TRUE JORDAN | JORDAN CHILES

As we're all enjoying our favorite teams and sports that are taking place at Paris 2024, we have a series of interviews with Olympians that are in this issue that we participated in when we were within the 100 days of the games. We're kicking it off with 2X Team USA Olympics Gymnastics, Jordan Chiles (G1, S1) who competed in Tokyo 2020 and is competing in Paris alongside her teammates Simone Biles (G5, S1, B2), Suni Lee (G2, S1, B1), Jade Carey (G2), and Hezly Rivera (G1), known as The Golden Girls! They have already won a Gold medal from the Paris 2024 games!

We sat down with Jordan to talk about the sport, becoming an Olympian, how much she is looking forward to this year's Summer Games which will have an audience in attendance as well as being able to meet other athletes, and how she maintains self-care! We have enjoyed seeing her floor routines which mix Hip-Hop, Beyoncé, and more. She also has fans that include Megan Thee Stallion, 2X Gold Medalist + 6X NBA Champion Michael Jordan, and Queen Bee herself, Beyoncé.

ATHLEISURE MAG: We have enjoyed seeing you do and it’s great to chat with you!

JORDAN CHILES: Thank you so much for having me! I love opportunities like this and to have the ability to be able to speak with you about my goals and everything like that, this should be fun!

AM: What’s your earliest gymnastics memory that made you love this sport?

JC: I would probably say that I was around 9 or 10 years old and I had really bad ADHD when I was younger. So I always say that gymnastics saved me because I was able to get all of my energy out before I realized that I had a gift and talent and that I would be able to go somewhere with it. I just thought that it was all fun and games so I really just wanted to be able to take that energy to the next level around 9/10/11 years old so it was pretty cool to just take off and to see what else I could do.

AM: I love that!

Everyone has their specialty in the sport, what do you feel are your areas of things that you love to do?

JC: I kind of just love my sport in general. I don’t have a specialty in what I do. I’m just known as the hype woman a lot as people say! I give a lot of energy to the crowd and to my teammates. I just think that being a leader as well and kind of knowing and understanding each and every aspect of what it is to be an athlete – mentally, physically, and so I can say that it’s about me being myself and being authentic to who I am.

AM: You have been on the Women’s US National Gymnastic Team since 2013, what does it mean to you that you have represented your country from the Olympics to World Championships, NCAA Championships with UCLA, and just owning all of the spaces?

JC: Man, it’s been crazy! I can say knowing that I have been on the National Team since I was 12 years old it’s been a whirlwind, a crazy ride, it’s been up and down – the road wasn’t straight or smooth. It was very bumpy and curvy, but I am really proud to say that I represent Team USA and just being able to help the country understand that our sport is such a unique and different thing than it is to other sports in that it’s hard work, it’s dedication, and it’s a simplicity thing to who you want to be. I think that it’s pretty cool. I can say that representing Team USA wearing Red, White, and Blue and always having it wherever I go on my back is definitely something that I cherish for sure!

AM: I have always enjoyed watching your routines and I have literally had tears in my eyes just watching you perform. Whether it’s you in UCLA incorporating Hip-Hop, Beyoncé and all of these different things – what goes into creating these performances and obviously deciding the elements that are involved as well as the music and all of that?

JC: So when it comes to my floor routine, the first one that I had, I was really little and it was Michael Jackson and I did a tribute to him. I think that it’s really about the culture and the music and how pop culture has kind of changed the atmosphere into what it means to putting your own touch and taste to it – your own piece – like your cherry on top you know? It’s like you have this awesome sundae and you want to put that cherry on top to show who you are! So, when it came to my music, obviously I just want to be able to not only get the crowd involved, but also to take it back for them. Because they are watching and if they hear something that they’re like, “oh my gosh, I remember when I was in high school listening to this song,” that is what I do, whether it is Beyoncé, the 90s, taking it back to the Michael Jackson days, or even bring in superheroes! I’ve done that too! It’s pretty cool to put my own touch into everything.

AM: When you competed at the Summer Games in Tokyo and you came home with a medal, did you always imagine that you would be on that stage?

JC: I always imagined that I would be an Olympian for sure and go to the Olympics, but I didn’t believe whatsoever that it would be in Gymnastics! Back in 2008, I told my mom when we were watching the Olympic Games, “you know what? One day I want to go to the Olympics!” Back then, I didn’t know what sport I was doing, I was young. So, knowing that it was for Gymnastics and I was able to bring home a medal, being there in that position and being on that stage – not a lot of people get to experience that and I am beyond proud of myself for sure. I can just say that the little me would be very proud and to be able to continue on with something that I have always dreamed of.

AM: What are the challenges of being an Olympic Gymnast and what does an average day or week look like when you’re training and preparing for the upcoming Summer Games?

JC: Obviously, it’s a little different. My first Olympic Games, I was really a nobody! Knowing that I am going into this 2nd Olympic cycle with an Olympics under my belt, it’s different for sure! But, I am still doing everything that I was doing just like it would be my first. I have been taking it day by day and month by month. As we’re talking right now, we are under 100 days away! Knowing that makes me just like ahh – oh my gosh this is so crazy and I’m doing this all over again, but it definitely is a mental game and for someone like me who's kind of already been through it, I know what to do, but for others that maybe this is their first time trying out for the Olympics, just take this moment as this will always be something that you will be able to cherish. Just take it piece by piece, remember your why, and that’s how I always think of it every step of the way.

AM: With it being less than 100 days to Paris 2024, what does it look like in terms of your schedule for qualifying and other things on the Road to the Olympics.

JC: Knowing that we’re just a few days away as I will say it like that because it just sounds more reasonable! Right?

AM: Right!

JC: We have a competition this week which starts off with the Core Classics. Our season actually started at the beginning of Jan, but unfortunately, I was unable to compete due to a shoulder injury that I had. So this meet that is coming up this weekend is my first meet that will put me on the platform to show people where I am at, what I am doing, and to give our head people an understanding of where – if I am picked – where I can be on the team. Obviously, 2 weeks after that, we have Championships which is a really big meet as well and then about 2 and a half weeks after that, we have Olympic Trials. That will be where they pick the Olympic Team and the Olympic Alternates. It’s definitely a fast cycle for us. We are one of the last Team USA sports that do – besides Track & Field, that we are the last to find out who gets to go!

AM: Yeah, we’ve been watching other sports on Team USA that are already confirmed and we keep checking for you guys to see when those announcements will be.

JC: Yeah, us and Track & Field, we’re always the last to figure out what the team is. But I feel that that is the coolest part of it because it’s like, “ooo who is it going to be?” It’s also motivating to see other people that have already made it so it pushes you to think that you want to make it so that you can meet some of the other people who will also be there as well! It’s a great process and I think that the qualifying part is the biggest that you will ever experience.

AM: In terms of Paris, what are you looking forward to?

JC: Well, knowing that I have been to Paris already a few times, I still think that every single time that I get off the plane, it’s just beautiful. I love being out there! The culture, the atmosphere, the designers, everything fashion – it’s just amazing! I think that the biggest thing is just enjoying and having an Olympic Games that will be normal. In Tokyo there was COVID and we didn’t get to do a lot and just to be able to go around the Olympic Village with people and being able to have an audience and to enjoy the Olympic experience. So I am truly looking forward to that! Also being able to get to meet people we didn’t do that last time. I hope that I will be able to meet a basketball player or a volleyball player, golf or whatever it is and to be able to experience that!

AM: With that time being so close, you have partnered with Bliss. What is the synergy between you and the brand?

JC: So Bliss felt very natural to me. It felt like it fit in with who I am trying to be and especially with their commitment to self-care which is a very key thing to me whether it’s in your skincare, your beauty, taking a nap you know? Having the ability to just embrace who you are and with their Lemon Sage Body Butter, it’s definitely a game changer for sure. I feel very confident, elegant, and smooth who I am. It’s just a nourishment for sure and being able to have Bliss as a partner within my daily routine, makes me feel like a brand new person every single time!

AM: I have to say that I am a long time fan of this scent and that product and you get that luxury feeling when you put it on.

In terms of self-care, what do you do? I know that you’re always traveling and you have a schedule so what do you do to take that time so you have moments for yourself?

JC: A lot of times when it comes to self-care, it does come to beauty and you want to take that time to feel as beautiful as possible because you know that this world is very crucial and it does take a whirlwind on you. Within my self-care, I like to take time to myself. It could be sitting in my room and drawing, whether I’m looking at a Netflix show and binge watching and just being by myself because I am around a lot of people 24/7 so sometimes taking that sound and putting it away helps a lot. I take naps! I take naps all of the time! If you don’t know where I went, and you don’t see me at all – it’s because I’m asleep in my room napping. That’s how I do self-care for myself or sometimes I go shopping. Retail therapy is the best!

AM: How do you keep your skin looking and feeling hydrated especially when you think about travel, doing all of the movements when you have perspiration and the chalk you use? Looking at your skin right now, obviously you’ve got it down as your skin is glowing and it looks beautiful.

JC: Oh thank you! With the hydration part, I do a lot of intake of water because as a gymnast, we sweat a lot. I mean I’m not really a sweater but when it does come to working out, always grinding, we lose a lot of salt so, that does make our skin very dry and brittle. Also the magnesium we’re around in our chalk, it takes moisture out. So because of all of that, I drink a lot of water and I make sure that I am always moisturized no matter where I go! So whether it’s a lotion or a scrub or whatever it is, even for my lips, I keep everything hydrated because I am always in chalk! I don’t like chalk already because it’s nasty so that hydration, it really comes in to make you feel good. I wake up every morning, I wash my face, I do my whole skincare and if I forget to put my moisturizer on, oh I go crazy! I’m like my face is going to fall off! So I make sure that I am taking everything in for sure!

AM: Are there any kind of projects that you have that we should keep an eye out for as obviously you have an amazing schedule coming up and we can’t wait to see that! But is there anything else that we should know about?

JC: I can say that there is this one thing that is coming into play and I can’t really say a lot without saying a lot! It’s definitely going to give a perspective on when you feel you have done so much in your life that you can help others so I will leave it with that! So just keep an eye out on it and I feel that a lot of people will be able to take a lot from it. They will understand what it is like to be an athlete and to be someone that is more than just an athlete!

AM: What do you want your legacy to be whether it’s in the sport or outside of it? As you just stated it’s not just about being an athlete, it’s more than that.

JC: I think the legacy would be more so that I was always having fun, I always - I don’t like to say this, but I wasn’t always a rule follower. I always did things outside of the box and just enjoyed being the person that I was, being authentic to who I am as a person, and knowing that there is only one you and that nobody can change that. I think that the legacy is who you are, what you want to do in your life, and how can you control that within yourself!

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PHOTOGRAPHY CREDITS | PG 66 Team USA Facebook | PG 71 + 9PLAYLIST PG 76 Team USA | PG 74 Bliss | PG 78 + 63MIX ROUTIN3S PG 80 Jordan Chiles |

Read the JUL ISSUE #103 of Athleisure Mag and see TRUE JORDAN | Jordan Chiles in mag.

BOB MARLEY AND THE WAILERS

One of the best things in life is to re-discover, deep dive, and better connect with things long-admired, and cherished. Bob Marley’s music lies at the top of my must-haves – many tracks and live albums suiting best for joyous and sad moments, and all in between, as well as adventuring outdoors, smoking sessions, studying, romance and more.

Upon reading Bob Marley and The Wailers: The Ultimate Illustrated History by Richie Unterberger, it was quickly apparent that it was time to dust off those old soundboard recording treasures and look to the music, life and culture that has served as such stong guidance over the years.

We put together an expanded 9PLAYLIST STORI3S to explore and ponder more about the man, his music, and the times for then and now, along a series of our favorite song selections: Sun Is Shining, Positive Vibration, Roots Rock Reggae, Downpressor Man, One Love, Zimbabwe, And I Love Her, High Tide or Low Tide, and Redemption Song.

Ultimately, with questions or thoughts of art and nature; good and tough times; peace and strife; love, respect and kindness, we ask along this and our musical journey - What Would Marley Do (WWMD)?

And I Love Her (Alternate Take)

ATHLEISURE MAG: I stumbled upon this ballad mid-college and was floored. It felt immediately intimate and special, loved sharing it at parties as friends generally loved it.

RICHIE UNTERBERGER: Most of the attention on Marley's career goes to the last seven or so years of his life when he was becoming an International star, first with the original Wailers and then with other Wailers. But there was a lot of good music that he made, often with the original Wailers, in the first 10 years of his recording career, which isn't very well known because it was primarily heard in Jamaica and not elsewhere.

And the earliest years of those are like from 1962-63 to 1966. That's when he had his debut single with Studio One. And the records are a lot more ska influenced than what he did after 1966 - [ska as] the precursor to reggae music. It's a lot faster and it's sort of a combination of Jamaican folk music with early American soul music.

Like they did a Curtis Mayfield song and he was maybe their biggest early influence. That's not a surprise. But them doing a Beatles song is not something that you would necessarily expect. And the version that they do, it is more imaginative than you would think, even if you know a fair amount about reggae and the Wailers. I'm a big Beatles fan. I love the original version, but they give it more of a wilting, early reggae cast and they also add, 'and I love her, yes, indeed,' after like every chorus. So it sounds more like a soul, early reggae hybrid sort of yearning quality that's not in the Beatles original, which makes it an interesting variation. And that's how they kind of varied soul music in general, when they were doing their first records in the mid '60s.

AM: At this time, were they doing covers towards getting acceptance or was that honoring their influences, or both?

RU: It's kind of all the above, but I think even though the majority of the material from the get go was original, I think there were a lot of songs they just liked that they wanted to do. It's just it's like when the Beatles started, they were already great songwriters on their first album, but the first few albums all have a good number of cover versions, which they did really well. They didn't just imitate Chuck Berry or Little Richard. They put their own personality on it very strongly. But also, I think they, and a lot of early reggae acts or ska acts, were just putting out tons of records, even though Jamaica was a pretty small market. And to fill out all these singles coming out and the one album that they did in the mid 60s, they needed to have more songs probably than they had already written. So they opted for songs that they really liked and maybe songs that when they performed live would get a good reaction to sort of vary their repertoire if they were playing long concerts.

AM: Yeah. I always liked the Bob Dylan one, Like A Rolling Stone.

RU: And another example, they did a Temptations song, Don't Look Back, an earlier version than the one that Peter Tosh did where Mick Jagger duetted with him in the late 60s. But he was aware of that song by the Temptations, which isn't one of their big hits, even when he was pretty early in his recording career.

AM: You know, I love that part of your book when you showed the Rolling Stones imprints, didn't know much about that, and definitely that whole part about Mick Jagger and the Stones backing Peter Tosh and all that.. That was terrific!

RU: Thanks. Yeah. It's really interesting because I think when the Rolling Stones set up their own label, their ambition was to have it be a sort of Apple Records, the way that Beatles ran Apple Records for the first couple of years, where it would be their label, but they would sign a lot of other artists and not just sign them, but often produce them or help them hands on, like they did with Badfinger and Mary Hopkin. And for various reasons, that aren't clear to me, they signed very few people, like less than five. And the only significant one they signed to put out a reasonable number of records was Peter Tosh. And I think that although the Stones didn't do many reggae songs, whether it was covers or they wrote their reggae style songs, they really liked the music.

They did some recording in Jamaica, like Goats Head Soup, the 1973 album, and they saw the connection between reggae and the American rhythm and blues and soul music that they loved and wanted to promote it with one of the leading artists who was available because he had left the Wailers for various complicated reasons, right after the Wailers started to get a big International audience on Island Records. So I'm not saying they were the most altruistic group of people in the world, the Rolling Stones, but they really wanted to promote a form of Black music, not Black American as it happens, but still from near North America.

It didn't work out indefinitely because Peter Tosh had a fallout with Keith Richards. This is like a few albums into his career with Rolling Stones records. But it was an alliance that made a lot of sense. It's the only such alliance the Stones made for their own record label, but it was the one solid indication of what they could do to help another artist. Not that Tosh needed so much help for his art, but his promotion to an International audience, which also Mick Jagger, of course, helped by actually singing on Don't Look Back, and also appearing in the official promotional video that Peter Tosh did, and also they sang it together on Saturday Night Live.

Sun is Shining

AM: This song increasingly became one of my favorites throughout my life. It’s always something that gets to me right away and the right ways, just find it so magnificent – it's sexy and inspirational!

RU: A lot of the attention given to Marley as a songwriter or for his protest songs are the ones championing social justice. And that's very important, arguably the most important part of his songwriting. But it should never be overlooked, that like almost all great songwriters, he could write about social issues, but also just write songs that were feel good songs, like ‘Positive Vibration,’ it was a great example, I think.

Also really good love songs - and although a lot of his songs, like Get Up, Stand Up is a great example, are about self-empowerment, a lot are sort of anthems just to make people feel more positive about what they are experiencing, what they hope to experience. And Sun Is Shining is an early example of that.

And I think it's interesting that throughout his career, Marley and Tosh would sometimes remake songs from pretty early in their career, like One Love is another great example, when they realized we're getting a much bigger audience and a lot of those people around the world never heard these records, which were primarily or only distributed in Jamaica. It was time to make those songs, which still have a universal message, something that everybody can hear on records, not just in their concerts. So Sun Is Shining is an example of that, where it was revisited and remade as well.

AM: Near the end of the song, he's talking about how he's 'a rainbow, too.' And it made me really reflect, wondering if this was him rescuing us as the unifier, and if also he was encouraging us that we all could all be rainbows, too?

RU: I would say like not just a lot of songwriters, but a lot of artists, his messages can be validly interpreted in different ways. So you might say he's talking about himself or that he's talking about everybody, all of his listeners and himself, or he's talking about both himself and his listeners. One of his great strengths was that as a songwriter, he could deliver very clear, yet easily understood messages that were inspiring. When you hear his spoken interviews, he's often a little vague. And it's interesting that it's not like his songwriting, which is very clear and direct. Get Up, Stand Up - I mean, how can you misinterpret that? I Shot the Sheriff - but I swear it was self-defense..; it's very lucid.

And it's unknown how precise his lyrics were explicitly stating. Yeah, meaning that it's hard to say whether his lyrics were meant for this is how I'm feeling, or this is how humans as a whole feel, or it could be both. His clear, direct messages were that in the lyrics, whether it's interpreted, however it's interpreted to apply to, they are very easily understood and they hit very directly [and across the world]. And it's unlike his spoken interviews, the last quote before my epilogue, somebody who was talking to the New York Times right after he died, just a fan, not someone who knew him, she said, ‘as an orator, he wasn't much, but his music said it all.’ It's almost like his music was his great expression of communication.

He also traveled and did concerts in Japan and other countries where knowledge of English was appreciably lower then, like a couple generations ago. A lot of people probably, if they read the lyrics on the page, they might have had a hard time understanding them, but when they heard them, they were geared around choruses which were easy to remember and sort of sink in. I think a lot of those messages did get through, both in the words, but also the way that they were sung.

High Tide or Low Tide

AM: So let's talk about High Tide or Low Tide and the Catch a Fire sessions in general? This track is so delicate and haunting, really enjoy it chilling with my girlfriend for sure.

RU: Yeah, Catch a Fire [sessions] - made really good music. I think in Britain a few people had heard them because there was such a big Jamaican population there, Jamaica, and they, Marley and Tosh, liked to have an International audience. They had gone to London in part to not just get a bigger audience or whatever concerts they could do, but try to find a record label. I think the feeling was it's going to be easier in Britain than in the U.S. because of that Jamaican population, Jamaica being a former British population in Britain, there was a much wider knowledge of reggae, even among non-Jamaicans, and his record labels were distribution, business distribution, primarily to serve the British Jamaican audience.

To bring reggae music itself to a wider audience, the goal was to give them more of a luster of a rock group, not so much in changing their music, but in marketing the album design, how it's distributed, it's on Island records, which a lot of people associated with those big British rock groups, and only subtly adding some rock instrumentation to their sound without diluting it.

Their appeal then, it was slightly earlier, but still very good records, music was slowing down into reggae and the lyrics were becoming a lot more socially conscious. Even though Catch a Fire is a very well-known album now, when it first came out it, it was primarily an underground hit, but that was very important, because that's where Marley's huge following could grow. When people saw the Wailers when they made their first American tours, they really stood out, in part because most white rock listeners had not heard reggae before, but also because the stage presence and the concerts were so good, and they got a lot of FM radio. I've talked to the leading FM radio disc jockey in the city in which I grew up, Philadelphia, and he said, 'oh yeah, when that record came out we leapt on it, we played it a lot, both because we loved it, but also we knew that our listeners who were maybe more used to Pink Floyd or Sticky Fingers, or something like that would love it too!'

But it should not be lost sight of that the biggest reason was that the material was very strong. You can't sell a record with that sort of marketing if the songs aren't really strong. In retrospect I kind of wish that it could have been a double album, not just Marley but also Tosh and Two, a lesser but significant degree by Quayler. Part of the reason I think that they did not stay together long on Island Records, after being together for a long time, was that Marley was getting so much of the songwriting, and that's one of the reasons he got more attention than anywhere else, although I emphasize they were a group at that time, it wasn't as what it became. They were a group in the sense that all of them have the impact that the act has.

AM: I was honored to see the Wailers after Bob Marley had passed, they were terrific.

Positive Vibration and Roots Rock Reggae

AM: This pair were often musts for outdoor adventures.

RU: With Positive Vibrations, it's like some of Bob Marley's song titles, you get the idea very quickly before even hearing the song. That's a really good example of, yeah we're going to dig into the lyrics.

We're all going to have a much better life here if we can all learn to groove together, which to some degree his concerts enable many people to do that together. But also, even if you don't think about the lyrics, it captures in a way that few reggae songs have done and reggae's been around now for 60 years or so.

Downpressor Man

AM: I first encountered Downpressor Man at an outside cafe in Miami. I had heard the cover rendition of Sinner Man before and loved it, but this magical slowed down version just hit so hard. Of course, a big fan of and feel it gives justice to Nina Simone’s tough bar to meet.

RU: I think that Peter Tosh shared with Marley as a songwriter, where he's documenting the injustices done to the underprivileged - which in Jamaica, most of the people considered underprivileged would have been. And in this instance, he adopted almost like spiritual, but made it particular, or more particular to the circumstances, not just of the oppressed in Jamaica, but the oppressed anywhere. I think that's a big part of not just Marley and Tosh's appeal, but reggae's appeal, especially in Africa, places which don't enjoy, in some cases, not as many human rights. Him changing the focus of the song and championing the downtrodden was something that made people feel that he had a lot of empathy for his audience and was able to express that well.

One Love

AM: With One Love, it's definitely something that became a huge country anthem, it always gives me a smile, and like a hug and form of encouragement – it's inviting..

RU: When preaching unity, [it's] hard to do.. without sounding sappy or sounding, just to get together, to find some common ground. This song had those kinds of sentiments, but did it in a humbler way than a lot of such songs do, but also should not be overestimated. The Beatles had a lot of great lyrics, but maybe the biggest reason they became the biggest group ever was that the songs were so melodic. Marley and the Wailers had a lot of such songs, which were very catchy, easy to hum. One Love is maybe his greatest expression of his hopes for a universal common ground between people of all geography and make inroads toward making the world a more peaceful place. Like I said earlier, he'd done that song, it caught on a lot more when it was remade in his solo career in the 70s. It was more updated, it sounds very contemporary.

Zimbabwe

AM: With Survival, it was very interesting to read your commentary because there came across with fierce lyrics and anthems.

RU: It might seem more tilted toward that on his album, but it seems like he always had a wide range of songs that he emphasized the most, but on others, that was because he was one of the first reggae artists, maybe the first, to recognize that an album should have, even if it's not like a story album or not all the songs, a theme. So maybe with Survival, he focused more on a full statement than like a romantic album that he did, but it's something that will vary on what was put out there that'll keep people interested.

I'm kind of speculating because, in part, Marley's life was short.. he didn't go through all of the phases of his career and explain them in ways like John Lennon did in his numerous interviews before he died. So it's a little bit of projection on my part.

AM: With Zimbabwe, having such significance, and the way it was performed so beautifully at legendary concerts, but how was that received globally?

RU: I do think that it meant a lot that Marley was sort of voicing his support for people's independence and self-determination in a country. It's often asked, and it's a very logical question, what would Marley have done had he not died so young in his later years? He was only - I think, although it's not certain, he definitely would have performed a lot more in Africa. He'd only perform there a bit toward the end of his career, both because he got a really great reception there, but also he saw that, as universal as his music was, it had some particular parts of meaning for people in Africa, where a number of countries - maybe South Africa got more attention in more attention in the United States for that than anywhere else, but a number of countries there - I think he would have performed there as much as he could have, maybe written more songs that were directly applicable to Africa. And possibly, it would seem like a logical step to me, maybe incorporating some elements of African music as he became more exposed to them, whether through touring or just listening more, because in the early 80s, that was the point where artists like Fela were starting to get a much bigger audience in the United States, and I could see Marley being very interested in someone like Fela, not just musically, but also lyrically, and also as a cultural figure in Nigeria.

Redemption Song

AM: Redemption Song, a lot of people's top favorite, and it is very reflective and boldy highlights the past and gives deep lessons. I’ve always held it in a different way, like a supercharged guide to fall back to when happy and chill or lost and sad. It says so much about the past, present and future of humanity, extremely prophetic!

RU: It's interesting to me for a few reasons. One is that unlike maybe all of his other really well-known - it could in some ways be heard not even as a reggae song, more as like folk. And that, it actually relates to something I was riffing on a couple minutes ago, [the] direction that he might have changed his style to that style that he would have done. Maybe he would have been thinking, yeah, I'm a reggae artist, I'm never going to abandon reggae, but I want to explore different styles that might not be dominantly reggae. Other artists have done that. Joni Mitchell started as a folk singer, then she admitted some rock influences, then she went into jazz. Paul Simon started, but then he incorporated reggae and gospel. He eventually got to African music, of course. I think he knew this when he was writing it, that he could do several different styles of music well - and when I hear it, because he didn't die that much long afterward, it's like he also had some sort of awareness that his time is not going to be long, whether he dies or not. it's almost like a Martin Luther King song. It's almost like Martin Luther King's final speeches, where he feels like, I might not have much time, but his urgency to get a message across.

AM: A hypothetical, because I've enjoyed some bubblegum gelato vape during our interview, what did he say about technology? Would he e-vape today or be comfortable his audience did?

RU: About his drug use, which is mostly cannabis, in the book or elsewhere, because there is music, but specifically as far as people using that sort of stimulation for recreational purposes, I don't think he ever would have minded whether it was with a religious dimension, as it was with a lot of prostitutes, or you just wanted to use it, at least in your ability of function and people around you. [Be sure to] be kind to your neighbors, right?

Yeah, and musically, maybe what he would have done. It's hard to project, like, if he was still making music in 2020, what he would have done. What he would have done, at least if he had lived another 10 or 20 years, if he wasn't ill. Technology, I think that would have been one of the things that he would have been wary about in some of his songs. The adverse effects of technology, not just AI, but climate change, which, when he died, that was his concern.

PHOTOGRAPHY CREDITS | PG 27, 38 - 57 Quarto Publishing/Bob Marley and The Wailers: The Ultimate Illustrated History | PG 58 GM/Current Affairs/Alamy Stock Photo | PG 60 Deposit Photos |

Read the JUL ISSUE #103 of Athleisure Mag and see BOB MARLEY AND THE WAILERS in mag.

THE BACHELORETTE S21. E9. | THE MEN TELL ALL

PHOTO CREDIT | ABC The Bachelorette

The Men Tell All takes place tonight and the night starts off with a conversation between Grant and his mom letting her know he will be the next The Bachelor. He will also be on the show later on tonight. Jesse Palmer introduces all the men that are part of the Tell All. But first he reminds us that we have unfinished business from last night’s episode of The Bachelorette and we’ll get our answers with Devin and Jenn Tran. So we head back to Hawaii so that he can talk with her about where everything is. He lets her know that they will have a tough conversation. He tells her that he is in a weird headspace because she didn’t reassure him and he didn’t feel chosen. She says that she doesn’t know how to be in a healthy relationship and to be able to be there for him in a way that he has been with him. She realizes that she is not giving what needs to be given and she realizes that if he wasn’t there, she would feel lost. She tells him that she does love him. She explains that she is not good with her words.

At the Rose Ceremony, Devin gets a rose as well as Marcus. Jonathan is sent home and he says that he thinks that she is perfect for him and that he realizes that she doesn’t feel that he was perfect for her. He realized that their relationship was a slow burn and that that was his fault.

Jonathan joins the rest of the men and we begin to scenes that took place throughout the season when the guys interacted with one another as they dated her. Of course, they start with Aaron to find out why he dropped the news that there were men in the house that weren’t there for her. He shares that Devin, Spencer, and Sam N weren’t there for the right reasons. As they go back and forth between each other, Jesse says it’s time to have Sam M in the hot seat so that they can really talk about what is going on.

We watch various moments of Sam M with Jenn and we see that there was a vibe of some sort between the two. We hear a number of the lines that he said to her and we hear how she feels about him. We also see where the turning point of their relationship started. Jesse shares that many people feel that he is not authentic and he asks him if he really loved Jenn. Sam claims that he would never say that he loved her if he didn’t.

Jonathan is now sitting with Jesse and they look at his relationship. We see the attraction from a physical standpoint, but we also see how connecting on other levels was not the easiest for them. Jonathan is looking forward to seeing her and hopes she finds the person that completes her.

Next up is Grant who will be the next The Bachelor. We see how his love story with her ended and we know that his family is excited for this journey that he is about to start. Since he was announced, there have been over 10,000 women that have applied to be on the show since he was announced. Each day, more women are applying to be on the show. We’re looking forward to seeing how his story is going to evolve. Jesse tells him to get used to showering on camera and that Bachelor Nation loves to see lots of suds when they watch people lathering up. Jonathan and Hakeem express how happy they are for him to be part of the show in this capacity. He will also join the rest of the men as Jenn is about to come out to chat with everyone.

Jenn talks with all of the men letting Sam M know that he needs to learn from his experience, chatting with other men that she had connections with at various points. In addition, she enjoys the bloopers. We find out that Hakeem will join Jonathan in Paradise. Charity and Dotun were also on hand to talk to us about what they have been up to as well.

We also get a peek at the final episode and we see that there is still more drama on the way between Devin as well as Marcus. We know that whatever happens - this will be unprecedented and new territory in terms of Bachelor Nation. We can’t wait to see how all of this comes together. We know that she says that she can’t let the guy who is willing to propose to her to go through it. We’ll be back on next Tues for the 3 hour conclusion!

JENN GAVE ROSES TO | Devin, and Marcus.

JENN DIDN’T GIVE ROSES TO | Jonathan

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO ARE THE FINAL TWO?

DEVIN

MARCUS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

---

THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M.

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

THE BACHELORETTE S21. E8. | FANTASY SUITES

PHOTO CREDIT | ABC The Bachelorette

Coming off of a great week of Hometowns, we can see that this week, the men are in the midst of emotional struggle in this week’s The Bachelorette. Devin is going through it this week in the teaser! We catch up with Jenn Tran as she invites us to Hawaii. She’s excited that she’s getting toward the end with the 3 remaining men - Jonathan, Devin, and Marcus. She catches up with Molly Mesnick (who was on S13 of The Bachelor) to figure out where she is when it comes to the remaining men.

Devin and Jesse Palmer play a round of golf with one another and you can hear the beginnings of his insecurities and we hear that Jenn is not completely there with him yet as well.

Devin’s date is first and they’re on a helicopter date where they get to see Hawaii. In addition, they talk on the beach to find out what they can expect in their lives when they are back in the real world and not on the show. Devin lets her know that he is ready to be engaged, but we can see that she is not there yet and we can understand why Devin feels that he is getting signs that she may not be in the same place. To tell her that he loves them and for him to not hear it back, could play with anyone’s head. They continue their date to the evening portion and she says in the confidential that she hopes that she can get there with him as she can see all of his efforts. They both decide to go to the Fantasy Suites and Devin is looking forward to chat off-camera as that will be their first time. They spend time with one another and she states that he is better than Pete Davidson in every way. They have their inside jokes, they seem comfortable with one another, and they enjoy breakfast together. She hopes that their time together has helped him get out of his head a little bit. She leaves him and does the solo walk back to her place with her bag from the night before as she goes across the Fairmont property in her robe and slippers.

Jenn arrives in a Jeep for her date with Jonathan. She has an adventure date for him to go to some markets and to try some foods. They go to some food trucks and you can see that he is shocked that he has a forced cheat day since they will eat filled donuts together. He enjoys spending time with her. They continue with a picnic in the forest that is near a massive waterfall. They take the time to talk and to continue to see how they connect with one another. He recognizes that he can’t keep beating around the bush with her and he needs to take the initiative. They continue onto the evening portion of the date and you can tell that she likes Jonathan more than she likes Devin as she feels stronger connections. She talks with him about how much she enjoyed being at his Hometowns and how connected she felt with them as well. She shares with him that it is important the she shares her culture and where she comes from and she wants to impart that on her kids when she has them. They opt to spend the night together.

They wake up they do look cute in bed with one another. In Jonathan’s confessional, he says that he can see himself getting down on one knee. But then we see Devin walking around and he’s back in his head again as per usual! As Devin spirals. we see Jesse and Marcus playing golf together and talking about what he’s looking forward to as he’s about to take his date. Marcus is still waffling.

But they begin their date and we’ll see more about how they are connected. In her confessional, she says that she is in love with Marcus and hopes that they will be able to pick up exactly where they left off. Their date involves a boat where they cruise out to the ocean as they continue to talk about Hometowns, how their lives fit together and continuing the chemistry that they have had throughout this process. They are going snorkeling at sunset where they can see the inhabitants of the ocean.

They have dinner together and he opens up to her to chat with her on where he is. He feels he wants to get his life right as he knows that he comes from a broken home. He lets her know he is worried and that he is unsure and she deserves someone who is sure. He doesn’t know if he can continue. He tells her that he is not in love and you can see her assessing everything that has just taken place especially because she had planned on telling him that she was in love with him! She does tell him that she is in love with him and that she feels the need to get it off her chest and not as a means to force him to say anything as she didn’t want to short change herself by not letting him know that. They go on the Fantasy Suites date, but to us, it’s a bit awkward as he has stated his position. They have a great night and she knows its a terrifying place to be in love with someone who is not with you. She knows that next week the remaining men will get to meet her family.

Back at the lobby bar area, Devin gets in his head again and ends up talking with Jesse and letting him know that he doesn’t feel like he is in a good place. He feels he didn’t get the reassurance that he needs and he doesn’t feel whole. Jesse is the perfect listening ear for him.

JENN GAVE ROSES TO | Devin, Jonathan, and Marcus.

JENN DIDN’T GIVE ROSES TO |

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO IS CONTINUING BEYOND HOMETOWNS

DEVIN

JONATHAN

MARCUS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

---

THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M.

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

STORIES FROM THE DELTA | NICCO ANNAN + SHOSHANA GUY

Readers of Athleisure Mag know that we enjoy watching STARZ’s P-Valley. In fact, we even interviewed members of the cast for our MAY ISSUE #77 for the last season of this series. This series focuses on Chucalisa and the chosen family of those that work at The Pynk. In this series, we get to know about this strip club, those who work there, and the events that take place in the community that affect those that work there. We love that we get to see a lot about these multi-dimensional characters in terms of their hopes, dreams, how they support one another and beyond!

Although we’re all waiting for the upcoming season of P-Valley, today we get to watch Down in the Valley that lets us know more about the cities that represent Chucalisa as well as the stories that come from there as well as how elements of those lives directly tie into the show. In this companion series with 6 episodes hosted by and is Executive Produced by Nicco Annan (Shameless, Snowfall, Claws) who plays Uncle Clifford in the show and Executive Produced by Shoshana Guy (Rock Center with Brian Williams, High on the Hog: How African American Cuisine Transformed America, The 1619 Project), we get to hear their stories and learn more about what we have all come to love about this series!

We had the chance to sit down with them to talk about the Mothership show, how this series came about, why it was created, and what we can expect from it!

ATHLEISURE MAG: Before we delve into Down in the Valley, what attracted you to P-Valley and why did you want to be in this incredible show which I have loved watching over the seasons?

NICCO ANNAN: Well thank you, what attracted me to this show, P-Valley, I am going to say is the fact that it was created by such an auteur as Katori Hall (The Mountaintop, Hurt Village, Tina - The Tina Turner Musical). She is really a person who I love her work in the theater and I was reading her work before I was actually even auditioning for anything like that. I also love that it was something that was a true reflection of where I came from and all different types of our culture. It wasn’t just limited to a narrow viewpoint of how I saw myself and my community.

AM: In watching the show, I love the complexities, the characters, the topics that are talked about, and the city almost becomes a character in and of itself. Although I know that the city portrayed in the series is fictionalized, it seems more like a composite of a number of cities in the South. How did Down in the Valley come about as I feel that it allows the city as a character to step forward a little bit.

NA: Yes, part of Down in the Valley, we wanted to be able to go to different cities, You're absolutely right! Chucalisa, Mississippi is a fictitious city, but it is a real Native American burial ground. In the world of P-Valley, all of this is behind us and we are really an amalgamation of the South and it would be almost like if Jackson, Mississippi and Memphis had a baby! You know with a Mama in Tunica. Haha – that’s Chucalisa.

One of the things you know that Shoshana and I talked about in creating this show, Down in the Valley, we really wanted to go to different parts of the South that were in The Delta – that Bible Belt space to see what it was really like. It was about the real people and the real places!

AM: So how did both of you become attached the show. Shoshana, I have also been a fan of your work as a journalist and a producer. As a Telecom major in college, I have been enthralled by your work. How did both of you come to this project?

SHOSHANA GUY: I had worked sort of adjacent to Starz on the 1619 Project and so I had a relationship with them there and you know, I am always looking for new folks to collaborate with so it was really exciting for the idea of - I mean, I love the Mothership Show as we call it. So it was a really exciting idea for me to be collaborating with Nicco and Katori and of course, a new production company Zero Point Zero (Nomad with Carlton McCoy, United Shades of America w Kamau Bell, Somebody Feed Phil) which it was produced out of. So once I sort of had that initial relationship, the idea of collaborating with a new group of people was very appealing to me so when I got the call, I said yes, that sounds interesting to me.

AM: And Nicco?

NA: What’s the question?

AM: We love you in the Flagship show but what drew you to come in as the host and the Executive Producer in this show? What were the stories that you wanted to tell as you mentioned earlier about focusing on the different cities and the people within it. I came across a quote that, “even though The Valley is a concept, and a state of mind, it actually reflects various areas.” As someone who is from the Midwest originally and has lived in NY for over 2 decades, I love learning about other communities.

NA: You know, when I created this show, I had the idea for this show back during S1 of P-Valley! So it was something that was always in my mind and it was about the right time. The industry has been going through a lot of restructuring, the big strike, there was this thing called COVID that the entire world experienced. So it just felt like, now is the time that we can have some space to do it. I had a little time off from the Flagship show, so when I brought it to the network, my ideas and I got that all pitched out and partnered up here with Shoshana, we really went in and found a team of people, a team of diverse people, Black women, queer people, people that were connected and had passion for the South to be able to come together and to tell this story and always having Katori in the mix!

It's so funny because my brain really just went for half a second to the script and the world of Chucalisa and I had to say, wait!

SG: Haha you were going to recite some lines for us?

NA: Right! I was going to go into a whole other place!

SG: Yeah! He’s an amazing multi-tasker!

AM: Right haha!

NA: It was just a natural, I mean honestly, it was a natural process and it was a labor of intense love, it has been one of severe dedication, you know to make during this past year. And it’s something that we wanted to do where it wasn’t about a replacement of P-Valley, it is about an expansion and creating something more. I really felt like it was an opportunity because I meet fans and other members of the Pynk Posse and there is an intense love! We can be quite intense and so I wanted to make sure that I could do something that is reflective of who I am meeting and who I am encountering, and I think that sometimes in life, you can forget the beauty and the strength that we can come from. So, I wanted to make something that was full of love, full of intention, and low on trauma.

SG: Yeah, I have to add to that to say that one of the fun things about being in the field is watching people’s reactions to Nicco was that they already felt so connected to him because of this character that he plays in the show. It was such an interesting and enjoyable piece of the operation to be moving around in space and to see how it all came together!

Remember when we went to the tailgating event?

NA: Yes!

SG: This older woman came up to me and asked me could he come over for just a second? So I looked over to where Nicco was and I said (waving her arms over), come on over here! She said to the group, “he’s coming home!”

NA: Yesss!

SG: I always remember that moment because it really felt symbolic of the way that people feel about the Mothership Show and also for us to be able to bring that feeling of home onto the screen.

AM: In preparation for this interview, I watched the entire season as I wanted to have a great backdrop for this series and to juxtapose that with the Mothership show.

I love that there are aspects of Anthony Bourdain: No Reservations. As you have this travel component in many respects and you also have this journalistic and getting into sociopolitical issues that are taking place and doing this without having the trauma aspect involved. That is such a complicated, nuanced, and beautiful mix to be able to put that together in a half hour show that is not coming off preachy, but is talking about issues that are also a crossover into what is being discussed and shown in the Mothership!

SG: Girl, who are you telling?

AM: I mean, in your mind it’s like “boop, boop, boop” triangulating all of this!

NA: Hahaha!

AM: I mean, I’m impressed by it and seeing how it is laid out and the depths of its connective tissue – it’s amazing.

NA: Oh thank you!

SG: Yes, thank you so much! It’s wonderful that you see the notes of No Reservations in there because we obviously produced it out of that kind of legendary production company, so it’s always going to have that sort of feel and flavor of that underneath it. You know, I'm a trained journalist, I have a degree from Columbia University. I worked at NBC News for many many years. So everything that I approach, has that kind of journalist feel underneath it. I’m always interested in how stories and narratives collide with real issues that are going on. We know that as Black people, it’s always a lot of things that we are working on, building on, celebrating, but also processing as a people. So our goal was to make sure that that came through. A nice balance of the fun and also the real things that we go through.

NA: To also add in, all of the creativity with the dance, and the dance elements that are in the storytelling, it’s connected. Things are elevated and there are moments of hyperreality so to speak. Like you experience that in the Mothership Show, we experience it in real life. It was just a way to capture that on screen and really tell these complex stories of real people who have real lives that are intertwined and showing you that it is really laced into the stories of P-Valley in this fictional world and here is the real world that is showing you those real things. Elements like how Hoodoo is ensconced in the community and it’s not something that the character Diamond (Tyler Lepley) just came up with out of thin air, you know what I mean? Some things like the superstition that we all have of “don’t sweep my feet,” like my grandmother would say that. Or throwing salt over their shoulder you know what I mean? Little things like that that you don’t necessarily know the root of, but you’re able to go in here and see where it all derives from in a fun, sexy, and entertaining way.

While we wait for the next season of P-Valley, watch Down in the Valley on STARZ and/or stream it on the STARZ app.

IG @alldaynicco

@pvalleystarz

@shoshanaguy

PHOTOS COURTESY | Down in the Valley/Starz

Read the JUL ISSUE #104 of Athleisure Mag and see STORIES FROM THE DELTA | Nico annan + Shoshana Guy

THE BACHELORETTE S21. E7. | WELCOME TO HOMETOWNS

PHOTO CREDIT | ABC The Bachelorette

It’s Hometowns on The Bachelorette and we’re starting off in Houston with Devin! Jenn Tran actually did what we think is the first run and jump of the season! He’s excited that he can show her his city as well as to plan their date. They’re participating in his run club that he enjoys every Wed. It’s nice that they have a Love Run where she gets to meet his friends and take in elements of the city as well. She also loves to run so that’s pretty cool that that works with her lifestyle as well.

She also meets his dog Charlie which she’s pretty cute. We didn’t initially have Devin and Jenn as a couple that would make it to Hometowns and although we do feel that there were times he provided drama, it does seem like he could be a great fit and that he is genuine about Jenn - but we’ll just have to see how all of this shakes out.

They make their way to meeting Devin’s family which is his mom, dad, grandfather, grandmother, brother, and his step dad (which Jenn reminds him of). They catch his family up on what they have been through over the past few weeks. His family seems really sweet. Hearing Devin and his dad Temo chat really showed the love between them. In the conversation between Jenn and his mom, it seems like such a loving vibe as well. His mother talks about how it took time to find her love story and that she knows it hasn’t been easy for him. Jenn let her know that she saw similarities between their families.

It seems like the date went well and with the backing of his mom, he tells her that he loves her. It was great that his mom let her know that now is not the time to be coy and to try to wait things out. Jenn tells him that she is also falling in love with him and that she does see a future with him.

We see Jenn in Fairfield, CT which is Jeremy’s Hometown - another energetic hug at a park he enjoys going to. They’re going shopping since they did that in Melbourne as well as in Seattle. They make their way to Stew Leonard’s. There are animatronics, items to sample, costume characters and more. As they enjoy eating hot lobster rolls that they shared, his aunt comes by unplanned. They had a great time with one another as they always do, but she wants to see him have a serious side and to make sure they they are on the same page. She looks forward to seeing more of his family so she can get those answers to see if he is ready for an engagement.

They make their way to his family and it’s interesting to see the dynamics. His mom Karen says in her confessional that what Jenn mentioned in terms of what she looks for in a guy is not her son! Sometimes it’s your own family and friends that share what they know to be true. When his younger sister Emily talks with Jenn she lets her know that his walls are not down and he is guarded. She talks with her brother and asks if he sees a future with her. Emily lets him know that Jenn feels that he is guarded and Jeremy is surprised that that is how she felt. He feels that he has tried to be vulnerable. When he talks with his mom, Karen asks if they have talked about serious things and she wants him to understand that fun is great, but he has to dig deeper to know who Jenn is. She continues to try to to understand the dynamic by sitting down with Jenn to find out more. She asks if they have a bond that goes beyond the fun part of their dynamic. Jenn asks if she thinks that he would be ready. Karen says that if it was the right person he could be ready, but it seems like she’s trying to let her know that she doesn’t think that he is ready.

Even though Jeremy and Jenn recap with one another, it’s quite clear to us that there is no way he goes past Hometowns.

Onto San Diego where she will meet up with Jonathan! Another physical date brings them to playing Lacrosse as they both played. So they have the opportunity to hang out with one another and to keep it easy. After playing on the field, they enjoy some champagne and they talk about the fact that he has some walls up and that they need to be brought down. He lets her know that he does see something there, but it’s hard for him to navigate his feelings, but he feels that there is something there. She is concerned that he is not able to fully get there with her in the time that she would like to see it in.

They continue on to his family and as we got a sneak peek at some of the conversation, we’re looking forward to how this part of the date unfolds. His Sister-in-Law shares how they met on Tinder, said I love you on the 3rd date, moved in together within 2 weeks and they have been married for 4 years and have been together for 7. Jonathan’s brother lets her know that because of his past, he is super protective of him. In speaking with his mother, Jenn is looking to get her feedback and she knows his brother is very hesitant about the process that they have gone through even though he met his wife on Tinder. Jenn explains that she understands that he is holding back, but she wants him to open up so that they can get there and have a stronger relationship ultimately. When Jonathan and his mom sit down to talk, she asks him why he is holding back.He lets her know that he wanted to get reassurance from his family and more importantly, his mom. He asks if she sees her being long terms. His mom said yes and you can see the weight lift off of his shoulders. She tells him that he has to put himself out there and to take that chance in order to go forward.

He lets her know that his family loved her and that he really needed today in order to connect more with her. He let her know that he is falling for her and that he feels it. She lets him know that she is falling for him as well.

It’s the last Hometowns date! We finally get to see Marcus and his family in Tacoma, Washington. Going into Hometowns, we felt that this date would be one that would go well. He lets her know that he will meet his sister, but not his adoptive family. In addition, he has some of his friends who he feels is family who will be there to meet her. He knows that he has struggled to be open to falling in love and having a future with Jenn and he feels stuck so he wants to find out what his support system thinks. Ultimately, he tells her that he is falling for her. She says the same.

All 4 Hometowns have concluded and now it’s about Jenn selecting those that should continue on the journey. The 4 contestants meet up for some beers to catch up on what they have gone through.It’s the last time they will be together before the rose ceremony. Marcus realizes that everyone seems comfortable with their Hometowns and that at any point, they would be ready to propose. Marcus realizes that he feels like he is behind. He realizes he shouldn’t feel the way he is feeling and yet he does - the epitome of conflicted.

All of the guys arrive and wait for the rose ceremony begin. Jenn arrives and connects with Jesse Palmer as they quickly debrief on what he past few days have been like.

She lets the men know how important Hometowns was and how it allowed her to reflect on what she needed. These were hard questions that were necessary for her to know so that she can pick the right men to continue. She sends Jeremy home which is not a surprise if you think about the feedback that Jenn received from his family.

Next week we have Fantasy Suites as well as the Men’s Tell All on back to back days and we hear more from the men on where their heads are at.

JENN GAVE ROSES TO | Devin, Jonathan, and Marcus.

JENN DIDN’T GIVE ROSES TO | Jeremy

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO IS CONTINUING BEYOND HOMETOWNS

DEVIN

JONATHAN

MARCUS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

---

THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M.

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

THE BACHELOR S29. E0. | MEET GRANT ELLIS!

PHOTO CREDIT | DISNEY/John Fleenor

Last night, we saw that Grant Ellis was not going to be heading to Hometowns. We enjoyed seeing him throughout this season’s The Bachelorette’s as he competed for the heart of Jenn Tran. We were shocked that in the middle of the night they announced him as The Bachelor for Season 29! We can’t wait to see who will be on his season and to get to know more about him. But until then, we’ll look forward to what’s about to take place!

Each night during this season, we will tweet about The Bachelor and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

Read the latest issue of Athleisure Mag.

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HERE’S WHO WE THINK WILL GO TO HOMETOWNS

BILL (Copy)

CHRISTOPHER S. (Copy)

JORDAN H. (Copy)

KIM B. (Copy)

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THE GOLDEN BACHELOR CONTESTANTS

BILL (Copy)

BOB (Copy)

CHARLES K. (Copy)

CHARLES L. (Copy)

CHOCK (Copy)

CHRISTOPHER S. (Copy)

DAN R. (Copy)

DAVID H. (Copy)

GARY L. (Copy)

GIL R. (Copy)

GREGG L. (Copy)

GUY C. (Copy)

JACK L. (Copy)

JONATHAN R. (Copy)

JORDAN H. (Copy)

KEITH G. (Copy)

KEN O. (Copy)

KIM B. (Copy)

PABLO (Copy)

PASCAL (Copy)

R.J. (Copy)

THOMAS H. (Copy)

MARK. A. (Copy)

MICHAEL S. (Copy)

THE GOLDEN BACHELORETTE S1. E0. | MEET THE MEN

PHOTO CREDIT | Disney/Ricky Middlesworth

Last night, we enjoyed seeing who will make it to Hometowns for The Bachelorette’s as Jenn Tran made some serious decisions. We know that the highs and lows aren’t over, but this morning, we also heard that The Bachelor is going to be Grant Ellis who just missed the cutoff to go to Hometowns! We can’t wait for what his season will be like as it will begin to film soon. Of course, with so much going on in Bachelor Nation, we’re excited for The Golden Bachelorette! Joan Vassos whose series and season will premier on Sept 18th!

We loved her when we saw the connection she had with Gerry Turner during his season of The Golden Bachelor and many felt that she would give Theresa Nist quite a run! But then she chose to go home during Week 3 when her daughter had a medical emergency. Both were upset that their journey came to such a sudden end. But now, we’ll be able to see what her journey to love will look like. We know that she is a mother of 4, grandmother of 2, after 32 years of marriage she is a widower. We can’t wait to see who will be vying for her heart and how it all comes together!

Today, they announced the men that would be competing for her heart! As usual, we have shared all the men and who we think could make their way to Hometownws. Each week, we will continue to guess and see how it all goes! Until the season starts, enjoy the below.

Each night during this season, we will tweet about The Golden Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

Read the latest issue of Athleisure Mag.

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HERE’S WHO WE THINK WILL GO TO HOMETOWNS

BILL

CHRISTOPHER S.

JORDAN H.

KIM B.

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THE GOLDEN BACHELOR CONTESTANTS

BILL

BOB

CHARLES K.

CHARLES L.

CHOCK

CHRISTOPHER S.

DAN R.

DAVID H.

GARY L.

GIL R.

GREGG L.

GUY C.

JACK L.

JONATHAN R.

JORDAN H.

KEITH G.

KEN O.

KIM B.

PABLO

PASCAL

R.J.

THOMAS H.

MARK. A.

MICHAEL S.

THE BACHELORETTE S21. E6. | FORGING AHEAD

PHOTO CREDIT | ABC The Bachelorette

This week, The Bachelorette is in Seattle - interesting that they are back in the States after being in Australia and New Zealand. We catch up with Jenn Tran and we realize that next week is Hometowns! She reminds us that this was the week that she was sent home before that key week. We see her with Charity who is down to give her some advice. With 7 men there, she knows that this number has to go down to 4! Charity gives her advice on what she should keep her eye out for and she also walks through each of the men.

Even the guys know that if they get that rose, their families will be able to meet her so the stakes are pretty high. The guys want the 1-on-1 to get that time. The date card arrives and it is attached to a large box. Marcus gets it. he gets a Letterman Jacket and heads out to meet Jenn.

This will be their 2nd 1-on-1 date and she lets us know that he has held back a little bit so she hopes that he will step it up. It’s a big deal to see where they will go. Clearly, they will enjoy touring around Seattle, but Jesse Palmer hops off a trolley and let’s them know that they will experience The Emerald City and they will have a bit of Wicked magic that is following along on their date. Kelsey and Daisy are also on the date and they were on Jenn’s season when they all competed for Joey’s heart. Nice that they brought them here. In addition to doing various activities, the bubble portion is interesting because he’s able to share elements of his life with her that he may not have done on his own. Jenn also has balloons that share more about who she is which is great for Marcus. After revealing items about themselves, they continue to walk and meet up with the original Bachelorette, Trista who gives her words of advice within the Wicked theme! It’s a great date idea for them. Of course, they have a bit of heights in the date with the hot air balloon.

Back at the hotel suite, the 6 men know that this is a big date and they hope that they will get the remaining 1-on-1 date. They all feel that they need it for whatever they want to be able to share with her. The date card arrives and Spencer, Jonathan, Sam, Devin, and Grant are all listed. It seems like Jeremy may have the 1-on-1 date.

Back on Marcus and Jenn’s date, they make their way to dinner at T-Mobile Park. They are sitting on the field at a table for 2. She tells him that she wants to be his safe space and that he can be vulnerable with her. He appreciates that she wants to be that way and that she sees that he is trying to do this with her. He wants to be honest with her about everything. He lets her know that he does not come from a perfect family by any means. He lets her know that they were born into a rough situation and that their parents could not take care of them. They were left behind in a daycare facility and no one came back for them. He lets her know that they grew up in foster care and that people seemed to want to be their parents and they would end up being sent back. So he has a hard time being open, sharing his feelings and having a sense of roots. She is saddened to hear this and she understands that both of them have battled feeling loved as well as growing up in non-traditional families. She gives him the rose and he is going onto Hometowns.

The group date has them on a radio show for iHeart Radio show, Love On Air Seattle. They learn that they will get to answer questions that are provided by the radio team. Devin knows that Sam will definitely get himself in trouble as he’s not someone that can speak without putting his foot in his mouth. He talks, but what is he saying and everyone can feel that he’s not saying anything that answers the questions. Jenn visibly reacts and lets us know that what he is saying is not authentic. The radio team hears from the men and thinks that Sam should spend time with her to chat because it seems like he needs more time to get his thoughts across. The other guys get to watch the interaction on the screen, but the team remains with them. Jenn feels that when she asks him pointed questions, she does not get the answers that makes her feel comfortable. He tells her that when he got out of the limo, he felt that he would get his wife; however, she is not his type and that he thought it was going to be Maria or Daisy! He then explains that he wants a ferocious love and that he wants to be a father and a husband. But he never talks about Jenn and what he likes about her and he has the radio team watching him. The guys watching via the screen all see that he is not speaking with her and talking about her!

At the group date after party, she lets the guys know that one of her conversations frustrated her as she didn’t get what she was looking for. She lets them know that she is looking to make connections. We love how Grant lets her know that he likes her, respects her, and cherishes her. He sees a relationship with her and wants her to know that he is falling in love with her. She continues to chat with the other men and she appreciates how they are being clear with her. Jonathan sees a future and Spencer says that he is there for the right reason as well. She feels seen and understood. Devin tells her that he enjoys the thought of her coming home to his family which is an awesome way to tell her his feelings. She tells Devin that she is falling in love with him as well. We weren’t sure about Devin, but we can see the two of them would make a cute couple.

Devin asks Sam does he think that the person she is talking about is him? Sam seems to think that it could be anyone, but not him. Jenn asks Sam to talk with her as she feels there is a disconnect because he can’t back up his feelings for her. She doesn’t understand what is going wrong between them. She tells him that they had great chemistry previously, but during the date, she doesn’t feel that there is a connection and she wants clarity. Sam seems very uncomfortable communicating and is clearing his throat throughout their conversation. She keeps asking him why he likes her and he can’t articulate it and then he says that it’s because he loves her. She has no idea where the “L” word is coming from as she doesn’t feel that it is real. He just says that ferocious and reckless love is what they have and she lets him know that they need more conversations so that they can be on the same page with one another. Although she knows she wants to continue with him, she is seeing some flags and they’re not green. There is no group date rose that is being given out and she wants to be able to think about everything. She’s not sure that she wants to meet his family.

Even Sam realizes that their interaction wasn’t great and he’s walking the streets of Seattle thinking that that may be the last time that they get the chance to talk. Even the other guys realize that what went down doesn’t bode well for him.

She makes her way to Pike Place Market which we have been at a few times, Seattle is a great down and what a cute date for her and Jeremy to explore this Farmer’s Market. They get to catch a fish that is thrown across the market, there’s the awesome bronze pig that is there, flowers and so much more. She wants to talk more to see what their connection is. He makes her a bouquet and lets her know that he wants her to meet his family. They even hang out at The Gum Wall. He knows that there are other relationships that are further along than his; however, he still wants her to know that he is there. They even debrief over lunch about how her date was the night before and he asks her how she feels.

They continue into the night portion of the date at Chihuly garden and glass for dinner. Once again, we have attended this space and it’s amazing anytime of day, but at night - it’s spectacular. She lets him know that she needs to ask the serious questions and how they can fit their families together. They connect on their families and being able to integrate Jewish and Buddhist foundations for their children. She gives him the rose.

She enters the men’s hotel suite and wants to figure out where Sam’s head is at because she doesn’t know why he likes her, what he is attracted to about her and more. To get clarity she asks him again as she feels that he is only saying things to make her happy. He then tells her that he can’t put his feelings into words for her. The double talking that he is doing confuses her and she takes a moment to figure out where she’s at.

The guys ask one another what they think is going on - but they know that the energy is off. She comes back to Sam and says that they had a great journey, but in this conversation, she realizes that he didn’t ask her at all what she thought. She lets him know that she doesn’t understand how he loves her, but he doesn’t see her and really know anything about her. She explains that she has closed the chapter of her life of telling people how to love her and to be with her and that she is done with that. Sam’s time is over and of course he was so awful on the way out calling her “dull.”

Devin receives a rose and the last man who will make his way into Hometowns joining him, Marcus, and Jeremy will be Jonathan. Although Grant didn’t get a rose, in the early hours of Tuesday morning, social was a buzz with the selection of Grant being the next Bachelor! He came so close to Hometowns and we can’t wait to see him helm the 29th season of this show! But before we can watch his season, we will see Joan take her place next month as The Golden Bachelorette.

JENN GAVE ROSES TO | Devin, Jeremy, Jonathan, and Marcus.

JENN DIDN’T GIVE ROSES TO | Grant, Sam, Spencer

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

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THEY ARE GOING TO HOMETOWNS

DEVIN

JEREMY

JONATHAN

MARCUS

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

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THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M.

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

KEEPING IT CLEAN | KEEGAN MICHAEL-KEY

We had the pleasure of catching up with Keegan Michael-Key who is an actor who always leaves us in good spirits! His ability to make you laugh and think is something that we appreciate. We enjoyed talking with him about his work as a teacher, investing in children’s lives through learning, partnering with Lysol to promote clean environments in school and at home, and of course his work on one of our favorite shows Abbott Elementary and other projects we’re excited about!

ATHLEISURE MAG: We have been a fan of yours for a number of years and have loved your shows and of course most recently, Abbott Elementary. But you actually have teaching experience at Penn State and at Second City. Can you tell us more about this?

KEEGAN MICHAEL-KEY: Yes, I was a graduate student at Penn State and I taught Fundamental Acting, Non-Majors and I had a really fulfilling and fun time doing that. I had a great time with the students and I also interestingly learned a lot and it helped reinforce the training that I was getting.

When I was a performer at the Second City Theater, both in Detroit and also in Chicago, I spent a good deal of time teaching improv as well as communications techniques to people. And also in Detroit at the Mosaic Youth Theater of Detroit, I spent time going to classrooms and teaching children improv skills. That was also a very fulfilling experience too. So I have done a lot of teaching in my past and I really really loved it.   

AM: That is such a great story! When did you realize that you wanted to be an actor?

KMK: I realized that I wanted to be an actor probably when gosh, I would have been around 14 or 15 and that would put me in high school. I was encouraged by a family friend and my drama teacher in school was really hands on and very supportive. She really helped to pull me into that world! Once I was in it, I was in love!

AM: Why do you feel that hands on learning is so important and can you tell us about HERE For Healthy Schools?

KMK: Yeah, to answer the first question, I think that when kids have an opportunity to do things hands on and interactive, I really feel that the information that they are being given that the teachers desires for them to receive, really gets into their minds better and they can practically handle things and move through things. It’s more effective learning and that is kind of why I wanted to work with Lysol at the HERE for Healthy Schools Program this particular year. Because, what they are doing with the initiative this year, is that they are putting together the Lysol Minilabs Science Kits and the kits are going to contain educational materials that are designed to be hands-on so that the kids can learn about germ education, healthy habits, and how to keep the classroom environment as well as the general environment clean.

AM: Whether you have children that are going back to school, maybe you’re an aunt or uncle, or you just live alone solo, what are some healthy habits that we need to know about so that we’re not transferring germs and we’re reducing all the ick?

KMK: Ha – all the ick! You know, I think that the first thing across the board that everyone can do and that we can always teach children, is of course, washing our hands. Washing our hands after an activity, washing our hands after using the bathroom so that we’re not the germ spreaders if that makes any sense? We’re so mobile as humans, and then we’re the ones spreading the germs! So cutting that off at the pass if you will and then also, when you think about countertops, and desktops, and door handles which are things that we come into contact with every single day, and many times during the day, it’s just a wipe here or a spray there that can hopefully keep the germs down. Then we’re allowing ourselves to be in a cleaner environment!

AM: 100%!

Obviously, you have so many awesome things that are coming up obviously Season 4 of Abbott Elementary is slated to premiere on ABC on Oct 9th! Every time that we see you on the screen we just know that it’s going to be good. What can you tell us about – obviously not a lot – as we prepare for the next season?

KMK: Well, without giving away next season, you can stream Season 3 now of Abbott Elementary now which I am really happy for people as you can enjoy repeat viewings if you feel so inclined! I have a small arc on the show in the season where I play the Superintendent of Schools in Philadelphia which is where Janine, Quinta Brunson’s (A Black Lady Sketch Show, History of the World: Part II, Weird: The Al Yankovick Story) character works now and she feels encouraged to affect more change in the school system. You get to watch that story play out and really the big thing that you get to watch playout is this struggle between her love for everyone and the students at Abbott Elementary and then this more macro environment with the Superintendent and there is this struggle of being pulled between these two things. Can I do more good here? Should I go back to Abbott and be more of a boots on the ground? She’s trying to figure out what way can she be more effective for the students?

AM: We enjoyed watching the 3rd season and getting that layer.

What attracted you to want to be on this show? So many people love this show and so many actors and other people are trying to find ways to get into this show!

KMK: Oh yeah!

AM: What was it for you that made you want to do it?

KMK: First of all, I think that Quinta is a real amazing talent and I have known her for years and I have watched her grow as an artist and the pride I feel for her is overwhelming because what she has done is such an achievement! But also, within that, is the humanity of the show. I think that just the thematic subject matter of the show is about nurturing and investing in our future which is about children. It’s also this kind of intrinsic, American underdog story – an underfunded school district, how do we pull ourselves up by the boot straps and do what we have to do for the betterment of these children. So that is really heartwarming in a way it is very inviting because they are letting the world in and it is inspiring. That is why I wanted to be part of it. It’s also very funny!

AM: Oh it’s very funny!

KMK: So funny!

AM: Well you’re also in Transformers One and Dear Santa! That’s 2 amazing additional projects that are coming out! We’re sure that you’re excited about them and can you tell us about them?

KMK: Well, Transformers One will be coming out in September 20th and it’s a really exciting project to work on. The director is a gentleman by the name of Josh Cooley (Up, Inside Out, Soul), very talented animation director. He directed Toy Story 4 that I starred in with Jordan Peele (Get Out, Us, Nope). We played partners – we played a little stuffed duck and a little stuffed rabbit that were connected to each other and we had such a great time that Josh asked me to come on and play Bumblebee in Transformers One which really is an honor because he’s a very popular character in the Transformers universe!

Dear Santa is a holiday movie that stars Jack Black (Jumanji universe, Kung Fu Panda universe, The Super Mario Bros. Movie) and he is absolutely fantastic and I hope you go see it and everyone that you know goes to see it! It’s really fun and it has a lot of heart. It’s silly and zany and it’s going to be great!

AM: Do you have any other projects whether it’s TV, film, or just philanthropic that you would like for us to know about that we should keep an eye out for because you’re always doing great things! It’s great to see you in a number of commercials as well as you are a busy man!  

KMK: Ha ha yes I am praise God!

Well one thing in September that is coming up, I wrote a book with my partner at Elle Key (August, Fair Game, The Blackout), we wrote a book called The History of Sketch Comedy: A Journey Through the Art and Craft of Humor, and the audio version of that book is coming out then. So again, I know that it is early for the holiday season, but if people want to, they have the opportunity to download that or to send it as a gift and it was a real passion project for us and we’re really proud of the book. So there is also that! So that’s about it for right now if that’s not enough!

Read the latest issue of Athleisure Mag.

THE BACHELORETTE S21. E5. | WHAT'S A GIRL TO DO?

PHOTO CREDIT | ABC The Bachelorette

This week, The Bachelorette reminds that drama never takes a rest! We remember from last week that Jenn Tran’s ex, Matt, has arrived and wants to be able to compete for her heart. The guys are excited to have blue skies for this cocktail party - not quite! Jesse Palmer connects with her to ask her how she is feeling with this addition and the fact that the men are not aware of what she is about to tell them when she joins them. She sits down and thanks them for a great week. She tells them that Matt came in from Auckland and wants to join in on the journey. She lets them know that not only is he there, but she will need to talk with him as well. The men are upset as they have so many questions - will he join the house, how strong are their connections, what does this mean? Devin announces that if Matt does join the group, he knows that his rose means something and he will leave. Grant tells him that he should trust the process.

After talking with Jenn, Matt walks into the room with the men and lets him know that he will not be staying because Jenn has moved on and sees her future with them. Once he leaves, Jenn tells the men the same thing and says that although she appreciated him saying that he loved her as she had never heard that, she was sending him on his way. The guys also didn’t get any time with her as she is heading straight to the ceremony.

Since there was a ceremony at the beginning of the show, she gave roses to Austin, Devin, Dylan, Grant, Jeremy, Jonathan, Marcus, Sam M., and Spencer. She sends John and Thomas home.

Jesse catches up again with Jenn acknowledging that the night before was a lot and he also asks what she feels she wants to see as she moves forward. The 9 guys are chatting with one another when a date card arrives and Jonathan receives a 1-on1. His date includes a helicopter ride and we know that he is uncomfortable with heights, but is willing to do it for his date. She had a helicopter date earlier this season, but this one is taking them to a vineyard. The play hide and seek, toss grapes in each other’s mouths and of course they sit in a hot tub.

They make their way to the dinner portion of the night and we know that they have cutesy vibes with one another, but we also know that she wants to know more so that she can be connected with him.

While Jonathan opens up with Jenn about past relationships and things that took place with his family, another date card arrives for the group, Devin, Sam, Marcus, Spencer, Jeremy, Dylan, and Austin. Grant is getting the 1-on-1 date.

Jenn encourages Jonathan to continue to be vulnerable and to open up and he gets the 1-on-1 date rose. They have a cute kiss in the rain as it if was on cue!

It seems like for the group date that the guys arrive to a farm and we know that it will get messy. When they arrive, Jenn lets them know she has a few friends who will be on the date - sheep and it’s quite a lot along with a shepheard dog. She introduces them to a couple who are the owners of the sheep farm and they are looking for the best farmer and the winner will get to have more time with The Bachelorette. The try to get sheep through a gate which was an epic fail, they shoveled poo, and cut dingleberries from the sheep. The farmers award Devin with best farmer’s award and Austin feels that he didn’t do anything and someone in the group of other guys deserved it as they didn’t shirk their work.

So, the group date after party begins and Spencer asks if Devin deserved having the best farmer of the date and he responds that it’s about taking initiative. Devin hopes that he will get a rose as he’s taking all the time he can to continue to connect with her. Jenn says she wants to continue the connections and why they are choosing one another. Austin airs his grievances during the confessional because he knows he has not had a 1-on-1 date with her.

Austin finally gets some time with Jenn and he lets her know that he is always going to be up front and honest with her. He tells her that he always feels like he is always playing catch up and that he feels that he can’t do that. He lets her know that he doesn’t think it is fair to her or himself to continue the journey. Jenn says she is surprised and doesn’t want to hear this, but she can accept where he is coming from. Austin decides to go home and she is now concerned that she may not be enough for others in this group. The producers ask if she has shared this with them and she says that if she does, she is concerned that they will see how worthless she is She’s not feeling good enough or worthy enough and she thinks that there is a possibility that she may end up being alone.

Dylan fills them in as he was Austin’s roommate and he knows that he hasn’t felt like he has connected in the same way. She lets the guys know that today was crazy and she is vulnerable with them by sharing that she doesn’t feel that she is not good enough. Sometimes she doesn’t feel amazing. It was sweet to hear the guys rally around her and let her know that she means a lot to them and it’s ok to feel the way she does and to know that they don’t see her that way. They tell her in a group setting and they also say it individually as well. She opts to not give out a rose because everyone stepped up to cheer her up and to be there for her.

Now we come to the last 1-on-1 date of the week which is with Grant. As Jenn arrives to the date, she is in a much better head space and is ready to explore her connection with him. Their date involves horseback riding and Grant is excited to spend this time with her. He even talks about how he is aware of the feelings that she went through yesterday and he wanted to check in. They navigate the trail and they talk about how she would love to own a farm as she loves animals and they arrive at the beach as they continue to ride. She knows that its important to have strong relationships and she knows the weight of this date. As it rains on the beach with their picnic, they are vulnerable with one another.

They continue their date into dinner. Grant realizes that she knows the surface stuff about him, but not other elements that make him unique and he knows he has to share that with her. He gets into his imperfections and talks about his family and how he had a hard upbringing and that his dad had an alcohol program and he felt that he was being lied to. Even as recently as him leaving for the show, he let him know that he was checking into rehab and now he has been able to connect with his father being 2 months sober and it’s a new him that he gets to learn. They connect on the fact that they didn’t have that father figure and what it meant to them. She gives him the 1-on-1 rose and appreciates how he was vulnerable as well as sharing sentiments that are similar in their backgrounds.

The men arrive for the cocktail party before the rose ceremony. With 2 men secure with their rose, the other 6 are feeling that the stakes are pretty high. Grant shares that he thinks he is falling in love with Jenn. The guys uncomfortably absorb his announcement. Time is always a tough character in this scenario and all of them feel nervous. She arrives and says that they look great and she is happy to see them. She appreciates how they have shown up for her and it meant a lot to her. Because she saw how they supported her, she doesn’t feel the need to have a cocktail party and will see them at the ceremony.

JENN GAVE ROSES TO | Devin, Grant, Jeremy, Jonathan, Marcus, Sam, and Spencer.

JENN DIDN’T GIVE ROSES TO | Austin, Dylan, John M., and Thomas N.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

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WHO WE PREDICT WILL GO TO HOMETOWNS

DEVIN

GRANT

MARCUS

SAM M.

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

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THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M.

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

THE ROOT OF IT | MARIA CAMILA GIRALDO

We always enjoy watching our favorite shows and the actors that portray characters that are memorable. In addition to enjoying their creative pursuits, it's always interesting to see when their life experiences initiate an entrepreneurial endeavour based on issues that they may have come across.

We sat down with Maria Camila Giraldo who we recently enjoyed watching her in Netflix's Griselda. We wanted to know more about how she came to acting, how she approaches her characters, how she came to this series and to find out about her wellness brand, Fungiments. Co-founded by her and her fiance, Cole Garson they set out to create this brand that uses mushrooms and adaptogens.

ATHLEISURE MAG: What was the first film or TV show that made you realize the power of acting?

MARIA CAMILA GIRALDO: The first film that made me realize the power of acting was V for Vendetta. The performances were so compelling and intense that they truly demonstrated how acting can convey deep emotions and complex ideas, leaving a lasting impact on the audience.

AM: When did you realize that you wanted to be an actor?

MCG: I think I was born an actor. Ever since I was a baby, I would grab the camera and perform different characters. As I grew older, I started producing my own short films and homemade talk shows. This passion for performance and storytelling has always been a part of me.

AM: How do you approach playing your characters as we know everyone has their own process.

MCG: My approach to playing characters depends on the character and the story. Currently, I'm very influenced by Ivana Chubbuck's technique. It's an amazing method that helps me connect my own reality with the character's reality, allowing for a more authentic and powerful performance.

AM: We enjoyed watching Netflix's Griselda - how did you become attached to the project and what drew you to this series?

MCG: I started auditioning for Griselda in October 2021. It was a lengthy process. Initially, I was considered too young for the original role I auditioned for, but they eventually called me in for a different role. I didn't hear back until the end of November 2021 – that’s when I received the exciting news that I had to move to LA for the project. I had always wanted to be in LA, having visited on and off for the past three years, so it was a perfect opportunity for me.

AM: The storyline and telling Griselda's story was amazing. On your IG, you shared that you had a vision board where you noted that you would be on a top show and Sofia Vergara (Modern Family, Chef, This is Me ... Now: A Love Story) was also on there and of course we saw that come to pass this year! What was your biggest takeaway from doing this show?

MCG: My biggest takeaway from doing this show is the importance of dreaming big, working hard, and preparing for the opportunities you want. If you do, the moment you’ve been waiting for will eventually show up. Having a vision board was a constant reminder of my goals, and seeing it come to fruition was incredibly rewarding.

AM: You're going to be in a film with Al Pacino (The Godfather, The Irishman, Serpico), is there anything that you can tell us about this?

MCG: Initially, I was hesitant because I didn't like horror movies. However, my managers insisted I take a look at the project. When I did, I realized it was more than just a horror film—it was a psychological thriller that delved into mental health, a topic very close to my heart. After my concussion and personal struggles with mental health, I felt deeply connected to the story and its significance.

AM: You were recently at the Cannes Film Festival and we loved seeing your look on the red carpet. What was it like attending this festival and were you there promoting a film?

MCG: Attending the Cannes Film Festival was a dream come true. We were there for private screenings of The Ritual (Editors Note: This is her upcoming film with Al Pacino). The experience was incredible - the magnitude of the event, the glamour, and the sheer amount of talent present was amazing. It was an honor to be part of such a prestigious event and to witness the global celebration of cinema.

AM: As someone who has been playing a number of roles, you are also an entrepreneur in the wellness space! What led to your wellness journey to becoming an entrepreneurial aha moment?

MCG: When I went through a concussion, I realized that there weren't many natural alternatives for managing my anxiety or improving my focus and concentration that didn't involve medications, and I didn't want to go that route. So, I tried everything and looked everywhere. I found a lot of relief in mushroom supplements and adaptogens. After searching through pharmacies and supermarkets and not finding anything similar, I saw a big opportunity to create a fun brand that people can connect to. That's what led me to create Fungiments and become an entrepreneur.

AM: Tell us about Fungiments and its use of mushrooms and adaptogens.

MCG: Fungiments uses mushrooms as the hero ingredient, blending them with other adaptogens to enhance their targeted effects. This approach allows us to create products that truly work, unlike other mushroom supplement brands that often include mushrooms in low milligrams, leaving you unsure if they are effective. Our formulations ensure that each product delivers tangible benefits for your specific needs.

AM: Tell us about your assortment and although you just launched, do you have plans on additional items to add to your offerings?

MCG: Our body is like an ecosystem, and our goal at Fungiments is to create products that support each system within it. For example, we have Super Prune gummies which support digestion with Turkey Tail mushrooms along with other functional ingredients. Super Bouncy is for those lacking energy and focus, made with Cordyceps, ginseng and more. We recognize that we are holistic beings, and one issue, like lack of energy, can often be connected to another, such as poor sleep. Although we just launched, we already have plans to expand our offerings to cover a wide range of needs, including sleep, energy, and overall wellness, ensuring that every aspect of your health is supported.

AM: When you're not working on your next project or working on Fungiments, how do you take time for yourself?

MCG: When I'm not working on my next project or Fungiments, I take time for myself by exercising. I have chronic pain, so movement helps to alleviate my symptoms and keep me feeling better. Additionally, working out has a positive impact on my mental health, and I also focus on skincare to take care of myself both physically and emotionally.

IG @maria.giraldo

PHOTOS COURTESY | Fungiment

Read the JUN ISSUE #102 of Athleisure Mag and see THE ROOT OF IT | Maria Camila Giraldo in mag.

THE LONG AND THE SHORT OF IT | JULIAN WORKS

For the past 4 seasons, we have enjoyed 9-1-1: Lonestar which allows us to follow the work and lives of first responders that are in Austin Texas! With an engaging ensemble cast, we took some time to talk with Julian Works who plays Mateo Chavez. We've watched as he's grown with his fellow fireman, become involved in a relationship, and really coming into his own!

We wanted to know more about how he got into the industry, his passion for storytelling, being in 9-1-1, how one trains for this role, his movie The Long Game, and more!

ATHLEISURE MAG: What was the show or movie that made you fall in love with storytelling?

JULIAN WORKS: I’ve been a movie buff since I was really young and loved so many classic films like Rear Window, La Dolce Vita, Rebel Without A Cause, East of Eden, On The Waterfront, A Streetcar Named Desire, Rocky, Dog Day Afternoon, The Godfather, Taxi Driver, and Midnight Express. They definitely lit a spark in me, and after hosting a YouTube Sports channel called Mun2 with my uncle as a teenager, I decided to audition for a rendition of The Odd Couple at my high school. I ended up booking the lead role of ‘Oscar Madison’ and the rest is history!

AM: Prior to you coming to 9-1-1: Lone Star, I first remember seeing you on The Affair. What is your creative process in approaching the characters that you have played?

JW: I do extensive research for any role that I play. In the case of The Affair, I came into the recurring role of ‘Angel’ after the show had been airing for 3 seasons, so I took it upon myself to binge-watch as many episodes as possible before the audition so that I could grasp the tone and the rhythm of the show. In the case of 9-1-1: Lone Star, on the other hand, I had the privilege of developing the character from its inception and the writers have molded the character around what I’ve brought to the table over the past 4 seasons. For The Long Game, I first read the novel by the great Humberto G. Garcia, then researched what it may have been like to be a Mexican American in 1950’s Del Río, Texas and of course brushed up on everything golf-related (including playing the game quite a bit before we began filming). Doing a deep dive into script and role analysis is also a part of my process. It always helps when you have a great director like Julio Quintana (Blue Miracle, The Vessel, Disgraced) or television showrunners like Tim Minear (9-1-1, Ratched, American Horror Story) and Rashad Raisani (Burn Notice, 9-1-1, 9-1-1: Lone Star) at the helm who guide you and put all of the pieces of the story together.

AM: What drew you to 9-1-1 Lone Star?

JW: Producers Ryan Murphy (Glee, Pose, American Horror Story), Brad Falchuk (Nip/Tuck, Scream Queens, The Politician), and Tim Minear. As soon as we saw their names attached to the series, my team and I knew we had to do everything in our power for me to work with them. It has been one of the most rewarding work experiences of my life.

AM: What is the training like to be on this show in terms of wearing the gear and being able to be in the mindset of a firefighter?

JW: It definitely takes some getting used to and ample training time. The gear is super heavy, so you have to be physically fit to handle the long hours with bulky clothing and able to handle sizable equipment, sometimes in hot weather. We’ve gone through extensive training with real firefighters and incredible consultants with our production team to make sure we honor the real firefighting heroes who risk their lives every day for us.

AM: Tell me about how you came to the 9-1-1 Universe as you actually had a few episodes in the flagship and how did that then bring you to 9-1-1: Lonestar?

JW: I booked a memorable Guest Star role opposite the legendary Angela Bassett (Waiting to Exhale, American Horror Story, Black Panther universe) on the flagship show, 9-1-1. A year later, when 9-1-1: Lone Star was casting, I read for ‘Mateo Chavez’ late in their casting process, fresh off of filming a TV show in Canada. Luckily, much of the creative team and the producers were the same on both shows, and they thought I’d be a great addition to the cast. I thank my lucky stars for that, since playing ‘Mateo’ has been one of the greatest experiences of my life until now.

AM: You also get to play a twin every now and then - what do you love about Marvin?

JW: I only played ‘Marvin’ once on the original 9-1-1 show. I love that he’s a very genuine and charismatic person who just lacks direction in life. To his benefit, Angela Bassett’s character, ‘Athena,’ gives him the tough love that he needs. She is the reason he reflects on his life and looks to change for the better at the end of the episode.

AM: For those that need a refresher where do we end with Mateo from last season and what can you tell us about where we pick him up again for next season?

JW: Without giving away too much, let’s just say that he and Nancy (Brianna Baker) are a part of the fifth season’s storyline. Stay tuned for new and big climate events, explosions, amazing rescues, and the evolution of old and new relationships! Like all previous seasons, ‘Mateo’ will have a breakout episode where new and exciting things will be revealed!

AM: For fans of the show, what are the takeaways that you want viewers to feel about Mateo's arc or the show in general?

JW: I love ‘Mateo’s’ humor and optimism, even when faced with great adversity or personal challenges. He keeps getting back up and trying again, until he achieves his goal and I’d like viewers to really take that positive attitude and indefatigable outlook with them, into their own lives.

AM: You are in The Long Game which hit theaters last month and debuted at SXSW last year where the film earned the SXSW Narrative Spotlight Audience Award. What drew you to this movie?

JW: The incredible novel, Mustang Miracle, by Humberto G. Garcia, the script, and our indomitable director Julio Quintana. I almost worked with Julio before on another movie right as I was offered 9-1-1: Lone Star, and after watching that film, I knew I had to work with him. The stars aligned and I had an incredible experience working with him and the entire cast and production team that made the film possible.

AM: For those who have not seen this movie. Tell me about it and who do you play?

JW: I play ‘Joe Trevino,’ a young Mexican-American caddie who ends becoming the San Felipe High School’s most valuable golfer and a champion, along with his team, for the Texas State Championship in 1957. The film is based on a true story and tells the story of the racism and prejudice of our country’s past, but also the hope, evolution, and inspiration that everyday Americans have demonstrated to make America a better home for us all. Simply put, it’s a story about the triumph of the human spirit over adversity and illustrates the lesson for people of any background that you can do anything if you believe in yourself, work hard, and have a strong team around you to reach your goals.

AM: You have an incredible cast that's also in this film from Jay Hernandez (Suicide Squad, Magnum P.I., Last Resort), Dennis Quaid (Lawmen: Bass Reeves, Full Circle, The Day After Tomorrow), and Cheech Marin (Shotgun Wedding, Machete, Nash Bridges). Canelo Alvarez is an Executive Producer of the movie. What did you enjoy about being in this film?

JW: Besides having the privilege and the honor to embody the late ‘Joe Trevino’ and work with our talented director, cast, and production team, I loved the preparation, both physically and mentally. I also loved our filming locations, from Colombia to Texas, and learning from so many wonderfully talented people. Of course, having Canelo Alvarez executive produce our film was phenomenal, and meeting him at his most recent fight in Las Vegas was surreal.

AM: When you're not on set or when you're preparing for your next role, what are 3 workouts that you do to stay in shape?

JW: I love to box, train in mixed martial arts, and go on long-distance jogs and hikes.

AM: How do you take time for yourself?

JW: Music is an important outlet for me. Listening to it and creating. I love a variety of music, from Nipsey Hussle, Drake, and Dr. Dre, to Elvis, The Bee Gees, and Michael Jackson, and compose lyrics for future songs that I’m looking to record.

AM: Are there and upcoming projects that you can share?

JW: I am currently filming the 5th season of 9-1-1: Lone Star and the entire cast is very excited to be back on set! We look forward to sharing the continuation of our storylines and our characters’ journeys with fans this Fall. Stay tuned!

IG @julesworks

PHOTOGRAPHY CREDITS | Dylan

Read the JUN ISSUE #102 of Athleisure Mag and see THE LONG AND THE SHORT OF IT | Julian Works in mag.

CHARACTER MASTERY | REZA DIAKO

We love when we have the opportunity to sit down with actors that let us think about the characters and the situations that they present to us in the roles that they play! Reza Diako has been in a number of shows that we have enjoyed from Guy Ritchie's The Covenant to Apple TV+'s Tehran, and Netflix's The Diplomat! His approach to his characters; his belief in having to shake hands with the characters that he is portraying; and the need to dig into himself in order to present them to us on screen is amazing. We talked about his approach, how he got into the industry and his portrayal and approach to Apostle Philip in international phenomenon, The Chosen.

ATHLEISURE MAG: What is the first film or TV show that you fell in love with and at what point did you realize that you wanted to be an actor?

REZA DIAKO: Let’s see. One of my first favorite films was actually – it was quite – well let me say that there are a lot of films that I watched and as the story goes, my mother was a big film buff since she was young like 11 or 12. She would watch Ingmar Berman (The Seventh Seal, Wild Strawberries, Fanny and Alexander) films. So I think that that got passed down to me. You know, I have a psychology background so I was always interested in psychological films and so I think that at some point when I was quite young I was exposed to Persona by Ingmar Berman. I found it really profound, but it was a lot of serendipitous affects that got me into acting.

There was a time when I was studying psychology and then in medical school and I was struggling because I was getting ill. Weirdly, I was watching some videos by Johnny Depp (Pirates of the Caribbean franchise, City of Lies, Black Mass) and it was weird because I spent a couple of months looking into his interviews. I was taking a lot of acting classes since I was a teenager. Art ran in the family because my mom was a painter, I did a lot of music so forth and so forth and here I was studying medicine and watching Johnny Depp's interviews could there be a career here and is it too late? It was funny because I was taking classes more so for the psychological reasons of embodying humanity more at the individual level, rather than what I was studying which was categorical. What is really weird is that some months later serendipitously, I ran into Johnny Depp on my birthday, and we actually talked to each other and I told him about how much I cared for him.

AM: It all lends itself to how you navigated one part of your life and continued into this direction that also meant a lot to you.

RD: Right, it just shows the synchronicity of the situation because after that encounter, things just kind of flew. He actually signed a Happy Birthday message for me and after that we just kind of parted ways. About 6 months later, I’m at a place where I’m pausing medical school because I had a very difficult illness situation going on. Then my acting continues and that’s when I realized that my acting gave me a sense of meaning and purpose and an impetus and happiness. I decided to apply for drama school because I had a great acting coach in London for years and I got in. Then I trained at Mountain View in London and it was so serendipitous and that’s when things started unfolding as I was coming out of drama school. They were casting Tehran and looking for young Persian heritage actors and I never thought it would come by so quickly and it was so interesting. But yeah, I was always watching films with my mom and I would say that Ingmar Berman's Persona and a lot of interesting Iranian films as well people like Asghar Farhadi (The Salesman, About Elly, The Past) – A Separation which had a big impact on me, but it was the whole range. Then there was Johnny Depp and his performances in the Pirates of the Caribbean or I’m a big Heath Ledger (10 Things I Hate About You, A Knight’s Tale, Lords of Dogtown) fan so watching The Dark Knight that was a big moment as well into – I think that I was always working on how to make an impact on the world. Sometimes when I saw those things and realized that it was in my own internal world, but also in the collective and in the impact that it made, it was cool to see. It took me a while to realize how much art can make an impact and that’s when I knew. When I went to the Edinburgh Fringe Festival to do a play I knew that this was it.

AM: We enjoyed you in Tehran as well as in The Diplomat.

RD: Thank you.

AM: I thought that that was amazing. What do you enjoy about storytelling?

RD: Thank you first of all as that is kind of you. What I love about storytelling, and I guess in acting as well is coming at it from a psychological background. I always like to leave something behind that impacts the world and makes us think a little more. I think the world is a little bit scared of looking internally. We always point fingers outward and I think that there is something about art and play and creativity and story that I have even encountered through studying people like Carl Jung who gathered the collective stories and found there were common grounds. It’s fascinating because through the collective or through the story or the mythology, people find the individual and through the individual that seems very specific and particular about a particular cultural area, people can find something profound and collective. That is something that I deeply love and resonate with and that’s kind of the aim when I work. It’s the work I do on projects with directors that I love and on characters that portray the complex weird parts of humanity in a way that dares someone else to say, “hey, that could be me” and I can understand it and it makes them reflect I guess. It's kind of the point!

AM: What is your creative process in terms of how you look at getting into the characters that you play?

RD: Yeah, I mean, that’s a complicated one and it really depends on the people and the teams that you are working on and the director. I always believe in surrendering deeply as I think it’s the core of it. I learned that after medical school that life is not a formula and that art is not a formula. I think that the purpose of art is actually to let people know that the exhale is more important than the inhale sometimes. Because if you inhale so much -

AM: I have kind of been learning that and being more aware of that lately.

RD: I know right? That’s what happens! You inhale so much and somehow you have to let go! So I guess that the process is a cocreation. It’s something that in all of my training, it’s about being receptive to the other and also to everything around you and let everything impact you. That’s sort of part of it to the core and with that, without getting too technical because I don’t want to – there is something about coming from within and finding that throughline and kind of making a handshake with the character. I always try to and to find that which is hard. You have to dig deep again to the corners of yourself like the character in The Diplomat. Playing someone who is so different than who you are and you’re trying to find the common ground through both imagination and also your own experiences. I always like to go to the child because of my psychology background looking at the pains and the little buttons that get pushed and how the character tries to build a world and character and persona on top of it. You can kind of layer things up a little bit. The true self and the mask lets say.

AM: What kinds of characters and projects are you drawn to? What do you look for when you decide to attach yourself to a project?

RD: What do I look for? I love to work with certain directors because I love their work and that is always a big thing. When I say that I love their work, it’s not from a personal cool vibe thing. It’s more like going back to what I was saying before. I like directors and projects I suppose that are looking into exploring some complex, taboo, or unspeakable act of human nature at the core. Trying to aim for something specific, cultural, and potentially different cultures that is always something that excites me. Despite that, and despite the specificity, to have a collective relatability at the heart and when I say that, it’s something quite simple and essential about the common human heartbeat. So if you’re doing that, you’re doing quite well. Having said that, I’m really open to exploring all sorts. I’m a musician so I like projects with music, I like projects that demand physical change, I’m also a personal trainer and I’m kind of a freak about accents, dialects, picking up languages. So I always love to work in different areas like that, especially because of my weird and complex background. I have never really been able to be one thing.

AM: The Chosen has become such a phenomenon and I know the 4th season is currently streaming right now. You play Apostle Philip. What drew you to the series and why did you want to be involved in this?

RD: Yes, it is definitely turning into a phenomenon, and it is definitely fascinating to watch. I have been a fan for some time, and it has been really cool to see it grow. I can’t believe it started as a short film and it’s insane!

What’s it like to be part of it? They call it a Family, A Chosen Family and it was quite a big embrace. So when I came, I felt very grateful because like many of the fans, I was a big fan of Philip and the way that character was played. It was an interesting, slightly scary, and extremely honorable experience of joining. I think that what I tried to bring is a lot of love as a fan and a lot of that heartbeat. That was also so deeply reciprocated as I have never seen a set like that where there is so much love and respect and a sense of deeper meaning involved through and through from the kind people in catering that offer me free desserts, to my room for whatever reason – I have a gluten-free diet so that is really sweet, to Dallas Jenkins (What If, The Ride, The Shift) himself and even production.

AM: When you were approaching to play Philip, it’s very unique as Yoshi Barrigas (Six, Criminal Minds, Forty-Seven Days with Jesus) previously played him and now in S4, you are playing him. Did you feel the need to marry the two because you're playing a Biblical character that existed, but now you have the layer of playing someone that was played by someone else in the same production a season apart. How did you approach that as I think that that is a unique situation.

RD: It is, it was very fun. It was fun and challenging. Going back to kindness, I met Dallas on day 1 and he gave me a big embrace and he said do it your own way and you don’t have to replicate anything. Having said that, being a big Harry Potter fan, and seeing the Dumbledore (Editor’s Note: In the movie franchise Richard Harris (Patriot Games, Unforgiven, Gladiator) played the character in the adaptations of Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets. After his death, the character was played by Michael Gambon (Book of Eli, Kingsman: The Golden Circle, Judy) in the 6 remaining films of the adaptations) change and certain other characters that changed -

AM: Right!

RD: You feel like as a fandom, you want to see some type of continuity or else it feels jarred. It was kind of a fun challenge and I felt very safe to bring myself which was not so difficult. I really felt connected with Philip when I watched it because of the fact that I had been to 10 schools in 4 different countries and I’m kind of a nomad anyway. People notice that I can sleep anywhere on set and I’m known to do that especially since the last 2 years the work in Egypt, in Europe, and in America you’re always on the go! I understood that nomadic side and living in the wild and living in a simple way and also I think because of my personal journey in psychology and having that interest in Jungian therapy, I have done a lot of soul searching and facing the different difficult parts and my therapist as well as other people say that I am kind of an old soul. People have said I’m an old man in a young guy's body which is not necessarily the funnest thing to say or to receive sometimes! I’d rather be young! So that part wasn’t so hard for me to relate to the heartbeat. Someone who has lost as in S4, Phillip is losing his mentor, and I had a therapist that passed away after a long journey and there was a lot of common ground there and on the other hand, it was a very interesting process along the lines of what you learn in drama school in terms of the craft. Sort of the body work, the dialect work, I watched the previous actor’s work who portrayed Phillip, obsessively and I was inspired by people like De Niro (Taxi Driver, Cape Fear, Goodfellas) who took over Marlon Brando’s (Last Tango in Paris, On the Waterfront, Apocalypse Now) role in The Godfather and I felt that he did that so I felt that I should probably take a lead from his papers. So I obsessively followed that, and I tried to sustain some level of mannerisms and aspects of him the best way that I can to keep some continuity and more so because as a fan, I would have wanted to see that.

AM: S5 is currently in production correct?

RD: That’s right!

AM: More often than not, people are always talking about it and where they are in the season or bingeing the previous seasons to get current.

You also have additional projects coming out that I’m also excited for. Can you tell us a bit about The Astronaut which has Kate Mara (Transcendence, House of Cards, Class Of ‘09) which we love and Laurence Fishburne (Matrix franchise, Clipped, Megalopolis) which is amazing. What can you tell me about it and who do you play?

RD: Sure I can! It was a deep honor to work on that. It was a very lucky encounter that got me on that project, and I was so grateful to work on it. I was offered to work as the NASA Director, Ethan Marshall. Going back to the old soul thing, they said this guy needs to be 50 and I’m not. Even though I have a beard and I may not look young.

AM: You still look under 50 even with the beard.

RD: When I shave, I will show you and I will prove it!

So it was interesting and I had to think again, both from an age and experience wise in terms of how he would embody things around him. The fact that it was a NASA leader, I tend to try to be very obsessive and very inspired again by what I was talking before about shaking handshake with the character, you have to let the character direct you and if that’s not happening how can you reflect that back to someone. I let myself be so consumed with all the parts of the character that may be different to me. So I went to the library and got a bunch of different books and everything I could get, videos, footage, etc. about NASA projects and I basically had to do 2 Doctorate degrees in physics and engineering in a matter of weeks which was a challenge and it was doomed to fail. We gave it a shot and it gave me a lot of interesting knowledge into that whole world of NASA and it just was very interesting. I was particularly happy about it because I had been working very hard to convince the industry that I am not just the Middle Eastern and Iranian guy, so having that honorable position to work as an everyman kind of Ethan Marshall guy was a good step in the direction that I would love to go. So that was a big happy moment for me and the team was amazing as well! Kate is amazing and it was such an honor to work with her!

AM: You also have Reading Lolita in Tehran which will also be out this year and I know it’s based on the bestselling memoir of the same name. Can you tell me about the film/book and who are you playing in this?

RD: That was a different one. As much as The Astronaut happened very quickly, Reading Lolita has been almost a 2-year journey! We knew that the film was being made and Eran Riklis (Miral, A Borrowed Identity, Spider in the Web) had us read for a while and he is a genius and I adore him. The project took a long time and I think it’s because he wanted to have Golshifteh Farahani (Girls of the Sun, Pirates of the Caribbean: Dead Men Tell No Tales, Brother and Sister) on. There was a revolution in the 1980's in Iran and then what ensues is a cultural revolution that went on for a few years. It was interesting because it was a real-life historical event and it was also one that I know that my mother went through as well as other Iranians that I know. They have those memories, her university closed down, she had to pick up painting underground because she was studying fashion and they don’t do fashion anymore because that’s now against the religious political viewpoints of the time. So it was a very interesting period, both historically and personally and I think that it is one of those stories where you read about something in the corner of Iran about something that we may not know exactly about, but it can say a lot about, the level of chaos that follows after a revolution where people expect some kind of immediate euphoria. The euphoria comes, but then after it’s some kind of peace or Lion King kind of story – that "Pride Land" has some type of moments that potentially might not come. So, that’s the kind of fun thing that I love about Reading Lolita.

I love the character Bahri which means maritime or the sea in Arabic. I found that really cool. Something about this guy is so interested and in love with literature and art. He is an artist at heart. But at the same time, he is very deeply enamored by his teacher and lecturer Azar Nafisi played by Golshifteh Farahani - which for me was a dream lifetime goal to work with. He’s oscillating between the two places of that plus being part of the Islamic society out of need and out of his personal reasons, but it is interesting because again it’s one of those great complex characters where you would make a judgement and say he sucks because he’s part of this tyrannical group and how dare he, especially the way he is describing the book. His writings of Huckleberry Finn and what he thinks of that, but then also secretly watching Azar Nafisi, it’s one of those where you don’t know what to do with it. But you see the human spirit and the heart underneath it. It was a lovely thing. I saw him as a caged dove.

AM: Are there any other upcoming projects that you have coming up that we should keep an eye out for besides the 2 we just talked about?

RD: I can’t wait for S5 of The Chosen. The script is amazing and I can’t talk about it. The moments are great and I think it’s going to be kicking things up a notch! Other than that, there are some things in the pipeline that are coming up. I need to keep those a mystery for now.

AM: We were talking about your background obviously before you became an actor, your background in psychology, going to Medical School and all of those things that you did, why were you initially interested in those areas and why is mental health so important to you?

RD: Thanks for asking that! I think that when I was 15 or 16, I would always think that I wanted to do something that make a massive impact on the world and not from an ego standpoint, but in a way to make the world a better place. Over the next 3 or 4 years, slowly this idea emerged that I would love to set up a psychotherapy center particularly for children and adolescence. I think that my reason for that was in my travels and attending 10 different schools, I had friends from Korea, India, and Iran – I went to American schools and those in England etc. Everyone has some sort of trauma whether it was acute or chronic, something from their families or from school and they are carrying these things around. They would talk to me about it, but if someone could actually hold these people the level of impact that it would have on the next generation it would be massive. That was kind of the drive. I kind of went on this big self-discovery as I am a fan of The Dark Knight so I was on a sacrificial Batman journey saying that I am going to make my life about this. It led to a bit of challenges when it came to my illness in medical school, but it was interesting because this diagonal path that emerged with acting – the dream is still there. I feel it every time I get success it comes from God, The Universe, The Collective, or however you want to put it. I feel very humbled and blessed. It makes me want to save up the finances and all of the wonderful blessings that come with it as part of the plan to hopefully become an advocate and to create this center for the future and serendipitously, I ran into someone else that had the same dream so it’s nice when you surrender and the weird stuff that happens.

That was the main thing and I did a lot of personal therapy and I love Jung because he looked for the common as opposed to the difference and in all of my travels, that is something that speaks to me as well.

AM: When you’re not on set, how are you taking time for yourself as you’re busy and you’re focused on doing the impact for others – but you have to fuel and infuse yourself.

RD: I’m learning that myself and am learning to do that more! I am a bit of a workaholic and a bit of an obsessive. But not from an ego place, I am on a mission to make things happen that is good for me, but also for everyone else. That takes a lot of energy and I think you should give your 100% and then you surrender. It either works out or it will work better – there is no other way. Even if there is pain or suffering, it’s only for a while and it just means that something good is on the horizon.

What do I do? I have a very nice therapist who has taken over the job of the previous one who had died from COVID. Jokes aside, that is very helpful because when you’re trying to constantly be on set and you get exhausted, I’m a very big advocate for it.

On the other end, piano is a big part of my life. That’s where I find myself! Ludovico Einaudi, I’d like to learn his entire repertoire – a lot of classical. That’s how I started. Engaging in art – drawing, painting, playing piano since I was 7 or 8. I sometimes write – I would say that it is emotional vomit, but some would call it very bag poetry. But that’s really helpful just to get in touch and then other than that I try to just have a cross between work and not work. I love this art and I love this medium and currently I’m on a break from The Chosen so I am in NY immersing myself in theaters and going to Lincoln Center and watching my heroes like Philip Seymour Hoffman (Capote, The Talented Mr Ripley, The Hunger Games franchise) and John C Reilly (Gangs of New York, Moonbase 8, Winning Time: The Rise of the Lakers Dynasty) doing True West and then watching films from all over the world. I love to get inspired by the unknown as opposed to the known. I like to open myself to new places and then try to keep healthy the best that you can physically – exercise, sleep, read – the basics!

AM: Haha right? Taking a shower! Try to live like a normal person!

RD: Haha I just took one a couple of hours ago! So I’m doing well – coffee, black coffee.

IG @rezadiako93

PHOTOGRAPHY CREDITS | OC Ryan West

Read the JUN ISSUE #102 of Athleisure Mag and see CHARACTER MASTERY | Reza Diako in mag.

THE BACHELORETTE S21. E4. | ONWARD NEW ZEALAND

PHOTO CREDIT | ABC The Bachelorette

This week, The Bachelorette is now in Auckland, New Zealand so it will be interesting to see what the men are going to get into this week with Jenn Tran. The men take in the city and hang out a bit while they wait to see her and to continue their connections with her. Jesse Palmer also has some lunch with her to find out where she’s at at the moment. He also tells her that the reason that people don’t really eat on the dates because he scarfed food down during his season.

She leaves Jesse and she heads over to the men and goes on a date with Sam M. for a 1-on-1. The rest of the men settle into their suite and Devin gets in his head on why he didn’t get a 1-on-1.

On the 1-on-1 date, Jenn wonders if they can go deeper so that she can really get to know him. Their date takes place in a beautiful spot where they can see see 360 degree views. The waiter tells them that people are jumping off the side of the building. Sam M. answers for both of them that they should jump. She lets him know that she does not like that he spoke for both of them while not checking in. Although they didn’t jump, they are doing a Sky Walk where they are harnessed in. Of course they end up doing the jump it was just really awkward on how they ended up getting to that answer.

While we wait for the dinner portion of the back half of Sam’s date, the date card arrives. Spencer, Marcus, Grant, John M, Austin, Jonathan, Dylan, Thomas, Jeremy, and Sam N will all be on the group date. Devin will be on the 1-on-1 date. Sam is an interesting person to chat with as he has a number of tag lines and you don’t really hear him talk about himself or be vulnerable in any way. It’s not a surprise that he hasn’t really shared or given of himself in an authentic way. Although he shared hist story about being engaged, there never feels like any heart behind his words.

The group date takes them to the soccer field and they get to see a Haka and they have some professional rugby players teaching them about the sport and putting them through a few drills. Back at the suite, Devin and Sam M are sitting together and of course they continue to beef with one another.

Back on the field, the rugby match is getting serious between the blue team and the orange - blue wins. All the men on the group date arrive for their cocktail party after the group date. The guys feel that he is being too much as he is not the only one who won the match. In addition, Marcus tells him to check himself as he would let someone else sit on the couch with him. He brought in the trophy as well as the rugby shirt. This feels like it’s going to backfire on him. Apparently the shirt he brought says Sam’s Wife which matched what he wrote on his, Jenn’s Husband. He even took a moment with her by pulling her aside first and he believes he is getting the Group Date Rose. She plays a bit of lacrosse with Jonathan which she enjoyed as both of them played it in college.

The guys talk about how Sam N. is being disrespectful and that he’s not carrying himself like a man. He lets them know that he is here for Jenn and not for anyone else. They let him know that when they are in a group setting, he needs to check himself so that he fits in better. They all feel that he is childish and he doesn’t care about how they feel about what he did.

We’ve liked Marcus for awhile and seeing him chatting with Jenn and her letting him know that she can carry his burden was really sweet. Of course back with the rest of the guys, Thomas N. asks Sam N. to step out as if he didn’t learn from the last time that he was in that same situation with Devin. Thomas N. takes time to chat with Jenn and Sam N. comes in to interrupt them as he wants to get a kiss from her. He asks her for a kiss and says that he wants to take their relationship to the next level. She tells him that she recognizes his efforts and she knows he has never had a relationship and never been in love - she tells him that she doesn’t know if she can see them in the place that he wants to be in. She offers to walk him out.

She lets the men know that she sent him home. She gives the group date rose to Marcus. The guys are happy for him and are glad that Sam N. will no longer be part of the group.

Devin has his 1-on-1 date with Jenn and she’s excited to learn about the culture of this place as well as sharing about her culture and religion and to see how he will be receptive to that. They have a great time learning about the people and their customs. They also talk about the kinds of customs that come from their own lives that they want to bring forward for themselves as well as children. They learn that they both want children. At the dinner portion of their date, they talk about their family structure and they see a lot of similarities between how they grew up, what they don’t want to have in their lives, and how they continue to move forward to have what they want. Devin lets her know that he is falling for her and he wants to celebrate her every day for as long as he can.She loves this connection and want to continue and gives him a rose from their date night.

Before the cocktail party to find out who is moving on, Matthew, an old flame comes asking if he can join the process. They dated for a period of time; however, after 3 or 4 months, it didn’t work out although they reconnected as friends. The cliffhanger leaves us wondering if he will stay, how it will affect the men, and more.

JENN GAVE ROSES TO | Austin, Devin, Dylan, Grant, Jeremy, John M., Jonathan, Marcus, Sam M., Spencer, and Thomas N.

JENN DIDN’T GIVE ROSES TO | Sam N.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

---

WHO WE PREDICT WILL GO TO HOMETOWNS

AUSTIN

DYLAN

MARCUS

SAM M.

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

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THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

Read the latest issue of Athleisure Mag.

BEHIND THE SEAMS | WALTER MENDEZ

This month's cover has been someone that we have watched excitedly over the past years. He hit our radar in 2012/2013 and we were immediately struck by his design aesthetic that ensures that you are the conversation starter and statement in whatever room you occupy! From the craftsmanship, the visual texture, and passion of the designer, Walter Mendez and his Walter Mendez Atelier have been worn by celebrities, iconic entertainers, socialites, and more.

When it comes to designing, it's about creating a world and one that continues to evolve from season to season. We wanted to know more about how he got his start, his creative process, his approach to his RTW, couture, bridal and bespoke; his recent The Golden Cage Exhibition held at The Beverly Hills Hotel, what he's working on, and how he takes time for himself.

ATHLEISURE MAG: I have loved your work since 2012/2013 and certainly no later than 2014! So the fact that we’re chatting right now is definitely a moment!

WALTER MENDEZ: Oh wow, you’ve literally seen the journey and I am honored that you have been aware of my brand for that long! I think that everything that I say in terms of what this collection means to me, you’ll be able to understand a little bit more. So that’s really beautiful, so thank you!

AM: Well thank you! I’m the Co-Founder/Creative + Style Dir of Athleisure Mag as well as being a fashion stylist, so I have followed your work on Instagram and those who have worn your pieces. Your design aesthetic, your approach to bodies whether they are male or female is so amazing. I grew up in a family of designers and product designers. My mom was a couture designer and so I have such an appreciation for you and the space. So I know our readers are going to love it, but I want to tell you thank you for creating this and things that I have looked at when I was in an airport on my way to wherever or when I’m scrolling as I go about my day – the pieces truly transport me away to somewhere else and it’s a vibe! So I thank you for what you have done!

WM: Well thank you, it truly is appreciated. There are moments like yesterday when I was posting and last night I was going through photos it made me say wow. I’m genuinely so proud about what I have accomplished, of my craftsmanship, my aesthetic, my voice as a designer and I’m just so proud of what I know and what I feel that I represent. And not just what I represent to my family, but so many other people out there.

AM: When did you fall in love with fashion?

WM: I would have to say that falling in love with fashion really started early on. I remember being probably 4 or 5 and I just remember putting on my favorite jacket and what was so surreal to me in that memory is that feeling of that jacket. I just felt so cool and the minute that I would put that jacket on I felt that I was owning that room. I remember feeling that feeling and I knew that that was the essence that I wanted to capture in my designs. It was the essence that I want my clients to feel because it’s such a beautiful feeling. I’m sure that you can relate. You have an outfit where you can say, “I know I slay.”

AM: Oh yeah!

WM: I know that when I walk into a room, this outfit shows that I mean business. That feeling, that is the essence of my brand and the essence that I want to give every client of mine. That’s priceless. The energy that you’re able to control your entire day – when you feel good, you’re walking and you’re able to walk to the beat of your own drum, people notice. You attract a different experience.

AM: At what point did you realize that you wanted to be a fashion designer and then that you wanted to create your own namesake collection?

WM: I think that I always played with the idea of being a fashion designer and as someone growing up who didn’t have much, I found myself kind of wanting more. Looking back, I see the beauty in it and I always look at the fact that having nothing allowed me to dream of everything.

You know, we all have the things that spark our interest. We all have our things that we gravitate towards on a level of beauty. Because I’m just that type of person who loves that, I thought, “ok, I may not be able to afford it, and I may not be able to go out and get it, so I’m going to create it.” That’s really where my creativity flourished and I found myself being challenged. I remember my first dresses. I honestly barely only had one sewing class.

But I knew I wanted to play with fabrics and I knew I wanted to play with textures and shapes. So how those dresses came together, I don’t know, but they came together and I saw the vision and the look. It was just so beautiful to see my journey evolve.

AM: I love that!

How do you describe or define your design aesthetic?

WM: My design aesthetic in terms of modern day context, I feel that I design for the main character. For me, if I am dressing you, I’m dressing you to be the star. If you are coming to me, you are going to walk into that event and you are going to own the room. If you want to go to an event and kind of be low key -

AM: Then don’t wear your designs!

WM: Ha ha – I want to give you that full fantasy moment from the minute that you walk into the room and for everyone to want to know you, want to talk to you, give you compliments and for them to be in love with your essence. That is what I give my clients because I know the power and the importance of feeling good and looking good. It’s really about learning to get the most out of a special event. That’s really what it is. Everyone that comes to me, it’s for a special event. I know that the level of production, the level of experience that you’re going to – it’s elevated and more than your average day. I know that I can elevate it to another level.

AM: I will say that there are times when I am watching a red carpet or a music video, there is an ethereal quality whether you’ve designed something that is closer to the body or has various dimensions to it, I can tell when it is one of your pieces that I am looking at. I know it before the credit has been rolled or stated. You can just tell.

WM: Yes!

AM: It’s amazing, it’s absolutely stunning.

What was your feeling when you launched your first brick-and-mortar store? What did that feel like as it is such a huge accomplishment.

WM: It was such a beautiful feeling because for me, I felt that it gave me a home. It was such a beautiful feeling to feel that I have something that is mine and I am focusing on a legacy. Even looking back, in this moment now, I look back at that Atelier – it was beautiful. I’m so proud of it.

Despite being in a different situation than I am now with the level of clientele obviously, my world knowledge, my fashion knowledge – I literally have always tried to make the most out of everything that I have. That is always the advice that I have to myself. It’s about being creative and how do I take it to the next level? How do I challenge myself?

AM: How do you get inspired for each season the you create or for that which is bespoke? Where do you start pulling from?

WM: When I design the collections, I always pull from almost a point of my own personal journey of where I am in that time. So, I always have a lot of self reflection. So what’s my outlook in life, what am I excited about, what intrigues me, what fantasy world would I want to go to next? It’s all a form of a little bit of manifestation and a little bit of a form of intrigue/interest. Like for example, prior to the Golden Cage, I did the Odyssey Collection. For me, I looked at it and at that time, I had traveled the world and I had seen so many beautiful places and it was like, what’s next? So it was the idea of playing with a bit of an outer space world evolved. I started being inspired by different stars, three dimensional Saturn rings, the idea evolved from that and I wanted it to feel modern and sleek and sophisticated – but for it to still have this element of wonder.

That led me to The Golden Cage where I felt that I could do an artistic reflection of my journey. I wanted it to be a love letter to the younger me.

AM: Do you ever look at a fabric – sometimes from a stylist perspective, I see a fabric, a handbag etc and that notion gets stuck in my head and I think about how I can style around that idea for a look or series of looks for an editorial. Have you ever had a nagging item that eventually found its way to being part of a beautiful collection?

WM: Yes and that happens very often! It happens all of the time. Sometimes it can be a physical item that I end up using a prop or it can be a particular movie or music or a certain film. Anything that is able to evoke emotion in me can be used as a form of inspiration. For me, it is so important to capture that essence and then it just evolved. It evolves when you put the different pieces together, it evolves into the next level. For me, it’s like how does this go into a movie – let me create the characters – let me create the story of how can I make all of these dresses that are very much so different but are still part of the same story.

I’m often my very own movie producer, casting director, costume designer, and then it all just makes sense in my head.

AM: You have created this brand that is so coveted by so many people. It’s luxury, it’s on the red carpets, in divas’ residencies, it’s on celebrities, socialites – what does it mean to you to have that kind of impact with the people that want to wear your work and want you to be part of their story when it’s their moment?

WM: It’s truly surreal, it’s a blessing, it’s a privilege. I love what I do and I am so proud of what I do, but I am also blessed that the people that believe in me are able to not just want to wear me, but to be part of my story! I understand that every single client when they are coming to me whether it's a red carpet, an event, a gala whatever it is – I know that you are coming to me because it’s a special moment. The fact that you are choosing your special moment to share it with me and my designs, that to me just speaks volumes.

AM: Obviously you’re known for your RTW collections, couture gowns, and bridal. I love that you were quoted saying that, “fashion was meant to be custom made.” I love that and agree it is such a privilege to have something made with me in mind. Tailoring is always key. Why should people understand this and the importance of tailoring, investment pieces as opposed to spending on items that are not constructed with us in mind and in many ways are throw away.

WM: Yeah, it’s important for me to communicate the fact that fashion is meant to be custom. Because I feel like it is almost a fogotten fact. When you think about history, traditionally, royalty – everything was custom made.

Even if you weren’t royalty, you would get custom made because things weren’t mass produced. The challenge with mass production is that we all have different body types. I mean as a person, one arm is different than another. We are custom built as people. We have individual stories and we have individual needs. So even the girls that are the same weight size – one can have a little bit of a shorter torso, one can have a longer torso -

AM: One boob is bigger than the other.

WM: Yeah there are so many details that are just custom to your body. So when something is mass produced, they’re trying to find the middle ground. They’re looking at hopefully the most amount of people that can buy it. So if you’re off slightly by any way, it’s never going to fit. There is nothing more important than a tailored piece for you.

AM: One of the things that I was talking about at the beginning – I’ve always been a fan of your social media. I love how it’s about you, your line, your collection. I love seeing you with Olivier Rousteing, Creative Director of Balmain, and your account reflects such a vibe of authenticity, this world of luxury, globetrotting, etc. How important is your social media to your brand to showcase to those that are your clients, potential future clients, friends, or people who are simply conduits that can refer others to you?

WM: I like my social media, because to me it’s more than ever, I want to be a beacon of representation for my people. I love sharing all of these experiences because I want to show other people who maybe are from my same background, same challenges, or just not your perfect typical white picket fence All American life – there are people like us in those spaces. These spaces are for all of us and I always tell my family, especially my cousins, and my friends that my success is your success. I want to prove to you all – people like us that we can be in these spaces as well. I think that some of is is being done for the inner me. I literally grew up thinking that someone like me a POC would be in these spaces.

Growing up for me, every brown person that I knew, they weren’t in a place of status or those positions. So growing up for me, there was a period of time where I wondered, “can I not get there?” Is that not how it works? More than ever, I want to highlight to people that I want to show them that we can get there. You can get there and you can do it wherever you want and you have to believe in yourself. We have to start somewhere.

AM: If you don’t see it, it can be hard to visualize for some people when they don’t have a road map. You do have to start somewhere. You have to put in the work and you can have this lovely life.

WM: Also, besides representation, in addition to my skin color, I also look at all of the queer youth to show people in the LGBTQIA community that there are people in positions of status, in positions of wealth and in environments of wealth. We don’t see that enough and I want to show people that everything that makes you, you can make it into what makes you strongest to what makes your career and to be successful at it is what is truly a blessing!

AM: Tell me about your fashion exhibition at The Beverly Hills Hotel. It looked stunning as I have seen the pictures as well as coverage on this. Why did you want to do this, what was the idea behind it, and how long did it take you to do as it was like a Met Gala Costume Institute’s Exhibition. (Editor’s Note: The Met Gala is the first Monday in May and is the Oscars for fashion. It launched in 1948 and was the brain child of fashion publicist Elanor Lambert who played a key role in launching NYFW. Although it has evolved since it’s inception, it's current iteration includes a red carpet with noted celebs dresses by designers that attend this event in a specific theme. The Met Gala is a charity and fundraiser for The Metropolitan Museum of Art’s Costume Institute. The Gala has traditionally been timed to mark the opening of its annual fashion exhibition. For 2024, the Met Gala’s dress code was The Garden of Time and the exhibit for this year is Sleeping Beauties: Reawakening Fashion and can be seen at the Museum and features 250 rare items from the Costume Institute’s permanent collection. The exhibit spans over 400 years of fashion history and includes Schiaparelli, Dior, Givenchy, etc. This year’s exhibit will include 3 main zones – Land, Sea, and Sky which pays tribute to the natural world).

WM: So the reason why The Beverly Hills Hotel was the place that I wanted to have that moment was that I have always been inspired by the 1957 Cadillac ad that was shot at The Beverly Hills entrance. I’m sure you know what I am talking about based on that reaction.

I have always seen that photo as such a glamorous moment in life. I have always been allured by it. I have always gravitated towards it so when it came to creating and curating an event for my next collection, I felt that I would use that moment of inspiration. I need to give my people that moment in a modern day life. To be able to be someone who looks up to the entire Metropolitan Museum and what they represent, an event like the Met Gala, I needed to make sure that whatever I deliver was up to that level because I know that I can. I know that I can, I know that I deserve it, and I know that my clothing is worthy of it. I know that my clothing is meant to be in those spaces because I see my work as my art and I know that what I can do, nobody else can do. I am truly and authentically me in my essence and in my work. It’s a mixture of me being so proud of my work and me being educated and making sure that what is being presented is not only going to impress me, my family, and my friends, but is also going to impress my clients, my peers, and anyone in the fashion industry. Because to me, it's such an honor to be able to get the feedback from people that know what they are talking about to be like, “wow, I’m impressed.”

AM: It was stunning to see it. What did it feel like to be in the room with everyone from your friends, family, clients, etc. to toast you like that as well as this body of work?

WM: It felt like the different dimensions of my spirit were coming together and being acknowledged. Like I was being celebrated for my creativity while also being comfortable in my skin, in my queerness, in my creativity, in my aura while celebrating my family and being a beacon of light for everyone that has not only paved the way for me to be there but also paved the way for people who will walk after me. To me, I want to be that leading force and to show people, if I can do it, you can do it. You just have to believe in it and you have to work hard. You have to be consistent because this just doesn’t happen overnight.

That’s why I am so appreciative that you love and are aware of my journey because you have seen the elevation of my work, my craft, and my dedication.

AM: And consistency.

WM: Yeah, you have to wake up everyday and give it your best. I always believe that it doesn’t matter how fast you are moving, as long as you never stop moving. As long as you can say that you are better than you were yesterday, that is all that matters.

AM: Absolutely – 100%!

What is the next project that you’re going to be working on that we should keep an eye out for?

WM: That’s a hard one! There is a lot going on, but I do like to be mysterious as I always like to surprise people. Even for this event when I was sending out the invites, it was “you are invited to the Walter Experience.” So many people like my close friends, were asking what it was, what it meant and I told them, it’s a Walter Experience – when you get there, you will know! I wanted it to be an experience and a moment where I could show me and the way that I process things and it’s such a complex way. Even when I was working on the set design with the team and Butterfly Floral, I was like, “it has to be bigger, it has to be grander.” They were trying to process it and asked me if I was sure. They wondered if I wanted things so giant.

AM: Yes!

WM: And I was like, “YES!” It is important for me to have people to be able to look up because that is a moment that for me, reminds me of my childhood. Always feeling like I was looking up and having that sense of wonder and exploration. Because this was a love letter to my inner me, I had to give that perspective.

AM: I’m sure you’re coming to the end on working SS25 in terms of the collection side. Are you going to be showing here in NY, are you going to be showing in LA – what can you tell us about that?

WM: I can definitely tell you that that is what we are in talks on with the team. It’s really amazing to see not just the response here in the States, but also the international response from other fashion capitals of the world. To hear them tell me that they love what I do and that they would like us to show there and to be part of their calendar for Fashion Week. It’s so surreal because every season that I come out, I am so excited to see the Fashion Weeks around the world and to have them now that these companies and production companies now want me to be part of those Fashion Week calendars it’s a blessing! It just makes me so happy because those moments it's so much but in a blessing! It just makes me so happy because those moments it's so much but in those times I come alive! I know that I am meant to do that. Something comes over me and I just get comfortable in those spaces.

The fact that I am able to do what I love and be authentically me and then be able to produce art that is so widely celebrated, it’s such a beautiful feeling.

AM: You have worked on so many dresses so I know this will sound difficult. Are there 3 that stick out in your head? Whether it’s the dresses themselves or a moment that generated making them, or the clients themselves? Are there 3 moments/dresses/looks in your career where you were like, yes this is what I really love?

WM: Yes there are 3 and yes it is very hard to narrow it down to that. I’ll pick 3 that have just felt like full circle moments for me and have just touched me to my core. Because to me, now I am at a position where it’s very important for me to always celebrate that child and celebrate that inner child that dared to dream because that’s literally where it all started.

I would say that one moment that was really special was the first time that I dressed Beyoncé (Mufasa: The Lion King, Homecoming: A Film by Beyoncé, Renaissance: A Film by Beyoncé) as it happened on my birthday. I just remember sitting there thinking that Queen B just redefined my brand! I will forever remember not just my birthday, but the first time that I got to dress her. It was a beautiful moment because the first that that I got to dress her, it was the first reveal post twins. All eyes were on her and everyone was watching. So to be able to design a piece for her that not only made her comfortable but also made her look absolutely stunning, it was a huge moment where all eyes were on her and to be part of that was just amazing and it was a blessing. So that would be one of my absolute favorites.

Another favorite piece that I absolutely loved was working with Mariah Carey (Precious, The Butler, Girls Trip) for her Vegas Residency and to see my gown on all of the billboards all over Vegas and even here in LA the billboards promoting her. That residency in Vegas was such a surreal moment because I had a flashback to the younger me when I was in 7th grade in my ESL class because English is my second language. It hit me because I literally picked Hero by Mariah Carey and that was the song that I chose to translate to present it to the class!

AM: I love that song!

WM: I had completely forgotten about that and then it didn’t hit me until that moment. I went to the opening night of the residency and she closed the night with that song. It was such a beautiful moment for me to get to experience and for me to be able to look back at that little boy and think, wow. The journey to go from that moment in my life to this one! It was just a full circle moment. That was a really special moment.

Then the third one, I have to say that that one is hard. There are so many special moments. I mean there are so many people. I am going in between Selena Gomez (Only Murders in the Building, Selena + Chef, Selena Gomez: My Mind & Me), JLo (Enough, Hustlers, Atlas), Paris Hilton (The Simple Life, Paris in Love, This is Paris) – there are so many moments! Even my Oscars moment last season was so special. It’s really tough!

AM: I recognize that as I knew it would be!

WM: There’s also 2 epic Beyoncé moments!

As a whole, I remember growing up as a kid, I had all of these posters of singers. Remember those tabloid magazines like J14? I had all of these posters of these celebrities over my bed. Every celebrity on that wall, I dressed! Like Britney Spears (Kenan & Kell, Will & Grace, Crossroads), working with her was such a beautiful experience for me because my first exposure to American music and the English language – I learned to speak through the voices of beautiful talented artists like Beyoncé, Mariah, Britney and now here I am at a point where they believe in my art.

AM: You have left such a mark on the fashion industry, what do you want your legacy to be?

WM: I think that my legacy is wrapped in the word authenticity. I really push all of my clients that I dress and I do it with the way that I present myself and people really finding their true beauty and authenticity. We all know what we want.

When we’re all going somewhere and we know what we want, we say I want to wear this, I wish I could wear that etc. We know what we want and sometimes it’s a matter of being afraid or not wanting to do too much and some people wonder whether wearing something will get people talking. But you know what you want so if you know what you want, why not?

That is what I want my legacy to be. I want it to be about authenticity. So when people come to me, I tell them to tell me what they’re dreams are. I want to be let in and no limits so I know the vibe, the essence, and who you are as a person. What do you want to show? Forget what people are going to say – it’s about you – what do you want? I try to do that with even the way that I dress. I dress for me and I’m not trying to follow a trend or to be like anyone else. I’m doing me and that lets me radiate on my own terms and on my own level.

AM: As someone who I know your schedule is always packed, when you’re not designing or working on the next project, how do you take time for yourself? Do you find that time because I know when you work for yourself it’s tough to turn it off and we have to figure out ways that we can focus on ourselves so that we are infusing our energy back to us. That way we can be our best selves for everything that we are doing?

WM: I do try to make it a time to give time for myself. I do know that it takes a lot whether I’m meeting with my clients or I am going into fittings. I invest all of my in my work and with people so it’s very draining, but I always make it a point to make sure that I have my me time. My gym is in the mornings, my yoga classes, those are my me times. I try to make any moment that I can with me – even if I am just walking around the city. I put my headphones on and I put a song on that makes me feel good. I am runway walking down the street – that is me! It’s just what brings me joy, it clears my mind, and it sort of allows me to process it. Because despite it being a lot of work and very demanding, and a lot to process and deal with and manage because I have a large team at the Atelier from pattern makers, sewers, hand beaders, and teams of assistants, the PR team, the Social Media team – it’s a lot to drive the energy of my village. It takes a village, but to me, I am in charge of driving that energy and it’s very draining. Now when I say draining, I mean it in the most loving way. To me, draining is not a negative word. It’s sort of like, if you love to run marathons, it’s going to be draining – but you love it! But I always make it fun. This is fun. I live in a fantasy world. Because I love it, I find those me moments in there.

AM: I totally get and feel the same way!

WM: Even talking to you right now! I’m having fun!

AM: That’s the thing! We get to do so many things and to engage with so many people that you may feel tired, but when you love what you’re doing you’re always able to dip into that well. Somehow, you figure out how you can refresh yourself.

In this industry and I know you know of people like this as well, they went out for something that they wanted to do, it didn’t work out and then they either stopped or soured on the experience. Then there are those such as yourself that wanted it, found a way, and they are living exactly what they wanted and I always find that to be amazing and energizing as I love knowing those stories especially when it’s from those that I have admired their work from their beginnings and have been able to see that trajectory over time. It’s such a vibrant community to be part of.

IG @waltercollection

PHOTOGRAPHY CREDITS | FRONT/BACK COVER, PG 16 Chris Martin | PG 19, 20, 23, 24, 28, Alex W Photography | PG 31 - 34 for 9LIST STORI3S Kelly Balchim |

Read the JUN ISSUE #102 of Athleisure Mag and see BEHIND THE SEAMS | Walter Mendez in mag.

IF THESE WALLS COULD TALK | HOTEL COCAINE

We've enjoyed watching the screeners for Hotel Cocaine which is currently streaming on MGM+! We are transported to the late 70s and early 80s when Miami is in the midst of a shift from vacation and retirement destination to the epicenter of sex, drugs, crime, and a battle between those who are on opposing sides of the law while embracing disco, wealth, and more! The events that unfold are based on accounts by those who lived it that took place at The Mutiny Hotel which still exists today, but without the activities that made it famous during that time.

We had the pleasure of connecting with Creator, Showrunner, Executive Producer, and writer Chris Brancato (Narcos, Narcos: Mexico, The Godfather of Harlem) and Director, Guillermo Navarro (The Twilight Saga: Breaking Dawn 1 and 2, Night at the Museum franchise, The Last Days of Ptolemy Grey) who know how to bring these stories to life so that we can see the complexities, conflict, and humanity of the characters in their stories. We talk about their love for storytelling, working together, and framing this show in all of its nuances.

ATHLEISURE MAG: We are so excited to be able to talk with you! Chris, I know you created Narcos as well as Godfather of Harlem which I have been a huge fan of and Guillermo as the Director of Godfather of Harlem – once again, it is a fantastic show and you also directed Narcos, so it’s nice to see you guys working together on this show!

What do you guys love about storytelling in general?

GUILLERMO NAVARRO: Well, it’s a tremendous opportunity to actually reflect on life and to put our own ideas into it and to tell those stories. There is nothing better than that!

CHRIS BRANCATO: I love the process and the friendships that you make from the writing room where we create the scripts to the production people who put everything together, and then editorial where we make a “finished product,” so to speak! The goal is always to entertain.

AM: You guys came together for Hotel Cocaine which I have watched all 7 of the screeners and can’t wait to find out what happens in E8! The story is amazing. Why did you want to tell it and specifically Guillermo, what attracted you to this series and why did you want to be part of it?

GN: Well I have been partnering with this one for awhile and finally we reached and found a Latin story and so I completely just went for it. It was an opportunity to talk about the relationships of the Latin world with America and it focused on the drama of 2 brothers and the delivery of this and the story about what had to be happening in Miami to receive all of that input and to become what it is!

AM: In terms of creating the show Chris, what was your thinking? I love the characters, the complexities and the depth of them, and they keep unveiling themselves in different ways and it is shot so beautifully. How did all that come together?

CB: Well, it’s interesting. Guillermo and I did Narcos together. We first met on the show Hannibal and I realized he was a directorial genius – [Guillermo motions teasingly that Chris is going on and on buttering him up until Chris notices]

AM: Wait, you are and I have enjoyed seeing your direction in a number of programs so these are facts!

CB: Right? So effectively when I did Narcos, one of the actors that was a friend of mine came up to me and said, “you know, my father was the General Manager ager of the Mutiny Hotel. He said it was the Studio 54 of its day in Miami and it was the home to DEA Agents, drug dealers, movie stars, rock stars, and so the subject matter fascinated me and I knew that to do it right and to give it the proper Latin perspective, I was going to need to find a partner. I searched far and wide in the Latin world and I couldn’t find anybody other than him [Chris teases Guillermo by shaking his arm] so that is how we got stuck together!

AM: I love that story! Obviously, this story takes place in Miami but you shot it in the DR?

CB: Yes, because the Domincan Republic, we scouted Puerto Rico, Colombia, and the DR, but ultimately, we decided that the Dominican Republic had the best look of a 70s Miami because Miami is so overbuilt now, we could never replicate Miami in the 70s!

AM: Well I love the DR and I always love whenever I spend time down there regardless of the city!

What do you want viewers to take away from this show. I can’t say enough about how much I love how it was put together, the characters, the way it was shot etc. I can’t wait to see the finale to see how S1 ends.

GN: Well, that the impact of the drug world on society is real and it’s very profound. And that, I come from Mexico and the social tissue is destroyed by the drug world. For me, it was very important thing to talk about that every time someone consumes it, people die. So it’s about accountability and responsibility of something that is consuming entire societies.

CB: We like to deliver themes like that in a very shiny wrapping.

AM: Right!

CB: So the sex, drugs, disco, Latin music pel collars, bell bottom pants, and the Mutiny girls. So again, the goal is to entertain and put the nutritional value in a hidden way so that the kids don’t notice the broccoli!

IG @cbrancato86

@hotelcocainemgm

Now that we have a framework for this series thanks to Chris and Guillermo we wanted to continue to frame this show as well as the lens that we should view as. We talked with Danny Pino (Scandal, Law & Order: SVU, Mayans MC) and Yul Vazquez (Magic City, The Outsider, The Godfather of Harlem) who play brothers Ramon Compte and Nestor Cabal in this era in Miami as they navigate the DEA, drugs, the Mutiny Hotel, past and present family dynamics and so much more!

AM: As a fan of both of your works in other shows as well as obviously in Hotel Cocaine, why were you attracted to this series and why did you want to be part of it?

DANNY PINO: Thank you for this question! Yul Vazquez! That is the short answer. I’m not saying that because he is here. But he is, he’s right here! The reality is that the first phone call that I got about Hotel Cocaine came from Yul. Yul and I, there are not a lot of Cuban Americans in Hollywood right? So whenever I would go to an event and I would meet other Cuban Americans, we would eventually land on, “have you met Yul Vazquez?” I’d say, “no I have not met him, I know of him and we have mutual friends. He’s a fantastic actor, but I have not yet met him.” Or I would go to a set and someone in the crew or in the cast would say, “well, you’re Cuban American, have you met Yul?” We’d have the same conversation! “I love his work and I haven’t met him.” Then, we happened to meet on Law & Order: SVU! And we became fast friends. It’s like when you meet somebody that you feel that you have known your entire life! I’m not talking about like your entire acting life, I’m talking about – were you at my 15s? Were you at my baptism? Because I feel like you must have been in the Catholic church with us!

The phone call where Yul calls me and says - look, I have been working on this show, The Godfather of Harlem with Forest Whitaker - the fantastic Forest Whitaker with Chris Brancato, the creator of Narcos and there is this show set in Miami, 1978, called Hotel Cocaine, based on The Mutiny and we’d be playing brothers. I said, I’m in! He was like, maybe you should read the script. And I was like, wait, maybe I should read the script! That’s the short answer to your question! Once Yul kind of set that up, I was already – the momentum and the inertia towards doing it was already in motion.

YUL VAZQUEZ: I mean, it was pretty much the same for me. Danny really was the only choice really for this. It was too perfect but you know sometimes when something is so perfect it doesn’t wind up happening?

AM: Right!

YV: This is a no brainer and then suddenly it doesn’t happen! But this was one of those times when the no brainer happened the way it was supposed to happen. I absolutely love working with Danny and he knows that that is the truth! I know that I can stand there with him and we can get through any scene no matter what the journey of the scene is and we can work around it and figure it out and we get to the end of the scene and I know that when he opens his mouth, I am going to believe everything that he says! That sounds like simple obvious things, but not always the case. Not always the case. I always knew with Danny, I am going to have a guy that was there today. Not a guy who decided that he was going to do this 3 weeks ago. You know, rehearsed it in the mirror because that is one thing that makes me insane. When I get somebody and I’m like no matter what you do, this person is going to do the same thing because they have locked themselves into this thing. We figured out this flow with this whole thing and we improvised a lot of things and we had the freedom from Chris Brancato, Michael Panes (Godfather of Harlem, Bull, Law & Order: Criminal Intent) and Guillermo Navarro which is a huge part of the design, the brains, and the engine of the show. He encouraged us by saying that we knew this world better than any of us are going to know. We know what it’s like to be a Cuban from Miami and so that’s what we did! It’s really what we did and I think that we brought a lot of ourselves into the thing more so then I think that I have ever done!

DP: You’re talking to a musician/artist. Yul would come at this scene with the same words, but in a totally different way! So to be present and to be able to play jazz with him all the time and you know, a lot of the script is written in English. We know as many Cuban Americans know, and many Latinos know, that we don’t speak in English all the time.

YV: Correct.

DP: Our probably chosen language or first language is Spenglish and so we would manipulate some of the script to have the same intention, the same wording, but to be able to go back and forward fluidly in Spanish to give the authenticity of what you would hear not only in that time period, but in modern day Miami!

PRESS POOL: As you reflect back to all the roles you have played throughout your career, what lessons have you taken from them that have helped you in your role in Hotel Cocaine today? How has it shaped you to be the actor that you are today in those roles?

YV: I think that every stitch is a stitch in the fabric of an actor’s career. You try to vary it as much as you can and then you try to decide the parts as much as who is involved and who’s hands it’s in. So I think that everything feeds everything. I also paint, I’m a photographer, and I am also a musician so everything feeds everything and I don’t think one thing takes away from another. I see everything as one orb. So, I think that everything in life feeds everything. Meet ing you and it’s the succession of events for me. That’s how I think that we arrive to where we are today.

DP: I mean, Yul is a renaissance man. He does everything incredibly well and for me, talking about different characters and how it now leads to Ramon Compte, the General Manager of the Mutiny Club and Hotel, I’ve played characters who were on the right side of the law – in fact they were the law. In 2 successive shows whether it’s Mayans MC or Hotel Cocaine, playing characters that you can potentially consider an outlaw – right? I think that what I find which goes to the heart of your question, the throughline for the characters is with great writing whether it’s Meredith Stiehm (Homeland, ER, NYPD Blue) on Cold Case; whether it’s Warren Leight (In Treatment, Law & Order: SVU, Law & Order: Criminal Intent) on Law & Order: SVU; whether it’s Elgin James (The Outlaws, Lowriders, Little Birds) on Mayans MC; or Chris Brancato for Hotel Cocaine, all of those showrunners are fantastic at developping a character who rides the line between on the right side of the law and a potential on criminality.

All of those characters, whether it was Scotty Valens on Cold Case where he had some anger issues and would go back and forth on being able to control that or Nick Amaro who was also going back and forth on being able to control his anger and his frustrations and what not with his job and within his family, you can say similar things about Miguel Galindo and now we have arrived at Ramon Compte who also has to ride that line. It’s just like what Yul said, there’s a building and a learning from each experience especially when the writing is so dialed in and so challenging for an actor which is the best thing that we can have to be able to have that range which we can sort of carve through a performance and to go back in forth between scenes where you say, “I really love this guy, I could absolutely see myself doing the same thing – exactly what he is doing,” and then the very next scene saying, “how could you choose to do that? I hate this person!”

DP: Right? So that’s the currency that actors love to deal in.

PP: When we see the scenes that you guys have together at The Mutiny Hotel and this is a testament to who you are as actors, but when you have the club scenes there is so much going on with the dancers, the lights, and all of these things are happening all around you – as actors, how do you not get distracted by all of the things that are taking place in the background? What is your secret?

YV: It’s hard! It really is hard and sometimes let’s say that your patience it tested – yeah it is! It’s a great question and it is very very hard, for me.

DP: I think it’s one of those things where – and it is a fantastic question because a lot of people don’t realize exactly what happens. They play the music and cue us into the song so that the background artist can get the rhythm of the song that is going to be played and then they kill the song. So the background artist can continue with the rhythm so that we can say our lines in silence so that we don’t have to record the line over and over again for clarity. And that gets a little strange because you can still hear the heels and the platforms stomping on the dancefloor so it is a little distracting in that way. What helps is to have an actor like Yul. When you have an actor like Yul and you have words by Chris Brancato and Michael Panes, where you are engaging in a scene that matters and has life and death circumstances and ramifications, that tends to crystalize everything and you start to get that much more focused.

YV: Yeah, so Danny’s right. All we really have is each other and that helps! Having him helps anchor things for me! He’s right, exactly what he said. It becomes a very interesting challenge you know because it is all of the things that the audience never sees. You know the old saying, “you don’t want to see how the sausage is made.” That’s really true!

PP: For people who live in Miami, The Mutiny is such a staple and an icon of an era that created the backbone of what Miami is as a city from the glitz and glamour, to the element of crime and other things. Danny you’re a Miamian and went to FIU and you grew up there and you know the city. What does it mean to you to portray this era that shaped what Miami is nowadays?

DP: That’s a fantastic question and as we’re both from Miami, we talk about it all the time! We talk about not only the impact of The Mutiny, but the impact of the 70s, it was such a transformative period of our city! It really changed Miami from being sort of a sleepy retirement/vacation spot to a cosmopolitan hot spot. Then it changed when The Mutiny upped the ante on that and it became a hedonistic pleasure palace! Right? People were flying in all over the world to have an adult experience at The Mutiny. I have actually stayed at The Mutiny, it’s not what it was before, it is now much more lowkey. It’s like a hotel residential sort of establishment now, but the structure is still the same, the pool is still the same, and you still feel that if the walls could talk, you’d be hearing some fantastic stories and I think that that’s what our show does. The walls talk in our story.

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@yuluminati

PHOTOGRAPHY CREDITS | Hotel Cocaine

Read the JUN ISSUE #102 of Athleisure Mag and see IF THESE WALLS COULD TALK | Hotel Cocaine in mag.

BACK TO CHICAGO | THE BEAR

On June 26th 9pm ET, S3 of FX's The Bear released all episodes from this season which is available exclusively on Hulu in the U.S. and on Disney+ in all other territories! We had the pleasure of hearing from portions of the cast about this show that has truly been a phenomenon for those in the culinary industry, enthusiasts and more as we head back to Chicago it deals with the highs and lows of running a restaurant, navigating the industry as well as the complexities that take place FOH, BOH as well as outside of the four walls that they operate in!

The press conference included Executive Producer and Restaurateur Chef Matty Matheson (Craig of the Creek, It's Suppertime!, Workin' Moms), who also plays Neil Fak, Jeremy Alllen White (Shameless, Homecoming, The Iron Claw) who plays Carmy, Ayo Edebiri (Black Mirror, Abbott Elementary, Bottoms) who plays Sydney as well as who directed Episode 6 "Napkins" of this season, Ebon Moss-Bachrach (Girls, The Dropout, Andor) who plays Richie, Abby Elliott (Saturday Night Life, Odd Mom Out, Cheaper By The Dozen) who plays Natalie, Liza Colón-Zayas (In Treatment, Law & Order, Titans) who plays Tina, Lionel Boyce (Loiter Squad, Curb Your Enthusiasm, The Jellies) who plays Marcus, and Ricky Staffieri (Chicago P.D., Better Call Saul, This is Us) who plays Ted Fak.

If you have watched or caught up on the previous seasons of The Bear, we suggest that you watch as there will be light spoilers. In terms of S3 the conversation focuses on the trailer and how it ties into the previous seasons.

PRESS POOL: Matty, in addition to your playing Neil, you are an executive producer and from a menu creation perspective, what are the decisions that are involved in creating those dishes?

CHEF MATTY MATHESON: Yeah, like, Courtney Storer is also a producer, and she handles a lot of the menu development. I work with her and her team and ideation stuff of what Carmy and Syd would be thinking about and how to execute those types of dishes; and create; those types of menus; and who they are and how they would present themselves through a culinary lens. But yeah, a lot of the dishes—you know, we had some really good chefs, and Courtney is amazing at executing and creating that food and bringing that to life. And there were some dishes that were more difficult than others. A lot of the desserts that Lionel and Marcus were creating and storytelling were difficult. Pastry is very - you know, it's a lot of science, a lot of stuff going into that. But overall, I think just trying to make beautiful food and thoughtful food and pushing the envelope.

PP: What was it like cowriting the first episode, what that experience was like, what you brought to the table and also, what it did for you.

CHEF MM: I think a lot of people that have had amazing careers, like Carmy had or chefs in general, have worked under a lot of chefs. And there's little pieces that you grab onto throughout your life, and that's how and what makes you who you are, the good and the bad. And in culinary school, I had this chef that told us this story about how 30 chefs made who he was and told me this story about working under all of these chefs all over Europe and working with chefs and cooks and just learning all of these different trades. And you know, it is a trade. And so, I think picking up these little skills along the way - and you never stop learning - is who you are made of, you know? The people around you. And we kind of wanted to tell a story of what and how Carmy was kind of built in that way.

PP: It seems like Neil's role is increasing with every season and we're seeing more of him. Was this planned from the beginning or did it grow organically out of the way the character interacted with the other characters?

CHEF MM: I’m not too sure. I think they saw that I could remember a couple more lines. And then, I think Chris Storer (Ramy, On The Count of Three, Dickinson) kind of chucked me a couple lines, and then I think we'll keep it moving. But yeah, I don't know. I really don't know. I think happy to be here and then, you know—

JEREMY ALLEN WHITE: I think, yeah, I mean, I think Chris was responding to Matty's work on the show. Matty had never acted before the show, and it turns out he can do it so beautifully and he can be so funny and lovable. And so, I think Chris wanted to work with him more and more. And it's also like I've never seen Chris be more joyful...

EBON MOSS-BACHRACH: Yeah.

AYO EDEBIRI: It's true.

EMB: Yeah.

JAW: ...than when he's directing a scene with Matty and like throwing lines at him. It really is the most excited that I see Chris is working with Matty.

CHEF MM: What Jeremy Allen White said.

ATHLEISURE MAG: Jeremy, we got a taste of Carmy's mentality following the finale and how the walk-in incident impacted him in the trailer. But going into Season 3, how will that experience impact him and his employees at The Bear?

JAW: Yeah, I mean, you know, what happens, I do get out of the walk-in refrigerator and that's good. And then yeah, you know, I think Carmy does what he does, which is he sort of buries himself back into his work and really tries to challenge himself and in doing so, really challenges everybody around him and I think becomes quite challenging to be around, as well. A lot of challenges.

PP: Things were not in a great place between Richie and Carmy when we last saw them. How will their relationship move forward as the season progresses and can they overcome the differences that they have?

EMB: They're great now. They're great. They...

(Laughter.)

AE: Play pickleball on Wednesdays.

EMB: They wake up every morning, go for a jog. You know, a little coffee klatch. No, I mean, you've got to watch, I think, right?

JAW: Yeah. Yeah, yeah, yeah. I mean, yes, Carmy is like continuing to do what he does best, I think, which is like be incredibly avoidant of all the issues that he has going on.

AE: No. What?

JAW: And that's what you'll see, yeah.

AM: Last season Richie got to work at another restaurant which really softened him and informed him a lot. How did that inform you moving forward with the character and into Season 3?

EMB: Season 3 picks up I think not long after Season 2 ends. And I don't know, I think Richie is in a place where he's sort of seen...he's been exposed to maybe a more evolved way of being, and I think he kind of sees a path to head towards. But it's one thing to see the path and it's another thing to walk it. So, I think, like any kind of personal growth, it's forward and back and there's not a kind of clear and one-direction path.

PP: In the Season 3 trailer, Carmy presents Sydney with a partnership agreement. What does this promotion mean for your character and how does Sydney and Carmy's relationship evolve in Season 3?

AE: Well, I think that that's one of the things in the season that we sort of deal with is what it means to Sydney and what that next step would mean for her relationship with Carmy, who's somebody that I think she really has looked up to but now is sort of in the thick of doing business with. And it's I think a lot more chaotic than she might have idealized before they really started working together. So yeah, I think that's sort of something that you'll see.

JAW: Yeah. Yeah, I think for Carmen, he's not the best communicator, but he will often kind of make a sort of grand gesture like that to try and communicate to Syd or the kitchen or whomever. And I think that's his way of kind of reaching out. But oftentimes, I feel like people aren't prepared to sort of receive like - I think he's got a lot going on in his mind all the time, and people aren't always aware of exactly what's going on. And so, yeah, I guess...again, yeah, you'll see obviously how that affects Carmen and Syd's relationship. But I think Carmen's trying to welcome her in a little bit was the point of the partnership agreement, yeah.

PP: What is going on with Tina this season. And then Ayo, would love to hear what it was like directing an episode.

LIZA COLÓN-ZAYAS: What's up with Tina is she is struggling to, you know, be her best and the challenges and wrestling with the demons of her past and you know, white-knuckling.

AE: Yeah, directing was a blast. I really loved it. It's like a dream to get to work with our crew as an actor. And so then, I guess by extension of directing that feeling was only amplified. I was just so impressed and so moved every day. And then, I got to direct some of my favorite actors in the world, and it just felt like a bit of a master class, but also a gift. Like, I was just in the best circumstances of truly just masters of their craft beside me, and I just felt so lucky. I was kind of like this is maybe the best job in the world? Or tied for first place, at least, with the one of acting. Yeah, so it was really wonderful.

AM: Did you choose the script that you were going to direct or is it just a decision you made with Chris Storer?

AE: I mean, a little bit of both, I guess? Like, he had one in mind. We're lucky enough to read all the episodes as actors beforehand, and we'd been talking about it for a while. And I know that he had one in mind, and I think he and the other producers, like Joanna Calo (The Baby-Sitters Club, Hack, Beef), had talked about it a bit, about how the episodes would be distributed. Because I wasn't the only guest director this season. Our AD, Duccio Fabbri (She Said, The Whale, Native Son), also directed an episode. And so, I think they had in their minds who would go where a little bit. But then we had a conversation, and he was like, "Which scripts are you responding to?" And I was like, "I would literally give you my firstborn child, who does not exist yet, if I could do the Liza episode, because I would love to work with Liza in that way." And then, he was like, "Well, we have nice little parallel thinking." So, yeah.

PP: Grief seems to be kind of a river that runs through the entire connective tissue of the show. And no one has seemed to really deal with their grief related to Mikey's (Jon Bernthal) passing and also, it seems like there might be some grief for Marcus, as well, coming up. Will there be any reckonings with unprocessed grief throughout this season, and what does that mean for the restaurant as a whole?

ABBY ELLIOT: Yeah, I think with Natalie, she's processing her grief and she's about to become a mother. She's pregnant and so, she's grappling with the fact that her brother had this horrible demise and her relationship with her mom and her brother is not in a good place. So, I feel like, yeah, she's dealing with the grief in that way.

AE: Yeah, I feel like a lot of different characters have grief that touched them in different ways in how they're dealing with it. I mean, I think you said it very aptly. That's one of the connecting threads of the show, so I think it's in the process of being dealt with by different characters in different ways in this season.

EMB: I would say that it's even one of the strengths of the show and I think one of the reasons that it's connected with so many people is I think grief is the river that runs through all of us. And it's the one sort of - maybe one of the only common things that we all share in the human experience. And so, yeah, that continues, and everyone deals with it in their own way. Or not, you know.

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PHOTOGRAPHY COURTESY | FX's The Bear

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THE BACHELORETTE S21. E3. | THE JOURNEY CONTINUES

PHOTO CREDIT | ABC The Bachelorette

We kick off tonight’s episode of The Bachelorette with some of the men doing their workouts, a warning about gyrating men and libidos, and the men trying to set their differences aside so that they can be focused on Jenn Tran.

The date card arrives and Spencer gets the 1-on-1 date. That means there will be 2 group dates that we’ll see. They end up flying in a helicopter and they get to know one another.

Back at the house, the guys are still whispering about Devin and his antics.

Back on the date, the helicopter portion is done and now they are heading to dinner in a stunning space where they can really talk with one another. We know that he wants to share something that makes him very vulnerable. He lets her know that he has been engaged and has purchased a home with her and then he realized that she was cheating on him. Although he shared this experience, it’s a lot to take in and you can see Jenn seeing if he is able to navigate and be ready for love with someone else. She gives him the 1-on-1 Date Night Rose.

Dylan, Marcus, Thomas A., John M., Grant, Jonathan, Sam N., Thomas N., Sam M., and Devin will be on the group date together. It’s a lot of personalities so we know that this will definitely be a doozy. Their date is at The Forum Theatre but it’s clear that hey will do the Thunder From Down Under which has shows in Las Vegas, but they’re helping out Jenn today. The men look so uncomfortable and can’t believe that this is what they will be doing. They learn how to do a number of moves and then they hear that they will have a live audience watching as well! Jesse Palmer is emceeing the night. The guys are having fun with it and Jenn is joined by 2 sisters who were on The Bachelorette Australia. Jonathan wins the event - Mr. Firefighter. Sam N. decides to drop the L bomb which catches everyone off guard! It seems like there’s a new person in the group that will rub others the wrong way.

Post the group date, the men from the date are at the cocktail party - who will win the Group Date Rose? The men are still thinking about Sam N.’s bold move. Of course, Devin is still out there doing all of his antics and the guys still feel that he’s a bit much. Sam N. also talks about what he said and she let him know that his truth is one that he should share and she is glad that she let him know. Devin hears Sam M. and Thomas N. talk about how he doesn’t even know what it is to be in love so why would he say anything? Apparently, Devin feels big brother vibes over Sam N. so this is not going to go well. The trio have a chat that doesn’t really resolve anything. After meeting with a number of them for a bit, she is giving the group rose to Devin.

We see that Aaron is in the Air Force and is being called in for an opportunity to participate in a flight training group. He has a day to figure it out and he will be flying out the following week - he has to think about what he will do, but for right now, he’s all about his group date. The next group date has Hakeem, Jeremy, Austin, and Aaron on a race track which will allow them to do a race. Austin came in first and got to have a bit of 1-on-1 time with her. With only 4 people on the date, she is spending some time with each of them at the group date cocktail party. Aaron lets her know that he has his pilot’s license. He has to decide what he will do and he feels that he is closer to her. She has great moments with each of them and now it’s a matter of who will get this group date rose. She gives the rose to Jeremy. Aaron thinks about the fact that since he didn’t get one, he doesn’t have the validation that he is looking for since he has to think about the call that he received earlier that day.

All the men arrive for the cocktail portion of this week’s Rose Ceremony. She acknowledges the men upon her arrival and lets them know that they are amazing and that this process is working. She lets them know that she is having a good night. Aaron plans on letting her know that he will be taking another opportunity as he doesn’t want to to stop his life for something that he has worked so hard on. He lets her know that he has dreamed of being a fighter pilot and he wants to take the time to do that. He also leaves her with a few words - some people are not there to be genuine and yet, he didn’t want to say who. That shifts the vibe for everyone else that is there.

JENN GAVE ROSES TO | Austin, Devin, Dylan, Grant, Jeremy, John M., Jonathan, Marcus, Sam M., Sam N., Spencer, and Thomas N.

JENN DIDN’T GIVE ROSES TO | Aaron, Hakeem, Tomas A.

Each night during this season, we will tweet about The Bachelorette and you can chat along with us (@AthleisureMag + with our Co-Founder/Creative + Style Director, Kimmie Smith @ShesKimmie) to see what’s taking place!

Each week we will let you know who our faves were from the last episode and if we’ve changed up since then as it pertains to who we think should go to Hometowns.

We also suggest a podcast that we’ve become obsessed with over the past few seasons, Wondery’s Bachelor Happy Hour to get their feedback!

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WHO WE PREDICT WILL GO TO HOMETOWNS

AUSTIN

DYLAN

MARCUS

SAM M.

PHOTO CREDIT | The Bachelor Contestants/Ricky Middlesworth

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THE BACHELORETTE CONTESTANTS

AARON

AUSTIN

BRENDAN

BRETT

BRIAN

DAKOTA

DEVIN

DYLAN

GRANT

HAKEEM

JAHAAN

JEREMY

JOHN M

JONATHAN J.

KEVIN

MARCUS

MARVIN

MATT

MOZE

RICKY

SAM M.

SAM N.

SPENCER

THOMAS

TOMAS

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9PLAYLIST MULTI | REZA DIAKO

Read the JUN ISSUE #102 of Athleisure Mag and see 9PLAYLIST MULTI | Reza Diako in mag.