PHOTOGRAPHY CREDITS | Paul Farkas
Read the DEC ISSUE #120 of Athleisure Mag and see THE 9LIST 9M3NU | Handroll Bar Rolling in mag.
PHOTOGRAPHY CREDITS | Paul Farkas
Read the DEC ISSUE #120 of Athleisure Mag and see THE 9LIST 9M3NU | Handroll Bar Rolling in mag.
We’re excited to share an interview from our Athleisure Mag Summit Series which gives you an indepth look at a brand that we have had the pleasure of including in our photoshoots from celeb covers, model editorials, and even wearing it personally with a number of looks. Virgins Saints and Angels is a brand that includes a number of accessories that tell an array of stories and adds visual texture to whatever your style may be!
We sat down to talk with Cheryl “Finn” Finnegan, Founder and Chief Creative Officer of Virgins Saints and Angels. We talk about the origins of the line, the assortment, her design process, and essentials you need as you begin to build your own collection.
ATHLEISURE MAG: I have to say it is such a pleasure to be able to chat with you finally for this Athleisure Mag Summit Series Virtual Event! This series allows us to talk with great fashion brands that I know our readership and community should know about. Having them hear from the brand, learning about their assortment, and what we can expect from them in upcoming seasons! As you know, I have been a fan of your brand for the past 2 decades from wearing it personally when I’m out and about, for TV segments and also including it in our photoshoots for Athleisure Mag!
In talking with you right now, I am wearing the first ring that I ever received from your collection as that in itself is a full circle moment as it was the first piece that I wrote about for a blog that I started back in 2004 and how was I to know that in 2011, my boyfriend who I am still with who is a Co-Founder of Athleisure Mag, would not only buy this ring without knowing that I knew about it, but he ordered it through Ylang23 which is a retailer that I knew and would talk to off and on when I was working on my site! They knew me and thought it was such serendipity and then around that time, I was in Santo Domingo designing my collab line with Sebago as we were were preparing to launch the collection on HSN and I ended up meeting the leather team that supplied leather for your belts because their company was supplying the leather for my shoes!
CHERYL FINNEGAN: Oh my gosh thank you so much and I just think the world of you!
AM: Same! It’s a brand that I have loved ever since I knew about it, it’s what I wear every single day and I love everything about it. I just want to say thank you for creating it and your aesthetic is something I appreciate and I really love that you are taking the time!
CF: Of course!
AM: So prior to launching Virgins Saints and Angels, I’d love to know about your background because I know you are a fashion veteran as you worked in marketing for Levi Strauss and Co.
CF: Yes, I have been working in fashion since I was probably 16!
AM: Same!
CF: Yeah, starting out in the local department store and moving on from there. I worked with Levi Strauss and I had the best title on the planet! I was called an Image Consultant!
AM: Ok, that is the best title!
CF: It is the best title! I loved handing that card out! So, I was in charge of going out and checking out boutiques. I was searching out for places for us to be in. So I was always on the cusp of what was happening. So when I moved down to San Miguel I originally started doing these plastic woven bags. They were super cute and I reinvented the whole plastic bag in the mercado and I had to brand it because I am a marketing person.
The branding in these plastic bags – I couldn’t sew anything in there and it was cheesy to glue something in there. So I had the weavers who were prisoners, they did that job in the prison system in Mexico – I had them weave the little ring in there and I did a key fob.
AM: Ah I’m seeing where the DNA of VSA came from the minute you said that and now I know why the brand also has key fobs!
CF: Then that key fob turned into a belt buckle which then turned into a ring and then a rosary and that is how it all began!
AM: Yeah, I always wondered what was the piece that sparked everything else – this is fascinating because it’s an extensive assortment that has an array of pieces that speak to each other inside of the collections as well as those adjacent to it, but I couldn’t figure out where it started and what the root was.
CF: Right! I was making these little itty bitty key fobs and I had a sweet little logo under resin and then Fred Segal was buying the bags. But one day he said to me, “do you think that you could just sell me some of the key chains?” I thought that was great because the bags take up major bulk right?
AM: Yes!
CF: So most of the cost of the bag was the shipping. So I thought, I could ship 100 key chains in a little box. So then I started putting in the religious imagery in them. Then I had cute little hangtags on them so it would be Adam and Eve and the cute little tag would say, “They always look better than they taste” or something fun about the Virgin of Miracles or whatever. I had these cute little tags on them and Fred Segal went crazy over them! I was just selling them as fast as they got in and then eventually, it turned into a belt buckle. Literally, I was walking down the street in LA with my belt buckle and Laurence Fishburne’s (Matrix franchise, John Wick franchise, The Amateur) relative stopped me and asked me what I was wearing and I told her that I had just made this belt buckle and it was my prototype. She said that she had to have one and I just took it off my body and I sold it to her!
AM: Oh my God, that is insane!
CF: Then I thought, I think that I could be onto something!
AM: The pieces are so iconic. When we had Lala Kent from Vanderpump Rules as our cover for our MAY ISSUE #29 in 2018, she wore one of your crowns for the cover.
CF: Yes – insane.
AM: It’s just amazing the responses that you get when you’re wearing them even in the wild. On days where I’m running between editor’s appointments and showrooms and I’m just rocking leggings and a top but I have my VSA which takes it to another level, I do get stopped and you have mini conversations about them and it’s so fun to engage with people in that way.
What is your sourcing process like? I do like the elements in the pieces an San Benito and then the Magdalena – where do you get all of these things from?
CF: Well inspiration is local, I mean you’re in Mexico. When I first got here, I didn’t get it. I come from the Midwest –
AM: Same!
CF: Right, your religion is private.
AM: Same! That’s how I was raised too!
CF: I’m from near Chicago.
AM: I’m from Indianapolis originally and obviously, I’m in NY now. But I totally get it. Like growing up there you’re religious, but it’s not something that I would just throw out in conversation.
CF: It’s reserved right?
AM: 1000%
CF: In Mexico, Guadalupe is on every other tattooed man – it’s just very visible. I found it interesting and then I started looking into it more and then I started adding in this Gothic kitsch. I was definitely more of a punk goth chic when I was young. I had the spiky hair and black that was my thing. I definitely have a bit of those elements in every piece that I do. The Magdalena was that ability to wear a rosary and to wrap it around. I particularly love the belt buckles and to me, those were it! That was my go-to piece that I was known for and every celebrity would wear the belt buckle and be pictured in it and you would see it! An earring you may not see necessarily, a ring you may not see, but a belt buckle – you’re going to see that.
AM: I do love the Gothica style of it. I always say that there is this noir/macabre feeling in the pieces that are pleasantly moody where it’s not fully leaning in that direction but you get that essence. I’m not a preppy girl by any means, although I growing up that is how I dressed – hello Midwest. But, I love that I feel when I wear them that it grounds the look, it gives an edge to it. It feels approachable, it has visual texture, and there are always great conversations around the pieces and it goes on for minutes! You see a cross, then there is an interesting design, or some other fun element.
CF: I know! It does kind of push the limits! I will never forget when I was in San Francisco, I was in a store and a woman came in and she told me that her parents had a dining room and it was all in black velvet and had Jesus and Mary in it as they were very religious. This woman was wearing her Virgin of Guadalupe belt buckle and she felt kind of dirty wearing it there – ha! It definitely pushes something.
AM: It does push the limits but you have created this world from the jewelry to the campaign imagery that you put around it that creates a cohesive story and what it means to be in that space. Sometimes our shoots end up popping up so quickly that I may not have time to reach out to your team to put a request in for something that is in a new collection or an archive piece and I will shop my personal VSA collection to bring it to set as it adds that element of drama.
CF: Oh honey! We’re so happy to work with you!
AM: Of course sometimes when there is a tight window you have to make do! You had a cameo set that we pulled a couple of years ago and I had requested various pieces from it as I wasn’t sure how we were going to have it with our model and by the time I saw the looks, I realized that they all needed to be worn together as we shot it at the Algonquin Hotel here in NYC.
CF: Oh yes! I loved that!
AM: Your team was great to work with to get that going. And between the dress and the layers of statement necklaces and the earrings this Cameo Noir moment just really came together. My team was like, wait all of this together and I’m like the whole thing!
CF: You’re too cute!
AM: Where do you start in your design process? Being where you are in Mexico, walking around definitely must be something for the senses and crazy inspiration.
CF: My new collection is just coming out and it’s called Brigid. So, Brigid took me back to my original roots. So when I was first introduced to San Benito, I was in Ireland. I saw the Celtic cross and I remembered being in San Benito and seeing the San Benito Monastery. That was the Celtic cross and I have Celtic roots. So Brigid takes me back to the first trip in Ireland when I was first introduced to that Celtic cross in a town called Kildare. Killdare happens to be the town where Brigid is. I wanted to do something that was very Irish and I started looking back into it and the famous Celtic cross in Ireland is in Kildare and Brigid, she is the only Goddess who is also a Saint. So she is a pagan Goddess and a Saint at the same time.
AM: Interesting!
CF: She is all 4 elements. She is Air, Water, Fire, and Earth.
AM: Now it makes sense with the images that you sent knowing that!
CF: Exactly right? So, I’m tying things back to my Celtic roots but yet, it is so very Mexican inspired for the pieces. All of my pieces are handmade!
AM: That’s another thing that I love about your brand! It already comes out with that heritage aspect to it due to how it is crafted. It is polished not like something that is mass produced, but in a way where you feel that an artisan made it and it is passed down to you. Every time I put it on – even if it is a new piece or one I haven’t worn in a while, you have this feeling that is warm and as if it something that you have had for years.
CF: You need to come down here and come down to the workshop!
AM: I want to come and see this, I would probably freak out!
CF: All of my clients that come to the workshop, they always say, “you don’t charge enough for your pieces.” They are blown away!
AM: I have to say that I have always felt that your pieces are a great price point; however, you have all the people that are making it by hand –
CF: It’s a lot! I have the same workers for 25 years.
AM: Really?
CF: Yes, the same people! They are the best of what they do. They love when I bring a magazine photo in and show them. They love seeing Lady Gaga, Miley Cyrus or a number of the people that have worn their brand. They all have their little alters at their work stations. They really put a lot of love in what they do.
AM: When you make a collection each season like Brigid, how long is that process from concept to finish?
CF: It’s a lot. It can take – Brigid is coming out on Feb 1st and what we do is that we always wear the pieces beforehand. So after awhile in wearing a piece, you can see how it feels and you may say, this isn’t right. So we have to change and we have 2 pieces that we are right now in the process of getting ready. For Brigid, we have been working since Oct on this. It takes a long time and as a designer, I’m working all of the time. You don’t just stop your brain from being creative right? Every time you are looking at something, you’re saying, how does this translate?
It’s very interesting and I love it. I sit with the workers, I don’t hand them a sketch. I sit with them while we are making the pieces. I don’t have my cell phone with me or my laptop, I sit with them and I say, let’s do this and let’s do that. Then, they give me ideas, and we do it together.
AM: I did the same thing with my shoes as there was so much to learn by being able to talk with the artisans that have been doing this for years. I was able to share my vision, how I wanted the leathers arranged and then to watch them put it together, offer directions and adjustments to make a beautiful collection that I sold on HSN. So being in Santo Domingo and to have that experience really opened my eyes to craftsmanship. They knew that product and it was a pleasure to work with them. They knew that leather better than anybody, they knew about the last and so many components of the shoe.
CF: Yes! I have to say that it is very different than going to a factory in China where they are throwing things in a machine and spitting it out. There was a period where there was a copy cat of mine and they were making it in China and you could tell that it wasn’t the same.
AM: You knew the difference! Just the weight alone. It always surprises me that the pricing of your collection is so reasonable and then when you think about the hand made element as well, it’s amazing that your prices aren’t higher.
CF: People know once you start wearing it and playing with it. Our pieces in addition to being hand made are also hand polished. In this industry, when people say handmade – what does that mean because there could be elements that are and others on a machine. I do such a volume that I am fortunate that I am able to keep the prices at where they’re at. That definitely helps and we have a nice kind of flow to our factory – I don’t call it a factory I call it an atelier. We have about 13 people who work with us and every piece has its own hand antiquing. I don’t like that usually in jewelry when you antique it, they throw it in a black pot and they tumble it. I don’t like that. I like to brush it on by hand and I tell them where I want it to be more intense and where I want it to be less intense.
AM: Oh wow that explains something else I have always wondered. It’s yet another little detail that I am learning about you and the brand! I always noticed that it wasn’t the same all over in terms of my rings as I have more in this category than other portions of your line. So I will see certain parts of the ring will look one way or another when I am turning my hand or picking something up. I just thought that my skin was making it do that!
CF: There is a designer that wore my cuff to death in the shower, swimming in the ocean and I ran into her in NY and I said Nicole, would you like for me to replate that for you? It was black! And she was like, it’s my natural patina piece – my personal patina! I was like ok!
AM: Oh wow!
Who would you say is the VSA customer if you had to put a person in a category or categories?
CF: I know! There is the woman that I think she is that is this punk rock cool chick. But it’s so difficult because we have people from Miley Cyrus to Maria Shriver to Marilyn Manson. It is the most bizarre brand. A marketing company will come to me and say who is your customer and I really know that we are all over the board. We are being included in the upcoming season of Euphoria –
AM: Oh yeah, that’s huge! It’s their 3rd season!
CF: Yeah and they’re using my pieces all over! Yeah! So I have that kind of client and I have no idea as I have never seen that show.
AM: I did try to watch it but I feel like the show the cast when it first started they were like 16 but they’re definitely show the cast going through it. They’re drinking, doing drugs, navigating relationships. For me, watching younger kids do that isn’t for me versus seeing the same thing done with adults. But it is an acclaimed show and I know people really love it! I mean Zendaya (Challengers, Dune franchise, Spider-Man franchise), Colman Domingo (The Four Seasons, Fear the Walking Dead, Sing Sing) – so now I feel like I need to get on that train.
CF: I know! I have to watch it.
AM: So now that VSA is in it, I have to support it.
CF: You’re not going to see Zendaya in it but it’s another main character –
AM: Could be Sydney Sweeney (White Lotus, The Housemaid, Eden) as I know she is in it.
CF: I don’t know, but the main character is going to be wearing a signature rosary as that is her thing. You’ll see a belt buckle and you will see everything. I don’t want to say too much but I am excited.
I have also had a number of programs contact me as there is this whole witchy aesthetic that has been going on lately. When VSA started, Passion of the Christ came out, The Da Vinci Code so there was a lot of the religious thing, then we moved into Disney because there was Once Upon a Time –
AM: Yes! Loved that show and the pieces for that were huge as that was such a major collab with Disney!
CF: I fit in with those things personally. Then things got a little boring and now there is this whole witch thing going on. So there’s a movie called Forbidden Fruit that they chose my pieces for and then there is this new series that they are filming in Canada right now and I sent them 150 pieces. They went crazy for everything!
AM: I would love to see them in White Lotus, I don’t believe they are in production just yet. When they were filming in Thailand for S3, I was reached out to by someone working with them and they were looking for designers to partner with. I don’t know if it was for the show or for promotional items that would flow coming off of that and I told them then that they should talk with you and that I would be happy to connect the 2.
CF: Love it! I will tell you that my team is so professional and you have worked with them so many times. We say that we will have it on X date – we do, we have the return label, everything is packaged clean, we do what we say we will do. I don’t know how many people in the industry do that.
AM: Not a lot! Many times I have the request with a buffer and you’ll have some people still missing that window – so crazy!
CF: They’re kind of taken back at how easy it is to work with us!
AM: Oh yes, you guys package it nicely and everything is just ready to go. I find that in this business even though some people don’t do things to standard, when you are not a massive brand or with a massive firm or whatever the case may be, you have to be more on point and easy to work with so that you can continue to navigate and I always appreciate when people take care and pride in what they do! It’s about the details and the follow through!
CF: I also have this immense archive!
AM: I was just going to ask you about that!
CF: It’s massive – it’s crazy! So this program called The Body that is coming out, they shared the storyline and I told them that I would pick all of the pieces so they could give me direction. I gave them my mood board with all of the pieces. The pieces I showed them were not on the website. I can just pull from the archive and it’s so fun and most people don’t know that I do head pieces – I have thousands! I’m not going to put them on my website. People don’t necessarily want to spend a $1,000 on a headpiece that they will wear once.
AM: But it is there should they want it!
CF: It’s been so much fun and I can’t believe that I have had this life.
AM: Your photoshoots are productions in themselves and I get it as we do a number of them here at Athleisure Mag. What is that like as they are immersive and they have such a storyline and you had one that always comes to mind which was a Last Supper motif.
CF: I know! That one was so controversial. I would have surprise photoshoots with my team and that one was a team photoshoot.
AM: Oh wow!
CF: They didn’t know it was going to happen we were just eating like we normally do. I do them at my house, so I have the MUA sneaking in, the costume guy, the hair guy – everyone is setting up. So I let everyone know this is it – the Last Supper photoshoot. I have Mariana there with her long black hair naked, covering her breasts with the black tears and huge belt buckle. We have 12 women dressed super elegantly with the hairdos and I wanted a crystal turkey – the food had to be crystalized! We have so much fun with these shoots and they are all at the office or at my house!
AM: I always enjoy seeing your campaigns, photoshoots, and videos. There have been times that I have used them in terms of creating my moodboards for a shoot or concept. It’s art and it has everything in there.
CF: I go outside of it. When I do Marie Antoinette, she’s going to have the white makeup on and we’re going to go all out. Forget about the hybrid! I’m the real deal!
AM: What do you feel are the 3 key pieces that someone should have if they are just starting our their VSA collection?
CF: Ok, well for certain my Magdalena which is a multi-beaded piece that is super versatile and the first necklace that I designed! It’s still in the line and still my #1 piece. Lady Gaga wears it, Madonna wears it, everyone! That was the necklace that Britney Spears put me on the map. Then when she was going through that period of time where it was about Save Britney Spears was all over the Internet. She decided that she was going to pose naked on the Internet with only my necklace – she is like Maria Magdalena reincarnated. Lady Gaga wore it for her half time show and people choose to wear my pieces during key moments. Miley Cyrus wore that necklace for forever. It means something to them.
I would definitely say a VSA ring. I would also say a belt buckle. These are great statements. A lot of people think that with a belt buckle you have to have a skinny waist – no you don’t. You can wear your belt buckle high on the waist if you want our buckles are big it’s somehow an illusion!
AM: I tell people it’s a look that should be incorporated.
CF: Those 3 items the Magdalena the beaded necklace, the buckle, and the ring. My rings are statement pieces as you know – don’t be afraid of them!
AM: I say that too. You get used to wearing them and I don’t leave the house without them! I would feel weird leaving the house without them. The few times I do, they are probably in my bag waiting to be put back on. I workout in them and they sit in the little ring tray when I am getting my nails done.
CF: It’s like protection.
AM: I do feel that they are a bit like armor when I put them on. I have had them for so long and I like being able to choose a nice arrange of rings as I tend to wear 4 and always 2 from VSA. The fact that you have archives I do want to dig into those as a few years ago I was looking through that with one of your team members because we thought a project was going to take place and I couldn’t believe pieces I was drooling over that I had never seen on the website.
CF: Oh yeah the archive!
AM: Right and to your point, I was like we need to go to San Miguel because I can only imagine!
CF: You and Paul need to come down you would have so much fun! I love how versatile the pieces are the people that love this brand. I remember when Tim McGraw was in a photoshoot and he was styled in various pieces. The shearling coat was Dolce Gabbana and the best photo of all is a full page shot of him in his lounge chair in his office. He had his belt buckle on – VSA belt buckle and his hat and his favorite denim shirt and the credits said that the buckle was designer’s own. He was so proud of wearing that piece. I don’t care that he didn’t say my name –
AM: I remember seeing that picture and looking at the credits and I knew it was VSA!
CF: Yeah! That’s the thing – he chose that outfit because that was the picture and he looked so relaxed and so great.
We get phone calls and emails of people claiming that the pieces have done something to save their life – it is bizarre. We had a woman from NYC call the office and she was crying. She told me that she was weaing the Guadalupe belt buckle in Central Park and walked up to a woman crying on a park bench. She put her hand on her shoulder and said can I help you? The woman looked up and saw the belt buckle and said, “you just did.” The woman on the bench had prayed to Guadalupe asking for a sign or she would end her own life.
AM: Oh my.
CF: I mean, we were all crying by the end of that story. It was just amazing and we get these stories. People from Patagonia that had a life changing event that happened while wearing the necklace and now they aren’t going to take it off. You can’t believe some of the things that we hear and there is a power behind it.
AM: I always feel settled when I wear them it’s putting on those last elements to take on the world like armor.
CF: Listen to us!
AM: I’ve always felt that when you wear an accessory and especially when it comes to jewelry and that skin to skin contact, there is what the designer intended by designing it and then it merges with who you are as a person and then it becomes like a totem in many respects. You wear it every day, stories and moments in time are being associated and there is something there.
CF: I think jewelry does that way more than a sweater or something of that nature.
AM: Totally! I think it’s like when you walk into someone’s home, you feel a vibe because you are in the space of the inhabitants that eat, sleep, and live there and the home becomes an amplifier of the energy and sentiments that are there.
CF: Exactly.
AM: So the pieces that you’re wearing, because it is everyday and next to your skin – it is a thing.
IG @vsa_designs
PHOTOGRAPHY CREDITS | PG 56 - 65 Virgins Saints and Angels | PG 73 - 75 Paul Farkas
Read the DEC ISSUE #120 of Athleisure Mag and see AVANT GOTHICA WITH VSA in mag.
As we close the year, we know that this time of year is one where we spend even more time celebrating various moments and enjoying eating at phenomenal restaurants that only enhance the memories that we share with friends, family, and colleagues! In this month’s Athleisure Mag, we make our way to DC to sit down with Owner/Chef Ryan Ratino to talk about Bresca, their tasting menu, and what we can expect when we swing by for our next visit!
ATHLEISURE MAG: We’ve had the pleasure of chatting with you before for with Jônt and Ômo by Jônt which is also part of Hive Hospitality. Currently, your restaurant group is now tied for the most Michelin-starred concepts of any hospitality group in America (4) and the 2nd group with the most Michelin stars (5) in America (with Thomas Keller having the most), what does it mean to you to have these distinctions?
CHEF RYAN RATINO: I have always had the utmost respect for the guide and the chefs who are highlighted in it - it means so much to me, our teams, and our restaurants. The designation is globally known, and it is one of the benchmarks in the industry. It is a reflection of our hard work and tenacity in this industry.
AM: Bresca has had 1 Michelin star every year since 2019! How do you balance navigating your goals, interests, and needs for the restaurant with those elements that involve maintaining the Michelin star?
CHEF RR: It is a validation that our hard work has paid off, year after year. Receiving the star year after year enables us to be more creative and more attentive to details - it just makes us better at what we do; and that for me, is balance. I also enjoy time off playing golf and fishing and have always been into physical fitness when I need time away.
AM: In looking at your mission for Hive Hospitality, you are focused on pioneering the future of hospitality, delivering exceptional experiences, and practicing environmental safety. Why are these so important to you?
CHEF RR: It is a pillar of the our company to inspire our guests - as well as give back to the industry and lead by example. While we are driven by passion, it is important to me and our teams to push the envelope a little further with hard work - one of the Midwestern values that were instilled in me from a young age.
AM: What cuisine is offered at Bresca and what ingredients or spices are indicative of it?
CHEF RR: Seasonal, plus the most responsibly sourced and finest ingredients from the Mid-Atlantic and beyond, while using cooking techniques rooted in France with a touch of regional influence.
AM: Tell us about the ambiance of the restaurant and what diners can expect when they come in?
CHEF RR: Fun - the most important thing of all - as well as personalized warm service. The restaurant is buzzy & lively - the chatter of the guests and the dining room teams working together is the music of a french bistro.
AM: Tell us about your 3 Course Menu!
CHEF RR: The three course menu is a celebration of seasonal ingredients, where we feature some of the local farms what we have worked with for years, as well as inspiration from my childhood favorite snacks and inspiration from my home state of Ohio.
AM: On your A la Carte menu, what are 3 items that we should have our eye on?
CHEF RR: Rohan Duck à la Presse (when on the menu -a signature), “Smoke in Chimney” Trout, Berkshire Pork tenderloin, and Brioche stuffed Amish Chicken.
AM: What are 3 cocktails that you suggest that we should have our eye on?
CHEF RR: Bananas for Coffee, Oyster-tini, and Buttered Beet Manhattan.
AM: Tell us about your wine program.
CHEF RR: Our wine program includes some of the very best wines from around the world - and our sommeliers taste every single day to find the most interesting, plus the ones that work best with our food. We have had relationships with some of these producers for years.
AM: What should we know about Restaurant Week and what can you tell us about the menus that will be available during this time?
CHEF RR: We’ll be offering Restaurant month starting on Friday, January 2nd to February 1st, with exclusive 3 and 5 course tasting menus, each one designed to showcase the season’s boldest, most expressive flavors.
AM: Will there be events coming up that we should keep an eye out for as last month you had the Bresca Wine Dinner Series?
CHEF RR: Stay tuned:)- follow us at @brescaDC on Instagram.
IG @brescadc
PHOTOGRAPHY COURTESY | Rey Lopez
Read the DEC ISSUE #120 of Athleisure Mag and see THE ART OF THE SNACK | Bresca in mag.
Carmel Retreats opened its doors in 2020, after owner, Barry Shimo Farb navigated his own journey with cancer and realized how deeply restorative it was to spend time on this property. Guests told him, “I didn’t know how exhausted I was until I exhaled here,” and he felt that during his own recovery. He wanted to create a place designed around that moment — where the surroundings are healing.
Carmel-by-the-Sea is one of those rare places where nature and creativity comes together. This village sits beneath a veil of Monterey pines and ocean fog, and there’s a calm that you feel within minutes of arriving. The air smells of sea salt, woodsmoke, and blooming jasmine. Artists, writers, and wanderers have come there for a century to find clarity and inspiration - and that spirit is still alive.
Many people are living at a pace that our bodies are not designed to sustain. Recharging is not just an indulgence, but it’s maintenance. Barry believes that when we step out of our loops and into a quieter environment, our minds reorganize, our creativity resurfaces, and our emotional bandwidth expands. He believes that rested people make better decisions, show up more fully for the people they love, and feel more at home in their own lives.
There are 2 historic cottages: Cuddle Doon and Wee Hoos are private sanctuaries. They’re filled with soft natural textures, warm lighting, and handcrafted details that encourage you to slow down. You’ll find a fireplace, spa-inspired bathrooms, deep reading chairs, and quiet corners for journaling, meditation, or simply listening to the ocean in the distance.
Guests receive a curated wellness welcome basket, a personalized retreat guide, locally roasted coffee, organic teas, aromatherapy blends, yoga mats, and a weekly ritual schedule designed to help guests unwind the minute they arrive.
Retreats can be tailored to your own rhythms. Guests can enjoy guided meditation, breathwork, yin yoga, forest bathing walks through the pines, sound healing, journaling prompts, cold-plunge moments at the beach, and evening reflection rituals by the fireplace.
For couples or small groups, they also offer intention-setting ceremonies, relationship-centered practices, and creative expression sessions like photography walks or intuitive sketching. Everything is designed to meet you exactly where you are.
We like an initiative that they have known as Postcards for Healing. Anyone can nominate someone in their life who is coming through illness, grief, or major life transition to receive a free 2–3 night stay at Carmel Retreats. They use the “trapped dates” between bookings — nights that would otherwise sit empty — and turn them into an offering of rest, dignity, and care. It’s a way of letting the property give back to people who need a soft place to land.
PHOTOGRAPHY COURTESY | Carmel Retreats
Read the DEC ISSUE #120 of Athleisure Mag and see ATHLEISURE LIST | Carmel Retreats in mag.
Heli-skiing with SEABA is about small group, high-touch adventure in some of the most expansive, untouched terrain on the planet, with guides who migrate to Haines each winter specifically because this zone delivers the kind of lines people dream about.
We spoke with Nick Trimble, Co-Owner, Founder, and Logistics Manager, as he has been involved in the ski and snowboard industry for over 30 years.
Heli-skiing is using a helicopter as your “chairlift” so you can access big-mountain backcountry terrain that you simply cannot reach at a resort. Instead of lapping groomers or crowded bowls, you’re flying into remote alpine zones, landing on ridgelines, and skiing or riding long, sustained pitches of untracked Alaskan powder.
What makes heli-skiing with SEABA different is scale and intimacy - the terrain footprint stretches roughly 250 nautical miles from Southeast Alaska up toward the BC/Yukon border, but the operation itself is deliberately small, with a maximum of 4 groups per helicopter and a 4:1 guest-to-guide ratio. That means as a guide, it’s possible to tailor lines, pace, and objectives to each group, so customers feel like they’re pioneering first single descents tailored to them rather than following a conga line down a single run.
SEABA chose Haines because it has a rare combination of coastal snowpack, steep relief, and relatively easy access. The maritime influence builds deep, stable snow on the classic Alaskan spines and ramps people see in films, while the town itself remains a low-key, authentic Alaskan community.
From a guest’s perspective, Haines is appealing because it feels like a genuine adventure basecamp: you’re looking straight out at the mountains you’ll be flying into, watching weather move through the fjords, and then 20 - 30 minutes later, you’re standing on top of them. The fact that SEABA’s permit area extends far beyond just one valley, and links up with partnering zones, gives our guides multiple weather and aspect options to find good snow even when conditions change.
On an all-inclusive SEABA trip, the idea is that once you arrive in Haines, almost everything tied to your ski logistics, safety, weather, and terrain is handled for you so you can focus on why you traveled there in the first place, having the best ski day of your life. A typical day starts with breakfast, followed by a guide-led safety briefing and daily conditions update, then a short transfer to the helicopter staging area where groups cycle through flights for multiple runs.
Back at base, the all-inclusive approach covers lodging arrangements in Haines and meals tied to the package, plus ground transfers associated with the ski program, but guests still have flexibility to explore local restaurants and the town on their own.
IG @seabaheli
PHOTOS COURTESY | SEABA
Read the DEC ISSUE #120 of Athleisure Mag and see ATHLEISURE LIST | SEABA in mag.
ALL’S FAIR
Hulu Originals
Hulu
If you have yet to watch S1 of All’s Fair, a splashy legal drama filled with a stellar cast, as well as phenomenal wardrobes, this is defintiely a series for you! Seeing a powerhouse group of women taking on cases, navigating their own firm, and then having stellar guest stars - it’s the guilty pleasure worth watching! Before the end of the season, viewers learned that this show has already been greenlit for S2 which gives us something to look forward to! You can stream all episodes now, whether it’s your first time or you want to revisit some of your favorite moments!
THE COPENHAGEN TEST
Peacock Originals
Peacock
Just in time before the year comes to a close, the much anticipated thriller series, The Copenhagen Test debuts on Dec 27th.
We meet Alexander Hale (Simu Liu), a first-generation Chinese-American analyst, who finds himself stuck downstairs at his top-secret spy agency, The Orphanage.
Once he realizes that he may be the mole they’re hunting for, he realizes that his eyes and ears have been hacked. He feels that the only way to survive is to act as if he is unaware of the hack, he works with his agency to hunt. He also works with his agency to see who is involved in what happened to him. This takes place while The Orphanage creates a fake world around him, assigning him a new “girlfriend,” promoting him to a new dangerous mission and sending him down a rabbit hole where it’s not clear what’s real and what’s fake in his own life. As he navigates his conflicting worlds, he knows that he will have to tak autonomy of his life to see how he will truly be able to operate as he continues to go through his ever changing reality.
JAY KELLY
Netflix Original
Netflix
When you’re the biggest star on the planet who can take on whatever role you wish to play, you have a team of people who ensures that your able to go about your day seamlessly - you don’t get the chance to really think about your life and place within it.
We meet Jay Kelly (George Clooney) who has a life that anyone would want to live in. But he realizes that as connected as he is to his industry and projects, his real life is one that he is not as connected as he would like to be. In taking a trip to try and spend time with his daughter, we realize the sacrifices that Jay, as well as entourage, have taken on in order to support his career and stardom. Jay even has to re-examine what he thinks he knows about the team that supports him and how he is there for them as well.
Read the DEC ISSUE #120 of Athleisure Mag and see BINGELY TV/STREAMING in mag.
TAHINI BABY: BRIGHT, EVERYDAY RECIPES THAT HAPPEN TO BE VEGETARIAN
Avery
Eden Grinshpan
We enjoy Middle Eastern and Mediterranean dishes and in Tahini Baby: Bright Everyday Recipes That Happen To Be Vegetarian, there are an array of dishes that are veggie forward that we are looking forward to making, and of course, eating! The fact that we can enjoy these shareable plates that have layers of flavor that are tangy, tart, rich, and creamy. We’re looking forward to making Tahini, Lemon-Braised Leek Masabacha with Za’atar Laffa, and Harissa-Roasted Cauliflower.
In this cookbook, there are recipes that will take you from breakfast to dinner and everything thing in between! You’ll find items to enjoy for solo dining, your significant other or even if you’re hosting a viewing party at home with friends who are coming by!
BEST OFFER WINS
Celadon Books
Marisa Kashino
As we’re closing out the year, we’re always thinking of books that are on our list to read. In Best Offer Wins, we find ourselves in the suburbs of Washington, DC. where in a period of 18 monts, Margo Miyake, a publicist has lost 11 houses in a number of bidding wars. When she ends up getting a tip of a house, in a perfect neighborhood!
The thought of leaving her cramped apartment that she lives in with her husband as well as making plans to have a child in the future, means that she would be a step closer to having her life where she would like for it to be.
She knows that she needs to buy this house before it is open to the public and she knows that a competitive offer is needed.
She begins to get to know the homeowners, she hopes to win them over and with whatever snags come along the way, she is determined to make sure that she gets what she wants.
PRETTY BROWN EYES: MORE THAN A PRETTY FACE
Independently Published
Nicole Doswell-Busano
In Pretty Brown Eyes: More Than A Pretty Face, we think this is a great gift to give the littles in your life if you are looking for a great holiday gift. Nicole, the author of this book, is in Fashion PR and wrote this book for her daughter as a means to empower her! The fact that she is a beautiful little girl is great; however, she wanted to make sure that she understood that she has so many qualities that make her amazing beyond her looks.
This story, which is perfect to read to your little during nap time, bedtime, or other moments, allows you to meet this curious toddler who gets to know what makes her special from kindness, courage, creativity, and so much more!
Read the DEC ISSUE #120 of Athleisure Mag and see BINGELY BOOKS in mag.
Read the DEC ISSUE #120 of Athleisure Mag and see 9PLAYLIST | ENNEAPUS in mag.
PHOTO CREDIT | CBS/Golden Globes
Today, the 83rd Golden Globes announced the winners that took place on Jan 11th on CBS at 8pm ET and you streamed live on Paramount+. Niki Glaser hosted this show for the 2nd time in a row! As we do throughout Awards Season, we share our predictions in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.
Frankenstein
Netflix
Hamnet
Focus Features
It Was Just an Accident
Neon
The Secret Agent
Neon
Sentimental Value
Neon
Sinners
Warner Bros
Blue Moon
Sony Pictures Classics
Bugonia
Focus Features
Marty Supreme
A24
No Other Choice
Neon
Nouvelle Vague
Netflix
One Battle After Another
Warner Bros
Jessie Buckley
Hamnet
Jennifer Lawrence
Die My Love
Renate Reinsve
Sentimental Value
Julia Roberts
After the Hunt
Tessa Thompson
Hedda
Eva Victor
Sorry, Baby
Joel Edgerton
Train Dreams
Oscar Isaac
Frankenstein
Dwayne Johnson
The Smashing Machine
Michael B. Jordan
Sinners
Wagner Moura
The Secret Agent
Jeremy Allen White
Springsteen: Deliver Me From Nowhere
Rose Byrne
If I Had Legs I’d Kick You
Cynthia Erivo
Wicked: For Good
Kate Hudson
Song Sung Blue
Chase Infiniti
One Battle After Another
Amanda Seyfried
The Testament of Ann Lee
Emma Stone
Bugonia
Timothée Chalamet
Marty Supreme
George Clooney
Jay Kelly
Leonardo DiCaprio
One Battle After Another
Ethan Hawke
Blue Moon
Lee Byung-Hun
No Other Choice
Jesse Plemons
Bugonia
Emily Blunt
The Smashing Machine
Elle Fanning
Sentimental Value
Ariana Grande
Wicked: For Good
Inga Ibsdotter Lilleaas
Sentimental Value
Amy Madigan
Weapons
Teyana Taylor
One Battle After Another
Benicio Del Toro
One Battle After Another
Jacob Elordi
Frankenstein
Paul Mescal
Hamnet
Sean Penn
One Battle After Another
Adam Sandler
Jay Kelly
Stellan Skarsgård
Sentimental Value
Paul Thomas Anderson
One Battle After Another
Ryan Coogler
Sinners
Guillermo del Toro
Frankenstein
Jafar Panahi
It Was Just an Accident
Joachim Trier
Sentimental Value
Chloé Zhao
Hamnet
It Was Just an Accident (France)
Neon
No Other Choice (South Korea)
Neon
The Secret Agent (Brazil)
Neon
Sentimental Value (Norway)
Neon
Sirāt (Spain)
Neon
The Voice Of Hind Rajab (Tunisia)
Willa
Arco
Neon
Demon Slayer: Kimetsu No Yaiba Infinity Castle
Aniplex, Crunchyroll, Sony Pictures Entertainment
Elio
Walt Disney Studios Motion Pictures
KPop Demon Hunters
Netflix
Little Amélie or the Character of Rain
Gkids
Zootopia 2
Walt Disney Studios Motion Pictures
Paul Thomas Anderson
One Battle After Another
Ronald Bronstein & Josh Safdie
Marty Supreme
Ryan Coogler
Sinners
Jafar Panahi
It Was Just an Accident
Eskil Vogt & Joachim Trier
Sentimental Value
Chloé Zhao & Maggie O’Farrell
Hamnet
Alexandre Desplat
Frankenstein
Ludwig Göransson
Sinners
Jonny Greenwood
One Battle After Another
Kangding Ray
Sirāt
Max Richter
Hamnet
Hans Zimmer
F1
“Dream as One”
Avatar: Fire and Ash
Music by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
Lyrics by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
“Golden”
KPop Demon Hunters
Music by: Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong Jun
Lyrics by: Kim Eun-jae (EJAE), Mark Sonnenblick
“I Lied to You”
Sinners
Music by: Raphael Saadiq, Ludwig Göransson
Lyrics by: Raphael Saadiq, Ludwig Göransson
“No Place Like Home”
Wicked: For Good
Music by: Stephen Schwartz
Lyrics by: Stephen Schwartz
“The Girl in the Bubble
Wicked: For Good
Music by: Stephen Schwartz
Lyrics by: Stephen Schwartz
“Train Dreams”
Train Dreams
Music by: Nick Cave, Bryce Dessner
Lyrics by: Nick Cave
Avatar: Fire and Ash
Walt Disney Studios Motion Pictures)
F1
Apple Original Films
KPop Demon Hunters
Netflix
Mission: Impossible – The Final Reckoning
Paramount
Sinners
Warner Bros
Weapons
Warner Bros
Wicked: For Good
Universal
Zootopia 2
Walt Disney Studios Motion Pictures
The Diplomat
Netflix
The Pitt
HBO Max
Pluribus
Apple TV
Severance
Apple TV
Slow Horses
Apple TV
The White Lotus
HBO Max
Abbott Elementary
ABC
The Bear
FX on Hulu
Hacks
HBO Max
Nobody Wants This
Netflix
Only Murders in the Building
Hulu
The Studio
Apple TV
Adolesence
Netflix
All Her Fault
Peacock
The Beast In Me
Netflix
Black Mirror
Netflix
Dying For Sex
FX on Hulu
The Girlfriend
Prime Video
Kathy Bates
Matlock
Britt Lower
Severance
Helen Mirren
MobLand
Bella Ramsay
The Last of Us
Keri Russell
The Diplomat
Rhea Seehorn
Pluribus
Sterling K. Brown
Paradise
Diego Luna
Andor
Gary Oldman
Slow Horses
Mark Ruffalo
Task
Adam Scott
Severance
Noah Wyle
The Pitt
Kristen Bell
Nobody Wants This
Ayo Edebiri
The Bear
Selena Gomez
Only Murders in the Building
Natasha Lyonne
Poker Face
Jenna Ortega
Wednesday
Jean Smart
Hacks
Adam Brody
Nobody Wants This
Steve Martin
Only Murders in the Building
Glen Powell
Chad Powers
Seth Rogen
The Studio
Martin Short
Only Murders in the Building
Jeremy Allen White
The Bear
Claire Danes
The Beast in Me
Rashida Jones
Black Mirror
Amanda Seyfried
Long Bright River
Sarah Snook
All Her Fault
Michelle Williams
Dying for Sex
Robin Wright
The Girlfriend
Jacob Elordi
The Narrow Road to the Deep North
Paul Giamatti
Black Mirror
Stephen Graham
Adolescence
Charlie Hunnam
Monster: The Ed Gein Story
Jude Law
Black Rabbit
Matthew Rhys
The Beast in Me
Carrie Coon
The White Lotus
Erin Doherty
Adolescence
Hannah Einbinder
Hacks
Catherine O’Hara
The Studio
Parker Posey
The White Lotus
Aimee Lou Wood
The White Lotus
Owen Cooper
Adolescence
Billy Crudup
The Morning Show
Walton Goggins
The White Lotus
Jason Isaacs
The White Lotus
Tramell Tillman
Severance
Ashley Walters
Adolescence
Bill Maher
Bill Maher: Is Anyone Else Seeing This?
Brett Goldstein
Brett Goldstein: The Second Best Night of Your Life
Kevin Hart
Kevin Hart: Acting My Age
Kumail Nanjiani
Kumail Nanjiani: Night Thoughts
Ricky Gervais
Ricky Gervais: Mortality
Sarah Silverman
Sarah Silverman: Postmortem
Armchair Expert with Dax Shepard
Wondery
Call Her Daddy
SiriusXM
Good Hang with Amy Poehler
Spotify
The Mel Robbins Podcast
SiriusXM
Smartless
SiriusXM
Up First
NPR
Read the DEC ISSUE #120 of Athleisure Mag and see THE 9LIST 9M3NU in mag.
Read the DEC ISSUE #120 of Athleisure Mag and see ATHLEISURE BEAUTY in mag.
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PHOTO CREDIT | Netflix/The Actor Awards
This year, the SAG Awards has been renamed to the 32nd Annual Actor Awards Presented by SAG-AFTRA to better align with the awards and vision of this show in what it means to those that are nominated as well as receive it. This morning, the nominations were shared for this awards season show. Winners will be announced and streamed live on Netflix on Sunday, March 1st at 8pm ET/5pm PT. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Jesse Plemons, Bugonia
Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I'd Kick You
Kate Hudson, Song Sung Blue
Chase Infiniti, One Battle After Another
Emma Stone, Bugonia
Miles Caton, Sinners
Benicio Del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Paul Mescal, Hamnet
Sean Penn, One Battle After Another
Odessa A'zion, Marty Supreme
Ariana Grande, Wicked: For Good
Amy Madigan, Weapons
Wunmi Mosaku, Sinners
Teyana Taylor, One Battle After Another
F1
Frankenstein
Mission: Impossible — The Final Reckoning
One Battle After Another
Sinners
Abbott Elementary
The Bear
Hacks
Only Murders in the Building
The Studio
The Diplomat
Landman
The Pitt
Severance
The White Lotus
Ike Barinholtz, The Studio
Adam Brody, Nobody Wants This
Ted Danson, A Man on the Inside
Seth Rogen, The Studio
Martin Short, Only Murders in the Building
Kathryn Hahn, The Studio
Catherine O'Hara, The Studio
Jenna Ortega, Wednesday
Jean Smart, Hacks
Kristen Wiig, Palm Royale
Sterling K. Brown, Paradise
Billy Crudup, The Morning Show
Walton Goggins, The White Lotus
Gary Oldman, Slow Horses
Noah Wyle, The Pitt
Britt Lower, Severance
Parker Posey, The White Lotus
Keri Russell, The Diplomat
Rhea Seehorn, Pluribus
Aimee Lou Wood, The White Lotus
Jason Bateman, Black Rabbit
Owen Cooper, Adolescence
Stephen Graham, Adolescence
Charlie Hunnam, Monster: The Ed Gein Story
Matthew Rhys, The Beast In Me
Claire Danes, The Beast In Me
Erin Doherty, Adolescence
Sarah Snook, All Her Fault
Christine Tremarco, Adolescence
Michelle Williams, Dying for Sex
Andor
Landman
The Last of Us
Squid Game
Stranger Things
Harrison Ford
Read the latest issue of Athleisure Mag.
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PHOTO CREDIT | Critics Choice Awards
Happy New Year all! Awards Season is definitely in its stride with the 31st Critics Choice Awards which took place this evening! Winners were announced on E! as well as USA Network. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.
BEST PICTURE
Bugonia (Focus Features)
Frankenstein (Netflix)
Hamnet (Focus Features)
Jay Kelly (Netflix)
Marty Supreme (A24)
One Battle After Another (Warner Bros.)
Sentimental Value (Neon)
Sinners (Warner Bros.)
Train Dreams (Netflix)
Wicked: For Good (Universal Pictures)
BEST ACTOR
Timothée Chalamet – Marty Supreme (A24)
Leonardo DiCaprio – One Battle After Another (Warner Bros.)
Joel Edgerton – Train Dreams (Netflix)
Ethan Hawke – Blue Moon (Sony Pictures Classics)
Michael B. Jordan – Sinners (Warner Bros.)
Wagner Moura – The Secret Agent (Neon)
BEST ACTRESS
Jessie Buckley – Hamnet (Focus Features)
Rose Byrne – If I Had Legs I’d Kick You (A24)
Chase Infiniti – One Battle After Another (Warner Bros.)
Renate Reinsve – Sentimental Value (Neon)
Amanda Seyfried – The Testament of Ann Lee (Searchlight Pictures)
Emma Stone – Bugonia (Focus Features)
BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another (Warner Bros.)
Jacob Elordi – Frankenstein (Netflix)
Paul Mescal – Hamnet (Focus Features)
Sean Penn – One Battle After Another (Warner Bros.)
Adam Sandler – Jay Kelly (Netflix)
Stellan Skarsgård – Sentimental Value (Neon)
BEST SUPPORTING ACTRESS
Elle Fanning – Sentimental Value (Neon)
Ariana Grande – Wicked: For Good (Universal Pictures)
Inga Ibsdotter Lilleaas – Sentimental Value (Neon)
Amy Madigan – Weapons (Warner Bros.)
Wunmi Mosaku – Sinners (Warner Bros.)Teyana Taylor – One Battle After Another (Warner Bros.)
BEST YOUNG ACTOR / ACTRESS
Everett Blunck – The Plague (Independent Film Company)
Miles Caton – Sinners (Warner Bros.)
Cary Christopher – Weapons (Warner Bros.)
Shannon Mahina Gorman – Rental Family (Searchlight Pictures)
Jacobi Jupe – Hamnet (Focus Features)
Nina Ye – Left-Handed Girl (Netflix)
BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Ryan Coogler – Sinners (Warner Bros.)
Guillermo del Toro – Frankenstein (Netflix)
Josh Safdie – Marty Supreme (A24)
Joachim Trier – Sentimental Value (Neon)
Chloé Zhao – Hamnet (Focus Features)
BEST ORIGINAL SCREENPLAY
Noah Baumbach, Emily Mortimer – Jay Kelly (Netflix)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Ryan Coogler – Sinners (Warner Bros.)
Zach Cregger – Weapons (Warner Bros.)
Eva Victor – Sorry, Baby (A24)
Eskil Vogt, Joachim Trier – Sentimental Value (Neon)
BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Clint Bentley, Greg Kwedar – Train Dreams (Netflix)
Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee – No Other Choice (Neon)
Guillermo del Toro – Frankenstein (Netflix)
Will Tracy – Bugonia (Focus Features)
Chloé Zhao, Maggie O’Farrell – Hamnet (Focus Features)
BEST CASTING AND ENSEMBLE
Nina Gold – Hamnet (Focus Features)
Douglas Aibel, Nina Gold – Jay Kelly (Netflix)
Jennifer Venditti – Marty Supreme (A24)
Cassandra Kulukundis – One Battle After Another (Warner Bros.)
Francine Maisler – Sinners (Warner Bros.)Tiffany Little Canfield, Bernard Telsey – Wicked: For Good (Universal Pictures)
BEST CINEMATOGRAPHY
Claudio Miranda – F1 (Apple Original Films)
Dan Laustsen – Frankenstein (Netflix)
Łukasz Żal – Hamnet (Focus Features)
Michael Bauman – One Battle After Another (Warner Bros.)
Autumn Durald Arkapaw – Sinners (Warner Bros.)
Adolpho Veloso – Train Dreams (Netflix)
BEST PRODUCTION DESIGN
Kasra Farahani, Jille Azis – The Fantastic Four: First Steps (Marvel Studios)
Tamara Deverell, Shane Vieau – Frankenstein (Netflix)
Fiona Crombie, Alice Felton – Hamnet (Focus Features)
Jack Fisk, Adam Willis – Marty Supreme (A24)
Hannah Beachler, Monique Champagne – Sinners (Warner Bros.)
Nathan Crowley, Lee Sandales – Wicked: For Good (Universal Pictures)
BEST EDITING
Kirk Baxter – A House of Dynamite (Netflix)
Stephen Mirrione – F1 (Apple Original Films)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Andy Jurgensen – One Battle After Another (Warner Bros.)
Viridiana Lieberman – The Perfect Neighbor (Netflix)
Michael P. Shawver – Sinners (Warner Bros.)
BEST COSTUME DESIGN
Kate Hawley – Frankenstein (Netflix)
Malgosia Turzanska – Hamnet (Focus Features)
Lindsay Pugh – Hedda (Amazon MGM Studios)
Colleen Atwood, Christine Cantella – Kiss of the Spider Woman (Lionsgate/Roadside Attractions)
Ruth E. Carter – Sinners (Warner Bros.)
Paul Tazewell – Wicked: For Good (Universal Pictures)
BEST HAIR AND MAKEUP
Flora Moody, John Nolan – 28 Years Later (Sony Pictures)
Mike Hill, Jordan Samuel, Cliona Furey – Frankenstein (Netflix)
Siân Richards, Ken Diaz, Mike Fontaine, Shunika Terry – Sinners (Warner Bros.)
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine (A24)
Leo Satkovich, Melizah Wheat, Jason Collins – Weapons (Warner Bros.)
Frances Hannon, Mark Coulier, Laura Blount – Wicked: For Good (Universal Pictures)
BEST VISUAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett – Avatar: Fire and Ash (20th Century Studios)
Ryan Tudhope, Nikeah Forde, Robert Harrington, Nicolas Chevallier, Eric Leven, Edward Price, Keith Dawson –F1 (Apple Original Films)
Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell – Frankenstein (Netflix)
Alex Wuttke, Ian Lowe, Jeff Sutherland, Kirstin Hall – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean – Sinners (Warner Bros.)
Stephane Ceretti, Enrico Damm, Stéphane Nazé, Guy Williams – Superman (Warner Bros.)
BEST STUNT DESIGN
Stephen Dunlevy, Kyle Gardiner, Jackson Spidell, Jeremy Marinas, Jan Petřina, Domonkos Párdányi, Kinga Kósa-Gavalda – Ballerina (Lionsgate)
Gary Powell, Luciano Bacheta, Craig Dolby – F1 (Apple Original Films)
Wade Eastwood – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Brian Machleit – One Battle After Another (Warner Bros.)
Andy Gill – Sinners (Warner Bros.)
Giedrius Nagys – Warfare (A24)
BEST ANIMATED FEATURE
Arco (Neon)
Elio (Pixar Animation Studios)
In Your Dreams (Netflix)
KPop Demon Hunters (Netflix)
Little Amélie or the Character of Rain (GKIDS)
Zootopia 2 (Walt Disney Animation Studios)
BEST COMEDY
The Ballad of Wallis Island (Focus Features)
Eternity (A24)
Friendship (A24)
The Naked Gun (Paramount)
The Phoenician Scheme (Focus Features)
Splitsville (Neon)
BEST FOREIGN LANGUAGE FILM
It Was Just an Accident (Neon)
Left-Handed Girl (Netflix)
No Other Choice (Neon)
The Secret Agent (Neon)
Sirāt (Neon)
Belén (Amazon MGM Studios)
BEST SONG
“Drive” – Ed Sheeran, John Mayer, Blake Slatkin – F1 (Apple Original Films)
“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy – KPop Demon Hunters (Netflix)
“I Lied to You” – Raphael Saadiq, Ludwig Göransson – Sinners (Warner Bros.)
“Clothed by the Sun” – Daniel Blumberg – The Testament of Ann Lee (Searchlight Pictures)
“Train Dreams” – Nick Cave, Bryce Dessner – Train Dreams (Netflix)
“The Girl in the Bubble” – Stephen Schwartz – Wicked: For Good (Universal Pictures)
BEST SCORE
Hans Zimmer – F1 (Apple Original Films)
Alexandre Desplat – Frankenstein (Netflix)
Max Richter – Hamnet (Focus Features)
Daniel Lopatin – Marty Supreme (A24)
Jonny Greenwood – One Battle After Another (Warner Bros.)
Ludwig Göransson – Sinners (Warner Bros.)
BEST SOUND
Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John – F1 (Apple Original Films)
Nathan Robitaille, Nelson Ferreira, Christian Cooke, Brad Zoern, Greg Chapman – Frankenstein (Netflix)
Jose Antonio Garcia, Christopher Scarabosio, Tony Villaflor – One Battle After Another (Warner Bros.)
Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco, David V. Butler – Sinners (Warner Bros.)
Laia Casanovas – Sirāt (Neon)
Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner – Warfare (A24)
BEST DRAMA SERIES
Alien: Earth (FX)
Andor (Disney+)
The Diplomat (Netflix)
Paradise (Hulu)
The Pitt (HBO Max)
Pluribus (Apple TV)
Severance (Apple TV)
Task (HBO Max)
BEST ACTOR IN A DRAMA SERIES
Sterling K. Brown – Paradise (Hulu)
Diego Luna – Andor (Disney+)
Mark Ruffalo – Task (HBO Max)
Adam Scott – Severance (Apple TV)
Billy Bob Thornton – Landman (Paramount+)
Noah Wyle – The Pitt (HBO Max)
BEST ACTRESS IN A DRAMA SERIES
Kathy Bates – Matlock (CBS)
Carrie Coon – The Gilded Age (HBO Max)
Britt Lower – Severance (Apple TV)
Bella Ramsey – The Last of Us (HBO Max)
Keri Russell – The Diplomat (Netflix)
Rhea Seehorn – Pluribus (Apple TV)
BEST SUPPORTING ACTOR IN A DRAMA SERIES
Patrick Ball – The Pitt (HBO Max)
Billy Crudup – The Morning Show (Apple TV)
Ato Essandoh – The Diplomat (Netflix)
Wood Harris – Forever (Netflix)
Tom Pelphrey – Task (HBO Max)
Tramell Tillman – Severance (Apple TV)
BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Nicole Beharie – The Morning Show (Apple TV)
Denée Benton – The Gilded Age (HBO Max)
Allison Janney – The Diplomat (Netflix)
Katherine LaNasa – The Pitt (HBO Max)
Greta Lee – The Morning Show (Apple TV)
Skye P. Marshall – Matlock (CBS)
BEST COMEDY SERIES
Abbott Elementary (ABC)
Elsbeth (CBS)
Ghosts (CBS)
Hacks (HBO Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
The Righteous Gemstones (HBO Max)
The Studio (Apple TV)
BEST ACTOR IN A COMEDY SERIES
Adam Brody – Nobody Wants This (Netflix)
Ted Danson – A Man on the Inside (Netflix)
David Alan Grier – St. Denis Medical (NBC)
Danny McBride – The Righteous Gemstones (HBO Max)
Seth Rogen – The Studio (Apple TV)
Alexander Skarsgård – Murderbot (Apple TV)
BEST ACTRESS IN A COMEDY SERIES
Kristen Bell – Nobody Wants This (Netflix)
Natasha Lyonne – Poker Face (Peacock)
Rose McIver – Ghosts (CBS)
Edi Patterson – The Righteous Gemstones (HBO Max)
Carrie Preston – Elsbeth (CBS)
Jean Smart – Hacks (HBO Max)
BEST SUPPORTING ACTOR IN A COMEDY SERIES
Ike Barinholtz – The Studio (Apple TV)
Paul W. Downs – Hacks (HBO Max)
Asher Grodman – Ghosts (CBS)
Oscar Nuñez – The Paper (Peacock)
Chris Perfetti – Abbott Elementary (ABC)
Timothy Simons – Nobody Wants This (Netflix)
BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Danielle Brooks – Peacemaker (HBO Max)
Hannah Einbinder – Hacks (HBO Max)
Janelle James – Abbott Elementary (ABC)
Justine Lupe – Nobody Wants This (Netflix)
Ego Nwodim – Saturday Night Live (NBC)
Rebecca Wisocky – Ghosts (CBS)
BEST LIMITED SERIES
Adolescence (Netflix)
All Her Fault (Peacock)
Chief of War (Apple TV)
Death by Lightning (Netflix)
Devil in Disguise: John Wayne Gacy (Peacock)
Dope Thief (Apple TV)
Dying for Sex (FX on Hulu)
The Girlfriend (Prime Video)
BEST MOVIE MADE FOR TELEVISION
Bridget Jones: Mad About the Boy (Peacock)
Deep Cover (Prime Video)
The Gorge (Apple TV)
Mountainhead (HBO Max)
Nonnas (Netflix)
Summer of ’69 (Hulu)
BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Michael Chernus – Devil in Disguise: John Wayne Gacy (Peacock)
Stephen Graham – Adolescence (Netflix)
Brian Tyree Henry – Dope Thief (Apple TV)
Charlie Hunnam – Monster: The Ed Gein Story (Netflix)
Matthew Rhys – The Beast in Me (Netflix)
Michael Shannon – Death by Lightning (Netflix)
BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Jessica Biel – The Better Sister (Prime Video)
Meghann Fahy – Sirens (Netflix)
Sarah Snook – All Her Fault (Peacock)
Michelle Williams – Dying for Sex (FX on Hulu)
Robin Wright – The Girlfriend (Prime Video)
Renée Zellweger – Bridget Jones: Mad About the Boy (Peacock)
BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Owen Cooper – Adolescence (Netflix)
Wagner Moura – Dope Thief (Apple TV)
Nick Offerman – Death by Lightning (Netflix)
Michael Peña – All Her Fault (Peacock)
Ashley Walters – Adolescence (Netflix)
Ramy Youssef – Mountainhead (HBO Max)
BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Erin Doherty – Adolescence (Netflix)
Betty Gilpin – Death by Lightning (Netflix)
Marin Ireland – Devil in Disguise: John Wayne Gacy (Peacock)
Sophia Lillis – All Her Fault (Peacock)
Julianne Moore – Sirens (Netflix)
Christine Tremarco – Adolescence (Netflix)
BEST FOREIGN LANGUAGE SERIES
Acapulco (Apple TV)
Last Samurai Standing (Netflix)
Mussolini: Son of the Century (MUBI)
Red Alert (Paramount+)
Squid Game (Netflix)
When No One Sees Us (HBO Max)
BEST ANIMATED SERIES
Bob’s Burgers (Fox)
Harley Quinn (HBO Max)
Long Story Short (Netflix)
Marvel Zombies (Disney+)
South Park (Comedy Central)
Your Friendly Neighborhood Spider-Man (Disney+)
BEST TALK SHOW
The Daily Show (Comedy Central)
Hot Ones (YouTube)
Jimmy Kimmel Live! (ABC)
Late Night with Seth Meyers (NBC)
The Late Show with Stephen Colbert (CBS)
Watch What Happens Live with Andy Cohen (Bravo)
BEST VARIETY SERIES
Conan O’Brien Must Go (HBO Max)
Last Week Tonight with John Oliver (HBO Max)
Saturday Night Live (NBC)
BEST COMEDY SPECIAL
Brett Goldstein: The Second Best Night of Your Life (HBO Max)
Caleb Hearon: Model Comedian (HBO Max)
Leanne Morgan: Unspeakable Things (Netflix)
Marc Maron: Panicked (HBO Max)
Sarah Silverman: PostMortem (Netflix)
SNL50: The Anniversary Special (NBC)
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