DROPPING BANGERS | JOEL CORRY

We're always looking for the right vibes for music that will let us navigate our day from commuting, workflow, and nights out! This month, our cover is 5X platinum UK records, 5X BRIT Awards nominee, Joel Corry who has residencies at Ibiza Rocks, TAO Group Hospitality (Hakkasan, Marquee) and who has performed in an array of festivals from Creamfields, Ultra, Tomorrowland, EDC Las Vegas, and Lollapalooza to name a few. His remixes have been part of our playlists and have included collaborations with Saweetie, Charlie XCX, David Guetta, and Bryson Tiller as just a few of the highlights. His remixes have transformed tracks by Megan Thee Stallion, Ed Sheeran, Elton John, and Nina Simone. When it's about good vibes with beats that make you want to stay on the dance floor banger after banger, Joel always has something up his sleeve!

We caught up with him hours before the release of his latest single, Drinkin' with MK and Rita Ora which already has been on repeat for the past few days! This single as well as yet to be released and some of his epic records will be on the upcoming album, Another Friday Night which drips on Oct 6th. We wanted to know more about Joel from his passion for music, how raving in London grew to him collaborarting with artists and creating his music, and what he has coming up as he continues to make his mark.

We also wanted to know more about his approach to creating his music, working with his favorite artists, and more. We also wanted to find out about his time as a professional body builder, winning a number of competitions, and how he navigates his life while he's constantly on the go going from one city to the next.

ATHLEISURE MAG: When did you first fall in love with music?

JOEL CORRY: When I was a young boy that was 12 or 13, that’s when I got my first pair of turntables. My older brother was a DJ actually, he’s 3 years older than me so when I was growing up, the music that everyone was playing was garage music back in London. It was all part of the DJing and MCing scene so my brother, he was like an MC and his mates would come over and do DJing and I was like, I just wanted to be cool like my older brother basically. So I said, “mom, get me some decks, I want to do some garage music. I want to be a DJ as well!”

That’s how I started and then I got my decks and I would go into the record shop every weekend and find vinyls. It just became a hobby growing up and then eventually, I started DJing people’s parties and it developed from there!

AM: So, when did you realize that you wanted to do it professionally?

JC: So it was kind of like a slow progress over the years. So I was DJing in my bedroom, and then I started DJing at people’s birthday parties, weddings, and like even DJing at my mom’s friend’s, birthday parties – just wherever! I was sort of the DJ at school and then when I was 17/18, I started playing the nightclubs. You know, at one point in my early 20’s, I was doing 5 residencies a week around London so I was really busy around the circuit and then it was like, “right, I’m doing that thing that I love to do, I’m making money from it, how can I take it to the next level?” That’s what I started to focus on music production and started to release my own music and that’s how eventually – I mean it took awhile so fast forward another 10 years when I got my first hit record, that’s when it really took off to another level.

AM: How do you define your sound?

JC: My sound has changed over the years to be honest with you. It’s kind of been like a progression as I have been through the journey of my love of dance music. But I would say that the sound that people know me from for my productions from my first hit records would be commercial piano house, feel good vibes – you know, my records, I think that they have really defined my career so far, tracks like Head & Heart, BED, Lonely, Sorry – they’re all kind of piano house. Just really uplifting, feel good vibe records that have sort of connected with people, tracks that you want to hear on the dance floor and also tracks that sort of hit you in the feels as well. It’s that nice balance that are records that you want to dance to and also those that you want to put in your car when you’re driving alone and to have an emotional connection with.

AM: I love listening to it when I’m spinning.

JC: A lot of people actually use my records and my tracks for gym playlists. I get that all the time, but I love that, because I’m really into my gym stuff as well! So I’m glad that my tunes are helping people like get those extra reps or cycle those extra miles.

AM: What is your process in terms of when you’re creating music? Are there certain things that you focus on first?

JC: I’d say that there are 2 different ways that the creative process works. The 1st way would be that I’m in my studio and we have a songwriter or an artist come in for the day, we’ll just start with some basic chords going, some loops going, and I’ll just be vibing with the artists or the songwriter and a kind of an idea will come out of nothing. You’re kind of really starting from scratch and I love working that way, it’s so much fun!

Another way things happen is that I get sent a lot of music, so I get sent acappellas or song ideas or demos and if there is something that I hear in it that I really like, then I will take that and develop it myself. So then, I already have a starting point there. So there are 2 different ways really – and I love being in the studio though and sort of being there from the birth of an idea which is always great!

AM: Where do you get your inspiration from?

JC: I feel like I get my inspiration from the dance floor because I’m DJing so much. I’m always on tour and I’m always playing in front of crowds and I guess, taking crowds from a journey, trying to create those moments on a dance floor. So when it comes to my own music, I’m trying to make those records that people are going to dance to and have a great time to, you know? Being a DJ, it’s kind of staying ahead of the game of the trends that are going to work on the dance floor and kind of being on the pulse of those sort of things.

AM: Well, your remixes have included a number of amazing people from Tïesto, Charlie XCX, Elton John, Saweetie – how do you work on that when you’re working with material that already exists that you have the opportunity to present it in another way?

JC: As a DJ, I guess I have been remixing things since I was a teenager. I just use to make edits and mash ups and stuff like that. Crazy mad edits for my sets and remixing and creating my own versions of records is just an important part of DJing and it’s something that I have always done. It’s a way of me putting my own spin on something. So when I play it in my own sets, it’s right for my sound and how I envision that record and I love remixing! So, when I get asked to do a big remix with a big artist like Ed Sheeran, Tïesto – you know it’s such a pleasure to do those things. I’ll listen to the original record and I’ll just think, “what can I add to this to make it different and also to make it fit in with my sound?” Yeah, it just kind of naturally happens when I just hear something, I just kind of get that vision for it straight away and I go from there!

AM: Do you have artists on your bucket list that you would like to work with or do their remixes that you have yet to do?

JC: Well I just mentioned 2 and every time I get asked this question, I always say Ed Sheeran would be my dream collaboration because I am a huge fan of his. He did Bad Habits last year, which is kind of a dance record which I remixed, but I still don’t think that Ed has done a full on dance banger yet. I would love to do that with him! Ed Sheeran would definitely be someone that I would love to work with in the future as a dream! He’s the biggest pop star in the world! You just mentioned Tïesto, I have remixed with Tïesto, but I haven’t collaborated with him yet. But we’re really good friends and I actually played with him in Ibiza last week and I supported him in Ushuaïa and we have already talked about doing a record together so it’s just the timing that needs to be right and the record needs to be right. But I'm sure that that will happen in the future. He's a great guy and a great inspiration to me!

AM: I love his music and remember the first time I saw him was back in 2007 here in NY at the Limelight – he was amazing!

JC: Of yeah, he’s a G man!

AM: Absolutely!

You have your debut album coming out Another Friday Night, dropping Oct 6th. I love OUT OUT, 0800 Heaven, Head & Heart. Tell us about this album and what are you excited about it?

JC: The album is literally what I have been building towards for the last 4 or 5 years of my life. The album is going to have all of the records that you just mentioned on there, all of the hits from over the years, plus my new music like 0800 Heaven that you mentioned and my new single that comes out in a few hours (Aug 25th), Drinkin’ with Rita Ora and MK. It’s also got another 3 new tracks that are on there as well that will come out when the album comes out. So yeah, it’s going to have all the hits that people love, plus my new music, and I’m just really proud of this body of work that’s kind of been my life for the last 5 years. Coming together in one playlist of bangers!

AM: It’s amazing. Like you said, Drinkin’ is out in a few hours with you, Rita Ora and also MK, how did this come about? You performed it live last week in Ibiza at Ibiza Rocks. It’s such a fun song, I’ve played it at least 20 times today!

“I feel like I get my inspiration from the dance floor because I’m DJing so much. I’m always on tour and I’m always playing in front of crowds and I guess taking crowds from a journey, trying to create those moments on a dance floor. So when it comes to my own music, I’m trying to make those records that people are going to dance to and have a great time to, you know? Being a DJ, it’s king of staying ahead of the game of the trends that are going to work on the dance floor and kind of being on the pulse of those sort of things.”

— Joel Corry

JC: Aww thank you, thank you! Drinkin’ actually samples a Chance the Rapper record called All Night which is a banger! I started on this record about a year ago. When I flipped the sample and put that chorus over a house beat, it just sounded so sick for the pianos behind it and I was like, “oh my God, this just really works!”

At that point, it was very much a demo and we wrote like the verses and the pre chorus for it and kind of made this really cool sounding demo.

Me and MK had been chatting about doing a record together for ages and I’m a big fan of MK of course you know, he’s a legend in the game. I was like, “this tune sounds like an MK track.” So I sent it to him and I was like, "bro, what do you think of this?" He hit me back he said he loved it! He loved the sample, he loved the vibe of it, and I sent him my parts that I had done so far and then he did his work on it and then sent it back to me. What he added to it was sick and I was like, “yeah, this is kind of what I envisioned!” Then I was like, “right, now I need to get a vocalist on it.”

When I listened to the track, it just felt like a Rita Ora banger and me and Rita have been chatting for years actually. We had been mates and had worked together on other bits that didn’t quite materialize, but we both really wanted to do a track together. So I texted her and I said, “Rita, I think that I’ve got the one!” I sent it to her and straight away she said, “that’s me, I love it – let’s do it!” At the time, I remember when I texted her, I think that she was in India and then she had to fly to NY and she was like, “I’m going to fit in a day to get this recorded.” Then she ended up flying to London and she got into the studio Sun day afternoon and got the whole thing done. You know what? Fair play to Rita - I respect her so much. Her when you mentioned that we performed in Ibiza Rocks last week, she was on holiday and she took the whole day out of her holiday to do that with me. I love her for that and I’m so excited to be doing this record with her and MK. It’s a great feeling!

AM: That’s amazing!

Clearly, you’ve had a busy summer! All of your performances – you were just here in NY headlining at the Brooklyn Mirage which is awesome. What are some of your favorite cities to do your performances in?

JC: NY is definitely up there! I love NY, NY has always been a great spot for me over the last 3 years. I remember that my first headline show in Webster Hall sold out, then I did the Great Hall last year, I did Brooklyn Mirage this year. So every year, I have sort of stepped it up. The NY crowd always comes out for me. I absolutely love it.

I love Miami, Miami is such a good vibe. I feel that if I lived in America, that’s where I would choose to live. It’s just a bit of me. I love the outdoors, the sort of gym lifestyle as well, the good weather, and the clubs and the vibe. Dance music is just thriving in Miami.

Of course, I have to shout out Ibiza, where I am right now! This is like my second home, it’s a magical island and this place is just different man. It’s just something is special in the air here and I pray that I have a residency here in Ibiza when I’m past 80 years old!

So yeah, Ibiza, Miami, and NY. I love Australia – Australia is always a good time when I go out there on tour in Sydney and Melbourne. Last year, I did Japan for NYE in Tokyo which was a really good experience. So there’s a few good spots that I love.

AM: Next month you’re headlining at London’s iconic Ministry of Sound. How excited are you for this show?

JC: Yeah I’m so excited! I mean, obviously, I’m from London – that’s my home city. I haven’t had a headline show in London in over 2 years. The last one was Printworks back in 2021. It’s a big deal for me! Headlining a show in my own city and then in an iconic club like Ministry of Sound – this is a legendary club. I used to go there as a raver when I was 18 and I remember going to the Defected Records Raves there. So going back there and headlining my own show is so special. It’s also the week before my album comes out so a lot of friends are going to come, family, a lot of people from my label, and people from my label, and people that have worked on my projects over the last few years. I have invited everybody so it’s not just a headline show, I feel like it’s a celebration as well so I’m really excited!

AM: Do you have a set of routines that you do before you perform? Things that you just have to do to get into that mindset?

JC: What I like to do is like, in the hours building up to the show, I always like to have a bit of peace with my laptop, look over my set, listen to music that I am going to be playing in the set and to have a think about what the crowd might be like, how I think that the set is going to go and to just get into that mindset of mental preparation for the set. To get that clarity in my head, I need to be on my own for that and just with my music. When I feel like I’m prepared and I have my USBs loaded up, I get fresh – have a shower, do my hair, put on a twin set -

AM: King Twin Set!

JC: Haha you know that already! They call me the Twin Set King! I get to the show and maybe have a little bit of tequila and then I’m ready to go!

AM: Once the show is over, do you do anything to come down from all of that energy?

JC: I always like having a bubble bath watching some YouTube and maybe a bit of Gordon Ramsay or something – ha! It’s a bit weird I know! But I just feel like, after a show when you need to be able to go to bed, it’s kind of hard to switch off sometimes so you have to do just really normal things. Whether that's having a bath or putting something on on YouTube to just try to separate your mind from all of the madness that just happened and to get back to a normal level again!

AM: Absolutely!

Once again, you have so much going on that is so amazing to see. From the residencies in Ibiza, Tao Hospitality, what are some big upcoming projects besides the album coming out and obviously the Ministry of Sound that we should keep an eye out for?

JC: I guess aside from that, it would just be my touring. I’m back in America quite a lot between now and the end of the year. I’m also about to announce a big tour in Australia. I haven’t been to Australia since the start of 2021. So it’s going to be great to go back down under and also I have some more Asia dates coming up. I mean, I played in Tokyo for NYE, but that’s the only day that I have ever done in Asia so I’m going back to Tokyo and adding a few more in there as well. So between now and the end of the year, it’s like non-stop touring, we have the album coming out, it’s just going to be go go go go go and then I think in Jan, I might have a little week off – ha!

AM: Obviously at Athleisure Mag, we love fitness and you’re like a fitness king as well as you were a body builder before. How did you get into that and why did you want to do that?

JC: So going back to when I was a teenager, I was telling you about when I got my decks and I was DJing in my bedroom, I was also going to the gym a lot. They were my 2 hobbies. If I wasn’t on my decks tearing the house down with my mom screaming to turn the music off, I was down at the gym on the bench press lifting weights trying to get a 6-pack.

I just think that the gym became a hobby and I used to play football a lot. But then I started going to the gym and that became how my sort of love for fitness grew! It just slowly became more and more and more, when I started to see the results from training and I was becoming 18/19 years old, I really started seeing the results coming through, I just got hooked on it. I kind of I guess got obsessed with it as well. But I took it to another level. I wondered how I could take this thing that I loved and go a step further and it was like, I want to go on stage and compete. It was just something inside me saying that this was a box that I wanted to be able to tick off. I wanted to see how far I could push this thing that I loved doing. So in my early 20’s I was competing in male physique competitions. I did that for about 3 years and I did really well in them. I won quite a few of them. I won the Miami Pro, I won the Pure Elite Competition, I got a Pro Card in WBFF so I was really doing it seriously and getting into crazy condition for those shows. It got to a point where I was like, the music is going to be my career so I kind of had to put that competing on the back burner to really focus on the music. Because the thing with the body building and the competitions is that you have to be 100% all in and it’s so much commitment, dedication, and focus to do those competitions, that I didn’t have the capacity to then focus as much on the music. I had to make a decision where I said, “the music is my future, that’s my dream, that’s what I really want to do. I love to do the fitness thing, but I need to reign it in a bit,” and to enjoy it as a hobby and to focus on the music. I also felt like that I had completed what I wanted to do in fitness. I had won the competitions, I had done the cover of Muscle & Fitness Magazine, and I just thought that this is it now. I had done that and now let's focus back on music. But, it still remains a big part of my life. I still go to the gym everyday and it's more so the mental benefit now and the physical just helps me keep on point and keeps me feeling good while I’m touring.

“[After a show] “I always like having a bubble bath watching some YouTube and maybe a bit of Gordon Ramsay or something - ha! It’s a bit weird I know! But I just feel like, after a show when you need to be able to go to bed, it’s kind of hard to switch off...”

— Joel Corry

AM: What are 3 workouts for your abs that we should think about putting into our routines?

JC: So my favorite ab exercise is the hanging leg raise where you kind of hang up on a bar and you just lift your legs up and down. It’s the hardest one, but it’s definitely the best one. You can also kind of add a variation there by twisting your legs and really sort of hitting the obliques. So that has always been my favorite ab exercise. Also doing – you know when you have a bench and you lie down flat on it and then you put the dumbbell between your legs and you raise your legs up and down? I find that that one really hits your sort of lower abs because that’s always the hardest bit to get that bottom bit! That definitely targets that! What else do I do for my abs that I think is really good? Obviously, you’ve got your sit-ups and sort of decline crunches that you can mix that up by using a ball so you can come up further and then to be able to come down. So those are probably my top 3 ab workouts.

But you know what I would say is that definitely, to sort of get your abs to really start popping, it’s true what they say about abs being made in the kitchen – because they are! You can do all of the exercises that you want, but you have to get the diet on lock if you want to get the 6-pack.

AM: We mentioned before that you’re the Twin Set King, where does that come from that you love twin sets?

JC: I know, it’s an addiction – a twin set addiction! I love them! It’s easy! I mean, for boys, we sometimes don’t know what to wear! So if you get a twin set, you’ve got the bottom bit and the top bit! It matches and then it’s job done and you put a pair of trainers on and you know, when I’m touring around in the summer, it’s so hot a lot of the places that I go to. You can’t really wear trousers because it’s so hot so you need to wear a pair of shorts and if you have the top that matches, it's easy! It's become my thing as well isn't it?

AM: Oh yeah, when I was scrolling through your IG, I thought, “this man loves some twin sets.”

You do travel so much, what are 3 things that you always travel with?

JC: My Dyson hair dryer, so good!

AM: Love it!

JC: Obviously my headphones and my USB sticks – very, very important as a DJ and one other thing that I travel around with is a neck pillow! It’s an essential for the flights! Especially the sort of short flights where you’re sitting kind of like this for 3 hours – this is needed!

AM: How do you take time for yourself? Being so busy, how do you make sure that you get the reset that you need?

JC: Do you know what? That’s probably something that I need to work more on. There’s not really a lot of time to myself, but I think that with what I do, I’m kind of 100% all in on it. It’s my hobby, it’s my passion, and there’s not any work separation where it’s like, ok work is over for the day, I’m going to over and chill out. It never stops, it's around the clock, there's always something to do and I just feel like that in this industry, with what I want to do and where I want to get to, I really believe that what I put into it is what I am going to get out of it. I’ve learned that over the years. I’m always scared of taking my foot up off of the gas. I just feel like everyday that I need to be as productive as possible and keep going. I actually feel guilty inside if I have time off. I always feel like I should be working to try to get to that next step. So that’s probably something that I need to work on. My mom is always like, “Joel, you need to take holiday, you need to take a day off.” But I find that hard. I think that when you find something that you love to do, it’s not work, it’s just life! I enjoy it!

“I know, it’s an addiction - a twin set addiction! I love them! It’s easy! I mean, for boys, we sometimes don’t know what to wear! So if you get a twin set, you’ve got the bottom bit and the top bit! It matches and then it’s job done and you put a pair of trainers on ... It’s become my thing as well isn’t it?”

— Joel Corry

AM: What do you want your legacy to be in this industry?

JC: Oh, that’s a big question man! I guess I want to be able to look back and to be honest, I have already been able to achieve my dreams of having hit records, touring the world, and I just want to be able to keep it going and to take it as far as I can and I guess when I look back over the years, I want to be able to have these big moments with these big records records that really connected with people and made a difference in people’s lives.

There are certain records that I have released over the years and I get messages still to this day, like, this record meant so much to me, it came out at a time when I needed it, and I connected with it. When I read these messages, forget about chart positions or like statistics, to know that like the music that I worked on is connected to people and brought happiness to them means so much to me. I want to keep doing that for years and years and years! Then I can look back on all of these records that had special moments. I want to tour the world and I already am, but there are certain places that I have never been. I’ve never been to South America before, there’s so many places as well just starting to really being able to go into Asia, there’s still places in America that I haven’t been able to be in and states that I haven’t played in. I guess I want to be able to look back and be like, I toured the world, played at some of the biggest festivals, had these huge moments in front of massive crowds, played all of these records that I put my heart and soul into working on – I guess that kind of is the legacy isn’t it? It’s having that big career! When I think of some of my idols like Calvin Harris, David Guetta, and Tïesto – like we mentioned, when you look at their careers, it’s just years and years and years of doing it and big records and big moments and that’s just what I want!

“Oh that’s a big question man! I guess I want to be able to look back and to be honest, I have already been able to achieve my dreams of having hit records, touring the world, and I just want to be able to keep it going and to take it as far as I can ... have these big moments with these big records that really connected with people and make a difference in people’s lives.

I want to be able to look back and be like, I toured the world, played at some of the biggest festivals, had these huge moments in front of massive crowds, played all of these records that I put my heart and soul into working on ... it’s just years and years and years of doing it and big records and big moments and that’s just what I want!”

— Joel Corry

IG @joelcorry

PHOTOGRAPHY CREDITS | Front Cover, Back Cover, PG 36, 39 + PG 42 63MIX ROUTIN3S Courtesy of Joel Corry | PG 16, 20 - 35, 40, 63MIX ROUTIN3S PG42 + 9PLAYLIST PG 122 Ibiza Rocks/Gabriel Vazquez | PG 19 USHUAÏA IBIZA |

Read the AUG ISSUE #92 of Athleisure Mag and see DROPPING BANGERS | Joel Corry in mag.

EZOO NYC: GOING INTO HYPERSPACE

From Sep 1 - 3rd on Labor Day Weekend, we're excited to make our way back to Randalls Island for Electric Zoo for 3 days of our favorite EDM artists that will be back in NY! This long weekend will allow us to listen to some of our favorite artists that we already listen to as well as those that are new to us! This year's theme is Hyperspace and we're looking forward to Tiësto, Kaskade, Kx5, Alec Monopoly, Major Lazer, Timmy Trumpet, and more.

This year, there are 6 stages which will be curated within a theme or genre and we're excited to navigate them to catch the sights and sounds. As usual, you will find an array of genres of EDM on full display to pay homage to dance music and its importance. We always enjoy checking out the installations which is always perfect for those Instagrammable moments with friends and fellow enthusiasts. There are also a number of vendors that will keep us fueled up for an intense 3 days from tasty meals across dietary interests, water stations and cocktails. We'll also head out to an array of after parties that include a number of venues from Webster Hall, Brooklyn Mirage, Marquee, Somewhere Nowhere, The Great Hall at Avant Gardner, and more.

You can check out available tickets and VIP packages if you have yet to firm up your plans.

IG @electriczoony

PHOTO CREDIT | EC/Electric Zoo

Read the AUG ISSUE #92 of Athleisure Mag and see EZOO NYC: Going into Hyperspace in mag.

9LIST STORI3S | INNA

Read the AUG ISSUE #92 of Athleisure Mag and see 9LIST STORI3S | INNA in mag.

63MIX ROUTIN3S | JOEL CORRY

Read the AUG ISSUE #92 of Athleisure Mag and see 63MIX ROUTIN3S | Joel Corry in mag.

63MIX ROUTIN3S | FERRY CORSTEN

Read the AUG ISSUE #92 of Athleisure Mag and see 63MIX ROUTIN3S | Ferry Corsten in mag.

63MIX ROUTIN3S | JOHN NEWMAN

Read the JUL ISSUE #91 of Athleisure Mag and see 63MIX ROUTIN3S | John Newman in mag.

GOVERNORS BALL 2023

As we mentioned last month, Governors Ball settled into it’s new home Jun 9th-11th at Flushing Meadows Corona Park in Queens. In our conversation with the founder of NYC’s music festival that kicks off the summer season. Last month Tom Russell shared with us how he created this 3-day festival and how this location is the best one that allows music enthusiasts to enjoy 3 stages of their favorite artists while being surrounded by a park environment! Over 100,00 people got to see the festival's new home completed with the iconic Unisphere. It’s exciting to see what upcoming years will look like as we continue to flock to this destination. This season there were so many options from enjoying the stages that showcased various genres of music, food and beverage that allowed for diverse appetites courtesy of food partners that includes Queen’s Night Market and of course, Instagramable moments that we’ll remember for many years to come.

As soon as we saw the lineup that included 60 artists, we started sketching out what we wanted to listen to as there was something for everyone whether you listen to hip-hop, EDM, and pop. We also knew that we wanted to see this immersive environment that really allowed you to feel that you transported to what we love most about attending music festivals! Here are some of the moments that we were excited about this took place over this weekend.

If you’ve caught Ice Spice perform, you know that she tends to have more of a relaxed presence when she’s on stage, but she definitely had a lot of energy when she hit the GoPuff stage on the 1st day of Governors Ball. As she rapped across the stage, she was in sync with her dancers and had a fluid show that was really a fun experience to watch.

Friday afternoon, we looked forward to hearing Eladio Carrion’s set. We enjoyed hearing his latest release Coco Chanel, as well as Mi Error and No Te Deseo el Mal.

When it comes to bringing drama to her performances with a side of education, Lizzo always makes it a point to take her time on the stage to share songs that we all enjoy while also providing a state of the union of sorts as she talked about anti-LGBT laws, the environment, and diversity.

We also enjoyed when Odesza hit the stage while the large crowd were entertained with this duo's set as well as digital and literal pyrotechnics. This larger than life performance was a perfect way for Saturday night's headliners to take their set to the next level!

Hands down, we were excited about seeing Kendrick Lamar as he closed out the 3rd night of the festival. He took his time on the stage to have a set that included songs that he has created across his career. His cousin, Baby Keem also came out to perform one of our favorites, Family Ties. Of course, at the conclusion of his set, fans were treated to fireworks and pyrotechnics to close out this successful festival.

In addition to these favorites, we're including some of our other favorite acts as well.

IG @govballnyc

PHOTOGRAPHY CREDITS | PG 112, 121 + 123 Roger Ho | PG 114 + 122 Deanie Chen | PG 116 Alive Coverage | PG 118 Charles Reagan | PG 120 Okay Nicolita | PG 124 Nick W NYC |

Read the JUN ISSUE #90 of Athleisure Mag and see GOVERNORS BALL 2023 in mag.

CONNECT THIS SUMMER | FERRY CORSTEN

This time of year is always fun as a number of our favorite DJs are all over sharing their music and creations with a number of fans. Whether you see them in person or stream them on your favorite platform, you have the opportunity to experience their sound and what they're working on at that time!

This month, we caught up with Ferry Corsten who shared his 9PLAYLIST with us last year and with so many projects going on and a busy schedule ahead, we wanted to find out more about his artistry as well as what he's been working on. With a career that spans over 2 decades, we wanted to know more about how he got into the industry, what his creative process is, how he decides which alias will embrace his sound and so much more. We also talk about his upcoming album under his name with it's single Connect.

ATHLEISURE MAG: When did you fall in love with music?

FERRY CORSTEN: This must have been when I was about 9 or 10 years old. My dad installed a car cassette played in my room and that’s when I became fascinated with music.

AM: When did you realize that you wanted to be a DJ/producer?

FC: When I was about 15 years old, I had already learned that you could do all these cool things with cutting and pasting tape and make edits of songs. I also had learned that with 2 turntables and mixing 2 songs together you could create something new. Soon after that I started clubbing and that’s when I met some guys who had a little studio. They asked me to come by one day and from that point on I was hooked on making or producing music. To be honest, I never really wanted to be a DJ but after my first few successes in the UK the opportunity arose for me to play at the biggest clubs and festivals. Obviously, I grabbed it with both hands and I’ve never looked back.

AM: In your career that spans over 2 decades, you have performed under a number of aliases and have had chart-topping success while also embracing an array of genres, how do you decide what project will go under what name or the need to create another name?

FC: My interests in music or electronic music as a whole have a pretty wide range, so I love to go into the studio and keep myself pumped and challenged by not always making the same type of music. This may be easy for me to understand, but not always as easy to follow for my fans. Therefore, I created these aliases so I can keep making different music without confusing my fans. They now know what to expect when they see a new Ferry Corsten track is coming or when a new Gouryella or FERR track is coming. Each project has it’s own distinct sound, one is more techy, deeper, more diverse and the other is either more trancy or more ambient.

AM: How would you define the Ferry Corsten sound?

FC: I’m always on the hunt for a very strong and recognisable melodic hook. That is the main thing. But I also look for opposites. For example, a beautiful melody played with a nasty sound or with a tougher drive underneath. Combining elements from different genres and blending them together is also something you can expect in a Ferry Corsten track.

AM: What's your process when you're creating new music and where do you look for inspiration?

FC: I always go for the melody first. When I have my hook, the rest of the track builds itself around it. I know a lot of other producers who go for the groove first, but for me its melody first.

I get inspired by all kinds of things. Of course, from new synths and sounds when I’m in the studio, but also from other music, from people, places, happy accidents and wherever the universe takes me.

AM: You have collaborated with a number of DJ's including Paul Oakenfold as well as Armin van Buuren - when you're approaching working with other artists, what is that process?

FC: It’s always great to work on something together. The one thing you need for this however, is an open mind. Being set on your idea without the willingness to compromise is not going to work. Usually, it starts by goofing around in the studio and bouncing ideas off of each other until something sticks. If being in the studio together physically is not possible, sending ideas back and forth is also an option, but not quite the same fun.

AM: Tell me about your latest single that you dropped this month, Connect. The futuristic sound of this song has been one that we have enjoyed listening to!

FC: Thank you. I like where music is going at the moment. It’s an amazing blend of techno, trance, and house. All the sounds I personally love to listen to as well.

AM: What is the meaning behind the name Connect for this song?

FC: I am fascinated with what music does to people, how it connects us all, what it does to our mood and its ability to connect one’s creative outburst with the world. It can also instantly turn a bad day into a good one. Everything is strung together and that is what is being reflected in Connect. Connect is also the first single of my next album which will see the light early next year.

AM: Connect is the debut single from your upcoming album, what can you tell us about the album and will you have any other songs that you will be releasing this summer?

FC: It will be an album full of tracks blending the above mentioned genres of music emphasising the togetherness music brings to us all. Over the next month’s various singles will be released leading up to the final release of the album. Towards the end of the year, you can also expect a new tour in light of this upcoming album release.

AM: With the summer officially starting in a few weeks, what festivals will you be part of and where will you tour?

FC: I will be playing most of the big festivals in Europe, North America and Asia. I will also host my first Resonation Radio stage at Dance Valley in The Netherlands this summer.

AM: Tell me about What the F which allows your fans to enjoy your music reimagined, remixed, and with a futuristic approach?

FC: What The F is a must for everyone who has been following my career. It is an open to close set in which I will only play my own music including crazy mashups of my tracks, updated versions, and remixed versions of certain tracks which you can only hear at this show. Obviously, I will play music from my biggest aliases as well. The name What The F stems from the idea of someone being on the dance floor hearing me play a track he or she didn’t know was mine and thinking…’He did this too????……What The F!!!’ …..F for Ferry of course ;-p

AM: You also have your weekly radio show, Resonation Radio! Why did you want to do this and what can fans hear when they tune in?

FC: I have been doing radio since 2007. My first show was called Corsten’s Countdown but after episode 700 this was changed into Resonation Radio. This name change was because of the change in format of the show giving me more freedom to play a larger variety of genres. Expect the best in melodic house, melodic techno, and progressive trance.

AM: You released Connect on your imprint, Flashover Recordings. Tell me about this label and what artists or projects that you're excited about that will be released?

FC: Flashover is a label releasing progressive trance, melodic house, and melodic techno. We also like to tease our audience with a quirky release occasionally. Our current focus is on US based DJ/Producer Dustin Hussain and hot new Ukrainian talent Cubicore.

IG @ferrycorsten

PHOTOS COURTESY| Ferry Corsten

Read the MAY ISSUE #89 of Athleisure Mag and see CONNECT THIS SUMMER | Ferry Corsten in mag.

STRENGTH IN SOLIDARITY | NYC PRIDE

Since 2017, Athleisure Mag has been a media sponsor in partnering with NYC Pride. During June there are a number of events that take place that bring the LGBTQIA+ and city at large together to celebrate as well as to draw awareness and to highlight the talents, interests and passions of this community. We always enjoy Pride Island which is a fun musical festival that will be headlined this year by Christina Aguilera. There are other events that also take place in this calendar from The March, The Brunch, PrideFest and so much more.

We sat down with Executive Director Sandra Perez of Heritage of Pride, the parent organization of NYC Pride to find out about the roots of the organization, a quick history of Pride here in NY, events taking place next and how they are drawing awareness, celebrating, education and raising money for small businesses. In our JUN ISSUE #90, we will talk about the actual events that took place!

ATHLEISURE MAG: Before we delve into this year’s theme as well as events that are slated, can you give us some historical background on Pride in NY starting with The Stonewall Riots that took place in 1969?

SANDRA PEREZ: NYC Pride is an outgrowth of The Stonewall Riots. So the first organizers The Gay Liberation March that emerged from The Stonewall Riots, was a loose coalition of organizations that continued to really emerge from the activist perspective. They were focused on basic human rights, recognition within our community, but also really, Stonewall was about people being persecuted and that they didn’t exist publicly.

The cause feels very present. In the last few years and this year in particular. BY 1984, there was a decision made to formalize a pride organizer, we became and were named Heritage of Pride and we’ve been organizing the Pride March and all related events since then!

AM: Which is a huge job!

SP: Yes, we’ll be turning 40 next year! It is a big job.

AM: What is your role and what are the things that you do that are specific to the events for NYC Pride and then what do you do in terms of Heritage of Pride, year around?

SP: Oh my goodness, as Executive Director, it’s always funny because I say that I do everything and nothing, right? Because you have your finger in every little pot! But for the most part, I’m charged with overseeing our events, our fundraising efforts and our advocacy. For me, a big part of what I have been doing since I came onboard in Nov of 2021 so I’m not here 2 years yet, has really been working with the organization and learning. But also, reinforcing our activists’ groups. I think a big part of the story that never gets told about Pride is that so much of the work that we do goes on behind the scenes.

People will think, “oh a march just happened.” No, it didn’t just happen. We rely on 1,000’s and I mean literally 1,000’s of volunteers that help to pull off our events every year. They’re very committed and people come from great distances. They take off of work to volunteer because it is that important to people. I was just talking about this with a staff person, but they were like, “oh my gosh, we’re responsible to the community and making sure that everything goes well.” I was like, “yeah, welcome to Pride!”

AM: Absolutely!

What brought you to Pride and what made you want to work there and to be in the position that you’re in?

SP: I spent a lot of time in the not-for-profit sector. I had run a Latinx organization for many years, I’ve worked for the Ms. Foundation for Women as part of their fundraising and development teams. So for me, my goal has always been mission work. I feel very strongly about being connected to a mission that resonates with me personally. This is a job where I am able to bring every single aspect of myself to work.

AM: That’s great!

SP: Right? You don’t always get that! I can be the Bronx girl that I am, I can be a Lesbian, a Puerto Rican, an American, I can be all of those things. I can do that and be of service to a community that I am part of and I feel strongly about that.

AM: We love that this year’s theme is Strength in Solidarity. What does that mean and how are we going to see that throughout events that are offered this year?

SP: That’s so great! You know, one of the things that continually amazes me is that we open up our themes for nominations which are across the board. So this comes from volunteers, from the general public and this year we landed on Strength and Solidarity, because we felt that it captured the call to action that we need to issue this year. The way we’re seeing that and the way that we’re trying to live into that theme is really looking to bring in all segments and to speak to all segments of the LGBTQ community. There are a lot of differences within the community, but I think that the challenge that we are all facing is very clear. For me, being able to work hand in hand and to work across different organizations is really a big part of what we try to do.

So for example, in The March, you’ll see that we’re looking forward to it. It’s our signature event and in there, it highlights our community partners this year. So you will see organizations that are celebrating big anniversaries this year – PFLAG and The National LGBTQ Task Force. Lambda Legal is being honored as community heroes. We have people from every sector that we also lift up as Grand Marshalls. The Brown and Black trans community is also very prominently represented as our drag queens who are in the front lines now every single day. For us, it’s also challenging. For the floats for example, what we try to do there with corporate partners that have a float, we try to marry them to one of our community based groups that they can share that float and to really expand that opportunity to get people to be involved and represented in The March as well as not just a corporate partner.

AM: That’s amazing. We didn’t realize that.

SP: I know a lot is made of corporations that are involved in Pride events. I am very clear that we vet our partners. A number of them we have asked point blank - what are you doing in our community and how are you living into your DEAI (Diversity, Equity, and Inclusion) at your institution. It’s just a really important moment for us to look at not just unity and solidarity within the community, but to also place and emphasis on allyship and what needs to show up for us at this point in time when so many of our rights are being attacked, violence is an ever present risk that we’re faced with, our volunteers are faced with as well as our staff. It’s a celebratory moment, but it’s also a somber one.

AM: I couldn’t agree more. When we first approached by your team back in 2017 to be media sponsors, people asked why we would want to participate. The first response was that I think it is important to be an ally. As Co-Founders, I’m Black, the other co-founder is a white man and we are a heterosexual couple. On various sets, our teams have had those who are part of the LGBTQIA+ community as well as we have covered those who are as well throughout our issues.

I have always felt that you should be a good ally and be able to share those stories within your pages as representation is important. It’s always been important to me as I want to be able to see myself when I'm out in the world. I've had very close friends that I knew of over the years whether it was being sent to conversion schools/therapies, having a hard time coming out to various people in their circle or simply just not being able to navigate their lives who committed suicide. For me, these were people that were my friends and even in the midst of their struggle there were such a rich fabric in terms of what they offered to the world and each time I always felt so sad that they felt that that was what they had to do and that there wasn’t enough that they could stay and either increase their circles or find community that they could navigate differently.

From those experiences, I have felt that it is always important to be an ally and to have representation reflected. I appreciate that your organization is looking to embrace and work with those that are in your community as well as outside of it. It’s also great to know that when you are with corporate partners which is necessary to put on a production of this nature, that you do create accountability and that you ensure that the benchmarks align with it being done in a way that works for what you need. I really appreciate that.

SP: Yeah, I think that in part and parcel of that, is really looking at engaging. We don’t just have sponsors, we call them partners. We call them partners for a very specific reason. We want to go beyond the exchange of a check. It’s about what are you doing to our community, what are you doing for our community, are you engaged in dialogue? How can we facilitate the dialogue and how can we educate you as to what kind of support our community needs.

I have one of our Co-Chairs, Sue Doster who always says, “we set the table so that people can sit down and have the discussions that need to be had." I say yes that’s what we do and that we go a step further by providing people with the opportunities to do better. For me, that's a real important part of what we need to be doing in the future.

AM: Who are the Grand Marshalls this year?

SP: I'm excited about this year's Grand Marshalls: Billy Porter (American Horror Story, Pose, 80 For Brady), Yasmin Benoit, AC Dumlao, Hope Giselle, and Randolfe "Randy" Wicker. We do have our Grand Marshalls, once again nominated by community members which is really great. I think that they reflect a lot of the community, they reflect the very best of advocates, and they reflect the very best champions that are out there and we look forward to having them take the spotlight and stepping off The March.

AM: For those that may not be able to be there in person, will you guys still have The March broadcast on WABC and will there be other ways to access this event if they miss the live airing?

SP: Yes! I’m very happy to say that we just renewed our partnership with WABC!

AM: Nice!

SP: So you can see us for the next 4 years on WABC!

AM: That’s fantastic!

SP: We’re really happy about that. The March is a live broadcast for 3 hours. You can also see it on ABC7NY.com, ABC News Live, and ABC7 New York's Connected TV apps on streaming platforms Amazon Fire TV, Android TV, Apple TV, and Roku. We love for people to know that they can watch this in person, live at home or at another time!

AM: Pride Island has always been one of my favorites! Our team enjoys going – we loved when we saw Madonna back in 2019 – such a great performance. People were losing their ever loving mind! Christina Aguilera just got named as the headliner this year and I love that you guys will hold this at Brooklyn Army Terminal. What can we look forward to in terms of this event?

SP: I mean, I think you can look forward to the great music that has become part of Pride Island and it originated as Dances on the Pier! When we first started way back when, the community had no place to dance because it was forbidden right (Editor’s Note: Dances on The Piers started in 1986). They threw whole parties on the pier and those have morphed into things like Pride Island and so many other events that happen that Fri. and Sat. So Pride Island, you can see a lot of activations, we have talent, we have a few surprises I’m sure and great fireworks which always is fun, we have food and Christina’s set! We’re very excited to have her onboard, she’s such a great champion for the community and I‘m just as excited as you are, let’s just put it that way!

AM: When I saw the release pop out, I was like, “what?!?”

SP: I did squeal as well! There’s no jadedness here! We get very excited over the talent that we have on stage for Pride Island. But equally at all of our events.

We have PrideFest which is our street fair that takes over downtown and that’s 3 stages going on there. We have Family Fest, we’re going to prominently feature members of our community on stage with lots of local talent because this is where they grow and we want this to be a showcase of our community as well as local talent as well. We’re doing Youth Pride this year again in Brooklyn which is an important event for us because we know how much pressure young people are under. We know that it is not a safe time for them. So to be able to partner with Target over many years and they have been the ones advocating for this being a totally free experience for young people to celebrate in safe spaces. That is going to be a fantastic event. I’m really proud that we do that.

AM: I love that when you’re looking at the different events, that you present, The Brunch this year has Black chefs from the LGBTQIA+ community or that TEAZE focuses on women – you create programming where you can really showcase representation so that people can step forward and see something that can interest them. Why is it so important to do that and it’s so complex because you only have so many days but you’re targeting so many demographics?

SP: Yeah we do, because our community is not a monolith. We come in every shape and color and our interests are varied. The event producers that we bring on every year are from the community and have a real commitment to lifting up different segments of our community and that’s what you see when you see The Brunch. We’re celebrating Juneteenth and understanding that historically Black and Brown folks have been marginalized not just in mainstream, but within our communities. So really lifting up that talent and really lifting up our partnerships and what we plan to do beyond The Brunch and beyond the month of June.

AM: How far in advance do you begin planning for the next upcoming Pride event because it feels like you would be working on this one as well as the next one already.

SP: Absolutely! One of my big commitments is to get us to a place where we are planning this 2 and 3 years in advance! Because that’s the time that we would really need to be able to realize the vision, right? One of the things that we’ve done this year that’s different is that we have lightened our calendar and we decided that there are certain events that we do usually in June that were not getting the attention that they merited. So for example, our Human Rights Conference, it will move to Oct. We feel that it will be a really great time to go from the lighter aspects of Pride and really dive into the issues that are facing the community. Not just the issues, but the people leading us and offering new answers. So we’re very pleased that we’re going to move and lean into what we call Pride 365, which means that we will be present in terms of having productions year around. So we’re looking at having a fuller calendar Oct. – Dec. that will allow us to do our Human Rights Conference. We have moved our Family Movie Night and are looking at making it a monthly. It’s really about targeting families and children so that they can participate in a safe theater experience with other parents because I think that that is important to be able to build up that community. Parents who have children that are from that community are also important as well.

AM: It’s great that you looked at what you have done over past Pride months and were able to segment what made sense to stay in that period as well as looking at the longer view by seeing how you can create a fuller schedule that takes place throughout the year. It allows for those that are looking at what you do to understand that these are ongoing initiatives and are not designated for June only. Once again for those that are allies, that we shouldn’t be rallying around June but there are everyday efforts that can be done and are available.

SP: It is an everyday effort and we realize that we need to be banging that drum. We have a very unique space within the LGBTQ ecosystem, but organizations are year around. It doesn’t matter the size, we’re one of the largest Pride organizations, but I’m thinking of rural communities that are trying to put together their first Pride, most of these things come from people who want to create a safe space and our programming allows them to do that if they can leverage our work in service of their community, that really is the goal there. To teach that voice and to keep that platform open for the people that we serve.

AM: Are there organizations or charities that a portion of the proceeds of the sales of tickets/admission go to support?

SP: Actually, we’re very proud of our Pride Gives Back Program! It is a grant program wherein we award upwards of $100,000 a year to a variety of different groups that can apply to a grant program. This year, I think that we’re just sending out the award letters. There may be 15 groups in our cohort and they range from very very small organizations to large organizations who are looking for either support to stabilize. I think that what I love about the Pride Gives Back Program is that it really speaks to the organizations that are at the absolute grassroots. They’re not necessarily being funded yet and we get to find them, fund them, and incubate them. We have some of our grantees who use our space to carry out their events. We really do try to support their work with publicity as well as resources as well as staff time. We want them to succeed, we want them to feel that they are part of our organization.

We’re doing that and we’re also expanding our partnership that we have with Mastercard which will allow us to pilot a grant program for small businesses. We’ll be making announcements for that, later on this month.

AM: We were talking a bit about volunteers earlier, is there still an opportunity for people to be able to apply to be involved in this year’s events?

SP: Absolutely! We are always looking for volunteers. This is the time of year where we sign people up and we make it really easy. All they have to do is to visit our volunteer page and what we do there is provide information to come to meetings and our training. Our volunteers can be hybrid. You can be a day of volunteer and you’ll get some training. We have very experienced volunteer captains and there is always time to hop on board this train!

IG @nycpride

PHOTOS COURTESY | NYC Pride

Read the MAY ISSUE #89 of Athleisure Mag and see STRENGTH IN SOLIDARITY | NYC Pride in mag.

WELCOME HOME!

We love attending music festivals and here in NYC, Govenors Ball kicks off our summer season! This 3-day festival has a number of the hottest artists across 3 stages and a number of genres! Over the past few years, we've attended this event on Governors Island, Randall's Island, and Citi Field. This year, it settles into its new home in its 12th year at Flushing Meadow Corona Park in Queens from June 9th - 11th! This year's acts include Lizzo, Lil Nas X, Diplo, Kendrick Lamar, SOFI TUKKER, and Kim Petras to name a few! Over the 3 days, people can celebrate their favorite artists, have Instagram-worthy pictures, enjoy fabulous food and beverages and more!

We caught up Tom Russell, Co-Founder and Partner of Founders Entertainment who puts on Gov Ball from his vision of creating a music festival that also honors the spirit and diversity of NY! We wanted to find out how Tom got into the music festival industry, his passion for music, how Gov Ball was created, and what first-timers and veterans can expect when they come to the show this year! We delve into partnerships and the future of this festival. Make sure you read next month's JUN ISSUE #90 which will have our recap of this 3 days of music!

ATHLEISURE MAG: Before we delve into Governors Ball, how did you get into the business of music festivals?

TOM RUSSELL: I grew up in NYC and was obsessed with music from a young age and I was going to concerts at a young age starting in middle school. I got really into punk rock going to concerts on St. Marks Place. As I got older, I went to high school, got really into jam bands, went to New Orleans for college and got really into funk music and world music and all of that of course Hip-Hop since I was young.

I went to a festival called Bonnaroo and had the time of my life and I had the best time ever! I said to myself after that weekend, “I need to work in music festivals." This was my passion. I was living in New Orleans going to Tulane and I discovered that the company that did Bonnaroo was based in New Orleans. So, I wrote them an email, wrote them another email, and another one and they finally wrote me back.

I somehow managed to wiggle my way into there and get an internship. I did it for a semester and then they offered me another internship and then Hurricane Katrina happened and they evacuated their offices to NYC which is where I was born and raised. I was in NYC for that semester as well. They offered me a full-time job and I had to make a decision at that time. Did I want to go back to college, or did I want to take a job with the company that I wanted to do more than anything? I decided to drop out of school, drop out of college with 1 semester to go, and take a job with Superfly. I worked with them for 6 years until I hit my ceiling at Superfly, and I decided that it was time for me to leave to pursue my long life goal of bringing my hometown and beloved city a music festival that they could call its own.

At that time, you had Lollapalooza in Chicago, Austin City Limits in Austin, Outside Lands in San Francisco, but there was no cultural institution in NY and I felt that that was just wrong and it didn’t make sense to me. So I left Superfly to start Gov Ball with a couple of friends of mine. It was good timing and we really hit the nail on the head with our programming and we really tapped into this growing festival culture and this demand for really good live music in NYC. It was kind of off to the races from there!

AM: I love that and that is such a great story!

What I love about Governors Ball is that you have different types of genres that are playing in the same space across 3 different stages. You can obviously see artists that you enjoy that you're already fans of as well as other genres and artists that you weren't familiar with and you always leave adding more to your playlist after going which I think is really cool.

TR: Well that was a huge thing for us. We all looked at our Spotify, Apple playlist, iTunes what have you and we saw that we weren’t just listening to Hip-Hop, rock, or pop, we were listening to everything and it was important to us to put together lineups that had artists that we loved and that we knew were amazing live musicians, but also we had something for everybody. People just have tons of different tastes. We carry that on to this day where we’ll have an EDM headliner, a Hip-Hop headliner, and we’ll have a pop headliner, and everything in between. I think that it just speaks to the variety of tastes that not just music lovers have, but also New Yorkers because it’s such a diverse city.

AM: Absolutely.

What is your process like when you’re sketching out a year ahead or whatever in terms of the different types of artists that you’re bringing in?

TR: So we’re always looking for the biggest and the best. We certainly know what bands have new records coming out. We certainly know what bands have a desire to tour around the Gov Ball time. We know what bands we would love to have, but they’re definitely not touring and we kind of go for all of it and see what sticks. We start out with the headliners and there are artists that we have made offers to every single year in the hopes that it will pique their interests and sometimes we just throw something crazy out there and they come back to us and say yes. Other times, it goes nowhere and we just fall back on artists that really want to play the festival and are releasing a record around that time of year. But for us, it’s important to have the biggest and best things. Because one of the beautiful things about NYC is that New Yorkers have access to the best of everything. We have access to the best food, the best music, the best parks, and there’s so much to do, that it's essential for us to put together a lineup that is the best and that people just can’t say no to because there are so many other things to do in this city. We have to stand out. So, it’s always, how do we put together the biggest and best lineup that will get people to have a double take and say, fuck, there’s no way that I am missing that.

AM: Well this year, it’s going to be at Flushing Meadows, Corona Park. What is the thought process behind finding the ideal space because it is 3 massive stages, plus all of these other activations that are also on-site?

TR: I would say that for any great music festival, the venue is almost as important as the artist. It really defines the vibe of the overall event and for Gov Ball over the years, we’ve struggled to be honest. We’ve moved. We started out as a 1-day festival on Governors Island, we moved to Randall’s Island where we grew to a 3 day festival, and we moved over to Citi Field coming out of the pandemic. But we never really had a large greenspace venue that is iconic and lent itself well to live events and that led us to Flushing Meadows at Corona Park. A park that was built and designed for events many many decades ago. It’s easily accessible by subway and LIRR. It is full of iconic structures, museums, and tons of trees. It’s such a unique green space. We’re so excited for this year and for our fans to see it because the festival will take on a whole new life and a whole new vibe and one that we have really wanted to have since our start. You look at Lollapalooza, they’re in Grant Park. Austin City Limits is in Zilker Metropolitan Park. With Gov Ball, we haven’t had that yet. Flushing Meadows is truly an incredible and special place that we just can’t wait to bring it alive!

AM: I’m excited and looking forward to it!

Food is always a huge component of music festivals as well and you guys have incredible vendors such as our favorites: The Halal Guys, and Taqueria Diana as well as food partnerships by bringing in the Queens Night Market. Why was this important to have such a diverse series of foods?

TR: So for us, we wanted to have the best of everything! The best music lineup and of course, the best food. People need to be able to eat and drink and to listen to great music. With us being in Queens, we couldn’t not think of the Queens Night Market which is such an institution. It has such an amazing collection of vendors from all over the world. We reached out to John Wang, founder of Queens Night Market and he’s so brilliant and what he created there and it’s so special. So we said, “look, we’re coming to Flushing Meadows and you’ve been there for so long and we have created this amazing amazing event, we would love for you to be able to help us curate some vendors that really speak to Queens and speak to what you have built and to help us give more variety to what we are offering.” He was kind enough to make a number of introductions and help us to feature food that will really be additive to the festival and to get people super super excited to have food from around the world. From Mao's Bao to Twisted Potato, La Brasa for those folks that go to Queens Night Market like myself, it’s really going to be great. So they’re going to go from seeing one amazing act to having an amazing meal, to seeing another amazing act to having another amazing meal. What do people want in life? Good food, good music, and good drink. That’s all that you need.

AM: It’s a full experiential opportunity to have all of these things together. What are some things that are being added to this year’s event that may be different from last year? For those who go every year or may have missed a few, what can they expect?

TR: I think that the biggest thing this year is our new venue. I mean, this is going to be a Gov Ball experience that’s unlike any other because it's a brand new site which is full of lush trees and iconic elements like the Unisphere. How we’re bringing the park to life with lighting and décor and art installations. What we’re doing to enhance the trees, it’s really going to be super duper special and for those folks that have been to Gov Ball once, twice, 5 times or 10, they truly have no idea what they are in store for because this venue is a whole new ballgame and it’s so exciting. We just can’t wait for people to be able to see it and to experience what Gov Ball has wanted to be since it’s iteration.

AM: In addition to all of the things that take place on Gov Ball’s festival site, it’s great that you also have After Dark. We love the idea of people being able to continue the party and to see a number of the artists that are performing at other venues around the city and to expand your footprint. Why is this an element that you love including with Governors Ball?

TR: Well look, the festival ends at 10pm because the NYC Parks tell us we have to end at 10pm and I don’t want to go to bed at 10pm! It’s way too early, it’s summertime in the city on a Fri., Sat., and Sun. night. So we reach out to the artists that are playing the festival and we tell them that we want to work with them some more, feature them in an After Dark show, keep the party going and we know the fans will like it. So we have events with Saba, Metro Boomin’, SOFI TUKKER, and tons more. So, for us, it’s giving the people the opportunity to keep the party going. We’re predominantly a NY festival because most if the people going are from NYC and the tri-state area. But there are tons of people that come in from around the country and around the world. So we want to give people the opportunity to see the festival at the park, but also to experience these great venues in Manhattan and in Brooklyn and elsewhere.

AM: That’s smart!

TR: Yeah. We just want to be able to have something to fill out there whole weekend.

AM: For those that won’t be able to attend the festival themselves, is there a way that they would be able to listen to the lineup whether you partnered with a streaming platform or anything else like that?

TR: So we aren’t livestreaming the event this year. If you want to get a take on this year’s music, you can hop onto Spotify and look at our official playlist. But that’s what we have in store for this year and I can’t say enough about this venue and what we are doing there. For those folks that are on the fence for going this year, I can’t sell it enough. It’s going to be super special and super new and Gov Ball unlike any other.

AM: You also have an entire philanthropic component to Gov Ball that involves the community which is amazing. Can you tell us more about that and how you’re supporting these particular initiatives?

TR: Since we started the festival, we’ve always wanted to give back to the local community. When we were in Randall’s Island for years in East Harlem, it was important for us to work with local East Harlem institutions because we were impacting that community the most. The flow traffic from the festival was going right through the East Harlem neighborhood. We started to build these relationships with local non-profit partners.

When we moved over to Queens, we brought that same goal in mind. This year, working with super local organizations such as Chhaya and ECRC (Elmhurst/Corona Recovery Collective) we’re giving them the opportunity to expose their amazing causes to a brand new audience and we’re also giving our audience an opportunity to work towards tickets to the festival by volunteering at those organizations. So for a few hours of work and volunteering, you can get a Gov Ball ticket and we’re fundraising for these organizations. These are super small and local that truly need exposure. They truly need funding so for us to be able to give back to them, it’s a really important initiative of ours. Over the years, we have worked with really large organizations too such as Everytown and Planned Parenthood and we’ll continue to work with those bigger organizations, but it is always important for us to be hyperlocal and to help these smaller organizations that have these great causes who have less awareness and to give them a means to benefit.

AM: Just looking at the future, do you ever see Gov Ball to be the same as a Lollapalooza, an EDC or a Tomorrowland that pops up in other cities around the world? Do you ever think that that would be a journey that Gov Ball will take at some point?

TR: I don’t. I think that Gov Ball is NYC born and bread. I think that the ethos of the event is NYC, we feature NYC artists, it’s NYC food vendors, NYC graffiti artists, NYC contractors and vendors and non-profits. The whole vibe of the event is NYC and we don’t really have the desire to stray from that. I think that the NYC works in NYC. I don’t think that you could plop that down anywhere else and we just want to continue to be able to make Gov Ball the best that it can be and now with us at Flushing Meadows Corona Park. I think this is only the beginning and we’re just super excited to go down this path of this incredible new home and new venue that we’re bringing to life and to just continue to bring NYC the very best in lineups whether it’s food, music, or what have you that we can!

IG @govballnyc

PHOTOGRAPHY COURTESY | PG 100 Charles Reagan | PG 102 Aaron Ricketts | PG 105 Roger Ho | PG 106 Carter Khowe | PG 109 Downs |

Read the MAY ISSUE #89 of Athleisure Mag and read Welcome Home! in mag.

9PLAYLIST | JOHN NEWMAN

Read the MAY ISSUE #89 of Athleisure Mag and see 9PLAYLIST | John Newman in mag.

FEEL THE MUSIC | JOHN NEWMAN

This month, our cover is Tomorrowland artist, EDM DJ/Producer, Singer/Songwriter and Composer, John Newman. Coming off of his recent Tomorrowland Winter performance when he debuted his latest song, Hold On To My Love which has been added to our playlist, we wanted to know more about how he came to the music industry, his sound, how he approaches his projects, his collaborations and of course what we can keep on eye out for as we continue into the Spring and the Summer.

ATHLEISURE MAG: When did you first fall in love with music?

JOHN NEWMAN: I grew up with music around me as a kid. I was introduced to Motown and soul by my family and once I hit my teens I was obsessed with hard-hitting house and Clubland productions.

AM: When did you realize that you wanted to work in the industry?

JN: I had a pretty tough upbringing to be honest mainly from social issues and fitting in and being totally different to others in the town I grew up in. I didn’t come from money in any way at all either so, yeah, music was my escape, creativity was a way of releasing everything.

AM: You have an amazing background as you are a singer/songwriter, composer, DJ and producer! Musically, where do your inspirations come from and how did you hone your skills for each one?

JN: Thanks! DJing and producing dance music was something that I had spent a lot of time practicing as a teenager, so it was almost like revisiting that younger version of myself and just brushing up on my skills.

Inspiration varies, but I’ve always admired the 90s rave sound, with a touch of soul, which I think came through on Holy Love.

AM: How would you describe the John Newman sound?

JN: My sound is always evolving but, right now, I want creative emotively charged dance bangers. I want people to hear a track and feel a surge of energy and euphoria where they can’t help but move their body.

AM: How do you approach your projects in terms of seeking inspiration for your solo projects?

JN: These days I have a new set up, my at-home studio is tailored to electronic music production and it’s somewhere I can lock myself away to for hours kinda just see what happens. Inspiration can hit anywhere really. I try not to stick to the sitting at a piano vibe, funny fact I wrote Love Me Again and If You Really Love Me both whilst having a shower.

AM: You have collaborated with Calvin Harris, Kygo, David Guetta, Nile Rodgers, and more, how do you approach collaborations?

JN: Each collaboration comes about differently. The link-up with David Guetta and MistaJam on If You Really Love Me (How Will I Know) was particularly crazy as Guetta himself reached out to make the first move for us to work together, I had been a fan of his work since being a little kid! He’d wanted to collaborate on something for a while, so I sent him the early version of the track, he loved it, and the rest is history.

AM: You just performed and released your latest single, Hold On To My Love at Tomorrowland Winter where you DJ and have live vocals. Tell me about this song and what was it like to perform there?

JN: Hold On To My Love came about backstage at Ushuaïa Ibiza. I sang the melody and some lyrics into a voice note on my phone as a rough idea, so to see the track go full circle and perform the final version at Tomorrowland Winter was incredible. It was an unforgettable weekend.

AM: This song was released on Tomorrowland Music and you have already confirmed that you will be at Tomorrowland Brasil later this year on the mainstage. What does this mean to you to be on such a platform?

JN: I’m incredibly grateful to be starting this journey with the Tomorrowland Music team. They have so many talented DJs and producers on the roster so I can’t wait to see what the future holds.

To then also have the opportunity to perform at their world-renowned events is huge.

AM: With the summer around the corner, what other festivals or clubs are you excited to be performing?

JN: This summer is going to be so much fun. In July, I make my Tomorrowland mainstage debut in Belgium alongside the biggest names in dance music which is surreal but very exciting. It’s the holy-grail of festivals so I plan on bringing my absolute A-game to the stage.

AM: We’re based in NY, but will you be performing in the US this year?

JN: You’ll have to stay tuned for that one! I really do love the US and the amazing crowds over there so hopefully I’ll be back soon.

AM: When it comes to touring and being on the road, are there any routines that you do prior to a show when you’re a few hours or moments ahead of hitting the stage?

JN: There is a routine, I don’t eat one and a half hours previous to a show so that I don’t throw up whilst on stage, hah! The next big one is I generally like to chill and stretch and listen to classical music, then get hyped to Limp Bizkit and Rage Against the Machine about 15 minutes before show time.

AM: When you have finished your set, are there any routines that you do to come down from all of the energy and adrenaline from performing?

JN: Hmmm not really, I do struggle with the silence after being full of that adrenaline, usually a beer takes the edge off.

AM: Are there additional projects that you have that we should keep an eye out for?

JN: My focus right now is on really immersing myself in the dance music sphere, continuing to work on new tunes and honing my live hybrid set of DJing and vocals to make it bigger and better with every show.

AM: Are there 3 artists on your bucket list that you are interested in collaborating with that you can share?

JN: Honestly my interest is totally varied, Florence Welch would be amazing, Fred Again, Swedish House Mafia, another Calvin Harris collar, just throwing ideas out there really.

AM: What do you want your legacy to be in the industry?

JN: I guess, as an artist who made music on my own terms. For the pure joy of making people feel good, feel elevated, and be able to escape reality for just a moment. Whether that’s through my tracks, or the energy people absorb at a live show.

AM: When you’re not on stage or in the studio, what do you do to take time for yourself as self-care and mental health is something that we prioritize here at Athleisure Mag?

JN: It’s different for everyone, but I find taking a break from social media to be a big help for mental wellness. We consume so much information, a lot of it pointless, so it’s no wonder it can leave you feeling overwhelmed.
I now work closely with a therapist on a weekly basis which I cannot recommend enough and my main thing is getting in cold water.

Also spending time with my wife and family helps to keep me grounded and makes it all worthwhile.

AM: In terms of working out, what are 3 workouts that you do that we can consider to include in our routines?

JN: Each to their own I guess and I’m not really the picture of the pinnacle of fitness, however, for me personally I like to get out with music in my ears and do whatever I can. Whether that be hiking, running or cycling. I also used to love that Shaun T exercise video, I used to do it before every show!

IG @johnnewmanmusic

PHOTOGRAPHY COURTESY | COVERS Front/Back, INTERVIEW + PG PG 26 9DRIP Tomorrowland

Read the APR ISSUE #88 of Athleisure Mag and see FEEL THE MUSIC | John Newman in mag.

9PLAYLIST | MARTIN JENSEN

Read the FEB ISSUE #86 of Athleisure Mag and see 9PLAYLIST | DJ/Producer Martin Jensen in mag.

DROP THE BEAT | MARTIN JENSEN

With a number of festivals already on our list to attend, it's always good to catch up with DJs that we will see throughout this year. We caught up with DJ/Producer Martin Jensen to find out how he turned his love of music into a career, how his production background assists him when he is in the studio or about to perform, who he has collaborated with and his latest release with Days Like This with Jay Sean.

ATHLEISURE MAG: When did you first fall in love with music?

MARTIN JENSEN: From a very young age, music was always around me and playing in my home growing up. I never knew what direction I wanted to take – if it was in the industry behind the scenes or even being a DJ or lighting engineer or whatever – was doable. It was only when I first started playing smaller parties that I really got the bug.

AM: In terms of working in the music industry, I know that initially you thought that you would be behind the scenes in terms of lighting engineering and stage design; however, what made you decide that you wanted to DJ?

MJ: That is true! I think it was just a passion for the music, that is something you can’t bottle or capture, only try your best to communicate through your music, whether that be in person at a party or through your productions that people can enjoy. I originally went to go into my fathers family business to work, so taking a step back from that to pursue music as a full-time career felt a little challenging at first but if anything, it made me strive to want to succeed even more as I knew I had the self-belief.

AM: Because of your production background, how involved are you in the design of your show in terms of aesthetics?

MJ: As much as I can be! I always have the final sign off on design, my logos, my press shots, how I want a live show to come across from the concept to the finished product.

AM: How do you describe your sound?

MJ: Feel-good, fun, ready for the party!

AM: What’s your creative process like when you are working on a song?

MJ: It really can vary, inspiration can first come from a melody or even a direction of genre that I want to go in – I might want to go big-room and bombastic one day, or work with a really cool vocalist or writing partner, and take a more house or radio-ready pop route. Its all relative and I let each bit of inspiration, both solo and with collaborators, guide me.

AM: You have collaborated with Nicki Minaj, ALOK, Jason Derulo and more. Do you approach these creative projects differently than those that are solo?

MJ: With Nicki Minaj it was a remix I did, but I have worked directly with ALOK and Jason on our track Don’t Cry For Me. Each project is going to be different, not just in sound but depending on each artists outlook, how we individually want to approach it, so yes. With collaborations its important to have your own signature sound present but for every artist to collaborate in a way that’s effective and brings new ideas to the table.

AM: Days Like This was released with you and Jay Sean. Tell us more about this song and what was it like working together on this with him?

MJ: We really wanted this track to be a feel-good, as we say on it “No one can fuck with me on days like this!”, so we wanted people to feel that essence exactly how we aimed to deliver it. Energetic, confident and unapologetic! It was so much fun to work with Jay, he’s a real veteran in the industry and has worked with so many great artists before so to have him jump on the track with a great collaboration.

AM: Tell us about Me, Myself, Online which was the biggest livestream worldwide as well as a mini documentary.

MJ: It was! It was an idea born out of the pandemic as it was originally meant to be ‘Me, Myself, Live’ where we livestreamed shows around the world but obviously, coronavirus put a stop to that. We decided to bring the shows to people online instead, we streamed on Facebook, Twitch and had some super cool brands involved from amazing locations. Our first edition was from the Telia Parken stadium which is the national stadium in Denmark and we were blown away by the response… so we kept going! It’s definitely something we want to continue on in another direction in the future.

AM: Are you working on songs?

MJ: Yes! I have a brand new single out this February with VAMERO and Gibbs called What A Night, lots more will be revealed soon and I’ll also be announcing more tour dates as we move out of the Winter and into Spring.

AM: You were the first judge that is a DJ to be on X Factor’s Denmark! What is it like to be on this show and to see the talent that hits the stage?

MJ: It was a brilliant experience, to be the first DJ/ producer to ever hold the role of a judge also blew my mind, it was such an honor. When it comes down to it though, it's a really crazy concept when you think about it. The music industry is for sure fast paced and for these young talents to go through such a fast process full or pressure is for sure difficult and I see a lot of those come out stronger, but some don’t. It’s a fine line you really have to balance in ensuring everyone can work together in harmony to do the best they can in their roles. But yeah, it was a crazy time for sure.

AM: Critiques are a major part of success regardless of the industry you work in. When you have your judge hat on, what are you looking for and how do you approach telling people what you liked and didn’t like for each performance?

MJ: Being a judge it is not so much about personal taste, its about breaking down the talent, the attitude, the work ethic and so much more of an act. Sure, one judge mightn’t be a huge rock fan, or another pop, another electronic and so on, but to be able to look at an artist on an elevated level as someone in the industry, helps you to then guide them with exactly what they need – even if that might mean good news or bad news.

AM: We’re looking forward to hitting the festival circuit what are your favorites to play at and where will you be performing this year so that we can keep an eye out?

MJ: I’ll be announcing all my tour dates nearer the time as we still have some finalizing to do but my social media is where you’ll be the first to find out!

AM: Do you have any routines that you do prior to or after a show?

MJ: Its not very “rock n roll” but, no! I like to relax, have a beer, think about what direction I might want to take my sound in during the set (depending on if I’m headlining a club or playing a festival, for example), but its important to also let the crowd guide me too.

AM: As someone who is always on the go and travels a lot for what you do, how do you take time for self-care so that you’re taking time for yourself and getting a bit of a reset?

MJ: I like to play sports, see a chiropractor when I can – 'cos it can be crazy on your body touring all the time! – and mostly just spend time with my friends and family, work on music. Just pretty normal stuff nothing too crazy.

IG @djmartinjensen

PHOTOS COURTESY | Martin Jensen

Read the FEB ISSUE #86 of Athleisure Mag and see DROP THE BEAT | Martin Jensen in mag.

9PLAYLIST | HBZ

Read the JAN ISSUE #85 of Athleisure Mag and see 9PLAYLIST | HBz in mag.

9PLAYLIST | MEDUZA

Read the JAN ISSUE #85 of Athleisure Mag and see 9PLAYLIST | MEDUZA in mag.

OWNING HIS SPACE | HARDWELL

When we think about some of our favorite DJ's over the past decade, Hardwell is one we enjoy seeing when he was at our favorite venues!

In this age of being committed to taking the time we need, self-care and mental health, Hardwell took 3 years off to take a break, fugure himself out as an artist and came back to the scene with a new album REBELS NEVER DIE, a tour of the same name and of course he launched it at Ultra Music Festival earlier this year!

We wanted to get to know more about his process, about the importance of his hometown in Breda, Netherlands, how he is approaching touring and more!

ATHLEISURE MAG: When did you fall in love with music?

HARDWELL: I discovered music super early, I actually started playing piano when I was 4 years old, but my love for DJing began when I was 12.

AM: What was the moment that you realized that you wanted to be a DJ?

H: I knew early on that it was a passion of mine. I started out playing hip hop when I was 12, before discovering electronic music when I was 13/14, which then became this huge part of my life and thankfully still is today.

AM: You’re from Breda which is a small city, but it has birthed a number of artists from yourself, Tiësto and even Elvis Presley’s manager, Colonel Tom Parker! What is the music scene like in Breda?

H: It’s crazy right! A small city with this deep musical history. We actually have a very small scene, so it’s not what people often think it will be. But because its small everyone knows each other and this is perhaps why it helps Breda artists to grow.

AM: How would you define your sound?

H: This new Hardwell REBELS NEVER DIE sound is me. It’s the raw, uncut version of who I am as an artist. It draws on all my influences from the moment I got into electronic dance music right through to what I am all about today. It is everything from big room to trance to electro to techno. I needed to free myself up from big labelled as one type of sound, so I could infuse everything into one sound, which is what fans are experiencing now.

AM: In terms of creating new music, what’s your process?

H: I feel most at home in my own studio. It’s a space that is custom built to fit my specific needs. I bring a lot of inspiration from life, travelling and the atmosphere of our scene into my creative process. But equally I don’t fixate on following the same process each time. It was why I took some time out because I need to recharge and free up my creativity to come back with something completely new and fresh.

AM: You’ve done some amazing collaborations, what do you look for when it comes to partnering with someone else to create music?

H: What makes the magic happen is that connection. When you work with a singer or another producer and there’s a creative connection where you’re vibing off the same ideas, that is usually a very positive sign. I like to connect with other artists who are open to trying new directions, freeing up the structure of a song and then seeing what will come out the other end.

AM: I’ve been a fan for years and have enjoyed your music, you’ve been a 2X #1 DJ, you’ve headlined many major festivals and you have travelled extensively and then in 2018, you decided to take an indefinite hiatus. Even though that was back in 2018, at that time it was a shock as mental health wasn’t really talked about and in the way that it is now. In the time that you took that step back, what did you learn about yourself?

H: Absolutely, I learned that it is ok to take time off. As an artist you always fear that if you don’t make that next show or release another song, your career will start to diminish, and it could be over before you know it. But the reality is that’s not the case. Everyone needs time off. From sports to medicine to education to even family life, everybody needs a break, but as artists we often to put pressure on ourselves to keep going, say “yes” to everything put in front of us. Taking a break, working on yourself for a while and coming back refreshed with new creative ideas is only ever going to be a positive decision.

AM: A portion of your hiatus also took place during COVID where everyone had lockdowns and we were all put in a place and a time where we re-evaluated how we went about work, the importance of connections and who we wanted to emerge as. Although you were already on that journey, what was that time period like for you?

H: Well, not much was different for me because, I was kind of already in my own lockdown, by not touring, being at home and then working in my studio. But I could see it was impacting so many of my friends and family, plus colleagues in the scene. That was hard to watch, but I’m thankful now that life has resumed for us all.

AM: At what point did you realize that you wanted to work on and release REBELS NEVER DIE?

H: The album didn't come until much later into my ‘sabbatical’ because I first needed to find myself again as an artist and then once I fell down that rabbit hole, and journeyed around what I was looking for, then the idea of REBELS NEVER DIE started to become a reality.

AM: How was creating music for this record different then when you have created previous albums/songs?

H: Before I started turning ideas into tracks, I decided to start from scratch. So I didn’t go back to a lot of the synth etc I was using previously. I needed a new canvas to work from, a new feel to the production. I also had released any pressure on myself which was a huge weight from my shoulders during the process because I was free to express myself this new sound.

AM: Tell me about REBELS NEVER DIE and what are you excited about this album?

H: The album excites me because it’s a new chapter in my journey. It’s an expression of where I am as an artist today. It has roots into my history with electronic music, but it projects a wide palette of my style to the fans. This Hardwell 2.0 version is a shift of perspective and sound, something which is best experience during the live performances of REBELS NEVER DIE.

AM: The decision to come back on the road and tour must have been one where you had to think about how you could do this in a way where you still felt comfortable. How do you approach touring now and deciding how many dates/cities that you want to include in your schedule?

H: I decided that this time around I will reduce the touring to a smaller number of shows. I think in 2022 I’ll have done about 50 flights in total, which is a much more manageable amount. I want to be back performing and connecting with the fans, but I also need that time in the studio to be creative, spend time with friends and family. It is all about balance.

AM: You played Ultra Music Festival with only unreleased music – such a bold move! Why did you want to take that approach and were you nervous about how it would be received?

H: I was incredibly nervous before that come back! I don’t usually get nervous, of course you get the pre-stage nervous out of excitement, but it’s part of the experience, it’s good to have some nervous. But this was a lot different because I had been away for a long time, I was also coming back with a new sound and new stage show. but after the first song, and feeling that love from the crowd, it all started to click into place.

AM: You’ve been navigating your world tour since Ultra what do you do the day that you have a show coming up. Are there any routines that you do that prepare you for a show and/or are there things that you do once you’ve left the stage that are a must for you?

H: Not really. I like to relax as much as possible to get ready for the show. Spend time with my team and just get myself into the zone of what’s about to go down with the show. I’m always working on new edits and ideas fo the show, so that keeps me focused in the build-up.

AM: What do you want your legacy to be seen as in terms of the mark that you have made in the music industry?

H: Just somone who put his heart and soul into making music he believed in.

IG @hardwell

PHOTOGRAPHY COURTESY | Hardwell

Read the DEC ISSUE #84 of Athleisure Mag and see OWNING HIS SPACE | Hardwell in mag.

THE POWER OF HEALING | ALOK

This month, our cover is with EDM DJ/Producer Alok who has over 20 million monthly listeners on Spotify, over 26 million fans and is the most listened to Brazilian artist in the world! He is also the 4th Best DJ in the world via DJ Mag's Top 100 in 2021. Known as one of the most influential Brazilian artists of all time, he has worked with a number of icons in creating great music from John Legend, The Rolling Stones, Dua Lipa and more. He previously shared his 9PLAYLIST with us in our MAR ISSUE #75.

We talked about his passion for music, how he approaches it, his latest single DEEP DOWN which is #1 on Billboard here in the US, how he collaborated with Ella Eyre, Kenny Dope and Never Dull, his recent performance and panel discussion here in NY where he kicked off Climate Change Week as well as his intitiative with The Future is Ancestral, his work with indigenous people and their communities and the power of making the world a better place!

ATHLEISURE MAG: When did you realize that you loved music?

ALOK: I think it was when my grandma would sing me songs so that I could go to sleep. So, I think it probably started from that. But I would also say that I never had any doubts about me and music.

AM: When did you realize that you wanted to be a DJ/producer?

A: Well that’s actually, my parents were DJs right? It’s kind of a very direct inspiration you know what I mean because honestly watching them performing at parties and stuff and also the ecosystem that they worked in for the festivals and parties – it’s kind of like I got very inspired by that and also the whole lifestyle. For many people, that kind of wasn’t a career to be a DJ. Sometimes, it was weird when I went to school and they asked what did my parents do and I was like, “oh they’re DJs” and people did not understand at all. It’s also like, they kind of didn’t want me to be a DJ to be honest! They wanted me to be able to go to university, but you know I’m a dad now guys and I understood that your kids will not do anything that you tell them to. But they will do exactly what you do! So how can they tell me to not be a DJ when they’re performing everywhere and I was always with them because they had no one to leave me with.

So me and my brother, we started to play at night, but at 12, I would say that we were professional. We started to do our own songs and we started to get our first fees. So 12 years old, we started our career.

AM: That’s a great story! How do you define the Alok sound?

A: I would say that I am a free spirit you know? In my life, I always tried to define my sound. When I was doing psytrance for 7 years, people said that it wasn’t psytrance and that it was kind of house trance. When I started to do house, people said that it wasn’t house – it was kind of whatever. Then I started to say that this was techno and people said, that this was not techno.

So, I said that I created Brazilian Base and they were like, ok this is Brazilian Base and it started to work well. It was that collective mindset where it was like, ok this is Brazilian Base. But at some moment, I didn’t want to be stuck myself to only one kind of style because it’s kind of a prison you know? I feel that my creativity does not fit into one place only. So, it’s like I can do whatever I want to do. Of course, you’ll still feel and kind of understand my signature there and there will be something that you will be able to relate, but definitely it’s not going to stick to one kind of style.

AM: When you’re creating, how do you stay inspired and how do you approach creating your music?

A: It really depends, every music has a different kind of inspiration and where it comes from. For example, sometimes I’m traveling and it inspires me you know? Looking at the ocean or nature inspires me. But also, when I am leaving a process in my life. For example, I was 3 months in Europe so that whole process to be there, inspired me to do songs that relate to the culture. When I’m back in Brazil, for example, I start to create the music based on what’s going on over here to understand specifically the markets because I do not believe that all the time you can create one formula that can work everywhere. It’s hard, but what I do, for example, is that there are songs that I do that perform well in Romania and Poland. So we start to promote over there, but it doesn’t happen really in other parts of Europe and there were songs of mine that went huge in Europe, huge in Mexico and Brazil, but never got across the US. So it’s really about understanding where I am and where I want to be and I am very happy actually that this is the first song, DEEP DOWN that I got #1 on Billboard in the US. But for example in Brazil, it’s not working haha!

AM: OMG what? First of all, I love that song. I love Crystal Waters and love Gypsy Woman so when I heard it, I knew that it was going to be amazing! The fact that it is #1 on Billboard congratulations. Tell me how this song came together with you and Ella Eyre, Kenny Dope and Never Dull. What was it like to put this collaboration together and to be part of it.

A: I feel that this song, if you go to the credits on Spotify, you can see how many people are involved. I think that it’s going to beat the world record of the most people involved in one song! Why? Because as you said, Crystal Waters, there’s also Chicago Hills, and Ella Eyre, she was writing a song which was very similar to Chicago Hills so we said it’s got to be a new version of it. Then I was doing this version with her and suddenly, Never Dull released the mashup on Tiktok between those 3 songs but in the very old school style, I think it was 20 seconds of audio and it became huge on Tiktok. But he didn't have the license for it and it was only kind of a mashup on Tiktok. So I got the idea and I was like, “this is a very good idea” to mix those two classics. So that’s what I did and when I did it, I finished it and I invited Never to be on one of the songs because he inspired me with the idea and also Kenny Dope he had all the rights for the song and it was a lot of teamwork. To be honest, the most hard process of it all was the office. It was the background of how to make the deal work and I was in the creative process and I was ready for a long time already!

AM: You have had such a busy summer! You played in Hï Ibiza in the Main Room and you had your summer residency and you were just at Tomorrowland. What does it mean to you to be able to show your art and creativity to so many people across so many different platforms?

A: The first question you asked me was when did you realize that I loved music. I feel that the music has something that accesses your emotion and it can be like emotionally healing and it can be something where you kind of forget your problems. It reminds you of some memories and some great new memories so to be there, I really feel that I am kind of serving people. I don’t know how their life is going what there issues are or problems – I don’t know. But in that moment, I want them to have their best time of their lives.

That’s kind of the reason why I want to be connected to them when I do the DJ set. That’s why when I am doing the DJ set in Europe, I want to play what brings the energy up. But if I play the same set in the US, it wouldn’t work. If I do the same set in Brazil, it also wouldn’t work. So it’s kind of like I’m respecting the place where I’m at. But it’s a very good feeling when I see people say, “hey this is the best night of my life,” and I say, “how old are you?” They say 50 and I say,”are you kidding me?” The best night in your life? You’re 50, there are so many nights that you've had. But that's the power of the music. It’s not mine it’s just the power of the music. I’m very grateful to be able to spread this around the world.

AM: We just saw your set at Rock in Rio which looked amazing. It was great to see all of the performances that you did as well as seeing that there was a gaming aspect to this festival. Dua Lipa and Megan Thee Stallion were also performing. Can you tell me more about what this festival is and why you wanted to be part of it?

A: This is by far, the biggest festival that we have in Brazil at the International level. We have all of those huge names and of course we have Lollapalooza which is very big. But Rock in Rio, is something that is kind of our own brand. So we feel very proud of it because it’s a local and national festival that has an international component to it as well. It’s probably one of the few ones that can bring all those huge international acts and for me, it’s very important!

In Brazil, 93% of the songs that we listen to are actually local songs. Only 7% are the international ones. Where I am competing with Harry Styles, Adele and all of these people. I’m there in that 7% because my songs are in English and I have this kind of English career right? If you go to the Top 50 on Spotify in Brazil, you won’t see any of the US in there, it’s all just local.

The point is, for me to be there it’s a very important moment for me to position myself of course between all of those huge acts and to show that – it’s kind of like a special moment for me to be there. Everyone that does a show at Rock in Rio is a unique experience that they cannot do anywhere else. So it’s important for me to create this awareness around what we have been doing. It’s also a statement on what’s next.

AM: Your shows have such high energy. Do you have any routines that you do hours before your performance and then are there things that you do after the performance so that you can come down after completing?

A: No, ha ha. It’s funny, in the past I would get very nervous before the show and that’s kind of a sabotage you know? You get too nervous, you lose control of it. So the same feeling that you have when you’re nervous, you also have when you’re excited. It’s the same butterfly in your stomach – excitement or nervousness. I just kind of switch and change the key so that every time I start to feel this nervous energy, I say, “no no this is excitement.” I am excited to be there. I have worked so much to be there that I will go there and I will do my best. I was in Brazil and the reporter was asking me what was going on for the show. I told her that she show has started and she asked me if I had to go right now and I said, “no I still have 10 seconds it’s fine.” They were all shocked because people said that I was too relaxed for the show!

AM: Ok, I’m going to have to remember that. I know at various points when I’m working on something or doing something, I get anxious feelings and I have that “holy shit” moment. But I’m going to think about turning that key to know that what I’m actually feeling is excitement and that is what I am going to tell myself.

A: Yeah. It is actually the same feeling.

AM: When you said it, I know that I know that and it’s a smart thing.

You have a collab coming out next month on Oct 7th. What can you tell us about this?

A: So it’s a collaboration with Ellie Goulding and Sigala. It’s a song that I have been working on for awhile. I think that this one has 30 versions. I’m a big fan. I started it with Ellie and in the middle of the process, I felt that it could connect well with the melody of Enjoy the Silence from Depeche Mode. I did a test and it actually fit very well. So we got the sample of Depeche Mode's Enjoy the Silence and mixed it together with the Ellie Goulding song that she wrote and again, it was a mashup. I’m very excited about this one. I think that it’s going to be very interesting.

AM: We can’t wait to hear this as well!

I know that you were just here in NY at the United Nations over the weekend kicking off NY’s Climate Change Week with The Future is Ancestral Event where you performed on the rooftop of the UN Building as well as partnering with your institute and the UN Global Compact Brazil for urgency to recognize Indigenous People Globally and their importance of the Future of Climate Change. Can you tell me more about what this was for you?

A: Ha you said everything!

AM: Yes, I’m that good!

A: Basically, last year I asked myself, where was the future? And the answer came to me. The future is ancestral. I started to work on an album that was inspired by indigenous roots with the indigenous. I did 12 different tribes. But my connection with them started 9 years ago when I was looking for inspiration in my life. I went on a very long journey. I went 13 hours on the road, I don’t know how many hours on a flight and then 9 hours on a very very small boat and I got suddenly to the Yawanawa tribe and I realized that I was in the heart of the Amazon. I had no option but to live in the culture and at that moment, I started to change my whole perspective about my career level, my spiritual level and also the way that we deal with nature. I also realized that there’s so much about culture and there are various failures and goals.

I felt that last year, we’re always talking about how can we protect the forest, but we are also very disconnected with it. I think that the best way to do this is to listen to what the forest has to say. A good way to do this is through indigenous songs because it’s kind of like they are translating that. I found that the music could amplify their voices. So actually, this project is a very important project of my career. That’s because it’s not about me, it’s about how we can get their voices out there through this collaboration. So I was there and of course at the UN we talked about all the topics among Climate Change and global warming. It wouldn’t make sense not to have the indigenous there and we brought them via the Alok Institute along with the UN Global Compact and we joined forces. And I also did a performance there when we were on the rooftop. So, it was a very interesting environment.

AM: That’s amazing and you also committed to support the Ancestors of the Future fund which benefits the Brazilian Indigenous communities. What can you tell me about this fund?

A: I realized that I’m 31 years old, a white man, I have a lot of privilege and I had access to school, university and everything. I realized that everything that I had learned was wrong. Why? Because they never had the opportunity to tell their story. They also don’t write so everything in the culture is done orally. So it’s kind of like, how can we change this collective mindset about the indigenous and I feel that entertainment is a very good instrument that we can do this through the music, the venue, the Web3 and the cinema. But giving them the protagonists the ability to tell their story with their point of view and so we can learn it properly. Also, what we learn in school is based on a European colonizer point of view. I feel that this will help them to be the protagonist through all of this entertainment stuff and also we have in the second path, technology. So getting good technology to help them preserve the forest – very nice drones, sophisticated tools so that they can instantly integrate and communicate what they wish to say in order to share it with the world.

I was asking myself about the future and we always think about it in an apocalyptic way. Like there are neon cars, there aren't forests any more and there are flying cars or whatever. What is the future like for the indigenous in small boats, in the middle of the Amazon where you can just take a sophisticated phone and scan the birds, you can see the borders of where they are with the scientific points and they are searching for healing with humanity. It’s kind of like, how can we change this mindset of this apocalyptic future? I think that this project is really about bringing consciousness. It’s more than just music you know?

AM: What is the Alok Institute and why did you want to create it?

A: If you asked me 9 years ago if I believed in philanthropy, I would say no. I would have said, why don’t you buy a Ferrari and just be happy. I didn’t have this kind of perspective on philanthropy. But at one point in my life, I had everything that people told me was a success. I had money, I had popularity, I had cars, my partner whatever and I suddenly realized that I was feeling a huge emptiness inside of myself. For me, life had no reasoning anymore. There had to be something else for why we are here.

So first, I went to the indigenous tribe which I told you and it was a very game changing experience. Then after, I went to Chokwé in Mozambique. We had a project where we had 300 kids and I remember that there was a lady there and I think that she was 80 years old and she was blind in both of her eyes. That woman told me that she was praying to God to send someone to help. I told the translator to tell her that God didn’t exist because if he did, there wouldn’t be so much poverty and that he had abandoned her. The translator told me her answer and it changed my whole life! The lady said, “no, no, I’m very connected and I’m praying for him and I can feel it.” So at that moment I realized I was the biggest miserable person there. I had everything and I was complaining about God's existence when she lives in that existence and she was still connected to the divine. She was way more connected then I was. I realized that God never abandoned her. What abandoned her was us, you see the stories of what took place in Africa, we abandoned them and at that moment I realized that I couldn’t abandon the situation any more. Of course, I can’t change the world, but I can change their world. So I started there. We have 20,000 kids there. Oh and I sent her to the hospital and she had cataracts so it was easy to help her. So one year later, she met me personally and saw me and it was a very interesting moment that we had. She finally looked at me.

I realized that my life could only have real meaning if I use my success for philanthropy as well. It’s about making this world a better place, it’s not about me it’s about a big movement that already exists. I was in a depressive mind and I was only thinking about the negative points. I remember I was feeling sick once and I took this antibiotic and the next day, I woke up better and I looked at this medicine and I said, “who created this?” I remember that there were a lot of people that were working hard so that this world is better today and so that we can have a better life. I want to be part of this movement. It’s really about giving meaning to my life.

So the Alok Institute developed after a few years through a lot of money that came through a collaboration that I did with the game, Free Fire. It’s the most downloaded game. And when they asked me what super power that I would like to have, I asked if it was possible to heal people? They asked me if I was sure and I said yes. I was doing music to be on the top charts and yet I was also doing it to use music as a way to heal. Then the Free Fire team gave my character the ability to do this and my character became the top selling one not because of me but because of the super power that actually created a whole new dynamic of the game. So I wanted to heal inside and outside of the game. So I donated 100% of my royalties, to charities around the world. If I could, I would have brought most of it to Brazil because we really need it here, but I also had to bring it to other countries. There was a country that I couldn’t bring in – South Africa because the players there weren’t buying and I convinced them to do it. I convinced them and that was 6 million there.

The Institute came because I really felt that with this amount of money, I needed a structure that had this brain that could think about the best solutions with the money. Because I was only doing it from the heart and there wasn’t any kind of strategy and we needed the Alok Institute to do it in the right way. We are very very very small in terms of employees and I almost don’t spend money to keep it because what we do is co-create together with projects that already exist so when we spend money, it’s not for us. We find the best projects that are going on and we help them to improve. We believe that there are so many amazing projects going on already that they only need that collaboration.

AM: In researching you, speaking with you today, knowing your impact in music as well as learning more about how you are giving back, what do you want your legacy to be known as musically as well as being a changemaker? What is that fingerprint?

A: First of all, I don’t know how, but in the future, the same way that I looked at the antibiotic – where there were a lot of people working hard to make the world a better place – there wasn’t just one person doing that. It was part of a movement. I don’t know who created that antibiotic, but I know it worked.

I don’t want to be reminded with my name, I want someone to remember that a lot of people in the past were part of a movement that made this world a better place. It’s more about giving meaning to my life because I was very afraid of death and what happened after death. But now I know, the right question isn’t what happens after death, the right question is, why are we here? I know that if I don’t do this, I will go back to a very deep depression because this is what drives me. I feel that depression is very hard to explain – it’s like how can I explain to you about something that you have never tried or never tasted? So, the flavor of sugar, but you have never tried sugar – how can I explain that to you? I do feel that people who have depression have a very powerful mind, but it’s just in the wrong direction.

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@alokinstitute

PHOTOGRAPHY CREDITS | FRONT COVER + PG 19 Dave Kotinsky/Getty Images | PG 16,23 + 24 Alisson Demetrio | PG 20 Ozuna Snake | PG 26 Courtesy of Alok | PG 29, 30 + BACK COVER Hudson Renan |

Read the SEP ISSUE #81 of Athleisure Mag and see The Power of Healing | Alok in mag.

9DRIP | ARMIN VAN BUUREN

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ELECTRIC ZOO 3.0

Over Labor Day Weekend, over 100,000 fans enjoyed the "last dance" of summer at Electric Zoo 3.0 on Randalls Island Park in NY. With performances by DJ Diesel, Cheat Codes, Afrojack, Carl Cox, Martin Garrix and over 100 international artists were across multiple stages, it was a great way for us to come together and to keep the good vibes going.

As guests "plugged into the matrix," the grounds were transformed into an AI tech-driven environment. This allowed for new stages to debut at this festival, previous stages to be reimagined, innovative production and creating an immersive experience. Already, plans are undwrway to take these elements to the next level since they have a year before the next one rolls into town.

Michel Julian, EZoo's Chief of Marketing shared that “Having spent 13 years with EZoo since its inception, I have to say that this was one of the most special editions we’ve ever had. Working together with the new ownership we’ve brought about the start of an inspiring collaboration. We’re thrilled by support and such positive feedback from our fans, artists, and the industry – and can’t wait to show everyone what we have in store next year.”

This year's festival included an updated festival layout and all-new designs of the Antheon, The Landing, Morphosis, and Levitron stages created visual drama with their pyro, fireworks and massive LED walls.

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PHOTOGRAPHY CREDITS | Alive Coverage

Read the SEP ISSUE #81 of Athleisure Mag and see ELECTRIC ZOO 3.0 in mag.