TELL 'EM | JEREMIH

We're always looking to our playlists to set the mood and even more so when we continue to transition from the Spring to the Summer! We're excited that our 100th issue is covered by Singer/songwriter, rapper, and record producer, Jeremih. This musician also is well versed in playing the saxaphone, several percussion instruments such as congas and timbales, and piano/keyboards.

In 2009, his debut single Birthday Sex dropped and in addition to being a song that we enjoyed hearing, it came to #4 on Billboard's Hot 100 chart. After its release he continued to create hits with his 2010 single, Down on Me (featuring 50 Cent), and this single enjoyed successes that included sextuple platinum certification by the Recording Industry Association of America (RIAA). Don't Tell 'Em (featuring YG) was a 2014 single that was his 3rd top-ten hit on the Billboard Hot 100. He also continued releasing more singles with Oui and Planez (featuring J. Cole) with both receiving quintuple platinum certification by RIAA.

He also formed the duo MihTy with Ty Dolla Sign in 2018 where they had a collaborative album that was released in 2018. He has worked with a number of artists including 50 Cent, DJ Khaled, Ty Dolla Sign, YG, J. Cole, Flo Rida, Big Sean, Future, Lil Wayne, Fabolous, Chris Brown, French Montana, Wiz Khalifa, and more. He has also written songs for Kanye West, and Nicki Minaj.

His work has received additional recognition from winning an iHeartRadio Music Awards in 2015 for Hip Hop/R&B Song of the Year, 2X Nominee for Billboard Music Awards for Top R&B Song, Grammy Nominated for Best R&B Performance, and being Nominated for the American Music Awards R&B Breakout Artist to name a few.

We have enjoyed listening to Late Nights: The Album (Slowed Down) as well as seeing him on 50 Cent's The Final Lap Tour and as he is always working on projects, collaborations, features, we enjoyed seeing him play Elijah Linden in S1 of Power Book IV: Force.

We wanted to know more about how he was introduced to music, talking about the success of his single Birthday Sex, how he became involved in Birthday Sex Wine, and more.

ATHELEISURE MAG: From a young age you cultivated being a musician by learning how to play the drums, saxophone, percussion instruments, and piano/keyboards! What is it that you love about playing those instruments and incorporating them into your music?

JEREMIH: My primary choice of instruments currently is playing the keys and drums. Playing instruments is like speaking a different language of emotion. Each instrument carries its own unique tone and character, allowing me to express myself in diverse ways. Incorporating them into my music adds layers of richness and authenticity, creating a deeper connection with the audience.

AM: Your debut single, Birthday Sex, peaked at #4 on Billboard's Hot 100. What did it feel like to have all the successes that were associated with that song?

J: It was an incredible moment of validation and gratitude. Birthday Sex continues to resonate with so many people, and seeing it climb the charts was surreal. It was a testament to the hard work and dedication I had put into my craft.

AM: How did Birthday Sex Wine come about and why did you want to get into the wine industry?

J: For the past few years, white wine has been my drink of choice. Birthday Sex Wine was born out of a desire to create something special that would enhance celebrations and memorable moments. I've always been intrigued by the wine industry and saw an opportunity to blend my passion for music with the art of winemaking. It's a way to share joy and elevate experiences through a unique product that reflects my personality and style.

AM: In creating this wine, how much was your involvement?

J: I was all in on the process, from choosing the perfect blend of grapes to the look and feel of the label. My respect for winemaking came from hanging with winemaker Russell Bevan, who is known for an impressive collection of over fifteen 100-point wines. We spent time together in Napa developing the taste profile and educating me on the process of winemaking.

We wanted to know more about Birthday Sex Wine as Russell Bevan who is known as one of Nappa Valley's most acclaimed winemakers. We wanted to find out where his passion for wine came from, his successful wine company, how he came to Birthday Sex Wine and more.

ATHLEISURE MAG: When did you realize that you had a passion for wine?

RUSSELL BEVAN: I have had an intimate relationship with wine most of my life. Even as a child, I asked if I could go back for seconds during mass. For my whole life, wine has captivated my pallet and mind.

AM: Prior to launching your own wine companies, can you tell us about your background in this industry?

RB: I wrote a wine column through the Minneapolis Star Tribune and worked for the Gallo Winery doing sales while in college.

AM: How did Birthday Sex Wine come about?

RB: Jeremih and I met at a friend's house (Rob Ellin) and started talking about our mutual love affair with wine and that seed has grown into Birthday Sex.

AM: Can you walk us through the process of what it is like to create a wine? Where do you start?

RB: Everything starts with mother nature -- the soil microclimate we grow the grapes in and the growing season. We are the caretakers of what she gives us with this project. Our goal is to craft something that has delicious, pure flavors and a seductive mouthfeel.

AM: This wine is a Naked Chardonnay, do you foresee that there will be other varieties under this brand?

RB: The door is always open, Jeremih and I just have to find enough time together to taste wines that inspire us.

AM: Outside of Birthday Sex Wine, are there other wines that you're creating that will be launching that we should keep an eye out for?

RB: Adversity Cellars! Massively concentrated Cabernets with lush textures and pure fruit flavors.

IG @jeremih

@birthdaysexwine

@adversitycellars

PHOTOGRAPHY COURTESY | PG 16 - 21, 9PLAYLIST PG 22 + 23, 9DRIP PG 24 - 27 | Jeremih

Read the APR ISSUE #100 of Athleisure Mag and see TELL ‘EM | Jeremih in mag.

START WITH THE MELODY | OVY ON THE DRUMS

This month, our JUN ISSUE #90 cover comes from producer, composer, singer/songwriter, 2X Billboard Latin Music Awards nominee, 4X Latin Grammy Award nominee and Premios Juventud winner, Ovy on the Drums! If you have enjoyed a number of Karol G's music whether it's her solo or collaborations that she has done with Shakira, Becky G, Future, and more - you have enjoyed the disctinctive sound that merges EDM, pop, and Reggaeton to make a sound all of its own. In addition to his work with this artist, this much in demand artist from Medellin, Columbia has also worked with Nicki Minaj, Steve Aoki, Bad Bunny, and Maluma to name a few.

While we wait for his much anticipated album as a solo artist signed to Warner Music, we wanted to find out a bit about how he approaches creating his music, how he got his start, sharing his sound and how we can define it, as well as working with Karol G.

ATHLEISURE MAG: You’re a producer and singer/songwriter, when did you fall in love with music?

OVY ON THE DRUMS: How did I fall in love with music? Well, the truth is, I fell in love with music... I had never really thought about becoming a music producer or dedicating myself to music, but one day I discovered the program I currently work with and use for all my productions, which is FL Studio. I believe that from that moment on, I fell in love with this whole music thing, creating rhythms, and beats. Since the first day I discovered this program I've felt a passion and love for creating music.

AM: From your love of music, to creating your music. How did you initially break into the into the industry?

You have a creative partnership with Karol G as you produced all but one song on her debut album Unstoppable, Ocean, KG0516 and you were one of the producers on her 4th album, Mañana Será Bonito. How did this partnership come about and what do you enjoy about working with her?

OOTD: Once I started making beats and fell in love with music well, in terms of the industry itself, my first steps were thanks to the university where I studied a bit more about music.

I met some friends called "La Compañía" from San Andres, a beautiful island in Colombia. It was thanks to them that I had a strong approach to the music industry. They opened the doors of their studios to me, and it was through them that I also met Karol G. I am forever grateful to them because it was there that I had my entry into the music industry.

AM: What do you like about the sounds and beats associated with reggaeton, hip-hop, pop, and EDM?

OOTD: Well, what I like the most about the sounds themselves are the percussion and the changes, the cuts that each genre has. I really enjoy analyzing the slicers in each song and the different types and changes in percussion.

AM: You’re a producer and singer/songwriter, how do you define the Ovy sound?

OOTD: The sound of On the Drums today, in any of its three facets, is going to have a very distinctive sound that I have been evolving and refining for a long time. Right now, I consider my sound to be very minimalist, a very simple sound. Within the few elements I use in a production, I strive to make it sound grand.

It has been a bit challenging because, initially, my productions were very saturated, overloaded with sound. Over time, I have learned to select certain sounds to avoid saturating it too much in a production.

AM: When you begin working on a song, where do you start first?

“Well, what I like most about the sounds themselves are the percussion and the changes, the cuts that each genre has. I really enjoy analyzing the slicers in each song and the different types and changes in percussion.”

— Ovy on the Drums

OOTD: When I start working on a song, most of the time I like to begin with the melody. Before creating a song, the first thing I do is sit at the piano and let it convey or evoke whatever mood I'm feeling at that moment. It's what guides me. That's why I love starting from there.

AM: You have worked with several artists such as Karol G, Nicki Minaj, Becky G, Bad Bunny, Ed Sheeran, Steve Aoki, and Maluma to name a few. Where do you get inspiration when it comes to creating music for the artists that you have worked with?

OOTD: I believe that inspiration should always come from within the artist. It starts with creating a rhythm or sound that I personally enjoy and being able to convey that beautiful energy I'm creating musically. Transmitting it to the artists I've worked with is important to me. I want them to appreciate what I do, connect with what I'm creating, and work together as a team. That's how I flow, and I think it's the key to finding inspiration when creating music. It's about transmitting that energy, whether I'm with the artist or working alone, and sharing it with others

IG @ovyonthedrums

PHOTOGRAPHY CREDITS | Ovy On The Drums

Read the JUN ISSUE #90 of Athleisure Mag and see START WITH THE MELODY | Ovy on the Drums in mag.

DROP THE BEAT | MARTIN JENSEN

With a number of festivals already on our list to attend, it's always good to catch up with DJs that we will see throughout this year. We caught up with DJ/Producer Martin Jensen to find out how he turned his love of music into a career, how his production background assists him when he is in the studio or about to perform, who he has collaborated with and his latest release with Days Like This with Jay Sean.

ATHLEISURE MAG: When did you first fall in love with music?

MARTIN JENSEN: From a very young age, music was always around me and playing in my home growing up. I never knew what direction I wanted to take – if it was in the industry behind the scenes or even being a DJ or lighting engineer or whatever – was doable. It was only when I first started playing smaller parties that I really got the bug.

AM: In terms of working in the music industry, I know that initially you thought that you would be behind the scenes in terms of lighting engineering and stage design; however, what made you decide that you wanted to DJ?

MJ: That is true! I think it was just a passion for the music, that is something you can’t bottle or capture, only try your best to communicate through your music, whether that be in person at a party or through your productions that people can enjoy. I originally went to go into my fathers family business to work, so taking a step back from that to pursue music as a full-time career felt a little challenging at first but if anything, it made me strive to want to succeed even more as I knew I had the self-belief.

AM: Because of your production background, how involved are you in the design of your show in terms of aesthetics?

MJ: As much as I can be! I always have the final sign off on design, my logos, my press shots, how I want a live show to come across from the concept to the finished product.

AM: How do you describe your sound?

MJ: Feel-good, fun, ready for the party!

AM: What’s your creative process like when you are working on a song?

MJ: It really can vary, inspiration can first come from a melody or even a direction of genre that I want to go in – I might want to go big-room and bombastic one day, or work with a really cool vocalist or writing partner, and take a more house or radio-ready pop route. Its all relative and I let each bit of inspiration, both solo and with collaborators, guide me.

AM: You have collaborated with Nicki Minaj, ALOK, Jason Derulo and more. Do you approach these creative projects differently than those that are solo?

MJ: With Nicki Minaj it was a remix I did, but I have worked directly with ALOK and Jason on our track Don’t Cry For Me. Each project is going to be different, not just in sound but depending on each artists outlook, how we individually want to approach it, so yes. With collaborations its important to have your own signature sound present but for every artist to collaborate in a way that’s effective and brings new ideas to the table.

AM: Days Like This was released with you and Jay Sean. Tell us more about this song and what was it like working together on this with him?

MJ: We really wanted this track to be a feel-good, as we say on it “No one can fuck with me on days like this!”, so we wanted people to feel that essence exactly how we aimed to deliver it. Energetic, confident and unapologetic! It was so much fun to work with Jay, he’s a real veteran in the industry and has worked with so many great artists before so to have him jump on the track with a great collaboration.

AM: Tell us about Me, Myself, Online which was the biggest livestream worldwide as well as a mini documentary.

MJ: It was! It was an idea born out of the pandemic as it was originally meant to be ‘Me, Myself, Live’ where we livestreamed shows around the world but obviously, coronavirus put a stop to that. We decided to bring the shows to people online instead, we streamed on Facebook, Twitch and had some super cool brands involved from amazing locations. Our first edition was from the Telia Parken stadium which is the national stadium in Denmark and we were blown away by the response… so we kept going! It’s definitely something we want to continue on in another direction in the future.

AM: Are you working on songs?

MJ: Yes! I have a brand new single out this February with VAMERO and Gibbs called What A Night, lots more will be revealed soon and I’ll also be announcing more tour dates as we move out of the Winter and into Spring.

AM: You were the first judge that is a DJ to be on X Factor’s Denmark! What is it like to be on this show and to see the talent that hits the stage?

MJ: It was a brilliant experience, to be the first DJ/ producer to ever hold the role of a judge also blew my mind, it was such an honor. When it comes down to it though, it's a really crazy concept when you think about it. The music industry is for sure fast paced and for these young talents to go through such a fast process full or pressure is for sure difficult and I see a lot of those come out stronger, but some don’t. It’s a fine line you really have to balance in ensuring everyone can work together in harmony to do the best they can in their roles. But yeah, it was a crazy time for sure.

AM: Critiques are a major part of success regardless of the industry you work in. When you have your judge hat on, what are you looking for and how do you approach telling people what you liked and didn’t like for each performance?

MJ: Being a judge it is not so much about personal taste, its about breaking down the talent, the attitude, the work ethic and so much more of an act. Sure, one judge mightn’t be a huge rock fan, or another pop, another electronic and so on, but to be able to look at an artist on an elevated level as someone in the industry, helps you to then guide them with exactly what they need – even if that might mean good news or bad news.

AM: We’re looking forward to hitting the festival circuit what are your favorites to play at and where will you be performing this year so that we can keep an eye out?

MJ: I’ll be announcing all my tour dates nearer the time as we still have some finalizing to do but my social media is where you’ll be the first to find out!

AM: Do you have any routines that you do prior to or after a show?

MJ: Its not very “rock n roll” but, no! I like to relax, have a beer, think about what direction I might want to take my sound in during the set (depending on if I’m headlining a club or playing a festival, for example), but its important to also let the crowd guide me too.

AM: As someone who is always on the go and travels a lot for what you do, how do you take time for self-care so that you’re taking time for yourself and getting a bit of a reset?

MJ: I like to play sports, see a chiropractor when I can – 'cos it can be crazy on your body touring all the time! – and mostly just spend time with my friends and family, work on music. Just pretty normal stuff nothing too crazy.

IG @djmartinjensen

PHOTOS COURTESY | Martin Jensen

Read the FEB ISSUE #86 of Athleisure Mag and see DROP THE BEAT | Martin Jensen in mag.

MANIFESTING THIS LIFE | CANDIACE DILLARD-BASSETT

One of our favorite reality franchises is BRAVO's The Real Housewives. It gives you a glimpse of a city with a group of women that are friends who open up their lives. You find that they are ambitious driven women who navigate their communities. The Real Housewives of Potomac is one of our favorites in this city specific series and when Candiace Dillard-Bassett arrived starting in the 3rd season, we met a woman on a mission who had an array of accolades under her belt while being focused on building her legacy. We talk with her about pageantry, her career prior to being on RHOP, the show, what the platform has provided, her music career and how she continues to give back to others!

ATHLEISURE MAG: In prep for this inter-view, I really liked learning about your background. You grew up with parents who both worked in the Air Force as physicians, graduated from Howard University and you worked in public service at the White House Offices of Public Engagement and Intergovernmental Affairs for President Barack Obama as well as serving as a staffer during his 2012 reelection campaign. Why was it important for you to begin your career in this way in public service?

CANDIACE DILLARD-BASSETT: I know that I grew up in a household that de- manded excellence. I grew up in a household where everyone was a professional. My parents were physicans, they have a military background and they raised me as well as my siblings to model that. They taught us the truth of being people of color in this country, how the world might not always see us in the way that we see ourselves when we’re surrounded by like-minded people who look like us and think like us.

I always tell this story, it’s funny. I wanted to be a doctor, I wanted to be a physician, I started out wanting to be a dermatologist, and I wanted to be an OBGYN. I think I must have gotten to the 9th grade and chemistry, algebra and calculus were kind of kicking my butt and I discovered that these were not my friends, so it let me pivot to something else that I am really good at which is communications. I love publc speaking – I love writing and I love aspects of journalism. I ended up being co-editor of my yearbook and co-editor of my newspaper in high school. I love to read. So, thank God, that I found something else because that math got me!

I want to encourage women who are going out in those fields for STEM because it’s so important and it’s something that we need to have more faces there that look like us there and showcase that representation. I’m a cheerleader and I’m in the back in the hallways saying, “go my STEM sisters!” But it’s just not my ministry. You have to know your strengths.

AM: That’s totally true. I thought about med school and then law school, but then you think about those years and the kinds of studies involved and I just kept continuing to code and work in fashion. But I love seeing those who are deeply involved in STEM and STEAM – all of that! So, you were Miss United States 2013. I never did pageants personally, but I have styled projects with Virginia Limongi Miss Ecuador 2018 ahead of her competing for Miss Universe as well as Nia Franklin Miss America 2019. I love this element of the pageant world as it’s more than looking beautiful as there are these other facets to it. Why was it so important to you that you wanted to do that and how important is that for character building?

CDB: I’m a pageant girl for life. I started competing since I was 5 years old and it was just ingrained in me. I will always speak up and speak about that part of my life because I always want to serve as an example of what it truly looks like to be a product of the pageant industry and of the pageant world as a whole, because there is this stigma – this neg- ative idea attached to women who compete in pageants that we’re dumb, we’re self-absorbed that we are mean – cutting each other’s dresses backstage, cutting lipsticks -

AM: Breaking zippers!

CDB: Yeah all of that stuff!

AM: I was a cheerleader – so yup!

CDB: Same! So you understand! So there’s that Toddlers and Tiaras sort of trope that people always ask me when I say that I have competed in pageants, “oh is it like Toddlers and Tiaras?” I mean, yes there are some aspects of the pageant world that can be superficial and that can be seen in a negative light, but my experience in all my years competing and I have competed a lot, I have always felt uplifted and empowered, seen and heard and loved. It’s where I learned to identify who I was. Where I learned how to brand myself, where I learned how to speak up for my- self and be an advocate – not just for me, but for causes that I believe in. I learned how to communicate those things in a way that was palatable and respectful and made sense to different audiences. I credit my mom and pageantry for all of those things. Some of the most brilliant women that I know – doctors, lawyers, scientists, inventors, dancers – you could not imagine the pedigree that you find in pageantry, and it goes far beyond just smiling, waving and being a robot. That’s only one aspect of the game of the sport because I do feel that it is one. I’m so proud to be part of it!

AM: You also have an agency where you help other people in the pageant system. Can you talk more about that?

CDB: I founded my consulting firm Candiace Dillard Pageant Consulting for the very reasons that I explained. After I won Miss United States, I found myself being a coach on accident – being someone that is empowering women around their pageant journey. It was my director at the time, Laura Clark who is now the director of The Miss Earth United States Organization – she’s a bad B! She’s a bad woman, I love her! My makeup artist at the time, Melissa, we were sitting in the hotel room and I was helping to co-produce a pageant for them one weekend. We were talking about me helping the girls and we were talking and they said, “this is a business – why don’t you start a business?” I was like, “no, why would I do that? I could just help them.” They explained that I could do it for free but when it could be framed as a structured enterprise that has tiers and everything that these women need to truly get the most of this experience by someone that has been through it.

I was like, ok and it was born! I have coached over 500 women to different titles and different places. Obviously have not been as active lately because I can barely keep an eyebrow on!

AM: You’re just a bit busy!

CDB: It’s always something that I go back to. My girls – they’re my friends, my sisters – I call them my pageant sisters. They’ll call me and let me know what’s happening. Even the little girls that I have coached, I have watched them grow up and compete as junior teens and now they’re in the Miss category. They’re like my little babies and they have just flourished. It’s rewarding to see and it’s work that I would do for free.

AM: I think that that’s amazing when you’re able to give back and infuse peo- ple in that way. You’re always going to remember who shined a light on you and to do that across all the people that you have mentored – it’s phenomenal.

CDB: Of yeah, it’s so rewarding and I would do it for nothing – just for fun. You get to play dress up, help women decide who they want to be and you’re doing it with them! It’s like having your own children helping them out and I love opening doors or women who are al- ready so special, intelligent and wise. It’s just giving them that polish and tweak that they need to accomplish their goals in the same way that I was fable to use pageantry to accomplish mine.

AM: I don’t know how you sleep because you also have a successful hairline, Prima Hair Collection by Candiace Dillard. Why did you want to be involved in the hair industry and why are you so passionate about it?

CDB: Prima Hair Collection was really a spin-off of pageantry so I love that you put those questions together. When I was competing coming up in the 90s, it was hard to find hair extensions that worked, were human hair, that came in different lengths, different textures and different colors that worked for me and worked with women that looked like me. We were stuck with synthetic hair or bad weaves or very expensive extensions because there was a monopoly on the market. There are a lot of different hair extension companies that you can choose from now, but I still had a passion for sector of the beauty history. It was my mom who said, “this should be a business.” There’s that theme where it’s always a woman empowering me to see something great for myself. It was my mom this time and she said that we were going to do it. I was like, “really we are, yay!” She helped me do the re-search and she gave me the investment. She purchased my first large order of hair. My sister got involved and 7+ years later, we are a full-service company that does business across the world. We have international clients that will clamor to get Prima hair. We are looking to move into other products soon. I have always seen myself move into other hair care products. I see myself at some point moving into skincare – I love it so much!

AM: I could see that!

CDB: Yes, but that’s really something that I would want to take my time with and find the right people, the right chemist that will ensure I’m putting out the products that I would use myself. But that’s down the road. Right now, Prima Hair is still kicking and we’re moving into other hair products.

AM: I think it’s amazing to hear this. I graduated from college in 2001 and the first 6 to 7 years, I was modeling and what it was like then to model as a Black woman – some people didn’t know how to do my makeup, you brought your own items! When we launched this magazine, 6 years ago I said that it was unacceptable for a hair or makeup person to come to set saying that they couldn’t work with various skin tones and poking around.

CDB: Yeah! We have had to learn to bring our own makeup for ourselves and to do our own hair. Right now, if it’s not one of my own makeup artists, I’m like, “I’m ok, I can do it myself.” You just come conditioned not to feel seen and not to be represented in those spaces.

AM: It’s so sad. We had someone come to set, is super accomplished and she brought 3 bags of her own makeup and it broke my heart. To know that she was known and she still felt the need to do that, I told her that she didn’t have to do that and we had great talent on set. Of course, our MUA killed it but seeing that the feeling still exists even after all of this time – it broke my heart. I always enjoy hearing that people like you and others are doing the good work!

You joined the cast of RHOP in the 3rd season. I already loved it when it first came out and then you stepped on the stage and I was excited as your personality is like my own. What made you see this and want to be part of it?

CDB: So, I can remember – I’m originally from Georgia – when The Real Housewives of Atlanta started, I thought, “oh my God, a show about Atlanta.” I watched with my mom and we were all engrossed in the show and then of course, I went off to college in Howard and then I was living in the DMV which we call the DC, Maryland, Virginia area and my best friend called me and asked I had heard about this new Black Housewives show. I hadn’t, but then I started watching. It was exciting that on a network like BRAVO that is very popular and well known and very much engrossed in pop culture – Atlanta was the premier show for women of color and here we are now with the second iteration of women of color in this franchise. This was exciting. I wanted to know who the girls were and at that time, I had been here for 14 years – a long time. I came to Howard in 2005 and I never left. I wanted to know who was on the show, what they were wearing and where they were going. I was interested and I was watching it with my boyfriend at the time, Chris and I thought, why am I not on the show? I knew I should be on this show and I remember praying about an opportunity to be on the show. I said, “listen God, if You give me the opportunity to be on this show, I promise that I will glorify You and I will use it as a vehicle to be a catalyst to accomplish all the things that You said that I would have.” Literally, the next year I was getting a call from the casting director – the Power of the Tongue. I live by it – I manifest with the Power of the Tongue. Speak what you want – that’s the message of today.

AM: Are there things that you had to consider when you knew that you would be putting your life out there and did you think about aspects involving bringing friends, family and your relationship on there?

CDB: Yes, so obviously, I had to talk to Chris. At the time, we were not engaged. We had talked about it and he had explicit instructions on what that ring would be.

AM: Check!

CDB: My mom – I didn’t worry about her because if you watch the show, you know that that woman was made for TV! She created me – my mom named me after Candice Bergen from Murphy Brown and Dominique Deveraux played by Diahann Carroll from Dynasty. So she knew what she was doing. So that lady knew what she was doing. That lady was ready! I didn't have to tell her anything except what time and where she had to be!

AM: She might have outrun you to get there!

CDB: EXACTLY! She was getting in there. Chris and I sat down and we said that we wanted to do it and we wanted to use the show, like I said, as a catalyst and a vehicle to accomplish our goals. We agreed upfront that it would be us against everybody and that we would never allow anything to infiltrate our relationship and that we would do it until it wasn’t fun anymore. Those were solid conversations that we had. So far, we have stuck to that and we have been able to use the platform in a way that has been beneficial in our careers. I’m so grateful to BRAVO and to our production company because they have allowed me to get married on the show, truly start my music journey on the show, my acting on the show and my hair business on the show. You should come in and want to use this platform to advance yourself. Being a career housewife is wonderful, but I know that there is more to do beyond the platform and so I’m here as long as it serves me and then it’s on to the next.

AM: So, how long do you guys film for?

CDB: We shoot for about 4 months.

AM: That’s a chunk of time.

CDB: Yes and it’s a stressful chunk of time because it’s a job. You are with the pro- duction company for that entire period of time and you have to tailor your life to that time. Luckily, the show is a docuseries so they’re following our lives. Most of what we’re doing, they’re following. The more you have going on the better and I have too much going on this year! It’s making my edges fall out! The plus and the minus is that having a lot going on is great, but it is an ensemble cast, so a lot of things that are happening in your life, may not make it and may stay on the cutting room floor. They have to get equal amounts of everyone's story. So they pick and choose what makes it and we have no control over what makes it. So that’s always an interesting journey to go on to find out that right before it airs, they cut that whole story out and it’s like they shot 5 scenes for that and it won’t air.

AM: My favorite scenes are the confessionals because you’re glammed up and you’re talking about what you thought about something that is taking place on the episode. How do you come up with the outfits that you’re going to wear?

CDB: That’s always really fun! Shout out to my style team - my hair and my make-up glam team and my stylist. We come together and we decide together what we are going to do. So, one of them – sometimes it won’t be my hairstylist, my wardrobe stylist will send a hair look that she thinks would be amazing. My hairstylist, Stephanie will say that she loves it and my makeup artist Kendell will say that this is a great look to go with it. We then piece it together. One thing that people may not know is that we shoot the same look, multiple times. It’s always a challenge to find a look that is intricate and unique, but can be recreated. I’ve had braids twice now and braids are tricky because you shoot with them when they’re new and then you come back and shoot with you again in the same look in a month or month and a half and you’ve been running around in the world living with those braids and you need a touchup. But what I do, is that I have a headwrap when I have braids and you can’t tell when my roots start to show. I love confessionals, it’s like playing dress-up and you’re talking and chatting with your producer, saying what’s happening, being funny and being shady while having some champagne.

AM: It’s safe to assume that you will be back for the 7th season?

CDB: Well I think I saw somewhere that someone at BRAVO had to make an announcement that everyone was asked back because I made a little bit of a cryptic tweet and it had the Internet in an uproar.

There are just days where trolling is my ministry!

AM: It is what it is!

CDB: So yes, that was a funny day because my publicist told me that everyone was calling and E! wanted a statement and I said that they would be fine! So, I think that everybody is coming back.

AM: Like you said, you’re always using the platform to share your body of work and interests. We have seen your music career on the show and now DEEP SPACE, your debut album is out! How was that, you released it fall of last year – you’ve had over 2M streams – it’s amazing!

CDB: It’s crazy! It’s surreal because I had always seen something with music happening in my head and it really started when Chris and I got married and I knew I wanted to perform a song for him at our wedding.

AM: It was a beautiful song.

CDB: Thank you. I See You was my first recorded song. Originally I wasn’t going to do an original piece. I wanted to do a Toni Braxton song – she’s perfect at love songs. My wedding was being filmed for the show and my producer said, if you want us to capture you singing, you can’t do someone else’s song. For those that may not know about television is that there are so many rules and one of them is that you have to keep in mind the licensing. Toni Braxton is gong to demand the fees of herself, the producers, the writers and her label. That could be $40K or $100K for the show to play her song on the show and they said they weren’t going to pay that.

So I thought I would write the song and I worked with Veda Whisnant and my good friend Cliff as well as the gentleman who is now my music director, Aaron Hardin. They created I See You and that was the snowball effect and people were looking to work with me including Chucky Thompson, may he rest in peace. He did a disgustingly amazing job on the I See You the Go-go Remix – Go-go music has been a huge part of my life since I have lived in DC. It kind of snowballed from there and got bigger than what I thought it would. I knew I would put out a few songs, but then as I continued to move through the music industry, it went to doing an EP, to doing an album to performing live – it just materialized before my eyes. It’s still going!

AM: What’s it like to have Anita Baker, Nicki Minaj and Toni Braxton to bless your work? I’ve been a huge fan of Anita Baker’s work and have such a respect for her and obviously, Toni Braxton and Nicki Minaj are amazing as well. What has that been like?

CDB: I don’t even know! I have no words. When you grow up listening to these voices. For me who has a lower register, I never felt confident about my voice. Every- one celebrates Mariah Carey and Whitney Houston that has these soaring Soprano voices and I never felt like I heard anything like my voice until I heard Anita Baker, Toni Braxton and Brandy who I love. They liberated me and helped me to be proud of my voice and showed me what I could do with my voice and I studied their voices to really feel like I could sing and that I could use my voice to emote and be an artist. I owe them everything. What do you mean that Anita Baker knows who I am?

AM: I read that twice and was like, oh – Anita.

CDB: It’s still crazy to me. It’s like shut up, I can’t believe that.

AM: And yet, it happened!

You came off the Femme it Forward Tour – how was that? SWV, Faith Evans and Mya? That’s some legit superstar magic right there!

CDB: Not me – them! I’m still processing.

It's just unbelievable because again, these are Black women in R&B that wrote the soundtrack to so much of my life in the 90s and on. They wanted me to be with them on their stages, on their platforms and they respect me and they see me. That is heavy, but it’s also light in a way because I’m doing all day – that’s where I am with it. I wouldn’t be there if I wasn’t worthy and I’m just trying to live in the worthiness of it if that makes sense.

AM: It totally does! Once again, you’re manifesting up a storm. You’ve been on Netflix’s Family Reunion and being on BET’s The Christmas Lottery. The level of creativity that you have embraced and do, what does it feel like to know that it’s ok to embrace on all of these activities and to nibble on them, try them and to make it their own way. There are so many people that shy away from taking on so many things especially when they are not in the same area and I always encourage people to lean into it.

CDB: I feel like if I didn’t do all of the things that are inside of me, I would explode. It just has to come out. Some- times it doesn’t make sense and some- times I’m exhausted and sometimes I don’t know what I’m doing and I feel that sometimes.

AM: And that’s ok.

CDB: Yes, it’s ok to not know what you’re doing. If you’re following your heart, you’re following your dream, just follow it. You don’t have to ask questions – you just need to follow it and be led by it. That’s what’s calling you and you have to trust that if you’re spiritual or not but that which is leading you is coming from a higher place. That’s literally it. Some- times I’m like, “girl what are you doing and I’m like I don’t know.” But I trust and I continue and then I see the fruits and then I know why it makes sense. That’s why there is a DEEP SPACE, that’s why there is a Family Reunion, that’s why there is a Water in a Broken Glass – whatever projects I’ve worked on and there's more - so much more that I want to do in the acting realm episodically and on the big screen. I want to continue to tour and collaborate musically with new people.

AM: You’re just flowing. I always say that – I say it, I pray it, I step out on it and I just pray that God catches me.

CDB: Yasss! That’s all you can do.

AM: The rest will be figured out and if it gets messy, we’ll figure it out and make it to something else.

CDB: Exactly.

AM: Tell me about My Sister’s Keeper and why you wanted to create this organization?

CDB: So this goes back to pageantry. It was competing in pageants that led me to feel like I could create an organization that truly empowered women that were not in a position to receive resources in the same way that I was. I was a student at Howard University and it’s located in NW Washington DC. There are no gates, you are in the city. You are a part of the fabric in DC and that’s not always attractive. There’s homelessness, there’s crime – it’s a lot of pieces to that puzzle. The school directly across the street from Howard was Banneker Senior High School. I used to tudor there and I noticed that there was a lack of guidance for a lot of the young women who attended school there and just in general as I maneuvered through DC, I experienced the youth in the area – particularly in lower income areas in SE DC. I felt like I could help and part of it was ignorance. I grew up in a way that I hadn’t seen that with my own two eyes. So when I’m out in the world and I’m now doing my own thing, I realized that I had all these resources and I had someone who reared me, taught me and showed me – I said I could do that and help with that. That’s how we started. We go into schools that are mostly in the DC area and just have conversations with these young women.

We do these things called a Girl Talk Circle where we sit in a circle and put questions and thoughts into a bowl and pull them out and talk about what they’re feeling or thinking. Sometimes a girl will own it and sometimes she won’t but that’s the point. You can have an issue and not be judged. I have integrated My Sister’s Keeper into Candiace Pageant Consulting because everyone is not cut out for pageants, but you can tell when a young woman has that spark or that je ne sai quoi piece that she could rock a stage or that she could be good in this space. It’s a great way again to iron you out and give a woman poise and purpose. You have to know who you are in order to compete and it forces you to figure out who you are and I want it for all women but especially Black women because we’re not first. No one is giving us the right – it’s not a privilege – the right to feel empowered and to feel that we can have whatever we what.

AM: And to understand what the game- board is and to navigate that! And to do it one way versus the other way. Although, you might have to dig in that bag every now and then again too.

CDB: That’s part of it too. It’s knowing how and when to code switch and when to use what resources where and how – yeah!

AM: Are there any other up and coming projects that we should keep an eye out for because I feel like you’re this till that keeps on springing forth.

CDB: YES! Part of the reason why I am so tired is because I was finishing up one of my final classes for my MBA program at Howard. You’ll be seeing graduation very soon and at the same time, I made this 14 slide pitch deck that I had to do for this class, I was in the studio recording new music. I am really excited because we are going to be doing a deluxe version of the DEEP SPACE album and that will be set to come out some- time this summer! I haven’t talked about that, that’s an exclusive to you guys!

AM: I mean, you just dropped your album - last fall!

CDB: It hasn’t even been a year – I know we dropped it in Sept. But you know, I didn’t want to get stale and there’s so much left to sing about and there are so many good tracks, such good music and so much to write and I have such a cool writing team. I’m newer to writing music. My team is really patient with me and lets me make changes whether I don’t like something or I want it to feel more like this or that. We make it work. So I have been in the studio for the last 3 days so I’m finishing that. That’s done and I’ll be listening to the songs ad nauseum so I’ll be sick of that ha! But we’ll be piecing them together. It’s in the works – but a TV series that I can’t say a lot about but it’s in the works. I would be playing someone that is not a whole lot like me which is exciting and it will be shooting right here, so I wouldn’t have to leave the area which I’m excited about that! So look out for that coming out soon! I think that’s it – music, TV, the show – you’ll get all the entertainment from RHOP.

AM: Every time you hit the screen on RHOP, I’m like ok, what’s happening now ha!

CDB: It’s a mess, my God. Me enjoying life, married life and I’m still decorating my house – just living!

IG @candeegal09

PHOTOS COURTESY | PG 34 - 38 Paul Morigi | PG 41 -49 +9LIST STORI3S PG 154 Candiace Dillard-Bassett |

Read the MAR ISSUE #75 of Athleisure Mag and see MANIFESTING THIS LIFE | Candiace Dillard-Bassett in mag.

THE TRANSFORMATION WITH KIM KIMBLE

When it comes to creating dynamic hair in film, TV, photoshoots, videos, red carpets (Met Gala, Oscars, etc.), Coachella and cover editorials (Vogue, Vanity Fair, etc.), Kim Kimble is a known name in the industry. Her level of creativity and transforming her clients to another level has been seen on Beyoncé, Shakira, Mary J. Blige, Zendaya and Kelly Rowland to name a few. This 3rd generation hair stylist has grown her brand to include a full line of products from wigs, extensions and hair care. For 5 seasons, she shared the business of hair from her salon, team and her celeb clients on WE TV's L.A. Hair. In addition, she continues to challenge herself as she takes on projects that showcase that her there are no bounds to her vision of dominating the industry that she loves so much.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be a hairstylist?

KIM KIMBLE: Well in all honesty, I’m a 3rd generation hairstylist so my mother and my grandmother also did hair. I was around it all my life; however, I wasn’t convinced that I would do it forever. I would do hair, work my way – after I got my license, I worked on hair as I made my way through fashion school as I wanted to be a fashion designer. That was my dream at the time. In all honesty, once I started doing hair, one day I realized that I love the challenge of it. I saw you could do more than just stand behind a chair. Early on – they called it Platform Artists Hair Stylists, there were hair shows and I could see that there was more then just doing this. Once I saw the transformation of my clients in my chair, when they would get out of my chair – that’s where my slogan, ‘Great Hair Equals Confidence,” came from as I saw the change in my clients when they would get out of the chair and how they would transform. I would see it later when I would work my celebrity clients and they would get on stage and how they would become a whole other person.

That gave me a lot of purpose and even with creating products and things like that, seeing the change and how it could make a difference in a person’s life – there is something about that that fulfills me. So I was like, I’m sticking with hair and gave up fashion.

AM: What was the project that made you realize that you had made it?

KK: Oh wow. I mean when I did BAPS, that was my first movie and that was pretty great for me. I had so many milestones in my career. But I think that once I started working with Beyoncé and I saw respect. I started getting so many different people reaching out to work with me. I started seeing the change of being accepted for different magazines and being able to do different covers. Then I knew that the career was really taking off and was onto something special. You know, I was able to transform my career and I saw a change. One day, you’re doing your thing and then the next day you’re like the most sought after hairstylist in the world because of one client. I got to experience that. I was doing celebrities before I met her and I was doing film before I met her. How I met her was through film, but in all honesty, I really took off and everything changed. When her career started taking off as a solo artist as her career was huge with Destiny’s Child, it was her solo career when I started working with her and everything changed.

AM: What does it mean to be Kimbleized?

KK: Well Kimbleized, the phrase came from one day when I was on WE TV’s L.A. Hair, my reality show. I mentioned it in a confessional that she has now been Kimbleized. It means that she has been touched by the Kimble, her hair has been certified by Kim Kimble and transformed by Kim Kimble in the Kim Kimble style and in the Kim Kimble way. I said it one day in an interview and then they put these chimes behind it and I was like, “yes” and I had an epiphany and I said, “everyone is going to be Kimbleized.” When I have finished someone’s hair I will tell them, “you have just been Kimbleized.” It’s also because when I’m with my clients, I spoil them so well when they get their hair done that they don’t want to go to anybody else. Your life has been changed and you want Kim Kimble to do your hair. It’s a whole thing.

AM: In talking about your show, it was one of the first ones that I knew of that incorporated your whole team, having the nail artists that was there and showing the culture of getting your look put together. What was the confluence that happened that made you think that you wanted to do a show?

KK: In all honesty, I’m a creative person. I used to produce hair shows and events like that. So I had the producer/creative bug in me. I had been trying to create these shows for a minute but I hadn’t been successful. I wasn’t really trying to do one surrounding me and my squad. That’s not what I was pitching. Then I gave up because I hadn’t had any luck doing that and I didn’t get picked up. It happens a lot. You go out there, you pitch, sometimes you’re hot and sometimes you’re not. I stopped pitching, gave up, said forget it and then a producer reached out to me and asked if I would be interested in coming in and having a show that was about me and my team. They knew there was someone who was looking for something like that. I said, “yeah ok, whatever.” I didn’t think that it would happen. At first I was a little nervous about doing something like that because I know how dramatic the salon, stylists and artists are. But you know that that’s what the shows look for, but I didn’t know if I wanted to put my business or brand in a situation that would affect me. I know that I had seen some of the shows and there was a little negativity there and I’m a control freak. I wanted to be in control of my brand and what I did. I didn’t want to put my brand in the hands of just anybody.

With the shows, those contracts are real serious. I didn’t even get to go on the pitches, I didn’t know who they pitched or what they did. All I know is that I was on a show called Let’s Stay Together on BET in Atlanta and I get a call and they say, “guess what? Your show has been picked up by WE TV.” I was like, “what?” It happened so fast that I didn’t even get a chance to think about it. I’m like that, I will just jump in feet first and just see what happens. I jumped into it. Was I nervous? Yes. I worked on TV and films, but I hadn’t worked on any reality shows. I didn’t know what that was like. I did a lot of television in terms of makeovers and interviews so I had done some things – it helped break me in, but it was a completely different thing.

The day the cameras came into the salon, I was like, “oh my God, what have I just done?” I didn’t know anything about this and it ended up working out just fine. I would do it again. It was dramatic, 5 seasons, but I was very proud of what we did. It was dramatic in front of and behind the camera, but I would do it again in a heartbeat. A lot of people really admired and loved the show. Every time I’m on my social media, I’m asked if L.A. Hair is coming back, what am I doing, will there be another show etc. They don’t realize that I’m a hair stylist first and not a television personality first. My day job is always working with clients. So when you saw that on the show, a lot of that stuff was real jobs that I had done and they allowed us to bring a camera. Sometimes it would be stuff that we would create for opportunities, but a lot of them were people that I had worked with. Some of them were people that I had not worked with and it was my first time working with them. It was important for me to show what we really do. The realness, running a business and a lot of people underestimate entrepreneurship which is interesting for women and especially women of color. There are a lot of women entrepreneurs and a lot of times in shows they may think that people want to see the drama, but they also want to know about running a business. It was important for me to share a lot of the things that were going on in the business, things that I did on set and that’s why people liked it – it was the real deal.

There was a little drama here and there and I would have people call me and say that they were going through the same thing at their salon. People can relate because everyone knows this is what salons bring and that’s why I was nervous because I knew that we were about to look real crazy on there. I’ll be honest with you, I’m not ashamed of any of it. I think it was a great opportunity and I know a lot of people have a lot of bad things to say about reality TV, but I will be honest with you. I don’t put anything out there that I don’t want out there! If I don’t want it out there, I don’t do it. What TV does is bring out who you are. It really brings it out whether you want it to or not. I will put that out there that if you want to do reality TV, then be careful because who you are will come out. A couple of times I got heated, but that’s real though. You can’t blame anybody who is focused on their business or their brand. I’m not afraid to let people know that I am territorial when it comes to taking care of my clients and I don’t want people taking advantage of me. I’m a business woman and I enjoyed it. I hope to get another chance as we’re looking at other opportunities which will be a little different. I don’t know if we’ll do L.A. Hair again because the times have changed and that’s been done – so I don’t know if we will do that again.

AM: You have created iconic looks and just recently with Beyoncé’s Black is King video with the 30ft braids. How do you come up with your concepts and what is that process like?

KK: This particular process was interesting. When we work together, we create boards and on this one, we started with Africa early on when she was doing Lemonade. I felt that natural hair was wear we wanted to go, her weave was more natural textures. We looked at the beauty of Africa and I was looking at women. I keep referring to Lemonade and going back there because that whole concept was about women early on before we had relaxers and that kind of stuff. We started with a lot of different African inspirations for hair. When she did Black is King, it was more about Africa and with The Lion King – what it would be like and discovering the beauty of Blackness. That’s what was amazing about that project. There were a couple of things that I had worked on for some of her videos. She has a creative director team and we were talking about a 30ft braid that needed to be long so that it could wrap around the body. Of course, that didn’t happen, but the wig was made and I have an amazing team of braiders that have worked with me on many projects. I dream up something and we get together and it’s like a lab. We test it out, do a couple of samples to see how it works and then it becomes something that we execute. When Beyoncé dreams something and says she wants this or that, we just create it – that’s what we do. That’s why I like working with her. It’s a lot of fun, it’s creative and I like to be challenged. Those challenges can be something crazy like a 30ft braid, Ivy Park beads in my braid – but you get with the team and we make it and we made history.

When I worked with Nicki Minaj, she had been wearing long hair and I wanted to do pink braids because she likes pink. I got together with the team and I said, “hey let’s do pink braids to the floor.” We broke the internet. I have been blessed to have great opportunities that are allowed by artists who create. I’m just an out there person when it comes to this and I like it!

AM: In addition to your great talent and custom work, you also have a line of products and hair as well. How important was it to you to bring this to market to round out your empire?

KK: This is the thing. With the celebrities that I work with, a lot of people want the same celebrity look and they want to know what you use and how to use it for that same look. A lot of the items were created to fit the needs of my clients. A lot of my clients are the inspiration behind these types of products. I started creating them to fit the mood of my customers.

In about a week or so, I am launching a line for Sally Beauty for natural hair. I’m excited about it, it’s an amazing line. I did it because on L.A. Hair people would message me on social and they would ask me what they could do to put on their natural hair. I have natural hair and creating great products, it’s so hard to find the right curl mixture. So we create those products because we need these items that work well in our hair. Sometimes they’re too greasy or they’re good with the hydration but they don’t quite get the style right. You have a lot of people that create lines, but they’re not hair stylists that have been doing hair for so many years. They don’t understand how hair works and what kinds of products are best suited for the hair. It’s another part of the creative process and it’s something that I like to be able to do.

AM: What are the other projects that you have on the horizon that we should know about as you’re always doing something.

KK: I’ve been doing a lot of consultations with clients online which has been a lot of fun actually! I can help them through this whole time to get their hair together for color, extensions and wigs. I’m creating a line of wigs which I am launching for HSN and I just told you about the products launching at Sally Beauty. A lot of people don’t know that we also do hair tools and there can be movie and TV shows that I’m working on coming up. I created a digital TV show on my own. You’ll be hearing about it soon. It’s not ready just yet we’re shooting it now but keep an eye out. It’s really great because it’s fun. You know Kim Kimble is always doing something even in the middle of a pandemic child!

AM: Honestly, if you’re able to do so. The pandemic has been a great time to launch, refine, pivot and deploy. People are a little more accessible at the moment.

KK: Exactly.

AM: We always like asking our changemakers as you are definitely one and you’re a trailblazer and being Ms Transformer, who are 3 people that inspire you to be where you are in your career?

KK: That’s easy. Madame CJ Walker, Jas On and my mom. Those are the people that inspire me.

IG @KimbleHairCare

PHOTOS COURTESY | Kim Kimble

Hear Celebrity Hair Stylist Kim Kimble on our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multi-media podcast network! Make sure to subscribe to find out when the episode drops. You can hear it on Spotify, Apple Podcasts, Google Podcasts and wherever you enjoy listening to your favorite podcast.

Read the Aug Issue of Athleisure Mag #56 and see The Transformation with Kim Kimble in mag.