DJ DREZ | JOURNEY OF SOUNDS

June 25, 2016

Whether he's on the stage or in the studio - DJ, producer, musical director and sound ambassador DJ Drez is about the journey into sound. By cutting and composing original tracks his sounds assist the body's movements when dancing or doing yoga asana.

He integrates elements of hiphop, world music, soul, funk, jazz, and reggae into his signature sound. He has worked with a number of top artists, including KRS 1, Black Eyed Peas and Macy Gray, as well as brands that include Adidas, X Games, and ABC to name a few. We talked with Drez to find out more about his style, his recent solo work and Alpine Swift.

ATHLEISURE MAG: How is a Yoga DJ different then other DJs that we're familiar with?

DJ DREZ: I actually don’t consider myself a “yoga DJ.” In that I dj all kinds of music in many different kinds of venues which include everything from a hip hop club and world music festivals to yoga studios and yoga festivals. I do play a huge range of world music that is appropriate for a practice. I think the fact that I practice yoga and have many related spiritual practices adds to my ability to connect the students and teacher in any given environment. If anything, that's what makes me a very good “yoga DJ.”

AM: What music do you focus on for yoga?

DJ DREZ: I play a lot of instrumental world music. I also produce specifically for the practice and again I draw upon my own experiences on the mat. Practicing yoga has helped me tremendously in how I am able to support students and teachers sonically. It is actually a careful play of energy between us all. I never have a set play list and instead let the music flow organically with what is actually happening in the room.

AM: What styles of music do you play/produce?

DJ DREZ: I come from a hip hop, soul, jazz and world background. So this always heavily influences anything I play and produce. You can hear my roots in the music I play. Even if it has elements of Africa or India you can feel the hip hop and soul, Vice Versa.

AM: 'Alpine Swift' recently dropped. What was its inspiration?

DJ DREZ: My literal travels, my mind travels, my family and my art. I realized how often I am on a plane, train or in a car. Starring out of a window. Meditating or imagining. Always in flight to create and do what I love, which is make and share music. My art. Traveling has been a big part of my career and journey, with pockets of touching down here and there. I wondered if there was a bird like that, always in flight and Alpine Swift came to mind. Did you know that bird can fly for hours, days, and months, while sleeping, and eating mid-flight. Its not by choice for me, but part of the unglamorous road I have to walk in order to do what I love to do and make a living. Now can you imagine what that feels like sometimes? Can you imagine what that might sound like? Alpine Swift.

AM: What other artists have you worked with and do you have a genre you like to work in?

DJ DREZ: I love working with my wife Marti Nikko. She is an amazing singer and we released an album last year called Dreaming in Sanskrit which is a sweet, boomin' mantra album supported by hip hop and reggae beats. It's really something special. We have already started working on its follow-up. I also work with many MCs, singers and some super fresh musicians. I really enjoy collaborating with others.

AM: What's your favorite music to listen to?

DJ DREZ: Thats difficult to answer. That's like asking which child do you love more. I love what I love, especially what is really done well. I don’t worry about boundaries and categories so much. If it sounds good, is well made and moves me then I can listen to it. I do come across music that sometimes isn't for me, but I can appreciate i because it's well done. No matter what, it has to have soul.

AM: With your busy schedule (solo projects, collaborations) of being a family man, working with a number of artists and sought after organizations, how do you stay grounded and balanced?

DJ DREZ: Yoga, mantra, breath, good nourishing food and great yummy sex! Those are all super important. I wouldn’t be able to work it at this level without those practices supporting me.

AM: When you're not working - what do you when you have time for yourself?

DJ DREZ: I try to spend my off-time with my family and in nature. I nurture them and they also nurture me. It's one of the reasons i do what I do. They inspire me to be the best me. Nature supports these qualities too, helping me to feel the earth under my feet. To be in quiet when I am alone and with them. I even hear my son differently in nature. So we try and take many nature walks and spend a lot of my off time at the beach or hiking up our mountain. Included in this are practices of yoga, mantra, breath, good nourishing food and great yummy sex!

1. Sound Ambassador - Anahata Ether

2. Bombay Dub Orchestra - Dust (Pigment of Your Imagination Mix)

3. Marti Nikko - I Am Love {Plum Mood edit)

4. Sound Ambassador - Anahata

5. Moby - Memory Gospel

6. Bonobo - Terrapin

7. DJ Drez - Light Me Up

8. Trevor Hall - Who Ya Gonna Turn To

9. DJ Drez - Sugar Drop 77

10. Domonic Dean Breaux - Morning

AS I AM: THE LIFE & TIME$ OF DJ AM

June 18, 2016

'AS I AM: THE LIFE AND TIME$ OF DJ AM' looks at the meteoric rise of Adam Goldstein aka - DJ AM. He was a talented DJ and changed the game by increasing the payscale, establishing the field in the celebrity world and more. While he created a platform, he never forgot his friends and those that he felt made him better as a professional. He truly believed his mantra of "starving the ego, to feed the soul." But behind the fame, he was a man that coped with his own issues rooted in his sense of self and escaping deep unresolved portions of his life.

In addition to telling the story of DJ AM from birth to death and his love of music as a genre, this film has a number of interviews with luminaries in the industry whom he worked with: Mark Ronson, Samantha Ronson, Steve Aoki, Paul Oakenfold, Diplo, and A-Trak to name a few.

Throughout the film, you hear from DJ AM himself talking about his influences, his performances and thoughts on the DJ world at large. More importantly, you see how he amassed his empire as a seven-figure DJ which, included collaborations, appearances in films, co-founding a DJ management firm, Deckstar (co-owned by Steve Aoki) and his work in DJ Hero.

We sat down with producer/director Kevin Kerslake (who has produced a number of music videos that include Nirvana, Joan Jett, Red Hot Chili Peppers, Stone Temple Pilots; documentaries, live productions, mini-series and more) to find out about the monumental task of creating this documentary, what he aimed to achieve by releasing this film and the greater message at large that he wants to provide to DJ culture, fans and others that are struggling with demons.

ATHLEISURE MAG: When did you realize that you wanted to take this project on?

KEVIN KERSLAKE: It's funny - Adam lived the life of 10 men in half the time that those men get. He died at such a young age and there was a lot of story to tell. And as you know, in a film, you don't have a lot of time either. But there are so many aspects of his life that are alluring from a film/story standpoint. Historically, he changed the game in music and culturally. All of those various components are enticing and would be to any filmmaker.

But the thing that pushed me over the edge was that we have lost some really incredible people over the years to this deadly cocktail of fame, celebrity and substance abuse. Andrea, AM's mom, had reached out to me a year before, and at the time I said no as I was concerned that since she reached out to me then I wouldn't be able to tell the full story and the truth. Ultimately, I lost a friend and it felt like we couldn't keep having this story happening. I went to AM's mom and said that we have the power to help stop that streak of great artists that are lost to the world. I let her know that I was on-board as long as we told the story and the truth from the inside and the outside. As long as I could tell the story and get final cut without having to sugar coat it, then I was on board to tell the story. AM lived such an explosive life that I think the personal life of someone is what turned the corner for me.

AM: How close were you to AM when he was alive?

KK: My interaction with him was purely professional as I did all the film and video for Insomniac. Adam played their events so our encounters were strictly backstage and I never hung out with them. I actually think that although I knew his past and certain facts of his life - it was in your face (tabloids, journalism and as a figure in the music world), that objectivity that I had is probably what made the film more legitimate in a way. Even people who knew him didn't know certain aspects of his life because he didn't share it with them or they didn't care to know/ask. The logical aspect of this, in terms of doing research and being able to go into it without a personal agenda, is pretty critical for any filmmaker I think.

Even when there are stories that I have been asked to tell, I know my own limitations when I have known the artist. It's like talking about your own family member. You get blind to certain truths that are important to share.

AM: There is so much information when you're watching the film as a lot comes from him, how long did it take in terms of pre-, production, and post?

KK: To the day, it almost took 4 years to make! The first thing we did was to go through his laptops and desktop. There was so much material that we estimated that in the end we had over 100,000 stills, 10,000 video clips, 100's of mixes, letters and text messages that he had saved. In a sense, there was no pre-pro we just put things together. Documentaries are made in the edit. They don't follow the normal production pro- cess. You just start putting things together. Early on, we were given an audio element that was critical to the story. It was the Share that he did on his 11th sober birthday.

AM: Seeing that audio run through the film really struck us, we didn't think that people could have access to things that are said in Alcoholics Anonymous meetings.

KK: Adam put a recorder in his pocket and he did a Share at the meeting. He really tells his story. This film is really DJ AM from the inside- out. He narrates his own autobiography and like you, I thought that this might be (due to anonymity in AA) crossing a threshold. But in further research, I found that there was an entire network of Shares that were available. People who were unable to attend meetings but needed the inspiration that they provided could access them from downloads online to get the assistance that they need.

AM: In addition to his Share, the meditation video was another dynamic element in the narrative.

KK: It's funny, when you see these relics of what he used to bring him peace, they are very evocative of his state of mind. It showed what he yearned for that he didn't have living a life on the road or in the city.

AM: Documentaries pay homage to the person but, you see DJ AM providing tributes to a number of his friends within the DJ world is that something that you planned?

KK: What that said to me was, that he cherished his relationships and was a man for others. He was selfless in that regard. It tells you a lot about someone when you know who their heroes are. DJ Jazzy Jeff was really a central figure in his life. Just as a fan and someone who just has a great heart and is so solid.

AM: What do you think of what AM would think of the state of music now for DJs and doors that he opened?

KK: There is some speculation involved of course, but I think that people are pretty dialed into him within the scope of the music industry. He would be one of the biggest DJs on the planet still and would have gotten into production. He would have followed where that world was going when DJs started to produce more. Who knows where the Travis Barker and AM collab would have gone. Would they have added more people in the band? Would it have been more of a visual spectacle? That's more speculation too.

I think that what impressed me about Adam is, he was just a fan of music and I think that his ability to see the virtues of all sorts of genres, the power of music and how it was able to bring people together and move people. I think that would have continued on. The dark underbelly of that is what DJs are doing. A lot of sets are preprogrammed and maybe he would have been able to highlight some of the weakest aspects of where DJ culture is going and to arrest its slide into a bit of a robotic sense.

AM: What were your goals in creating this movie and how did that correlate to the expectations of those within the DJ culture and fans at large?

KK: This film exceeded my expectations, to be honest. My intention was to dive in and tell the truth and the whole story of AM, his musical impact and import as well as the story of his personal life. Once we got into certain periods of his life and found out there was an episode or circumstance that he had to plow through - they entailed a lot more adversity than what I was aware of and even his family and friends. Once we uncovered his secret stuff, the story took on great dimension and in the end you have a real sense that you know him and that you have lost a friend. It's someone that should still be here walking amongst us.

When you do a film, it involves a lot of things. Obviously, it includes story, structure, tone, laughs, tears and all of that. I think that my intention was to hit all of those different corners in AM's universe, but to do it in a style that had a certain fidelity to what he did musically. The film is a mashup in its own right and could pinball all over the map with a velocity that he spun. I feel that the film does that and with what I am seeing in terms of the reaction to the film, it's super rewarding.

AM: As the person who dedicated 4 years to the film - what do you do after this - take time off or go into the next project?

KK: Throughout my career, I have been fairly promiscuous with style. I can go from a miniseries to a music video to a documentary to a commercial to still photography. This is the longest time that I have been on a single project. It's also the most difficult job I have ever done politically, emotionally, financially - it brought everyone (especially me) to their knees.

In the past few years, we started putting the finishing touches on it to get it out to the world. I have been working on various projects as well. Releasing a film entails a lot of work as well and it's not like I am not working on it anymore. Now that we made it, it's making people aware that they can see it and share it with friends. This is less a commercial venture than extending Adam's legacy forward and it takes work and we're still working hard on getting it out there.

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If you have yet to see AS I AM: THE LIFE AND TIME$ of DJ AM, visit their site to see where it airs in your city as additional theaters will be added throughout the summer.

Athleisure Mag May Playlist by DJ Xenia Ghali

June 1, 2016

Xenia Ghali is a Greek DJ, producer, songwriter, and classically trained musician. She continues to shake up the dance music scene with her debut single ‘Broken’ featuring Katt Rockell (released on Pitbull’s Mr. 305 Records), and her follow up ‘Get Dirty,’ a collaboration with Grammy winning rapper Wyclef Jean. With performances in the US and in Europe, she's always on the go! We caught up with her between sets to share a playlist for our Summer rotation (including 'Under These Lights').

ATHLEISURE MAG: We all have our go to workouts, what sets are in your routine?

XENIA GHALI: I’ll start with 20 minutes of cardio, specifically I love the elliptical machine. Then I do a full-body circuit routine consisting of squats, lunges, crunches and arm exercises using light weights and many reps.

AM: How do you maintain balance with such a busy schedule?

XG: I work both in the US and in Europe so I travel a lot. Being on the road regularly means that it can be very challenging to maintain a balanced lifestyle. I do my best to see my family and friends any chance I get. When I am physically unable to spend time with them, I always make sure to keep in communication with them. In addition to this, exercising really helps me with being physically and mentally balanced.

AM: When you're not DJing a set, what's your personal style?

XG: My personal style is what I call ‘chill but edgy.’ I love fashion so I incorporate it even when I am casual. I love jeans (specifically G-Star), drop-crotch pants, oversized t-shirts, and of course accessories such as hats!

Nashville in Concert

May 24, 2016

We kicked off our month at Madison Square Garden Theater to see the NYC leg of Nashville in Concert, which includes musical performances from the stars of ABC's Nashville from the season.

Pictures courtesy of Paul Farkas

GAME IS MINE REMIX

May 9, 2016

This month, we have a mix for you to enjoy whether you're off to work, rocking it at the gym or wherever your tunes take you. Check out our latest mix on Soundcloud, The Game is Mine Mix.

Fold Festival 2015

August 6, 2015

Festival season continues with a new city being added to the list. FOLD Festival kicked off Aug 4th for its two day event of musicians across genres coming together to perform at Martha Clara Vineyards in Riverhead, NY. Athleisure Mag attended this inaugural festival which focuses on Grammy winning producer and musician Nile Rodgers' love for Freak Out Let's Dance. Check out exclusive behind the scenes as well as performances that took place on both days.

The festival included performances from an array of musicians including Pharrell Williams, Keith Urban, Chaka Khan, Duran Duran and Janelle Monae.