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Athleisure Mag™ | Athleisure Culture

ATHLEISURE MAG™ | Athleisure Culture
  • FITNESS
  • Food
  • Beauty
  • Sports
  • Travel
  • Athleisure Studio
  • Athleisure List
  • Athleisure TV
  • THIS ISSUE
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AWARDS SEASON | SAG AWARDS WINNERS

February 24, 2024

The 30th SAG Awards will take place on Feb 24th and for the first time will be streaming globally on Netflix. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Outstanding Performance by a Cast in a Motion Picture

American Fiction

Barbie

The Color Purple

Killers of the Flower Moon

Oppenheimer

Outstanding Performance by a Male Actor in a Leading Role

Bradley Cooper – Maestro

Colman Domingo – Rustin

Paul Giamatti – The Holdovers

Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

Outstanding Performance by a Female Actor in a Leading Role

Annette Bening – Nyad

Lily Gladstone – Killers of the Flower Moon

Carey Mulligan – Maestro

Margot Robbie – Barbie

Emma Stone – Poor Things

Outstanding Performance by a Male Actor in a Supporting Role

Sterling K. Brown – American Fiction

Willem Dafoe – Poor Things

Robert De Niro – Killers of the Flower Moon

Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Outstanding Performance by a Female Actor in a Supporting Role

Emily Blunt – Oppenheimer

Danielle Brooks – The Color Purple

Penelope Cruz – Ferrari

Jodie Foster – Nyad

Da’Vine Joy Randolph – The Holdovers

Outstanding Performance by an Ensemble in a Drama Series

The Crown

The Gilded Age

The Last of Us

The Morning Show

Succession

Outstanding Performance by an Ensemble in a Comedy Series

Abbot Elementary

Barry

The Bear

Only Murders in the Building

Ted Lasso

Outstanding Performance by a Male Actor in a Drama Series

Brian Cox – Succession

Billy Crudup – The Morning Show

Kieran Culkin – Succession

Matthew Macfadyen – Succession

Pedro Pascal – The Last of Us

Outstanding Performance by a Female Actor in a Drama Series

Jennifer Aniston – The Morning Show

Elizabeth Debicki – The Crown

Bella Ramsey – The Last of Us

Keri Russell – The Diplomat

Sarah Snook – Succession

Outstanding Performance by a Female Actor in a Comedy Series

Alex Borstein – The Marvelous Mrs. Maisel

Rachel Brosnahan – The Marvelous Mrs. Maisel

Quinta Brunson – Abbott Elementary

Ayo Edebiri – The Bear

Hannah Waddingham – Ted Lasso

Outstanding Performance by a Male Actor in a Comedy Series

Brett Goldstein – Ted Lasso

Bill Hader – Barry

Ebon Moss-Bachrach – The Bear

Jason Sudeikis – Ted Lasso

Jeremy Allen White – The Bear

Outstanding Performance by a Female Actor in a Television Movie or Limited Series

Uzo Aduba – Painkiller

Kathryn Hahn – Tiny Beautiful Things

Brie Larson – Lessons in Chemistry

Bel Powley – A Small Light

Ali Wong – Beef

Outstanding Performance by a Male Actor in a Television Movie or Limited Series

Matt Bomer – Fellow Travelers

Jon Hamm – Fargo

David Oyelowo – Lawmen: Bass Reeves

Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie

Steven Yeun – Beef

Outstanding Action Performance by a Stunt Ensemble in a Television Series

Ahsoka

Barry

Beef

The Last of Us

The Mandalorian

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

Barbie

Guardians of the Galaxy Vol. 3

Indiana Jones and the Dial of Destiny

John Wick: Chapter 4

Mission: Impossible – Dead Reckoning Part One

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In AM, Awards Season 2023-2024, Awards Season, Celebrity, TV Show Tags Netflix, SAG Awards, Barbie, Oppenheimer, The Last Of Us, The Mandalorian, The Guilded Age, Beef, Ferrari, Succession, The Crown, The Color Purple
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AWARDS SEASON | PEOPLE'S CHOICE AWARDS WINNERS

February 18, 2024

The People's Choice Awards announced this year’s winners on NBC, E!, and Peacock. This awards show allowed fans to cast a vote for their favorites and celebrate the best in movies, TV, music and pop culture. The show will be hosted by Simu Liu (Shang-Chi and the Legend of the Ten Rings, Simulant, Barbie) who is a Movie Performance of The Year Nominee for his role in Barbie. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

MOVIES

THE MOVIE OF THE YEAR

Barbie
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR

Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible - Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR

80 for Brady
Anyone but You
Are You There God? It's Me, Margaret.
Asteroid City
Barbie
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR

Creed III
Five Nights at Freddy's
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible - Dead Reckoning Part One

THE FEMALE MOVIE STAR OF 2023

Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR

Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Tom Cruise, Mission: Impossible - Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE COMEDY MOVIE STAR OF THE YEAR

Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR

America Ferrera, Barbie
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR

Grey's Anatomy
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR

Abbott Elementary
And Just Like That...
Never Have I Ever
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR

Chicago Fire
Ginny & Georgia
Grey's Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR

Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR

90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR

America's Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul's Drag Race
Survivor
Squid Game: The Challenge
The Voice

THE BINGEWORTHY SHOW OF THE YEAR

Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty

THE MALE TV STAR OF THE YEAR

Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR

Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building

THE COMEDY TV STAR OF THE YEAR

Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR

Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

THE TV PERFORMANCE OF THE YEAR

Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR

Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike "The Situation" Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR

Anetra, RuPaul's Drag Race
Ariana Madix, Dancing with the Stars
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That's My Jam
Sasha Colby, RuPaul's Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR

Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR

Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR

Gordon Ramsay, Hell's Kitchen
Jimmy Fallon, That's My Jam
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul's Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America's Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR

Bad Bunny
Drake
Jack Harlow
Jungkook
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR

Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift

THE MALE COUNTRY ARTIST OF THE YEAR

Chris Stapleton
Cody Johnson
HARDY
Jelly Roll
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR

Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR

Bad Bunny
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR

Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira
Young Miko

THE POP ARTIST OF THE YEAR

Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift

THE HIP-HOP ARTIST OF THE YEAR

Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR

Beyoncé
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR

Coi Leray
Ice Spice
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR

Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids
TOMORROW X TOGETHER

THE SONG OF THE YEAR

"Dance The Night," Dua Lipa
"Fast Car," Luke Combs
"Flowers," Miley Cyrus
"Fukumean," Gunna
"greedy," Tate McRae
"Last Night," Morgan Wallen
"Paint The Town Red," Doja Cat
"Vampire," Olivia Rodrigo

THE ALBUM OF THE YEAR

Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin' Old, Luke Combs
Guts, Olivia Rodrigo
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR

"All My Life," Lil Durk Feat. J. Cole
"Barbie World," Nicki Minaj & Ice Spice With Aqua
"Ella Baila Sola," Eslabon Armado X Peso Pluma
"First Person Shooter," Drake Feat. J. Cole
"I Remember Everything," Zach Bryan Feat. Kasey Musgraves
"Seven," Jung Kook Feat. Latto
"TQG," Karol G, Shakira
"Un x100to," Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR

+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR

Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift

THE COMEDY ACT OF THE YEAR

Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I'm An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR

Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce

PEOPLE’S ICON | ADAM SANDLER

MUSIC ICON | LENNY KRAVITZ

Read the latest issue of Athleisure Mag.

Featured
MAR ISSUE OS CHARLES JOLY (1).png
Apr 8, 2024
CRAFT COCKTAILS WITH THE STARS | CHARLES JOLY
Apr 8, 2024
Apr 8, 2024
Screenshot-2023-12-21-at-2.17.30 PM.png
Mar 10, 2024
AWARDS SEASON | OSCARS WINNERS
Mar 10, 2024
Mar 10, 2024
AM JAN ISSUE OS CHARLES JOLY.png
Feb 25, 2024
AWARD WINNING SIPS | CHARLES JOLY
Feb 25, 2024
Feb 25, 2024
In AM, Awards Season, Awards Season 2023-2024, TV Show Tags People's Choice Awards, Simu Liu, E!, Peacock, NBC, Barbie, Taylor Swift, Megan Thee Stallion, The Bear, Grey's Anatomy, Lionel Messi, The Bachelorette, Vanderpump Rules, Karol G, Becky G, Billie Eilish, Jonas Brothers, Beyoncé, Ice Spice, Jelly Roll, Dua Lipa, Billie EilishMusic, Pop Culture, Music, TV, Film, Bad Bunny, Country, Rap, Pop, Host, Padma Lakshmi, Top Chef, Gordon Ramsay, The Last of Us, Succession, Kardashian, Kim Kardashian, Selling Sunset, Beef, Keke Palmer, Jeremy Allen White, Squid Game: The Challenge, Jersey Shore, Law & Order: Special Victims Unit, Ted Lasso, Only Murders in the Building, Selena Gomez, Viola Davis
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AWARDS SEASON | PEOPLE'S CHOICE AWARDS

January 11, 2024

Earlier today, the People's Choice Awards announced their nominees which will be revealed on Feb 18th at 8pm ET which you can see on NBC, E!, and Peacock. This awards show allows you to cast a vote for your favorites and celebrate the best in movies, TV, music and pop culture. You have until Jan 19th to cast your vote. This show will be hosted by Simu Liu (Shang-Chi and the Legend of the Ten Rings, Simulant, Barbie) who is a Movie Performance of The Year Nominee for his role in Barbie. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

MOVIES

THE MOVIE OF THE YEAR

Barbie
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR

Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible - Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR

80 for Brady
Anyone but You
Are You There God? It's Me, Margaret.
Asteroid City
Barbie
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR

Creed III
Five Nights at Freddy's
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible - Dead Reckoning Part One

THE FEMALE MOVIE STAR OF 2023

Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR

Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Tom Cruise, Mission: Impossible - Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE COMEDY MOVIE STAR OF THE YEAR

Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR

America Ferrera, Barbie
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR

Grey's Anatomy
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR

Abbott Elementary
And Just Like That...
Never Have I Ever
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR

Chicago Fire
Ginny & Georgia
Grey's Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR

Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR

90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR

America's Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul's Drag Race
Survivor
Squid Game: The Challenge
The Voice

THE BINGEWORTHY SHOW OF THE YEAR

Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty

THE MALE TV STAR OF THE YEAR

Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR

Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building

THE COMEDY TV STAR OF THE YEAR

Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR

Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

THE TV PERFORMANCE OF THE YEAR

Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR

Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike "The Situation" Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR

Anetra, RuPaul's Drag Race
Ariana Madix, Dancing with the Stars
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That's My Jam
Sasha Colby, RuPaul's Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR

Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR

Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR

Gordon Ramsay, Hell's Kitchen
Jimmy Fallon, That's My Jam
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul's Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America's Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR

Bad Bunny
Drake
Jack Harlow
Jung Kook
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR

Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift

THE MALE COUNTRY ARTIST OF THE YEAR

Chris Stapleton
Cody Johnson
HARDY
Jelly Roll
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR

Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR

Bad Bunny
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR

Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira
Young Miko

THE POP ARTIST OF THE YEAR

Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift

THE HIP-HOP ARTIST OF THE YEAR

Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR

Beyoncé
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR

Coi Leray
Ice Spice
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR

Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids
TOMORROW X TOGETHER

THE SONG OF THE YEAR

"Dance The Night," Dua Lipa
"Fast Car," Luke Combs
"Flowers," Miley Cyrus
"Fukumean," Gunna
"greedy," Tate McRae
"Last Night," Morgan Wallen
"Paint The Town Red," Doja Cat
"Vampire," Olivia Rodrigo

THE ALBUM OF THE YEAR

Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin' Old, Luke Combs
Guts, Olivia Rodrigo
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR

"All My Life," Lil Durk Feat. J. Cole
"Barbie World," Nicki Minaj & Ice Spice With Aqua
"Ella Baila Sola," Eslabon Armado X Peso Pluma
"First Person Shooter," Drake Feat. J. Cole
"I Remember Everything," Zach Bryan Feat. Kasey Musgraves
"Seven," Jung Kook Feat. Latto
"TQG," Karol G, Shakira
"Un x100to," Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR

+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR

Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift

THE COMEDY ACT OF THE YEAR

Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I'm An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR

Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce

Read the latest issue of Athleisure Mag.

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AWARDS SEASON | DIRECTORS GUILD AWARDS NOMINATIONS

January 10, 2024

Yesterday the 76th Director Guild Awards (DGA) announced their nominees for TV and today, they announced those in film. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

TV

DRAMATIC SERIES

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Dramatic Series for 2023 are (in alphabetical order):

PETER HOAR

The Last of Us, “Long, Long Time”

(HBO | MAX)

Directorial Team:

  • Unit Production Manager: Cecil O’Connor

  • First Assistant Director: Bethan Mowat

BECKY MARTIN

Succession, “Rehearsal”

(HBO | MAX)

Directorial Team:

  • Unit Production Managers: Hilary Kehoe, Gabrielle Mahon

  • First Assistant Director: John Silvestri

  • Second Assistant Director: Nicholas Notte

  • Second Second Assistant Director: Jimmy Rosario

  • Location Manager: Paul Eskenazi

MARK MYLOD

Succession, “Connor’s Wedding”

(HBO | MAX)

Directorial Team:

  • Unit Production Managers: Hilary Kehoe, Gabrielle Mahon

  • First Assistant Director: Christo Morse

  • Second Assistant Directors: Sahar Shmolevitz, Justin Bischoff

  • Second Second Assistant Director: Jimmy Rosario

  • Additional Second Assistant Directors: Cris Iannucci, Norman Franklin, Kyle Burstein

  • Location Manager: Paul Eskenazi

ANDRIJ PAREKH

Succession, “America Decides”

(HBO | MAX)

Directorial Team:

  • Unit Production Managers: Hilary Kehoe, Gabrielle Mahon

  • First Assistant Director: John Silvestri

  • Second Assistant Director: Nicholas Notte

  • Second Second Assistant Director: Jimmy Rosario

  • Location Manager: Paul Eskenazi

ROBERT PULCINI & SHARI SPRINGER BERMAN

Succession, “Tailgate Party”

(HBO | MAX)

Directorial Team:

  • Unit Production Managers: Hilary Kehoe, Gabrielle Mahon

  • First Assistant Director: Michelle Flevotomas

  • Second Assistant Director: Sahar Shmolevitz

  • Second Second Assistant Director: Jimmy Rosario

  • Additional Second Assistant Directors: Isabel Sofia Cervantes, Nicole Kay Payson

  • Location Manager: Paul Eskenazi

COMEDY SERIES

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Comedy Series for 2023 are (in alphabetical order):

ERICA DUNTON

Ted Lasso, “La Locker Room Aux Folles”

(Apple TV+)

BILL HADER

Barry, “wow”

(HBO | MAX)

Directorial Team:

  • Unit Production Manager: Aida Rodgers

  • First Assistant Director: Gavin Kleintop

  • Second Assistant Director: Erin Stern Linares

  • Second Second Assistant Directors: Yarden Levo, George Williams

DECLAN LOWNEY

Ted Lasso, “So Long, Farewell”

(Apple TV+)

Directorial Team:

  • Unit Production Manager: Mike Livanos (U.S. Unit)

  • First Assistant Director: Jason Z. Kemp (U.S. Unit)

  • Second Assistant Director: Christopher Cook (U.S. Unit)

CHRISTOPHER STORER

The Bear, “Fishes”

(FX)

Directorial Team:

  • Unit Production Managers: Tyson Bidner, Carrie Holt de Lama

  • First Assistant Directors: Duccio Fabbri, Pablo Gambetta

  • Second Assistant Director: Larissa Malarek

  • Second Second Assistant Directors: Olivia Dame, Hiro Taniguchi

  • Location Manager: Maria C. Roxas

RAMY YOUSSEF

The Bear, “Honeydew”

(FX)

Directorial Team:

  • Unit Production Managers: Tyson Bidner, Carrie Holt de Lama

  • First Assistant Directors: Kit Bland, Pablo Gambetta

  • Second Assistant Director: Larissa Malarek

  • Second Second Assistant Directors: Olivia Dame, Hiro Taniguchi

  • Location Manager: Maria C. Roxas

MOVIES FOR TELEVISION AND LIMITED SERIES

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Movies for Television and Limited Series for 2023 are (in alphabetical order):

SHAWN LEVY

All the Light We Cannot See

(Netflix)

Directorial Team:

  • Unit Production Manager: Scott Elias

  • First Assistant Director: Josh McLaglen

  • Second Assistant Director: Simeon Jones

TARA MIELE

Lessons in Chemistry, “Introduction to Chemistry”

(Apple TV+)

Directorial Team:

  • Unit Production Manager: Chris Hayden

  • First Assistant Director: Katie Carroll

  • Second Assistant Director: Alexis Olsen Colwell

MILLICENT SHELTON

Lessons in Chemistry, “Poirot”

(Apple TV+)

Directorial Team:

  • Unit Production Manager: Chris Hayden

  • First Assistant Director: Kristofer Kolpek

  • Second Assistant Director: Deborah Chung

SARAH ADINA SMITH

Lessons in Chemistry, “Her and Him”

(Apple TV+)

Directorial Team:

  • Unit Production Manager: Steven Brown

  • First Assistant Director: Kristofer Kolpek

  • Second Assistant Director: Deborah Chung

NZINGHA STEWART

Daisy Jones & The Six, “ Track 10: Rock ‘n’ Roll Suicide”

(Amazon)

Directorial Team:

  • Unit Production Manager: Michael Nelson

  • First Assistant Director: Anna Notarides

  • Second Assistant Director: Samantha Hollingsworth

  • Second Second Assistant Directors : Tarin Squillante, Jeff Tavani, Alex Lee Bonner, Matthew Kramer

  • Location Manager: Batou Chandler

VARIETY/TALK/NEWS/SPORTS – REGULARLY SCHEDULED PROGRAMMING

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Variety/Talk/News/Sports – Regularly Scheduled Programming for 2023 are (in alphabetical order):

PAUL G. CASEY

Real Time with Bill Maher, “Episode 2117”

(HBO | MAX)

Directorial Team:

  • Associate Director: Stacy Talbot

  • Stage Managers: Brian Anderson, Patrick Whitney

JIM HOSKINSON

The Late Show with Stephen Colbert, “Jan. 19, 2023: Rep. Adam Kinzinger; Meet Me at the Altar; Special appearance by Harvey Guillén”

(CBS)

Directorial Team:

  • Associate Directors: Yvonne DeMare, Karen Yaeger

  • Stage Managers: Mark McKenna, Jeff Leib

MICHAEL MANCINI & LIZ PATRICK

Saturday Night Live, “Pedro Pascal / Coldplay”

(NBC)

Directorial Team:

  • Associate Directors: Janine DeVito, Michael Poole, Laura Ouziel-Mack

  • Stage Managers: Gena Rositano, Chris Kelly, Eddie Valk

DAVID PAUL MEYER

The Daily Show with Trevor Noah, “Singer Charley Crockett Performs “Name on a Billboard” and Discusses New Album with Jordan Klepper “

(Comedy Central)

Directorial Team:

  • Associate Director: Adrienne Ford

  • Stage Managers: Bennymar Almonte, Tyler Goldman

PAUL PENNOLINO

Last Week Tonight with John Oliver, “Episode 1018: Dollar Stores”

(HBO | MAX)

Directorial Team:

  • Associate Director: Elliot Mendelson

  • Stage Managers: Craig Spinney, Mark McKenna, Jeff Leib, Steven Van Patten

VARIETY/TALK/NEWS/SPORTS – SPECIALS

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Variety/Talk/News/Sports – Specials for 2023 are (in alphabetical order):

JOEL GALLEN

Chris Rock: Selective Outrage

(Netflix)

Directorial Team:

  • Associate Director: Robin Mishkin Abrams

  • Stage Manager: Arthur Lewis

STAN LATHAN

Dave Chappelle: The Dreamer

(Netflix)

Directorial Team:

  • Associate Director: Jill Dove

  • Stage Manager: Valdez Flagg

LINDA MENDOZA

Wanda Sykes: I’m an Entertainer

(Netflix)

Directorial Team:

  • Stage Manager: Dan Frank

PAUL MILLER

Carol Burnett: 90 Years of Laughter + Love

(NBC)

Directorial Team:

  • Associate Director: Sara Niimi

  • Stage Managers: Gary Natoli, Alissa Levisohn Hoyo, Christopher McDonald, Jackie Stathis

GLENN WEISS

The 95th Annual Academy Awards

(ABC)

Directorial Team:

  • Associate Directors: Ken Diego, Ricky Kirshner, Susan Kopensky, Lori Margules, Robin Mishkin Abrams, Sara Niimi, Kristen Patterson Terry, Michael Polito

  • Stage Managers: Gary Natoli, Alexis Brusig, Rita Cossette, John Esposito, Valdez Flagg, Doug Fogel, Chris Hines, Alissa Levisohn Hoyo, Arthur Lewis, Roxanne Lozano, Donna Parker, Ron Paul, Tammy Raab, Jason Seligman, Jackie Stathis, Cheryl Teetzel-Moore, Ari Woog

REALITY PROGRAMS

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Reality Programs for 2023 are (in alphabetical order):

NIHARIKA DESAI

Rainn Wilson and the Geography of Bliss, “Happiness is a Bottle of Cod Liver Oil”

(Peacock)

KEN FUCHS

The Golden Bachelor, “Premiere”

(ABC)

Directorial Team:

  • Stage Manager: Isaiah Fuchs

JOSEPH GUIDRY & ALEXANDRA LIPSITZ

Project Greenlight: A New Generation, “PGL vs. Gray Matter Problem”

(HBO | MAX)

Directorial Team:

  • Associate Director: Lizzie MacPherson

  • Stage Manager: T.J. Ganser

RICH KIM

Lego Masters, “Is It Brick?”

(FOX)

Directorial Team:

  • Associate Director: Ryan Bunnell

  • Stage Managers: Will Baker, Dan Shepard

PATRICK McMANUS

American Ninja Warrior, “Season 15 Finale”

(NBC)

Directorial Team:

  • Associate Director: Dave Massey

  • Stage Managers: Sara Brown, Sean P. Galvin, T.J. Ganser, Joseph R. Osborne, Matthew Patrick, Greg Rosa, Louise Story

***

CHILDREN’S PROGRAMS

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Children’s Programs for 2023 are (in alphabetical order):

JAMES BOBIN

Percy Jackson and the Olympians, “I Accidentally Vaporize My Pre-Algebra Teacher”

(Disney+)

Directorial Team:

  • Unit Production Manager: Jim Rowe

  • First Assistant Director: Pete Whyte

  • Location Manager: David Occhino

DESTIN DANIEL CRETTON

American Born Chinese, “What Guy Are You”

(Disney+)

Directorial Team:

  • Unit Production Manager: Erin O’Malley

  • First Assistant Director: Katie Hausmann

  • Second Assistant Directors: Randin Brown Hargrave, Morgan Willis

ROB LETTERMAN

Goosebumps, “Say Cheese and Die”

(Disney+)

AMY SCHATZ

Stand Up & Shout: Songs From a Philly High School

(HBO | MAX)

DINH THAI

American Born Chinese, “A Monkey on a Quest”

(Disney+)

Directorial Team:

  • Unit Production Manager: Erin O’Malley, Stacy Murphy Gold

  • First Assistant Director: Michael Risoli

  • Second Assistant Director: Morgan Willis

COMMERCIALS

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Commercials for 2023 are (in alphabetical order):

MARTIN de THURAH

(Epoch Films)

Fair Exchange, Levi’s 501 Jeans – Droga5

Legends Never Die, Levi’s 501 Jeans, Droga5

SEB EDWARDS

(Park Pictures)

Rumble, Battle of the Baddest – Droga5

  • First Assistant Director: George Walker

KIM GEHRIG

(Somesuch)

Run This Town, Apple Music – Apple (Client Direct)

  • First Assistant Director: David Webb

The Travelers, Expedia – Wieden & Kennedy

  • First Assistant Director: Zaida Fakih

CRAIG GILLESPIE

(MJZ)

Waiting Room, Apple iPhone – TBWA/Media Arts Lab

  • Unit Production Manager: Martha Davis

  • First Assistant Director: Christian Van Fleet

  • Second Assistant Director: Gregory Moutran

ANDREAS NILSSON

(Biscuit Filmworks)

R.I.P. Leon, Apple iPhone – Apple (Client Direct)

  • First Assistant Director: Gareth Moses

Action Mode, Apple iPhone14 – Apple (Client Direct)

  • First Assistant Director: Gareth Moses

Choose Happy, Les Mills Fitness – Nice&Frank, San Francisco

Wait’ll You See This, Snapchat – Snapchat (Client Direct)

DOCUMENTARY

The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Documentary for 2023 are (in alphabetical order):

MOSES BWAYO & CHRISTOPHER SHARP

Bobi Wine: The People’s President

(National Geographic)

MSTYSLAV CHERNOV

20 Days in Mariupol

(PBS Distribution)

MADELEINE GAVIN

Beyond Utopia

(Roadside Attractions)

DAVIS GUGGENHEIM

Still: A Michael J. Fox Movie

(Apple Original Films)

Directorial Team:

  • Unit Production Manager: John Locke

  • First Assistant Director: Richard Rosser

D. SMITH

Kokomo City

(Magnolia Pictures)

FILM

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN THEATRICAL FEATURE FILM FOR 2023 (in alphabetical order):

GRETA GERWIG

Barbie

(Warner Bros. Pictures)

Directorial Team:

  • Unit Production Manager: Michael Sharp

  • First Assistant Director: Josh Robertson

  • Second Assistant Directors: David Keadell, Matthew Milan (Los Angeles Unit)

YORGOS LANTHIMOS

Poor Things

(Searchlight Pictures)

CHRISTOPHER NOLAN

Oppenheimer

(Universal Pictures)

Directorial Team:

  • Unit Production Managers: Thomas Hayslip, Nathan Kelly, Rafael Lima (New Jersey / New York Unit)

  • First Assistant Director: Nilo Otero

  • Second Assistant Director: Andrew Stahl

  • Second Second Assistant Director: Jesse Carmona

  • Additional Second Assistant Directors: Dixon McPhillips, Richard Molloy (New Jersey / New York Unit), AJ Jackson (New Jersey / New York Unit)

  • Location Manager: Patty Carey Perazzo (New Jersey / New York Unit)

ALEXANDER PAYNE

The Holdovers

(Focus Features)

Directorial Team:

  • Unit Production Manager: Chris Stinson

  • First Assistant Director: Rod Smith

  • Second Assistant Director: John Nasraway

  • Second Second Assistant Director: Tim LaDue

MARTIN SCORSESE

Killers of the Flower Moon

(Apple Original Films / Paramount Pictures)

Directorial Team:

  • Unit Production Managers: Daniel Lupi, Shea Kammer

  • First Assistant Director: Adam Somner

  • Second Assistant Director: Jeremy Marks

  • Second Second Assistant Director: Dominic Pacitti

  • Additional Second Assistant Director: Nuekellar Hardy

Michael Apted Award for Outstanding Directorial Achievement in First-Time Theatrical Feature Film (in alphabetical order):

CORD JEFFERSON

American Fiction

(Orion Pictures / Amazon MGM Studios)

MANUELA MARTELLI

Chile ‘76

(Kino Lober)

NOORA NIASARI

Shayda

(Sony Pictures Classics / ORIGMA 45)

A.V. ROCKWELL

A Thousand and One

(Focus Features)

Directorial Team:

  • Unit Production Manager: Jamin O’Brien

  • First Assistant Director: Daniel Lugo

  • Second Assistant Director: Teena Marie Delerme-Lugo

  • Assistant Unit Production Manager: Rob York

  • Second Second Assistant Director: Donté Bouyer

  • Additional Second Assistant Director: T.J. Hallett

  • Location Manager: Joanna Lu

CELINE SONG

Past Lives

(A24)

Directorial Team:

  • Unit Production Manager: Kerry Johnson

  • First Assistant Director: Ben Kahn

  • Second Assistant Director: Geraldine Schubert

  • Second Second Assistant Director: Dan Levy

  • Location Manager: Joseph Mullaney

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AWARDS SEASON | SAG AWARDS NOMINATIONS

January 10, 2024

The 30th SAG Awards will take place on Feb 24th and for the first time will be streaming globally on Netflix. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Outstanding Performance by a Cast in a Motion Picture

American Fiction

Barbie

The Color Purple

Killers of the Flower Moon

Oppenheimer

Outstanding Performance by a Male Actor in a Leading Role

Bradley Cooper – Maestro

Colman Domingo – Rustin

Paul Giamatti – The Holdovers

Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

Outstanding Performance by a Female Actor in a Leading Role

Annette Bening – Nyad

Lily Gladstone – Killers of the Flower Moon

Carey Mulligan – Maestro

Margot Robbie – Barbie

Emma Stone – Poor Things

Outstanding Performance by a Male Actor in a Supporting Role

Sterling K. Brown – American Fiction

Willem Dafoe – Poor Things

Robert De Niro – Killers of the Flower Moon

Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Outstanding Performance by a Female Actor in a Supporting Role

Emily Blunt – Oppenheimer

Danielle Brooks – The Color Purple

Penelope Cruz – Ferrari

Jodie Foster – Nyad

Da’Vine Joy Randolph – The Holdovers

Outstanding Performance by an Ensemble in a Drama Series

The Crown

The Gilded Age

The Last of Us

The Morning Show

Succession

Outstanding Performance by an Ensemble in a Comedy Series

Abbot Elementary

Barry

The Bear

Only Murders in the Building

Ted Lasso

Outstanding Performance by a Male Actor in a Drama Series

Brian Cox – Succession

Billy Crudup – The Morning Show

Kieran Culkin – Succession

Matthew Macfadyen – Succession

Pedro Pascal – The Last of Us

Outstanding Performance by a Female Actor in a Drama Series

Jennifer Aniston – The Morning Show

Elizabeth Debicki – The Crown

Bella Ramsey – The Last of Us

Keri Russell – The Diplomat

Sarah Snook – Succession

Outstanding Performance by a Female Actor in a Comedy Series

Alex Borstein – The Marvelous Mrs. Maisel

Rachel Brosnahan – The Marvelous Mrs. Maisel

Quinta Brunson – Abbott Elementary

Ayo Edebiri – The Bear

Hannah Waddingham – Ted Lasso

Outstanding Performance by a Male Actor in a Comedy Series

Brett Goldstein – Ted Lasso

Bill Hader – Barry

Ebon Moss-Bachrach – The Bear

Jason Sudeikis – Ted Lasso

Jeremy Allen White – The Bear

Outstanding Performance by a Female Actor in a Television Movie or Limited Series

Uzo Aduba – Painkiller

Kathryn Hahn – Tiny Beautiful Things

Brie Larson – Lessons in Chemistry

Bel Powley – A Small Light

Ali Wong – Beef

Outstanding Performance by a Male Actor in a Television Movie or Limited Series

Matt Bomer – Fellow Travelers

Jon Hamm – Fargo

David Oyelowo – Lawmen: Bass Reeves

Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie

Steven Yeun – Beef

Outstanding Action Performance by a Stunt Ensemble in a Television Series

Ahsoka

Barry

Beef

The Last of Us

The Mandalorian

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

Barbie

Guardians of the Galaxy Vol. 3

Indiana Jones and the Dial of Destiny

John Wick: Chapter 4

Mission: Impossible – Dead Reckoning Part One

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PHOTO CREDIT | CBS/Golden Globe Awards

AWARDS SEASON | GOLDEN GLOBE AWARDS WINNERS

January 7, 2024

The 81st Golden Globe Awards kicked off the official calendar for Awards Season and was hosted by Jo Koy (Awkwafina is Nora From Queens, Haunted Mansion, Leo). Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

BEST MOTION PICTURE, DRAMA

“Oppenheimer” (Universal Pictures)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Maestro” (Netflix)
“Past Lives” (A24)
“The Zone of Interest” (A24)
“Anatomy of a Fall” (Neon)

BEST PICTURE, MUSICAL OR COMEDY

“Barbie” (Warner Bros.)
“Poor Things” (Searchlight Pictures)
“American Fiction” (MGM)
“The Holdovers” (Focus Features)
“May December” (Netflix)
“Air” (Amazon MGM Studios)

BEST DIRECTOR, MOTION PICTURE

Bradley Cooper — “Maestro”
Greta Gerwig — “Barbie”
Yorgos Lanthimos — “Poor Things”
Christopher Nolan — “Oppenheimer”
Martin Scorsese — “Killers of the Flower Moon”
Celine Song — “Past Lives”

BEST SCREENPLAY, MOTION PICTURE 

“Barbie” — Greta Gerwig, Noah Baumbach
“Poor Things” — Tony McNamara
“Oppenheimer” — Christopher Nolan
“Killers of the Flower Moon” — Eric Roth, Martin Scorsese
“Past Lives” — Celine Song
“Anatomy of a Fall” — Justine Triet, Arthur Harari

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, DRAMA 

Bradley Cooper — “Maestro”
Cillian Murphy — “Oppenheimer”
Leonardo DiCaprio — “Killers of the Flower Moon”
Colman Domingo — “Rustin”
Andrew Scott — “All of Us Strangers”
Barry Keoghan — “Saltburn”

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, DRAMA 

Lily Gladstone — “Killers of the Flower Moon”
Carey Mulligan – “Maestro”
Sandra Hüller – “Anatomy of a Fall”
Annette Bening — “Nyad”
Greta Lee — “Past Lives”
Cailee Spaeny — “Priscilla”

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, MUSICAL OR COMEDY 

Fantasia Barrino – “The Color Purple”
Jennifer Lawrence – “No Hard Feelings”
Natalie Portman – “May December”
Alma Pöysti – “Fallen Leaves”
Margot Robbie – “Barbie”
Emma Stone – “Poor Things”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, MUSICAL OR COMEDY

Nicolas Cage — “Dream Scenario”
Timothée Chalamet — “Wonka”
Matt Damon — “Air”
Paul Giamatti — “The Holdovers”
Joaquin Phoenix — “Beau Is Afraid”
Jeffrey Wright — “American Fiction”

BEST SUPPORTING ACTOR – MOTION PICTURE 

Willem Dafoe — “Poor Things”
Robert DeNiro — “Killers of the Flower Moon”
Robert Downey Jr. — “Oppenheimer”
Ryan Gosling — “Barbie”
Charles Melton — “May December”
Mark Ruffalo — “Poor Things”

BEST SUPPORTING ACTRESS, MOTION PICTURE 

Emily Blunt — “Oppenheimer”
Danielle Brooks — “The Color Purple”
Jodie Foster — “Nyad”
Julianne Moore — “May December”
Rosamund Pike — “Saltburn”
Da’Vine Joy Randolph — “The Holdovers”

BEST TELEVISION SERIES, DRAMA 

“1923” (Paramount+)
“The Crown” (Netflix)
“The Diplomat” (Netflix)
“The Last of Us” (HBO)
“The Morning Show” (Apple TV+)
“Succession” (HBO)

BEST TELEVISION SERIES, MUSICAL OR COMEDY 

“The Bear” (FX)
“Ted Lasso” (Apple TV+)
“Abbott Elementary” (ABC)
“Jury Duty” (Amazon Freevee)
“Only Murders in the Building” (Hulu)
“Barry” (HBO)

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES, DRAMA 

Pedro Pascal — “The Last of Us”
Kieran Culkin — “Succession”
Jeremy Strong — “Succession”
Brian Cox — “Succession”
Gary Oldman — “Slow Horses”
Dominic West — “The Crown”

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES, DRAMA 

Helen Mirren — “1923”
Bella Ramsey — “The Last of Us”
Keri Russell — “The Diplomat”
Sarah Snook — “Succession”
Imelda Staunton — “The Crown”
Emma Stone — “The Curse”

BEST ACTRESS IN A TV SERIES, MUSICAL OR COMEDY 

Ayo Edebiri — “The Bear”
Natasha Lyonne — “Poker Face”
Quinta Brunson — “Abbott Elementary”
Rachel Brosnahan — “The Marvelous Mrs. Maisel”
Selena Gomez — “Only Murders in the Building”
Elle Fanning – “The Great”

BEST ACTOR IN A TV SERIES, MUSICAL OR COMEDY 

Bill Hader — “Barry”
Steve Martin — “Only Murders in the Building”
Martin Short — “Only Murders in the Building”
Jason Segel — “Shrinking”
Jason Sudeikis — “Ted Lasso”
Jeremy Allen White — “The Bear”

BEST SUPPORTING ACTOR, TELEVISION 

Billy Crudup — “The Morning Show”
Matthew Macfadyen — “Succession”
James Marsden — “Jury Duty”
Ebon Moss-Bachrach — “The Bear”
Alan Ruck — “Succession”
Alexander Skarsgård — “Succession”

BEST SUPPORTING ACTRESS, TELEVISION 

Elizabeth Debicki — “The Crown”
Abby Elliott — “The Bear”
Christina Ricci — “Yellowjackets”
J. Smith-Cameron — “Succession”
Meryl Streep — “Only Murders in the Building”
Hannah Waddingham — “Ted Lasso”

BEST LIMITED SERIES, ANTHOLOGY SERIES OR A MOTION PICTURE MADE FOR TELEVISION 

“Beef”
“Lessons in Chemistry”
“Daisy Jones & the Six”
“All the Light We Cannot See”
“Fellow Travelers”
“Fargo”

BEST PERFORMANCE BY AN ACTOR, LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION 

Matt Bomer — “Fellow Travelers”
Sam Claflin — “Daisy Jones & the Six”
Jon Hamm — “Fargo”
Woody Harrelson — “White House Plumbers”
David Oyelowo — “Lawmen: Bass Reeves”
Steven Yeun — “Beef”

BEST PERFORMANCE BY AN ACTRESS, LIMITED SERIES, ANTHOLOGY SERIES OR A MOTION PICTURE MADE FOR TELEVISION 

Riley Keough — “Daisy Jones & the Six”
Brie Larson — “Lessons in Chemistry”
Elizabeth Olsen — “Love and Death”
Juno Temple — “Fargo”
Rachel Weisz — “Dead Ringers”
Ali Wong — “Beef”

BEST ORIGINAL SCORE, MOTION PICTURE 

Ludwig Göransson — “Oppenheimer”
Jerskin Fendrix — “Poor Things”
Robbie Robertson — “Killers of the Flower Moon”
Mica Levi — “The Zone of Interest”
Daniel Pemberton — “Spider-Man: Across the Spider-Verse”
Joe Hisaishi — “The Boy and the Heron”

BEST PICTURE, NON-ENGLISH LANGUAGE 

“Anatomy of a Fall” (Neon) — France
“Fallen Leaves” (Mubi) — Finland
“Io Capitano” (01 Distribution) — Italy
“Past Lives” (A24) — United States
“Society of the Snow” (Netflix) — Spain
“The Zone of Interest” (A24) — United Kingdom

BEST ORIGINAL SONG, MOTION PICTURE 

“Barbie” — “What Was I Made For?” by Billie Eilish and Finneas
“Barbie” — “Dance the Night” by Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt
“She Came to Me” — “Addicted to Romance” by Bruce Springsteen and Patti Scialfa
“The Super Mario Bros. Movie” — “Peaches” by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker
“Barbie” — “I’m Just Ken” by Mark Ronson, Andrew Wyatt
“Rustin” — “Road to Freedom” by Lenny Kravitz

BEST MOTION PICTURE, ANIMATED 

“The Boy and the Heron” (GKids)
“Elemental” (Disney)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“The Super Mario Bros. Movie” (Universal Pictures)
“Suzume” (Toho Co.)
“Wish” (Disney)

BEST PERFORMANCE IN STAND-UP COMEDY OR TELEVISION

Ricky Gervais — “Ricky Gervais: Armageddon”
Trevor Noah — “Trevor Noah: Where Was I”
Chris Rock — “Chris Rock: Selective Outrage”
Amy Schumer — “Amy Schumer: Emergency Contact”
Sarah Silverman — “Sarah Silverman: Someone You Love”
Wanda Sykes — “Wanda Sykes: I’m an Entertainer”

CINEMATIC AND BOX OFFICE ACHIEVEMENT

“Barbie” (Warner Bros.)
“Guardians of the Galaxy Vol. 3” (Disney)
“John Wick: Chapter 4” (Lionsgate Films)
“Mission: Impossible — Dead Reckoning Part One” (Paramount Pictures)
“Oppenheimer” (Universal Pictures)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“The Super Mario Bros. Movie” (Universal Pictures)
“Taylor Swift: The Eras Tour” (AMC Theatres)

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PHOTO COURTESY | Television Academy/Creative Arts Emmys

AWARDS SEASON | CREATIVE ARTS EMMYS WINNERS

January 7, 2024

The 75th Creative Arts Emmy took place over 2 days! Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Outstanding Actor in a Short Form Comedy or Drama Series

Kevin Hart - Die Hart 2: Die Harter (The Roku Channel)
Tim Robinson - I Think You Should Leave With Tim Robinson (Netflix)
Ben Schwartz - Die Hart 2: Die Harter (The Roku Channel)

Outstanding Actress in a Short Form Comedy or Drama Series

Nathalie Emmanuel - Die Hart 2: Die Harter (The Roku Channel)
Jasmine Guy - Chronicles of Jessica Wu (Tubi)
Paula Pell - Die Hart 2: Die Harter (The Roku Channel)

Outstanding Casting for a Comedy Series

Abbott Elementary - Wendy O'Brien and Chris Gehry (ABC)
Jury Duty - Susie Farris (Amazon Freevee)
Only Murders in the Building - Bernard Telsey, Destiny Lilly, and Tiffany Little Canfield (Hulu)
Ted Lasso - Theo Park (Apple TV+)
The Bear - Jeanie Bacharach, Mickie Paskal, Jennifer Rudnicke, and AJ Links (FX)

Outstanding Casting for a Drama Series

Bad Sisters - Nina Gold and Lucy Amos (Apple TV+)
Succession - Avy Kaufman (HBO Max)
The Crown - Robert Sterne (Netflix)
The Last of Us - Victoria Thomas, Jennifer Page and Corinne Clark (HBO Max)
The White Lotus - Meredith Tucker, Barbara Giordani and Francesco Vedovati (HBO Max)
Yellowjackets - Junie Lowry Johnson, Corinne Clark, Libby Goldstein and Jennifer Page (Showtime)

Outstanding CasTing for a Limited or Anthology Series or Movie

Beef - Charlene Lee and Claire Koonce (Netflix)
Dahmer - Robert J. Ulrich, Carol Kritzer and Eric Dawson (Netflix)
Daisy Jones and the Six - Justine Arteta and Kim Davis-Wagner (Prime Video)
Fleishman is in Trouble - Laura Rosenthal and Jodi Angstreich (FX)
Weird: The Al Yankovic Story - Wendy O'Brien (The Roku Channel)

Outstanding Choreography for Scripted Programming

Blindspotting - Routines: "The History" / "San Quentin Blues" (Starz), Jon Boogz, Choreographer
Grease: Rise of the Pink Ladies - Routines: "New Cool" / "Hand Jive" / "The Boom"(Paramount+), Jamal Sims, Choreographer
Grease: Rise of the Pink Ladies - Routines: "Pulling Strings" / "Hit Me Again" / "High Rollin" (Paramount+), Jeffrey Mortensen and Louise Hradsky, Choreographers
Schmigadoon! - Routines: "Bells and Whistles" / "Good Enough to Eat" / "Bustin' Out" (Apple TV+), Christopher Gattelli, Choreographer
The Marvelous Mrs. Maisel - Routines: "Trash Man" / "Dream Kitchen" (Prime Video), Marguerite Derricks, Choreographer

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

The Last Of Us • Infected • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog John Paino, Production Designer Don Macaulay, Art Director Paul Healy, Set Decorator

Poker Face • The Orpheus Syndrome • Peacock • T-Street, MRC Television, Animal Pictures
Judy Rhee, Production Designer Martha Sparrow, Art Director Cathy Marshall, Set Decorator

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Stephen H. Carter, Production Designer Molly Mikula, Art Director George Detitta Jr., Set Decorator

Ted Lasso • Sunflowers • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director Kate Goodman, Set Decorator

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Mark Scruton, Production Designer Adrian Curelea, Art Director Robert Hepburn, Set Decorator

The White Lotus • Ciao • HBO Max • HBO in association with Rip Cord and The District Cristina Onori, Production Designer Gianpaolo Rifino, Art Director Letizia Santucci, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Jessica Kender, Production Designer Brian Grego, Art Director Lisa Clark, Set Decorator Andi Brittan, Set Decorator

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Tamara Deverell, Production Designer Brandt Gordon, Art Director Shane Vieau, Set Decorator

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jim Clay, Production Designer Dominic Masters, Art Director Claire Nia Richards, Set Decorator

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Perry Mason • Chapter Eleven • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Keith P. Cunningham, Production Designer Ian Scroggins, Art Director Halina Siwolop, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Bear • System • FX • FX Productions Sam Lisenco, Production Designer Eric Dean, Art Director Emily Carter, Set Decorator

How I Met Your Father • The Reset Button • Ride Or Die • Daddy • Hulu • 20th Television Glenda Rovello, Production Designer Conny Boettger-Marinos, Art Director Amy Beth Feldman, Set Decorator

Only Murders In The Building • Sparring Partners • I Know Who Did It • Hulu • 20th Television Patrick Howe, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! • Famous As Hell • Apple TV+ • Broadway Video / Universal Television in association with Apple Jamie Walker McCall, Production Designer Ryan Garton, Art Director Gregory Clarke, Art Director Carol Lavallee, Set Decorator

What We Do In The Shadows • The Night Market • FX • FX Productions Shayne Fox, Production Designer Aaron Noël, Art Director Kerri Wylie, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY OR REALITY SERIES
A Black Lady Sketch Show • Peek-A-Boob, Your Titty’s Out • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

Last Week Tonight With John Oliver • Museums • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television Eric Morrell, Production Designer Sabrina Lederer, Art Director

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Thomas Rouse, Production Designer Tyka Edwards, Art Director

RuPaul's Drag Race • Blame It On The Edit • MTV • World of Wonder Gianna Costa, Production Designer Brad Bailey, Art Director

Saturday Night Live • Host: Steve Martin & Martin Short • Host: Jenna Ortega • NBC • SNL Studios in association with Universal Television and Broadway Video Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer Andrea Purcigliotti, Production Designer Danielle Webb, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY SPECIAL

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Lindsey Breslauer, Art Director Maria Garcia, Art Director Lily Rodgers, Art Director

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Tamlyn Wright, Production Designer Travis Deck, Art Director

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Misty Buckley, Production Designer Joe Celli, Art Director Raquel Tarbet, Set Decorator

The 65th Annual Grammy Awards • CBS • Fulwell 73 Julio Himede, Production Designer Kristen Merlino, Art Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences Misty Buckley, Production Designer Alana Billingsley, Production Designer John Zuiker, Art Director

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

Black Bird • Hand To Mouth • Apple TV+ • Apple Studios Natalie Kingston, Director of Photography

Boston Strangler • Hulu • 20th Century Studios Ben Kutchins, Director of Photography

Dead Ringers • One • Prime Video • AnnaPurna Pictures, Amazon Studios Jody Lee Lipes, ASC, Director of Photography

George & Tammy • Stand By Your Man • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Igor Martinovic, Director of Photography

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You
Anastas Michos, ASC, GSC, Director of Photography

Outstanding Cinematography for a Series (Half-Hour)

Atlanta - Christian Sprenger (FX)
Barry - Carl Herse (HBO Max)
How I Met Your Father - Gary Baum (Hulu)
Only Murders in the Building - Chris Teague (Hulu)
Schmigadoon! - Jon Joffin (Apple TV+)
The Mandalorian - Dean Cundey (Disney+)

Outstanding Cinematography for a Series (One Hour)

Andor - Damián García (Disney+)
House of the Dragon - Catherine Goldschmidt (HBO Max)
The Crown - Adriano Goldman (Netflix)
The Marvelous Mrs. Maisel - M. David Mullen (Prime Video)
The Old Man - Sean Porter (FX)
Wednesday - David Lanzenberg (Netflix)

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM

100 Foot Wave • Chapter VI - Force Majeure • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Antoine Chicoye, Cinematography by Mikey Corker, Cinematography by Vincent Kardasik, Cinematography by Alexandre Lesbats, Cinematography by Chris Smith, Cinematography by Laurent Pujol, Cinematography by João Vidinha, Cinematography by Michael Darrigade, Cinematography by

Secrets Of The Elephants • Desert • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic Toby Strong, Director of Photography James Boon, Director of Photography Bob Poole, Director of Photography

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Jerry Henry, Director of Photography

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Andrew Muggleton, Director of Photography

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio C. Kim Miles, CSC, ASC, MySC, Director of Photography Clair Popkin, Cinematography by Julia Liu, Cinematography by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava Alex Pritz, Cinematography by Tangãi Uru-eu-wau-wa, Cinematography by

OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Josh Bartel, Camera Kurt Carpenter, Camera David D'Angelo, Camera Matthew Di Girolamo, Camera Adam Haisinger, Camera Robert Howsam, Camera Kevin Johnson, Camera Jay Kaufman, Camera Ian Kerr, CSC, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Ryan Shaw, Camera
Alan Weeks, Camera

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel David Reichert, Director of Photography Charlie Beck, Director of Photography Bryan Miller, Director of Photography Todd Stanley, Director of Photography Shane Moore, Director of Photography Nathan Garofalos, Director of Photography David Arnold, Director of Photography

Life Below Zero • The Pursuit • National Geographic • BBC Studios Danny Day, Director of Photography Simeon Houtman, Director of Photography Jason Hubbell, Director of Photography Ben Mullin, Director of Photography Zach Vincent, Director of Photography

Survivor • Series Body Of Work • CBS • MGM Television Peter Wery, Director of Photography Scott Duncan, Director of Photography Russ Fill, Director of Photography George Andrews, Camera Tim Barker, Camera Marc Bennett, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Chris Ellison, Camera Nixon George, Camera Matthias Hoffmann, Cinema Toby Hogan, Camera Derek Holt, Camera Efrain "Mofi" Laguna, Camera Ian Miller, Camera Nico Nyoni, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Daniel Powell, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Paulo Velozo, Camera Cullum Andrews, Camera Christopher Barker, Director of Aerial Photography Granger Scholtz, Director of Aerial Photography Nic Van Der Westhuizen, Aerial Camera Operator Dwight Winston, Aerial Camera Operator

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Alastair McKevitt, Director of Photography Craig Hastings, Director of Photography Leighton Cox, Director of Photography Jason Bulley, Director of Photography


OUTSTANDING PERIOD COSTUMES FOR A SERIES
The Crown • Mou Mou • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Amy Roberts, Costume Designer Sidonie Roberts, Associate Costume Designer Christof Roche-Gordon, Costume Supervisor

The Great • Choose Your Weapon • Hulu • Civic Center Media, MRC Sharon Long, Costume Designer Claire Tremlett, Assistant Costume Designer Basia Kuznar, Assistant Costume Designer Anna Lau, Costume Supervisor

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor

Perry Mason • Chapter Ten • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Catherine Adair, Costume Designer David J. Matwijkow, Assistant Costume Designer Nanrose Buchman, Costume Supervisor

Queen Charlotte: A Bridgerton Story • Crown Jewels • Netflix • A Netflix Series in association with shondalandmedia Lyn Elizabeth Paolo, Costume Designer Laura Frecon, Co-Costume Designer Jovana Gospavic, Assistant Costume Designer Alex Locke, Costume Supervisor

OUTSTANDING PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Dahmer - Monster: The Jeffrey Dahmer Story • Please Don't Go • Netflix • Ryan Murphy Productions for Netflix Rudy Mance, Costume Designer Monica Chamberlain, Assistant Costume Designer Desmond Smith, Assistant Costume Designer Suzy Freeman, Costume Supervisor

Daisy Jones & The Six • Track 8: Looks Like We Made It • Prime Video • Hello Sunshine, Amazon Studios Denise Wingate, Costume Designer Derek Sullivan, Costume Supervisor

George & Tammy • We're Gonna Hold On • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Mitchell Travers, Costume Designer Mitchel Wolf, Assistant Costume Designer Laurel Rose, Assistant Costume Designer Aileen Abercrombie, Assistant Costume Designer Susan Russell, Costume Supervisor Charles Carter, Costume Supervisor

Guillermo Del Toro's Cabinet Of Curiosities • Dreams In The Witch House • Netflix • Netflix / Double Dare You Luis Sequeira, Costume Designer Ann Steel, Assistant Costume Designer Heather Crepp, Costume Supervisor

Welcome To Chippendales • Leeches • Hulu • 20th Television Peggy Schnitzer, Costume Designer
Derek Bulger, Assistant Costume Designer Julie Heath, Costume Supervisor

OUTSTANDING FANTASY/SCI-FI COSTUMES
Hocus Pocus 2 • Disney+ • Walt Disney Pictures Salvador Perez, Costume Designer Elizabeth Shelton, Assistant Costume Designer Gala Autumn, Costume Supervisor

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jany Temime, Costume Designer Katherine Burchill, Assistant Costume Designer Paul Yeowell, Assistant Costume Designer Rachel George, Assistant Costume Designer Joanna Lynch, Costume Supervisor

The Lord Of The Rings: The Rings Of Power • A Shadow Of The Past • Prime Video • Amazon Studios Kate Hawley, Costume Designer Libby Dempster, Assistant Costume Designer Lucy McLay, Assistant Costume Designer Jaindra Watson, Assistant Costume Designer Pip Lingard, Costume Supervisor Jenny Rushton, Costume Supervisor

The Mandalorian • Chapter 22: Guns For Hire • Disney+ • Lucasfilm Ltd. Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor

Obi-Wan Kenobi • Part I • Disney+ • Lucasfilm Ltd. Suttirat Anne Larlarb, Costume Designer Stacia Lang, Assistant Costume Designer Lynda Foote, Costume Supervisor

What We Do In The Shadows • The Wedding • FX • FX Productions Laura Montgomery, Costume Designer Barbara Cardoso, Assistant Costume Designer Judy Laukkanen, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES

Emily In Paris • What's It All About... • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Marylin Fitoussi, Costume Designer Herehau Ragonneau, Assistant Costume Designer Daniela Telle, Associate Costume Designer Marie Fremont, Costume Supervisor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Cynthia Ann Summers, Costume Designer Kelsey Chobotar, Assistant Costume Designer Rebecca Toon, Assistant Costume Designer Michelle Carr, Costume Supervisor

Only Murders In The Building • Framed • Hulu • 20th Television Dana Covarrubias, Costume Designer Abby Geoghegan, Assistant Costume Designer Kathleen Gerlach, Wardrobe Supervisor

Succession • Church And State • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Michelle Matland, Costume Designer Jonathan Schwartz, Assistant Costume Designer Mark Agnes, Wardrobe Supervisor

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Colleen Atwood, Costume Designer Mark Sutherland, Co-Costume Designer Robin Soutar, Assistant Costume Designer Claudia Littlefield, Costume Supervisor Adina Bucur, Costume Supervisor

The White Lotus • That's Amore • HBO Max • HBO in association with Rip Cord and The District
Alex Bovaird, Costume Designer Brian Sprouse, Assistant Costume Designer Margherita Zanobetti, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • The Birds Don't Sing, They Screech In Pain • Netflix • A Netflix Series / An A24 Production Helen Huang, Costume Designer Austin Wittick, Assistant Costume Designer YJ Hwang, Assistant Costume Designer Mark Anthony Summers, Costume Supervisor

Dolly Parton's Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions Provi Fulp, Costume Designer Jose Ramos, Costume Supervisor Steve Summers, Dolly's Wardrobe by

Fleishman Is In Trouble • Me-Time • FX • ABC Signature Leah Katznelson, Costume Designer Angel Peart, Assistant Costume Designer Katie Novello, Assistant Costume Designer Deidre Wegner, Assistant Costume Designer Anne Newton-Harding, Costume Supervisor

Swarm • Honey • Prime Video • Amazon Studios Dominique Dawson, Costume Designer Brittny Chapman, Assistant Costume Designer Mashal Khan, Costume Supervisor

The Watcher • Welcome, Friends • Netflix • A Netflix Series / Jam Tart Films / Prospect Films / Ryan Murphy Television Lou Eyrich, Costume Designer Rudy Mance, Costume Designer Catherine Crabtree, Assistant Costume Designer Zakiya Dennis, Costume Supervisor

Outstanding Contemporary Hairstyling

Abbott Elementary (ABC)
Emily in Paris (Netflix)
Only Murders in the Building (Hulu)
P-Valley (Starz)
Ted Lasso (Apple TV+)
The Last of Us (HBO Max)
The White Lotus (HBO Max)

Outstanding Contemporary Makeup (Non-Prosthetic)

American Horror Stories (FX)
Emily in Paris (Netflix)
Star Trek: Picard (Paramount+)
The Last of Us (HBO Max)
The White Lotus (HBO Max)
Wednesday (Netflix)

Outstanding Fantasy/Sci-Fi Costumes

Hocus Pocus 2 (Disney+)
House of the Dragon (HBO Max)
Obi-Wan Kenobi (Disney+)
The Lord of the Rings: The Rings of Power (Prime Video)
The Mandalorian (Disney+)
What We Do in the Shadows (FX)

Outstanding Guest Actor in a Comedy Series

Jon Bernthal - The Bear (FX)
Luke Kirby - The Marvelous Mrs. Maisel (Prime Video)
Nathan Lane - Only Murders in the Building (Hulu)
Pedro Pascal - Saturday Night Live (NBC)
Oliver Platt - The Bear (FX)
Sam Richardson - Ted Lasso (Apple TV+)

Outstanding Guest Actor in a Drama Series

Murray Bartlett - The Last of Us (HBO Max)
James Cromwell - Succession (HBO Max)
Lamar Johnson - The Last of Us (HBO Max)
Arian Moayed - Succession (HBO Max)
Nick Offerman - The Last of Us (HBO Max)
Keivonn Montreal Woodard - The Last of Us (HBO Max)

Outstanding Guest Actress in a Comedy Series

Becky Ann Baker - Ted Lasso (Apple TV+)
Quinta Brunson - Saturday Night Live (NBC)
Taraji P. Henson - Abbott Elementary (ABC)
Judith Light - Poker Face (Peacock)
Sarah Niles - Ted Lasso (Apple TV+)
Harriet Walter - Ted Lasso (Apple TV+)

Outstanding Guest Actress in a Drama Series

Hiam Abbass - Succession (HBO Max)
Cherry Jones - Succession (HBO Max)
Melanie Lynskey - The Last of Us (HBO Max)
Storm Reid - The Last of Us (HBO Max)
Anna Torv - The Last of Us (HBO Max)
Harriet Walter - Succession (HBO Max)

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Skip Macdonald, ACE, Editor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Timothy A. Good, ACE, Editor Emily Mendez, Editor  

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Jane Rizzo, ACE, Editor

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Bill Henry, ACE, Editor

Succession • With Open Eyes • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Ken Eluto, ACE, Editor

The White Lotus • Abductions • HBO Max • HBO in association with Rip Cord and The District
Heather Persons, ACE, Editor

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
John M. Valerio, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES

Call Me Kat • Call Me Consciously Uncoupled • FOX • That's Wonderful Productions, Sad Clown Productions and BBC Studios in association with Warner Bros. Television and FOX Entertainment
Pamela Marshall, Editor

How I Met Your Father • Daddy • Hulu • 20th Television Russell Griffin, ACE, Editor

Night Court • Pilot • NBC • After January Productions in association with Warner Bros. Television and Universal Television Kirk Benson, Editor Chris Poulos, Editor

The Upshaws • Duct Up • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Russell Griffin, ACE, Editor Angel Gamboa Bryant, Editor

The Upshaws • Off Beat • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Angel Gamboa Bryant, Editor

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Franky Guttman, Editor Ali Greer, ACE, Editor

The Bear • System • FX • FX Productions Joanna Naugle, Editor

Only Murders In The Building • The Last Day Of Bunny Folger • Hulu • 20th Television Peggy Tachdjian, ACE, Editor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television A.J. Catoline, ACE, Editor Alex Szabo, Editor

Ted Lasso • So Long, Farewell • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Melissa McCoy, ACE, Editor Francesca Castro, Additional Editor

What We Do In The Shadows • Go Flip Yourself • FX • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, ACE, Editor
 

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • Figures Of Light • Netflix • A Netflix Series / An A24 Production Nat Fuller, Editor Laura Zempel, Editor

Dahmer - Monster: The Jeffrey Dahmer Story • The Good Boy Box • Netflix • Ryan Murphy Productions for Netflix Stephanie Filo, ACE, Editor

Ms. Marvel • Generation Why • Disney+ • Marvel Studios Nona Khodai, ACE, Editor Sabrina Plisco, ACE, Editor

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Kelley Dixon, ACE, Editor Josh Earl, ACE, Editor

Prey • Hulu • 20th Century Studios Angela M. Catanzaro, ACE, Editor Claudia Castello, Editor

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Jamie Kennedy, ACE, Editor

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

A Black Lady Sketch Show • My Love Language Is Words Of Defamation • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Stephanie Filo, ACE, Supervising Editor Malinda Zehner Guerra, Editor Taylor Joy Mason, Editor

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Mike Polito, Offline Editor Timothy Schultz, Offline Editor

The Daily Show With Trevor Noah • Jordan Klepper Shows Trump Supporters January 6th Hearing Clips • Comedy Central • Central Productions, LLC Storm Choi, Editor Eric Davies, Editor Tom Favilla, Editor Lauren Beckett Jackson, Editor Nikolai Johnson, Editor Ryan Middleton, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor

History Of The World, Part II • III • Hulu • 20th Television and Searchlight Television Angel Gamboa Bryant, Editor Stephanie Filo, ACE, Editor Daniel Flesher, Editor George Mandl, Editor

Saturday Night Live • HBO Mario Kart Trailer (Segment) • NBC • SNL Studios in association with Universal Television and Broadway Video Ryan Spears, Editor Christopher Salerno, Editor

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM
 
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Brett Morgen, Editor

100 Foot Wave • Chapter III - Jaws • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Alex Bayer, Editor Alex Keipper, Editor Quin O'Brien, Editor

Pretty Baby: Brooke Shields • Hulu • ABC News Studios, Bed By 8, Matador Content, Drifting Cloud Productions David Teague, Supervising Editor Sara Newens, Editor Anne Yao, Editor

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Ephraim Kirkwood, Editor
Jesse Allain-Marcus, Additional Editor Adriana Pacheco, Additional Editor

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Liz Roe, Editor

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Harte, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A STRUCTURED REALITY OR COMPETITION PROGRAM
The Amazing Race • Body Of Work • CBS • WorldRace Productions, Inc. Eric Beetner, Editor Kevin Blum, Editor Trevor Campbell, Editor Kellen Cruden, Editor Jay Gammill, Editor Katherine Griffin, Editor Jason Groothuis, Editor Darrick Lazo, Editor Ryan Leamy, Editor Josh Lowry, Editor Paul Nielsen, Editor Steve Mellon, Editor

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Toni Ann Carabello, Lead Editor Nova Taylor, Editor Jason Szabo, Editor Widgie Nikia Figaro, Editor Sean Gill, Editor Kimberly Pellnat, Editor

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Jamie Martin, Lead Editor Paul Cross, Editor Ryan Mallick, Editor Michael Roha, Editor

Survivor • Telenovela • CBS • MGM Television Bill Bowden, Supervising Editor Evan Mediuch, Supervising Editor Francisco Santa Maria, Editor Plowden Schumacher, Editor Andrew Bolhuis, Editor Jacob Teixeira, Editor James Ciccarello, Editor

Top Chef • Body Of Work • Bravo • Magical Elves Steve Lichtenstein, Lead Editor Ericka Concha, Editor Blanka Kovacs, Editor Eric Lambert, Editor Matt Reynolds, Editor Jay M. Rogers, Editor Brian Freundlich, Additional Editor Brian Giberson, Additional Editor Malia Jurick, Additional Editor Brian Kane, Additional Editor Daniel Ruiz, Additional Editor Anthony J. Rivard, Additional Editor Annie Tighe, Additional Editor Tony West, Additional Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM
Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Rob Butler, Supervising Editor Isaiah Camp, Supervising Editor Alexandra Moore, Editor Alexander Rubinow, Editor Ian Olsen, Editor Hugh Elliot, Editor Joe Mikan, Additional Editor

Life Below Zero • A Storm To Remember • National Geographic • BBC Studios Michael Swingler, Editor Tony Diaz, Additional Editor Matt Edwards, Additional Editor Jennifer Nelson, ACE, Additional Editor Tanner Roth, Additional Editor

RuPaul's Drag Race: Untucked • The Daytona Wind 2 • MTV • World of Wonder Matthew D. Miller, Lead Editor Kellen Cruden, Editor

Vanderpump Rules • Lady And The Glamp • Bravo • Evolution Media Jesse Friedman, Editor Tom McCudden, Editor Ramin Mortazavi, Editor Christian Le Guilloux, Editor Paul Peltekian, Editor Sax Eno, Editor Robert Garry, Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mohamed El Manasterly, Editor Curtis McConnell, Editor Michael Brown, Editor Charles Little, ACE, Editor Bryan Rowland, Additional Editor

OUTSTANDING EMERGING MEDIA PROGRAM
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google
Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O'Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky's The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine's Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES
America's Got Talent • Episode 1717 • NBC • Fremantle and Syco Entertainment Noah Mitz, Lighting Designer Will Gossett, Lighting Director Ryan Tanker, Lighting Director Patrick Brazil, Lighting Director Jay Koch, Lighting Director Matt Benson, Lighting Director Scott Chmielewski, Lighting Director Kevin Faust, Video Controller

American Idol • Top 20 • ABC • Fremantle and 19 Entertainment Tom Sutherland, Lighting Designer Bobby Grey, Lighting Director Nathan Files, Lighting Director James Coldicott, Lighting Director Hunter Selby, Lighting Director Scott Chmielewski, Lighting Director Luke Chantrell, Video Controller Ed Moore, Video Controller

Dancing With The Stars • Semi Finals • Disney+ • BBC Studios Los Angeles Productions Noah Mitz, Lighting Designer Michael Berger, Lighting Director Patrick Brazil, Lighting Director Andrew Law, Lighting Director Matt Benson, Lighting Director Matt McAdam, Lighting Director Luke Chantrell, Video Controller

So You Think You Can Dance • Starry Starry Night • FOX • The Intellectual Property Corporation (IPC) and Dick Clark Productions (DCP) Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director Jeff Behm, Lighting Director Christopher Gray, Video Controller

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer Ronald Wirsgalla, Lighting Director Erin Anderson, Lighting Director Andrew Munie, Lighting Director Jeff Shood, Lighting Director Daniel Boland, Lighting Director Terrance Ho, Video Controller

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL
Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Al Gurdon, Lighting Designer Harry Forster, Lighting Director Bobby Grey, Lighting Director Darien Koop, Lighting Director James Coldicott, Lighting Director Chris Hill, Video Controller Ed Moore, Video Controller

The 65th Annual Grammy Awards • CBS • Fulwell 73 Noah Mitz, Lighting Designer Andy O'Reilly, Lighting Director Patrick Boozer, Lighting Director Ryan Tanker, Lighting Director Madigan Stehly, Lighting Director Bryan Klunder, Lighting Director Erin Anderson, Lighting Director Will Gossett, Lighting Director Matthew Cotter, Lighting Director Terrance Ho, Video Controller Guy Jones, Video Controller

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production
Allen Branton, Lighting Designer Darren Langer, Lighting Director Felix Peralta, Lighting Director Kevin Lawson, Lighting Director Alex Flores, Lighting Director Bianca Moncada, Lighting Director Chuck Reilly, Video Controller Guy Jones, Video Controller
 
75th Annual Tony Awards • CBS • White Cherry Entertainment Robert Dickinson, Lighting Designer Noah Mitz, Lighting Director Harry Sangmeister, Lighting Director Tyler Ericson, Lighting Director Richard Beck, Lighting Director Jason Rudolph, Lighting Director JM Hurley, Video Controller Ka Lai Wong, Video Controller

The Weeknd Live At SoFi Stadium • HBO Max • HBO Jason Baeri, Lighting Designer Joe Bay, Lighting Director Kille Knoble, Lighting Director Mark Butts, Lighting Director Loren Barton, Lighting Director

OUTSTANDING MAIN TITLE DESIGN

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Mike Schaeffer, Creative Director Chet Hirsch, Director David Rowley, Art Director Akshay Tiwari, Designer

Hello Tomorrow! • Apple TV+ • MRC in association with Apple Ronnie Koff, Creative Director Lexi Gunvaldson, Editor Christoph Gabathuler, 3D Artist Juan Monasterio, Animator Lindsey Mayer-Beug, Illustrator Fernando Lazzari, Animator

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Andy Hall, Creative Director Nadia Tzuo, Creative Director Gryun Kim, 3D Artist Min Shi, Designer Jun Kim, 3D Artist Xiaolin (Mike) Zeng, Designer

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Katrina Crawford, Director Mark Bashore, Director Anthony Vitagliano, Creative Director Fernando Domínguez Cózar, Animation Director

Wednesday • Netflix • A Netflix Series / An MGM Television Production Aaron Becker, Creative Director Joseph Ahn, Designer James Ramirez, Animator Lee Nelson, Animator Eric Keller, 3D Artist Hsien Lun Su, Animator

The White Lotus • HBO Max • HBO in association with Rip Cord and The District Katrina Crawford, Director/Creative Director/Photographer Mark Bashore, Director/Editor Lezio Lopes, Illustrator Cian McKenna, Animator

Outstanding Motion Design

Ms. Marvel (Disney+)

Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)

A Small Light: "What Can Be Saved" - Ariel Marx (National Geographic)
Hocus Pocus 2 - John Debney (Disney+)
Ms. Marvel: "Time and Again" - Laura Karpman (Disney+)
Prey - Sarah Schachner (Hulu)
Weird: The Al Yankovic Story - Leo Birenberg and Zach Robinson (The Roku Channel)

Outstanding Music Composition for a Series (Original Dramatic Score)

Andor: "Rix Road" - Nicholas Britell (Disney+)
Succession: "Connor's Wedding" - Nicholas Britell (HBO Max)
The Last of Us: "Long, Long Time" - Gustavo Santaolalla (HBO Max)
The White Lotus: "In the Sandbox" - Cristobal Tapia de Veer (HBO Max)
Wednesday: "Woe is the Loneliest Number" - Danny Elfman and Chris Bacon (Netflix)

Outstanding Music Supervision

Daisy Jones & the Six: "Track 8: Looks Like We Made It" - Frankie Pine (Prime Video)
Stranger Things: "Chapter Nine: The Piggyback" - Nora Felder (Netflix)
Ted Lasso: "So Long, Farewell" - Tony Von Pervieux and Christa Miller (Apple TV+)
The Marvelous Mrs. Maisel: "Four Minutes" - Robin Urdang (Prime Video)
The White Lotus: "Bull Elephants" - Gabe Hilfer (HBO Max)

Outstanding Original Main Title Theme Music

Andor - Nicholas Britell (Disney+)
Guillermo del Toro's Cabinet of Curiosities - Holly Amber Church (Netflix)
Ms. Marvel - Laura Karpman (Netflix)
The Lord of the Rings: The Rings of Power - Howard Shore (Prime Video)
Wednesday - Danny Elfman (Netflix)

Outstanding Original Music and Lyrics

Ginny & Georgia: "Hark! Darkness Descends!" - "Marriage is a Dungeon" by Lili Haydn and Ben Bromfield (Netflix)
Ted Lasso: "Mom City" - "Fought and Lost" by Tom How, Sam Ryder, and Jamie Hartman (Apple TV+)
Ted Lasso: "So Long, Farewell" - "A Beautiful Game" by Ed Sheeran, Max Martin, and Foy Vance (Apple TV+)
The L Word: Generation Q: "Questions for the Universe" - "All About Me" by Heather McIntosh, Allyson Newman and Taura Stinson (Showtime)
The Marvelous Mrs. Maisel: "Susan" - "Your Personal Trash Man Can" by Curtis Moore and Thomas Mizer (Prime Video)
Weird: The Al Yankovic Story: "Now You Know" by Al Yankovic (The Roku Channel)

Outstanding Period and/or Character Hairstyling

Dahmer - Monster: The Jeffrey Dahmer Story (Netflix)
Queen Charlotte: A Bridgerton Story (Netflix)
The Crown (Netflix)
The Mandalorian (Disney+)
The Marvelous Mrs. Maisel (Prime Video)

Outstanding Period and/or Character Makeup (Non-Prosthetic)

Dahmer - Monster: The Jeffrey Dahmer Story (Netflix)
Daisy Jones & the Six (Prime Video)
House of the Dragon (HBO Max)
Stranger Things (Netflix)
The Mandalorian (Disney+)
The Marvelous Mrs. Maisel (Prime Video)

Outstanding Period Costumes for a Series

Perry Mason (HBO Max)
Queen Charlotte: A Bridgerton Story (Netflix)
The Crown (Netflix)
The Great (Hulu)
The Marvelous Mrs. Maisel (Prime Video)

Outstanding Period Costumes for a Limited or Anthology Series or Movie

Dahmer - Monster: The Jeffrey Dahmer Story (Netflix)
Daisy Jones & the Six (Prime Video)
George & Tammy (Showtime)
Guillermo del Toro's Cabinet of Curiosities (Netflix)
Welcome to Chippendales (Hulu)

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor • The Eye • Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Margit Pfeiffer, Co-Supervising Sound Editor Richard Quinn, Dialogue Editor Jonathan Greber, ADR Editor J.R. Grubbs, Sound Effects Editor John Finklea, Music Editor Shaun Farley, Foley Editor Shelley Roden, Foley Artist John Roesch, Foley Artist

The Boys • The Instant White-Hot Wild • Prime Video • Sony Pictures Television, Amazon Studios
Wade Barnett, MPSE, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor Ryan Briley, Supervising ADR Editor Jeffrey A. Pitts, Sound Efffects Editor/Sound Designer Pete Nichols, Sound Effects Editor Christopher Brooks, Music Editor James Howe, Foley Editor

House Of The Dragon • The Black Queen • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Al Sirkett, Supervising Sound Editor Tim Hands, Dialogue Editor Adele Fletcher, Supervising ADR Editor Paula Fairfield, MPSE, Sound Designer David Klotz, Music Editor Timeri Duplat, Music Editor Mathias Schuster, Foley Editor Barnaby Smyth, Foley Artist Paula Boram, Foley Artist

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Michael J. Benavente, Supervising Sound Editor Joe Schiff, Dialogue Editor Christopher Battaglia, Sound Designer Chris Terhune, Sound Designer Mitchell Lestner, Sound Effects Editor Jacob Flack, Sound Effects Editor Matt Yocum, MPSE, Sound Effects Editor Maarten Hofmeijer, Music Editor Randy Wilson, Supervising Foley Editor Justin Hele, Foley Editor David Aquino, Foley Editor Stefan Fraticelli, Foley Artist Jason Charbonneau, Foley Artist William Kellerman, Foley Artist
 
The Lord Of The Rings: The Rings Of Power • Udûn • Prime Video • Amazon Studios Robert Stambler, MPSE, Co-Supervising Sound Editor Damian Del Borrello, Co-Supervising Sound Editor Ailene Roberts, Dialogue Editor Stefanie Ng, Dialogue/ADR Editor Paula Fairfield, Sound Designer Chris Terhune, Sound Editor James Miller, Sound Editor Michael Baber, Music Editor Jason Smith, Music Editor Amy Barber, Foley Editor Jonathan Bruce, Foley Artist

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jill Purdy, Dialogue Editor Lee Gilmore, Sound Effects Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor Ken McGill, MPSE, Sound Effects/ Foley Editor Steve Baine, Foley Artist

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Sean Heissinger, Co-Supervising Sound Editor Matthew E. Taylor, Co-Supervising Sound Editor John Creed, Dialogue Editor Rickley W. Dumm, MPSE, Sound Effects Editor Deron Street, Sound Editor Clay Weber, Sound Editor Michael Brake, MPSE, Music Editor Darrin Mann, Foley Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist

The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Supervising Sound Editor Evan Benjamin, Dialogue Editor Jonathan Fuhrer, Sound Effects Editor Annie Taylor, Foley Editor Chris White, Foley Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Brad Semenoff, Dialogue Editor David W. Collins, Sound Designer Luis Galdames, Sound Effects Editor Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Joel Raabe, Foley Editor Shelley Roden, Foley Artist  

Reservation Dogs • This Is Where The Plot Thickens • FX • FX Productions Patrick Hogan, Supervising Sound Editor David Beadle, Sound Editor Sonya Lindsay, Sound Editor Michael Sana, Sound Editor Daniel Salas, Sound Editor Amber Funk, Music Editor Lena Krigen, Foley Editor

What We Do In The Shadows • The Night Market • FX • FX Productions Steffan Falesitch, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor David Barbee, MPSE, Sound Effects Editor Steve Griffen, Music Editor John Guentner, Foley Editor Sam Lewis, Foley Editor Ellen Heuer, Foley Artist

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

Dahmer - Monster: The Jeffrey Dahmer Story • God Of Forgiveness, God Of Vengeance • Netflix • Ryan Murphy Productions for Netflix Gary Megregian, MPSE, Supervising Sound Editor Borja Sau, Dialogue Editor Bruce Tanis, MPSE, Sound Effects Editor David Klotz, Music Editor Sam Munoz, Foley Editor Noel Vought, Foley Artist

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You Nelson Ferreira, MPSE, Supervising Sound Editor Jill Purdy, Dialogue Editor Paul Davies, Sound Designer Bernard O’Reilly, Sound Effects Editor Paul Germann, Sound Effects Editor Tom Jenkins, Sound Editor Robert Hegedus, Music Editor Rose Gregoris, Foley Editor Goro Koyama, Foley Artist

Mrs. Davis • Mother Of Mercy: The Call Of The Horse • Peacock • Warner Bros. Television, Little Bug, White Rabbit Bryan Parker, Supervising Sound Editor Kristen Hirlinger, Dialogue Editor Nathan Efstation, Dialogue Editor Roland Thai, Sound Designer Matt Decker, Music Editor Sam Lewis, Supervising Foley Editor Sam Munoz, Foley Editor Ellen Heuer, Foley Artist Nancy Parker, Foley Artist

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Angela Ang, Dialogue/ADR Editor Ryan Cota, Dialogue/ADR Editor Jon Borland, Sound Designer/Sound Effects Editor Tim Farrell, Sound Effects Editor Michael Levine, Sound Effects Editor Ramiro Belgardt, Music Editor Nicholas Fitzgerald, Music Editor Thom Brennan, Foley Editor Ronni Brown, Foley Artist Sean England, Foley Artist

Prey • Hulu • 20th Century Studios Chris Terhune, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jessie Anne Spence, Dialogue/ADR Editor James Miller, Sound Designer Diego Perez, Sound Effects Editor Lee Gilmore, Sound Effects Editor Christopher Bonis, Sound Effects Editor Daniel DiPrima, Music Editor Stephen Perone, Music Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Love, Lizzo • HBO Max • Warner Music Entertainment and Live Nation Productions, Atlantic Film Productions in association with Boardwalk Pictures and Diamond Docs Vanessa Flores, Sound Editor Jessie Brewer, Sound Editor

Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films John Warhurst, Co-Supervising Sound Editor / Music Editor Nina Hartstone, Co-Supervising Sound Editor Jens Rosenlund Petersen, Dialogue Editor Samir Foco, Sound Effects Editor James Shirley, Sound Effects Editor Elliott Koretz, Sound Effects Editor Amy Felton, Sound Effects Editor Louise Burton, Foley Editor Brett Morgen, Music Editor

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Max Holland, Dialogue Editor / Sound Editor Eric Di Stefano, Sound Effects Editor / Sound Designer Kevin Senzaki, Sound Designer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Feuser, Dialogue Editor Rich Bologna, Sound Effects Editor Wyatt Sprague, Sound Effects Editor Heather Gross, Foley Editor Bill Bernstein, Music Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Will Harp, Dialogue Editor Jon Schell, Sound Effects Editor Shaun Cromwell, Sound Effects Editor

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Phillip W. Palmer, CAS, Production Mixer

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Marc Fishman, CAS, Re-Recording Mixer Kevin Roache, CAS, Re-Recording Mixer Michael Playfair, CAS, Production Mixer

The Marvelous Mrs. Maisel • The Testi-Roastial • Prime Video • Amazon Studios Ron Bochar, Re-Recording Mixer Mathew Price, CAS, Production Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, CAS, Re-Recording Mixer William Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Andy Kris, Re-Recording Mixer Nicholas Renbeck, Re-Recording Mixer Ken Ishii, Production Mixer Tommy Vicari, Scoring Mixer

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
Christian Minkler, Re-Recording Mixer Ryan Collins, Re-Recording Mixer Vincenzo Urselli, Production Mixer

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • The Great Fabricator • Netflix • A Netflix Series / An A24 Production Penny Harold, Re-Recording Mixer Andrew Garrett Lange, Re-Recording Mixer Sean O'Malley, Production Mixer

Dahmer - Monster: The Jeffrey Dahmer Story • Lionel • Netflix • Ryan Murphy Productions for Netflix Laura Wiest, Re-Recording Mixer Jamie Hardt, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Amanda Beggs, Production Mixer

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Lindsay Alvarez, CAS, Re-Recording Mixer Mathew Waters, CAS, Re-Recording Mixer Chris Welcker, Production Mixer Mike Poole, Music Mixer

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Danielle Dupre, Re-Recording Mixer Scott Lewis, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Julian Howarth, CAS, Production Mixer

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Tony Solis, Re-Recording Mixer Richard Bulloock, Production Mixer Brian Magrum, ADR Mixer Phil McGowan, Score Mixer

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Elmo Ponsdomenech, CAS, Re-Recording Mixer Teddy Salas, Re-Recording Mixer Scott Harber, CAS, Production Mixer Aaron Hasson, ADR Mixer
 
The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Re-Recording Mixer Scott D. Smith, CAS, Production Mixer

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Chris Fogel, Scoring Mixer

Only Murders In The Building • The Tell • Hulu • 20th Television Penny Harold, Re-Recording Mixer Andrew Lange, Re-Recording Mixer Joseph White Jr., CAS, Production Mixer Alan DeMoss, Scoring Mixer

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
Bono & The Edge: A Sort Of Homecoming With Dave Letterman • Disney+ • Disney+ Presents an Imagine Documentaries, Tremolo Productions and Worldwide Pants Inc. Production Phil DeTolve, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Alastair McMillan, Music Mixer

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Michael Abbott, Broadcast Production Mixer Eric Schilling, Music Mixer Matt Herr, FOH Mixer Alan Richardson, Monitor Mixer

The 65th Annual Grammy Awards • CBS • Fulwell 73 Thomas Holmes, Production Mixer John Harris, Music Mixer Eric Schilling, Music Mixer Jeffery Peterson, FOH Production Mixer Ron Reaves, FOH Music Mixer Mike Parker, FOH Music Mixer Andres Arango, Monitor Mixer Eric Johnston, Supplemental Mixer Christian Schrader, Supplemental Mixer Kristian Pedregon, Re-Recording Mixer Juan Pablo Velasco, Playback Mixer Aaron Wall, Playback Mixer

Saturday Night Live • Co-Hosts: Steve Martin & Martin Short • NBC • SNL Studios in association with Universal Television and Broadway Video Robert Palladino, Production Mixer Ezra Matychak, Production Mixer Frank Duca Jr, FOH Production Mixer Caroline Sanchez, FOH Music Mixer Josiah Gluck, Broadcast Music Mixer Jay Vicari, Broadcast Music Mixer Tyler McDiarmid, Playback Mixer Christopher Costello, Monitor Mixer Teng Chen, Supplemental Mixer William Taylor, Supplemental Mixer Geoff Countryman, Supplemental Mixer Devin Emke, Post Audio Mixer

Taylor Hawkins Tribute Concert • Paramount+ • EP-PIC Films & Creative and MTV Entertainment Studios Bob Clearmountain, Music Mixer Ollie Nesham, Audio Engineer Darrell Thorp, Audio Engineer Chris Kalcov, Audio Engineer Steve Massey, Audio Engineer Eduardo Puhl, Audio Engineer Will Langdale, Audio Engineer Antony King, FOH Audio Mix Engineer Ian Beveridge, Monitors Audio Mix Engineer

OUTSTANDING SOUND MIXING FOR A NONFICTION PROGRAM (SINGLE OR MULTI-CAMERA)
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Paul Massey, Re-Recording Mixer David Giammarco, Re-Recording Mixer

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Keith Hodne, Re-Recording Mixer

The Sound Of 007 • Prime Video • MGM Richard Davey, Re-Recording Mixer Jonny Horne, Production Mixer Simon Norman, Production Mixer Francesco Corazzi, Production Mixer

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Matt Skilton, Re-Recording Mixer Christopher Syner, Production Mixer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Skip Lievsay, Re-Recording Mixer Benjamin Berger, Production Mixer Martin Kittappa, Production Mixer Lily van Leeuwen, Production Mixer

OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTI-CAMERA)
The Amazing Race • The Only Leg That Matters • CBS • WorldRace Productions, Inc. Jim Ursulak, Lead Production Mixer Troy Smith, Re-Recording Mixer The Production Mixing Team, Production Mixer

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Jared Robbins, Re-Recording Mixer

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Erik Valenzuela, Re-Recording Mixer Sal Ojeda, Re-Recording Mixer David Nolte, Production Mixer Gabe Lopez, Music Mixer

The Voice • Live Top 10 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Michael Abbott, Production Mixer Randy Faustino, Broadcast Music Mixer Tim Hatayama, Re-Recording Mixer

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mark Jensen, CAS, Re-Recording Mixer

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor • Disney+ • Lucasfilm Ltd. Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Richard Van Den Bergh, Special Effects Supervisor Neal Scanlan, Creature Effects & Droid Supervisor Liyana Mansor, Lead Visual Effects Editor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Jelmer Boskma, Scanline Visual Effects Supervisor Jean-Clément Soret, Colorist

House Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Angus Bickerton, Visual Effects Supervisor Nikeah Forde, VFX Producer
Thomas Horton, VFX Producer Sven Martin, VFX Supervisor Mark Spindler, VFX Co-Supervisor
Mark Dauth, Virtual Production Supervisor Sebastian Meszmann, VFX Producer Mike Bell, VFX Supervisor Tobias Graa Winblad, VFX Producer

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Alex Wang, Overall Visual Effects Supervisor Sean Nowlan, Overall Visual Effects Producer Joel Whist, Production SFX Supervisor Stephen James, Visual Effects Supervisor, DNEG Nick Marshall, Digital Effects Supervisor, DNEG Simon Jung, Visual Effects Supervisor, WETA FX Dennis Yoo, Animation Supervisor, WETA FX Espen Nordahl, Visual Effects Supervisor, Storm Studios Jonathan Mitchell, Visual Effects Supervisor, Distillery FX

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Ron Ames, VFX Producer Jason Smith, VFX Supervisor Nigel Sumner, VFX Supervisor, Industrial Light & Magic Ara Khanikian, VFX Supervisor, Rodeo FX Dean Clarke, SFX Supervisor Ken McGaugh, VFX Supervisor, Wētā FX Tom Proctor, VFX Supervisor, DNEG Greg Butler, VFX Supervisor, Method Studios Joe Henderson, Visualization Creative Supervisor, The Third Floor, Inc.

The Mandalorian • Disney+ • Lucasfilm Ltd. Grady Cofer, Visual Effects Supervisor, Production Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor, Production Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor, Production J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Important Looking Pirates Visual Effects Supervisor

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Five Days At Memorial • Day Two • Apple TV+ • ABC Signature in association with Apple Eric Durst, VFX Supervisor Matthew Whelan, VFX Supervisor Danny McNair, VFX Producer Goran Pavles, VFX Supervisor, Stormborn Studios Rafael Solórzano, VFX Supervisor, El Ranchito John MacGillivray, SFX Coordinator Viktor Muller, VFX Supervisor, UPP Manuel Tausch, VFX Supervisor, Stormborn Studios Gonzalo Escudero, VFX Producer, El Ranchito

The Nevers • It's A Good Day • Tubi • HBO, Mutant Enemy Productions Johnny Han, Visual Effects Supervisor Jack Geist, Visual Effects Producer Damon Fecht, Visual Effects Editor Alexandre Prod'homme, On-Set VFX Supervisor Emanuel Fuchs, Visual Effects Supervisor Gaia Bussolati, Visual Effects Supervisor Ed Bruce, Visual Effects Supervisor Brian Ali Harding, Visual Effects Artist Takashi Takeoka, Visual Effects Artist

Shadow And Bone • Rusalye • Netflix • 21 Laps Entertainment and Chronology for Netflix Ante Dekovic, VFX Supervisor Helen Jen, VFX Producer Richard Macks, VFX Production Manager Gergely Galisz, On-Set VFX Supervisor Juri Stanossek, VFX Supervisor Adam Balentine, VFX Supervisor Jane Byrne, VFX Supervisor Håvard Munkejord, VFX Supervisor Angel Rico, VFX Supervisor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television James MacLachlan, On-Set VFX Supervisor Bill Parker, Compositing Supervisor Lenny Wilson, CG Supervisor Gretchen Bangs, VFX Producer Brian Hobert, Compositing Lead Sherry Li, Compositing Lead Kenneth Armstrong, Compositing Lead Ying Lin, Compositor Neil Taylor, CG Modeler

The Umbrella Academy • Marigold • Netflix • UCP for Netflix Everett Burrell, Senior VFX Supervisor Phillip Hoffman, VFX Producer Dave Axford, On-Set VFX Supervisor Maria Satzetaki, VFX Coordinator Sophie Vertigan, Special Effects Coordinator Jeff Campbell, VFX Supervisor Laurent Spillemaecker, VFX Supervisor Chris White, VFX Supervisor Ryan Freer, VFX Supervisor

Wednesday • A Murder Of Woes • Netflix • A Netflix Series / An MGM Television Production Tom Turnbull, VFX Supervisor Kent Johnson, VFX Producer Jesse Kawzenuk, VFX On-Set Supervisor Oana Barden, VFX Coordinator Craig Calvert, VFX Supervisor Ed Englander, VFX Supervisor John Coldrick, VFX Supervisor Brodie McNeill, VFX Supervisor Jason Troughton, Special Effects Supervisor 

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SERIES
American Idol • Season Finale • ABC • Fremantle and 19 Entertainment Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Danny Bonilla, Camera Mike Carr, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Curtis Eastwood, Camera Jimmy Garcia, Camera Bruce Green, Camera Nathanial Havolm, Camera Ron Lehman, Camera Bettina Levesque, Camera Adam Margolis, Camera Rob Palmer, Camera Brian Reason, Camera Daryl Studebaker, Camera Damien Tuffereau, Camera Easter Xua, Camera

Dancing With The Stars • Finale • Disney+ • BBC Studios Los Angeles Productions Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Terry Clark, Camera
Karyn D'Alessandro, Camera James Garcia, Camera Nathanial Havholm, Camera Mark Koonce, Camera Tim Lee, Camera Ron Lehman, Camera Bettina Levesque, Camera Dave Levisohn, Camera Adam Margolis, Camera Derek Pratt, Camera Brian Reason, Camera Philo Solomon, Camera Daryl Studebaker, Camera Marc Stumpo, Camera Damien Tuffereau, Camera Cary Symmons, Camera

The Masked Singer • New York Night • FOX • FOX Alternative Entertainment Christine Salomon, Technical Director Cary Symmons, Camera Bert Atkinson, Camera Brett Crutcher, Camera Kary D'Allesandro, Camera Jimmy Garcia, Camera John Goforth, Camera Sean Flannery, Camera Bettina Levesque, Camera Adam Margolis, Camera Mark Koonce, Camera Daryl Studebaker, Camera James Sullivan, Camera Rob Palmer, Camera

The Problem With Jon Stewart • Trump Indicted • Apple TV+ • Busboy / EDEN in association with Apple Dave Saretsky, Technical Director Marc Bloomgarden, Camera Franco Coello, Camera Nick Fayo, Camera Kevin Murphy, Camera John Pry, Camera Tim Quigley, Camera Rich York, Camera

The Voice • Live Top 10 Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Allan Wells, Technical Director Danny Bonilla, Camera Mano Bonilla, Camera Martin J. Brown Jr., Camera Robert Burnette, Camera Suzanne Ebner, Camera Guido Frenzel, Camera Alex Hernandez, Camera Scott Hylton, Camera Kathrine Iacofano, Camera Scott Kaye, Camera Steve Martynuk, Camera Jofre Rosero, Camera Nick Tramontano, Camera Dann Webb, Camera

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SPECIAL
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Eric Becker, Technical Director David Alfano, Camera Rob Balton, Camera Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Sean Flannery, Camera Kevin French, Camera Shaun Harkins, Camera Helena Jackson, Camera Tayler Knight, Camera Toré Livia, Camera Allen Merriweather, Camera Eann Potter, Camera Jofre Rosero, Camera Keyan Safyari, Camera Casey Roche, Camera Christopher Rybitski, Camera Rod Wardell, Video Control

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Emmett Loughran, Technical Director Robert Del Russo, Camera Mark Britt, Camera David Driscoll, Camera Tim Farmer, Camera Pete Forest, Camera Andrew Georgopoulos, Camera Pat Gleason, Camera Bruce Green, Camera Shaun Harkins, Camera Jay Kulick, Camera Kevin Murphy, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Rob Palmer, Camera Jesse Placky, Camera David Plakos, Camera George Prince, Camera Mark Renaudin, Camera David Rudd, Camera Austin Rock, Camera Keyan Safyari, Camera Ed Staebler, Camera Rob Vuona, Camera Mark Whitman, Camera Rich York, Camera Jeff Lee, Camera Michael Taylor, Camera Brian Lataille, Camera Loic Maheas, Camera Chris Schuster, Camera

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Christine Salomon, Technical Director Shanele Alvarez, Camera Dominic Bendijo, Camera Bonnie Blake, Camera Danny Bonilla, Camera Kary D’Alessandro, Camera Sean Flannery, Camera Shaun Harkins, Camera Charlie Henry, Camera Cory Hunter, Camera George Reasner, Camera Jofre Rosero, Camera David Rudd, Camera Ryan Schultz, Camera Aymae Sulick, Camera

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production Toby Santos, Technical Director Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Dave Eastwood, Camera Guido Frenzel, Camera Andrew Georgopoulos, Camera Jeff Johnson, Camera Zac Jones, Camera Brian Lataille, Camera Dave Levisohn, Camera Sean Mark Mckelvey, Camera Steve Martyniuk, Camera Rob Palmer, Camera Dave Plakos, Camera Dave Rudd, Camera Dylan Sanford, Camera Matt Trujillo, Camera Roy Walker, Camera Andrew Waresewski, Camera Easter Xua, Camera

The Weeknd Live At SoFi Stadium • HBO Max • HBO Toby Santos, Technical Director Brandon Smith, Technical Director Scott Acosta, Camera Dominic Bendijo, Camera Manny Bonilla, Camera Mano Bonilla, Camera Justin Danzansky, Camera Austin Ellsworth, Camera Chris Ferguson, Camera Jeremy Freeman, Camera Andrew Georgopoulos, Camera Randy Gomez, Camera Jonny Harkins, Camera Shaun Harkins, Camera Travis Hays, Camera Coy Hunter, Camera
Oliver Lanzenberg, Camera Ron Lehman, Camera Andrew McMillan, Camera Dee Nichols, Camera Connor O’Brien, Camera Josh Perry, Camera Rob Pittman, Camera Keyan Safyari, Camera Daniel Schade, Camera Austin Straub, Camera Josh Turner, Camera Justin Umphenour, Camera Joe Victoria, Camera Vince Warburton, Camera Drew Welker, Camera

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In AM, TV Show, Awards Season 2023-2024, Awards Season Tags Emmys, Creative Arts Emmys, Awards Season, HBO, The Last Of Us, The White Lotus, The Bear, Ted Lasso, Poker Face, Succession
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PHOTO COURTESY | Television Academy/Creative Arts Emmys

AWARDS SEASON | CREATIVE ARTS EMMYS NOMINATIONS

July 12, 2023

The 75th Creative Arts Emmy announced the nominees for this awards show that takes place over 2 days! Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

The Last Of Us • Infected • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog John Paino, Production Designer Don Macaulay, Art Director Paul Healy, Set Decorator

Poker Face • The Orpheus Syndrome • Peacock • T-Street, MRC Television, Animal Pictures
Judy Rhee, Production Designer Martha Sparrow, Art Director Cathy Marshall, Set Decorator

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Stephen H. Carter, Production Designer Molly Mikula, Art Director George Detitta Jr., Set Decorator

Ted Lasso • Sunflowers • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director Kate Goodman, Set Decorator

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Mark Scruton, Production Designer Adrian Curelea, Art Director Robert Hepburn, Set Decorator

The White Lotus • Ciao • HBO Max • HBO in association with Rip Cord and The District Cristina Onori, Production Designer Gianpaolo Rifino, Art Director Letizia Santucci, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Jessica Kender, Production Designer Brian Grego, Art Director Lisa Clark, Set Decorator Andi Brittan, Set Decorator

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Tamara Deverell, Production Designer Brandt Gordon, Art Director Shane Vieau, Set Decorator

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jim Clay, Production Designer Dominic Masters, Art Director Claire Nia Richards, Set Decorator

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Perry Mason • Chapter Eleven • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Keith P. Cunningham, Production Designer Ian Scroggins, Art Director Halina Siwolop, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROHRAM (HALF-HOUR)
The Bear • System • FX • FX Productions Sam Lisenco, Production Designer Eric Dean, Art Director Emily Carter, Set Decorator

How I Met Your Father • The Reset Button • Ride Or Die • Daddy • Hulu • 20th Television Glenda Rovello, Production Designer Conny Boettger-Marinos, Art Director Amy Beth Feldman, Set Decorator

Only Murders In The Building • Sparring Partners • I Know Who Did It • Hulu • 20th Television Patrick Howe, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! • Famous As Hell • Apple TV+ • Broadway Video / Universal Television in association with Apple Jamie Walker McCall, Production Designer Ryan Garton, Art Director Gregory Clarke, Art Director Carol Lavallee, Set Decorator

What We Do In The Shadows • The Night Market • FX • FX Productions Shayne Fox, Production Designer Aaron Noël, Art Director Kerri Wylie, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY OR REALITY SERIES
A Black Lady Sketch Show • Peek-A-Boob, Your Titty’s Out • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

Last Week Tonight With John Oliver • Museums • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television Eric Morrell, Production Designer Sabrina Lederer, Art Director

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Thomas Rouse, Production Designer Tyka Edwards, Art Director

RuPaul's Drag Race • Blame It On The Edit • MTV • World of Wonder Gianna Costa, Production Designer Brad Bailey, Art Director

Saturday Night Live • Host: Steve Martin & Martin Short • Host: Jenna Ortega • NBC • SNL Studios in association with Universal Television and Broadway Video Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer Andrea Purcigliotti, Production Designer Danielle Webb, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY SPECIAL

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Lindsey Breslauer, Art Director Maria Garcia, Art Director Lily Rodgers, Art Director

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Tamlyn Wright, Production Designer Travis Deck, Art Director

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Misty Buckley, Production Designer Joe Celli, Art Director Raquel Tarbet, Set Decorator

The 65th Annual Grammy Awards • CBS • Fulwell 73 Julio Himede, Production Designer Kristen Merlino, Art Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences Misty Buckley, Production Designer Alana Billingsley, Production Designer John Zuiker, Art Director

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Black Bird • Hand To Mouth • Apple TV+ • Apple Studios Natalie Kingston, Director of Photography

Boston Strangler • Hulu • 20th Century Studios Ben Kutchins, Director of Photography

Dead Ringers • One • Prime Video • AnnaPurna Pictures, Amazon Studios Jody Lee Lipes, ASC, Director of Photography

George & Tammy • Stand By Your Man • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Igor Martinovic, Director of Photography

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You
Anastas Michos, ASC, GSC, Director of Photography

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM
100 Foot Wave • Chapter VI - Force Majeure • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Antoine Chicoye, Cinematography by Mikey Corker, Cinematography by Vincent Kardasik, Cinematography by Alexandre Lesbats, Cinematography by Chris Smith, Cinematography by Laurent Pujol, Cinematography by João Vidinha, Cinematography by Michael Darrigade, Cinematography by

Secrets Of The Elephants • Desert • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic Toby Strong, Director of Photography James Boon, Director of Photography Bob Poole, Director of Photography

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Jerry Henry, Director of Photography

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Andrew Muggleton, Director of Photography

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio C. Kim Miles, CSC, ASC, MySC, Director of Photography Clair Popkin, Cinematography by Julia Liu, Cinematography by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava Alex Pritz, Cinematography by Tangãi Uru-eu-wau-wa, Cinematography by

OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Josh Bartel, Camera Kurt Carpenter, Camera David D'Angelo, Camera Matthew Di Girolamo, Camera Adam Haisinger, Camera Robert Howsam, Camera Kevin Johnson, Camera Jay Kaufman, Camera Ian Kerr, CSC, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Ryan Shaw, Camera
Alan Weeks, Camera

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel David Reichert, Director of Photography Charlie Beck, Director of Photography Bryan Miller, Director of Photography Todd Stanley, Director of Photography Shane Moore, Director of Photography Nathan Garofalos, Director of Photography David Arnold, Director of Photography

Life Below Zero • The Pursuit • National Geographic • BBC Studios Danny Day, Director of Photography Simeon Houtman, Director of Photography Jason Hubbell, Director of Photography Ben Mullin, Director of Photography Zach Vincent, Director of Photography

Survivor • Series Body Of Work • CBS • MGM Television Peter Wery, Director of Photography Scott Duncan, Director of Photography Russ Fill, Director of Photography George Andrews, Camera Tim Barker, Camera Marc Bennett, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Chris Ellison, Camera Nixon George, Camera Matthias Hoffmann, Cinema Toby Hogan, Camera Derek Holt, Camera Efrain "Mofi" Laguna, Camera Ian Miller, Camera Nico Nyoni, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Daniel Powell, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Paulo Velozo, Camera Cullum Andrews, Camera Christopher Barker, Director of Aerial Photography Granger Scholtz, Director of Aerial Photography Nic Van Der Westhuizen, Aerial Camera Operator Dwight Winston, Aerial Camera Operator

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Alastair McKevitt, Director of Photography Craig Hastings, Director of Photography Leighton Cox, Director of Photography Jason Bulley, Director of Photography


OUTSTANDING PERIOD COSTUMES FOR A SERIES
The Crown • Mou Mou • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Amy Roberts, Costume Designer Sidonie Roberts, Associate Costume Designer Christof Roche-Gordon, Costume Supervisor

The Great • Choose Your Weapon • Hulu • Civic Center Media, MRC Sharon Long, Costume Designer Claire Tremlett, Assistant Costume Designer Basia Kuznar, Assistant Costume Designer Anna Lau, Costume Supervisor

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor

Perry Mason • Chapter Ten • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Catherine Adair, Costume Designer David J. Matwijkow, Assistant Costume Designer Nanrose Buchman, Costume Supervisor

Queen Charlotte: A Bridgerton Story • Crown Jewels • Netflix • A Netflix Series in association with shondalandmedia Lyn Elizabeth Paolo, Costume Designer Laura Frecon, Co-Costume Designer Jovana Gospavic, Assistant Costume Designer Alex Locke, Costume Supervisor

OUTSTANDING PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Dahmer - Monster: The Jeffrey Dahmer Story • Please Don't Go • Netflix • Ryan Murphy Productions for Netflix Rudy Mance, Costume Designer Monica Chamberlain, Assistant Costume Designer Desmond Smith, Assistant Costume Designer Suzy Freeman, Costume Supervisor

Daisy Jones & The Six • Track 8: Looks Like We Made It • Prime Video • Hello Sunshine, Amazon Studios Denise Wingate, Costume Designer Derek Sullivan, Costume Supervisor

George & Tammy • We're Gonna Hold On • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Mitchell Travers, Costume Designer Mitchel Wolf, Assistant Costume Designer Laurel Rose, Assistant Costume Designer Aileen Abercrombie, Assistant Costume Designer Susan Russell, Costume Supervisor Charles Carter, Costume Supervisor

Guillermo Del Toro's Cabinet Of Curiosities • Dreams In The Witch House • Netflix • Netflix / Double Dare You Luis Sequeira, Costume Designer Ann Steel, Assistant Costume Designer Heather Crepp, Costume Supervisor

Welcome To Chippendales • Leeches • Hulu • 20th Television Peggy Schnitzer, Costume Designer
Derek Bulger, Assistant Costume Designer Julie Heath, Costume Supervisor

OUTSTANDING FANTASY/SCI-FI COSTUMES
Hocus Pocus 2 • Disney+ • Walt Disney Pictures Salvador Perez, Costume Designer Elizabeth Shelton, Assistant Costume Designer Gala Autumn, Costume Supervisor

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jany Temime, Costume Designer Katherine Burchill, Assistant Costume Designer Paul Yeowell, Assistant Costume Designer Rachel George, Assistant Costume Designer Joanna Lynch, Costume Supervisor

The Lord Of The Rings: The Rings Of Power • A Shadow Of The Past • Prime Video • Amazon Studios Kate Hawley, Costume Designer Libby Dempster, Assistant Costume Designer Lucy McLay, Assistant Costume Designer Jaindra Watson, Assistant Costume Designer Pip Lingard, Costume Supervisor Jenny Rushton, Costume Supervisor

The Mandalorian • Chapter 22: Guns For Hire • Disney+ • Lucasfilm Ltd. Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor

Obi-Wan Kenobi • Part I • Disney+ • Lucasfilm Ltd. Suttirat Anne Larlarb, Costume Designer Stacia Lang, Assistant Costume Designer Lynda Foote, Costume Supervisor

What We Do In The Shadows • The Wedding • FX • FX Productions Laura Montgomery, Costume Designer Barbara Cardoso, Assistant Costume Designer Judy Laukkanen, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES
Emily In Paris • What's It All About... • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Marylin Fitoussi, Costume Designer Herehau Ragonneau, Assistant Costume Designer Daniela Telle, Associate Costume Designer Marie Fremont, Costume Supervisor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Cynthia Ann Summers, Costume Designer Kelsey Chobotar, Assistant Costume Designer Rebecca Toon, Assistant Costume Designer Michelle Carr, Costume Supervisor

Only Murders In The Building • Framed • Hulu • 20th Television Dana Covarrubias, Costume Designer Abby Geoghegan, Assistant Costume Designer Kathleen Gerlach, Wardrobe Supervisor

Succession • Church And State • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Michelle Matland, Costume Designer Jonathan Schwartz, Assistant Costume Designer Mark Agnes, Wardrobe Supervisor

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Colleen Atwood, Costume Designer Mark Sutherland, Co-Costume Designer Robin Soutar, Assistant Costume Designer Claudia Littlefield, Costume Supervisor Adina Bucur, Costume Supervisor

The White Lotus • That's Amore • HBO Max • HBO in association with Rip Cord and The District
Alex Bovaird, Costume Designer Brian Sprouse, Assistant Costume Designer Margherita Zanobetti, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • The Birds Don't Sing, They Screech In Pain • Netflix • A Netflix Series / An A24 Production Helen Huang, Costume Designer Austin Wittick, Assistant Costume Designer YJ Hwang, Assistant Costume Designer Mark Anthony Summers, Costume Supervisor

Dolly Parton's Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions Provi Fulp, Costume Designer Jose Ramos, Costume Supervisor Steve Summers, Dolly's Wardrobe by

Fleishman Is In Trouble • Me-Time • FX • ABC Signature Leah Katznelson, Costume Designer Angel Peart, Assistant Costume Designer Katie Novello, Assistant Costume Designer Deidre Wegner, Assistant Costume Designer Anne Newton-Harding, Costume Supervisor

Swarm • Honey • Prime Video • Amazon Studios Dominique Dawson, Costume Designer Brittny Chapman, Assistant Costume Designer Mashal Khan, Costume Supervisor

The Watcher • Welcome, Friends • Netflix • A Netflix Series / Jam Tart Films / Prospect Films / Ryan Murphy Television Lou Eyrich, Costume Designer Rudy Mance, Costume Designer Catherine Crabtree, Assistant Costume Designer Zakiya Dennis, Costume Supervisor

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES
Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Skip Macdonald, ACE, Editor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Timothy A. Good, ACE, Editor Emily Mendez, Editor  

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Jane Rizzo, ACE, Editor

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Bill Henry, ACE, Editor

Succession • With Open Eyes • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Ken Eluto, ACE, Editor

The White Lotus • Abductions • HBO Max • HBO in association with Rip Cord and The District
Heather Persons, ACE, Editor

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
John M. Valerio, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES
Call Me Kat • Call Me Consciously Uncoupled • FOX • That's Wonderful Productions, Sad Clown Productions and BBC Studios in association with Warner Bros. Television and FOX Entertainment
Pamela Marshall, Editor

How I Met Your Father • Daddy • Hulu • 20th Television Russell Griffin, ACE, Editor

Night Court • Pilot • NBC • After January Productions in association with Warner Bros. Television and Universal Television Kirk Benson, Editor Chris Poulos, Editor

The Upshaws • Duct Up • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Russell Griffin, ACE, Editor Angel Gamboa Bryant, Editor

The Upshaws • Off Beat • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Angel Gamboa Bryant, Editor

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES
Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Franky Guttman, Editor Ali Greer, ACE, Editor

The Bear • System • FX • FX Productions Joanna Naugle, Editor

Only Murders In The Building • The Last Day Of Bunny Folger • Hulu • 20th Television Peggy Tachdjian, ACE, Editor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television A.J. Catoline, ACE, Editor Alex Szabo, Editor

Ted Lasso • So Long, Farewell • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Melissa McCoy, ACE, Editor Francesca Castro, Additional Editor

What We Do In The Shadows • Go Flip Yourself • FX • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, ACE, Editor
 

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • Figures Of Light • Netflix • A Netflix Series / An A24 Production Nat Fuller, Editor Laura Zempel, Editor

Dahmer - Monster: The Jeffrey Dahmer Story • The Good Boy Box • Netflix • Ryan Murphy Productions for Netflix Stephanie Filo, ACE, Editor

Ms. Marvel • Generation Why • Disney+ • Marvel Studios Nona Khodai, ACE, Editor Sabrina Plisco, ACE, Editor

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Kelley Dixon, ACE, Editor Josh Earl, ACE, Editor

Prey • Hulu • 20th Century Studios Angela M. Catanzaro, ACE, Editor Claudia Castello, Editor

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Jamie Kennedy, ACE, Editor

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

A Black Lady Sketch Show • My Love Language Is Words Of Defamation • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Stephanie Filo, ACE, Supervising Editor Malinda Zehner Guerra, Editor Taylor Joy Mason, Editor

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Mike Polito, Offline Editor Timothy Schultz, Offline Editor

The Daily Show With Trevor Noah • Jordan Klepper Shows Trump Supporters January 6th Hearing Clips • Comedy Central • Central Productions, LLC Storm Choi, Editor Eric Davies, Editor Tom Favilla, Editor Lauren Beckett Jackson, Editor Nikolai Johnson, Editor Ryan Middleton, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor

History Of The World, Part II • III • Hulu • 20th Television and Searchlight Television Angel Gamboa Bryant, Editor Stephanie Filo, ACE, Editor Daniel Flesher, Editor George Mandl, Editor

Saturday Night Live • HBO Mario Kart Trailer (Segment) • NBC • SNL Studios in association with Universal Television and Broadway Video Ryan Spears, Editor Christopher Salerno, Editor

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM
 
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Brett Morgen, Editor

100 Foot Wave • Chapter III - Jaws • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Alex Bayer, Editor Alex Keipper, Editor Quin O'Brien, Editor

Pretty Baby: Brooke Shields • Hulu • ABC News Studios, Bed By 8, Matador Content, Drifting Cloud Productions David Teague, Supervising Editor Sara Newens, Editor Anne Yao, Editor

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Ephraim Kirkwood, Editor
Jesse Allain-Marcus, Additional Editor Adriana Pacheco, Additional Editor

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Liz Roe, Editor

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Harte, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A STRUCTURED REALITY OR COMPETITION PROGRAM
The Amazing Race • Body Of Work • CBS • WorldRace Productions, Inc. Eric Beetner, Editor Kevin Blum, Editor Trevor Campbell, Editor Kellen Cruden, Editor Jay Gammill, Editor Katherine Griffin, Editor Jason Groothuis, Editor Darrick Lazo, Editor Ryan Leamy, Editor Josh Lowry, Editor Paul Nielsen, Editor Steve Mellon, Editor

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Toni Ann Carabello, Lead Editor Nova Taylor, Editor Jason Szabo, Editor Widgie Nikia Figaro, Editor Sean Gill, Editor Kimberly Pellnat, Editor

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Jamie Martin, Lead Editor Paul Cross, Editor Ryan Mallick, Editor Michael Roha, Editor

Survivor • Telenovela • CBS • MGM Television Bill Bowden, Supervising Editor Evan Mediuch, Supervising Editor Francisco Santa Maria, Editor Plowden Schumacher, Editor Andrew Bolhuis, Editor Jacob Teixeira, Editor James Ciccarello, Editor

Top Chef • Body Of Work • Bravo • Magical Elves Steve Lichtenstein, Lead Editor Ericka Concha, Editor Blanka Kovacs, Editor Eric Lambert, Editor Matt Reynolds, Editor Jay M. Rogers, Editor Brian Freundlich, Additional Editor Brian Giberson, Additional Editor Malia Jurick, Additional Editor Brian Kane, Additional Editor Daniel Ruiz, Additional Editor Anthony J. Rivard, Additional Editor Annie Tighe, Additional Editor Tony West, Additional Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM
Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Rob Butler, Supervising Editor Isaiah Camp, Supervising Editor Alexandra Moore, Editor Alexander Rubinow, Editor Ian Olsen, Editor Hugh Elliot, Editor Joe Mikan, Additional Editor

Life Below Zero • A Storm To Remember • National Geographic • BBC Studios Michael Swingler, Editor Tony Diaz, Additional Editor Matt Edwards, Additional Editor Jennifer Nelson, ACE, Additional Editor Tanner Roth, Additional Editor

RuPaul's Drag Race: Untucked • The Daytona Wind 2 • MTV • World of Wonder Matthew D. Miller, Lead Editor Kellen Cruden, Editor

Vanderpump Rules • Lady And The Glamp • Bravo • Evolution Media Jesse Friedman, Editor Tom McCudden, Editor Ramin Mortazavi, Editor Christian Le Guilloux, Editor Paul Peltekian, Editor Sax Eno, Editor Robert Garry, Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mohamed El Manasterly, Editor Curtis McConnell, Editor Michael Brown, Editor Charles Little, ACE, Editor Bryan Rowland, Additional Editor

OUTSTANDING EMERGING MEDIA PROGRAM
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google
Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O'Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky's The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine's Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES
America's Got Talent • Episode 1717 • NBC • Fremantle and Syco Entertainment Noah Mitz, Lighting Designer Will Gossett, Lighting Director Ryan Tanker, Lighting Director Patrick Brazil, Lighting Director Jay Koch, Lighting Director Matt Benson, Lighting Director Scott Chmielewski, Lighting Director Kevin Faust, Video Controller

American Idol • Top 20 • ABC • Fremantle and 19 Entertainment Tom Sutherland, Lighting Designer Bobby Grey, Lighting Director Nathan Files, Lighting Director James Coldicott, Lighting Director Hunter Selby, Lighting Director Scott Chmielewski, Lighting Director Luke Chantrell, Video Controller Ed Moore, Video Controller

Dancing With The Stars • Semi Finals • Disney+ • BBC Studios Los Angeles Productions Noah Mitz, Lighting Designer Michael Berger, Lighting Director Patrick Brazil, Lighting Director Andrew Law, Lighting Director Matt Benson, Lighting Director Matt McAdam, Lighting Director Luke Chantrell, Video Controller

So You Think You Can Dance • Starry Starry Night • FOX • The Intellectual Property Corporation (IPC) and Dick Clark Productions (DCP) Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director Jeff Behm, Lighting Director Christopher Gray, Video Controller

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer Ronald Wirsgalla, Lighting Director Erin Anderson, Lighting Director Andrew Munie, Lighting Director Jeff Shood, Lighting Director Daniel Boland, Lighting Director Terrance Ho, Video Controller

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL
Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Al Gurdon, Lighting Designer Harry Forster, Lighting Director Bobby Grey, Lighting Director Darien Koop, Lighting Director James Coldicott, Lighting Director Chris Hill, Video Controller Ed Moore, Video Controller

The 65th Annual Grammy Awards • CBS • Fulwell 73 Noah Mitz, Lighting Designer Andy O'Reilly, Lighting Director Patrick Boozer, Lighting Director Ryan Tanker, Lighting Director Madigan Stehly, Lighting Director Bryan Klunder, Lighting Director Erin Anderson, Lighting Director Will Gossett, Lighting Director Matthew Cotter, Lighting Director Terrance Ho, Video Controller Guy Jones, Video Controller

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production
Allen Branton, Lighting Designer Darren Langer, Lighting Director Felix Peralta, Lighting Director Kevin Lawson, Lighting Director Alex Flores, Lighting Director Bianca Moncada, Lighting Director Chuck Reilly, Video Controller Guy Jones, Video Controller
 
75th Annual Tony Awards • CBS • White Cherry Entertainment Robert Dickinson, Lighting Designer Noah Mitz, Lighting Director Harry Sangmeister, Lighting Director Tyler Ericson, Lighting Director Richard Beck, Lighting Director Jason Rudolph, Lighting Director JM Hurley, Video Controller Ka Lai Wong, Video Controller

The Weeknd Live At SoFi Stadium • HBO Max • HBO Jason Baeri, Lighting Designer Joe Bay, Lighting Director Kille Knoble, Lighting Director Mark Butts, Lighting Director Loren Barton, Lighting Director

OUTSTANDING MAIN TITLE DESIGN
Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Mike Schaeffer, Creative Director Chet Hirsch, Director David Rowley, Art Director Akshay Tiwari, Designer

Hello Tomorrow! • Apple TV+ • MRC in association with Apple Ronnie Koff, Creative Director Lexi Gunvaldson, Editor Christoph Gabathuler, 3D Artist Juan Monasterio, Animator Lindsey Mayer-Beug, Illustrator Fernando Lazzari, Animator

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Andy Hall, Creative Director Nadia Tzuo, Creative Director Gryun Kim, 3D Artist Min Shi, Designer Jun Kim, 3D Artist Xiaolin (Mike) Zeng, Designer

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Katrina Crawford, Director Mark Bashore, Director Anthony Vitagliano, Creative Director Fernando Domínguez Cózar, Animation Director

Wednesday • Netflix • A Netflix Series / An MGM Television Production Aaron Becker, Creative Director Joseph Ahn, Designer James Ramirez, Animator Lee Nelson, Animator Eric Keller, 3D Artist Hsien Lun Su, Animator

The White Lotus • HBO Max • HBO in association with Rip Cord and The District Katrina Crawford, Director/Creative Director/Photographer Mark Bashore, Director/Editor Lezio Lopes, Illustrator Cian McKenna, Animator

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor • The Eye • Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Margit Pfeiffer, Co-Supervising Sound Editor Richard Quinn, Dialogue Editor Jonathan Greber, ADR Editor J.R. Grubbs, Sound Effects Editor John Finklea, Music Editor Shaun Farley, Foley Editor Shelley Roden, Foley Artist John Roesch, Foley Artist

The Boys • The Instant White-Hot Wild • Prime Video • Sony Pictures Television, Amazon Studios
Wade Barnett, MPSE, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor Ryan Briley, Supervising ADR Editor Jeffrey A. Pitts, Sound Efffects Editor/Sound Designer Pete Nichols, Sound Effects Editor Christopher Brooks, Music Editor James Howe, Foley Editor

House Of The Dragon • The Black Queen • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Al Sirkett, Supervising Sound Editor Tim Hands, Dialogue Editor Adele Fletcher, Supervising ADR Editor Paula Fairfield, MPSE, Sound Designer David Klotz, Music Editor Timeri Duplat, Music Editor Mathias Schuster, Foley Editor Barnaby Smyth, Foley Artist Paula Boram, Foley Artist

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Michael J. Benavente, Supervising Sound Editor Joe Schiff, Dialogue Editor Christopher Battaglia, Sound Designer Chris Terhune, Sound Designer Mitchell Lestner, Sound Effects Editor Jacob Flack, Sound Effects Editor Matt Yocum, MPSE, Sound Effects Editor Maarten Hofmeijer, Music Editor Randy Wilson, Supervising Foley Editor Justin Hele, Foley Editor David Aquino, Foley Editor Stefan Fraticelli, Foley Artist Jason Charbonneau, Foley Artist William Kellerman, Foley Artist
 
The Lord Of The Rings: The Rings Of Power • Udûn • Prime Video • Amazon Studios Robert Stambler, MPSE, Co-Supervising Sound Editor Damian Del Borrello, Co-Supervising Sound Editor Ailene Roberts, Dialogue Editor Stefanie Ng, Dialogue/ADR Editor Paula Fairfield, Sound Designer Chris Terhune, Sound Editor James Miller, Sound Editor Michael Baber, Music Editor Jason Smith, Music Editor Amy Barber, Foley Editor Jonathan Bruce, Foley Artist

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jill Purdy, Dialogue Editor Lee Gilmore, Sound Effects Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor Ken McGill, MPSE, Sound Effects/ Foley Editor Steve Baine, Foley Artist

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Sean Heissinger, Co-Supervising Sound Editor Matthew E. Taylor, Co-Supervising Sound Editor John Creed, Dialogue Editor Rickley W. Dumm, MPSE, Sound Effects Editor Deron Street, Sound Editor Clay Weber, Sound Editor Michael Brake, MPSE, Music Editor Darrin Mann, Foley Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist

The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Supervising Sound Editor Evan Benjamin, Dialogue Editor Jonathan Fuhrer, Sound Effects Editor Annie Taylor, Foley Editor Chris White, Foley Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Brad Semenoff, Dialogue Editor David W. Collins, Sound Designer Luis Galdames, Sound Effects Editor Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Joel Raabe, Foley Editor Shelley Roden, Foley Artist  

Reservation Dogs • This Is Where The Plot Thickens • FX • FX Productions Patrick Hogan, Supervising Sound Editor David Beadle, Sound Editor Sonya Lindsay, Sound Editor Michael Sana, Sound Editor Daniel Salas, Sound Editor Amber Funk, Music Editor Lena Krigen, Foley Editor

What We Do In The Shadows • The Night Market • FX • FX Productions Steffan Falesitch, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor David Barbee, MPSE, Sound Effects Editor Steve Griffen, Music Editor John Guentner, Foley Editor Sam Lewis, Foley Editor Ellen Heuer, Foley Artist

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

Dahmer - Monster: The Jeffrey Dahmer Story • God Of Forgiveness, God Of Vengeance • Netflix • Ryan Murphy Productions for Netflix Gary Megregian, MPSE, Supervising Sound Editor Borja Sau, Dialogue Editor Bruce Tanis, MPSE, Sound Effects Editor David Klotz, Music Editor Sam Munoz, Foley Editor Noel Vought, Foley Artist

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You Nelson Ferreira, MPSE, Supervising Sound Editor Jill Purdy, Dialogue Editor Paul Davies, Sound Designer Bernard O’Reilly, Sound Effects Editor Paul Germann, Sound Effects Editor Tom Jenkins, Sound Editor Robert Hegedus, Music Editor Rose Gregoris, Foley Editor Goro Koyama, Foley Artist

Mrs. Davis • Mother Of Mercy: The Call Of The Horse • Peacock • Warner Bros. Television, Little Bug, White Rabbit Bryan Parker, Supervising Sound Editor Kristen Hirlinger, Dialogue Editor Nathan Efstation, Dialogue Editor Roland Thai, Sound Designer Matt Decker, Music Editor Sam Lewis, Supervising Foley Editor Sam Munoz, Foley Editor Ellen Heuer, Foley Artist Nancy Parker, Foley Artist

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Angela Ang, Dialogue/ADR Editor Ryan Cota, Dialogue/ADR Editor Jon Borland, Sound Designer/Sound Effects Editor Tim Farrell, Sound Effects Editor Michael Levine, Sound Effects Editor Ramiro Belgardt, Music Editor Nicholas Fitzgerald, Music Editor Thom Brennan, Foley Editor Ronni Brown, Foley Artist Sean England, Foley Artist

Prey • Hulu • 20th Century Studios Chris Terhune, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jessie Anne Spence, Dialogue/ADR Editor James Miller, Sound Designer Diego Perez, Sound Effects Editor Lee Gilmore, Sound Effects Editor Christopher Bonis, Sound Effects Editor Daniel DiPrima, Music Editor Stephen Perone, Music Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Love, Lizzo • HBO Max • Warner Music Entertainment and Live Nation Productions, Atlantic Film Productions in association with Boardwalk Pictures and Diamond Docs Vanessa Flores, Sound Editor Jessie Brewer, Sound Editor

Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films John Warhurst, Co-Supervising Sound Editor / Music Editor Nina Hartstone, Co-Supervising Sound Editor Jens Rosenlund Petersen, Dialogue Editor Samir Foco, Sound Effects Editor James Shirley, Sound Effects Editor Elliott Koretz, Sound Effects Editor Amy Felton, Sound Effects Editor Louise Burton, Foley Editor Brett Morgen, Music Editor

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Max Holland, Dialogue Editor / Sound Editor Eric Di Stefano, Sound Effects Editor / Sound Designer Kevin Senzaki, Sound Designer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Feuser, Dialogue Editor Rich Bologna, Sound Effects Editor Wyatt Sprague, Sound Effects Editor Heather Gross, Foley Editor Bill Bernstein, Music Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Will Harp, Dialogue Editor Jon Schell, Sound Effects Editor Shaun Cromwell, Sound Effects Editor

Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Phillip W. Palmer, CAS, Production Mixer

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Marc Fishman, CAS, Re-Recording Mixer Kevin Roache, CAS, Re-Recording Mixer Michael Playfair, CAS, Production Mixer

The Marvelous Mrs. Maisel • The Testi-Roastial • Prime Video • Amazon Studios Ron Bochar, Re-Recording Mixer Mathew Price, CAS, Production Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, CAS, Re-Recording Mixer William Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Andy Kris, Re-Recording Mixer Nicholas Renbeck, Re-Recording Mixer Ken Ishii, Production Mixer Tommy Vicari, Scoring Mixer

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
Christian Minkler, Re-Recording Mixer Ryan Collins, Re-Recording Mixer Vincenzo Urselli, Production Mixer

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • The Great Fabricator • Netflix • A Netflix Series / An A24 Production Penny Harold, Re-Recording Mixer Andrew Garrett Lange, Re-Recording Mixer Sean O'Malley, Production Mixer

Dahmer - Monster: The Jeffrey Dahmer Story • Lionel • Netflix • Ryan Murphy Productions for Netflix Laura Wiest, Re-Recording Mixer Jamie Hardt, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Amanda Beggs, Production Mixer

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Lindsay Alvarez, CAS, Re-Recording Mixer Mathew Waters, CAS, Re-Recording Mixer Chris Welcker, Production Mixer Mike Poole, Music Mixer

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Danielle Dupre, Re-Recording Mixer Scott Lewis, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Julian Howarth, CAS, Production Mixer

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Tony Solis, Re-Recording Mixer Richard Bulloock, Production Mixer Brian Magrum, ADR Mixer Phil McGowan, Score Mixer

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Elmo Ponsdomenech, CAS, Re-Recording Mixer Teddy Salas, Re-Recording Mixer Scott Harber, CAS, Production Mixer Aaron Hasson, ADR Mixer
 
The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Re-Recording Mixer Scott D. Smith, CAS, Production Mixer

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Chris Fogel, Scoring Mixer

Only Murders In The Building • The Tell • Hulu • 20th Television Penny Harold, Re-Recording Mixer Andrew Lange, Re-Recording Mixer Joseph White Jr., CAS, Production Mixer Alan DeMoss, Scoring Mixer

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
Bono & The Edge: A Sort Of Homecoming With Dave Letterman • Disney+ • Disney+ Presents an Imagine Documentaries, Tremolo Productions and Worldwide Pants Inc. Production Phil DeTolve, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Alastair McMillan, Music Mixer

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Michael Abbott, Broadcast Production Mixer Eric Schilling, Music Mixer Matt Herr, FOH Mixer Alan Richardson, Monitor Mixer

The 65th Annual Grammy Awards • CBS • Fulwell 73 Thomas Holmes, Production Mixer John Harris, Music Mixer Eric Schilling, Music Mixer Jeffery Peterson, FOH Production Mixer Ron Reaves, FOH Music Mixer Mike Parker, FOH Music Mixer Andres Arango, Monitor Mixer Eric Johnston, Supplemental Mixer Christian Schrader, Supplemental Mixer Kristian Pedregon, Re-Recording Mixer Juan Pablo Velasco, Playback Mixer Aaron Wall, Playback Mixer

Saturday Night Live • Co-Hosts: Steve Martin & Martin Short • NBC • SNL Studios in association with Universal Television and Broadway Video Robert Palladino, Production Mixer Ezra Matychak, Production Mixer Frank Duca Jr, FOH Production Mixer Caroline Sanchez, FOH Music Mixer Josiah Gluck, Broadcast Music Mixer Jay Vicari, Broadcast Music Mixer Tyler McDiarmid, Playback Mixer Christopher Costello, Monitor Mixer Teng Chen, Supplemental Mixer William Taylor, Supplemental Mixer Geoff Countryman, Supplemental Mixer Devin Emke, Post Audio Mixer

Taylor Hawkins Tribute Concert • Paramount+ • EP-PIC Films & Creative and MTV Entertainment Studios Bob Clearmountain, Music Mixer Ollie Nesham, Audio Engineer Darrell Thorp, Audio Engineer Chris Kalcov, Audio Engineer Steve Massey, Audio Engineer Eduardo Puhl, Audio Engineer Will Langdale, Audio Engineer Antony King, FOH Audio Mix Engineer Ian Beveridge, Monitors Audio Mix Engineer

OUTSTANDING SOUND MIXING FOR A NONFICTION PROGRAM (SINGLE OR MULTI-CAMERA)
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Paul Massey, Re-Recording Mixer David Giammarco, Re-Recording Mixer

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Keith Hodne, Re-Recording Mixer

The Sound Of 007 • Prime Video • MGM Richard Davey, Re-Recording Mixer Jonny Horne, Production Mixer Simon Norman, Production Mixer Francesco Corazzi, Production Mixer

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Matt Skilton, Re-Recording Mixer Christopher Syner, Production Mixer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Skip Lievsay, Re-Recording Mixer Benjamin Berger, Production Mixer Martin Kittappa, Production Mixer Lily van Leeuwen, Production Mixer

OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTI-CAMERA)
The Amazing Race • The Only Leg That Matters • CBS • WorldRace Productions, Inc. Jim Ursulak, Lead Production Mixer Troy Smith, Re-Recording Mixer The Production Mixing Team, Production Mixer

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Jared Robbins, Re-Recording Mixer

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Erik Valenzuela, Re-Recording Mixer Sal Ojeda, Re-Recording Mixer David Nolte, Production Mixer Gabe Lopez, Music Mixer

The Voice • Live Top 10 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Michael Abbott, Production Mixer Randy Faustino, Broadcast Music Mixer Tim Hatayama, Re-Recording Mixer

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mark Jensen, CAS, Re-Recording Mixer

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor • Disney+ • Lucasfilm Ltd. Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Richard Van Den Bergh, Special Effects Supervisor Neal Scanlan, Creature Effects & Droid Supervisor Liyana Mansor, Lead Visual Effects Editor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Jelmer Boskma, Scanline Visual Effects Supervisor Jean-Clément Soret, Colorist

House Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Angus Bickerton, Visual Effects Supervisor Nikeah Forde, VFX Producer
Thomas Horton, VFX Producer Sven Martin, VFX Supervisor Mark Spindler, VFX Co-Supervisor
Mark Dauth, Virtual Production Supervisor Sebastian Meszmann, VFX Producer Mike Bell, VFX Supervisor Tobias Graa Winblad, VFX Producer

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Alex Wang, Overall Visual Effects Supervisor Sean Nowlan, Overall Visual Effects Producer Joel Whist, Production SFX Supervisor Stephen James, Visual Effects Supervisor, DNEG Nick Marshall, Digital Effects Supervisor, DNEG Simon Jung, Visual Effects Supervisor, WETA FX Dennis Yoo, Animation Supervisor, WETA FX Espen Nordahl, Visual Effects Supervisor, Storm Studios Jonathan Mitchell, Visual Effects Supervisor, Distillery FX

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Ron Ames, VFX Producer Jason Smith, VFX Supervisor Nigel Sumner, VFX Supervisor, Industrial Light & Magic Ara Khanikian, VFX Supervisor, Rodeo FX Dean Clarke, SFX Supervisor Ken McGaugh, VFX Supervisor, Wētā FX Tom Proctor, VFX Supervisor, DNEG Greg Butler, VFX Supervisor, Method Studios Joe Henderson, Visualization Creative Supervisor, The Third Floor, Inc.

The Mandalorian • Disney+ • Lucasfilm Ltd. Grady Cofer, Visual Effects Supervisor, Production Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor, Production Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor, Production J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Important Looking Pirates Visual Effects Supervisor

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Five Days At Memorial • Day Two • Apple TV+ • ABC Signature in association with Apple Eric Durst, VFX Supervisor Matthew Whelan, VFX Supervisor Danny McNair, VFX Producer Goran Pavles, VFX Supervisor, Stormborn Studios Rafael Solórzano, VFX Supervisor, El Ranchito John MacGillivray, SFX Coordinator Viktor Muller, VFX Supervisor, UPP Manuel Tausch, VFX Supervisor, Stormborn Studios Gonzalo Escudero, VFX Producer, El Ranchito

The Nevers • It's A Good Day • Tubi • HBO, Mutant Enemy Productions Johnny Han, Visual Effects Supervisor Jack Geist, Visual Effects Producer Damon Fecht, Visual Effects Editor Alexandre Prod'homme, On-Set VFX Supervisor Emanuel Fuchs, Visual Effects Supervisor Gaia Bussolati, Visual Effects Supervisor Ed Bruce, Visual Effects Supervisor Brian Ali Harding, Visual Effects Artist Takashi Takeoka, Visual Effects Artist

Shadow And Bone • Rusalye • Netflix • 21 Laps Entertainment and Chronology for Netflix Ante Dekovic, VFX Supervisor Helen Jen, VFX Producer Richard Macks, VFX Production Manager Gergely Galisz, On-Set VFX Supervisor Juri Stanossek, VFX Supervisor Adam Balentine, VFX Supervisor Jane Byrne, VFX Supervisor Håvard Munkejord, VFX Supervisor Angel Rico, VFX Supervisor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television James MacLachlan, On-Set VFX Supervisor Bill Parker, Compositing Supervisor Lenny Wilson, CG Supervisor Gretchen Bangs, VFX Producer Brian Hobert, Compositing Lead Sherry Li, Compositing Lead Kenneth Armstrong, Compositing Lead Ying Lin, Compositor Neil Taylor, CG Modeler

The Umbrella Academy • Marigold • Netflix • UCP for Netflix Everett Burrell, Senior VFX Supervisor Phillip Hoffman, VFX Producer Dave Axford, On-Set VFX Supervisor Maria Satzetaki, VFX Coordinator Sophie Vertigan, Special Effects Coordinator Jeff Campbell, VFX Supervisor Laurent Spillemaecker, VFX Supervisor Chris White, VFX Supervisor Ryan Freer, VFX Supervisor

Wednesday • A Murder Of Woes • Netflix • A Netflix Series / An MGM Television Production Tom Turnbull, VFX Supervisor Kent Johnson, VFX Producer Jesse Kawzenuk, VFX On-Set Supervisor Oana Barden, VFX Coordinator Craig Calvert, VFX Supervisor Ed Englander, VFX Supervisor John Coldrick, VFX Supervisor Brodie McNeill, VFX Supervisor Jason Troughton, Special Effects Supervisor 

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SERIES
American Idol • Season Finale • ABC • Fremantle and 19 Entertainment Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Danny Bonilla, Camera Mike Carr, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Curtis Eastwood, Camera Jimmy Garcia, Camera Bruce Green, Camera Nathanial Havolm, Camera Ron Lehman, Camera Bettina Levesque, Camera Adam Margolis, Camera Rob Palmer, Camera Brian Reason, Camera Daryl Studebaker, Camera Damien Tuffereau, Camera Easter Xua, Camera

Dancing With The Stars • Finale • Disney+ • BBC Studios Los Angeles Productions Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Terry Clark, Camera
Karyn D'Alessandro, Camera James Garcia, Camera Nathanial Havholm, Camera Mark Koonce, Camera Tim Lee, Camera Ron Lehman, Camera Bettina Levesque, Camera Dave Levisohn, Camera Adam Margolis, Camera Derek Pratt, Camera Brian Reason, Camera Philo Solomon, Camera Daryl Studebaker, Camera Marc Stumpo, Camera Damien Tuffereau, Camera Cary Symmons, Camera

The Masked Singer • New York Night • FOX • FOX Alternative Entertainment Christine Salomon, Technical Director Cary Symmons, Camera Bert Atkinson, Camera Brett Crutcher, Camera Kary D'Allesandro, Camera Jimmy Garcia, Camera John Goforth, Camera Sean Flannery, Camera Bettina Levesque, Camera Adam Margolis, Camera Mark Koonce, Camera Daryl Studebaker, Camera James Sullivan, Camera Rob Palmer, Camera

The Problem With Jon Stewart • Trump Indicted • Apple TV+ • Busboy / EDEN in association with Apple Dave Saretsky, Technical Director Marc Bloomgarden, Camera Franco Coello, Camera Nick Fayo, Camera Kevin Murphy, Camera John Pry, Camera Tim Quigley, Camera Rich York, Camera

The Voice • Live Top 10 Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Allan Wells, Technical Director Danny Bonilla, Camera Mano Bonilla, Camera Martin J. Brown Jr., Camera Robert Burnette, Camera Suzanne Ebner, Camera Guido Frenzel, Camera Alex Hernandez, Camera Scott Hylton, Camera Kathrine Iacofano, Camera Scott Kaye, Camera Steve Martynuk, Camera Jofre Rosero, Camera Nick Tramontano, Camera Dann Webb, Camera

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SPECIAL
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Eric Becker, Technical Director David Alfano, Camera Rob Balton, Camera Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Sean Flannery, Camera Kevin French, Camera Shaun Harkins, Camera Helena Jackson, Camera Tayler Knight, Camera Toré Livia, Camera Allen Merriweather, Camera Eann Potter, Camera Jofre Rosero, Camera Keyan Safyari, Camera Casey Roche, Camera Christopher Rybitski, Camera Rod Wardell, Video Control

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Emmett Loughran, Technical Director Robert Del Russo, Camera Mark Britt, Camera David Driscoll, Camera Tim Farmer, Camera Pete Forest, Camera Andrew Georgopoulos, Camera Pat Gleason, Camera Bruce Green, Camera Shaun Harkins, Camera Jay Kulick, Camera Kevin Murphy, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Rob Palmer, Camera Jesse Placky, Camera David Plakos, Camera George Prince, Camera Mark Renaudin, Camera David Rudd, Camera Austin Rock, Camera Keyan Safyari, Camera Ed Staebler, Camera Rob Vuona, Camera Mark Whitman, Camera Rich York, Camera Jeff Lee, Camera Michael Taylor, Camera Brian Lataille, Camera Loic Maheas, Camera Chris Schuster, Camera

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Christine Salomon, Technical Director Shanele Alvarez, Camera Dominic Bendijo, Camera Bonnie Blake, Camera Danny Bonilla, Camera Kary D’Alessandro, Camera Sean Flannery, Camera Shaun Harkins, Camera Charlie Henry, Camera Cory Hunter, Camera George Reasner, Camera Jofre Rosero, Camera David Rudd, Camera Ryan Schultz, Camera Aymae Sulick, Camera

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production Toby Santos, Technical Director Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Dave Eastwood, Camera Guido Frenzel, Camera Andrew Georgopoulos, Camera Jeff Johnson, Camera Zac Jones, Camera Brian Lataille, Camera Dave Levisohn, Camera Sean Mark Mckelvey, Camera Steve Martyniuk, Camera Rob Palmer, Camera Dave Plakos, Camera Dave Rudd, Camera Dylan Sanford, Camera Matt Trujillo, Camera Roy Walker, Camera Andrew Waresewski, Camera Easter Xua, Camera

The Weeknd Live At SoFi Stadium • HBO Max • HBO Toby Santos, Technical Director Brandon Smith, Technical Director Scott Acosta, Camera Dominic Bendijo, Camera Manny Bonilla, Camera Mano Bonilla, Camera Justin Danzansky, Camera Austin Ellsworth, Camera Chris Ferguson, Camera Jeremy Freeman, Camera Andrew Georgopoulos, Camera Randy Gomez, Camera Jonny Harkins, Camera Shaun Harkins, Camera Travis Hays, Camera Coy Hunter, Camera
Oliver Lanzenberg, Camera Ron Lehman, Camera Andrew McMillan, Camera Dee Nichols, Camera Connor O’Brien, Camera Josh Perry, Camera Rob Pittman, Camera Keyan Safyari, Camera Daniel Schade, Camera Austin Straub, Camera Josh Turner, Camera Justin Umphenour, Camera Joe Victoria, Camera Vince Warburton, Camera Drew Welker, Camera

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PHOTO CREDIT | NBC/Emmys

AWARDS SEASON 2022-2023 | 74TH EMMY WINNERS

September 12, 2022

Tonight, Kenan Thompson hosted the 74th Annual Emmys on NBC. We always like getting in on the fun by predicting who we think will win in the category. Names in bold are our predictions. Those that are bold and in italics are those that we predicted correctly and those that are only italicized are the ones that did win the award.

DRAMA SERIES

“Better Call Saul” (AMC)   

“Euphoria” (HBO)   

“Ozark” (Netflix)   

“Severance” (Apple TV+)   

“Squid Game” (Netflix)   

“Stranger Things” (Netflix)   

“Succession” (HBO)   

“Yellowjackets” (Showtime)  

COMEDY SERIES

“Abbott Elementary” (ABC)   

“Barry” (HBO)

“Curb Your Enthusiasm” (HBO)   

“Hacks” (HBO)   

“The Marvelous Mrs. Maisel” (Amazon Prime Video)

“Only Murders in the Building” (Hulu)

“Ted Lasso” (Apple TV+)

“What We Do in the Shadows” (FX)   

LIMITED SERIES

“Dopesick” (Hulu)   

“The Dropout” (Hulu)   

“Inventing Anna” (Netflix)   

“Pam and Tommy” (Hulu)   

“The White Lotus” (HBO)   

LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (“Ozark”)  

Brian Cox (“Succession”)  

Lee Jung-jae (“Squid Game”)   

Bob Odenkirk (“Better Call Saul”)  

Adam Scott (“Severance”)  

Jeremy Strong (“Succession”)  

LEAD ACTRESS IN A DRAMA SERIES

Jodie Comer (“Killing Eve”)   

Laura Linney (“Ozark”)  

Melanie Lynskey (“Yellowjackets”)  

Sandra Oh (“Killing Eve”)  

Reese Witherspoon (“The Morning Show”)   

Zendaya (“Euphoria”)  

LEAD ACTOR IN A COMEDY SERIES

Donald Glover (“Atlanta”)   

Bill Hader (“Barry”)  

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)   

Martin Short (“Only Murders in the Building”)  

Jason Sudeikis (“Ted Lasso”)  

LEAD ACTRESS IN A COMEDY SERIES

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)  

Quinta Brunson (“Abbott Elementary”)  

Kaley Cuoco (“The Flight Attendant”)  

Elle Fanning (“The Great”)  

Issa Rae (“Insecure”)  

Jean Smart (“Hacks”)  

LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Colin Firth (“The Staircase”)  

Andrew Garfield (“Under the Banner of Heaven”)  

Oscar Isaac (“Scenes From a Marriage”)  

Michael Keaton (“Dopesick”)  

Himesh Patel (“Station Eleven”)  

Sebastian Stan (“Pam and Tommy”)   

LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Toni Collette (“The Staircase”)  

Julia Garner (“Inventing Anna”)  

Lily James (“Pam and Tommy”)  

Sarah Paulson (“Impeachment: American Crime Story”)

Margaret Qualley (“Maid”)  

Amanda Seyfried (“The Dropout”)  

VARIETY TALK SERIES

“The Daily Show With Trevor Noah” (Comedy Central)  

“Jimmy Kimmel Live!” (ABC)  

“Last Week Tonight With John Oliver” (HBO)  

“Late Night With Seth Meyers” (NBC)  

“The Late Show With Stephen Colbert” (CBS)  

COMPETITION PROGRAM

“The Amazing Race” (CBS)  

“Lizzo’s Watch Out for the Big Grrrls” (Amazon Prime Video)  

“Nailed It!” (Netflix)  

“RuPaul’s Drag Race” (VH1)  

“Top Chef” (Bravo)  

“The Voice” (NBC)  

TELEVISION MOVIE

Chip ‘n’Dale: Rescue Rangers (Disney+)

Ray Donovan: The Movie (Showtime)

Reno 911!: The Hunt For QAnon (Paramount+)

The Survivor (HBO/HBO Max)

Zoey’s Extraordinary Christmas (The Roku Channel)

SUPPORTING ACTRESS IN A DRAMA SERIES

Patricia Arquette (Severance)

Julia Garner (Ozark)

Jung Ho-yeon (Squid Game)

Christina Ricci (Yellowjackets)

Rhea Seehorn (Better Call Saul)

J. Smith-Cameron (Succession)

Sarah Snook (Succession)

Sydney Sweeney (Euphoria)

SUPPORTING ACTOR IN A DRAMA SERIES

Nicholas Braun (Succession)

Billy Crudup (The Morning Show)

Kieran Culkin (Succession)

Park Hae-soo (Squid Game)

Matthew Macfadyen (Succession)

John Turturro (Severance)

Christopher Walken (Severance)

Oh Yeong-su (Squid Game)

SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein (The Marvelous Mrs. Maisel)

Hannah Einbinder (Hacks)

Janelle James (Abbott Elementary)

Kate McKinnon (Saturday Night Live)

Sarah Niles (Ted Lasso)

Sheryl Lee Ralph (Abbott Elementary)

Juno Temple (Ted Lasso)

Hannah Waddingham (Ted Lasso)

SUPPORTING ACTOR IN A COMEDY SERIES

Anthony Carrigan (Barry)

Brett Goldstein (Ted Lasso)

Toheeb Jimoh (Ted Lasso)

Nick Mohammed (Ted Lasso)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Tyler James Williams (Abbott Elementary)

Henry Winkler (Barry)

Bowen Yang (Saturday Night Live)

SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

Connie Britton (The White Lotus)

Jennifer Coolidge (The White Lotus)

Alexandra Daddario (The White Lotus)

Kaitlyn Dever (Dopesick)

Natasha Rothwell (The White Lotus)

Sydney Sweeney (The White Lotus)

Mare Winningham (Dopesick)

SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

Murray Bartlett (The White Lotus)

Jake Lacy (The White Lotus)

Will Poulter (Dopesick)

Seth Rogen (Pam & Tommy)

Peter Sarsgaard (Dopesick)

Michael Stuhlbarg (Dopesick)

Steve Zahn (The White Lotus)

GUEST ACTRESS IN A DRAMA SERIES

Hope Davis (Succession)

Marcia Gay Harden (The Morning Show)

Martha Kelly (Euphoria)

Sanaa Lathan (Succession)

Harriet Walter (Succession)

Lee You-mi (Squid Game)

GUEST ACTOR IN A DRAMA SERIES

Adrien Brody (Succession)

James Cromwell (Succession)

Colman Domingo (Euphoria)

Arian Moayed (Succession)

Tom Pelphrey (Ozark)

Alexander Skarsgård (Succession)

GUEST ACTRESS IN A COMEDY SERIES

Jane Adams (Hacks)

Harriet Sansom Harris (Hacks)

Jane Lynch (Only Murders In The Building)

Laurie Metcalf (Hacks)

Kaitlin Olson (Hacks)

Harriet Walter (Ted Lasso)

GUEST ACTOR IN A COMEDY SERIES

Jerrod Carmichael (Saturday Night Live)

Bill Hader (Curb Your Enthusiasm)

James Lance (Ted Lasso)

Nathan Lane (Only Murders In The Building)

Christopher McDonald (Hacks)

Sam Richardson (Ted Lasso)

VARIETY SKETCH SERIES

A Black Lady Sketch Show (HBO/HBO Max)

Saturday Night Live (NBC)

VARIETY SPECIAL (LIVE)

The 64th Annual Grammy Awards (CBS)

Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)

The Oscars (ABC)

Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)

Tony Awards Presents: Broadway’s Back! (CBS)

VARIETY SPECIAL (PRE-RECORDED)

Adele: One Night Only (CBS)

Dave Chappelle: The Closer (Netflix)

Harry Potter 20th Anniversary: Return to Hogwarts (HBO/HBO Max)

Norm Macdonald: Nothing Special (Netflix)

One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

HOSTED NONFICTION SERIES OR SPECIAL

My Next Guest Needs No Introduction with David Letterman (Netflix)

The Problem with Jon Stewart (Apple TV+)

Stanley Tucci: Searching for Italy (CNN)

VICE (Showtime)

The World According to Jeff Goldblum (Disney+)

COMPETITION PROGRAM

The Amazing Race (CBS)

Lizzo’s Watch Out For The Big Grrrls (Prime Video)

Nailed It! (Netflix)

RuPaul’s Drag Race (VH1)

Top Chef (Bravo)

The Voice (NBC)

HOST FOR A REALITY OR COMPETITION PROGRAM

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)

Amy Poehler and Nick Offerman (Making It)

Nicole Byer (Nailed It!)

Barbara Corcoran, Mark Cuban, Lori Greiner, Robert Herjavec, Daymond John, Kevin O’Leary (Shark Tank)

Padma Lakshmi (Top Chef)

RuPaul (RuPaul’s Drag Race)

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In AM, TV Show, Awards Season, Awards Season 2022-2023 Tags Succession, Awards Season, Emmy Nominations, Emmy, JB Smoove, Ozark, Abbott Elementary, Better Call Saul, Squid Games, Killing Eve, Ozatk, Atlanta, Euphoria, Severance, White Lotus, Hulu, Netflix, Apple+, HBO, Barry, Hacks, Curb Your Enthusiasm, Apple TV+, Stranger Things, Yellowjackets
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AWARDS SEASON 2022-2023 | 74TH EMMY NOMINATIONS

July 12, 2022

This morning JB Smoove (check out his interview with us here as well as his 9PLAYLIST) and Melissa Fumero announced the nominations for the 74th Annual Emmys. The awards show will take place on NBC on Sept 12th. We have a few of the categories that you’ll see televised on the big night, but you can see the complete list of all nominations here. We always like getting in on the fun by predicting who we think will win in the category. Names in bold are our predictions. On the big night, those that are bold and in italics are those that we predicted correctly and those that are only italicized are the ones that did win the award.

DRAMA SERIES

“Better Call Saul” (AMC)   

“Euphoria” (HBO)   

“Ozark” (Netflix)   

“Severance” (Apple TV+)   

“Squid Game” (Netflix)   

“Stranger Things” (Netflix)   

“Succession” (HBO)   

“Yellowjackets” (Showtime)  

COMEDY SERIES

“Abbott Elementary” (ABC)   

“Barry” (HBO)

“Curb Your Enthusiasm” (HBO)   

“Hacks” (HBO)   

“The Marvelous Mrs. Maisel” (Amazon Prime Video)

“Only Murders in the Building” (Hulu)

“Ted Lasso” (Apple TV+)

“What We Do in the Shadows” (FX)   

LIMITED SERIES

“Dopesick” (Hulu)   

“The Dropout” (Hulu)   

“Inventing Anna” (Netflix)   

“Pam and Tommy” (Hulu)   

“The White Lotus” (HBO)   

LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (“Ozark”)  

Brian Cox (“Succession”)  

Lee Jung-jae (“Squid Game”)   

Bob Odenkirk (“Better Call Saul”)  

Adam Scott (“Severance”)  

Jeremy Strong (“Succession”)  

LEAD ACTRESS IN A DRAMA SERIES

Jodie Comer (“Killing Eve”)   

Laura Linney (“Ozark”)  

Melanie Lynskey (“Yellowjackets”)  

Sandra Oh (“Killing Eve”)  

Reese Witherspoon (“The Morning Show”)   

Zendaya (“Euphoria”)  

LEAD ACTOR IN A COMEDY SERIES

Donald Glover (“Atlanta”)   

Bill Hader (“Barry”)  

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)   

Martin Short (“Only Murders in the Building”)  

Jason Sudeikis (“Ted Lasso”)  

LEAD ACTRESS IN A COMEDY SERIES

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)  

Quinta Brunson (“Abbott Elementary”)  

Kaley Cuoco (“The Flight Attendant”)  

Elle Fanning (“The Great”)  

Issa Rae (“Insecure”)  

Jean Smart (“Hacks”)  

LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Colin Firth (“The Staircase”)  

Andrew Garfield (“Under the Banner of Heaven”)  

Oscar Isaac (“Scenes From a Marriage”)  

Michael Keaton (“Dopesick”)  

Himesh Patel (“Station Eleven”)  

Sebastian Stan (“Pam and Tommy”)   

LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Toni Collette (“The Staircase”)  

Julia Garner (“Inventing Anna”)  

Lily James (“Pam and Tommy”)  

Sarah Paulson (“Impeachment: American Crime Story”)

Margaret Qualley (“Maid”)  

Amanda Seyfried (“The Dropout”)  

VARIETY TALK SERIES

“The Daily Show With Trevor Noah” (Comedy Central)  

“Jimmy Kimmel Live!” (ABC)  

“Last Week Tonight With John Oliver” (HBO)  

“Late Night With Seth Meyers” (NBC)  

“The Late Show With Stephen Colbert” (CBS)  

COMPETITION PROGRAM

“The Amazing Race” (CBS)  

“Lizzo’s Watch Out for the Big Grrrls” (Amazon Prime Video)  

“Nailed It!” (Netflix)  

“RuPaul’s Drag Race” (VH1)  

“Top Chef” (Bravo)  

“The Voice” (NBC)  

TELEVISION MOVIE

Chip ‘n’Dale: Rescue Rangers (Disney+)

Ray Donovan: The Movie (Showtime)

Reno 911!: The Hunt For QAnon (Paramount+)

The Survivor (HBO/HBO Max)

Zoey’s Extraordinary Christmas (The Roku Channel)

SUPPORTING ACTRESS IN A DRAMA SERIES

Patricia Arquette (Severance)

Julia Garner (Ozark)

Jung Ho-yeon (Squid Game)

Christina Ricci (Yellowjackets)

Rhea Seehorn (Better Call Saul)

J. Smith-Cameron (Succession)

Sarah Snook (Succession)

Sydney Sweeney (Euphoria)

SUPPORTING ACTOR IN A DRAMA SERIES

Nicholas Braun (Succession)

Billy Crudup (The Morning Show)

Kieran Culkin (Succession)

Park Hae-soo (Squid Game)

Matthew Macfadyen (Succession)

John Turturro (Severance)

Christopher Walken (Severance)

Oh Yeong-su (Squid Game)

SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein (The Marvelous Mrs. Maisel)

Hannah Einbinder (Hacks)

Janelle James (Abbott Elementary)

Kate McKinnon (Saturday Night Live)

Sarah Niles (Ted Lasso)

Sheryl Lee Ralph (Abbott Elementary)

Juno Temple (Ted Lasso)

Hannah Waddingham (Ted Lasso)

SUPPORTING ACTOR IN A COMEDY SERIES

Anthony Carrigan (Barry)

Brett Goldstein (Ted Lasso)

Toheeb Jimoh (Ted Lasso)

Nick Mohammed (Ted Lasso)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Tyler James Williams (Abbott Elementary)

Henry Winkler (Barry)

Bowen Yang (Saturday Night Live)

SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

Connie Britton (The White Lotus)

Jennifer Coolidge (The White Lotus)

Alexandra Daddario (The White Lotus)

Kaitlyn Dever (Dopesick)

Natasha Rothwell (The White Lotus)

Sydney Sweeney (The White Lotus)

Mare Winningham (Dopesick)

SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

Murray Bartlett (The White Lotus)

Jake Lacy (The White Lotus)

Will Poulter (Dopesick)

Seth Rogen (Pam & Tommy)

Peter Sarsgaard (Dopesick)

Michael Stuhlbarg (Dopesick)

Steve Zahn (The White Lotus)

GUEST ACTRESS IN A DRAMA SERIES

Hope Davis (Succession)

Marcia Gay Harden (The Morning Show)

Martha Kelly (Euphoria)

Sanaa Lathan (Succession)

Harriet Walter (Succession)

Lee You-mi (Squid Game)

GUEST ACTOR IN A DRAMA SERIES

Adrien Brody (Succession)

James Cromwell (Succession)

Colman Domingo (Euphoria)

Arian Moayed (Succession)

Tom Pelphrey (Ozark)

Alexander Skarsgård (Succession)

GUEST ACTRESS IN A COMEDY SERIES

Jane Adams (Hacks)

Harriet Sansom Harris (Hacks)

Jane Lynch (Only Murders In The Building)

Laurie Metcalf (Hacks)

Kaitlin Olson (Hacks)

Harriet Walter (Ted Lasso)

GUEST ACTOR IN A COMEDY SERIES

Jerrod Carmichael (Saturday Night Live)

Bill Hader (Curb Your Enthusiasm)

James Lance (Ted Lasso)

Nathan Lane (Only Murders In The Building)

Christopher McDonald (Hacks)

Sam Richardson (Ted Lasso)

VARIETY SKETCH SERIES

A Black Lady Sketch Show (HBO/HBO Max)

Saturday Night Live (NBC)

VARIETY SPECIAL (LIVE)

The 64th Annual Grammy Awards (CBS)

Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)

The Oscars (ABC)

Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)

Tony Awards Presents: Broadway’s Back! (CBS)

VARIETY SPECIAL (PRE-RECORDED)

Adele: One Night Only (CBS)

Dave Chappelle: The Closer (Netflix)

Harry Potter 20th Anniversary: Return to Hogwarts (HBO/HBO Max)

Norm Macdonald: Nothing Special (Netflix)

One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

HOSTED NONFICTION SERIES OR SPECIAL

My Next Guest Needs No Introduction with David Letterman (Netflix)

The Problem with Jon Stewart (Apple TV+)

Stanley Tucci: Searching for Italy (CNN)

VICE (Showtime)

The World According to Jeff Goldblum (Disney+)

COMPETITION PROGRAM

The Amazing Race (CBS)

Lizzo’s Watch Out For The Big Grrrls (Prime Video)

Nailed It! (Netflix)

RuPaul’s Drag Race (VH1)

Top Chef (Bravo)

The Voice (NBC)

HOST FOR A REALITY OR COMPETITION PROGRAM

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)

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In AM, TV Show, Awards Season, Awards Season 2022-2023 Tags Succession, Awards Season, Emmy Nominations, Emmy, JB Smoove, Ozark, Abbott Elementary, Better Call Saul, Squid Games, Killing Eve, Ozatk, Atlanta, Euphoria, Severance, White Lotus, Hulu, Netflix, Apple+, HBO, Barry, Hacks, Curb Your Enthusiasm, Apple TV+, Stranger Things, Yellowjackets
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BACK AT THE PYNK

June 3, 2022

In 2020, the first season of P-Valley, an adaptation of Olivier Award, Pulitzer Prize winning and 2X TONY nominated playwright Katori Hall's (The Mountaintop, Tina: Tina Turner Musical, The Hot Wing King) play Pussy Valley, premiered on STARZ. Katori serves as the Executive Producer and showrunner for this series. This series takes us to the Mississippi Delta where local politics, a strip club and the need to elevate in society come to a head.

The sophomore season of P-Valley begins June 3rd and we caught up with some of our faves of The Pynk in Chucalissa, Mississippi. In our roundtable, we talked with Elarica Johnson (Eastenders, Harry Potter and the Half-Blood Prince, A Discovery of Witches) who plays Autumn that we meet in the first season after running from her problems to the town of Chucalissa and becomes a dancer at The Pynk; Parker Sawyers (Succession, Snowden, A Discovery of Witches) who plays Andre Watkins who is an an associate at a commercial investment company trying to secure land for The Promised Land Casino and Resort. We also talk with Shannon Thornton (POWER, Dynasty, Inventing Anna) who plays Keyshawn a dancer at The Pynk who is also making her debut as an artist and J. Alphonse Nicholson (Mr. Robot, Self Made: Inspired by the Life of Madame C.J. Walker, Just Mercy) who plays the up and coming rapper, Lil' Murda.

We find out how they came to this series, why this show is powerful and what can we expect as we head into season 2.

ATHLEISURE MAG: It’s so great to talk to you guys and we've been a fan of your work in this series as well as other projects that you have been attached to. Before we delve into P-Valley and the upcoming season, what led you to want to be an actor?

ELARICA JOHNSON: Ohh I like this question! I was that performing artist kid – the annoying one that has to do performances at the age of 4 or 5. Then I watched Annie in the theater and saw this little girl doing this performance and I was like, oh my God, I want to do that. And then I think that the biggest part is the storytelling. I loved reading stories when I was younger and the fact that I can dress up and be whoever is handed to me and to be who I want to be, that’s the most incredible thing.

PARKER SAWYERS: What’s the expression? Nothing is as queer as folk – nothing is as queer as people? I just love exploring humans man! We’re just a strange animal! So far, my degrees are in philosophy and psychology. I like thinking and reading about people and then I didn’t start acting until I was 27. I’ve always been a keen observer of human behavior and just like – what? Why is that? I’ll give you an example. I was surprised by Katori, I think she had been out of her hometown for awhile like a decade! She had been in NY like Columbia, Harvard and this kind of stuff. And then, her accent is still quite strong! I love thinking about how she loves her hometown and she’s seeing all the stars, her place, the dialect – she loves it so much! That accent isn’t going anywhere! Whereas some other people, they move and they want to assimilate – I live in London and some Americans, they want to feel part of the culture and it’s not on purpose but their accent will start to go British. I love thinking about stuff like that and then putting it on screen whenever I get the chance.

SHANNON THORNTON: I wanted to be an actor since I was a kid. I have always just been a creative person. I don’t know if it’s because I’m a lefty as we’re always creatively and artistically inclined. I don’t know if that has something to do with it as well! I’ve always had a passion for drawing, I was involved in everything band, choir, drama club, African dance, ballet – anything that just involved being on the stage and performing. I was just a part of it and ever since I was a kid from my first play in middle school, I’ve always wanted to create and to express myself artistically. I really couldn’t see myself doing anything but what I am doing right now.

J. ALPHONSE NICHOLSON: For me, it came later in life. I’m a musician first, I’ve been a percussionist my entire life, but I will say that I have had a lot of artistic influences growing up from my mom writing church plays to being on a step team in high school to being in a marching band – so the showmanship was always there. Once I got to college, I was 18 at North Carolina Central University thinking that I was going to be a band teacher, I had a wonderful teacher come up to me and said that I should pursue this theater course and to audition for this play because I had a great personality. I did it and I fell in love with it. Here we are now at 32, 12 years later and I found a lot of success through storytelling and it just grew on me and I knew it was something that I was going to do for the rest of my life outside of any of my other endeavors. Storytelling is important to me and once you realize that you have a gift for it, it doesn’t feel like work – it’s something that you want to keep going after.

AM: I love that. What drew you guys to wanting to be part of P-Valley? I remember hearing about it before the 1st season dropped and I was excited. It sounded like it was going to be really good and when it came on, I was obsessed with this show and the characters! It was everything that I could have imagined and more.

EJ: I mean, I read this script and I fell in love very early on! I was like, this one’s for me – yes! The writing is amazing and Katori does an incredible job with the characters and the space and even the language – I had never seen it before. I knew that it had to be mine. You don’t see scripts like that very often.

PS: The same, the same! Elarica already said it, but as actors, I don’t know how many scripts we get and especially during busy months of the year, it can be 5 or 6 a week. I mean a lot of them look the same and I get confused! I’m like, did you already send me this one? But when I got P-Valley, it was so new and fresh – I got it and I understood it! Oftentimes, I don’t understand some of the humor written down or something in the script. But this one I was like – oh that’s funny, I got this, that’s cool. Reading it I was like, that’s interesting and I know that and I know that world – a little bit. So that’s just something that just leapt out.

ST: The writing is what pulled me in for sure. As soon as you read the script, I remember going into my manager’s office one day to put myself on tape for another project that I was auditioning for and they were like, “listen, this came across our desk and I know you don’t do nudity and that you don’t play this type of character, but it’s definitely worth a read.” I read it on the train ride home as I was living in NY at the time and I cried. It was so beautiful and I hadn’t come across anything like that in my entire career up until that point. The characters are just so beautifully fleshed out and complicated and this world is just so real and familiar to me. I absolutely, despite my reservations, absolutely had to at least throw my hat into the ring and see.

JAN: Same! Katori Hall! The writing! I knew of her genius as a writer prior to coming to P-Valley. We both come from the theater world in NY. So I was very fond of her work and when the opportunity came to work with her and to have an opportunity to audition, we went for it and when you add in the complexity of playing Lil’ Murda right? Him being a closeted rapper so as a heterosexual man, you get a little apprehensive and say, “hey is this a story that I feel comfortable in telling” and then you do it and it's so rewarding! For me, I feel like I have played a part in being an ally in a really dope community and that’s what drew me to it. 1. being an ally through storytelling and then 2. just this incredible writing by Pulitzer prize winning Katori Hall.

AM: That's great. One of the things that we love about this show is that everyone is haunted by something in this series and they are trying to escape to other things in their life. Where did we leave your characters last season and where do we pick up with them again going into the 2nd season which launches next month?

EJ: I mean, when we left my character Autumn, she was at the auction house and I know that there are a lot of questions from fans on where is that situation now and does she really own this space now and what is her relationship like with Uncle Clifford (Nicco Annan – Snowfall, This is Us, Claws)? I can tell you that it’s very bumpy! She does own the majority of The Pynk and is in partnership with Uncle Clifford and she is the boss now. This is a huge difference from her 1st season but the space belonged to Uncle Clifford for so long and has been in her life for so long that this battle has been going on for a very long time.

PS: With Andre, we’ve seen him where we left off with him failing at a mission again. We open up with him out of a job and sort of lost. And in my mind, a bit of a bum, overgrown and he’s stopped grooming himself and maybe stopped showering and maybe stopped washing his legs – I don’t know! He’s a bit lost, but then there’s something that happens that gets him out of it. Not immediately but it starts him on his path to getting back to himself. But he does it quickly and it’s pretty impressive.

ST: Season 1 as far as Keyshawn, you last see her at The Pynk, she had at this point, pulled a gun on Diamond (Tyler Lepley - 90210, The Haves and the Have Nots, Harlem) to protect her abusive boyfriend Derrick (Jordan Cox - TURN: Washington's Spies, Dynasty, The Outsider). We pick up where we left off, maybe a few months later where we are now in the throws of a pandemic and Keyshawn is dealing with the consequences of her actions. We see in season 2 whether or not she’s forgiven by Diamond or forgiven by her co-workers at The Pynk and where the relationship stands or goes with Derrick.

JAN: We find Lil’ Murda in a similar place at the end where he’s trying to figure him self out and to find himself. We absolutely find him in the same place that we’re at right now, dealing with a pandemic and dealing with how to cope with that. By the time we get to the end of season 2, we see him in a much more clearer space with himself but still complicated and complex none the less. We see him go through this incredible journey as a musician, a lover, a friend as a big brother to Keyshawn and how he moves through that space. So we find them in a multitude of different levels and a lot of different levels and then we find out how they even that playing field for themselves.

AM: The cast is really great and as you're watching the story unfold, there are interesting dynamics between them. In terms of Autumn and Andre, there is a tension between them will we continue to see that as we continue into the next season?

For Keyshawn and Lil' Murda, there is a great vibe into your characters in their relationship as friends and business partners. How will that evolve into the next season?

EJ: They do! They naturally have this thing. They’re like magnets and they’re drawn to each other regardless of what they’re going through as there’s always going to be something. I think that that is definitely a strong factor in their relationship. Yeah, we see that in this season coming.

JAN: For sure, you see it grow immensely. You see them become very fond of each other and what they are able to offer each other. Not only as business partners but as friends too right and as entertainers. I think that Lil’ Murda knows that he has to admit it to himself and his manager on the show that they can’t do that tour without Keyshawn. So we have to make that happen and then at the end of the day, I think that she knows and I don’t want to speak for her, but I feel like Lil’ Murda knows that Keyshawn knows that I am valuable to her. She feels like, “hey, he’s going to help me get out of these trenches – let’s go on tour and make that happen!”

I am valuable to her. She feels like, "hey, he’s going to help me get out of these trenches – let’s go on tour and make that happen!”

AM: Do you think that Keyshawn feels that way?

ST: Absolutely. Yes! We’re helping each other here. I think that being on tour is a kind of escapism and we were able to just escape reality for a little bit. It’s in the middle of the pandemic, but at the same time, we get to take that breather because we’re going on tour. You’ll see little texts and phone calls that bring us back to reality, but yeah absolutely.

AM: Looking past P-Valley, do you have any upcoming projects that you’re able to share that we can keep an eye out for?

PS: Oh man! The Lost Girls, that’s a movie that’s coming out. Look on my IMDB. Next week, I go off to Europe for a few months to do a couple of shows. I’m doing one for HBO Max and it’s set in the 1970s and it’s a spy thriller. Then I am also revisiting a character from a BBC show that I did in 2018 but because of the pandemic, we’re just getting around to being able to do the 2nd season! It’ll be cool, summer in Europe.

EJ: There’s nothing that I can talk about at the moment but I’m so thrilled to hear about what everyone is doing!

JAN: For sure, so I had an opportunity to work on a really cool project with John Boyega (Star Wars: Episode VII – The Force Awakens, Star Wars: Episode VIII – The Last Jedi, Star Wars: Episode IX – The Rise of Skywalker), Jamie Foxx (Horrible Bosses 2, Baby Driver, Spider-Man: No Way Home) and Teyonah Parris (If Beale Streets Could Talk, Wandavision, Candyman) called They Cloned Tyrone coming to Netflix this year. I have 2 other projects that are in production right now and they are producer projects as well called Shadowbox with Hill Harper (Homeland, Super Pumped: The Battle for Uber, The Good Doctor) and Joslyn Rose Lyons (Looking Glass, Waging Change, Truth to Power) she’s a writer and director of that project. So it’s in the festival circuit right now. The other 2 projects that I am doing right now haven’t had my characters be announced yet so I can’t wait for the audience and my fan base to get a hold of that!

ST: There are a couple of things that are in play right now, that I don’t want to jinx – they’re under wraps for the moment but I am very very excited and I don’t think that anyone will see me in quite this light before.

IG @pvalleystarz

@elarica

@parkersawyers

@shannonthornt_n

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PHOTOGRAPHY CREDITS | PG 100 - 111 STARZ/P-Valley

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In AM, May 2022, TV Show, Celebrity, Editor Picks Tags Elarica Johnson, Parker Sawyers, Shannon Thornton, J Alphonse Nicholson, STARZ, P-Valley, The Pynk, Katori Hall, Olivier Award, Pulitzer Prize, TONY, The Mountaintop, Tina: Tina Turner Musical, The Hot Wing King, Pussy Valley, Eastenders, Harry Potter and the Half-Blood Prince, A Discovery of Witches, Succession, Snowden, POWER, Dynasty, Inventing Anna, Mr Robot, Self Made: Inspired by the Life of Madame C.J. Walker, Just Mercy, Lil' Murda, Uncle Clifford, Nicco Annan, Snowfall, This is Us, Claws, Diamond, Tyler Lepley, 90210, The Haves and the Have Nots, Harlem, Jordan Cox, TURN: Washington's Spies, The Outsider, The Lost Girls, IMDB, HBO Max, BBC, John Boyega, Star Wars, Teyonah Parris, Wandavision, Candyman, Hill Harper, Joslyn Rose Lyons
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IT'S ALL JUST STORY | RODNEY BARNES

May 21, 2022

This year when the NBA unveiled their 75th Anniversary Team of retired and active players, it included 17 members who played for the Lakers which includes the Showtime era of the 70/80s with players Kareem Abdul-Jabbar and Magic Johnson. To understand the importance of this era and what it did to how we enjoy the game, and how it moved the game forward in terms of commerce and making players brand, Winning Time: The Rise of the Lakers Dynasty illustrates the dynamics at play.

We talked with Rodney Barnes, who has written for STARZ Heels, STARZ American Gods, Everybody Hates Chris and more. He shares how he got into the industry, the positions he has held, his approach to his work, being the Executive Producer and writer for Winning Time, Zombie Love Studios and his passion for comic books and graphic novels.

ATHLEISURE MAG: You’ve worked in various positions in the entertainment industry as a Production Assistant, showrunner, Executive Producer and an award-winning screenwriter. With all of these roles, what was the moment that you realized that you wanted to work in this industry?

RODNEY BARNES: I was going to Howard University and I was in the School of C (Howard University Cathy Hughs School of Communication) and I was working at Georgetown Law Center as a campus cop at night and I found out that the movie The Pelican Brief was coming to my job to film some scenes. So I was really excited because it’s one thing to go to school for this and it’s another thing to actually be able to see it up close. So I signed up for all of the overtime details and I got them all. I started watching the movie being put together and it was so exciting! So I met a guy and he was the PA, he was a Key Set PA. So I asked him how I could get a job doing what he did. He said that that weekend, they had some big scenes that were taking place at the Washington Monument and that if I wanted to come and do it for a day, they'd be happy to have me.

So I did it and it was the most exciting, fun and best $100 that I ever made in my entire life! It was something about it that felt right. I felt more purpose in doing that and being close to this thing that I wanted to be close to then I did doing anything else that paid a lot better. I quit my job at Georgetown and started working as a PA full time.

AM: What a story, we always tell people that we embrace the multi-hyphenate. As someone who has worked in a number of roles and continues to do so from writing and producing, when did you know that you wanted to take on these areas and what the specific area was that you wanted to start in first? Or was there just a confluence that took place to make all of this come together?

RB: I knew I wanted to be a writer, but I knew what I didn’t know. I knew that I didn’t understand how any of this worked and I had a very fundamental understanding of what writing was and telling stories. Quite frankly, emotionally and psychologically, I wasn’t mature enough or evolved enough to be able to take on the big job. So, working as a PA, I look at it as being an apprentice. I had an opportunity to meet people, to sort of find my tribe, to figure out the psychology of how it would work and to just get my legs under me which was a bit like bootcamp. It was always writing, but I had to build up to the idea of being able to take my shot at it because it just felt too big.

AM: What do you think was the biggest thing that you learned from being a PA that has helped you with your career or was it just being able to see all the parts that were moving and to be able to understand how they connect?

RB: There was that. I think that the thing for me was that I always had this idea that everybody in Hollywood must be a genius and I haven’t met a genius yet. But, what I have met are some folks that have worked really really hard at their craft. It sort of demystified the entire process for me in being able to see it up close and to be able to observe. I wouldn’t say that I was a vital part although I know that some people would disagree. It was sort of the type of thing where getting to know people as friends and mentors even though that’s a problematic word as no one put their arm around me and said, “son this is what you do.” But they allowed me to be in their circle and to be able to see how the sausage is made. I got an opportunity to be able to just see things up close and to decide whether or not I could do it, if I wanted to do it and the closer I got to the thing that I wanted, the better that things got for me, but I wouldn’t have been able to do any of it if I hadn’t been a PA.

AM: From a screenwriting aspect, you have written a number of things. I loved your work in American Gods which I loved that show and obviously Winning Time and then you look at shows like Everybody Hates Chris. How do you get inspiration to write and then where do you start from when you’re trying to put words to paper to create these worlds for us?

RB: I never looked at it from a place of inspiration because if I need the emotional investment to do it, then I’m not going to be inspired some of those days and I’m still going to have to do it. For me, the difference was, approaching every day like I’m at work which was no different then when I was at Walmart or Target or any of those places that I worked at along the way. I had to get up, I had to work, I didn’t feel like it and then somewhere midday or so, it got a little bit better and then a little bit better. I sort of approach writing in the same way. I have a lot of resistance on the days that I don’t feel like doing it, but it needs to be done because I have a deadline. 78% of the time, I’m able to be disciplined and I’m able to get it done and the other times, I might go to the movies, sit and watch a game or do something else when I’m supposed to be writing. But I think it’s more of a discipline of doing the thing than an emotional component to it. There are days where I feel it and if I'm writing something like a horror driven thing like in my graphic novels, I'm enjoying it a great deal so it’s easier to do, but whether I feel it or I don’t feel it or am some place in between, I still do it.

AM: Just to circle back to American Gods, one of my minors in college was Classical Civilization so it covered mythologies of the world in addition to Greece and Rome and included African and Asian nations. So when I watched it, I loved seeing all of these stories that came to life. What was it like writing for that?

RB: It was great! The best thing that came out of it was my relationship with Orlando Jones (Sleepy Hollow, American Gods, The Good Lord Bird) who played Anansi/Mr. Nancy on our show. I had a similar thing as you, I didn’t do it in college but I studied a lot of different types of mythology and some of these characters like Anansi and Bilquis and others, you don’t really get to hear a lot about them. Because of comic books, you get Thor and Zeus, Odin and Hercules and those guys but oftentimes, Gods of color don’t get a lot of love. Even when they do, it’s in secondary roles. Working for American Gods and I’m a huge Neil Gaiman fan. So to be able to play in that sort of world and get some genre credits under my name was great as I have a comic book company and I also tell a lot of genre driven stories so being able to legitimize that beyond wanting to do it was always something that I wanted to do.

AM: It was such a phenomenal series. I remember seeing the episodes and being able to see some of these characters that I had read about being brought to life so fully, it kept me glued and it was truly incredible.

So as a screenwriter, what is that process like in terms of getting attached to a project and how does one pitch themselves to get into this work?

RB: Well my agents do a lot of my pitching. They typically open doors, but I’d say that about 75% of the work that I get, outside of the things that I create, really comes from via word of mouth. Right now it’s a good time because of Winning Time and people seemingly are enjoying it and you get a lot of offers to do things because they like it which I am grateful for and it is a blessing. More often than not, it’s about putting yourself in the right position you know? People know that I write graphic books and comic books so whenever a project like that comes around and it seems like they can use a writer like me, oftentimes, they’ll call or not so much now because I have been doing it for awhile but maybe 7 or 8 years ago, if it was something that I had heard about that was coming down the pike, I would tell my agents to keep an eye out on it and then see if maybe they could get me up there to be considered.

AM: Is it a different flow for you when you’re writing for the BET Awards or the Oscars – is there a different approach because it’s a live audience or a different format then just a show or even the comic books?

RB: Not really, I look at all of it like it’s story whether it’s writing a joke, Chris Rock or one of his specials or whoever I’m working for for the Oscars or an awards show. Even a joke is a story. It has a beginning, a middle and an end. Whether I’m telling a funny story or a horrifying story or a dramatic story, at the end of the day, it’s all a story. So, I approach it all the same way. The biggest thing for me is really understanding who’s going to be interpreting the words. Like, I work a lot with Chris Rock, and I know him really, really well so if I’m going to pitch something to him, I incorporate that knowledge into the pitch. Like, I can sort of filter myself and know that he wouldn’t like this or he would really like that part. In writing the shows, I have built a great relationship with a lot of our cast and so, I try to write to their strengths as well as to the story that I am trying to tell. When I am saying that I’m writing to their strengths, I'm talking dialogue. There is a cadence to how people talk and if you can make it easier for them to interpret the words, I think that they become more comfortable with it so it's really more so about having familiarity with it for the task at hand.

AM: Also in your body of work, you have been a co-producer and a producer in shows like Heels, Winning Time and Wu-Tang: An American Saga. We’ve had a number of WWE wrestlers as our cover and shared their stories so seeing Heels was another show that we enjoyed. When did you realize that you wanted to add these roles into your body of work and how does that change your perspective especially when you're also writing the show as well?

RB: Well it’s funny, those titles of producing can mean a lot of different things. Earlier in my career, say on My Wife and Kids, when I was a producer, it wasn’t really a lot more to do than sitting in a room and writing. It’s sort of like the government, government jobs they have G-1, G-2 as you work up and it’s sort of like that in television in writing as well. If you do it long enough, you start out as a staff writer and then you move up to a story editor and then an executive story editor and then you go up through the WGA (Writers Guild of America) classifications that go with moving up. But then, in certain gigs like in Everybody Hates Chris, I was in the writer’s room and wrote a number of episodes, but I also produced the voiceover that you would hear in every show. So I would write the lines and go with Chris Rock and go record the lines together and then I would place them in the show in editing. So, to me that was actually the beginning of actually producing and so on different shows, that idea of what a producer means is something different.

On Winning Time, I actually work with the actors whether it’s working on set with their lines, working with the director to see whether or not a shot is sort of lining up with how we saw it when we were writing the show – it can mean a lot of different things. There are some shows where I have been an EP and it didn't mean anything more than just writing a show and putting it together or on some shows I'm actually tangibly doing something different. On American Gods, I wrote and also worked on the set with the actors and the director as well and putting it all together. On Heels, not so much. Marvel's Runaways – not so much. But it’s different with each one, so it’s a classification that comes with being a TV writer and as the responsibilities go, it has more to do with what that show requires.

AM: When I first heard about Winning Time last fall, I knew I was going to love it, I remember as a kid in 1986 loving this team even though I grew up in Indiana and it continues even though I live in NY now. So seeing this story, hearing about this story and getting this inside scoop of what was going on has made it really enjoyable to watch. How did you get attached to this project and what made you want to be involved?

RB: Max Borenstein (Kong: Skull Island, Worth, Godzilla vs Kong) who is our showrunner and the other Executive Producer as well, he and I have been writing together for about 10 years and when Jim Hecht (Fairly OddParents, Ice Age 2: The Meltdown, The Ice Age Adventures of Buck Wild) first optioned the book, he got the book to Adam McKay (Talladega Nights: The Ballad of Ricky Bobby, Vice, Don’t Look Up), and he got it to HBO and they said they would do a pilot I believe, I don’t know if the project was picked up then. They hired Max, Max called me and I said yes that I would want to be a part of it. That’s how it started.

AM: It’s an incredible cast and I love McKay films and the people that are in it. In terms of writing this where you had Jeff Pearlman’s book Showtime: Magic, Kareem, Riley and the Los Angeles Lakers Dynasty of the 1980s, how much source material did you have as I know players of that time as well as the franchise didn’t reach out to you on this. How did you coalesce these things all together to create this story and to provide that insider feel?

RB: Well we were really fortunate that book. So we studied a lot of books and Rick Fox, former Laker was our technical advisor, we talked to a lot of folks who were around the team at that time who worked for the organization, YouTube – we did a lot of research everywhere – articles anything that we could find. We sort of incorporated into the narrative and some stuff we had to tie in together for dramatization purposes.

AM: Obviously with the people that were involved, John C Reilly (Gangs of New York, The Aviator, Anchorman II: The Legend Continues), Jason Clarke (Brotherhood, Chappaquiddick, Silk Road), Rob Morgan (Stranger Things, The United States vs. Billie Holiday, Don’t Look Up), Jason Segel (How I Met Your Mother, Dispatches from Elsewhere, Hotel Artemis) and Adrien Brody (The Grand Budapest Hotel, Peaky Blinders, Succession) etc, there are actors in there where there is a lot of secret sauce. You have actors who were athletic but didn’t play basketball and having to do so for this role, having Quincy Isaiah play such a key and iconic person who was new to this platform, how did all of this come together to get that energy, to make an audience believe that these people who be playing this game even though they didn’t necessarily have this background?

RB: Francine Maisler (Uncut Gems, Being the Ricardos, Dune) is our casting director and she did a great job finding folks. Sometimes you get lucky like in the case of Quincy who is from Michigan and was an athlete – a football player. He had to lose 80lbs or so to come down to being able to have a Magic Johnson-like look. Solomon Hughes who plays, Kareem Adbul-Jabbar is an educator, is 7-feet tall, plays jazz and he played basketball on a professional level before. You just get lucky sometimes. I think that that’s across the board in finding people that not only have the talent but also the emotional stuff.

If you think about our players, they have to learn how to play the game because some had never played the game before, they had to be convincing to learn how to play a particular way that their character played, they had to go through physical training everyday and then they had to learn their lines and then they had to act. So there would be times when they would have to come from training, be on set, leave their work, leave set and go and play basketball everyday for however long – for a year or so. Then there is the training that went into it before hand and always having a good attitude about it as they were going. We got really really fortunate to find the folks that we found.

AM: When did you realize that you were going to be Maurice?

RB: I’ll tell you when I was working, Max was working on a movie called Worth in NY that’s on Netflix now. I was working on the first season of Wu-Tang: An American Saga. I was in Staten Island, he was in Manhattan. We would meet on the weekends and we would go over it with Jim Hecht and Rebecca Bertuch (Worth) and we would work on putting the show together. Every now and then, this name would pop up, Maurice, Maurice, Maurice – like who the hell is Maurice? Oh, you’re going to see and it was like an inside joke. They knew that I didn’t know. When we were officially on board and we started in the writer’s room in LA, we had all the pictures up of the actors on the wall and then there was a picture of me. I was like, “why is my picture on the wall?” They said, you’re going to play Maurice and I was like, “oh, ok – haha Maurice.” So Max actually wrote Maurice’s lines and the only scene that I had at one time was the scene with Pat Reily where I don’t let him in The Forum. I thought, “ok, I can do that, I’ve been a security guard my whole damn life!” I know how to say you can’t come in. You don’t even need to even write out the lines just let me stand there and I know how to not let you in some place. Then, all of a sudden, I started seeing Maurice pop up in other scripts! He's like a leprechaun where he sort of shows up in different places and I'm like, "why am I popping up?” and then I had a walk and talk which is very difficult as an actor because you have to walk, you have to think and you have to move which was in episode 5 where I had that scene. I was nervous about that scene. Actually, I messed up the scene that is on. I messed up a line but Gabby Hoffman (High Maintenance, Girls, Transparent) who plays Claire Rothman is so great, you would never know because she kept going and I kept going and so that was it and they cut and we went on with the day – but I messed up.

It's cool, the network likes it, everyone likes him and I think that Maurice is going to come back and probably say more words.

AM: We always like when he pops up!

RB: Well, thank you! As long as I stay big and relatively menacing and intimidating, Maurice will probably be around.

AM: What has been your biggest takeaway of being part of this particular project, seeing it come together and the reception of people loving this?

RB: Anytime you work hard at a thing for a long time that is intended to entertain people, you always want that to land the way it is intended so that people are entertained. I think that we’ve got a great reception and that people really seem to like it and it’s sort of gratifying because I and a lot of people give a lot when you do these sort of things and it’s not easily assembled. For me certainly being able to talk about African American culture as it pertains to sports in a way that is sort of elevated is always an honor. It’s a good thing.

AM: Well, you guys have been greenlit for a second season. What does that look like, what do you want to tackle – will it continue with these same players or will it be another part of Laker history or even another time in NBA history for a Winning Time situation?

RB: As of the moment, the plan is to continue on in the same narrative and to just keep telling the story as we have been. Even now, when we first started the process before, we were going in the third or fourth iteration of what you see on screen now – we were going to go a lot faster. Then, the decision was made during COVID to slow down the process of storytelling and we had to go back to the drawing board a couple of times to slow it down. I say all of that to say that you never know. We could speed up a couple of seasons, we can keep going the way that it is, but I think that the plan for now is to continue going in the direction that it is.

AM: One of the things that I enjoy especially with a lot of the HBO shows is that there is a companion podcast and literally, I can’t wait until Mon to listen to the show which drops right after the episode airs on Sun. I listen to JB Smoove and then I listen to your podcast. It’s great to get your insights, what’s going on – the Rob Morgan episode was really great to hear. Every episode is great as there are so many tidbits that can be enjoyed. How did you get attached to hosting this podcast and how much input do you have over who ends up being on the episode with you?

RB: Very similar to how I became Maurice. Somebody thought that it would be a good idea to have me do it and my first reaction was, I have never done a podcast before and they were like, “oh you can do it.” I think that I tried to back out a couple of times and they were like no just give it a shot. I think that I got better as time went on which is sort of the course of life, the more you do it, the better you get at the thing that you do. But, it also helps that I know everybody. Everybody that I have had on so far whether it was Snoop Dogg, Rob Morgan or Quincy, or Max or whoever, I know them. It’s like having a conversation with someone who is a friend and not so much like talking to someone who is a stranger.

They always ask me who I would like to have on and I try to spread it around between the cast members, but also the people behind the scenes. I had Todd Banhazl (Janelle Monae: Dirty Computer, They Call Me Magic, Hustlers), I had Max, I had Jim Hecht, Rebecca, I had Sarah Scott (Pam & Tommy, The Offer, The Flight Attendant) our intimacy coordinator. I had Idan Ravin whose the basketball coordinator. I had our director Salli Richardson (The Chi, Altered Carbon, The Wheel of Time) and Tanya Hamilton (Big Sky, The Deuce, Snowfall). I try to mix it up where you have one of the cast members and then someone who is a technical part of the team so that for people who are interested in being part of the business as one time I was, you can actually hear some of what they do and realize that there are a number of jobs besides the big 4 or 5 at producer, director, writer. There are a lot of other things to be done and some things may spark to someone and hopefully that podcast can help a little bit.

AM: We love seeing the birth of the NBA as we know it today as this entertainment platform with next level dancers, club lounges and had this came together with Dr. Buss. This has become the standard for what it means to go to a NBA game. Being able to hear more about Jack McKinney and his time with the Lakers. I knew he was a coach for the Pacers, but I didn’t know about his backstory. What is it that you want audiences to walk away with after watching this season or subsequent seasons?

RB: Always with our show, we have what you know and the thing that you can Google and find out. Who won the game, who lost the game and those types of things. But there’s also those things that you didn’t know. Like in the case of Jack McKinney, a lot of people had forgotten not just him, but the accident that he was in – the basketball accident and how that changed the course of the Lakers coaching dynamic. So, being able to tell some of those stories and show the Shakespearean dynamic of the coaching system with Paul West head and Pat Riley, most people know Pat Riley being the Lakers coach and they sort of identify with just him, but there were other guys too.

I think that the other side of that coin is Spencer Haywood who was a big part of NBA free agency and a lot of how we look at basketball today in the fact that we can look at James Harden and see him go from team to team to team or LeBron just being able to go to the Heat and all of that – a lot of that has to do with Spencer Haywood and going to court to battle for free agency rights for players. When I was growing up watching the NBA, I’m from Maryland so we had the Bullets, now the Wizards. Usually if a player got drafted, he played with one team for his entire career. It was big news when a player would move from one team to another.

Now, when you look at the change and the evolution both in the style of play when you look at the Showtime offense of Jack McKinney that evolved and to Spencer Haywood’s contribution, that you see in these 2 gentleman, it has a lot to do with the way that the game is played and it’s rarely recognized over the course of history. Anytime we can incorporate things that folks don’t know, it’s always a treat!

AM: Usually, when an episode concludes, we’re usually Googling about 4 things! It becomes a great way to understand how far the game has come in really such a short period of time and how things are so different and the shoulders that people stood on to get to where we are now.

RB: Exactly.

AM: Where did your love for comic books come from. You have Killadelphia that you’re writing, Marvel, Star Wars universes and Lucas Film Studios – where did this come from?

RB: The only inciting influence that I can find in my mind and my heart was that my mother was a school teacher. Before computers and all of that stuff, she would go to the public library to do her lesson plans and she would bring me. There was always this area where you would have kids like in a pen, your Cat in the Hat, Curious George books etc. I had no interest in any of those books because under those books was a box and in that box was comic books. I knew exactly where it was and I don’t think that they ever changed them in all the years that I went. I would just sit in the corner and read them for hours. It sort of became a thing where it was infectious you know? The moral throughline and some of the stories were more evolved than what my 5 or 6 year old mind could handle but I was intrigued by that idea. Then later, people would give them to me and my grandfather would call them funny books back then. They would give me a stack of them and it was a way to keep me quiet. Later on, when I would have odd jobs, I would buy them. This was during a period of time where you could get comic books anywhere – the convenience store, liquor store, virtually any place that had a spinner rack full of comics. Now, you have to go to a comic shop on Wed to get them. But back then, they were readily available and they were only 20 cents or a quarter. Now they’re $4 if not more.

It was just a love that just evolved along with my life. In the beginning, it was mostly about the art and the story. Then in my teen and later years, there were guys like Alan Moore (Watchmen, V for Vendetta, Swamp Thing) and Grant Morrison (Doom Patrol, New X-Men, Fantastic Four 1234) and Frank Miller (Daredevil, The Dark Knight Returns, Sin City), they sort of made it like literature and evolved into something that was more serious and that kept me involved and then later television and film like most people. So there has always been this relationship.

When I was younger, I tried to write comics professionally, but couldn’t find a way in. Like a lot of things that I’m sure people feel with television and film, it’s a tough nut to crack. But even more so back then, there weren’t a whole lot of African American characters and there wasn’t a big indie space when I was coming up. It was just Marvel and DC and every once in a while there’d be a new company that would pop in. They didn’t have the same distribution chain as DC so you were relegated to those 10 characters maybe if there were 10. I think that a lot of times, companies back then felt like unless you were writing for a character of color, what’s the point of hiring this person? So for me, I wanted to take a shot at writing a comic so when I was on the show Runaways which was a Marvel show, they liked my work and I sort of leveraged the appreciation of my work to say, “hey if you guys have any relationship with Marvel Publishing, I’d love to write a comic book.” They gave me Falcon. I quickly realized that I had no idea what the hell I was doing or how to write a comic book. I just took my shot. It was received ok-ish. Then again like the podcast, I kept doing it again and again and again and I got better and better and better at it and then I had the idea for Killadelphia and started a whole new thing. Now I write 10 books a month and I have my own company and it’s taken on a life all of it’s own.

AM: Which is amazing and I know in looking at your IG, you were talking about The Mandalorian which I’m a fan of. You have a project coming out in June – can you tell us more?

RB: Yes, it’s June the 22nd, The Mandalorian adaptation of the TV show and it’s the first adaptation that Marvel and Lucas Film have done with a project. It’s basically straight adaptation of that story. They don’t let you deviate too far from the story because it’s Star Wars cannon and you can’t really interfere or add new things because it’s connected to the television show. So I basically do my version of the television show would be.

AM: It’s still very cool though!

RB: Yes, it’s an honor to play in that space.

I just finished IG-88 Star Wars: War of the Bounty Hunters and I did Lando Double or Nothing earlier. I love to play in the space. I have a Luke Cage short that’s coming up and maybe a Luke Cage miniseries coming up for Marvel. So anytime you get to play in that space, it’s always fun because it’s such a big fan base that you get to connect with that many people is always an honor.

AM: You created Zombie Love Studio which deals with creating original graphic novels and things of that nature, what are some things coming out of there that you want to highlight?

RB: The first book is Blacula, a reboot of the Blacula character from Blaxploitation era in Oct/Nov which should be dropping then. I also have another book, Florence and Normandie and alien attack story that takes place on the corner of Florence and Normandie famous because of the Rodney King riots that started from there. I’m writing that with Xzibit. I have Tales from the Crip with Snoop Dogg which is the Crip Keeper. I have a book called Crownsville which is set in one of the first black mental asylums in America that’s a ghost story.

There's a bunch of other things that we’re developing that are moving along. There aren’t enough hours in the day, but I’m really excited about it all and it’s coming together slowly but surely.

AM: The depth of what you’ve done is truly phenomenal. What are things on your bucket list that you have yet to do or areas that you want to put into that body of work that you haven’t but that you’re still interested in tackling.

RB: Well certainly, developing the Zombie Love books and Killadelphia and things like that into my Substack page where I do 4 of the books. 3 that are connected to the Killadelphia world which is the book that I do at Image. There are 3 books that I do at Image, Killadelphia, Nita Hawes’ Nightmare Blog and Monarch an alien attack miniseries that I am doing. My Substack page has 3 other series, Johnny Gatlin who is a gun slinger in hell and hell is like the Wild West. 20 Degrees Past Rigor which is a zombie story set in Flint, Michigan where zombies are connected to the polluted waters of Flint. The Butcher of Black Bottom which is a serial killer story set in 1920’s Black Bottom section of Detroit. Then there’s Elysium Gardens which is in the back of Killadelphia which has an ongoing story on a Substack page. So, there are those books as well. There’s a lot of stuff and next, I hope to adopt a lot of those things into other forms of media whether it’s animated, live action or television or those kinds of things.

AM: Because you have so many projects that are just in constant rotation, how do you deal with the overlap? Do you have to be at a certain point before you take other things on – do you slice it up like a pizza and mix it the best that you can?

RB: Ha! That’s basically it. I try to tackle each thing as the day comes at me. I usually get up at 4 in the morning and then I start writing and I get the comic book stuff done in the morning. Then I tackle my day jobs like Winning Time or anything else that I have in front of me and I take it as the day comes. Whoever is yelling the most that is owed the thing to them – so yeah! Whoever’s voice is the loudest at the moment!

AM: I think that the time that we’re living in right now, although there is still a need for a lot more representation, to think of myself now versus the younger me who wouldn’t have thought to know that there would be an Ava Du Vernay (A Wrinkle in Time, Queen Sugar, Girls Trip), yourself, Shonda Rhimes (Bridgerton, Inventing Anna, Grey’s Anatomy) all these people that are moving storytelling forward. How important is it for you to reflect that in your work and to have POC be able to see themselves as well as for others to understand why they need to be an ally and to make these spaces more open?

RB: Well I think it’s important because the world doesn’t connect in the same way anymore like physically. We don’t talk to each other the way that we used to and it wasn’t perfect back then either. It’s more important than ever to be able to tell stories that have a ring of truth or some semblance of honesty. That way you get to see people as they are good, bad and indifferent more so than as a caricature or something that feels contrived in some way. I think that a lot of the biases that we hold with each other comes from those depictions. I know since 1619, a concerted effort was made speaking directly to African American culture to make us less than human. There’s one idea of being less than human, but you have to reinforce that on a regular basis. So you either make them caricatures or villains – one extreme or the other. If that idea has the ability to sort of ferment for 400 years or more then you’re at a place where it almost becomes truth because you’re so used to seeing that be the case.

So when you have this culture that is fighting for a slice of the pie or some semblance for respect and dignity, living in a culture and you’re sort of burdened by living with that depiction. It's really a hard thing to overcome because then even the culture itself starts to believe it – is this who I am and some people do. That can be problematic in its own way because you start to devalue yourself and people who look like you.

So I think that the more folks that can get in for various gender, sexual orientation, race or whatever it may be – to be able to speak to your truth in an honest way cannot only help you and the group that you’re in but also people outside of that group so that they have a better understanding of who you are and the struggle that you navigate just to be a human being and to have a human experience.

AM: Who are 3 people that you feel were profound, instrumental or helpful to be in your career?

RB: Damon Wayans (My Wife and Kids, Lethal Weapon, Major Payne) is always first! He was the first person that gave me an opportunity to work on a television show. Were it not for him, I wouldn’t be here. Don Reo (Everybody Hates Chris, Two and a Half Men, The Ranch) who was the showrunner and creator with Damon on My Wife and Kids. He helped take whatever raw ability I had and allowed me into a space in a way that pushed me to a space where I was able to see for myself what I had to do. I’m eternally grateful to him as well. I have to say that there is a tie for number 3 Allen Hughes (Dead Presidents, Menace II Society, The Book of Eli) of the Hughes Brothers, a director. He helped me to bridge art and commerce. He gave me an opportunity to write in a different type of way and helped me find my way of doing art. He was very supportive in that. Then, Max Borenstein who is our showrunner on Winning Time who sort of did the same thing but in a different way. There’s a push sometimes that you need to get out of where you have been to where you want to be and Max was very helpful in being able to push me. Beyond him pushing me, was me pushing me as well. There are a lot of other people and if you had given me 10 or 20, I could have continued on with other people who have helped me even if it was just survival – that’s important as well. So when it comes to writing and being a professional writer, those people come to mind.

IG @therodneybarnes

PHOTOGRAPHY CREDITS | PG 78 Warrick Page/HBO MAX | PG 81 - 85 STARZ/American Gods | PG 87 + 88 STARZ/Heels | PG 91 -102 HBO MAX/Winning Time |

Read the APR ISSUE #77 of Athleisure Mag and see IT’S ALL JUST STORY | Rodney Barnes in mag.

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In AM, Apr 2022, TV Show, Editor Picks Tags Rodney Barnes, NBA, 75th Anniversary Team, Lakers, Magic Johnson, Kareem Abdul Jabbar, Winning Time: The Rise of the Lakers Dynasty, STARZ, Heels, American Gods, Everybody Hates Chris, Zombie Love Studios, Production Assistant, Showrunner, Executive Producer, HBO, HBO Max, Howard University, School of C, Cathy Hughes School of Communications, Georgetown Law Center, The Pelican Brief, Orlando Jones, Sleepy Hollow, The Good Lord Bird, Neil Gaiman, Anansi, Mr Nancy, Bilquis, Zeus, Odin, Thor, BET Awards, Oscars, Chris Rock, Wu-Tang: An American Saga, WWE, My Wife and Kids, WGA, Writers Guild of America, Marvel, DC, Runaways, Max Borenstein, Kong: Skull Island, Worth, Godzilla vs Kong, Jim Hecht, Fairly OddParents, Ice Age 2: The Meltdown, The Ice Age Adventures of Buck Wild, Adam McKay, Talladega Nights: The Ballad of Ricky Bobby, Vice, Don't Look Up, Showtime: Magic Kareem Riley and the Los Angeles Lakers Dynasty, Rick Fox, John C Reilly, Gangs of New York, The Aviator, Anchorman II: The Legend Continues, Jason Clarke, Brotherhood, Chappaquiddick, Silk Road, Rob Morgan, Stranger Things, The United States vs Billie Holiday, Jason Segel, How I Met Your Mother, Dispatches from Elsewehre, Hotel Artemis, Adrien Brody, The Grand Budapest Hotel, Peaky Blinders, Succession, Francine Maiser, Uncut Gems, Being the Ricardos, Dune, Solomon Hughes, Netflix, Rebecca Bertuch, Gabby Hoffman, High Maintenance, Girls, Transparent, Claire Rothman, Dr Buss, Jeanie Buss, JB Smoove, podcast, Rob MorganTodd Banhazi, Janelle Monae: Dirty Computer, They Call Me Magic, Hustlers, Sarah Scott, Pam & Tommy, THe Offer, The Flight Attendant, Idan Ravin, Salli Richardson, The Chi, Altered Carbon, The Wheel of Time, Tanya Hamilton, Big Sky, The Deuce, Snowfall, Jack McKinney, Pacers, James Harden, Heat, LeBron, Spencer Haywood, Wizards, BUllets, Killadelphia, Star Wars, Lucas Film Studios, Cat in the Hat, Curious George, Alan Moore, Watchmen, V for Vendetta, Swamp Thing, Grant Morrison, Doom Patrol, New X-Men, Fantastic Four 1234, Frank Miller, Daredevil, The Dark Knight Returns, Sin City, Marvel Publishing, The Mandalorian, IG-88 Star Wars: War of the Bountry Hunters, Lando Double or Nothing, Luke Cage, Blacula, Florence and Normandie, Xzibit, Crownville, Substack, Nita Hawes' Nightmare Blog, Monarch, Johnny Gatin, 20 Degrees Past Rigor, The Butcher of Black Bottom, ELysium Gardens, Shonda Rhimes, Girls Trip, Queen Sugar, A Wrinkle in Time, Ava Du Vernay, Bridgerton, Inventing Anna, Grey's Anatomy, Damon Wayans, Lethal Weapon, Major Payne, Don Reo, Two and a Half Men, The Ranch, Allen Huges, Hughes Brothers, Dead Presidents, Menace II Society, The Book of Eli
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HOW WE ALIGN | CHRISTINA OCHOA

March 16, 2022

This month, our cover story is with Christina Ochoa who plays Renn Randall in TNT's Animal Kingdom as well as Veronica Sandoval in ABC's Promised Land. We talk about what drives her when she is selecting projects In addition, we also talk about how she balances her love for acting and being creative with her passion for science with a focus on the oceans through marine biology. She shares how she continues to make an impact on the world with others through her work and staying stimulated in these efforts.

ATHLEISURE MAG: When did you realize that you loved acting and that you wanted to do it as a profession?

CHRISTINA OCHOA: I realized it really late in the game. I was probably in my mid 20’s compared to all of the wonderful child actors that already came and knew what they wanted to be! I realized when I took an amateur theater class in order to just help my public speaking engagements for science! It had nothing to do with having an ambition to be an actor. Then, I just had so much fun. I fell in love and that’s all she wrote!

AM: That’s awesome, you never know when something like that will happen! What’s your approach when you’re thinking about whether you want to take on a project? What are you looking for?

CO: The number one thing that I look for is the caliber of people involved. So for me, having a conversation with either a showrunner, director or producer prior to joining at this point just makes sure that creatively – that 1, I can bring in any added value, and 2 that we see eye to eye on how to go about a project which is really important.

When it comes to the character choices, I like admiring the characters that I play and being enamored with them and their complexities. High-level competence is a factor that all of my characters have one way or another regardless of the realm that they inhabit. They are all very competent women and also, they have real questions and doubts and concerns and color! They’re not just necessarily written in one specific way. I like that.

AM: We first saw you in Animal Kingdom which we are fans of this show. Your character Renn is one that we love to watch. We know our readers have so many questions going into this final season which comes back this summer – is she coming back and what’s it like to play this character?

CO: Oh come on! You didn’t think that that was all it would take to get rid of Renn did you?

AM: Haha we didn’t, but we know that there have to be people wondering out there!

CO: Craig and Renn are a very interesting dynamic that I think was one of the most fun things to play with. Ben Robson (Vikings, Emperor, The Boy) and I talked about it all of the time. They are just meant to be together and they have no idea how! In a weird way, they’re childish in their approaches and it’s so volatile. They act like they are going to explode or implode, you never know. I think that in the last season coming up soon, we get to see maybe what it’s like for them to really come together in a new way. Like for the first time, maybe not opponents, but teammates.

AM: Yeah! Being on the same side!

CO: Exactly!

AM: Another show that we love which you’re in is ABC's A Million Little Things. We love the storyline and we’re glad that it’s resumed it’s midseason break this month. Your character, Ashley was in the first season and we saw her working with Jon Dixon and got clues on what was going on with him. As they’re currently in their 4th season, will your character come back to this show?

CO: Well you know, conversations that I have had a lot with DJ Nash (Truth Be Told, Growing Up Fisher, Guys with Kids) have been ongoing for awhile for a couple of years. Where is Ashley and will she come back or not? I consider myself to be incredibly lucky to have joined some of my closest friends on this. At the end of the day, that was a job where being able to work with James Roday Rodriguez (Psych, Blood Drive) again which I had already worked on in a number of different capacities was just a chance that I just had to jump on.

I hope that there is still a space for Ashley to be there and to be able to pop in. But I do not have that information. If they want to give me a call, I’m here!

AM: Well seeing you on your latest show, Promised Land, it’s definitely a great show that we’re getting obsessed with. We love that we’re getting to learn about the wine industry and how a family is maintaining that power, which has that Succession vibe. We’d love to know more about Veronica which you play and what can we expect from this season as it continues to unfold?

CO: The thing about Veronica that I gravitated to the most from the get go, she was in this very male dominated environment – very muy macho - her father, her brothers and siblings - everyone around her. Yet, she managed to tap into a very powerful position without having to emulate the men or to compete with them on their turf and that was something that was really intriguing to me and there were a lot of conversations with Matt Lopez (Race to Witch Mountain, The Wild, The Sorcerer's Apprentice) and Adam Kolbrenner (Free Guy, The Tomorrow War, Slender Man) initially before the pilot in terms of how they wanted to see this character.

This is such an important milestone in the journey for real diversity on network television and ABC decided to take an entire Latin cast and infuse the show behind the camera with a lot of Latin crew as well. I think that for me, that was one of those things where how could I ever say no to doing something that was so meaningful? Human first, entertaining second.

It was really wonderful to jump on board and I think that for me, Veronica in particular, is just one more version of that diversity that I want to see within a certain ethnic group. So yes, they’re all Latin but that’s the number 10 on the list when you describe them. There is diversity of thought, diversity of perspective, diversity of political opinions within this Latin family and you get all of that and what a beautiful thing. That's a diversity that nobody ever talks about. That's one that is very close to my heart. Heteradox thinking is the number 1 thing that I want to see in a group of characters that are all defined by this one common denominator.

AM: In the months and weeks leading up to the show and seeing the previews for it. I was excited to see this on TV. I have to say that as a Black cofounder of Athleisure Media and doing all the things that I do, I’m always excited to see the depth of diversity across various racial groups and how they are portraying characters who work in fields that some who are viewing may not have thought that they would be there – but they are! So it’s amazing that your show is presenting this and you have an incredible cast.

What should we be looking for as we continue through this season?

CO: Oh I think that for Veronica in particular – how to do it her way is one of the most common things especially during the pandemic that we all went through this. We evaluated our life choices, figured out what we wanted and thought about whether we were fulfilled – did we want to make an impact where we could make things better?

I think that she is the personification of some of those journeys where she has done everything that she should do and she has done it right most of her life and suddenly, she has to be confronted with, what does she even want and how does she want it? And how is she going to get things done and do the ends justify the means? All these big questions, she is being faced with for the first time in her life. So going along that journey and seeing where in that fight for power, what’s going to happen with Michael and her and that relationship? Those worlds are in chaos and in limbo and that’s going to be so interesting. People will be able to see themselves in it.

AM: What are some upcoming projects that you have in film/TV that we should keep on our radar, that you’re able to share?

CO: Well, I have a movie coming out soon called Boon. It’s a western thriller – very different and very exciting. Then, another movie coming out called MVP about an NFL player who is also a veteran and it’s about his journey. That’s coming out soon and of course season 6 of Animal Kingdom that is coming back very soon.

AM: At Athleisure Mag, we love sharing great people with our readers and giving them insight on what they know about them as well as things they may not. In prep for this interview, we knew about a number of your shows and your work in them. In addition to your work in the arts, you’re all about the sciences as well and that was fun for us to learn about how you’re a badass in this area as a marine biologist and what you do for the community. When did you embrace your love for science and more specifically focusing on the oceans?

CO: For me, the ocean is the Alpha and the Omega, it’s the love of my life. If I fell in love with acting, the ocean is still the love of my life and it always will be. I try to maintain a bit of a balance. I find that having something, especially in the entertainment industry and any of its forms and I’m sure for you, it’s the same.

Having something that you believe in that’s greater than you and more important than anything in your immediate surroundings whether that be a family, religion or a cause – I think that that’s so fundamental! This way we don’t become myopic in our world and what matters to us as individuals. That’s kind of always been there and hopefully always will be.

I was very fortunate to be at James Cook University and a lot of wonderful friends that I am still in touch with – I get to still piggyback off of a lot of the amazing cool adventures that they’re having when I have time off. I get to go jump in the water and do expeditions and fieldwork and help out and go shark tagging. It’s definitely something that will never go away – maybe I should put that in the credits some how haha, “also come join her shark tagging!”

AM: Yeah the duality of someone who does both and their passions in both are just great to see that. I can appreciate this as someone who is just as comfortable coding as I am with my work in this magazine, styling a project or doing interviews. It’s always amazing to see other people especially those that are women who also like to embrace work in art, tech and science fields. What does it mean when you’re saying that you’re a marine biologist, tagging sharks and doing fieldwork – what are you doing?

CO: Because I’m not actively in the academia community anymore because I’m acting, what I’m doing is basically jumping on board to do the expeditions and projects that my friends and colleagues are doing. I come in and I try to collaborate and contribute in whatever ways that help them. So for shark tagging, I work with the American Shark Conservancy and a lot of researchers that are monitoring healthy communities of Great Whites, Hammerheads or Tiger Sharks and that kind of work that they are doing. If I’m with my friend who’s a primatologist, I’m working with the orangutans in Sumatra and I’m going on an expedition there and just trying to help gather information and samples for their research. So it kind of varies and like you, it’s like that “Jack of all trades” mentality which has always been a thing right?

I saw a video online once where they said that when people say, “A Jack of all trades is a master of none,” they leave it there – but there is a full saying that’s much longer than that –

AM: Yeah, the way many of us have learned that quote, it’s a “Jack of all trades, master of none” which definitely is not something that I would want to be associated as but when you have the full quote, “Jack of all trades, master of none, but oftentimes better than a master of one.” It really gives you that agency to explore multiple interests.

CO: Totally!

AM: It’s so great that you love the oceans and clearly you love protecting them. You’re involved in so many philanthropic efforts – Oceana, Earth’s Oceans, and CARE. Can you talk a little about what you do in those organizations and why you wanted to be involved?

CO: I mean, all of these organizations, for the most part, the reason why I like to be involved is that my personal motto is replacing condemnation with inspiration – right? Tapping into things that are uplifting and motivating and as an example, putting your efforts into places where they do have an impact and a reward. As opposed to just shaming societies in saying that everything that we do is wrong. These organizations, all of them Oceana, Earth's Oceans, CARE and Sustainable Ocean Alliance they are all solution-based as opposed to problem-focused. To me, that is fundamental in being able to catalyze movement and mobilize communities to do something whether it’s on an individual level or not. Most of them are policy based as they want to change legislation and they want to tackle things on the governmental level whether it's local or national. I think that for me, being able to do that in such a tangible way - partnering up with these organizations because they align so well with my personal philosophies is easy. I don’t feel that the work that I do with them or are on the board is effortful. I feel that the work I do is so rewarding and easy it aligns.

AM: I have always felt this way and it’s become the way that we go about our work on out team as well – if a lot of the things that you do are in the same vein, even it feels different or sounds different to other people, you're not really spreading yourself thin. You’re just doing what you’re really passionate about and you’re able to chop it up in different ways.

CO: Yeah, I like that – it’s the key right? It’s finding something that you align with so closely that it doesn’t feel separate to you. It doesn’t feel like, “oh I have to do philanthropic work. Let me go find an organization.” The philanthropic effort comes from you aligning your core values and then you can change your own surroundings.

So with Earth’s Oceans, for example, they have a big partnership with a lot of our shows including Animal Kingdom now. They take a lot of the recycled plastics that are not normally recyclable. Things that people don’t think about - lawn chairs, hair brushes from makeup trailers, everything in the film production – the production is now a green production. They take these plastics and they use it to make consumerable goods.

It’s just, changing your own environment is easier than just thinking about, “oh I have to go somewhere else to do it.”

AM: Wow that’s pretty amazing. You’re also a member of the Los Angeles Science for Society. What is that and how long have you been involved with them?

CO: They are fantastic! They host these incredible Intel International Science Engineering Fairs (ISEF) that are pre collegiate level! These children – these prodigies are so innovative and it celebrates them and it brings them from all across the world and from different areas of STEM and now it’s called STEAM because they include a lot of the arts into it. They bring them together and it’s a wonderful cause and something that I am very passionate about in catalyzing that kind of curiosity in children is fundamental. It's really amazing and I know that you interviewed the director of Science Fair?

AM: Yes! We interviewed Science Fair's filmmaker and director, Cristina Costantini, Dr. Serena McCalla and student Kashfia Rahrman. The film was amazing and it was so impressive to see these students and the teachers that worked with them being able to create these projects and to see the kinds of impacts they could make in the world!

CO: They are fantastic and I’m very lucky that I have been able to work with them for so long. I also just think it’s really wonderful because children are encumbered by a lot of the limitations that once you get into collegiate levels whether it’s someone that’s going on a tenure track or corporate side of things – a lot of the time, you start seeing limitations whether it’s funding, access and you see them. Children don’t have that. They’re imagination really reigns in this arena and it’s so beautiful to see that overlap between their imagination and the science that they are doing and the causes that they tackle. It’s all very personal as one will say that they want to improve the hospital energy supply in their local area because refrigeration is a big thing, so they invented solar cells that people can replace themselves. It’s just fascinating to see and of course, the awards are largely education based with grants and college scholarships.

AM: We were excited to share that with our readers to show how these students are making an impact and are being infused with these skills that will help them as they continue to navigate their careers.

In addition, thinking back to things that we have talked about, it’s great to hear that you’re the keynote speaker at these conferences, podcast guest for a number of these science shows, you’ve been a member of MENSA since 2009 and you are doing a number of fascinating projects –

CO: Oh thank you.

AM: Absolutely, I mean I think that the work you’re doing is incredible and when you look at it in the lens of being a woman who is doing this and owning her space it’s amazing how you are using your platform to showcase – why is it so important for you to do this and to have this mix of arts and sciences?

CO: Apathy is the devil to me. To me, everybody wants an intellectually stimulating life. Everyone wants a creatively stimulating life. I don’t care what arena or industry you’re in. That’s something that as human beings, we crave and to me, mixing those two helps to avoid that apathy. It’s so easy to become self-centered in an industry that encourages that because hey we are tools, our creativity, your imagination – all of these things. For me, mixing the two is just a way that I find balance in those things that I care about because I also think that creativity benefits from all of that. You were saying that you benefit from your knowledge and mastery of technology every single day. I feel that I benefit from mine too because – famous quote of course, “it’s not a body of knowledge, it’s a way of thinking.” To me, it’s about asking the right questions whether it’s for a role or one of these organizations working with them or in the field working with wildlife.

So, learning to ask the right questions and questioning yourself, that is so important. Asking ourselves, ”what if this did work and what if we did it this way?” What if we got it right, what if we did make an impact – what if whatever I did in the next hour mattered to somebody or to something? Learning to ask different questions depending on the circumstances is so fundamental to me and something that I use daily. I think that it helps stomps out apathy first and foremost for myself and other people around me and inspiring them to do the same. So for me, that has been the guiding force I guess.

AM: It’s been so fascinating to talk with you and to hear about what you’re involved in and how you continue to take on new things as an educator, author, being published in Vogue Spain etc. Are there still things that you wish to tackle that you have yet to do at this point?

CO: A social life – ha! I mean, I see myself as a storyteller so for me, that in general has come through acting, it has come through writing. It has come through writing research papers and it has come through podcasting, producing and things like that. To me, it’s not just one medium and I’m very fortunate, knock on wood that I have, like you, that true Jack of all trades gene. So anything that feels labeling and limiting is not going to satisfy that fluidity. I get energy from transitioning from podcasting to producing or from acting to writing a research paper or writing an article. I enjoy that fluidity and I assume you do too as you built your life around that structure.

AM: I do find that if I am only doing one thing, then I feel a little stuck, but if I can flow or see something that’s presented and even if it’s not a fit, pivot it so it leans back to things that I can execute on – then it makes sense to me. But if it’s constantly the same that’s really going to be a bit of a wall until we can put a twist on it because you want to be challenged! You to be a bit of a wall until we can put a twist on it because you want to be challenged! You don’t always want to feel like you can do it with your eyes closed all the time. I don’t like every bump that comes along but I can appreciate certain bumps – depending on time and place.

So when you’re not on set, and I assume you’re going to say the ocean, where can we find you in terms of getting back to yourself and making sure that your cup is replenished?

CO: I mean wildlife, water, nature – those things really replenish me. They don’t have to be grand scale – I don’t have to be at the Bimini Shark Lab free diving for Tiger Sharks - it's as easy as taking a walk with my dog or honestly, reading a book! I mean, to me, it’s the cheapest form of travel and cheapest form of escapism and I suffer the need for escapism constantly, I think! I like the idea of going away to a cabin on the cliff by the ocean is my dream in general! Books are a very easy and quick way for me to do that. It’s a go-to that definitely replenishes. Anything that’s creative and is not result-driven or process-driven – so painting – even when I know it might go in the trash 20 mins later – that is very replenishing for me! Not having to get something right is great – so anything in that vein.

IG @ochoachristina

PHOTOGRAPHY CREDITS | FRONT COVER Rachael Porter | PG 16 - 27 ABC/Promised Land | PG 28 - 30 TNT Animal Kingdom/Eddy Chen | PG 33 + BACK COVER ROGUE EXPEDITIONS | PG 156 Still from video provided by Christina Ochoa |

Read the FEB ISSUE #74 of Athleisure Mag and see HOW WE ALIGN | Christina Ochoa in mag.

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In AM, Celebrity, Feb 2022, TV Show Tags Christina Ochoa, TNT, ABC, MVP, NFL, Promised Land, Animal Kingdom, Bimini Shark Lab, wildlife, shark, Tiger Sharks, MENSA, Intel International Science Engineering Fairs, ISEF, STEAM, STEM, Los Angeles Science for Society, Sustainable Ocean Alliance, CARE, Earth's Oceans, Oceana, American Shark Conservancy, James Cook University, Boon, Ocean, Tagging Sharks, Latin, Veronica, Matt Lopez, Adam Kolbrenner, A Million Little Things, Succession, wine, DJ Nash, James Roday Rodriguez, Ben Robson, Renn
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PHOTO COURTESY | NBC/Awkwafina, First Asian-American Best Actress in a Musical, Movie or Comedy Winner (Farewell)

PHOTO COURTESY | NBC/Awkwafina, First Asian-American Best Actress in a Musical, Movie or Comedy Winner (Farewell)

GOLDEN GLOBES 2020 | NOMINEES + WINNERS

January 6, 2020

The 77th Annual Golden Globe Awards took place last night to kick off the official Awards Season. Check out the winners below.

As usual our predictions (bold), winners (italicized) and predictions that became awards winners (bold italicized).

BEST MOTION PICTURE - DRAMA

1917

The Irishman

Joker

Marriage Story

The Two Popes

BEST MOTION PICTURE - MUSICAL OR COMEDY

Dolemite is My Name

Jojo Rabbit

Knives Out

Once Upon a Time in Hollywood

Rocketman

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - DRAMA

Cynthia Erivo, Harriet

Scarlett Johansson, Marriage Story

Saoirse Ronan, Little Woman

Charlize Theron, Bombshell

Renée Zellweger, Judy

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - DRAMA

Christian Bale, Ford v. Ferrari

Antonio Banderas, Pain and Glory

Adam Driver, Marriage Story

Joaquin Phoenix, Joker

Jonathan Pryce, The Two Popes

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - MUSICAL OR COMEDY

Awkwafina, The Farewell

Cafe Blanchett, Where’d You Go Bernadette?

Ana de Armas, Knives Out

Beanie Feldstein, Booksmart

Emma Thompson, Late Night

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - MUSICAL OR COMEDY

Daniel Craig, Knives Out

Roman Griffin Davis, Jojo Rabbit

Leonardo DiCaprio, Once Upon a Time in Hollywood

Taron Egerton, Rocketman

Eddie Murphy, Dolemite is My Name

BEST DIRECTOR - MOTION PICTURE

Bong Joon Ho, Parasite

Sam Mendes, 1917

Todd Phillps, Joker

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

BEST SCREENPLAY - MOTION PICTURE

Noah Baumbach, Marriage Story

Bong Joon Ho and Jin Won Han, Parasite

Anthony McCarten, The Two Popes

Quentin Tarantino, Once Upon a Time in Hollywood

Steven Zaillian, the Irishman

BEST FOREIGN - LANGUAGE FILM

The Farewell

Les Miserables

Pain and Glory

Parasite

Portrait of a Lady on Fire

BEST ANIMATED FEATURE FILM

Frozen 2

How to Train Your Dragon: The Hidden World

The Lion King

Missing Link

Toy Story 4

BEST ORIGINAL SCORE - MOTION PICTURE

Alexandre Desplat, Little Women

Hildur Guonadottir, Joker

Randy Newman, Marriage Story

Thomas Newman, 1917

Daniel Pemberton, Motherless Brooklyn

BEST ORIGINAL SONG - MOTION PICTURE

“Beautiful Ghosts” (Cats) - Taylor Swift + Andrew Lloyd Webber

“I’m Gonna Love Me Again” (Rocketman) - Elton John + Bernie Taupin

“Into the Unknown” (Frozen 2) - Robert Lopez + Kristen Anderson-Lopez

“Spirit” (The Lion King) - Beyonce Knowles-Carter, Timothy McKenzie + Ilya Salmanzadeh

“Stand Up” (Harriet) - Joshuah Brian Campbell + Cynthia Erivo

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Kathy Bates, Richard Jewell

Annette Benning, The Report

Laura Dern, Marriage Story

Jennifer Lopez, Hustlers

Margot Robbie, Bombshell

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Tom Hanks, A Beautiful Day in the Neighborhood

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

BEST TELEVISION SERIES - DRAMA

Big Little Lives

The Crown

Killing Eve

The Morning Show

Succession

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES - DRAMA

Jennifer Aniston, The Morning Show

Olivia Colman, The Crown

Jodie Comer, Killing Eve

Nicole Kidman, Big Little Lies

Reese Witherspoon, The Morning Show

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES - DRAMA

Brian Cox, Succession

Kit Harington, Game of Thrones

Rami Malek, Mr. Robot

Tobias Menzies, The Crown

Billy Porter, Pose

BEST TELEVISION SERIES - COMEDY OR MUSICAL

Barry

Fleabag

The Kominsky Method

The Marvelous Mrs. Maisel

The Politician

BEST PERFORMANCES BY AN ACTRESS IN A TELEVISION SERIES - COMEDY OR MUSICAL

Christina Applegate, Dead to Me

Rachel Brosnahan, The Marvelous Mrs. Maisel

Kirsten Dunst, On Becoming a God in Central Florida

Natasha Lyonne, Russian Doll

Phoebe Waller-Bridge, Fleabag

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES - COMEDY OR MUSICAL

Michael Douglas, The Kominsky Method

Bill Hader, Barry

Ben Platt, The Politician

Paul Rudd, Living with Yourself

Ramy Youssef, Ramy

BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

Catch-22

Chernobyl

Fosse/Verdon

The Loudest Voice

Unbelievable

BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

Christopher Abbott, Catch-22

Russell Crowe, The Loudest Voice

Jarred Harris, Chernobyl

Sam Rockwell, Fosse/Verdon

Sacha Baron Cohen, The Spy

BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

Kaitlyn Denver, Unbelievable

Joey King, The Act

Helen Mirren, Catherine the Great

Merritt Wever, Unbelievable

Michelle Williams, Fosse/Verdon

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

Patricia Arquette, The Act

Toni Collette, Unbelievable

Meryl Streep, Big Little Lies

Emily Watson, Chernobyl
Helena Bonham Carter, The Crown

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION

Alan Arkin, The Kominsky Method

Kieran Culkin, Succession

Andrew Scott, Fleabag

Stellan Skarsgard, Chernobyl

Henry Winkler, Barry

Read the latest issue of Athleisure Mag.

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ATHLEISURE MAG #115 | TYSON MCGUFFIN
AM, Ath Mag Issues, Jul 2025, Editor Picks
AM, Ath Mag Issues, Jul 2025, Editor Picks
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Editor Picks, AM, Athletes, Celebrity, Festival, Jun 2025, Sports
FANATICS FEST 2025
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Editor Picks, AM, Athletes, Celebrity, Festival, Jun 2025, Sports
GOVBALL 2025
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GOVBALL 2025
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Editor Picks, AM, Festival, Jun 2025, Music, Celebrity
ATHLEISURE MAG #114 | DARUDE
AM, Jun 2025, Ath Mag Issues, Editor Picks
ATHLEISURE MAG #114 | DARUDE
AM, Jun 2025, Ath Mag Issues, Editor Picks
AM, Jun 2025, Ath Mag Issues, Editor Picks
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AM, Food, May 2025, The Art of the Snack, Editor Picks
THE ART OF THE SNACK | A.KITCHEN + BAR D.C.
AM, Food, May 2025, The Art of the Snack, Editor Picks
AM, Food, May 2025, The Art of the Snack, Editor Picks
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AM, Athleisure List, May 2025, Travel, Wellness Editor Picks, Wellness, Food, Editor Picks
ATHLEISURE LIST | PARK HYATT MARRAKECH
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AM, Athleisure List, May 2025, Travel, Wellness Editor Picks, Wellness, Food, Editor Picks
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AM, May 2025, Ath Mag Issues, Editor Picks
ATHLEISURE MAG #113 | CHEF ESTHER CHOI
AM, May 2025, Ath Mag Issues, Editor Picks
AM, May 2025, Ath Mag Issues, Editor Picks
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AM, Apr 2025, Athletes, Editor Picks, Sports
IT'S ABOUT THE GAME | DILLON GABRIEL
AM, Apr 2025, Athletes, Editor Picks, Sports
AM, Apr 2025, Athletes, Editor Picks, Sports