DIGGING INTO THE DYNASTY | HBO'S CELTICS CITY DIRECTOR LAUREN STOWELL + PRODUCER GABE HONIG

We love a good documentary and docuseries and when it covers something iconic in sports, you don't have to tell us twice! HBO's CELTICS CITY takes us through one of the most storied franchises in the league that is truly a dynasty and most recently won their 18th Championship last year. In this 9 episode docuseries premiering on March 3rd, we learn about the history of the Boston Celtics from its start, how it fits within the city of Boston, the impact of the sport, as well as culture on the game and more!

We sat down with the docuseries director, Lauren Stowell (144, Tiger Woods: America’s Son, SC Featured: Together – The Jrue and Lauren Holiday Story) and its producer Gabe Honig (PokerStars Caribbean Adventure, US Open Epics: Tiger Woods: Perfection at Pebble Beach, The Captain) to find out about the series, how they went about covering 75 years of history, incredible interviews, and what the Celtics mean to fans, sports enthusiasts, and more.

ATHLEISURE MAG: It’s great to talk to both of you! Before we delve into CELTICS CITY, can you tell me a bit about your backgrounds? Lauren, I know that you did Tiger Woods: America’s Son and Gabe, The Captain – as a Yankees fan, that was a phenomenal docuseries!

LAUREN STOWELL: Yeah, I, currently work with Connor Schell (co-creator and Executive Producer of the 30 for 30 series for ESPN, O.J.: Made in America, Super/Man: The Christopher Reeve Story) at Words + Pictures as a Director/Producer there. I've been there for 2 years since we really started CELTICS CITY. Prior to that, I was at ESPN as a Storyteller Feature Producer documentarian for 16 years. Before that, I was at UConn, you know, I'm a Connecticut native!

GABE HONIG: I've been a freelancer for all the very many years of my career and done such shows as Friday Night Tykes and then The Captain. I hooked up with Words + Pictures with Connor and Libby Geist (The Last Dance, Giannis: The Marvelous Journey, Court of Gold), and then Lauren too to embark on this adventure.

AM: So, what was it about CELTICS CITY that made you guys want to be part of the project and to tell this onion of a phenomenal story?

LS: Initially, after reading the treatment that, you know, Connor and Bill Simmons (The Ringer podcast network, 30 For 30, Music Box: Yacht Rock: A DOCKumentary), had the initial idea to do something longform - multi-part, but really starting to get into the layers of the story for me personally, obviously, Gabe can speak to his experience once we started discussing the story. It was so multi-layered. It was so nuanced, there was so much room for possibility and opportunity, within the story. When, Gabe came on board and we started discussing the story, the arnrative, and the structure. It was almost unbelievable how many highs and lows and larger than like characters, iconic figures, not just sports, but American history. Yeah. So the opportunity for me to tell a story that went beyond just the story of the Celtics, something that could resonate and connect to American culture as large, was really what drew me to the project.

GH: So as a lifelong New Yorker and fan of all things New York sports. This is the last project that I think that I could ever think that I would spend 2 years of my life doing around the Boston Celtics! Words and Pictures passed me the treatment after I was done with The Captain, and I read it and I was just like, “there's a lot here that I think as a Storyteller you can really sink your teeth into.” I was still a little skeptical and then I met with Lauren and her vision for how she wanted to tell this story, I was inspired within the first 20 minutes of what ended up being our 2 hour conversation!

AM: Oh wow!

GH: We spent a lot of time before we shot a single frame, really figuring out what are the tent poles here? What are the stories and where do all the branches come off of? Who are the characters? And I think that's what also separates this story from other stories about franchises. Lauren's focus was on the people and their experiences as they move throughout history. I think that's the thing about the Celtics that, like, I think people are going to really fall in love with, and that makes it the most interesting is that it's the people. The organization leans into the people, the people that have been there for 40 plus years that are still there. That's unheard of in professional sports!

And that comes with pluses, and minuses with that as well. We don't shy away from any of that. It's about character and how those people grew, didn't grow, and all the pros and cons of complicated human beings?

AM: What was each of your favorite moments in the docuseries? Whether it's something you know that we actually get to see through the series, or maybe just something just being in the production side that that really spoke to you?

LS: Ugh, it's such a good question! It's so hard! I know for Gabe it will be difficult for him too. We talk about this all the time, the moments that you know over the almost 2 years that we were working on this story. I would say for me, one of the moments that just really resonated with me was when we were able to get Karen Russell and Randy Auerbach together. They’re close friends and we kind of discovered that through speaking with each of them in our kind of early research phases. I think what was important to all of us on the team was really understanding Red Auerbach and Bill Russell as men, as people, what their character was, and their values. Because without understanding that, you can't really understand the history of the Boston Celtics without understanding those two - the architects of what it became and what it is. I think that was, like, such a special moment for me.

Just seeing them sit across from each other, the genuine admiration and reverence that they each held for each other, but that they talked about each of their fathers holding for one another and how much I guess it meant you know that even they were able to keep this relationship all these years later, and it was just cool to see the daughters of 2 Legends!

AM: Right.

LS: Sitting across from each other all these years later and reminiscing on their favorite moments and how much their father's impact on the sport and on America was. It was really cool for me. I think there's so many moments, but that's probably one for me. That just felt really special.

AM: That's really cool.

GH: I'm going to give you a 3 part answer here.

AM: Give it to us!

GH: Easily the coolest moment. Yeah, okay. As a huge sports fan, like, yeah, being in the room when Larry Bird was interviewed!

AM: Um yeah!

GH: It’s like Holy Shit. And yeah, you know, I'm riding up in the elevator with Larry Bird of the Celtics who has been there for 40+ years and Jackie MacMullan (Editor’s Note: She is a retired freelance newspaper sportswriter and NBA columnist for ESPN.com). What am I doing here?

AM: Yup!

GH: So that's cool. There were other moments I had the easy job of sitting in the room, but not actually asking the questions. That was, Lauren, uh, who was doing most of the question asking for the process. And there were several times, and I don't want to spoil anything. There were several times where I'm just like, that bite right there, what that person just said that's going to be in the show and will be in the trailer. That question that I mentioned earlier, why do I have these preconceived notions about Boston. By having somebody answer that for me in a way that resonated for me was like a magical moment.

Then the third thing is another kind of, like, just really cool moment man, like being there when they won Banner 18. I'm not a Celtics fan. I try to be impartial on my job. Being in that building, a culmination of almost 2 years of work and seeing that green and white confetti come down, that was pretty fucking cool!

AM: I can see that, wow!

LS: You just gave me chills Gabe again – such a cool moment.

AM: I can only imagine, I mean, sometimes you'll watch a game and even if you're not necessarily a fan, you're rooting for and hoping for a better season.

How long did it take for you guys, to work on this in terms of production/post-production? You guys truly are dealing with research and acquiring these amazing people to speak, from relatives, front office, players, etc. I can't even imagine, like how much time was involved?

LS: Gabe, I mean you’re air traffic control. Please tell her the air traffic that you work with!

GH: The day-to-day of the project started in January of 2023. You know, we started staffing up in February of that year, and our first interview was Bob Cousy (Editors Note: Bob Cousy played point guard for the Boston Celtics from 1950-1963. He was a 6X NBA Champion, 13X NBA All-Star and 1957 NBA MVP and was known as a core piece during the early half of the Celtics dynasty known as The Houdini of the Hardwood and is regarded as the 1st great point guard of the NBA and was the first to reach the 4,000, 5,000, and 6,000 career assists milestones), because there was concerns about his health, and by the way, Bob is still doing fine. We filmed that interview on, I think the first week of April of ‘23.

We really started filming heavily that May all throughout the end of the Summer. We had, I think, 50 interviews in the can.

AM: Wow.

GH: The Summer of ’23 was an incredible blur. I mean, I'm just in awe of Lauren and our producers, Sascha Gardner (American Greed, The Athletic, The Captain), and Christina Lenis (The Circus: Inside the Greatest Political Show on Earth, The First 48 Presents: Homicide Squad Atlanta, Slow Burn). Like, I don't know how they did it, we all did it. We ended up doing 98 interviews. Our final interview was Kevin Garnett in August of ‘24.

AM: Wow!

GH: Yeah, we started editing in May of ‘23. Throughout the process, we had to submit for review, between 70 and 80 cuts that all had their sets of notes. We've got a lot of partners and things like that. You know, Lauren and I are still laughing and smiling. There were times like in any creative process where you want to, uh, pull your hair out and you feel like all is lost.

AM: Yup.

GH: At the end of the day, I couldn't be prouder of what our team was able to accomplish.

LS: I'll add on to what Gabe is saying too. I mean, you know, he talks about that summer of ‘23, that was just kind of a blur. I mean. I cannot say enough about the team, the preparations that was required for these interviews. If you think about the story we're telling, starting in 1950 to a current hunt for a championship with these players. It was 75-80 years of history that everyone on the team - I mean, there were probably 25-30 books that everyone had to read. There was no one definitive work that we could use that just is the history of the Boston Celtics. We had to piece together almost like a patchwork of the research. And you know, Gabe and the team the preparation for the interviews for me was unreal.

Like, I'm talking some of these interviews, a lot of them are 3-4 hours on average. And you know, I had 10-12 pages of notes, research questions, and topics. All of that had to be a fine-tuned, well-oiled machine to be able to do week after week after week. And yeah, it was a very aggressive timeline. And yeah, our team was amazing in accomplishing so much in a short amount of time.

AM: I love how basketball - obviously, it’s great for entertainment and learning about the people who play the sport and the dedication they have. But it's also a vehicle about the larger story of what's going on and what that mirror is and what it can be. What do you want the viewers to get after they enjoy seeing all 9 episodes?

LS: I think what I would want the viewer to walk away with is having conversations that maybe they thought they would never have. That's what I would hope, because I do think our goal as a team was to challenge some of the perceptions, to bring truth, to allow the characters of the story - the fabric of the Celtics to speak. These individuals, who many of them never have told their stories some have, many haven't. For them to speak their truth, and I hope that that becomes a source of, you know, again - important discourse, especially in today in our culture and society right now. We need to have these conversations, and I hope that this film allows that because we were able to show the arc of 75 years of Celtics history, but also American history.

GH: That’s a great answer Lauren. Again, as I tend to do, I'm going to answer this in 2 parts.

AM: Nice!

GH: Number 1 - you know and it’s something that I don't even know if I've ever talked to Lauren about this. In our first conversation, Lauren, brought something to my attention that I think is vitally important if you're a sports fan. This film is not just for sports fans.

AM: Right.

GH: I think somebody that doesn't know anything about basketball, you will enjoy it. For sports fans, I want, you know. I'm hoping that people can take away something, which is like, if you love sports, you know, the story understandably, and you should know the story about Jackie Robinson, the Brooklyn Dodgers and Branch Rickey (Editor’s Note: Branch Rickey was a baseball executive and player who broke MLB’s color barrier by signing Jackie Robinson to the Brooklyn Dodgers in 1947. He also created the framework for modern minor league farm system, and he introduced the batting helmet).

AM: Right.

GH: No one talks about Red Auerbach or the Boston Celtics in terms of moving this country forward in terms of Civil Rights within sports and understanding that an athlete is just an athlete. I hope that the takeaway here is that there are other people in that conversation that move the ball forward and perhaps, moved it forward in really interesting ways as well as those never really talked about ways.

And then, just to add on to what Lauren said quickly - what I loved about working with Lauren is that we were pushed to hear from people who haven't been allowed to tell their story, who the camera has not been pointed at and these stories - some of these stories with the Celtics yeah, they've been told before.

AM: Right.

GH: We had a challenge to tell them in a different way and Lauren put people in front of the camera and they were so happy to finally be able to tell their side of the story, and it's so vitally important, and it's a perspective that needs to happen more in all of media, but especially sports documentaries.

IG @lstowell

@gabehonig

PHOTOS COURTESY | HBO

Read the FEB ISSUE #110 of Athleisure Mag and see DIGGING INTO THE DYNASTY | HBO’S CELTICS CITY Director Lauren Stowell + Producer Gabe Honig in mag.

BACK AT THE PYNK

In 2020, the first season of P-Valley, an adaptation of Olivier Award, Pulitzer Prize winning and 2X TONY nominated playwright Katori Hall's (The Mountaintop, Tina: Tina Turner Musical, The Hot Wing King) play Pussy Valley, premiered on STARZ. Katori serves as the Executive Producer and showrunner for this series. This series takes us to the Mississippi Delta where local politics, a strip club and the need to elevate in society come to a head.

The sophomore season of P-Valley begins June 3rd and we caught up with some of our faves of The Pynk in Chucalissa, Mississippi. In our roundtable, we talked with Elarica Johnson (Eastenders, Harry Potter and the Half-Blood Prince, A Discovery of Witches) who plays Autumn that we meet in the first season after running from her problems to the town of Chucalissa and becomes a dancer at The Pynk; Parker Sawyers (Succession, Snowden, A Discovery of Witches) who plays Andre Watkins who is an an associate at a commercial investment company trying to secure land for The Promised Land Casino and Resort. We also talk with Shannon Thornton (POWER, Dynasty, Inventing Anna) who plays Keyshawn a dancer at The Pynk who is also making her debut as an artist and J. Alphonse Nicholson (Mr. Robot, Self Made: Inspired by the Life of Madame C.J. Walker, Just Mercy) who plays the up and coming rapper, Lil' Murda.

We find out how they came to this series, why this show is powerful and what can we expect as we head into season 2.

ATHLEISURE MAG: It’s so great to talk to you guys and we've been a fan of your work in this series as well as other projects that you have been attached to. Before we delve into P-Valley and the upcoming season, what led you to want to be an actor?

ELARICA JOHNSON: Ohh I like this question! I was that performing artist kid – the annoying one that has to do performances at the age of 4 or 5. Then I watched Annie in the theater and saw this little girl doing this performance and I was like, oh my God, I want to do that. And then I think that the biggest part is the storytelling. I loved reading stories when I was younger and the fact that I can dress up and be whoever is handed to me and to be who I want to be, that’s the most incredible thing.

PARKER SAWYERS: What’s the expression? Nothing is as queer as folk – nothing is as queer as people? I just love exploring humans man! We’re just a strange animal! So far, my degrees are in philosophy and psychology. I like thinking and reading about people and then I didn’t start acting until I was 27. I’ve always been a keen observer of human behavior and just like – what? Why is that? I’ll give you an example. I was surprised by Katori, I think she had been out of her hometown for awhile like a decade! She had been in NY like Columbia, Harvard and this kind of stuff. And then, her accent is still quite strong! I love thinking about how she loves her hometown and she’s seeing all the stars, her place, the dialect – she loves it so much! That accent isn’t going anywhere! Whereas some other people, they move and they want to assimilate – I live in London and some Americans, they want to feel part of the culture and it’s not on purpose but their accent will start to go British. I love thinking about stuff like that and then putting it on screen whenever I get the chance.

SHANNON THORNTON: I wanted to be an actor since I was a kid. I have always just been a creative person. I don’t know if it’s because I’m a lefty as we’re always creatively and artistically inclined. I don’t know if that has something to do with it as well! I’ve always had a passion for drawing, I was involved in everything band, choir, drama club, African dance, ballet – anything that just involved being on the stage and performing. I was just a part of it and ever since I was a kid from my first play in middle school, I’ve always wanted to create and to express myself artistically. I really couldn’t see myself doing anything but what I am doing right now.

J. ALPHONSE NICHOLSON: For me, it came later in life. I’m a musician first, I’ve been a percussionist my entire life, but I will say that I have had a lot of artistic influences growing up from my mom writing church plays to being on a step team in high school to being in a marching band – so the showmanship was always there. Once I got to college, I was 18 at North Carolina Central University thinking that I was going to be a band teacher, I had a wonderful teacher come up to me and said that I should pursue this theater course and to audition for this play because I had a great personality. I did it and I fell in love with it. Here we are now at 32, 12 years later and I found a lot of success through storytelling and it just grew on me and I knew it was something that I was going to do for the rest of my life outside of any of my other endeavors. Storytelling is important to me and once you realize that you have a gift for it, it doesn’t feel like work – it’s something that you want to keep going after.

AM: I love that. What drew you guys to wanting to be part of P-Valley? I remember hearing about it before the 1st season dropped and I was excited. It sounded like it was going to be really good and when it came on, I was obsessed with this show and the characters! It was everything that I could have imagined and more.

EJ: I mean, I read this script and I fell in love very early on! I was like, this one’s for me – yes! The writing is amazing and Katori does an incredible job with the characters and the space and even the language – I had never seen it before. I knew that it had to be mine. You don’t see scripts like that very often.

PS: The same, the same! Elarica already said it, but as actors, I don’t know how many scripts we get and especially during busy months of the year, it can be 5 or 6 a week. I mean a lot of them look the same and I get confused! I’m like, did you already send me this one? But when I got P-Valley, it was so new and fresh – I got it and I understood it! Oftentimes, I don’t understand some of the humor written down or something in the script. But this one I was like – oh that’s funny, I got this, that’s cool. Reading it I was like, that’s interesting and I know that and I know that world – a little bit. So that’s just something that just leapt out.

ST: The writing is what pulled me in for sure. As soon as you read the script, I remember going into my manager’s office one day to put myself on tape for another project that I was auditioning for and they were like, “listen, this came across our desk and I know you don’t do nudity and that you don’t play this type of character, but it’s definitely worth a read.” I read it on the train ride home as I was living in NY at the time and I cried. It was so beautiful and I hadn’t come across anything like that in my entire career up until that point. The characters are just so beautifully fleshed out and complicated and this world is just so real and familiar to me. I absolutely, despite my reservations, absolutely had to at least throw my hat into the ring and see.

JAN: Same! Katori Hall! The writing! I knew of her genius as a writer prior to coming to P-Valley. We both come from the theater world in NY. So I was very fond of her work and when the opportunity came to work with her and to have an opportunity to audition, we went for it and when you add in the complexity of playing Lil’ Murda right? Him being a closeted rapper so as a heterosexual man, you get a little apprehensive and say, “hey is this a story that I feel comfortable in telling” and then you do it and it's so rewarding! For me, I feel like I have played a part in being an ally in a really dope community and that’s what drew me to it. 1. being an ally through storytelling and then 2. just this incredible writing by Pulitzer prize winning Katori Hall.

AM: That's great. One of the things that we love about this show is that everyone is haunted by something in this series and they are trying to escape to other things in their life. Where did we leave your characters last season and where do we pick up with them again going into the 2nd season which launches next month?

EJ: I mean, when we left my character Autumn, she was at the auction house and I know that there are a lot of questions from fans on where is that situation now and does she really own this space now and what is her relationship like with Uncle Clifford (Nicco Annan – Snowfall, This is Us, Claws)? I can tell you that it’s very bumpy! She does own the majority of The Pynk and is in partnership with Uncle Clifford and she is the boss now. This is a huge difference from her 1st season but the space belonged to Uncle Clifford for so long and has been in her life for so long that this battle has been going on for a very long time.

PS: With Andre, we’ve seen him where we left off with him failing at a mission again. We open up with him out of a job and sort of lost. And in my mind, a bit of a bum, overgrown and he’s stopped grooming himself and maybe stopped showering and maybe stopped washing his legs – I don’t know! He’s a bit lost, but then there’s something that happens that gets him out of it. Not immediately but it starts him on his path to getting back to himself. But he does it quickly and it’s pretty impressive.

ST: Season 1 as far as Keyshawn, you last see her at The Pynk, she had at this point, pulled a gun on Diamond (Tyler Lepley - 90210, The Haves and the Have Nots, Harlem) to protect her abusive boyfriend Derrick (Jordan Cox - TURN: Washington's Spies, Dynasty, The Outsider). We pick up where we left off, maybe a few months later where we are now in the throws of a pandemic and Keyshawn is dealing with the consequences of her actions. We see in season 2 whether or not she’s forgiven by Diamond or forgiven by her co-workers at The Pynk and where the relationship stands or goes with Derrick.

JAN: We find Lil’ Murda in a similar place at the end where he’s trying to figure him self out and to find himself. We absolutely find him in the same place that we’re at right now, dealing with a pandemic and dealing with how to cope with that. By the time we get to the end of season 2, we see him in a much more clearer space with himself but still complicated and complex none the less. We see him go through this incredible journey as a musician, a lover, a friend as a big brother to Keyshawn and how he moves through that space. So we find them in a multitude of different levels and a lot of different levels and then we find out how they even that playing field for themselves.

AM: The cast is really great and as you're watching the story unfold, there are interesting dynamics between them. In terms of Autumn and Andre, there is a tension between them will we continue to see that as we continue into the next season?

For Keyshawn and Lil' Murda, there is a great vibe into your characters in their relationship as friends and business partners. How will that evolve into the next season?

EJ: They do! They naturally have this thing. They’re like magnets and they’re drawn to each other regardless of what they’re going through as there’s always going to be something. I think that that is definitely a strong factor in their relationship. Yeah, we see that in this season coming.

JAN: For sure, you see it grow immensely. You see them become very fond of each other and what they are able to offer each other. Not only as business partners but as friends too right and as entertainers. I think that Lil’ Murda knows that he has to admit it to himself and his manager on the show that they can’t do that tour without Keyshawn. So we have to make that happen and then at the end of the day, I think that she knows and I don’t want to speak for her, but I feel like Lil’ Murda knows that Keyshawn knows that I am valuable to her. She feels like, “hey, he’s going to help me get out of these trenches – let’s go on tour and make that happen!”

I am valuable to her. She feels like, "hey, he’s going to help me get out of these trenches – let’s go on tour and make that happen!”

AM: Do you think that Keyshawn feels that way?

ST: Absolutely. Yes! We’re helping each other here. I think that being on tour is a kind of escapism and we were able to just escape reality for a little bit. It’s in the middle of the pandemic, but at the same time, we get to take that breather because we’re going on tour. You’ll see little texts and phone calls that bring us back to reality, but yeah absolutely.

AM: Looking past P-Valley, do you have any upcoming projects that you’re able to share that we can keep an eye out for?

PS: Oh man! The Lost Girls, that’s a movie that’s coming out. Look on my IMDB. Next week, I go off to Europe for a few months to do a couple of shows. I’m doing one for HBO Max and it’s set in the 1970s and it’s a spy thriller. Then I am also revisiting a character from a BBC show that I did in 2018 but because of the pandemic, we’re just getting around to being able to do the 2nd season! It’ll be cool, summer in Europe.

EJ: There’s nothing that I can talk about at the moment but I’m so thrilled to hear about what everyone is doing!

JAN: For sure, so I had an opportunity to work on a really cool project with John Boyega (Star Wars: Episode VII – The Force Awakens, Star Wars: Episode VIII – The Last Jedi, Star Wars: Episode IX – The Rise of Skywalker), Jamie Foxx (Horrible Bosses 2, Baby Driver, Spider-Man: No Way Home) and Teyonah Parris (If Beale Streets Could Talk, Wandavision, Candyman) called They Cloned Tyrone coming to Netflix this year. I have 2 other projects that are in production right now and they are producer projects as well called Shadowbox with Hill Harper (Homeland, Super Pumped: The Battle for Uber, The Good Doctor) and Joslyn Rose Lyons (Looking Glass, Waging Change, Truth to Power) she’s a writer and director of that project. So it’s in the festival circuit right now. The other 2 projects that I am doing right now haven’t had my characters be announced yet so I can’t wait for the audience and my fan base to get a hold of that!

ST: There are a couple of things that are in play right now, that I don’t want to jinx – they’re under wraps for the moment but I am very very excited and I don’t think that anyone will see me in quite this light before.

IG @pvalleystarz

@elarica

@parkersawyers

@shannonthornt_n

@j_fonz

PHOTOGRAPHY CREDITS | PG 100 - 111 STARZ/P-Valley

Read the MAY ISSUE #77 of Athleisure Mag and see BACK AT THE PYNK in mag.

MANIFESTING THIS LIFE | CANDIACE DILLARD-BASSETT

One of our favorite reality franchises is BRAVO's The Real Housewives. It gives you a glimpse of a city with a group of women that are friends who open up their lives. You find that they are ambitious driven women who navigate their communities. The Real Housewives of Potomac is one of our favorites in this city specific series and when Candiace Dillard-Bassett arrived starting in the 3rd season, we met a woman on a mission who had an array of accolades under her belt while being focused on building her legacy. We talk with her about pageantry, her career prior to being on RHOP, the show, what the platform has provided, her music career and how she continues to give back to others!

ATHLEISURE MAG: In prep for this inter-view, I really liked learning about your background. You grew up with parents who both worked in the Air Force as physicians, graduated from Howard University and you worked in public service at the White House Offices of Public Engagement and Intergovernmental Affairs for President Barack Obama as well as serving as a staffer during his 2012 reelection campaign. Why was it important for you to begin your career in this way in public service?

CANDIACE DILLARD-BASSETT: I know that I grew up in a household that de- manded excellence. I grew up in a household where everyone was a professional. My parents were physicans, they have a military background and they raised me as well as my siblings to model that. They taught us the truth of being people of color in this country, how the world might not always see us in the way that we see ourselves when we’re surrounded by like-minded people who look like us and think like us.

I always tell this story, it’s funny. I wanted to be a doctor, I wanted to be a physician, I started out wanting to be a dermatologist, and I wanted to be an OBGYN. I think I must have gotten to the 9th grade and chemistry, algebra and calculus were kind of kicking my butt and I discovered that these were not my friends, so it let me pivot to something else that I am really good at which is communications. I love publc speaking – I love writing and I love aspects of journalism. I ended up being co-editor of my yearbook and co-editor of my newspaper in high school. I love to read. So, thank God, that I found something else because that math got me!

I want to encourage women who are going out in those fields for STEM because it’s so important and it’s something that we need to have more faces there that look like us there and showcase that representation. I’m a cheerleader and I’m in the back in the hallways saying, “go my STEM sisters!” But it’s just not my ministry. You have to know your strengths.

AM: That’s totally true. I thought about med school and then law school, but then you think about those years and the kinds of studies involved and I just kept continuing to code and work in fashion. But I love seeing those who are deeply involved in STEM and STEAM – all of that! So, you were Miss United States 2013. I never did pageants personally, but I have styled projects with Virginia Limongi Miss Ecuador 2018 ahead of her competing for Miss Universe as well as Nia Franklin Miss America 2019. I love this element of the pageant world as it’s more than looking beautiful as there are these other facets to it. Why was it so important to you that you wanted to do that and how important is that for character building?

CDB: I’m a pageant girl for life. I started competing since I was 5 years old and it was just ingrained in me. I will always speak up and speak about that part of my life because I always want to serve as an example of what it truly looks like to be a product of the pageant industry and of the pageant world as a whole, because there is this stigma – this neg- ative idea attached to women who compete in pageants that we’re dumb, we’re self-absorbed that we are mean – cutting each other’s dresses backstage, cutting lipsticks -

AM: Breaking zippers!

CDB: Yeah all of that stuff!

AM: I was a cheerleader – so yup!

CDB: Same! So you understand! So there’s that Toddlers and Tiaras sort of trope that people always ask me when I say that I have competed in pageants, “oh is it like Toddlers and Tiaras?” I mean, yes there are some aspects of the pageant world that can be superficial and that can be seen in a negative light, but my experience in all my years competing and I have competed a lot, I have always felt uplifted and empowered, seen and heard and loved. It’s where I learned to identify who I was. Where I learned how to brand myself, where I learned how to speak up for my- self and be an advocate – not just for me, but for causes that I believe in. I learned how to communicate those things in a way that was palatable and respectful and made sense to different audiences. I credit my mom and pageantry for all of those things. Some of the most brilliant women that I know – doctors, lawyers, scientists, inventors, dancers – you could not imagine the pedigree that you find in pageantry, and it goes far beyond just smiling, waving and being a robot. That’s only one aspect of the game of the sport because I do feel that it is one. I’m so proud to be part of it!

AM: You also have an agency where you help other people in the pageant system. Can you talk more about that?

CDB: I founded my consulting firm Candiace Dillard Pageant Consulting for the very reasons that I explained. After I won Miss United States, I found myself being a coach on accident – being someone that is empowering women around their pageant journey. It was my director at the time, Laura Clark who is now the director of The Miss Earth United States Organization – she’s a bad B! She’s a bad woman, I love her! My makeup artist at the time, Melissa, we were sitting in the hotel room and I was helping to co-produce a pageant for them one weekend. We were talking about me helping the girls and we were talking and they said, “this is a business – why don’t you start a business?” I was like, “no, why would I do that? I could just help them.” They explained that I could do it for free but when it could be framed as a structured enterprise that has tiers and everything that these women need to truly get the most of this experience by someone that has been through it.

I was like, ok and it was born! I have coached over 500 women to different titles and different places. Obviously have not been as active lately because I can barely keep an eyebrow on!

AM: You’re just a bit busy!

CDB: It’s always something that I go back to. My girls – they’re my friends, my sisters – I call them my pageant sisters. They’ll call me and let me know what’s happening. Even the little girls that I have coached, I have watched them grow up and compete as junior teens and now they’re in the Miss category. They’re like my little babies and they have just flourished. It’s rewarding to see and it’s work that I would do for free.

AM: I think that that’s amazing when you’re able to give back and infuse peo- ple in that way. You’re always going to remember who shined a light on you and to do that across all the people that you have mentored – it’s phenomenal.

CDB: Of yeah, it’s so rewarding and I would do it for nothing – just for fun. You get to play dress up, help women decide who they want to be and you’re doing it with them! It’s like having your own children helping them out and I love opening doors or women who are al- ready so special, intelligent and wise. It’s just giving them that polish and tweak that they need to accomplish their goals in the same way that I was fable to use pageantry to accomplish mine.

AM: I don’t know how you sleep because you also have a successful hairline, Prima Hair Collection by Candiace Dillard. Why did you want to be involved in the hair industry and why are you so passionate about it?

CDB: Prima Hair Collection was really a spin-off of pageantry so I love that you put those questions together. When I was competing coming up in the 90s, it was hard to find hair extensions that worked, were human hair, that came in different lengths, different textures and different colors that worked for me and worked with women that looked like me. We were stuck with synthetic hair or bad weaves or very expensive extensions because there was a monopoly on the market. There are a lot of different hair extension companies that you can choose from now, but I still had a passion for sector of the beauty history. It was my mom who said, “this should be a business.” There’s that theme where it’s always a woman empowering me to see something great for myself. It was my mom this time and she said that we were going to do it. I was like, “really we are, yay!” She helped me do the re-search and she gave me the investment. She purchased my first large order of hair. My sister got involved and 7+ years later, we are a full-service company that does business across the world. We have international clients that will clamor to get Prima hair. We are looking to move into other products soon. I have always seen myself move into other hair care products. I see myself at some point moving into skincare – I love it so much!

AM: I could see that!

CDB: Yes, but that’s really something that I would want to take my time with and find the right people, the right chemist that will ensure I’m putting out the products that I would use myself. But that’s down the road. Right now, Prima Hair is still kicking and we’re moving into other hair products.

AM: I think it’s amazing to hear this. I graduated from college in 2001 and the first 6 to 7 years, I was modeling and what it was like then to model as a Black woman – some people didn’t know how to do my makeup, you brought your own items! When we launched this magazine, 6 years ago I said that it was unacceptable for a hair or makeup person to come to set saying that they couldn’t work with various skin tones and poking around.

CDB: Yeah! We have had to learn to bring our own makeup for ourselves and to do our own hair. Right now, if it’s not one of my own makeup artists, I’m like, “I’m ok, I can do it myself.” You just come conditioned not to feel seen and not to be represented in those spaces.

AM: It’s so sad. We had someone come to set, is super accomplished and she brought 3 bags of her own makeup and it broke my heart. To know that she was known and she still felt the need to do that, I told her that she didn’t have to do that and we had great talent on set. Of course, our MUA killed it but seeing that the feeling still exists even after all of this time – it broke my heart. I always enjoy hearing that people like you and others are doing the good work!

You joined the cast of RHOP in the 3rd season. I already loved it when it first came out and then you stepped on the stage and I was excited as your personality is like my own. What made you see this and want to be part of it?

CDB: So, I can remember – I’m originally from Georgia – when The Real Housewives of Atlanta started, I thought, “oh my God, a show about Atlanta.” I watched with my mom and we were all engrossed in the show and then of course, I went off to college in Howard and then I was living in the DMV which we call the DC, Maryland, Virginia area and my best friend called me and asked I had heard about this new Black Housewives show. I hadn’t, but then I started watching. It was exciting that on a network like BRAVO that is very popular and well known and very much engrossed in pop culture – Atlanta was the premier show for women of color and here we are now with the second iteration of women of color in this franchise. This was exciting. I wanted to know who the girls were and at that time, I had been here for 14 years – a long time. I came to Howard in 2005 and I never left. I wanted to know who was on the show, what they were wearing and where they were going. I was interested and I was watching it with my boyfriend at the time, Chris and I thought, why am I not on the show? I knew I should be on this show and I remember praying about an opportunity to be on the show. I said, “listen God, if You give me the opportunity to be on this show, I promise that I will glorify You and I will use it as a vehicle to be a catalyst to accomplish all the things that You said that I would have.” Literally, the next year I was getting a call from the casting director – the Power of the Tongue. I live by it – I manifest with the Power of the Tongue. Speak what you want – that’s the message of today.

AM: Are there things that you had to consider when you knew that you would be putting your life out there and did you think about aspects involving bringing friends, family and your relationship on there?

CDB: Yes, so obviously, I had to talk to Chris. At the time, we were not engaged. We had talked about it and he had explicit instructions on what that ring would be.

AM: Check!

CDB: My mom – I didn’t worry about her because if you watch the show, you know that that woman was made for TV! She created me – my mom named me after Candice Bergen from Murphy Brown and Dominique Deveraux played by Diahann Carroll from Dynasty. So she knew what she was doing. So that lady knew what she was doing. That lady was ready! I didn't have to tell her anything except what time and where she had to be!

AM: She might have outrun you to get there!

CDB: EXACTLY! She was getting in there. Chris and I sat down and we said that we wanted to do it and we wanted to use the show, like I said, as a catalyst and a vehicle to accomplish our goals. We agreed upfront that it would be us against everybody and that we would never allow anything to infiltrate our relationship and that we would do it until it wasn’t fun anymore. Those were solid conversations that we had. So far, we have stuck to that and we have been able to use the platform in a way that has been beneficial in our careers. I’m so grateful to BRAVO and to our production company because they have allowed me to get married on the show, truly start my music journey on the show, my acting on the show and my hair business on the show. You should come in and want to use this platform to advance yourself. Being a career housewife is wonderful, but I know that there is more to do beyond the platform and so I’m here as long as it serves me and then it’s on to the next.

AM: So, how long do you guys film for?

CDB: We shoot for about 4 months.

AM: That’s a chunk of time.

CDB: Yes and it’s a stressful chunk of time because it’s a job. You are with the pro- duction company for that entire period of time and you have to tailor your life to that time. Luckily, the show is a docuseries so they’re following our lives. Most of what we’re doing, they’re following. The more you have going on the better and I have too much going on this year! It’s making my edges fall out! The plus and the minus is that having a lot going on is great, but it is an ensemble cast, so a lot of things that are happening in your life, may not make it and may stay on the cutting room floor. They have to get equal amounts of everyone's story. So they pick and choose what makes it and we have no control over what makes it. So that’s always an interesting journey to go on to find out that right before it airs, they cut that whole story out and it’s like they shot 5 scenes for that and it won’t air.

AM: My favorite scenes are the confessionals because you’re glammed up and you’re talking about what you thought about something that is taking place on the episode. How do you come up with the outfits that you’re going to wear?

CDB: That’s always really fun! Shout out to my style team - my hair and my make-up glam team and my stylist. We come together and we decide together what we are going to do. So, one of them – sometimes it won’t be my hairstylist, my wardrobe stylist will send a hair look that she thinks would be amazing. My hairstylist, Stephanie will say that she loves it and my makeup artist Kendell will say that this is a great look to go with it. We then piece it together. One thing that people may not know is that we shoot the same look, multiple times. It’s always a challenge to find a look that is intricate and unique, but can be recreated. I’ve had braids twice now and braids are tricky because you shoot with them when they’re new and then you come back and shoot with you again in the same look in a month or month and a half and you’ve been running around in the world living with those braids and you need a touchup. But what I do, is that I have a headwrap when I have braids and you can’t tell when my roots start to show. I love confessionals, it’s like playing dress-up and you’re talking and chatting with your producer, saying what’s happening, being funny and being shady while having some champagne.

AM: It’s safe to assume that you will be back for the 7th season?

CDB: Well I think I saw somewhere that someone at BRAVO had to make an announcement that everyone was asked back because I made a little bit of a cryptic tweet and it had the Internet in an uproar.

There are just days where trolling is my ministry!

AM: It is what it is!

CDB: So yes, that was a funny day because my publicist told me that everyone was calling and E! wanted a statement and I said that they would be fine! So, I think that everybody is coming back.

AM: Like you said, you’re always using the platform to share your body of work and interests. We have seen your music career on the show and now DEEP SPACE, your debut album is out! How was that, you released it fall of last year – you’ve had over 2M streams – it’s amazing!

CDB: It’s crazy! It’s surreal because I had always seen something with music happening in my head and it really started when Chris and I got married and I knew I wanted to perform a song for him at our wedding.

AM: It was a beautiful song.

CDB: Thank you. I See You was my first recorded song. Originally I wasn’t going to do an original piece. I wanted to do a Toni Braxton song – she’s perfect at love songs. My wedding was being filmed for the show and my producer said, if you want us to capture you singing, you can’t do someone else’s song. For those that may not know about television is that there are so many rules and one of them is that you have to keep in mind the licensing. Toni Braxton is gong to demand the fees of herself, the producers, the writers and her label. That could be $40K or $100K for the show to play her song on the show and they said they weren’t going to pay that.

So I thought I would write the song and I worked with Veda Whisnant and my good friend Cliff as well as the gentleman who is now my music director, Aaron Hardin. They created I See You and that was the snowball effect and people were looking to work with me including Chucky Thompson, may he rest in peace. He did a disgustingly amazing job on the I See You the Go-go Remix – Go-go music has been a huge part of my life since I have lived in DC. It kind of snowballed from there and got bigger than what I thought it would. I knew I would put out a few songs, but then as I continued to move through the music industry, it went to doing an EP, to doing an album to performing live – it just materialized before my eyes. It’s still going!

AM: What’s it like to have Anita Baker, Nicki Minaj and Toni Braxton to bless your work? I’ve been a huge fan of Anita Baker’s work and have such a respect for her and obviously, Toni Braxton and Nicki Minaj are amazing as well. What has that been like?

CDB: I don’t even know! I have no words. When you grow up listening to these voices. For me who has a lower register, I never felt confident about my voice. Every- one celebrates Mariah Carey and Whitney Houston that has these soaring Soprano voices and I never felt like I heard anything like my voice until I heard Anita Baker, Toni Braxton and Brandy who I love. They liberated me and helped me to be proud of my voice and showed me what I could do with my voice and I studied their voices to really feel like I could sing and that I could use my voice to emote and be an artist. I owe them everything. What do you mean that Anita Baker knows who I am?

AM: I read that twice and was like, oh – Anita.

CDB: It’s still crazy to me. It’s like shut up, I can’t believe that.

AM: And yet, it happened!

You came off the Femme it Forward Tour – how was that? SWV, Faith Evans and Mya? That’s some legit superstar magic right there!

CDB: Not me – them! I’m still processing.

It's just unbelievable because again, these are Black women in R&B that wrote the soundtrack to so much of my life in the 90s and on. They wanted me to be with them on their stages, on their platforms and they respect me and they see me. That is heavy, but it’s also light in a way because I’m doing all day – that’s where I am with it. I wouldn’t be there if I wasn’t worthy and I’m just trying to live in the worthiness of it if that makes sense.

AM: It totally does! Once again, you’re manifesting up a storm. You’ve been on Netflix’s Family Reunion and being on BET’s The Christmas Lottery. The level of creativity that you have embraced and do, what does it feel like to know that it’s ok to embrace on all of these activities and to nibble on them, try them and to make it their own way. There are so many people that shy away from taking on so many things especially when they are not in the same area and I always encourage people to lean into it.

CDB: I feel like if I didn’t do all of the things that are inside of me, I would explode. It just has to come out. Some- times it doesn’t make sense and some- times I’m exhausted and sometimes I don’t know what I’m doing and I feel that sometimes.

AM: And that’s ok.

CDB: Yes, it’s ok to not know what you’re doing. If you’re following your heart, you’re following your dream, just follow it. You don’t have to ask questions – you just need to follow it and be led by it. That’s what’s calling you and you have to trust that if you’re spiritual or not but that which is leading you is coming from a higher place. That’s literally it. Some- times I’m like, “girl what are you doing and I’m like I don’t know.” But I trust and I continue and then I see the fruits and then I know why it makes sense. That’s why there is a DEEP SPACE, that’s why there is a Family Reunion, that’s why there is a Water in a Broken Glass – whatever projects I’ve worked on and there's more - so much more that I want to do in the acting realm episodically and on the big screen. I want to continue to tour and collaborate musically with new people.

AM: You’re just flowing. I always say that – I say it, I pray it, I step out on it and I just pray that God catches me.

CDB: Yasss! That’s all you can do.

AM: The rest will be figured out and if it gets messy, we’ll figure it out and make it to something else.

CDB: Exactly.

AM: Tell me about My Sister’s Keeper and why you wanted to create this organization?

CDB: So this goes back to pageantry. It was competing in pageants that led me to feel like I could create an organization that truly empowered women that were not in a position to receive resources in the same way that I was. I was a student at Howard University and it’s located in NW Washington DC. There are no gates, you are in the city. You are a part of the fabric in DC and that’s not always attractive. There’s homelessness, there’s crime – it’s a lot of pieces to that puzzle. The school directly across the street from Howard was Banneker Senior High School. I used to tudor there and I noticed that there was a lack of guidance for a lot of the young women who attended school there and just in general as I maneuvered through DC, I experienced the youth in the area – particularly in lower income areas in SE DC. I felt like I could help and part of it was ignorance. I grew up in a way that I hadn’t seen that with my own two eyes. So when I’m out in the world and I’m now doing my own thing, I realized that I had all these resources and I had someone who reared me, taught me and showed me – I said I could do that and help with that. That’s how we started. We go into schools that are mostly in the DC area and just have conversations with these young women.

We do these things called a Girl Talk Circle where we sit in a circle and put questions and thoughts into a bowl and pull them out and talk about what they’re feeling or thinking. Sometimes a girl will own it and sometimes she won’t but that’s the point. You can have an issue and not be judged. I have integrated My Sister’s Keeper into Candiace Pageant Consulting because everyone is not cut out for pageants, but you can tell when a young woman has that spark or that je ne sai quoi piece that she could rock a stage or that she could be good in this space. It’s a great way again to iron you out and give a woman poise and purpose. You have to know who you are in order to compete and it forces you to figure out who you are and I want it for all women but especially Black women because we’re not first. No one is giving us the right – it’s not a privilege – the right to feel empowered and to feel that we can have whatever we what.

AM: And to understand what the game- board is and to navigate that! And to do it one way versus the other way. Although, you might have to dig in that bag every now and then again too.

CDB: That’s part of it too. It’s knowing how and when to code switch and when to use what resources where and how – yeah!

AM: Are there any other up and coming projects that we should keep an eye out for because I feel like you’re this till that keeps on springing forth.

CDB: YES! Part of the reason why I am so tired is because I was finishing up one of my final classes for my MBA program at Howard. You’ll be seeing graduation very soon and at the same time, I made this 14 slide pitch deck that I had to do for this class, I was in the studio recording new music. I am really excited because we are going to be doing a deluxe version of the DEEP SPACE album and that will be set to come out some- time this summer! I haven’t talked about that, that’s an exclusive to you guys!

AM: I mean, you just dropped your album - last fall!

CDB: It hasn’t even been a year – I know we dropped it in Sept. But you know, I didn’t want to get stale and there’s so much left to sing about and there are so many good tracks, such good music and so much to write and I have such a cool writing team. I’m newer to writing music. My team is really patient with me and lets me make changes whether I don’t like something or I want it to feel more like this or that. We make it work. So I have been in the studio for the last 3 days so I’m finishing that. That’s done and I’ll be listening to the songs ad nauseum so I’ll be sick of that ha! But we’ll be piecing them together. It’s in the works – but a TV series that I can’t say a lot about but it’s in the works. I would be playing someone that is not a whole lot like me which is exciting and it will be shooting right here, so I wouldn’t have to leave the area which I’m excited about that! So look out for that coming out soon! I think that’s it – music, TV, the show – you’ll get all the entertainment from RHOP.

AM: Every time you hit the screen on RHOP, I’m like ok, what’s happening now ha!

CDB: It’s a mess, my God. Me enjoying life, married life and I’m still decorating my house – just living!

IG @candeegal09

PHOTOS COURTESY | PG 34 - 38 Paul Morigi | PG 41 -49 +9LIST STORI3S PG 154 Candiace Dillard-Bassett |

Read the MAR ISSUE #75 of Athleisure Mag and see MANIFESTING THIS LIFE | Candiace Dillard-Bassett in mag.

FROM LA WITH LOVE, GIA MANTEGNA

When you grow up in a creative family, you get to try your hand at a number of things to find out what works for you. Gia Mantegna grew up in the industry and has been acting since she was a kid, is a singer and in addition to her roles, can say that she has been able to spend quality time on set as a fellow actor with her dad, Joe Mantegna in the nail-biting series, Criminal Minds.

We sat down with Gia to talk about how she got into acting, what it's like to be on Criminal Minds, playing dramatic characters with a twist, her new show that is available now on CW Seed, what's going on with her music and some of her go to places in LA as well as when she's here in NYC.

ATHLEISURE MAG: When did the acting bug hit you?

GIA MANTEGNA: I started acting at a really young age in school. I think I was about 11 when I started theater and that’s kind of where I got the bug. I had obviously grown up in the business
because my dad is an actor.

AM: We’re huge fans of him!

GM: Yeah, yeah me too! Growing up around that environment and being in that industry it was just something that was second nature to me. And I was like, "when is it my turn?" Being the second born child and always wanting attention, I was known for having this personality and having a need to be heard. The only outlet for that was to sing and to perform - so that’s how it started. Then after doing theater, I started working in film and going to TV and auditioning. It hasn’t stopped yet – knock on wood.

AM: What are some of the roles that you have been in?

GM: My first big gig was a Christmas film called Unaccompanied Minors which was a film directed by Paul Feig. He did Bridesmaids, The Heat, Ghostbusters (Kristen Wiig and Melissa McCarthy) etc. That was my introduction into really working in Hollywood. It was such a great experience working with Paul and the cast. That was a fun role for me and I have done a lot of
spots on TV.

I’m really drawn to the darker roles naturally. I am a positive person, but I love those really weird roles. I did a role on Perception where I played this girl who swallowed knives and it was a strange one, but I loved it. Now comedy is where things are going for me which I also love because it’s harder and comedic timing is hard to do. The dramatic roles come easier to me but
comedy is where I am falling into and where the world is going, it’s nice to laugh a little bit.

AM: How much has your father been an influence on your roles and how has it been also appearing on Criminal Minds with him?

GM: YES oh my gosh. I can’t watch Criminal Minds – I live alone with a cat!

AM: When we travel, it’s always on as a marathon and we get sucked in, but we have to have a buddy and the lights on to watch it!

GM: Oddly enough, I never worked with him on the show. When I first auditioned for the show, I was 17 there was a different actor playing my father and I never had any scenes with him. Then one day, the writers came to me with an idea where my character came back with Aubrey Plaza’s character as they wanted two strong female characters to come back to shake up the
team. Aubrey and I came out to do it and I didn’t have any good dialogue with my dad, but there was this scene where he pointed a gun at me which was really exciting as that is always fun to work with a family member holding a gun in your face. I mean when is that going to happen? Hopefully not. But it was great because I have worked on a number of shows, but Criminal Minds – that cast is such a tight-knit group, they’re a family. They get along and it’s
been running for so long which is a testament to how great it is to be able to step into that show for a few weeks. It was the greatest gig in the world and to be able to hang out with my dad for a bit. The character was fun too as she was psychotic!

AM: Tell us about CW Seed and how we can watch it?

GM: A lot of networks have digital platforms as I think that they are trying to compete with Netflix and things like that. CW Seed (shows you can catch: Riverdale, Original Dynasty) is CW’s answer to that. It’s their digital platform where they create new media and they also run shows that have already been out on the website. You can watch on their website or their app.

Our show, Life After First Failure has myself and Breanne (who plays my best friend on the show), we received the script and we loved that there were two strong female characters
shaking things up – we fell in love with it. We did 3 episodes in Portland and CW Seed ended up breaking it up into 6 episodes - to make it more palatable for the audience.

The way it seems to be going is that it’s all about quick easy content for quick gratification. At first, I was a little disappointed, but it’s the way that things are going now. I like longer episodes, but the younger generation is easily bored and when they’re bored, you lose your audience. But the character was so much fun to play and it was different and new. Honestly, it was one of my favorite people to play.

AM: Is there a second season coming out?

GM: In a perfect world, yes – the hope was that the network would see that there was a strong response to it – but they’re kind of new. So a lot of it has been left to us and social media has really helped in terms of campaigning for the show. We definitely want to come back to do more episodes – right now we’re not sure so we want people to watch and tweet to request more episodes.

AM: We know that you are also a singer can you tell us about how you started that and what your plans are?

GM: I was always singing at a young age. My parents threw me into everything soccer, piano, saxophone etc. Singing stuck with me – my sister and I took lessons at a very young age. Both of my parents have a musical background and it was just one of those things that I always kept in my back pocket, but I was too scared to use and then it got to a point that I really wanted to do a show so I got a producer and a band and we put it together with a show at The Whiskey in LA. It was so great, but there aren’t really any plans as I was starting to work on an album and then acting picked up, but it's always something I go back to. Right now, I record things and sell them to shows and just kind of do it as a hobby.

PHOTO COURTESY | Scott Bonnie

AM: What is the genre?

GM: It ended up being a rock show when I was at The Whiskey. But the song I’m most proud of, ‘I Won’t Wait’ it’s alternative/electronic. It has a cool vibe to it as I’m inspired by Banks and Tove Lo - just I love that electronic ease and fun. But when I get back into singing, I want to do a lot of oldies covers as I listen to a lot of 70s music. I love Top 40, but I’m inspired by that era. I have been listening to a lot of THEM (Van Morrison’s old band) lately and I thought it would be really fun to do a lot of covers of music that my parents grew up with as that's what I listened to growing up.

AM: What is your personal style when you're going out for brunch versus when you're having a night out?

GM: It doesn’t change – it’s always the same – I’m all black everything – it makes doing laundry very easy. I always dress for winter or fall – I wear Doc Martins all the time, I live in them. I love skinny jeans and a baggy sweatshirt on top. I love jewelry which allows me to go a little crazy and I love makeup! My sister and I went to makeup school just for fun and my sister was really into it – she has autism and is really high functioning, but my parents didn’t want her to go alone so I went as her pal and I ended up loving it. I love playing with makeup looks and it taught me what I could do with makeup – so it’s all about the accessories.

AM: How do you take time for yourself in the midst of your busy schedule?

GM: It’s interesting as an actor, you’re your own boss and there is going to be downtime so you’re always trying to stay proactive. I do piano as much as I can to stay with my music.

I do meditate - big meditator. I tried running for 5 mins. - it was horrible, but I really love yoga. There is a huge yoga culture in LA - which I know is everywhere as well. But I have been doing
yoga for so long that I just do it on my own and I just do it in my trailer. Now that I have this amazing cat in my life, I love meditating and doing yoga at home. I don’t do any high impact – I
don’t. I can’t do it because I have this really weird jaw issue which is a severe form of TMJ where I have to get injections in my masseter muscles. So when I do anything high impact the stress goes to my neck and my face and then I have to go to the Chiropractor and it becomes this whole thing. Everything is low impact and easy – I walk a lot and although LA is not a walking town, I live in West Hollywood so I can do that.

AM: What charity/philanthropy do you do?

GM: Because my sister has autism, I have always been involved in that as it has been a big part of my life and to give back to the community. My family and I do not support Autism Speaks as they have paid celebrities to do endorsements which makes sense, but many don't know what they're talking about and funds have gone to the CEOs and very little of the money is going to autism research. More grassroots organizations is where we go and my dad does a lot of work with veterans so anything that involves them and the military, I am all about it. Autism is big for me and there isn’t one that I champion specifically.

PHOTO COURTESY | Marco David

AM: What's on your playlist?

GM: I’ve been listening to a lot of THEM, Van Morrison, Bob Dylan – I went to a concert of his last year and it was so great. I just really love him. Let me grab my phone out. I love Tove Lo and Banks of course. A lot of oldies - OH - Roy Orbison - he's the best for the holidays - I really love his stuff and I have been getting obsessed with Chris Isaak again. OH Tom Jones is my
go to when I'm getting ready, I go to Spotify, put in Tom Jones and listen to everything. It gets crazy and my dad makes fun of me and asks, “why do you listen to my music?” I love it and everything coming out lately now – it’s cool to vibe out to in the background, but I don’t connect with it and it’s not inspirational to me.

AM: When you're in LA, what's 1 place you work out, 1 place you eat at 1 place you shop? What version do you have for that here in NYC?

GM: The answer to most of those questions is home, home, home haha. In NY, I go to McSorley’s Old Ale House - I was just there last night with my mom and my sister. So only in NY
would this take place, we met these two guys where one had just broken up with his wife and one with his girlfriend and they wanted to recreate this picture that they had taken when they were with them at the same bar a few years prior! One ex was blonde and one was brunette and we re-created the picture.

In LA, people are very "don’t talk to me," but in NY it’s so different and they were from Orange County. It was hysterical and the picture was identical and I even arranged everything on the table the same way. McSorley's is my go to.

In LA, I go anywhere although there is this cool Australian bar called The Eveleigh. Serafina just opened in LA so I love that – they’re on Sunset. I work out at home in LA so I just go outside as there is so much hiking you can do and I want to try boxing. For shopping, I am all about ASOS – they have great stuff, affordable and they always have black options. In NY it’s anywhere.
I’m obsessed with shoes, so any shoe store. I love Opening Ceremony and I love Soho in general. Evolution is here and I love them, we have something similar in LA called Necromance, but I haven’t bought anything. Where am I going to put taxidermy squirrels?

My God mom has a store in Toluca Lake near my parents house called Pergolina and she has these beautiful taxidermy animals which she gets from Necromance. Her store is where I get my jewelry and I wear these bracelets all the time. But I’m not a big shopper – I’m an eater – I love to eat. My mom has a restaurant in Burbank called Taste Chicago.

AM: Wait we have heard of Taste Chicago!

GM: I know a lot of people think that it’s my dad’s, but it’s my moms!

AM: Which one is from Chicago?

GM: Both – my whole family is from Chicago and here. We’re here because one of my family members just bought a house in New Jersey. We’re the only ones in LA. We needed to bring Chicago to LA.

AM: So what are we ordering at Taste Chicago?

GM: Chicago dogs, Sicilian Pan Pizza, Deep Dish, Italian Beef, everything – it’s hard core. You don’t go there to get a salad, you go there to work! But I actually prefer NY style pizza haha but I go there for the Italian Beef.

PHOTO COURTESY | Marco David

Read more from the Dec Issue and see From LA with Love, Gia Mantegna in mag.