In 2020, the first season of P-Valley, an adaptation of Olivier Award, Pulitzer Prize winning and 2X TONY nominated playwright Katori Hall's (The Mountaintop, Tina: Tina Turner Musical, The Hot Wing King) play Pussy Valley, premiered on STARZ. Katori serves as the Executive Producer and showrunner for this series. This series takes us to the Mississippi Delta where local politics, a strip club and the need to elevate in society come to a head.
The sophomore season of P-Valley begins June 3rd and we caught up with some of our faves of The Pynk in Chucalissa, Mississippi. In our roundtable, we talked with Elarica Johnson (Eastenders, Harry Potter and the Half-Blood Prince, A Discovery of Witches) who plays Autumn that we meet in the first season after running from her problems to the town of Chucalissa and becomes a dancer at The Pynk; Parker Sawyers (Succession, Snowden, A Discovery of Witches) who plays Andre Watkins who is an an associate at a commercial investment company trying to secure land for The Promised Land Casino and Resort. We also talk with Shannon Thornton (POWER, Dynasty, Inventing Anna) who plays Keyshawn a dancer at The Pynk who is also making her debut as an artist and J. Alphonse Nicholson (Mr. Robot, Self Made: Inspired by the Life of Madame C.J. Walker, Just Mercy) who plays the up and coming rapper, Lil' Murda.
We find out how they came to this series, why this show is powerful and what can we expect as we head into season 2.
ATHLEISURE MAG: It’s so great to talk to you guys and we've been a fan of your work in this series as well as other projects that you have been attached to. Before we delve into P-Valley and the upcoming season, what led you to want to be an actor?
ELARICA JOHNSON: Ohh I like this question! I was that performing artist kid – the annoying one that has to do performances at the age of 4 or 5. Then I watched Annie in the theater and saw this little girl doing this performance and I was like, oh my God, I want to do that. And then I think that the biggest part is the storytelling. I loved reading stories when I was younger and the fact that I can dress up and be whoever is handed to me and to be who I want to be, that’s the most incredible thing.
PARKER SAWYERS: What’s the expression? Nothing is as queer as folk – nothing is as queer as people? I just love exploring humans man! We’re just a strange animal! So far, my degrees are in philosophy and psychology. I like thinking and reading about people and then I didn’t start acting until I was 27. I’ve always been a keen observer of human behavior and just like – what? Why is that? I’ll give you an example. I was surprised by Katori, I think she had been out of her hometown for awhile like a decade! She had been in NY like Columbia, Harvard and this kind of stuff. And then, her accent is still quite strong! I love thinking about how she loves her hometown and she’s seeing all the stars, her place, the dialect – she loves it so much! That accent isn’t going anywhere! Whereas some other people, they move and they want to assimilate – I live in London and some Americans, they want to feel part of the culture and it’s not on purpose but their accent will start to go British. I love thinking about stuff like that and then putting it on screen whenever I get the chance.
SHANNON THORNTON: I wanted to be an actor since I was a kid. I have always just been a creative person. I don’t know if it’s because I’m a lefty as we’re always creatively and artistically inclined. I don’t know if that has something to do with it as well! I’ve always had a passion for drawing, I was involved in everything band, choir, drama club, African dance, ballet – anything that just involved being on the stage and performing. I was just a part of it and ever since I was a kid from my first play in middle school, I’ve always wanted to create and to express myself artistically. I really couldn’t see myself doing anything but what I am doing right now.
J. ALPHONSE NICHOLSON: For me, it came later in life. I’m a musician first, I’ve been a percussionist my entire life, but I will say that I have had a lot of artistic influences growing up from my mom writing church plays to being on a step team in high school to being in a marching band – so the showmanship was always there. Once I got to college, I was 18 at North Carolina Central University thinking that I was going to be a band teacher, I had a wonderful teacher come up to me and said that I should pursue this theater course and to audition for this play because I had a great personality. I did it and I fell in love with it. Here we are now at 32, 12 years later and I found a lot of success through storytelling and it just grew on me and I knew it was something that I was going to do for the rest of my life outside of any of my other endeavors. Storytelling is important to me and once you realize that you have a gift for it, it doesn’t feel like work – it’s something that you want to keep going after.
AM: I love that. What drew you guys to wanting to be part of P-Valley? I remember hearing about it before the 1st season dropped and I was excited. It sounded like it was going to be really good and when it came on, I was obsessed with this show and the characters! It was everything that I could have imagined and more.
EJ: I mean, I read this script and I fell in love very early on! I was like, this one’s for me – yes! The writing is amazing and Katori does an incredible job with the characters and the space and even the language – I had never seen it before. I knew that it had to be mine. You don’t see scripts like that very often.
PS: The same, the same! Elarica already said it, but as actors, I don’t know how many scripts we get and especially during busy months of the year, it can be 5 or 6 a week. I mean a lot of them look the same and I get confused! I’m like, did you already send me this one? But when I got P-Valley, it was so new and fresh – I got it and I understood it! Oftentimes, I don’t understand some of the humor written down or something in the script. But this one I was like – oh that’s funny, I got this, that’s cool. Reading it I was like, that’s interesting and I know that and I know that world – a little bit. So that’s just something that just leapt out.
ST: The writing is what pulled me in for sure. As soon as you read the script, I remember going into my manager’s office one day to put myself on tape for another project that I was auditioning for and they were like, “listen, this came across our desk and I know you don’t do nudity and that you don’t play this type of character, but it’s definitely worth a read.” I read it on the train ride home as I was living in NY at the time and I cried. It was so beautiful and I hadn’t come across anything like that in my entire career up until that point. The characters are just so beautifully fleshed out and complicated and this world is just so real and familiar to me. I absolutely, despite my reservations, absolutely had to at least throw my hat into the ring and see.
JAN: Same! Katori Hall! The writing! I knew of her genius as a writer prior to coming to P-Valley. We both come from the theater world in NY. So I was very fond of her work and when the opportunity came to work with her and to have an opportunity to audition, we went for it and when you add in the complexity of playing Lil’ Murda right? Him being a closeted rapper so as a heterosexual man, you get a little apprehensive and say, “hey is this a story that I feel comfortable in telling” and then you do it and it's so rewarding! For me, I feel like I have played a part in being an ally in a really dope community and that’s what drew me to it. 1. being an ally through storytelling and then 2. just this incredible writing by Pulitzer prize winning Katori Hall.
AM: That's great. One of the things that we love about this show is that everyone is haunted by something in this series and they are trying to escape to other things in their life. Where did we leave your characters last season and where do we pick up with them again going into the 2nd season which launches next month?
EJ: I mean, when we left my character Autumn, she was at the auction house and I know that there are a lot of questions from fans on where is that situation now and does she really own this space now and what is her relationship like with Uncle Clifford (Nicco Annan – Snowfall, This is Us, Claws)? I can tell you that it’s very bumpy! She does own the majority of The Pynk and is in partnership with Uncle Clifford and she is the boss now. This is a huge difference from her 1st season but the space belonged to Uncle Clifford for so long and has been in her life for so long that this battle has been going on for a very long time.
PS: With Andre, we’ve seen him where we left off with him failing at a mission again. We open up with him out of a job and sort of lost. And in my mind, a bit of a bum, overgrown and he’s stopped grooming himself and maybe stopped showering and maybe stopped washing his legs – I don’t know! He’s a bit lost, but then there’s something that happens that gets him out of it. Not immediately but it starts him on his path to getting back to himself. But he does it quickly and it’s pretty impressive.
ST: Season 1 as far as Keyshawn, you last see her at The Pynk, she had at this point, pulled a gun on Diamond (Tyler Lepley - 90210, The Haves and the Have Nots, Harlem) to protect her abusive boyfriend Derrick (Jordan Cox - TURN: Washington's Spies, Dynasty, The Outsider). We pick up where we left off, maybe a few months later where we are now in the throws of a pandemic and Keyshawn is dealing with the consequences of her actions. We see in season 2 whether or not she’s forgiven by Diamond or forgiven by her co-workers at The Pynk and where the relationship stands or goes with Derrick.
JAN: We find Lil’ Murda in a similar place at the end where he’s trying to figure him self out and to find himself. We absolutely find him in the same place that we’re at right now, dealing with a pandemic and dealing with how to cope with that. By the time we get to the end of season 2, we see him in a much more clearer space with himself but still complicated and complex none the less. We see him go through this incredible journey as a musician, a lover, a friend as a big brother to Keyshawn and how he moves through that space. So we find them in a multitude of different levels and a lot of different levels and then we find out how they even that playing field for themselves.
AM: The cast is really great and as you're watching the story unfold, there are interesting dynamics between them. In terms of Autumn and Andre, there is a tension between them will we continue to see that as we continue into the next season?
For Keyshawn and Lil' Murda, there is a great vibe into your characters in their relationship as friends and business partners. How will that evolve into the next season?
EJ: They do! They naturally have this thing. They’re like magnets and they’re drawn to each other regardless of what they’re going through as there’s always going to be something. I think that that is definitely a strong factor in their relationship. Yeah, we see that in this season coming.
JAN: For sure, you see it grow immensely. You see them become very fond of each other and what they are able to offer each other. Not only as business partners but as friends too right and as entertainers. I think that Lil’ Murda knows that he has to admit it to himself and his manager on the show that they can’t do that tour without Keyshawn. So we have to make that happen and then at the end of the day, I think that she knows and I don’t want to speak for her, but I feel like Lil’ Murda knows that Keyshawn knows that I am valuable to her. She feels like, “hey, he’s going to help me get out of these trenches – let’s go on tour and make that happen!”
I am valuable to her. She feels like, "hey, he’s going to help me get out of these trenches – let’s go on tour and make that happen!”
AM: Do you think that Keyshawn feels that way?
ST: Absolutely. Yes! We’re helping each other here. I think that being on tour is a kind of escapism and we were able to just escape reality for a little bit. It’s in the middle of the pandemic, but at the same time, we get to take that breather because we’re going on tour. You’ll see little texts and phone calls that bring us back to reality, but yeah absolutely.
AM: Looking past P-Valley, do you have any upcoming projects that you’re able to share that we can keep an eye out for?
PS: Oh man! The Lost Girls, that’s a movie that’s coming out. Look on my IMDB. Next week, I go off to Europe for a few months to do a couple of shows. I’m doing one for HBO Max and it’s set in the 1970s and it’s a spy thriller. Then I am also revisiting a character from a BBC show that I did in 2018 but because of the pandemic, we’re just getting around to being able to do the 2nd season! It’ll be cool, summer in Europe.
EJ: There’s nothing that I can talk about at the moment but I’m so thrilled to hear about what everyone is doing!
JAN: For sure, so I had an opportunity to work on a really cool project with John Boyega (Star Wars: Episode VII – The Force Awakens, Star Wars: Episode VIII – The Last Jedi, Star Wars: Episode IX – The Rise of Skywalker), Jamie Foxx (Horrible Bosses 2, Baby Driver, Spider-Man: No Way Home) and Teyonah Parris (If Beale Streets Could Talk, Wandavision, Candyman) called They Cloned Tyrone coming to Netflix this year. I have 2 other projects that are in production right now and they are producer projects as well called Shadowbox with Hill Harper (Homeland, Super Pumped: The Battle for Uber, The Good Doctor) and Joslyn Rose Lyons (Looking Glass, Waging Change, Truth to Power) she’s a writer and director of that project. So it’s in the festival circuit right now. The other 2 projects that I am doing right now haven’t had my characters be announced yet so I can’t wait for the audience and my fan base to get a hold of that!
ST: There are a couple of things that are in play right now, that I don’t want to jinx – they’re under wraps for the moment but I am very very excited and I don’t think that anyone will see me in quite this light before.
PHOTOGRAPHY CREDITS | PG 100 - 111 STARZ/P-Valley
Read the MAY ISSUE #77 of Athleisure Mag and see BACK AT THE PYNK in mag.
