Valentino Khan is a DJ/Producer with a lot of personality and a passion for his favorite teams - LA Dodgers and LA Lakers, where he had an epic concert celebrating their wins last year! In addition, last fall, he re-leased his EP on Diplo's label, Mad Decent. We caught up with him to find out about his passion for the industry, how he works creatively and more!
ATHLEISURE MAG: When did you first fall in love with music and when did you realize that you wanted to create music?
VALENTINO KHAN: I think my earliest exposure to who and what a producer was came through listening to stuff that The Neptunes, Dr. Dre and Timbaland were making. It gave me an understanding that there was a lane for people that “make the beat.” I became fascinated with the idea of creating something that gave people a wow factor in some way.
AM: You started in the music industry as a hip hop producer and have worked with artists such as T.I., 2 Chainz and B.o.B, when did you transition into doing music for yourself?
VK: It all happened for me at the same time more or less. I discovered dance music and began taking a shot at creating my own interpretation of it around the same time I started getting placements on rap projects. The artist side has just kept growing in such a great way for me and I’m thankful I still have my hands indifferent things both as a producer and an artist.
AM: Who were your mentors or sources of inspiration when you began your journey as DJ?
VK: I was inspired by nothing and every-thing at the same time. I’ve always want-ed to be versatile and try whatever I was feeling at the moment. So I gravitated to-ward having a catalog like someone like Diplo who has been involved with so many different genres. I wanted to be able to showcase a wide spectrum of sounds that I could create.
AM: What would you say is the Valentino Khan sound?
VK: I think a lot of people associate me with a very bass driven house music sound and that’s fine. But I think people that actually have listened to my discography know I’ve done many things outside of that too. I try to not get too caught up in that and just put out dope music.
AM: When you begin working on a new song or album, what’s your process in terms of how you begin to create it?
VK: It all depends on what the first point of inspiration is. I think I’ve been doing this long enough and I’ve put myself in situations where I can jump off from a number of different points. It could be the vocals, a synth line, the drums, whatever. I think the ability to take that original component and be able to have a vision for what the rest of the track will sound like is so important.
AM: How do you go about deciding to collaborate with others and what do you look for?
VK: I think it’s gotta be organic. I just look for people that try to push the sound forward because that’s huge for me. I want to continue to make music that raises the bar and pushes the envelope for every-one. It’s so important because that’s the same energy that has inspired me to do what I do.
AM: From a creative standpoint, is there a difference between when you’re doing a remix versus collaborating with an artist on a new song?
VK: I think the biggest difference when working with an artist is the focus on building a track around their vocal to let them shine. A huge part of it is giving your beat an identity but leaving space within your track for the artist. Otherwise, it can end up sounding too convoluted. I always try to keep that in mind when I’m doing a session or producing for someone else.
