will be great to see more of the little things that maybe weren’t seen the first time! Just from top to bottom, it was a great watch! Then to be able to see it and talk with both of you about this has been really amazing!

MCP: Ditto! Ditto! It’s really nice to talk to you as well.

AM: So great chatting with you and I hope that it gets all of the awards it deserves because it’s so great!

JH: You’re so sweet! Please go yell that at the rafters as we need people to come and support this movie!

AM: 100%

JH: We love you for it!

IG @dayofthefight

@thejackhuston

@michaelcarmenpitt

PHOTOGRAPHY CREDITS | Front/Back Cover, PG 16 - 27 + 30 - 43 Day of the Fight/Jeong Park | PG 28 Day of the Fight/Peter Simsonite |

Read the DEC ISSUE #108 of Athleisure Mag and see FIGHT FOR WHAT YOU LOVE | Jack Huston + Michael C. Pitt in mag.

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FOOTBALL + FILM | TAYE DIGGS

November 26, 2024

After coming off of a full summer which is filled with food, events, and friends, the Fall continues our ability to enjoy staying outside and thankfully with Football season, it gives us a lot of reasons to enjoy games in the stadium, tailgating outside of it, and even having events in our homes. We caught up with actor Taye Diggs (How Stella Got Her Groove Back, The Best Man franchise, All-American) to talk about what he loves about football season, how he enjoys taking in this season's games, his partnership with Lysol and upcoming projects that we'll want to keep an eye out for!

ATHLEISURE MAG: When did you realize that you wanted to be an actor?

TAYE DIGGS: When I saw my mother on stage, she went from being my mother into this other person that I didn't know in front of all these people watching her. I was so taken aback and impressed, scared, curious. That was all it took.

AM: We're in the midst of football season - from watching game day with friends whether that’s at the game or elsewhere, tailgating, and just having good vibes. What do you love about football season?

TD: I like going over to a pal's house and watching the game and eating various sundry snacks. I like it a lot better now because I don't have to worry about germs as much because I use Lysol® Air Sanitizer. I used to be one of those people that would just glare at people that used to cough - people don't like to be around that. So I don't have to worry as much and I can enjoy the game and the company without worrying about getting sick. I don't like getting colds and it's that simple.

AM: What are your go-to watch party must-haves when you're watching the game and who are you cheering for?

TD: No specific team, I’m with my son and we like players. That's what the young people are into these days, I don't know that I agree with it, but it's not worth the argument with my son. So when we watch the players, I make sure that the fridge is stocked and that nobody gets too out of hand. I don't like when fights break out. So people know not to bring that mess into my house.

Lysol Air Sanitizer is another must-have for me during watch parties. It actually sanitizes the air - so I use it before people come over to get my space ready and after they leave to sanitize after all that cheering!

AM: You partnered with Lysol Air Sanitizer - why did you want to work with them and how important is it to have whether at a watch party or the stadium?

TD: Football season is one of my favorite times of year, especially hosting game-day watch parties at-home. But I learned through my partnership with Lysol that cheering for your team can result in viruses and bacteria expelled in the air – shouting can produce up to 100,000 droplets per minute (Source)! That’s why Lysol Air Sanitizer is my game day must-have. It kills 99.9% of airborne viruses and bacteria† to eliminate odors in the air*, so you can protect your home while cheering on your favorite team all season long!

AM: In All American, you played coach Billy Baker, a high school football coach. What did you love about playing this role and how did you look at football after doing this?

TD: I thought I knew a little bit about football before that role and realized that I knew nothing about football. I gained a ridiculous amount of respect for professional athletes because we were exposed to so many and the intelligence that these athletes have that people assume they don't. Which is really, really cool. Getting to understand something that you thought you knew. Being able to yell at all these young people, that's a situation where pretending was really, really fun because that is so far from who I am as a person. Which is one of the reasons why I took the role and it was so much fun because in this career, a lot of times you play characters that are kind of close to you and this one wasn't, and I really had a great time.

AM: You're always working on a number of amazing projects. The first film I remember seeing you in was How Stella Got Her Groove Back and I know that you are working on another project from Terry McMillan, Forever on Lifetime. What do you love about her work? Tell me about Forever.

TD: They're great stories and that's where all of this begins. If you don't have this story, for me, you don't have anything. That's where my interest begins. I've had experiences with her, so it was a no brainer. What was interesting about this film was I got to kind of chronicle how far I've come from How Stella Got Her Groove Back and that was kind of cool. I'm a different actor, the way I approach a role, all of that was different, and I noticed it. So that was cool.

AM: Do you have any other upcoming projects that you would like to share that we should keep an eye out for?

TD: I'm a judge on this new show coming out called Second Chance Stage where it gives performers that had a dream and put their dream by the wayside another chance to pursue this dream. It's very eye opening, it's very emotional. These folks are terribly talented and we were put in the positions to give them more opportunities and it was kind of life altering.

IG @tayediggsinsta

PHOTOGRAPHY CREDITS | PG 32 Joey Andrew | PG 34 Second Chance Stage/Magnolia Network | PG 36 - 38/Taye Diggs Social

Read the OCT ISSUE #106 of Athleisure Mag and see FOOTBALL + FILM | Taye Diggs in mag.

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In AM, Celebrity, Oct 2024, TV Show, Sports, Wellness, Wellness Editor Picks Tags Celebrity, TV Show, Taye Diggs, Football, Film, How Stella Got Her Groove Back, Wellness, All-American, The Best Man, Lysol, Terry McMillan, Forever on Lifetime, Lifetime, Second Chance Stage
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IT STARTS WITH THE CHARACTER | ALLYSON FANGER

June 26, 2024

When you're watching a series or a film, there are a number of elements that draw you in and provide additional context beyond the dialogue that is being spoken on the screen. Costume design is one that we're always watching as it adds that element of visual texture.

We sat down with Costume Designer Allyson Fanger who has brought her creative approach to a number of series and films including Wild Things, 10 Things I Hate About You, 80 For Brady, Grace & Frankie, Shrinking, Apples Never Fall, and Mack & Rita to name a few. We wanted to know more about how she chose this field, how she got into the industry, iconic looks that really delve into and drive the story forward, and how she approaches these projects.

ATHLEISURE MAG: I have been such a fan of your work and it’s such an honor to be able to talk with you!

ALLYSON FANGER: Oh, thank you so much!

AM: I have been a fan of your work since Wild Things and 10 Things That I Hate About You! I remember being in college and watching 10 Things That I Hate About You and just watching the images and how the characters were dressed and it really stuck with me! It was seared into my mind so personally, I have been a fan for awhile.

AF: I love it! It’s having a moment!

AM: Right?

AF: It’s so great!

AM: It’s really a testament to your approach to your work. As you’ve said, it’s still super relevant!

I’m a fellow Midwesterner myself and I live in NY now. I’m always intrigued by how those of us who come from that area of the country and then we end up leaving to go to the East or the West Coast. I find it interesting. How did you get your start in this industry?

AF: Well, I mean, that’s a big question. I got a degree in Anthropology actually and I started getting into photography and visual media towards the end of college. I have always been a very live in the moment type of person in general. In school, I didn’t know what I wanted to do and didn’t know that this was a career path that was possible to me. As you know, I lived and grew up in Minneapolis and went to college, then I came back after college, and I traveled a ton! I went to South East Asia, I went to India, Singapore, Nepal, Thailand, Malaysia – you know I, did that whole South East Asia thing. That really was very formative I think in my interest in culture and society and people! The difference in people in different areas and cultures, socioeconomically, geographically, how they grew up in a certain area and how things defined them from a costume perspective – from a look perspective, I was really attuned to the different colors, especially in India! Like the beautiful pigmented colors that have to do with not only skin tone of the people in the area, but also the light. The way the light hits and what looks well and the way that they use pigmented dyes and plants to make their colors.

All of those things were not lost on me and it was hugely formative to me on all of my work today. That is why I am able to find the various details and nuances in character and all of the elements that feed in to making a person, an individual full and defined and different and unique in their own way. Every single person is.

When I was doing Anthropology and Social Anthropology, the study of people – so that kind of tied into that and I came back to Minneapolis, and I wondered what I was going to do. I started hanging out with a lot of artists in Minneapolis just because those were my people. I had this very good friend at the time whose name was Gus. He was a big commercial photographer in Minneapolis. I was talking with him and I was starting to have a crisis on what I was going to do with my life. I went to live in London for a year and then I came back and I asked him what would I do with my life as I was 26 and he said, “honey, you should be a stylist.” He said it right away and I asked him what it was as I didn’t know anything about it. He told me to come work with him as he was a big commercial photographer and that I should work with his stylist Molly. I worked with her for 1 day and I got it. I knew that that was what I should be doing. So I started working on commercials in Minneapolis and I was making good money doing that, but then I got much more interested in doing character. I was like, commercials are fun, but at that time, especially with where commercials were – they wanted their people in Gap khakis and that was the mode of that very average look. It was like a great place to be in to learn the nuts and bolts, but I was really interested in character and at the time, I was very fortunate to also see that there were a lot of films that were coming to Minneapolis so I just hustled and got myself hired as a PA on a couple of features there and then I met Sharen Davis (Westworld, The Help, Fences) who is a Costume Designer and she is like my mentor. I don’t know if you know her.

AM: Oh yes!

AF: She did Dreamgirls and Watchman series, she is one of my dearest, dearest friends and I love her so much! She was like, “oh, you have to move to LA,” and she hired me on projects and she got me in the union and she kind of put me on my way and so here I am!

AM: That’s amazing!

AF: I mean, I did take 7 years off because I did have 3 children.

AM: Your body of work is amazing! Before we start delving into that. I want our readers to understand the difference between a Costume Designer and a Stylist?

AF: Oh that’s such an interesting question because there really is quite a difference! I mean, a Costume Designer and it’s funny because it comes up all the time, because my actors will always ask if I will style them for an event. I’m always like, “I definitely could,” but costume design is really about character development and informing character through look choices right and storytelling and that is what I love about it so much. It’s about intention, propelling the story forward, giving the viewers a kind of intimate relationship visually with characters and helping them to relate to the people that are on screen and that is what I love so much about what I do. It’s about finding pieces and I always try to have very personal pieces on people that hopefully get recognized by viewers. When I am doing a TV series especially, you watch these characters evolve and that’s part of it too. You put in elements of character evolution and how they journey through the story and as it changes. Sometimes, you don’t even know how it is changing. Then it’s changing and then we adjust and that’s how you make your choices in the morning. I like to say that people say to me, “I know who that character was before they even opened their mouth.” When they say that, I know that I am doing my job well. I think that that is true of all people. You get a lot of information just by what they are wearing and it’s one of those things that people don’t register consciously until it’s not there - you know what I mean? It’s interesting. You know when people have pictures coming up on their phones?

AM: Yes.

AF: One of our producers, he changed his picture and put up one where he was dressed up from an event for an Awards show. I was like, “oh Mike, I love that you changed your photo!” He was like, “yeah, you know what? Someone else had their photo and it presented so nice and I feel that I should have one too.” I said, “See how important it is in what you wear and you wear and how much the impact is when someone that you don’t even know?” It’s so huge! I mean, the people who even work in the business don’t recognize that that is happening.

Styling is about more of the look and stylists developing relationships with PR companies more and working with showrooms and there are loans. So that is why when I say to my actors that although it’s flattering and I would love to do everything, I say, "you know, working with someone where that is their world – it’s a different world.” And I do do it sometimes, but it’s it’s own niche world and it’s about look, fashion, impact, red carpet moment you know and it’s a whole other arena. Do you know what I mean?

AM: I am a stylist and I agree that Costume Design and Styling although there are similarities that do occupy very distinctive space. You could do both but they have very different elements to them. I may be thinking of a set that I am styling or a project and putting a story behind it but they are still very specific moments in time as opposed to having an arc that is not only spanning various episodes and seasons, but also integrating with a cast of characters that speaks back to one another.

When I watched Apples Never Fall, within the first few minutes of the show I knew that it was you who did the costume design. There are tones and elements of your work especially when I look at each character and how they are set against others in the cast that I can see it’s an Allyson Fanger fingerprint. Like you said, before the character opens their mouth, I have a great sense of who they are, who they’re aligned with, and in many cases how they are different from those that they are meant to be in the same group with.

AF: Thank you so much!

AM: All of those nuances that are taking place for a series or a movie Is not all the levers that I am navigating when I am doing a shoot of x amount of looks that may span 14 shots. There might be elements of it but not anywhere along the same scale and it’s still within the parameters of 1-3 people and just for that shoot.

AF: It’s different and it is its own art. Stylists who do it well, they blow me away. They know how to get those cameras snapping.

AM: Where do you start once you get attached to a project? For me, I’m looking at dealing directly with the brand, PR, showrooms, etc. I have a moodboard or project board where I’m thinking of the tone of the shoot how it ties into my celeb, the set, and vibe.

For you, what is your treasure trove of things that you are pulling from when you’re going on to a project.

AF: It always starts with the script and the words. It’s a well drawn character in the script. When I read a script in a project, I know that I get so excited when I know that the characters are so well developed and sometimes some of them are not and the writers know! I have put together boards for a meeting and I’ll let them know that I am not completely sure of this person and they’ll say, “yeah, I know. We didn’t give you any information.”

So the information is in if they have flushed out a character, if they know who that person is, then they are able to translate it into their words and into the story. That then gives me the information that I need. I look at geography which is huge to me. Where is this person from, where did they grow up vs where do they live now? What do they carry with them from that time from their formative years? We then know what their socioeconomic status is and I always work with the production set as I want to know what their house looks like, their car – all of those things are what I go off of. Then it’s what are they doing in the story and what’s their job or not? All of that goes in and then I have meetings and a lot of times as costume designers, they throw you a script and tell you that you’re going to have a meeting with boards which includes everyone – producers, directors and you sort of have to take your best shot at filling in the lines and see. But the thing is, as I have done at this point in my career, it’s either a match or it’s not. As you see it, and again, I am getting such good scripts now, that I feel like I am always able to sort of hone in on what it is an things that they haven’t thought about a lot of times too. They get excited and will say, “oh my God yes!”

Like in Apples Never Fall, one of the things that I did was – the relationship between Stan Delaney (Sam Neill) and Brooke Delaney (Essie Randles) was the strongest relationship in the script and she was the most of his ally. So, I helped to tell that story with help from clothing by her. Like his oxford shirt, she would wear the shirt sometimes over more tank top and athletic pant vibes. In my head, those were taken straight out of Stan’s closet. I love telling stories with families so much because I love family dynamics. I love finding the thread in the family, the thread was already there in Apples Never Fall and the thread was already tennis, but you know just relating the characters through and finding the differences and well defining them and then finding the sameness.

I love doing mother/daughter. In Grace & Frankie, I always imagined that Mallory (Brooklyn Decker) and Brianna (June Diane Raphael), although they were so different in how they presented, both could have pulled from Grace’s (Jane Fonda) closet for different things.

AM: My mind was blown the very first episode of Grace & Frankie. I mean it was a confluence of beauty from the writing, the cast, how the characters were dressed, the set, etc. What made you want to be part of this project? This series ran for 7 seasons unlike Apples Never Fall which was a limited series, so how do you create this world and balance between growth of the characters as well as continuity. It must be incredibly difficult.

AF: That was something that we talked about from the very beginning of Grace & Frankie – it was about their journey and how to make sure to tell that through costumes. One of the big ones for that was Grace, because Grace comes in at the beginning and she was so closed off emotionally, damaged, hurt, and protecting herself. Also, just her aesthetic in general was stoney and we used ceramic colors. So I said that we should have her colors be those of ceramics and pottery – grey, taupe, camel – it was about using those cold colors.

AM: There was a sterility about it although the pieces were beautiful. So you had these sterile moments with a bit of a prickly edge that would come out every now and then!

AF: Yes! The collars and she’s just very controlled as a person emotionally! Then you have Frankie (Lily Tomlin) which is such a fun person. What a blessing that show was for me. Frankie was this artist soul and I had her color as a Santa Fe sunset. She’s got her red, yellow, orange, green, color pattern, texture – all of her kooky moments. I didn’t want her to feel like – and we talked about this a lot – it wasn’t about having her as a caricature of a hippie lady or a Bohemian lady. She had to have a lot of depth and she’s an artist. So I really looked at the artists ladies in Norway and Sweden and it was about having the long layers, architectural and jewelry and I used crystals because obviously she was spiritual so I used those large crystals on her and if you noticed some of the necklaces were made out of rubber. So she wore a lot of those vibes also. She had a number of European brands that she wore so that is something that I did with her.

The things about their journey together is that we had Grace bring color into her life and that happened around the end of Season 1 and then we kind of kept it going and we never really changed her completely as a person, but we would bring more Frankie into her life as she embraced life more right? She experienced life more through Frankie. We had all of Grace’s shirts made. The first shirts, the color shirts - the first print that Grace had ever worn were these shirts that I got that were made from Carolina Herrera and we loved that shirt! It’s such a great shape and a classic look.

AM: Really loved that shirt!

AF: It was perfect for Grace and I was like, “they don’t really make print or color.” I reached out to them and I said, “do you have any print or color?” They said that they actually had some archival fabrics that they made the first 4 shirts for us for that show. Then that was it, there were 4. So I started sourcing fabric and making all of those shirts. So all of the shirts that Grace wore, they were custom and we made all of them as they kind of didn’t exist at the time! A lot of people are making them now though. So that’s the story of them!

AM: I love hearing about those shirts as I loved them! Is it different for you if you’re dong a series versus a film?

AF: Yeah, but well, not necessarily with character development, it depends on the arc, it depends on the story. Films are easier.

AM: Yeah it’s an endpoint!

AF: Yeah, you have 1 script! And you have it ahead of time. I’m an adrenaline girl and I love a challenge. I thrive well in chaos in this world. I don’t get rattled, I kind of get very last minute in TV because they are always writing those scripts! Right now I’m on Shrinking -

AM: Another great display of characters as I love the palettes.

AF: Thank you, we’re on Episode 10 and I don’t have the script for 11 and 12 yet and we start shooting that in probably about a week! So, it has it’s own challenges! Whereas a film has its own arc where it’s wild and busy and you have all of these things going on and then it’s done and it’s over. I do love doing film and I want to do more film going forward in my career and I am manifesting that for sure.

AM: What are 3 of your favorite looks that you have created whether it’s for a series or a film or 3 characters that you really loved working with?

AF: Ugh, I love them all! When I get this question, I mean they’re all my children so that is such a tough question for me. I really feel attached and love all of my characters so much! I mean, Frankie is probably the most near and dear to my heart. The character Frankie, I mean first, Lily Tomlin (9 to 5, The West Wing, 80 for Brady) one of the most amazing women and such an incredible person and so is Jane (Monster-in-Law, The Butler, The Newsroom)! I mean, the two of them probably – I have to say that it was the most seminal for me and really transformed me as an artist in this world and I got to spend 7 years with them and I got to really get to know them as members of my own family and they kind of were. I think that the thing with Grace & Frankie is that they resonated so strongly with people because they resonated with some part of everyone’s family or someone who they knew and loved! Everybody saw someone that they knew or loved within one of these women or both! I always say too that Grace & Frankie, they are characters, but we are all a little Grace and all a little Frankie. We have pieces of both of these women in us and our mothers and our sisters and our aunts right? So, I think that that’s why they were resonating so strongly with so many people.

AM: Even the other characters in the show, I have a friend group or family member that reminded me of them. Like many, I was sad when it was over. It got me a bit teary eyed. I know that things can’t go on for forever and sometimes when a show stays on too long, the thing that you loved about it stops taking place because maybe there isn’t enough story and then that isn’t great either. But it was such a comfort with the visuals, the cast, the writing, and it would be hard for even another show to replicate and achieve that tone and playful push pull hat took place throughout the series in the way that it did. It’s rare to have that type of an ensemble cast, with the breadth and depth of topics covered, and all the other elements.

AF: Well that’s Marta Kauffman (Dream On, Friends, Leave the World Behind) she’s amazing and I am very grateful!

AM: Do you have any upcoming projects that are coming up that you are able to share that we can keep an eye out for?

AF: Yeah! I’m doing Shrinking Season 2 right now. I’m thinking, did I do anything between Apples and Shrinking? No – we’ve had some strikes here in our industry.

AM: Of course.

AF: So there has been some stalls. I’m doing a pilot with Marta Kauffman of Grace & Frankie. We’re going to be starting that soon also. Right now, those are my babies and they’re keeping me quite busy!

IG @allysonfanger

We could have spoken with Allyson Fanger even more about how she delves into her character and like that her approach pulls in a number of factors so that the characters are easily positioned in our mind! For those who have yet to see Grace & Frankie, you can stream all episodes right now on Netflix.

Apples Never Fall can be streamed now in its entirety for this limited series on Peacock. As a bit of bonus information, Allyson sent us some notes on how she approached creating the costume direction for this show which focuses on a tennis family!

We enjoyed hearing how she looked at the relationship between Stan and Brooke to inform how would they look and to show their connection with one another. She sent us some other notes which focuses on the relationship between Stan and his son Troy (Jake Lacy), as his father always called him out for being flashy, but he wore a number of big brands too!

She shared that Troy is flashy, but in a way that reads more of a wealthy understated nature. This is more of an anti flashy aesthetic where the clothes are expensive, but there are no logos or there may be subtle ones. It's all about a IYKYK vibe. His clothes are meticulously fitted as well as being tailored.

In terms of his father Stan, he's not focused on whether a brand is expensive, but it's about brand names that are athletic. Tennis is not just what he excelled in or involves training others, it is who he is and is very much part of his identity. So it's natural that he is in an athletic aesthetic like tracksuits and branded pieces. Interestingly, in those moments that he is not dressing like this, he seems like he is out of place.

Interestingly enough, both of them have large personalities and egos and how they present and dress is important to them and as much as they butt heads throughout the series with one another, it's really because they are similar in their personalities.

When you're watching the series, brands such as Tory Burch, The Upside, Lucky in Love, Sporty & Rich, Ciao Lucia, Venroy, Ralph Lauren Polo, Alo, Lululemon, FILA, NIKE, Reebok, Helly Hansen, and Golden Age of Tennis were included.

While we watched this series, we were reminded of an array of tennis stars. Interestingly enough, we were not that far off as each character had an inspirational star!

Stan Delaney's costume direction was inspired by Jimmy Connors, Joy Delaney spired by Jimmy Connors, Joy Delaney (Annette Bening) was inspired by Martina Navratilova, Troy Delaney's costume direction came from Roger Federer, Amy Delaney's (Alison Brie) look was inspired by Maria Sharapova, Logan Delaney (Conor Merrigan Turner) is a mixture of Bjorn Borg/Andre Agassi, Brooke Delaney which we spoke on earlier in this article is inspired by Anna Kournikova, and Harry Haddad's (Giles Matthey) costume direction comes from Rafael Nadal.

PHOTOS COURTESY | Allyson Fanger

Read the MAY ISSUE #101 of Athleisure Mag and see IT STARTS WITH THE CHARACTER | Allyson Fanger in mag.

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In AM, Editor Picks, Style, May 2024, TV Show Tags TV Show, Film, Apples Never Fall, Grace & Frankie, Allyson Fanger, Costume Designer, Netflix, Peacock, Jane Fonda, Lily Tomlin
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AWARDS SEASON | OSCARS WINNERS

March 10, 2024

Earlier today, The Academy Awards announced the nominees for the 96th Oscars which ends the road to Awards Season on Sunday, March 10th! WIth a number of our favorite movies getting recognition, we can’t wait to see what’s in store for us when it airs on ABC. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Picture

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Interest (James Wilson, Producer)

Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)

Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher’s Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags Oscars, The Academy Awards, Barbie, Oppenheimer, American Fiction, Films, Awards, Award, Film, The Holdovers, Actor, Actress, Writing, Script, Nominations
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AWARDS SEASON | PEOPLE'S CHOICE AWARDS WINNERS

February 18, 2024

The People's Choice Awards announced this year’s winners on NBC, E!, and Peacock. This awards show allowed fans to cast a vote for their favorites and celebrate the best in movies, TV, music and pop culture. The show will be hosted by Simu Liu (Shang-Chi and the Legend of the Ten Rings, Simulant, Barbie) who is a Movie Performance of The Year Nominee for his role in Barbie. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

MOVIES

THE MOVIE OF THE YEAR

Barbie
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR

Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible - Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR

80 for Brady
Anyone but You
Are You There God? It's Me, Margaret.
Asteroid City
Barbie
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR

Creed III
Five Nights at Freddy's
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible - Dead Reckoning Part One

THE FEMALE MOVIE STAR OF 2023

Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR

Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Tom Cruise, Mission: Impossible - Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE COMEDY MOVIE STAR OF THE YEAR

Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR

America Ferrera, Barbie
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR

Grey's Anatomy
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR

Abbott Elementary
And Just Like That...
Never Have I Ever
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR

Chicago Fire
Ginny & Georgia
Grey's Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR

Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR

90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR

America's Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul's Drag Race
Survivor
Squid Game: The Challenge
The Voice

THE BINGEWORTHY SHOW OF THE YEAR

Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty

THE MALE TV STAR OF THE YEAR

Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR

Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building

THE COMEDY TV STAR OF THE YEAR

Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR

Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

THE TV PERFORMANCE OF THE YEAR

Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR

Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike "The Situation" Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR

Anetra, RuPaul's Drag Race
Ariana Madix, Dancing with the Stars
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That's My Jam
Sasha Colby, RuPaul's Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR

Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR

Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR

Gordon Ramsay, Hell's Kitchen
Jimmy Fallon, That's My Jam
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul's Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America's Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR

Bad Bunny
Drake
Jack Harlow
Jungkook
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR

Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift

THE MALE COUNTRY ARTIST OF THE YEAR

Chris Stapleton
Cody Johnson
HARDY
Jelly Roll
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR

Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR

Bad Bunny
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR

Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira
Young Miko

THE POP ARTIST OF THE YEAR

Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift

THE HIP-HOP ARTIST OF THE YEAR

Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR

Beyoncé
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR

Coi Leray
Ice Spice
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR

Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids
TOMORROW X TOGETHER

THE SONG OF THE YEAR

"Dance The Night," Dua Lipa
"Fast Car," Luke Combs
"Flowers," Miley Cyrus
"Fukumean," Gunna
"greedy," Tate McRae
"Last Night," Morgan Wallen
"Paint The Town Red," Doja Cat
"Vampire," Olivia Rodrigo

THE ALBUM OF THE YEAR

Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin' Old, Luke Combs
Guts, Olivia Rodrigo
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR

"All My Life," Lil Durk Feat. J. Cole
"Barbie World," Nicki Minaj & Ice Spice With Aqua
"Ella Baila Sola," Eslabon Armado X Peso Pluma
"First Person Shooter," Drake Feat. J. Cole
"I Remember Everything," Zach Bryan Feat. Kasey Musgraves
"Seven," Jung Kook Feat. Latto
"TQG," Karol G, Shakira
"Un x100to," Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR

+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR

Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift

THE COMEDY ACT OF THE YEAR

Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I'm An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR

Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce

PEOPLE’S ICON | ADAM SANDLER

MUSIC ICON | LENNY KRAVITZ

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags People's Choice Awards, Simu Liu, E!, Peacock, NBC, Barbie, Taylor Swift, Megan Thee Stallion, The Bear, Grey's Anatomy, Lionel Messi, The Bachelorette, Vanderpump Rules, Karol G, Becky G, Billie Eilish, Jonas Brothers, Beyoncé, Ice Spice, Jelly Roll, Dua Lipa, Billie EilishMusic, Pop Culture, Music, TV, Film, Bad Bunny, Country, Rap, Pop, Host, Padma Lakshmi, Top Chef, Gordon Ramsay, The Last of Us, Succession, Kardashian, Kim Kardashian, Selling Sunset, Beef, Keke Palmer, Jeremy Allen White, Squid Game: The Challenge, Jersey Shore, Law & Order: Special Victims Unit, Ted Lasso, Only Murders in the Building, Selena Gomez, Viola Davis
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AWARDS SEASON | OSCAR NOMINATIONS

January 23, 2024

Earlier today, The Academy Awards announced the nominees for the 96th Oscars which ends the road to Awards Season on Sunday, March 10th! WIth a number of our favorite movies getting recognition, we can’t wait to see what’s in store for us when it airs on ABC. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Best Picture

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Interest (James Wilson, Producer)

Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)

Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher’s Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags Oscars, The Academy Awards, Barbie, Oppenheimer, American Fiction, Films, Awards, Award, Film, The Holdovers, Actor, Actress, Writing, Script, Nominations
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AWARDS SEASON | PEOPLE'S CHOICE AWARDS

January 11, 2024

Earlier today, the People's Choice Awards announced their nominees which will be revealed on Feb 18th at 8pm ET which you can see on NBC, E!, and Peacock. This awards show allows you to cast a vote for your favorites and celebrate the best in movies, TV, music and pop culture. You have until Jan 19th to cast your vote. This show will be hosted by Simu Liu (Shang-Chi and the Legend of the Ten Rings, Simulant, Barbie) who is a Movie Performance of The Year Nominee for his role in Barbie. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

MOVIES

THE MOVIE OF THE YEAR

Barbie
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR

Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible - Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR

80 for Brady
Anyone but You
Are You There God? It's Me, Margaret.
Asteroid City
Barbie
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR

Creed III
Five Nights at Freddy's
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible - Dead Reckoning Part One

THE FEMALE MOVIE STAR OF 2023

Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR

Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Tom Cruise, Mission: Impossible - Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE COMEDY MOVIE STAR OF THE YEAR

Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR

America Ferrera, Barbie
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR

Grey's Anatomy
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR

Abbott Elementary
And Just Like That...
Never Have I Ever
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR

Chicago Fire
Ginny & Georgia
Grey's Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR

Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR

90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR

America's Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul's Drag Race
Survivor
Squid Game: The Challenge
The Voice

THE BINGEWORTHY SHOW OF THE YEAR

Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty

THE MALE TV STAR OF THE YEAR

Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR

Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building

THE COMEDY TV STAR OF THE YEAR

Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR

Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

THE TV PERFORMANCE OF THE YEAR

Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR

Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike "The Situation" Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR

Anetra, RuPaul's Drag Race
Ariana Madix, Dancing with the Stars
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That's My Jam
Sasha Colby, RuPaul's Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR

Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR

Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR

Gordon Ramsay, Hell's Kitchen
Jimmy Fallon, That's My Jam
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul's Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America's Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR

Bad Bunny
Drake
Jack Harlow
Jung Kook
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR

Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift

THE MALE COUNTRY ARTIST OF THE YEAR

Chris Stapleton
Cody Johnson
HARDY
Jelly Roll
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR

Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR

Bad Bunny
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR

Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira
Young Miko

THE POP ARTIST OF THE YEAR

Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift

THE HIP-HOP ARTIST OF THE YEAR

Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR

Beyoncé
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR

Coi Leray
Ice Spice
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR

Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids
TOMORROW X TOGETHER

THE SONG OF THE YEAR

"Dance The Night," Dua Lipa
"Fast Car," Luke Combs
"Flowers," Miley Cyrus
"Fukumean," Gunna
"greedy," Tate McRae
"Last Night," Morgan Wallen
"Paint The Town Red," Doja Cat
"Vampire," Olivia Rodrigo

THE ALBUM OF THE YEAR

Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin' Old, Luke Combs
Guts, Olivia Rodrigo
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR

"All My Life," Lil Durk Feat. J. Cole
"Barbie World," Nicki Minaj & Ice Spice With Aqua
"Ella Baila Sola," Eslabon Armado X Peso Pluma
"First Person Shooter," Drake Feat. J. Cole
"I Remember Everything," Zach Bryan Feat. Kasey Musgraves
"Seven," Jung Kook Feat. Latto
"TQG," Karol G, Shakira
"Un x100to," Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR

+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR

Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift

THE COMEDY ACT OF THE YEAR

Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I'm An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR

Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce

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In AM, Awards Season, Awards Season 2023-2024, TV Show Tags People's Choice Awards, Simu Liu, E!, Peacock, NBC, Barbie, Taylor Swift, Megan Thee Stallion, The Bear, Grey's Anatomy, Lionel Messi, The Bachelorette, Vanderpump Rules, Karol G, Becky G, Billie Eilish, Jonas Brothers, Beyoncé, Ice Spice, Jelly Roll, Dua Lipa, Billie EilishMusic, Pop Culture, Music, TV, Film, Bad Bunny, Country, Rap, Pop, Host, Padma Lakshmi, Top Chef, Gordon Ramsay, The Last of Us, Succession, Kardashian, Kim Kardashian, Selling Sunset, Beef, Keke Palmer, Jeremy Allen White, Squid Game: The Challenge, Jersey Shore, Law & Order: Special Victims Unit, Ted Lasso, Only Murders in the Building, Selena Gomez, Viola Davis
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AWARDS SEASON | 79TH ANNUAL GOLDEN GLOBES WINNERS

January 9, 2022

The 79th Annual Golden Globes took place tonight with no attendees (except for Jamie Lee Curtis who wanted to show her support for the Hollywood Foreign Press Association (HFPA). Over the past year, the HFPA has been embroiled in a number of issues due to their lack of diversity. The outcry became so loud that NBC stated that they would not air this awards show which typically is one that kicks off the year and has a number of phenomenal looks that hit the red carpet. We’ll have to see how many changes that they have made to see when NBC will pick it up again.

Despite not airing and not having attendees, they still announced winners through their website and social media.

Our predictions are in bold, the ones in bold italics are those that we correctly identified as winning and the names in italics are those that won that we didn’t guess correctly.

TELEVISION

Best Performance by an Actor in a Television Series -- Musical or Comedy

Anthony Anderson, "Black-ish"

Nicholas Hoult, "The Great"

Steve Martin, "Only Murders in the Building"

Martin Short, "Only Murders in the Building"

Jason Sudeikis, "Ted Lasso"

Best Performance by an Actress in a Television Series -- Musical or Comedy

Hannah Einbender, "Hacks"

Elle Fanning, "The Great"

Issa Rae, "Insecure"

Tracee Ellis Ross, "black-ish"

Jean Smart, "Hacks"

Best Performance by an Actor in a Television Series -- Drama

Brian Cox, "Succession"

Lee Jung-jae, "Squid Game"

Billy Porter, "Pose"

Jeremy Strong, "Succession"

Omar Sy, "Lupin"

Best Performance by an Actress in a Television Series -- Drama

Uzo Aduba, "In Treatment"

Jennifer Aniston, "The Morning Show"

Christine Baranski, "The Good Fight"

Elisabeth Moss, "The Handmaid's Tale"

Mj Rodriguez, "Pose"

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Paul Bettany, "WandaVision"

Oscar Isaac, "Scenes From a Marriage"

Michael Keaton, "Dopesick"

Ewan McGregor, "Halston"

Tahar Rahim, "The Serpent"

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Jessica Chastain, "Scenes From a Marriage"

Cynthia Erivo, "Genius: Aretha"

Elizabeth Olsen, "WandaVision"

Margaret Qualley, "Maid"

Kate Winslet, "Mare of Easttown"

Best Television Series Drama

"Lupin"

"The Morning Show"

"Pose"

"Squid Game"

"Succession"

Best Television Limited Series or Motion Picture Made for Television

"Dopesick"

"Impeachment: American Crime Story"

"Maid"

"Mare of Easttown"

"The Underground Railroad"

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Jennifer Coolidge, "White Lotus"

Kaitlyn Dever, "Dopesick"

Andie MacDowell, "Maid"

Sarah Snook, "Succession"

Hannah Waddingham, "Ted Lasso"

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Billy Crudup, "The Morning Show"

Kieran Culkin, "Succession"

Mark Duplass, "The Morning Show"

Brett Goldstein, "Ted Lasso"

Oh Yeong-su, "Squid Game"

Best Television Series -- Musical or Comedy

"The Great"

"Hacks"

"Only Murders in the Building"

"Reservation Dogs"

"Ted Lasso"

FILM

Best Motion Picture -- Musical or Comedy

"Cyrano"

"Don't Look Up"

"Licorice Pizza"

"Tick, Tick ... Boom!"

"West Side Story"

Best Motion Picture -- Drama

"Belfast,"

"CODA"

"Dune"

"King Richard"

"The Power of the Dog"

Best Motion Picture -- Foreign Language

"Compartment No. 6"

"Drive My Car"

"The Hand of God"

"A Hero"

"Parallel Mothers"

Best Screenplay -- Motion Picture

Paul Thomas Anderson, "Licorice Pizza"

Kenneth Branagh, "Belfast"

Jane Campion, "The Power of the Dog"

Adam McKay, "Don't Look Up"

Aaron Sorkin , "Being the Ricardos"

Best Original Song -- Motion Picture

"Be Alive" from "King Richard" - Beyoncé Knowles-Carter, Dixson

"Dos Orugitas" from "Encanto" - Lin-Manuel Miranda

"Down to Joy" from "Belfast" - Van Morrison

"Here I Am (Singing My Way Home)" from "Respect" - Jamie Alexander Hartman, Jennifer Hudson, Carole King

"No Time to Die" from "No Time to Die" - Billie Eilish, Finneas O'Connell

Best Actor in a Supporting Role in Any Motion Picture

Ben Affleck, "The Tender Bar"

Jamie Dornan, "Belfast"

Ciarán Hinds, "Belfast"

Troy Kotsur, "CODA"

Kodi Smit-McPhee, "The Power of the Dog"

Best Actress in a Supporting Role in Any Motion Picture

Caitríona Balfe, "Belfast"

Ariana DeBose, "West Side Story"

Kirsten Dunst, "The Power of the Dog"

Aunjanue Ellis, "King Richard"

Ruth Negga, "Passing

Best Actor in a Motion Picture -- Musical or Comedy

Leonardo DiCaprio, "Don't Look Up"

Peter Dinklage, "Cyrano"

Andrew Garfield, "Tick, Tick ... Boom!"

Cooper Hoffman, "Licorice Pizza"

Anthony Ramos, "In the Heights"

Best Motion Picture -- Animated

"Encanto"

"Flee"

"Luca"

"My Sunny Maad"

"Raya and the Last Dragon"

Best Actor in a Motion Picture -- Drama

Mahershala Ali, Swan Song"

Javier Bardem, "Being the Ricardos"

Benedict Cumberbatch, "The Power of the Dog"

Will Smith, "King Richard"

Denzel Washington, "The Tragedy of Macbeth"

Best Actress in a Motion Picture -- Drama

Jessica Chastain, "The Eyes of Tammy Faye"

Olivia Colman, "The Lost Daughter"

Nicole Kidman, "Being the Ricardos"

Lady Gaga, "House of Gucci"

Kristen Stewart, "Spencer"

Best Actress in a Motion Picture -- Musical or Comedy

Marion Cotillard, "Annette"

Alana Haim, "Licorice Pizza"

Jennifer Lawrence, "Don't Look Up"

Emma Stone, "Cruella"

Rachel Zegler, "West Side Story"

Best Director -- Motion Picture

Kenneth Branagh, "Belfast"

Jane Campion, "The Power of the Dog"

Maggie Gyllenhaal, "The Lost Daughter"

Steven Spielberg, "West Side Story"

Denis Villeneuve, "Dune"

Best Original Score

"The French Dispatch"

"Encanto"

"The Power of the Dog"

"Parallel Mothers"

"Dune"

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AWARDS SEASON | 79TH ANNUAL GOLDEN GLOBES

December 13, 2021

This morning the 79th Annual Golden Globes were nominated for those in TV and in film. It’s worth noting that NBC along with a number media partners will not be participating or airing the ceremony this year due to the diversity issues that the Hollywood Foreign Press Association (HFPA) has engaged in over the years. The HFPA is the group behind this event which in the past has been one of the main awards shows to watch in the beginning of the New Year. Interestingly, the HFPA stated last Oct. that they have the “most diverse” class of new members and they are still planning to continue this show whether there is a broadcast or even nominees in attendance.

We predict that the names in bold are those that will win, the ones that are in bold italics are those that we correctly identified as winning and the names in italics are those that won that we didn’t guess correctly.

TELEVISION

Best Performance by an Actor in a Television Series -- Musical or Comedy

Anthony Anderson, "Black-ish"

Nicholas Hoult, "The Great"

Steve Martin, "Only Murders in the Building"

Martin Short, "Only Murders in the Building"

Jason Sudeikis, "Ted Lasso"

Best Performance by an Actress in a Television Series -- Musical or Comedy

Hannah Einbender, "Hacks"

Elle Fanning, "The Great"

Issa Rae, "Insecure"

Tracee Ellis Ross, "black-ish"

Jean Smart, "Hacks"

Best Performance by an Actor in a Television Series -- Drama

Brian Cox, "Succession"

Lee Jung-jae, "Squid Game"

Billy Porter, "Pose"

Jeremy Strong, "Succession"

Omar Sy, "Lupin"

Best Performance by an Actress in a Television Series -- Drama

Uzo Aduba, "In Treatment"

Jennifer Aniston, "The Morning Show"

Christine Baranski, "The Good Fight"

Elisabeth Moss, "The Handmaid's Tale"

Mj Rodriguez, "Pose"

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Paul Bettany, "WandaVision"

Oscar Isaac, "Scenes From a Marriage"

Michael Keaton, "Dopesick"

Ewan McGregor, "Halston"

Tahar Rahim, "The Serpent"

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Jessica Chastain, "Scenes From a Marriage"

Cynthia Erivo, "Genius: Aretha"

Elizabeth Olsen, "WandaVision"

Margaret Qualley, "Maid"

Kate Winslet, "Mare of Easttown"

Best Television Series Drama

"Lupin"

"The Morning Show"

"Pose"

"Squid Game"

"Succession"

Best Television Limited Series or Motion Picture Made for Television

"Dopesick"

"Impeachment: American Crime Story"

"Maid"

"Mare of Easttown"

"The Underground Railroad"

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Jennifer Coolidge, "White Lotus"

Kaitlyn Dever, "Dopesick"

Andie MacDowell, "Maid"

Sarah Snook, "Succession"

Hannah Waddingham, "Ted Lasso"

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Billy Crudup, "The Morning Show"

Kieran Culkin, "Succession"

Mark Duplass, "The Morning Show"

Brett Goldstein, "Ted Lasso"

Oh Yeong-su, "Squid Game"

Best Television Series -- Musical or Comedy

"The Great"

"Hacks"

"Only Murders in the Building"

"Reservation Dogs"

"Ted Lasso"

FILM

Best Motion Picture -- Musical or Comedy

"Cyrano"

"Don't Look Up"

"Licorice Pizza"

"Tick, Tick ... Boom!"

"West Side Story"

Best Motion Picture -- Drama

"Belfast,"

"CODA"

"Dune"

"King Richard"

"The Power of the Dog"

Best Motion Picture -- Foreign Language

"Compartment No. 6"

"Drive My Car"

"The Hand of God"

"A Hero"

"Parallel Mothers"

Best Screenplay -- Motion Picture

Paul Thomas Anderson, "Licorice Pizza"

Kenneth Branagh, "Belfast"

Jane Campion, "The Power of the Dog"

Adam McKay, "Don't Look Up"

Aaron Sorkin , "Being the Ricardos"

Best Original Song -- Motion Picture

"Be Alive" from "King Richard" - Beyoncé Knowles-Carter, Dixson

"Dos Orugitas" from "Encanto" - Lin-Manuel Miranda

"Down to Joy" from "Belfast" - Van Morrison

"Here I Am (Singing My Way Home)" from "Respect" - Jamie Alexander Hartman, Jennifer Hudson, Carole King

"No Time to Die" from "No Time to Die" - Billie Eilish, Finneas O'Connell

Best Actor in a Supporting Role in Any Motion Picture

Ben Affleck, "The Tender Bar"

Jamie Dornan, "Belfast"

Ciarán Hinds, "Belfast"

Troy Kotsur, "CODA"

Kodi Smit-McPhee, "The Power of the Dog"

Best Actress in a Supporting Role in Any Motion Picture

Caitríona Balfe, "Belfast"

Ariana DeBose, "West Side Story"

Kirsten Dunst, "The Power of the Dog"

Aunjanue Ellis, "King Richard"

Ruth Negga, "Passing

Best Actor in a Motion Picture -- Musical or Comedy

Leonardo DiCaprio, "Don't Look Up"

Peter Dinklage, "Cyrano"

Andrew Garfield, "Tick, Tick ... Boom!"

Cooper Hoffman, "Licorice Pizza"

Anthony Ramos, "In the Heights"

Best Motion Picture -- Animated

"Encanto"

"Flee"

"Luca"

"My Sunny Maad"

"Raya and the Last Dragon"

Best Actor in a Motion Picture -- Drama

Mahershala Ali, Swan Song"

Javier Bardem, "Being the Ricardos"

Benedict Cumberbatch, "The Power of the Dog"

Will Smith, "King Richard"

Denzel Washington, "The Tragedy of Macbeth"

Best Actress in a Motion Picture -- Drama

Jessica Chastain, "The Eyes of Tammy Faye"

Olivia Colman, "The Lost Daughter"

Nicole Kidman, "Being the Ricardos"

Lady Gaga, "House of Gucci"

Kristen Stewart, "Spencer"

Best Actress in a Motion Picture -- Musical or Comedy

Marion Cotillard, "Annette"

Alana Haim, "Licorice Pizza"

Jennifer Lawrence, "Don't Look Up"

Emma Stone, "Cruella"

Rachel Zegler, "West Side Story"

Best Director -- Motion Picture

Kenneth Branagh, "Belfast"

Jane Campion, "The Power of the Dog"

Maggie Gyllenhaal, "The Lost Daughter"

Steven Spielberg, "West Side Story"

Denis Villeneuve, "Dune"

Best Original Score

"The French Dispatch"

"Encanto"

"The Power of the Dog"

"Parallel Mothers"

"Dune"

Read the latest issue of Athleisure Mag.

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